John Keats Books

I have made it a habit this year to get through many of the classics on audio book during my daily commute. I picked Pilgrim's Progress since it was one of the most influential English books ever published, and I wanted to see what it was all about.

The audio book was published by Blackstone Audio and the reader was Robert Whitfield. The reader did an excellent job and was very easy to listen to. He did some characterization with his voice that made it easy to know which character was speaking. I was a little worried about the older style English, but it gave me no problem. It probably helps that I am familiar with the King James Version of the Bible. Overall, listening to this book worked out very well.

This is the first book length allegory that I have been through and I thought it was an excellent way to teach. There is no doubt which principal each character is supposed to represent by their name, and their actions represented that well also. I can understand why so many families had this book in their libraries. As far as Christian doctrine goes, there are a few things that some would disagree with, but most of the principals taught are still generally accepted today. The path to God's presence is filled with opposition, but there is help available and the reward is worth it.

I highly recommend this book for anyone wanting to understand an important part of our heritage, and to see what an effective tool allegory is.

I love this book. It was written from a jail cell in the 1600s. This version is the original so the text is difficult to read at first but I would not want a watered down modernized version (which can be purchased). I find if I read in chunks it starts to flow nicely. The characters have names like, "Evangelist", "Piety", "Talkative", "Faith", etc. So you know just where someone is coming from. I have marked up this book with pencil just like I do my scriptures! It is like reading one long parable in story form! Cool book. I'm glad to have found it.

We've read this book to our son and he has really enjoyed it. He doesn't yet fully understand everything and we had to stop and explain a lot to him, but it is something that we plan on reading over and over again as our kids continue to grow.
I read a review that stated that a main flaw in this book was the lack of one on one relationship with Christ. I can understand what they are saying, but I think what you have to keep in mind is that while we are here on earth and in our day and age we do not physically see Christ. He was once here walking and living on this earth, but He is now in heaven. He uses other means now to maintain a personal relationship with us. For example, we can know Christ through His word and through prayer. Just as in the book, He often also sends other Christians along in our life to help us and encourage us. This book is a good example of a walk of faith. We can't see and physically touch Christ right now, but when we are in heaven we WILL see Him just as Bunyan talks about in the book. Christian persevered in his walk without physically seeing Christ and he was rewarded in the end for his faith. For now, how much greater our reward is for those who have not seen Him and yet believed!

Enthralling. This book will help every Christian deal with the battles of being a Christian in this life and all the struggles that go with it. It teaches you never to give up even when you feel like you can't go on. Life's struggles are not a new occurrence, but as timeless as human existence itself. It teaches you not to be too concentrated on your struggles, but to look at the great prize which is Heaven and not be distracted or enticed by the struggles of life nor the easy way out. Excellent. It is a must read for every Christian.

The first time that I encountered Christian and his pilgrimage was as a preface and a family favorite in the book Little Women by Louisa May Alcott. Unfortunately, it was not until twenty-something years later that I actually got around to reading the book itself. If I were you, I would not wait that long.

The first part of the current combined book appeared in 1678. Bunyan, a nonconformist Protestant minister who was imprisoned for preaching without a license, wrote at least the first part of the book in jail. The second part was first published in 1684. It is likely the most popular allegory ever written, and is still one of the best selling books of all time.

What makes it so popular? The obvious key to its popularity is its simple, crisp style. Even accounting for the language changes between the seventeenth century and now, it is not a struggle to read Progress and it flows well for the modern reader. Although the book is allegory, the characters are full of little realistic details that make them feel quite human. Incidentally, I was reading this book as I was walking some of the old pilgrimage trails of Europe and it was interesting to me how vivid and applicable his version of the pilgrimage experience is. The Slow of Despair rang remarkably true, as did characters such as Talkative and Mr. Worldly Wisdom.

The Oxford University Press edition is bound with a scholarly introduction which is, for a change, worth reading. It also came with explanatory notes and a glossary which were helpful for the modern reader who is not familiar with the everyday language of the period.

There are three great editions of John Keats's complete poetry: Jack Stillinger's, John Barnard's (Penguin) and the beautiful hardcover edition of Everyman's Library. However, as far as scholarly accuracy goes, Professor Stillinger's edition is the definitive one. Professor Stillinger is a Keats expert who devoted much of his scholarly life in the textual compilation of John Keats's poetry based on printed editions as well as the mass of manuscript material. We can enjoy the fruits of his labor here.

