Biographies Books

I wanted to know the real scoop for years on the Geronimo Pratt case. Although I'm not yet finished reading the book, it is very obvious that Mt. Pratt got screwed, like so many others caught up in the "good old USA" system. Obviously this one is a case of racial prejudice, but it could have just as easily been some other kind of prejudice. It is clear that the concept of "innocent until proven guilty" is just a nice theory that should be strictly adhered to but rarely is. The presumed guilt is clear from the get go on the part of the police. It continues on to the top with lies and deception on the part of the police to get a conviction at any cost, especially with regard to the truth. It's frightening and a relief to know it's not me. But next time it could be me, or anyone who gets targeted by individuals in a position of power, who have no integrity, and don't give a hoot about the constitution of the US.

This is certainly one of the best books I've ever read. Jack Olsen did an outstanding job of weaving together all the facts in a highly readable narrative of one of the most blatant chapters of injustice in 20th century legal history.

I already had considerable knowledge of the case before I read this book. In the early 1990s, the case was being publicized again. I was a reporter for Wave Newspapers in Los Angeles and journeyed with a co-worker to the state prison at Tehachapi where Pratt was then being held and we interviewed him. I then wrote several stories about his situation.

Pratt was imprisoned for 27 years for a crime he clearly did not commit. The prosecution was part of the FBI's notorious COINTELPRO operation-essentially a war against numerous dissenting groups in the 1960s including the Black Panther Party. As Olsen makes clear, in Pratt's case this also involved LAPD and the L.A. County District Attorney's office.

Pratt was convicted of the December 1968 Santa Monica tennis-court murder of school teacher Caroline Olsen. There was considerable doubt about the credibility of key-witness Julius Butler, who had a previous falling out with Pratt, and was later proven to be an informant. (When I was a reporter, I actually contacted Butler. He yelled that he was "tired of this" and hung up on me.) Plus, numerous other Panthers could have confirmed he was at a meeting in Oakland the day of the murder but most wouldn't testify because of a severe split in the ranks.

Appeal after appeal was turned down despite more and more evidence being discovered pointing to Pratt's innocence. In all probability the crime was committed by two low-level Panther members to obtain money for drugs.

That ties in with the only complaint I would make about Olsen's book. He really glossed over the fact that the FBI and police campaign against the Panthers (which I am not defending) was not just because of their militant political rhetoric. They had a lot of criminal types within the group.

Regardless, this is an extraordinary book about another era and the governmental abuses of that time. Johnnie Cochran redeemed himself in my eyes by getting Pratt released. That was after he was involved in a travesty of justice, himself, by getting O.J. Simpson off. But that's another story.

The courage and essential goodness of Geronimo Pratt, in spite of receiving a life sentence for a crime he did not commit, is truly inspiring. This is a wonderful book.

Geronimo Pratt had one of the most honorable and incredible lives I have ever heard of. This book documents his entire life, from is Morgan City childhood to his unjust incarceration for the murder of Caroline Olsen. I literally had trouble putting this book down. It is a great read for anyone interested in the judicial system, the FBI's COINTELPRO, the Black Panther Party, and racism in general. READ THIS BOOK!!!

This book should be mandatory reading for every black person when they turn 15 years old. To read what the gov't put this man through was utterly shocking. After you read this book read "The Judas Factor - The Plot to Kill Malcolm X." You'll be numb after reading these two books back to back.

Lee: The Last Years

This is a wonderful book about a wonderful man. Although Robert E. Lee is most remembered as a General, for most of his adult life, he was an engineer and educator (although in the army). Mr. Lee could have become very wealthy after the war by simply allowing his name to be used commercially. However, he wanted to make a contribution and did so by accepting the position as President of Washington College. He seldom spoke of the war and brought no military flavor to the College.

There is an argument that Robert E. Lee is responsible for more American dead than any other single individual. The difficult part of this book is tying to tie that Robert E. Lee to the man he was in his last five (5) years. He played Santa at Christmas, broke up a lynching, stroked the ego of his horse Traveller, was a good family man, looked out for the under dog and took care of his students, even when they were in trouble. How he handled all these situations, often minor by standards of the war, brings out the essence of the man including his character, values, wit and subtle humor.

I have read/studied history and biography for 40 years. I have spent more time on Robert E. Lee than any other individual and this book someway brings all my study of Mr. Lee together and puts it in perspective. I highly recommend this book to anyone with any interest in American History. Thanks Mr. Flood.

Outstanding biography of the man. Much has been written about the general, this book brings the humble father, husband and Christian man to life.

