Reviews Books

An outstanding companion piece to the great(if not THE greatest) dramatic series ever made. Ed Robertson really did his homework in researching for this book. Jam packed with info and anecdotes from the crew and many fine stars who guested on the show. Dozens of photos both stills from the episodes and candid shots taken on the set. Detailed synopsises of each episode(without spoilers) Even a special list of every name used by Richard Kimble, jobs he held, and places where each story took place. Highly recommended.

Ed Robertson's book is definitely the best. I also own "The Fugitive - A complete Episode Guide" by John Cooper and "My Fugitive" by David Janssen's former wife Ellie Janssen which is worth a read!
Another amazon.com reader mentioned the Twilight Zone Companion. But where is the Peyton Place Companion? I'm missing a book on the TV series "Peyton Place" for several decades and wonder why there is still no book out there.

"The Fugitive Recaptured" was published in 1993, thirty years after the TV series, "The Fugitive", premiered on network television in 1963.

This volume, by Ed Robertson, is just about all a "Fuge" fan could want in order to find out everything you'd need (or want) to know about this excellent TV drama, which was on the air for 4 complete seasons (120 episodes from 1963 to 1967).

The book features an "Introduction" by horror author Stephen King, plus a "Foreword" by Fugitive co-star Barry Morse, who portrayed police Lieutenant "Philip Gerard", star David Janssen's chief rival and nemesis during the course of the series. A chapter detailing the origins and conception of the series is also, of course, included here. Interesting stuff too.

Within these 208 pages, each and every episode of "The Fugitive" is dissected and examined in detail -- including cast lists, writing and directing credits, episode numbers, original air dates, episode descriptions, and verbatim "Prologue" and "Epilogue" text (the exact words spoken by series' narrator William Conrad at the beginning and end of each episode).

Many fun "Fuge Facts" are also revealed for many of the 120 episodes. These "Facts" are bits of little-known trivia that make this volume an even more enjoyable read.

In addition -- This book includes extended chapters on the series' Pilot episode ("Fear In A Desert City") and the two-part final episode ("The Judgment"), which remains to this day one of the highest-rated TV programs in the history of the medium.

There is also an "Appendix" area of the publication, with "Appendix 2" consisting of some very interesting trivial facts and data concerning every Fugitive episode -- including every single "alias" that was used by "Dr. Richard Kimble" during the whole run of the series. This appendix is useful to mega-fans of the series, as it also contains information about the "Location" (City/State) of each episode, as well as Kimble's "Occupation" on each show. Example --- Episode 31 had Kimble pretending to be "Frank Borden"; Occupation: "Dishwasher"; Location: "Harrisburg, Pennsylvania".

Many top-notch black-and-white photos are also scattered throughout this paperback publication, mainly publicity stills.

"The Fugitive" (1963-1967) is one of the best TV dramas ever put on the boob-tube. The long-running cat-and-mouse game between Dr. Richard Kimble (David Janssen) and the police officer who let him get away, Philip Gerard (Barry Morse), provided some of the finest tension-filled moments ever aired on television.

"The Fugitive Recaptured" does, indeed, "recapture" the magic that surrounded this first-class piece of television entertainment.

Very Highly Recommended.

Certain television shows were so enormously popular during their original runs that they have been reincarnated more than once. THE FUGITIVE is one such drama. When Dr. Kimble began to run in 1963 in a three partnered minuet with Lt. Gerard and Fred Johnson, the American viewing public was so enamored of the chase that they refused to accept the judgment of THE JUDGMENT (the series finale) that the running had indeed stopped. Ed Robertson in his THE FUGITIVE RECAPTURED analyzes just what it was that made millions of Americans tune in every Tuesday night to watch Kimble run from one man only to pursue another. Robertson captures the essense of the spirit not just of the show but also of the social subtext of the show. In his Fuge Facts and plot synopses, Robertson well delineates the motivation of a doctor who, in his forced travels, became a collective Keroukian ON THE ROAD, with every watching viewer able to tap into the flip side of the American Dream, that out there in every dusty small town and bustling big city lay adventures that we could not aspire to but Kimble could. Roberston reviews every episode, judges its intrinsic worth, provides the needed Kimble trivia of both character and actor, and adds a handy list of names that Kimble used over a four year run. This list resembles a phone directory of a small town that Kimble must have passed through more than once. Reading THE FUGITIVE RECAPTURED made me think of the follow up success of the filmed version with Harrison Ford and the less succeessful small screen run of Tim Daly. It is not likely that the latter two will ever be considered worthy contenders for a pantheon of running heroes, but Robertson's literary paean to David Janssen serves as a perpetual reminder that for a spirit of a character or of an age to be recaptured, then that spirit must have been worthwhile in the first place. Robertson's book will not let Kimble ever run far enough or fast enough to escape our notice.