This volume contains all of Keats's poems arranged chronologically, so the reader can trace Keats's dramatic development as a poet in his short life. The introduction offers balanced insights into Keats's style as well as ideas. The notes at the end attest to Professor Stillinger's status as a a fine critic.

There are two editions of Keats's Complete Poems which I
admire very much. This one edited by Jack Stillinger
and published by The Belknap Press of Harvard University
(ISBN: 0674154312) and the Penguin Classics, 3rd
edition, edited by John Barnard (ISBN: 0140422102).
I very much like the fuller notes and 6 Appendices
and the blunt, full, but suggestive chronology in
the Penguin, along with the complete writing and
publishing information fully written out rather
than abbreviated into initials one might have to
look up.

The importance of Jack Stillinger to Keats studies is cited
by both John Barnard (Penguin classics edition of -The
Complete Poems-) and Elizabeth Cook (Oxford World's
Classics edition of -The Major Poems-, ISBN:
0192840630). John Barnard says in his "Introduction":
"Jack Stillinger's -The Poems of John Keats- (Cambridge,
Mass., 1978) and his -The Text of John Keats- (Cambridge,
Mass., 1974) now give the fullest available account of
Keats's text, and are based on a comparision of the
printed texts with the wealth of manuscript material,
now mainly in American libraries."
And this edition compiled and edited by Jack
Stillinger has it glories, too. The first of these
is the excellent "Introduction," which has meaningful
insights in it concerning Keats, but which can also
be related to one's own experiences in life, though
Stillinger does not himself so relate them. A few
of these I like very much are: "Obviously Keats had
an exceptionally keen sensitivity to the minute
particulars of objects, sounds (as well as various
shades of silence), and motions in the world around
him." *** "He nursed his brother Tom in a lengthy
illness that ended in death on December 1st of this
year [1818], and as an added complication he met and
fell in love with Fanny Brawne. More than anything
else, I think, it is this combined experience of
suffering, death, and love all at once, against a
background of serious conversation, reading, and
thinking, that accounts for Keats's sudden rise to
excellence in his poetry."
There is no way, of course, to share Keats's
poetry in a review of this sort. To read it,
experience it, think about it, and realize
the Beauty -- and also the Truth -- in it
is the reward.
-- Robert Kilgore.

Keats not only rivals Shakespeare in the beauty of his verse and the enchanting pictures he conjures but he is a cut above Shakespeare in the value of his art. The two odes 'on a nightingale' and 'on a Grecian urn' surpasses any piece of English literature I have come across so far. In its conception and philosophy ,in its expression of the ephemeral and impermanent nature of human life,its exposition of the permanance of ideal art and in its realization of the principle of the identity of truth and beauty it takes poetic thought to a plane that has never been approached, before or hence in English literature.

One of the most musical of the great poets, whose language has a richness next to Shakespeare's, a most romantic soul whose annus mirabilis 1819 brought forth the five great odes, the tremendous long lines still memorable, Beauty is truth/Truth is Beauty' That is all ye know on earth And all ye need to know/ the pain of beauty or the beauty in pain in the nightingale's song, the lyric of the Grecian urn, the dying at twenty-six ' his name writ in water', much had he travelled in realms of gold, the great letters of negative capability, the ostler's son in a surgeon's hospital , Fanny Brawne, the alien corn of Ruth, all the music which would one day be heard again in the lines of Wallace Stevens, the complexity of beauty dying , hearing more than one voice as the page echoes on, one of the poets' poets surely , upon a peak in Darien, like all the great masters he only gains in rereading.

No personal library can be complete without at least a sampling of Keats, and this is the book that everyone should get. All the poems -- even the fragments -- are here, with line numbers included. The several appendices and letter excerpts make the collection even more valuable. If you are trying to decide which Keats collection to get, you have found the best.

A wonderful companion book to "The Complete Poems of John Keats " is the photo-essay collection, "Walking North With Keats," which recreates a 44-day walking tour that the poet made with his writer-friend Charles Brown in 1818 through northern England, Ireland, and Scotland---which unfortunately was THE walk where he fell ill with the tuberculosis that would finally kill him at 25!