I've long considered myself a student of Southern history and the Civil War. Heck, I've been a historian at museums so I think I have a pretty good knowledge of the Civil War era. Furthermore, I live in Virginia and have been to the campus of Washington and Lee University. However, nearly every page of Charles Bracelen Flood's work on Robert E. Lee's post-war years is full of information I've never heard about. Flood has used many differing sources to pull together a wonderful, highly readable account of Lee's years after the war, how he came to be President of Washington College, and his role in the reconstruction of this country. What jumps out off the pages is that for as much as Lee has been studied and idolized for his exploits on the battlefield, his postwar years as President of the college should get just as much press. While Lee did not think defending his native state was wrong, he did wish for both North and South to reconcile as quickly as possible. After reading the book, I still do not think Lee is the god that some people hold him up to be, but he does stand out as a good man who wanted to bring the nation back together while also helping his fellow Southerners get back on their feet. While Flood's writing can be unimaginative at times and I thought he threw in little stories and vignettes that he didn't need too, the book is excellent overall and should be a must read for anyone interested in Lee. However, the book is such an easy, good read that I think almost anyone should pick it up.

Bracelen Flood clearly does extensive research in order to render this intimate and engrossing portrayal of Lee.

Lee: The Last Years was well worth reading. A must for anyone who wants to know a little more of the Rest of The Story about a fine American, though much misunderstood.

This book is a treasure. I have used it many times to check the lyrics of a song. Dylan is a favorite poet of mine.

The book is beautifully produced, but badly out of date (getting more so with each new album) and suffers from a certain lack of attention to the lyrics as the man sings them. Even so, ya gotta have it.

This book is a must for anyone who loves Bob Dylans lyrics. If a course were taught on Bob, this would be the textbook, and any fans will gets endless hours of enjoyment out of it.

I love this book. Dylan's output covering a 23-year span is right there in front of you. Whether you read the lyrics as they are or read while listening, any Dylan fan will soak up this wonderful book.

Interestingly enough, I have loaned this book to people who can't stand Dylan, but appreciate him as a writer. Their appreciation for the man and his talent always increases as a result. Sometimes this leads them to buy the discs, and they're forever hooked.

As much as I love the book, it is badly in need of an new edition covering Dylan's work since 1985, which includes at least 12 discs worth of work. But taken as it is, this book is priceless. Buy it.

A friend and I were out shopping a few weeks ago and we both picked up Bob Dylan's "No Direction Home: The Soundtrack" CD, which is the 7th volume in Dylan's archival Bootleg Series, and also the soundtrack for Martin Scorsese's excellent PBS documentary of the same title. The album is outstanding and now that my shopping pal's birthday is coming up, Halloween actually, I decided that Dylan's "Lyrics, 1962-1985" would be a near perfect gift. She is a major Dylan fan, as am I, and we have been for almost forty years. Time flies!

One of the deciding factors for making this purchase is that the hardcover volume edition makes an excellent, elegant presentation. The cover is laminated and each poem is printed singly on large, cream-stock pages with colored headers. Arranged by album, the book is a compilation of all of Dylan's writings and drawings, ('62 - '85), some wonderful pen sketches ranging in topic from roadside scenes to the romantic, plus 120 new compositions and an Index of song titles. "Lyrics, 1962-1985" is an extraordinary celebration of the artist's/composer's work.

"Highway 61 Revisited," "Blonde on Blonde," Tangled Up In Blue," "Masters of War," "Don't Think Twice, It's Alright," "With God On Our Side," "It Ain't Me Babe," "My Back Pages," "Subterranean Homesick Blues," "Stuck Inside of Mobile With the Memphis Blues Again," "You're Gonna Make Me Lonesome When You Go," "Tonight I'll Be Staying Here With You," "This Wheel's On Fire," "Shelter From The Storm," etc., and hundreds of others - they're all here! Dylan's liner notes and stream-of-consciousness short prose pieces really enhance the text.

Bob Dylan is a songwriter, musician and poet - an artistic genius and innovator whose tremendous body of work has had a major impact on over 40 years of American music, from the oldest anonymous folk ballads through blues and country into rock-and-roll. He expanded popular music by including politics, social commentary and philosophy into its vocabulary. He told more folks what was happening than the politicians and news reporters combined...and the counterculture loved him! We still do! While exploring and creating musical styles, Dylan did remain true to his roots in traditional American song.

I am so sorry that the book is out of print. Fortunately, I was able to purchase it, "New," from an Amazon marketplace seller at a very reasonable price. Highly recommended!
JANA

After the Magnifecent Seven's wonderful performance at the '96 Olympic Games, I decided to read this book to find out more about these talented young women. I thought it was terrific! There are biographies of each of the seven members along with really cool pictures. This book was awesome. These seven are really magnificint and it shows!