I can certainly add my kudos to Ed Robertson for his labor of love in this book commemorating the 30th Anniversary of the famous television program. This work brings to life the entire four years that the series ran on network television, and gives the reader the feeling that he was actually "on location" with the cast and crew as they produced this first-rate series. Each episode is fully documented with full credits for the director and all principal actors in the series. The episode synopsis give the reader a feeling of being on the run with the Fugitive. The opening and closing narration for each episode certainly sets the tone for each nights program.

If you are a fan of this great television series, then this book is certainly for you. I highly recommend it.

The Golden Road and its prequel, The Story Girl, are two of the best books I have ever read. I never seem to get tired of them, either...I have read them countless times! If you enjoy L. M. Montgomery's novels, such as the Anne of Green Gables series, these books are a must. The Golden Road tells the story of cousins, Beverley (who narrates the story), Felix, Cecily, Felicity, Dan, and Sara Stanley, also known as the Story Girl, plus their friends Peter, the hired boy, and Sara Ray. The adventures these eight have are sometimes exiting, sometimes sad...but mostly really funny! For instance, one time, they have the governors wife to tea...but they think she's their deaf Aunt Eliza and comment on the governors big nose and such things! And Felicity accidentally bakes tooth-powder rusks...oh, I can't tell you the whole book! Read it for yourself!

The Golden Road and its prequel, The Story Girl, are two of the best books I have ever read. I never seem to get tired of them, either...I have read them countless times! If you enjoy L. M. Montgomery's novels, such as the Anne of Green Gables series, these books are a must. The Golden Road tells the story of cousins, Beverley (who narrates the story), Felix, Cecily, Felicity, Dan, and Sara Stanley, also known as the Story Girl, plus their friends Peter, the hired boy, and Sara Ray. The adventures these eight have are sometimes exiting, sometimes sad...but mostly really funny! For instance, one time, they have the governors wife to tea...but they think she's their deaf Aunt Eliza and comment on the governors big nose and such things! And Felicity accidentally bakes tooth-powder rusks...oh, I can't tell you the whole book! Read it for yourself!

I enjoyed The Golden Road, but not as much as I enjoyed The Story Girl. I recommend you read the two novels together, one right after the other. If you enjoy reading books set in a long-ago era, the books have a charm to them. If you like action, these books will not appeal to you as much.

In my opinion, it is not possible to enjoy The Golden Road unless you have just recently read The Story Girl. Not all of the characters and actions in TGR will be understoon unless you have read TSG. The characters are a lot of fun and are well-written. The adventures this group of friends have together will stay in your memory forever.

I loved this book. I read the Story Girl years ago, but the 'Road to Avonlea' books ruined the concept for me, and I forgot that there was an original sequel. And then, my sister borrowed it from the library; I was bored, and so picked it up. I read the entire book that afternoon - forget about the fact that exams were six weeks off, that I should be vaccuuming - I couldn't put it down. I admit, I had cherished hopes of the Story Girl and Bev, but they were dashed. Felicity and Peter, I am sure, were happy for the rest of their lives....and I was crying so hard when I read about Cecily. I loved it.

The Golden Road and its prequel, The Story Girl, are two of the best books I have ever read. I never seem to get tired of them, either...I have read them countless times! If you enjoy L. M. Montgomery's novels, such as the Anne of Green Gables series, these books are a must. The Golden Road tells the story of cousins, Beverley (who narrates the story), Felix, Cecily, Felicity, Dan, and Sara Stanley, also known as the Story Girl, plus their friends Peter, the hired boy, and Sara Ray. The adventures these eight have are sometimes exiting, sometimes sad...but mostly really funny! For instance, one time, they have the governors wife to tea...but they think she's their deaf Aunt Eliza and comment on the governors big nose and such things! And Felicity accidentally bakes tooth-powder rusks...oh, I can't tell you the whole book! Read it for yourself!

Hemingway, the man who said 'Living well is the best revenge' knew how to do just that. This book shows you how he did it. So tag along, you'll be living better and enjoying your revenge in no time.
Boreth did his homework, and it shows. Any fan of Hemingway will enjoy this book, and even non-fans will probably enjoy the recipes. Plenty of good food and drink knowledge herein, and enough details about Hem/the recipes/the books to interest anyone. Good book, pretty fair cookbook.