The author extensively, but joyfully, highlights Keats's early life, reviews the period's travel literature, photographs the locations & introduces Keats' odes & ballads as well as his letters written during the journey (which helps put into context the poems presented in this book)!

Next to Shakespeare I can not think of a Brittish poet who inspired me more than John Keats. His lyrical phrases, his sense of music and metaphor, and his visionary splendor dazzles one and leaves a reader in awe of his gift. My favorites are the Odes, especially the Ode To Psyche, and the Ode To A Nightingale. One can only wonder what great works might have come into existence from this great literary genius had he lived beyond the age of twenty six. Still, he did manage to distill from the heavens some of the finest poems of the English language.

Keats was the Romantic poet who cared most about art and beauty. He didn't allow himself to get mixed up in religion and politics like Shelley or Byron. But in quiet ways, he did comment on political, religious, aesthetic, and sexual beliefs, sometimes in ways that were less traditional than his poetic style. Above all, he was supremely conscious of beauty in the world, as well as the world's suffering.

David Rehak
author of "Poems From My Bleeding Heart"

¡§She dwells with Beauty¡XBeauty that must die.¡¨

¡§His soul shalt taste the sadness of her might, and be among her cloudy trophies hung.¡¨

These beautiful lines are written by John Keats (1795-1821), one of the most talented Romantic poets on par with Shelley, Wordsworth, and Bryon. Why would a charismatic Romantic, who cherishes beauty and life, write such sad and crestfallen lines?

It all began in the summer of 1819 when Keats went on a tour of Scotland, where his first symptoms of tuberculosis emerged. However, at the same time, Keats became engaged to the love of his life, Fanny Brawne, a girl next door. Tragically, doctors diagnosed that the tuberculosis was eroding his health, and eventually would end the life of the brilliant poet. Due to this unfortunate calamity, his marriage with Fanny became an impracticality. Amidst his depression and misery, he wrote the poem ¡§Ode on Melancholy.¡¨

The theme of the ode is that Happiness is transient and when Joy passes, all that is left is the bitter core of Melancholy. The rendezvous with Melancholy is inevitable because it will always be there when delightful moments depart. Keats felt that one must embrace sorrow in order to fully experience pleasure. John Keats grasped this philosophy of life during his years of malady and encourages the reader to enjoy life when possible and be ready to come across Melancholy in certain stages of one¡¦s life.

Many people may have thought Keats as a successful and accomplished poet. However, Melancholy was his frequent visitor and deprived Keats of Happiness. Tuberculosis took the lives of his mother, his brother and eventually himself, but emotionally, Keats was marred by the criticism toward his works and the departure of his lover. It seemed that the author lost his faith to overcome Melancholy and decided to advise the readers to not fall victim but respectfully accept and not evade it. I believe that people who choose to end their lives become Melancholy¡¦s trophies because they help to spread the powers of sorrow and grief. By killing oneself, one will be leaving loved ones with burdens of Melancholy to bear, and therefore winning more ¡§cloudy trophies¡¨ for the Goddess. In conclusion, one should recognize that Melancholy will eventually appear and by being prepared to embrace the arrival of Melancholy one can truly taste the sweetness of Happiness.

Overall this book is a great value, as would any book be that contains so many of Keats poems and puts them in a durable binding at an attractive price. However, I'm puzzled by the first two lines in the poem, " La Belle Dame Sans Merci" that read, " Ah, what can ail thee, wretched wight,/ Alone and palely loitering; ". In every book I've ever seen this poem in, or these two lines quoted , including my college Literature Text book, they read, " O what can ail thee, knight at arms,/ Alone and palely loitering ? " There is no information to tell us what the text of the poems for this volume are based on. And, I seem unable to find an e-mail address from The Modern Library's Web Site so I can ask. I would accept a response from The Modern Library if they cared to comment( e-mail at: stephenmccoy@cbnnow.com )

An introduction to the philosophy and the practice of the Bach Flower Remedies. Dr. Edward Bach (a homeopathic physician) developed his own theory about the causes of disease.

It lists the appropriate remedy for each symptom.