The book was pretty good for writing a book. Gave good information but it was a hard book to just sit down and read but I would for sure buy the book!

A must read with lots of good pictures. Gives good info. on all the athletes, with quotes.

This book is what really got me interested in gymnastics.

I had gotten introduced to gymnastics through a book about Mary Lou Retton I had picked up at a thrift store, but I didn't become too interested until I saw a picture of Kim Zmeskal in an Encyclopedia Annual. I looked her up on the Internet, and the rest they say is history.

Through the Internet I discovered the Magnificent Seven, and I found this book at our library. I couldn't have been more satisfied!

The Magnificent Seven was a team of US girls that consisted of Amanda Borden, Amy Chow, Jaycie Phelps, Shannon Miller, Dominique Dawes, Dominique Moceanu and Kerri Strug. These talented gymnasts won the very first Olympic Gold team medal in US. Gymnastic history.

This book has very informative biographies about each girl, complete with full color photos. It is very well written, and I would recommend it to anyone who wants to learn more about the Magnificent Seven, or just want to see some great pictures about them.

If you like gymnastics you'll love this book! It tells about the lives of the seven gymnasts on the 1996 gold medal winning U.S. Olympic gymnastics team, Shannon Miller, Dominique Moceanu, Kerri Strug, Dominque Dawes, Jaycie Phelps, Amanda Borden, and Amy Chow. There are pictures of each girl from their very young life to the 1996 Olympics.

Ever wonder what it's like to be a Broadway performer? Well here's your chance...told through the mouths of over a hundred performers, you'll get the chance to laugh, cry and survive with these performers.

Many don't understand the heart-ache and sacrifices made by a performer. Many even think that Broadway is easy...but with each story you'll learn that is far from the truth.

If you want to be a Broadway performer or just explore the life of one this book is for you....

This book was recommended to me by a very good friend. Not only is it a humorous read, but an eye-opening one. This book brilliantly deals with the reality of professional theater right from the mouths of professional actors. If you are in the business, this book exposes you to so many things that aren't taught in school. It's a must read. If you are a theatergoer, this book offers a rare look into the lives of performers. This book is such a great reality check that manages to also be inspiring.

i love this book so much. i read it over and over again, because it always inspires me and just gets me so excited thinking about what my future could possibly hold! This book has so many great stories, and some are so hilarious I am constantly laughing out loud while reading this book! Honestly!!
I read the book because it makes me feel comforted when I get an audition rejection...and it gives me a lot of hope. i love it so much, and it is a big book with a great number of stories...so definitely get this one! i wish they would publish a second book!!

This book is very good and meets all my expectations.

Whether you are a theatre novice or Broadway veteran, this ambitous work is insightful, educational and fun.
On some nights, the theatre life is full of passion and wonder. However, many nights are spent in the hope of simply finding a job or landing a decent audition. Warts and all, this book is a must for anyone who loves a play or story. Enjoy and learn.

What I found interesting about this book is that is a history lesson in American business and early regulatory policies that shaped the landscape we see today. At the same time, it is a story of classic love and betrayal. I found the author doing a great job when the story focused on Mellon's marriage and the demise of such, but he tended to become a bit lost in the details when describing all of the political ups and downs. Overall, a fine book and great American story

Though I can not claim to be altogether objective about the subject matter in much of this great book, I must congratulate Cannadine for a masterful study of what has been an extremely closed subject for a long, long time - most of all in the Mellon's home town of Pittsburgh. The late Paul Mellon must be given a lot of credit for breaking with family tradition - first for allowing the book "Thomas Mellon And His Times" to see the light of public day and then to let it all hang out with Cannadine with regard to sources and family papers.

All of the business glories (one wonders at times if Andrew ever really enjoyed his successes), all of the personal agonies (it must have been excruciating on many levels), and much of the rancor between both Judge Thomas Mellon's as well as Andrew's detractors and adversaries are, for the first time, put into print for ALL of the public's perusal. It will be up to each individual reader to judge for themselves how they feel about this man and his father and family.

It came as no suprise to me when Cannadine named my great-great grandfather as being one of the "vexatious litigation" principles who Judge Mellon would only refer to as "A", "B", or "C" in his autobiography. Cannadine is specific about the bad blood between the Negleys and the Mellons after the "eugenic" match (his words) and Pittsburghers specifically will find much new insight here.

However, this long and comprehensive book never lets down as it explores all facets of the Mellon dynasty, how it was aquired (at times skirting legality and even morality), and he leaves very few stones unturned. What Cannadine might have missed was the fact that the rehabilitation of the Mellon name in Pittsburgh was undertaken by Andrew's nephew Richard K. Mellon (Richard Beatty Mellon's son) when "Renaissance I and II" which, along with the Allegheny Community Conference, cleaned up the city of Pittsburgh and made it livable again after over 150 years of take, take, and more take by men such as "A.W." and "R.B" among many others, including Andrew's buddy Henry Clay Frick.