This book is simply great. Good chow and lots of neat pictures and information about Hemingway. I use it as a gift and makes it easy.

The thing I liked most about this book is the way Boreth uses the life of Hemingway to bring together so many fascinating places, tastes, people, and ideas. It gives you a wonderful sense of a great life, and some tasty recipes to boot.

Great fun! A tour of Hemingway's world through (and with) his food. The recipes are easy to make and delicious (the Lime Ice is divine!). The cookbook is greatly enhanced by pictures of Hemingway interspersed with thoughtful and insightful commentary on his life and its influence on his work.

If you enjoy eating and drinking well, this book will show you how to go about it. The bar recipes are fantastic and the accompanying stories and anecdotes provide crackling fodder for dinner discussions. What fun to be able to recreate meals that you've read about - your own moveable feast! The gluhwein recipe alone will keep you warm and fuzzy all winter. I happily recommend this book to all, Hemingway enthusiasts and critics alike!

I found these books a year into my nurse-practitioner program, and really wish I would have known about them from the beginning. This would have saved SO MUCH TIME while preparing for seminar assignments and clinical sites! I have three of these in-a-page books, and use at least one of them every day I'm seeing patients.

Very helpful book, useful for my examination as well as my practice

I was lucky enough to find a copy of this book in my hospital. It is excellent. I strongly recommend it to any healthcare professional, doctor, or student who needs a quick, accurate reference to medical diseases and syndromes.

Excellent quick-reference book. I keep a copy in my coat pocket. Hardly a day goes by without perusing through this book for a quick refresher. Every healthcare provider should have one in their posession.

As a practicing podiatrist for 25 years I finally found a book that quickly and thoroughly gives me the current medical information that I require in evaluating my patients co-morbidities. I refer to "In a Page Medicine" all the time. I have a copy in both my offices!

Short story collections are famous for having a few dogs, but every single one in this collection proves wickedly wise, funny and FABULOUS. This is one of those bedside table books you'll keep handy just so you can re-read your favorites. And don't be surprised if you feel compelled to call your girlfriends at odd hours of the night to quote the clever Ms. O'connell. Fans of Lorrie Moore will love Living with Saints.

What a fine collection of stories, strung on an idea but brilliantly distinguished from each other. O'Connell has a great ear -- perfect pitch. I haven't seen a false note there. I hope we'll see more of her stories, soon.

The best debute I've ever read from a new writer. The stories are not only original, but moving, funny entertaining, etc..

If you love a good read of short stories, then this is a must for you.

I was initially ...[pulled] in by the fabulous cover (the Australian hardcover edition) and was even more impressed by these immensely satisfying stories. I was moved to laugh, cry, be surprised, but stilled by the gentleness of the stories. I suppose being raised as a Catholic, and having left that doctrine, has put me in a good position to enjoy the stories. Whilst some may feel shocked by the treatment of the saints I felt that I got to glimpse the humans behind the myths. I was also pleased by the variety of female characters that the author created. They all felt genuine.

If you're looking for intelligent, well-crafted short stories that sparkle with wit then look no further.

This is an inspired work, with a singular voice--O'Connell brings so much heart, poetry, grittiness and spirituality to her characters. There's a nearly supernatural energy in her prose, blessing every detail of the every day world with fresh perspective, whether she's describing a particular pain, a scent or the specific color of the shadows beneath the eyes of a neglectful mother. She has compassion for even her most hateful characters, making them that much more believable. This is more than a collection of stories--it's a transformative fable, telling tales of ultimate redemption with humanity and fine wit. Hope she gets the attention she deserves!

This book is amazing. It has helped me realize what this world would be like without the catholic church, the inherent dangers of secularism, and the path to rectify the evil of modernism. By doing this, it has helped bring me back to the catholic church. This author is on par with Aldous Huxley and George Orwell in both his ability to visualize alternate worlds with precise understanding and his ability to write in a eloquent yet succinct manner. It is a short book and I highly recommend it.

R.H. Benson wrote two mystical visions of the future. _The Dawn of All_ is an extremely romantic and improbable 1911 parable of a 1971 world mostly Catholic and at peace, ready for the Second Coming. _The Lord of the World_ came first, in 1907, and was a darker vision. A world of flying craft, major scientific advances, and comfort has become a place of materialist despair. Euthanasia is routine, for the desperately ill and the terminally bored. Oliver and Mabel Brand, a rising young couple, are the golden ones -- Oliver becomes a major political figure, but Mabel chooses the cool despairing end of legal euthanasia. Father Percy Franklin is one of the last Catholic priests in a world hostile to freedom, church, university, and history. Eventually elected the last Pope, he is restricted to the dusty forgotten village of Nazareth. Julian Felsenburgh is a charismatic American adventurer who means to and does become Lord of the World, anti-Christ. Details are less important than the very modern mood. Believing in progress as the only good, people are swept into any movement that promises it. The past is ruthlessly exterminated. The quest for one world government that begins with Esperanto ends with one world dictatorship.