Good as a starting point.

Have you ever noticed how your mood is instantly elevated when you inhale the scent of a rose deeply and with purpose. The world seems like a better place instantly. Rose oil has a frequency of around 320 MHz. Flowers are beautiful on their own and can lift your mood with their fragrance or with their petals blowing in the breeze in nature.

So, what other secrets do flowers conceal? Apparently, they can help us to change our emotional state. The scent of roses is said to dispel anger, or so I have read! In this book, flowers are celebrated as natural healers which can help us return to a healthful state.

Our emotions can at times manifest themselves as a health issue and greatly affect our bodies. Dr. Edward Bach (1897-1936) believed that physical illness was a manifestation of emotional imbalance. He believed we can heal and balance the body with nontoxic methods.

Some of the remedies include:

ASPEN - For fear or anxiety IMPATIENS - For impatience, irritability and nervousness. MUSTARD - Severe depression WILLOW - For neutralizing resentment and bitterness VERVIAN - For tension and hyperactivity or overachieving STAR OF BETHLEHEM - For mental shock

There are also remedies you can take for sensitivity, disappointment, muscular cramps, skin rashes, recurrent ailments, critical attitudes and bad dreams.

Look into other health remedies like Arnica for injuries, Pulsatilla for nasal problems, Cantharis for cystitis, Chamomile tea for a restful sleep and Gelsemium for flu symptoms. Look for a homeopathic brand called: Oscillococcinum for symptoms of the flu in the winter. The theory is that a infinitesimal amount of a plant substance can stimulate the body's healing defenses.

The closer you can match your symptom to the remedy, the more effective it will be for you. I suggest reading other homeopathy books along with this one. I also recommend "Reference Guide for Essential Oils by Connie and Alan Higley" from abundant-health4u.com as they have the best products I have found so far.

~The Rebecca Review

This book is a wonderful introduction to both the philosophy and the practice of the Bach Flower Remedies. It provides a lot of information without overwhelming the reader. The book is arranged in three sections. The first is Dr. Bach's essay entitled "Heal Thyself" which is about how each one of us has the power and is capable of healing ourself, the second section gives a short, useful description of each essence. The third section is a wonderful list of numerous emotional states and the appropriate essence to use for each one.

If you're at all interested in learning how to treat yourself using these remedies, this is the book for you. I've had this book for approximately 6 months and it is well worn already!

Dr. Edward Bach, a skilled homeopathic physician, developed his own theory about the cause of disease. Dr. Bach believed that physical diseases begin as an imbalance in the patient's emotional well-being. By attending to emotions and weeding out harmful emotions from the patient's psyche, a healing trend can be initiated that assists the patient in avoiding future physical diseases. Treating emotional states addresses diseases while they are still at the energy level. Dr. Bach believed that the flower essences could even be helpful once disease had progressed to a physical manifestation. The flower essences do not replace other treatments such as homeopathy, but they can assist other treatments by soothing the patient's mental condition and initiating preliminary steps towards healing the imbalance that led to the disease in the first place.

This book is filled with wonderful information that the beginner can use to learn to use the flower essences to heal themselves and others. It is the basic text and everyone who is interested in flower essences should have this text regardless of what other texts they own as well. Bach thoroughly explains his theory on the source of disease and then each flower essence is examined, one by one, showing the emotional profile of the patient who would most benefit from each remedy.

The system is very simple and can be learned easily by the layman but it is very effective -- only 38 remedies cover the entirety of negative human emotions! Dr. Bach insisted that the flower essences be kept simple because he believed that their simplicity was a key factor of their effectiveness. Treating one's self and others with flower essences is simple to learn but it is also an art that one will spend the rest of their lifetime developing and perfecting.

Wonderful basic Bach Flower Remedies book. It also contains Dr. Bach's 'Heal Thyself', an amazing writing on illness, its character, origin, & healing. It gives a spiritual basis for illness, a much needed perspective in our modern world of medical materialism.

The arrival of this book came sooner than expected, which was very welcome, and the shipping packaging was very strong and sturdy. The book was in perfect condition, and is a beautiful edition of Keat's poems. Thank you. I couldn't have asked for more.