The mystery of "M..." will, I feel, eventually be solved but as was mentioned in a previous review, even as good a sleuth as Cannadine could not hazard even a guess (though I'll bet he had a guess). Notice that she becomes "Mrs. M---" on pg 259. I hardly believe that such a man would be so indiscreet as to write an entree with such a clue, or such an admission of a possible affair - but this entree IS followed by perhaps the most emotional outburst of his heart, "CRUEL", in uppercase.

A flawed man, as are all men, and obviously a tortured one for much of his life, this book will give everyone the chance to weigh the evidence and decide for themselves the verdict which until now was impossible to consider to to lack of full factual disclosure. I found it fascinating the whole way from beginning to end. The source notes are a gem in and of themselves.
I would also recommend both books by father and son for a comprehensive look at all three men, and how wealth, acquisition, and the drive and pressures of both shaped them.
"Thomas Mellon And His Times"
"Reflections In A Silver Spoon"

If you like history you'll love this book, it's long and "gets long winded in history" but try stop reading I couldn't, if your over 55 you will really love it. I still don't know how I feel about Andrew, Dick and Thomas Mellon. I found myself loving this book excellent read.

You will savor this account of the tumultuous life of Andrew Mellon, an arrogant turn-of-the-last-century industrialist and millionaire. He was torn to tatters by a scandalous divorce and, later, by opposing politicians. However, he transcended those humiliations by establishing the lavish National Art Gallery just before he died. "Andy" Mellon's life (1855-1937) stretched across critical years when the U.S. was transformed from an appendage of Europe to a superpower. His work as treasury secretary was held in such esteem that the Republican Party considered running him for president. However, even given his role as head of the Treasury, Mellon could not curtail the 1920s margin-buying stock market mania that led to the 1929 crash and the Great Depression. He is mostly remembered for the National Art Gallery and for his sex-scandal divorce fight. David Cannadine offers a highly readable biography, which is very balanced though Mellon's son, Paul, commissioned it. However, some readers may decide to skim through the extensive coverage of the politicized "Tax Trial," and Andy's ordinary trade in minor art and small firms. We highly recommend this extraordinary saga.

Cannadine exceeded expectations on a number of fronts with this definitive biography of Andrew Mellon. It has everything you'd expect from a grade-A biography, laying out where Mellon's family came from (both physically and philosophically), how Mellon grew up, his rise, peak, eventual fall from grace, death and legacy. Not only that, but Cannadine does all of this exceedingly well, giving his reader a sense of the nuances and subtleties of Mellon's personality and life. If Cannadine had done nothing else, he'd still have written a five-star book.

This book goes beyond most rock-solid biographies that I've read in Cannadine's sensitivity to the larger meaning of the events in Mellon's life, his place in history and his impact even after his death. While this sensitivity is present throughout Cannadine's book, it really comes together in in his three-part epilogue, which you will absolutely not want to miss, it is the highlight of the book.

The first point Cannadine develops is that Mellon's life straddled the line between two different eras in American history. He shows how Mellon, without changing his behaviors, was perceived one way for much of his life, then a totally different way at the end of his life. Through his awareness of this point, Cannadine really demonstrates to the reader how radical the shift in sentiment was in America in the 1930s.

The second point Cannadine is aware of, as any successful biographer of a great historical figure must be, is the idea that Mellon was a human being with some great strengths and some great flaws. In my experience, people who have the strengths to accomplish the most often have corresponding weaknesses to go with them; Cannadine really makes this point clear in his epilogue, doing a "balance sheet" of positives and negatives of Mellon's character and accomplishments. I've never seen an author take even-handed analysis to a similar place, and it really helped bring together the books ideas at the end.

Finally, Cannadine captures a truth about life, society and politics that imbues the book with a sense of sadness. It becomes obvious that many (though certainly not all) of the good things that happen to Mellon happen out of chance. Similarly, when bad things happen to Mellon, most (again, not all... his divorce comes to mind as an obvious exception) of them are undeserved. Mellon dies near the low point of his public popularity, suffering primarily for sins he did not commit.

I highly recommend this book for lovers of biography and history, it is truly a step beyond a really good biography.

Well, even in the tenth revision, it is one of the classics one photographer needs to have in his bookshelf.

It is not "how-to" (albeit it is how-to) but to get the idea of having that image created in your mind and then banned on chip of film.