Robert Hugh Benson grew up at the end of the nineteenth century, when it looked like Socialism would sweep over the world and make religious worship outmoded. His father was Archbishop of Canterbury; and he joined the Church of England but later converted to Catholicism. In his introduction to this book he wrote that he took the idea of Man (not the Son of Man) becoming the ideal and 'took it where it would go'.

Knowing that this book was written in 1904, before the Great War and the dissolution of the European Empires, and the nascent beginning of flight, it is interesting to read his views of what the world would look like in 100 years (or about now). He saw the end of poverty and hunger, and the raising of HUMANITY to the paramount position. His views on woman are arcane, as one of his characters dismissed his wife as 'just a woman', and that they make no strides of independence. He talks about inter-city flight at the amazing speed of 150mph, one year after Kitty Hawk.

The stories bottom line is that once Man begins to worship himself (in the guise of Julian Felsenburg), he not only has no need for idealized religion, but that the persecution of anyone who disagrees will become an act of Sedition and punishable by death. Religion is represented in this story by Roman Catholicism (all others having given in and disbanded, except for a few 'elderly jews wandering in Palestine) which fights a peaceable rear guard action against the forces of HUMANITY.

The language is a little difficult and flowery, while the ideas are interesting but sometimes the catholicism is hard to comprehend, but all in all it's worth reading.

Robert Hugh Benson (born November 18, 1871; died October 19, 1914) was the youngest son of Edward White Benson, Archbishop of Canterbury, and younger brother of Edward Frederic Benson. Benson studied Classics and Theology at Trinity College, Cambridge, from 1890 to 1893. In 1895, he was ordained a priest in the Church of England by his father.

His father died suddenly in 1896, and Benson was sent on a trip to the Middle East to recover his own health. While there, he began to question the status of the Church of England and to consider the claims of the Roman Catholic Church. His own piety began to tend toward the High Church variety, and he started exploring religious life in various Anglican communities, eventually obtaining permission to join the Community of the Resurrection.

Benson made his profession as a member of the community in 1901, at which time he had no thoughts of leaving the Church of England. But as he continued his studies and began writing, he became more and more uneasy with his own doctrinal position, and on September 11, 1903, he was received into the Roman Catholic Church.

He was ordained a Catholic priest in 1904 and sent to Cambridge. He continued his writing career along with the usual elements of priestly ministry. He was named a monsignor in 1911.

Lord of the World is one of his more exemplary works and well worth reading.

"A Century before Left Behind there was Lord of the World," reads the cover blurb in the striking Wildside Press edition. But while both books deal with end times, that's where the similarities end. In Benson's vision, Catholics are the last remaining Christians. The Left Behind books, named for a line in Larry Norman's song, "I Wish We'd All Been Ready," on the other hand, follow the idea of the rapture popularized in Hal Lindsey's bestselling book, The Late Great Planet Earth.

I ordered this book from Amazon after reading Gwen Watkins' essay in Charles Williams: A Celebration (also available from Amazon) comparing Benson and Williams as writers. Williams being my favorite author, I was very excited to come upon a similarly gifted novelist. Benson wrote Lord of the World in 1907; it takes place in a future about a century later (around now). That's also around the time that Chesterton wrote his novels. Both he and Benson write so colorfully that it's sometimes hard to know what's going on. Whether people were more imaginative then or that was the style at the turn of the century I don't know. But having read GKC helps one read Benson, and vice versa.

Williams is often held to be obscure for his descriptions of supernatural and occultic ritual. Benson's obscurity lies in his pre-Vatican II Catholic vocabulary and bits of the Latin Mass, which will not be familiar to many readers. That aside, this is an absolutely gripping story. Having once started, I couldn't put the book down. Uncannily, in this 1907 novel, Benson prophesied a dark future that became reality, first in Germany and then in the USSR. Writing in the then new genre of science fiction, he envisioned a technologically advanced world nevertheless rushing headlong to destruction. It's amazing how contemporary he sounds as he looks forward in time to our present and his future.

Lots of good pictures and stories behind the filming of the show. If you are a fan of Andy Griffith, you can't go wrong with this book.