Keats' message is abstruse. He points at the illusion of "I" as being an intertwining of "we". Opposites are illusions. The highest aspect of human existence is in love: the personal contact and the breaking of the illusion of "I" in connection, transcendence, created in union or fellowship with others. No other poet wrote so creamy white to the tongue, but was he cheating by not being as forward and clear, or substantive; over stepping the allowance given to poetry of form supporting meaning. Beauty is its own vindication is another message of Keats "truth is beauty, beauty is truth" and I think by his writing style he felt the slippery smooth qualities would override the illusive aspects, beauty would be its own vindication, if not add a mysterious spell-binding quality to his writing -- but is it just smoke and mirrors? Life is a dream within a dream, within a dream... (sounds like the mocked priest in "The Princess Bride" but this is Keats). This a general feeling for his longer poem, among his shorter poems he has gems like "autumn". Change is a constant, life is an enigma, so is Keats.

Oscar Wilde's openning treatis in the "Picture of Dorian Grey" seems to be in-line with Keats or is it an attack on Keats in the the end?

Keats was not on the mega superstar status as Byron, in his day. Keats is as much for our time as his own. He gained, apparently, the energy and will to take up poetry due to being youthfully influenced by Byron, wearing his shirt open and such, but any comparison stops there. Byron was a driving force for his time and could be argued to be the first modern super pop star of the young generational angst, outsider sort, as well as having a significant mark on thinking to come. He was not the athiest as Shelly but closer to the agnostic/Pagan sympathizer of Byron.

I have mixed feelings about Keats, mostly on the negative side. In the end I guess Keats was clear: beauty is its own reward, over substance, over philosophy, what are these things, to him, but illusions, all is illusion, the closest thing to truth, if there is such a thing, is beauty, and Keats did write beautiful words in beautiful ways. Maybe I will read him again someday.

If you're a true Keats fan this is a must to add to your collection. Contains all of Keat's best work. Or enrich somone's life who is not familiar with Keats. A great gift idea.

It is possible to argue that the greatest Keats is that of the annus mirabilis 1819 when he wrote the Odes. This work contains the great Keats' lyrics among the most musical , sensuous poetry in the English language. The sense that' beauty may not be truth' for everyone, but that for Keats it certainly is. This is of course one of many different editions which contain the great
lyrics of Keats. It is pleasant, light , compact a pleasure to hold and to read.

Love may not kill, but it can certainly give you a smart shove down that road. Walsh's vivid, neatly researched book gives us a new look at the one whose name was writ on water and his curious agonies over the girl he would have married. Keats, impassioned, gifted, doomed, is even so not gilded here; from the surviving materials he is revealed as intense, a bit obsessive, and never more so than concerning Fanny Brawne. This is one of the most famed loves in history, freshly examined with the fairest look to date at Fanny's equally complicated character. Whether they take place in British rooms or Roman, the dramas within are drawn with lively and poignant detail. Special care is taken, too, to give Joseph Severn the full credit due for his constant vigil at Keats' long dying. To me, Severn's character was by far the most appealing, and Walsh's story left me certain that a steady, loving heart is genius of its own kind.

It is so amazing that in a career lasting only four years, John Keats established himself as English poet who best embodied the sense and ideas of Romantic poetry. That his short life was cut off at such a young age was a tragedy in the sense of all the unwritten works that could have flowed from his pen, but even so, he achieved his life ambition of being "one of the English poets".
Darkling I Listen is an incredibly moving account of the last days of this most tragic (and most romantic) of poets. From his passionate letters to Fanny Brawne to his last moments under the care of his truest friend Joseph Severn, this story will wring your heart.

This book really is a little jewel -beautifully researched and written and incredibly moving. Keats is vividly portrayed, and , as the previous reviewer noted, Joseph Severn is given his due as the best person Keats could have had with him in his dying days. Severn was a devout Christian, according to Walsh, and his life after Keats' death exemplified the Christian belief that if you give selflessly, you will receive... Just have a box of tissues handy while reading this book...