Galen Rowell writes clear and deep essays about what his heart touches.
It does help if the reader has a broader knowledge about art, painting, and especially "construction techniques" to frame a picture with your camera.

Highly recommended!

Galen's images are inspiring, but the real value of this book is the wealth of topics, inspiration, and creative thinking presented in the articles.
This is NOT a coffee-table book. It is one you should take the time to read and digest. If you're an outdoor photographer you will appreciate the energizing effect of Galen's writing. A rare gem among countless other "pretty pictures but not much substance" offerings.

This is a must read for anyone who likes to shoot landscape photography. This book doesn't go into a lot of technical details, and the author assumes the readers have a basic knowledge of how SLRs operate, but rather it deals more with the "why" of photography and "when", which I found to be very interesting and thought provoking. Galen Rowell shares his insights about mountain light and how his mind works when he is out with a camera along with what photography meant for him, and it changed my approach to landscape photography. He also shares his unsuccessful stories, which is not very usual for these types of books, and it's good to see that even for photographers of his level things have never come easy. Luck is a big part of it all, and he has a great essay there on how to be in a better position for its appearance. In addition, this book is full of his outstanding landscape art, and that alone is worth whatever the price you will pay for it.

It's a great book ! you'll find all you need about photographing up in the mountains ! Galan Rowell was a great person ! A book worth reading by anybody who enjoys photography at high altitude.

This is a book about making meaningful landscape photographs. This is not a book about which f/stop to use or how to adjust your depth of field or exposure. There are a ton of those types of books on the market. This book is about vision, learning to see and connecting personally with your images.

If you're comfortable with the mechanical aspects of your camera and are struggling with "technically well executed but lifeless images" this is your guide.

I highly recommend it.

In our household, we were "bread and buttered" listening to the Clancy Brothers and Tommy Makem. The 33-1/3 rpm Columbia records were scratched and worn from overuse. We would play the records on family occasions and holidays. We would play favorite songs in the mornings during breakfast and as we made ready for school. In hindsight, I am surprised that the neighbors never complained or called the police.

Tommy Makem died last summer. The two eldest members of the quartet, Tom and Pat Clancy predeceased him. Liam Clancy is the sole surviving member of the recording group. This book is a sketchy and incomplete attempt at an autobiography, but it is as good as we are likely to get from this Clancy. Its strengths far outweigh its deficiencies. Readers should count themselves fortunate that Liam remembered anything at all after so many long nights and sexual misadventures. Perhaps, Tommy Makem, who abstained from drinking for most of his life, should have been taking notes for him (Makem wrote some wonderful essays, but I do not know if he ever published a full length book).

Liam Clancy was the youngest of eleven children. One of his problems when the recording group was formed in the USA was that his two much older brothers scarcely knew their youngest sibling at all. They had to introduce themselves to him when he arrived in New York. The Irish ballads and rebel songs (the Irish rebellions always seemed more successful in song than in reality) that the Clancy Brothers and Tommy Makem performed proved to be immensely popular. In addition the Irish diaspora, the authentic songs gained wide acceptance among fans of the Greenwich Village Folk Music scene. Liam Clancy became a fast friend of Bob Dylan.

There is a lovely story of how Clancy dropped his given Christian name while working as an actor in an Irish theatre company. A fellow actor chided him for answering to Willie, telling him that it was an "English" sounding name. He adopted the Gaelicized form and has been "Liam" ever since.

Pour yourself a drink and enjoy this book. Be thankful that the next generation of Clancy and Makem family members have taken up the songs that their fathers helped popularize internationally. Imagine how quiet our homes would have been if Clancy had kept up his father's plans and became an insurance agent!

Liam Clancy's has great literary talent. His bio is a tribute to his family and to his native land. Catholic schools greatly contributed to his native talent for the stage----I am not sure why he makes a critical remark of the Church.

The Clancy Brothers albums opened by ears to traditional celtic music in the 60s, so it was a treat for me to read Liam Clancy's account of how the group evolved. The family background and his personal development as an student, actor and musician were very enjoyable reading.
If you liked Angela's Ashes, this will certainly appeal.