I've never seen such a great Mayberry book before!! It has many wonderful pictures, and tons of great history. I read this straight for around 3-4 hours, and it has great memories or the actors reminiscing... Ah, well, it's worth buying for the price, this book is worth it!! Very high quality.

I recently bought this book for my grandparents. It was such a joy to sit and watch them remember back on all the episodes they had watched. If you were a fan of the Andy Grifith show this is a must buy for you

This a very unique book on a unique show. It is not the usual Ken Beck and Jim Clark quote book with quotes taken directly from the show or text describing the characters or episodes. The text briefly describes each season and the rest of the book is filled with photos and quotes from the actors (many bit players), writers, producers, etc. The quotes range from talking about certain actors or scenes to behind-the-scenes tidbits and general feelings about The Andy Griffith Show. It reads like a scrapbook. Many of the photos I have not seen in any other TAGS book. There are a lot of behind-the-scenes photos. Some of my favorites show the cameramen, lights, and equipment as scenes were being filmed. There is also a cool aerial shot of the set of the Forty Acres lot in Culver City that was used for downtown Mayberry (p. 44). I also like the photos of TAGS memorabilia (TV Guide and comic book covers). The photos start with early publicity and scene shots from the pilot episode on The Danny Thomas Show and go on through all 8 seasons of TAGS, ending with photos and quotes on the spin-offs Gomer Pyle USMC, Mayberry RFD, and the 1986 reunion Return to Mayberry. Many people are quoted, but some of them include producer Sheldon Leonard, assistant producer Ronald Jacobs, music director Earl Hagen, Rance Howard, writer Jack Elinson, producer Aaron Ruben, Elinor Donahue, Margaret Kerry-Wilcox (played Bess Muggins and Helen Scobey), Joy Ellison (played Mary Wiggins, Opie's choice for Miss Mayberry), members of The Country Boys, Kit McNear (Howard McNear's son), James Best, Renee Aubry (choir member), Don Knotts, Julie Adams and Sue Ane Langdon (both nurse Mary Simpson), writer Harvey Bullock, Keith Thibodeaux (Johnny Paul), Jim Nabors, Jack Prince (Rafe Hollister), members of The Dillards (The Darlings) Mitch Jayne, Dean Webb, Rodney Dillard, Doug Dillard, their on-screen sister Maggie Peterson (Charlene), Bernard Fox (Malcolm Merriweather), Howard Morris (director as well as Ernest T Bass), director Earl Bellamy, Ron Howard, Clint Howard (Leon), Mary Grace Canfield (Mary Grace Gossage), George Lindsey, Betty Lynn, Hal Smith (on riding a cow), George Spence who was Frank the boyfriend in "Guest in the House" (there is an entire page on his memories of the show), Dennis Rush (played one of Opies pals, Howie Pruitt/Williams), Ruta Lee, Jack Dodson, Ken Berry, Paul Hartman's grandson Bill (one of my favorite quotes. He talks about how fans sent his grandfather Emmett radios and toasters to fix), Jack Dodson's widow Mary, associate producer Richard O. Linke, Arlene Gonlonka (Millie). Not an exhaustive list, but you get the idea. The quotes are all very positive. No bitterness in Mayberry.

My only qualm about the book is the lack of coverage of one of my favorite, and greatly unappreciated, characters Warren Ferguson. No Jack Burns quotes, I guess that is understandable. But beneath one of only three photos of him is the sarcastic caption: "Andy hires Floyd's nephew Warren Ferguson as Mayberry's new deputy, `know what I mean, huh-huh-huh?' (Please don't get him or us started)." Not keeping with the Mayberry spirit, in my opinion. Oh well, you can't have it all, I guess. The book ends with a very useful episode guide that includes a synopsis of each episode (some even include some extra tidbits or trivia) and guest characters with cast credits. It is an excellent addition to any TAGS fan's collection.

An excellent book and well put together. You will find amazing photographs of all the characters in the cast...and then some. One of the most interesting photos, in this book, is one of an ariel view of the Mayberry Town near Culver City, California. An actual town within a town.

I have read other books and also found them interesting with regard to the Andy Griffith show, but it was great to see all the pictures and read the personal comments of the stars and the people behind the scenes.

I believe that anyone , like myself, who really loved the show will enjoy this a great deal. Well done. This was one of my all time favorites shows and this book shows a lot of the people who made it such a great series.

As a pre-nursing student, the competition is fierce to get into a program. When I first received these study guides I thought I had paid way too much for what I got and thought the material simplistic. What I found is that 25% to 35% of my test questions were very close to the examples given. If you are a serious student, these guides are another tool in your total study regime. They are not intended to be your ONLY source of study and review. There are no easy ways to learn the Sciences, but these focus on some of the commonly tested areas. I wanted all the resources I could find and it paid off with A's.