Helen Vendler" The Odes of John Keats' gives the reader an opportunity to see how the six great odes written in 1819 came to be. She shows how the poems are linked together through words, images, and ideas, starting with the 'Ode to Psyche" and ending with the great ode"To Autumn." Through a close reading of each poem, an examination of each image, and a view of the rhetorical trope, from reduplication to enumeration, which underlies each poem, Vendler provides the reader with a deep understanding of Keats's artistic concerns and meanings.. She demonstrates why Keats' achievement is so extraordinary and provides the critical reader with a method by which s/he may enter into the mind of the poet. For any lover of Keats' poetry, and for any lover of belles lettres, this is a book which belongs in your library.

After five years since I first studied this work on Keats' Odes (and after continual feasting on her "Art of Shakespeare's Sonnets"), I have returned to Vendler's volume to renewed appreciation of her respectful insight into Keats' creations and processes. The same respectfulness and confident humility that graces her Shakespeare criticism flourishes here - and warrants at least a brief expression of consensus with earlier laudatory reviews.

Most significantly for the lover of Keats, Vendler integrates the life and creativity of the seven or so months during which he produced odes that "belong to that group of works in whch the English language finds an ultimate embodiment." She makes explicit the implicit signs of connection among and growth through the Odes (and a key portion of Fall of Hyperion). Connections with Shakespeare, Spenser, and Milton are interwoven skillfully -- as integral parts of Keats' context as were the works of nature and art that are explicitly addressed in the poems.

Vendler's work extends much deeper than I can fully follow, and some of it will leave all but English majors in the dust. Let's not let that discourage the rest of us amateur Keats enjoyers - the Introduction alone plus the initial discussion of each of the Odes contain indispensable caresses for the heart of mere mortals.

Helen Vendler has created a scholarly, insightful look at the odes of John Keats. The odes comprise about a dozen pages; Vendler's analysis is nearly 300 pages. She analyzes in thoughtful detail six classic odes of Keats, not in isolation, but by emphasizing their complex interrelationships. She argues that each poem reflects the odes preceding it and shaped the subsequent odes. As she states, "For the poet, the completion of one poem is the stimulus for the next; this is particularly true for poems of the same genre."

Not surprisingly, Vendler assumes that the reader is reasonably familiar with Keats' better known poetry (Hyperion, Endymion, and, of course, the Odes). As Spenser, Milton, and Wordsworth significantly influenced Keats, some familiarity with these poets is helpful. I found that Vendler requires attention and thought, but in return she provides insightful commentary that leads to a deeper appreciation of Keats' poetic genius.

On occasion Vendler's style becomes unnecessarily convoluted. But these instances are rare lapses; her writing is characterized by a clarity that is often absent in modern criticism.

She scrupulously credits ideas originating with others, explicitly identifies points of disagreement and differences in interpretation and in the process introduces the reader to a wide range of Keatsian studies. I gained a greater appreciation for modern literary criticism. I even enjoyed reading Vendler's detailed footnotes.

Wasn't exactly what I thought, but is in excellent condition. It's small and easy to get through.

Because of my professional career, I collect quotation books about reading and literacy. And this collection by Bill Bradfield is the best I've found to date. Yes, he's got the standard oldies by folks like Emerson, Erasmus, and Shaw but he's also included up-to-date quotations from the likes of Jerry Seinfeld, Malcolm X, and Stephen King. Granted, he included me in the list but I didn't need it -- I already knew what I said. At the price, it's the best bargain in quote books for anyone in education or libraries.

Pertaining to Keats himself, I could scarcely lavish enough praise upon his poetry. I must confess an extreme partiality to the High Romantics (Blake, Wordsworth, Keats, Shelley, Coleridge, etc.), and, among them, Keats vies with Wordsworth for the best verse.

Many of his poems are quite famous--if you have studied only a little poetry, you likely have passing familiarity with his great odes (especially the sublime "To Autumn," "To a Nightingale," and the wonderful, deep "On a Grecian Urn") or with his strangely dark "La Belle Dame sans Merci." If you have studied poetry and none of these poems even rings a bell, well... you have been missing out! Take this brief snippet of a stanza from his "Ode on a Grecian Urn":

"...
Thou, silent form, dost tease us out of thought
As doth eternity: Cold Pastoral!
When old age shall this generation waste,
Thou shalt remain, in midst of other woe
Than ours, a friend to man, to whom thou say'st
`Beauty is truth, truth beauty, --that is all
Ye know on earth, and all ye need to know.'"