First of all,there are 17 other reviews;most of them excellent and all deserve to be read.I read a fair bit of modern Irish Writing.The McCourts,Roddy Doyle,Brendan Behan,Morgan Llywelyn,Brendan O'Carroll,just to name a few.What I really like about these writers is their magical use of language.Although I have been a fan of Tommy Makem and the Clancy Brothers for at least 30 years,I have never read anything about them.I had no idea of how much they were involved in acting;let alone that any of them had such gifted writing skills.What a surprise;Liam's skills are as good as his musical talents.
Though not a Clancy,I heard Tommy Makem perform here in Toronto at an intimate club a few months ago.He did "Oh, me name is Dick Darby,I'm a cobbler.";mentioned on page 102.That had to be the best recitation I ever witnessed.
I would like to quote something Liam wrote about his experience in North Carolina in 1956 and he was writing about it nearly 50 years after the fact.
From page 170....
"South Carolina in the spring was seductive with scents of growing things,of magnolias and hibiscus,the air heavy with noontime heat and the swampy buzz of katydids and flying critters.The nights there belonged to the frogs and bats and flying beetles and the countless mingled smells of a land at rest after a burgeoning day's work fermenting life." Imagine the thoughts of a 21 year old,written 50 years later.
I also had no idea of Clancy's involvment with the people like Oscar Brand,Bob Dylan,Woody Guthrie,Pete Seeger,Odetta,Barbara Streisand,Lenny Bruce,Jean Ritchie,Ramblin' Jack Elliot,Brendan Behan,Diane (Guggenheim),Josh White,Alan Lomax,Mary O'Hara and on and on.
Liam gives a great insight into the world of acting and folk music of the 50's and the 60's. Now that I have read the book,I am looking forward to listening to the tape.
I also have no idea if Liam has a second book planned to cover the last 40 years.I am sure it would be a great follow up.How about it Liam,you're only 70 ,and you must still have lots to tell us.
Thanks.

I never heard Liam Clancy sing until a couple of months ago, when I found a copy of an album called "The Lark in the Morning" that looked interesting, given its cover and its date of the mid-50s. Growing up, The Clancy Brothers and Tommy Makem were heard of but not heard by me--I associated them with Aran knit sweaters, hearty shour-an'-begorra singalongs,novelty tunes, and the kind of kitsch that the previous generation had listened to complacently before the revival in the 70s of a tougher trad scene out of Ireland shook it all up again.

Well, I heard the tracks on "Lark" in the car without knowing who was who since I could not see the CD case listings. But when I finished it, I noticed that the songs that had stood out from the rest were all by Liam C. Impressed, I read the liner notes about one Diane Hamilton, who I had never heard of, and Tradition Records, the label for which "Lark" was the debut issue. But the whole story was not clear, given the brief notes, until I read "Women of the Mountain."

From the title, I expected a tale of lusty drunken couplings and riotuous escapades from the "Folksmen"/"Kingston Trio" era. Instead, an evocative tale of growing up eating mortar and chalk for nutrition during WWII, poverty, clerical abuse, and hardscrabble small-town life in Waterford's Carrick-on-Suir unfolded smoothly and eloquently. Sure, the blarney sometimes is laid on a bit too thick for less glib me, but the stage Irishman tendencies are kept mercifully in check by realism: the death of a sibling, the estrangement from mother and Church, the entanglement with Diane H. (who turns out to be a Guggenheim nearly as neurotic as her relative Peggy G. did for Beckett!), and the adventures on the road, in theatre, and on stage.

One surprise and a reason for four stars is the lopsided nature of the book: the singing takes decididly second fiddle to the stage in the dramatic sense. This was fascinating for me, but it misleads the reader perhaps who by the back photo of the group harmonizing might expect far more about Clancy's musical experience. He mentions, for example, as if offhandedly that he learned the tin whistle. Yes, but how? As a musician, did he find it easy after the guitar? How did it help his reportoire? Did he learn it so the group could expand its range? How does it sound to him? How does he play it? Here, music as enacted comes rather late in the book, in not a lot of detail, and seems rather superficially treated as opposed to other incidents and events.

I do commend Clancy on his delicacy with relating his own romantic and emotional engagements with women and men--he reminds us of the fragility we all possess and the need to recognize humanity in each other. And he makes his point after having earned the right to say so after his own checkered past. He comes off wise without sounding pious, intelligent without acting snobbish, and flawed without playing it up as maudlin. He handles people and places with stamina and wit, and his own coming-of-age here, while cut off while he's not even thirty yet, needs however fuller exposition than is given here. The New York Greenwich Village years deserve more depth than they're given here; the book's unbalanced in favoring much more from his pre-NYC years (nothing wrong with that) and again this may mislead misinformed readers as to its actual coverage of many more early situations predating the group's rise to fame. I also got little sense of how he got along with his fellow group members--granted that two are his brothers--but how the three Clancys got along with Makem who was from Keady in the north and from a different region, musical tradition, and political regime seemed like the sort of detail that could have enriched the book.