I took microbiology in college and found this study guide to help me a lot with the type of questions to look out for on my exams. I was recommended this book from my sister who used this as a reference to study for the microbiology portion of USLME step 1. She found it to be an excellent resource along with Microbiology Made Ridiciously Simple. Microbiology Study Guide: Key Review Questions and Answers tested my knowledge so that
I know how much I was prepared before taking my college microbiology exams. I give this book 5 stars.

This book was a recommended study guide for my microbiology class. I found this book to be great for test preparation. The last review seemed to be mean-spirited. How could the previous reviewer make such an assumption without even reading the book? I wouldn't be surprised that this title appeared as a recommened reading in other book listings because it's a great study guide. Anyway, this book contributed to me getting excellent grades in my microbiology class. This book showed me which info was important for my exams.

I bought this book based on other reviews that rated it so favorably. Initially, I balked at the price and admit that the price is the major reason why I gave it 4 stars, not 5. The price is absolutely ridiculous. However, if you are willing to pay the price of what this book costs, it is well worth your money. The questions really helped me on my exams for my undergraduate microbiology course and helped to reinforce the major concepts. I used this book with Schaum's Outline of Microbiology and I received an A in my course.

Questions in this book are very similar to the ones the teachers give in the introductory course of microbiology. Yes they are easy but how many questions you need to miss to get a low grade? It's value is in getting those few extra percents if you want that A+. I know it helped me in this capacity. But word of caution, I wouldn't be bragging about this book to your teachers...

McDonagh assembles a fun collection of succinct, celluloid-savvy chapters covering an impressive range of cinematic subgenres, from silents made in the sound era ("Hush!") to killer Clauses ("Bad Santas"), along with insightful filmmaker sketches (e.g., John Frankenheimer, Abel Ferrara). With a style at once erudite and breezy, McDonagh's book supplies fun for hardcore cinephiles and useful recommendations for casual viewers.

If you love movies, or have friends who love movies- this is one of the most fun, informative, and entertaining books you could own or give as a gift. What a blast.

I love this book and use it as a point of reference all of the time. I read a page or two at random and it sparks an interest in a film that I have never seen or have not seen in a long time. Then I get the DVD and view it with a new set of glasses -- a fresh perspective. Some of the anecdotes have me laughing out loud. If you Love movies (like I do) then you'll love MOVIE LUST.

I have long been a fan of McDonagh's snappily written and imformative column "Flick Chick" and this newest addition to her published work doesn't disappoint.

Book Lust is divided into cleverly titled sections that reflect the intelligence and humor that I've enjoyed in her reviews on the [...] site. The groupings of films are unusual and thought-provoking. My particular favorites are: Back to the Beach, Bad Santas, Everything is Beautiful at the Ballet, On the Road (a wonderful list of road movies I can GUARANTEE you've never seen listed together before), Science Fiction Double Feature, Subway Series, that 70s Picture Show, and the Zombie Stomp. And the occasional personal comments truly spoke to me (like watching King Kong on Thanksgiving-what was up with that?-and I'm dying to know what was the reaction she mentioned to the spider creature in John Carpenter's The Thing when the author first saw the film).

All in all this is a smart, funny and interesting book for anyone who truly enjoys movies. I am looking forward to purchasing More Movie Lust, or perhaps it should be entitled Movie Lust: The Sequel.

Some people who feel they already know a lot about movies may automatically turn up their noses at a book of "Recommended Viewing for Every Mood, Moment, and Reason," but they should do a double take where MOVIE LUST is concerned. This is a very smart, very savvy book, written without pretension or a narrow focus -- and I say that as someone who knows a lot about movies. It covers everyone from Jean Vigo to Ron Jeremy, and always with the same intelligence. Maitland McDonagh's way with words serves to stimulate the appetite to finally track down long postponed classics, to blaze new trails of viewing, and to revisit old favorites. If your DVD collection is even half the size of mine, you probably have trouble deciding what to pull off the shelf for an evening's viewing. If that sounds like a problem you've had before, I recommend spending ten minutes or so browsing through MOVIE LUST before tackling your monolithic wall of viewing options. It's so much fun to peruse, in fact, you might find yourself spending the night reading instead. I give this book 5 stars because I feel it fulfills its purpose admirably.