The odes are not his only great poems, of course; I daresay almost every poem in this volume is invaluable. They are, however, his most famous lyrics, and for good reason!

Some, critic/poet T.S. Eliot, for example, detest the Romantics**. Eliotian criticism for the first half of last century dismissed them frequently, and tried to deny their lyrical power and the influence of Romanticism on all poetry thereafter. I will admit that among the Romantics, there are some who are often weak: Lord Byron, for example, ranges from marvelous to quite tawdry, and I can't say I'm an overly enthusiastic fan of Shelley. Keats, however, who lived only to be twenty-five, suffers none of the faults of his more fortunate contemporaries. He is deeper than any save Blake, and his only rival in lyrical beauty (an intentionally vague term...) I have yet read is Wordsworth.

Anyone who loves poems, who has a reverence for life and a wonder for its mysteries and sorrows, anyone who is enthralled with the power of a well-turned phrase or well-craft lyric; anyone of such a nature with fall in love with John Keats.

[**: I must note, upon reading the hidden appendix of criticism on Keats pointed out by the wonderful review above, that Eliot is not critical of Keats. Among the Romantics, he seems to regard Keats fairly highly; I know for a fact, however, that this is not the case with most other Romantic poets]

In his short life John Keats created some of the finest poetry in the English language. I have read his shorter poems and odes many times, not for study, but simply for enjoyment. I am not a Keats expert, but I can now easily recognize quotations from Keat's odes, sonnets, and other poems. I especially like "The Eve of St. Agnes", a story of romance and danger in a medieval setting that illustrates Keats' remarkable command of language.

Keats is not difficult, but footnotes help with archaic words and references to more obscure Greek mythology. I prefer to read Keats unaided, then read the footnotes (best if tucked away in an appendix), and then return and read the poem again. For longer poems I jump to footnotes more quickly.

Initially, the inexpensive Dover edition "Lyric Poems", was exactly what I needed. Later, as I tackled longer poetry like "Endymion", I migrated to more complete collections with commentary and footnotes.

Keats" works are widely available in hardcover and paperback. Which collection is best for college study or independent reading? I have two favorites, one by Penguin Classics and the other by Modern Library. Both are available in softcovers.

The first is "The Complete Poems" by Penguin Classics, edited by John Bernard and a standard choice for college classes. I have the second edition, 1977. Barnard's extensive footnotes and commentary are quite good and offset his somewhat brief introduction. Additionally, the appendix discusses textual variations in Keats' manuscripts and has a useful guide to Greek mythology names. The third edition, 1988, adds 20 pages of selected letters, Keats' notes on Milton's Paradise Lost, and his notes on a Shakespearean actor.

The second choice (my favorite) is the newly published "Complete Poems and Selected Letters of John Keats", Modern Library 2001 edition (not the earlier 1994 hardcover version). Apparently as a direct challenge to Penguin Classics, this edition offers a longer introduction (22 pages) by Edward Hirsch and excellent footnotes (not too many, nor too few) by John Pollock. Also, as the title implies, it has selected letters by Keats, some 25 pages in total. Somewhat hidden in the appendix is commentary by six well-known literary critics such as T. S. Eliot, Mathew Arnold, and Keats' biographer Walter Jackson Bate. Lastly, the font is larger and more crisp in the Modern Library version (but is still quite acceptable in the Penguin edition).

Overall, I prefer Hirsch to Barnard, but both are good choices. Both are 5-stars.

I love this CD set! Michael Sheen knows how to read a poem. I play this CD constantly and love it dearly!

I can hardly contain my enthusiasm at finding this title. The poets they chose for this collection couldn't have been more satisfying. The other reason I got it was that I had just discovered actor, Michael Sheen, who narrates. He has a truly, magnificent voice that gives me chills. As someone who has directed voice talent, and devours poetry, I can tell you that he is a very skilled reader. This title is good for people who are poetry snobs as well as people who haven't given classic poetry a real chance. Unfortunately, it is out-of-print, so I had to go through the arduous task of downloading it. This means that it comes without ANY information. I found that very frustrating. I wish that Naxos would re-release it and give Michael Sheen a fat contract to narrate at least 5 more of these!