I guess a sequel is in the works. Like recent Irish memoirs by Frank McCourt and Hugo Hamilton, the autobiographical account stops suddently, at the height of a self-realization by the author in his formative years. I do not know if this book would have been published if McCourt had not led the way, but resilient Clancy's tale too deserves a wide readership for dispelling (as do McC and HH in their accounts--also see John McGahern's memoir) the myths of recent Irish life, while advocating a return to the more durable and more feminine myths that inspired Yeats, Behan, Synge, Joyce, and the Slieve-na-mBan/Sleivenamon that gives its rounded breasted mountain shape to the landscape that rose above Clancy's hometown.

the best and funniest of the 3 archie and mehitabel books offered period how could you not love a book written by a cockroach on a typewriter by slamming his head on the keys one at a time and skipping punctuation and capitalization of letters because comma well comma archie is a cockroach with a not so big reach and only one head to slam keys with period what would you leave out if you were in his same situation question mark
much is still relevent today comma especially the references to the scopes monkey trial period
and mehitabel comma why comma the song of mehitabel is simply one of the funniest poems ever written period garrison keiller lists it in his book good poems period

When I was in high school, ovefr sixty years ago, I used to read Dan Marquis clever column in, I think, the New York World Telegram and found it a fascinating piece of imagination. Coming back to it now, nothing has changed. In telling the story of the typewriting cockroach and the wayward cat he touches, with great humour, so many of our human foibles and hopes too.

It's a bit of a stretch for todays kids, but I think they can imagine a mechanical typewriter and once they get a hold of this the fantasy should grab them.

A classic book from an author who thoiught outside the box - you'll love it.

Anyone who hasn't read Don Marquis' stories of the adventures of Archie and Mehitabel, have missed what is doubtless one of the world's greatest pieces of humorous literature. These stories delve into history to pull out hysterically humorous aspects of incidents regarding such characters as Cleopatra, and apply them to the lowly day-to-day events in the lives of a cockroach who operates a typewriter, a cat that complains she cannot understand why she is blessed with so many of those damned kittens, and a dead rat that receives glorious last rites by being filed in an alley ash can. No words can do justice to Don Marquis' fantastic imagination and his equally fantastic sense of humor. Anyone who misses this work is to be pitied! A. D. Holcombe

This is classic humor - and even though it is nearly 100 years old, this is still funny and interesting. In fact, Mehitabel's refrain has become my mantra: "wotthehell wotthehell toujours gai I always say, there's life in the old girl yet."

This powerful work is at once inspiring, frustrating and captivating. Kozol draws the reader into a world called Mott Haven that is filled with substance, love, service and hope. He poignantly describes the lives of children while blasting the manner in which we have chosen to deal with our most needy sectors of society. Kozol's gifted and powerful storytelling reminds us of several truths:

1. Segregation is potentially a bigger problem today than ever. White flight, private schools, school choice, home-schooling, virtual schools and lack of equitable access to technology are widening the gap.
2. Inequities in education must be addressed with the underlying belief that every child has the potential to achieve his/her dreams. Society must be responsible and held accountable for creating conditions ensuring that this occurs.
3. Teachers and students must all be able to work and learn in optimum conditions that safeguard and ensure dignity.
4. Although children appear to be resilient, we must protect their innocence, ensure they have the chance to dream and be inspired by their eternal optimism and hope. The real heroes of today are those who spend time with our children, listening to and nurturing their dreams.
5. We spend too much on our prison system and must figure out a way to divert that funding to education and healthcare so we can be proactive rather than reactive.

Kozol manages to convey the realities of inner city education by illuminating the complexities behind the daily challenges facing teachers and parents. His manner of connecting the problems to the institutions and practices that society has created to deal with those who do not "fit the system" provides a wake-up call to all of us who are working to make a difference in the lives of children. Kozol shows us that the system we have created is nurturing itself instead of helping people to break out of the vicious cycle characterized by lack of quality education, health care, meaningful work opportunities and dignity. We can no longer ignore the problems in the inner cities of America, not just because it makes economic sense but because it makes human sense to individually develop our most precious resources - our children. Community leaders, parents, educators, and corporate leaders should put this compelling book on the top of their "must read" list.

In Ordinary Resurrections, Jonathan Kozol deviates from his usual "gloves off" attack of the issues facing minority children. Instead of building the case against the inequitable system with facts and figures, as he has in previous work, he has chosen the subtle but effective approach of a storyteller. He paints a very descriptive portrait of the victims of continued segregation and racism that may inspire those in positions of influence to make more compassionate decisions regarding the lives of the children they serve.

Things that scream out to me from Kozol's book(s):

1) Incarceration vs. Education (do the math!)
The incarceration industry is thriving on blind public support. If taxpayers knew they were paying on the average ten to twenty times more to incarcerate supposed perpetrators of victimless crimes than it would cost to educate them, I'd bet they might even overlook their racist fears. The corporate/federal mentality that chooses to decide early on what these children will bring to the economy seems to prefer them as a product in this system versus potential contributors to something greater.