I own both made for TV movies and all 20 episodes. Darrin McGavin was perfect for the role of Kolchak. I waited every week for a new episode, and was scared every minute as I watched them. The shows/movies not only keep you in suspense, but make you wonder; did it really happen? (If you do not understand that last statement, you never watched the show/movie.) Mr. Dawidziak did a fantastic job of writing this book. Every angle is covered from the movies and shows. The stories behind the shows are very interesting. I have the 25th Anniversary tribute issue. There are interviews with the surviving cast plus photos, biographies, and an episode guide are only part of this compendium. Carl Kolchak is a character that will live forever, read this book and you will want to watch the series. And for those X-filers out there, you need this book: because it is the inspiration for the X-Files.

It is funny; I have always loved the Night Stalker series and did not know this book existed. I flew to Seattle, Washington to tour the underground city I saw on the 2nd Movie, "The Night Strangler" and at the end of the tour in the gift shop was this book, hidden in the corner. They told me they use to make reference to the show during the tour, but for the last decade or so, no one knew what they were talking about. This came up because when they asked why we were on the tour, my friend told them I made him come on the tour because of the Series. (It is true) :-)

I ran across the night stalker on cable a couple of years ago. Despite it's age I found I really loved the show. It has a great mix of humor along with the 'horror'. (the horror is the most dateable bit).

This book gives you great background to the series (and why there is so little of it) and the actors. It also includes a fully detailed episode guide and a critical evaluation of each episode.

For people who enjoy the night stalker or who want to know more about the show or actors/producers you can't go wrong with this excellent guide.

Mark Dawidziak has put a lot of work into this companion, which documents the development and demise of a television series before it's time. I remember all too well those Friday nights from 1974-1975 watching Kolchak: The Night Stalker in my youth. Dawidziak's book does not disappoint. The book is full of documentation and photos, not to mention it's documented confirmation of Kolchak: The Night Stalker television series' influence on Chris Carter's The X-Files. Personally, I still think The Night Stalker was a better series. It's too bad Dawidziak didn't have more episodes to work with, due of course to the show's premature cancellation.

Mark Dawidziak's first attempt at a history and critique of the Kolchak mythos was Night Stalking: A 20th Anniversary Kolchak Companion (Image Publishing, 1991), sparsely distributed and now a collectible. Aided by Kolchak creator Jeff Rice, he then wrote Grave Secrets (Image, 1994), the first Kolchak novel since Rice's novelization of Matheson's Night Strangler teleplay. Rice was pleased with Grave Secrets, but not with Image's dismal distribution. He withdrew literary rights to the character.

Details are in Dawidziak's Night Stalker Companion, a heavily revised and updated version of Night Stalking, and a well-structured chronicle of the rise and fall and afterlife of Carl Kolchak, a hard-boiled reporter who investigates supernatural and extraterrestrial crimes. Dawidziak interviewed all key players, and while he accentuates the positive, he does not eliminate unpleasantries. Kolchak would expect no less from his biographer.

Kolchak first appeared in The Kolchak Papers, an unpublished 1970 horror novel written by newspaper reporter (and actor) Jeff Rice. Rice submitted it to Richard Matheson's agent, who sold TV movie rights to ABC without first signing Rice. Rice had hoped to adapt it himself, but the agent had already secured the teleplay assignment for Matheson. Dawidziak adds, "It's important to note that Rice does not in any way blame Matheson for what he views as shady Hollywood dealings."

Dawidziak's Dan Curtis comes off as a bit of a bully, or at least possessed with a Hollywood ego. When ABC bought the rights to Rice's book, Curtis was executive producing the last season of that network's Dark Shadows. "'I wanted to say good-bye to it so bad I couldn't see straight,' Curtis reflects. 'We got around to the last year and I was completely tapped out ideawise. And we ended up with some dreadful stories during that last year. It was like being in jail.' " Dark Shadows did afford Curtis the opportunity to direct a feature. Dawidziak cites House of Dark Shadows (1970) as Curtis's directorial debut, followed by Night of Dark Shadows (1971).

When Barry Diller asked Curtis to produce The Kolchak Tapes as the TV movie, The Night Stalker, Curtis requested the director's chair. It had already been given to John Llewellyn Moxey (Horror Hotel 1960, aka The City Of The Dead). Curtis didn't interfere with Moxey's authority on set (and it was a happy set), but he'd grumble to McGavin, "Will you look at the setup Moxey has here. What's he doing?" [Curtis contradicts this version of events in his interview on Night Stalker/Night Strangler DVD, claiming that he was offered the director's chair but turned it down, and that he himself sought out Moxey.]

Despite Moxey's setups, The Night Stalker was a ratings success when it premiered in January 1972. So too The Night Strangler, its 1973 sequel. Curtis got to direct. Rice was less fortunate. ABC press kits and trade ads hadn't credited Rice for the first film. Rice lobbied to script the sequel, but was given the runaround by network and studio execs. Instead, he wrote the novelization for Matheson's teleplay. Dawidziak says of Rice's original deal, "No sequels or series could be made without Rice's permission." Apparently, Rice didn't press his advantage.

The Night Strangler ended with bad blood between Curtis and lead actor Darren McGavin. Near the end of the shoot Curtis "was berating the crew something awful." McGavin defended them, then quit. Curtis insisted he stay for closeups, but McGavin replied, "You've got enough film. Make your movie. Goodbye."

If Curtis comes off a bully, Rice sounds paranoid. Rice tried vainly for years to launch a series of Kolchak novels and comic books. He sees two factors blocking him. Publishers "keep trying to acquire the rights for pennies and balk at paying Rice nearly anything at all, doing their best to keep Rice from doing any writing if possible." And Rice fears "that deals are fashioned with the intention of keeping Kolchak locked up and off the market."

Rice has reason to be paranoid. He first learned of ABC and Universal's plans to produce a Kolchak series from the April 24, 1974 issue of Daily Variety. No one informed Rice about a series in the works, even though his contract forbade a series without his permission. Rice tried to coax Universal into buying the rights it was exercising, while simultaneously working on script ideas for the show and a contract for future novelizations. When in August Rice's attorney requested that Universal "settle the rights question," Rice was barred from the lot. His calls were no longer returned. His novelization deal collapsed. Rice finally filed suit in March 1975, shortly before Kolchak was canceled. The suit was settled nine months later. Rice never "made it" in Hollywood, either as scriptwriter or actor (his promised role in the first film had also fallen through). Perhaps he was branded a troublemaker. Today he's a certified paralegal.

While McGavin loved The Night Stalker film, he had no desire to do a series (he had a thriving career in TV movies). McGavin only relented because Universal agreed to let him produce. Once he was on board, Universal turned producing chores over to Paul Playdon (Dan Curtis was uninterested). Determined to keep Universal to its word, McGavin acted as de facto producer. The tug of war between "producers" created turmoil and tension. Playdon quit after two episodes. Replacement producer Cy Chermak failed to ease tensions. Long hours and all night shoots only increased pressures. By February McGavin was begging network and studio to cancel the show. Dismal ratings granted his wish.

Yet Kolchak survived. An inspiration for Dawidziak while he was still an undergrad journalism major, the author is amazed by the many reporters he's met over the years who've expressed similar sentiments. Kolchak also inspired The X-Files, which McGavin dismisses as a humorless ripoff.

Dawidziak confronts other rumors that have plagued fans for decades (such as Curtis's plans for a feature film), making this a juicy and enlightening book. Yes, there's an episode guide. And some errors. Dawidziak says of The Night Stalker's initial 33.2 household rating: "about one out of every three people in the United States was watching Carl Kolchak track Janos Skorzeny." No, because a household rating does not indicate how many individuals per household are viewing. Nor even "about" how many.

The index is inadequate. While many of the names and titles in the text are only mentioned in passing, often as past credits, I'd want them included. The index even excludes some key textual references to Rice.

Pomegranate Press is a fine publisher for The Night Stalker Companion. Founded in 1986 by Dark Shadows actress Kathryn Leigh Scott to self-publish My Scrapbook Memories of Dark Shadows, its success induced her to release additional Dark Shadows books (all beautiful, lavishly illustrated, and informative). Pomegranate's Dark Shadows contacts likely aided Dawidziak. Dan Curtis, composer Bob Cobert, and actress Lara Parker all worked on both Dark Shadows and the Kolchak mythos.

Pomegranate has a curious custom of listing deceased actors in its Dark Shadows books, with date of death. The Night Stalker Companion follows tradition with its own R.I.P. page.

The Night Stalker was almost the forerunner of Buffy the Vampire Slayer, both in subject matter and humorous handling. It ran out of steam after a mere twenty episodes (and its forerunner pair of top-rated T.V. movies), and has ever since been nothing more than a cult favorite, unknown to everyone but its small circle of ardent fans.

Mark Dawidziak has done us all an immeasurable favor by keeping the legacy alive, introducing Carl Kolchak to new generations of viewers who might otherwise never hear his name. His wonderful book contains interviews with the principals responsible for bringing Kolchak to T.V., both before and behind the cameras, and the best available pictures from the series.

For those who are already Kolchak fans, an invaluable resource and a welcome walk down memory lane. For those who are not (yet), a proper introduction to the original supernatural super-sleuth.