2) Resilience (despite our conditional "help")
In their innocent naiveté the children neglected by the system remain courageous, hopeful, and resilient. This resilience may diminish as they weather the inequities of the system that oppresses them, but it is often the attribute that enables them to succeed regardless of our preaching and teaching. Just imagine what heights they might reach if they continued to be nurtured as they are by the caring individuals in their lives now.

3) Compassion (essential)
As a beneficiary of white male privilege his reflections from the other side of the gap are poignant and insightful lessons for those of us too far removed from the reality that exists in many of our cities. Even after this racial inequity is acknowledged it is difficult for most of us to express empathy in ways that ring genuine. Kozol does! He is trusted and welcomed by the culture and community he strives to serve. His stories reflect a model for learning and practicing compassion which, in my opinion, may be the single most important factor in saving ourselves from extinction. Kozol repeatedly demonstrates the importance
of compassion in his work. Listen to him!

4) Racism, segregation, inequality (market view politics)
Racism is institutionalized in the United States despite the hope segregation was ending that the civil rights movements of the sixties inspired. "Kids notice that no politicians talk about this. They hear the politicians saying, "We're gonna have tougher standards in your separate-but-not-equal schools. We're gonna raise the bar of academic discipline in your separate-but-not-equal schools." But nobody says we're going to make them less separate and more equal. Nobody says that." - Kozol interview in Education World

5) Toxic environments (no one to litigate)
AIDS, asthma, drugs, violence, toxic pollution, poverty, malnutrition, lack of medical attention, apartheid economics, and neglect are common elements in the environment Kozol's children try to survive in. Basic needs must be satisfied before we can expect children to be receptive to that which we would have them learn. Kozol is issuing a wake-up call to the complacent masses that are either unaware or in denial that this situation is serious and threatens all of us socially, emotionally, and economically.

In my opinion, implications for educators that may be gleaned from Kozol's book include:
* The extreme importance of compassion in all aspects of dealing with children.
* Recognition that before we talk about diversity we need to spend a lot more
time in the conversation about racism.
* Locking people up is not rehabilitation and in the long run is socially,
emotionally, spiritually, and economically disastrous. Break the cycle of incarceration!

The Bronx has a long history. I'm always bumping into middle-aged and elderly professionals from the Bronx. Their mothers scrubbed floors; they went to City University. They now live in million-dollar condos in Manhattan. The ghetto is a conveyor belt for those who make up their minds to sacrifice their youth for future gain. Today's Bronx looks very much as Kozol describes. The very young are cute and inspiring, I suppose, but there must be a reason he leaves out the teens and their older brothers and sisters. The modern ghetto doesn't put a premium on discipline and learning. Kozol feeds into the victimology, seeing the community suffering from the failures of others to "do" right by them. Teachers know, however, that much would be improved if parents would simply make their children go to bed on time. Crime would be halved if kids were told to come in by 9. Early immigrants left the Bronx for the affluent suburbs, having devoted themselves to their children's education. Today it is rare indeed to meet a parent who has even one book in the house. Funding won't make up for this basic poverty of values.

Ordinary Resurrections is one of the most important books I've ever read and one of the most poignantly beautiful. It is an absolute must read for everyone who cares about children, the wide disparity in economic opportunity in the U.S., and who dares to hope for our future. Kozol movingly brings to life in his first-hand descriptive account the lives and conditions in their own words of children and their families who have been deliberately neglected, ignored, hidden away. This true story of their hope, strength, resilience, and beauty testifies to the dominance of the human spirit in the face of unspeakable abuse by government at every level and all systems that have failed them.

Jonathan Kozal has taken away the protective myth that America's school children are all treated equally, with dignity and given unvarying opportunities. In his latest book, ORDINARY RESURRECTIONS, Kozal's readers get a glimpse into a reality that replaces equal value with present day segregation to children of the poor. Although many in power would like to ignore the disgrace of how our underprivileged students are educationally treated in areas such as Mott Haven, New York, Kozal's first hand account of such inequality calls for a recognition and reformation of America's priorities. Told in the children's words, this book contributes awareness to the desperate need for compassion to and knowledge of the struggles of many American youth. The facts are both shocking and compelling, and will challenge the values one holds to necessitate action on our children's behalf. As Kozal states, the reality is that "...there are few areas in which the value we attribute to a child's life may be so clearly measured as in the decisions that we make about the money we believe it's worth investing in the education of one person's child as opposed to that of someone else's child." Once read, ORDINARY RESURRECTIONS destroys the bliss of ignorance. One is faced with the decision to powerfully act or despairingly ignore.