Diana Wynne Jones Books

Charmed Life is about some kids who go to study magic with one of the official guys in charge of magic. He has a couple of kids of his own, and they are the usual school age to have the school age disagreements and fights and not being nice to each other that goes along with that.

The eldest also gets a bit peeved at being thrown in with the young brats, too.

A young boy, Cat, must deal with his crazy and selfish older sister Gwendolyn who is obsessed with her own magical powers. Certainly much slower and less exciting than Jones' Howl books (read: more for children), but still has her enchanting and seemingly effortless style that captures a world where "magic is like music". Jones is always a good read. The characters are mysterious and thoroughly enjoyable. Gwendolyn is ambiguous and silly and selfish and delightful. Cat is an innocent; Chestomanci is Jones' typical ambiguous and passive wizard. The imagery of magic, particularly Cat's matchstick nine lives, is absolutely delicious. Grade: B

I am constantly on the lookout for new fantasy reads, because not only is it difficult to find a truly lasting (and by "lasting" I mean you think about it all the time, read it again and again, and gulp down every one of the author's other books) fantasy story, but if you do that author is usually what they call A Lofty One-Piece Wonder who writes one astonishingly beautiful story, gives it to the world...then settles into retirement and ignores all letters posted to them begging for a sequel.

Ah, not so with Diana Wynne Jones.

Hearing about her was actually an accident. I had picked up the book "Inkspell", the sequel to a book I'd enjoyed very much (Inkheart) and saw, on the back, that there was a quote on the back from "Diana Wynne Jones, author". For fun, I wandered over to the J's. Only a few Diana books were there -- THE MERLIN CONSPIRACY, ARCHER'S GOON, and -- the book that forever endeared me to this amazingly talented author -- EIGHT DAYS OF LUKE.

Having five dollars just aching to be spent and about that many minutes left till we had to go, I bought it on a whim.

And inhaled it that night.

I was going through withdrawls. NEED -- MORE -- DIANA -- WYNNE -- JONES -- BOOKS!!!

I got back to Borders and began to scrounge the shelves. Hmmm. "Chronicles of Chrestomanci". Looked okay -- not as good as I'd thought "Eight Days of Luke" was, but -- what was?

I read a little, put it down. Read a little more, and -- couldn't stop.

I am now on Book II, "The Lives of Christopher Chant".

I think you understand what I'm trying to say. Buy this book -- and while you're at it get "Eight days of Luke", too.



Rating: Very Good

"Charmed Life" is my first Diana Wynne Jones book (I know, I know ... I'm a little late) and I'll openly admit I came to her work through Miyazaki's amazing film "Howl's Moving Castle". Imagine how stupid I felt when I realized that I had been missing out on one of the best writers of our age. While it starts off slowly, Jones's first Chrestomanci book is still a grand, magical, yet simple adventure that sweeps the reader off their feet into a quirky yet solid world that readers will enjoy again and again.

Eric, a.k.a., Cat Chant, is a small and passive boy who thinks that he has no magical powers unlike his sister Gwendolen. Gwendolen is an ambitious, spoiled, and powerful girl who dreams of controlling the world. One day, when their parents die in a tragic boat accident, Gwendolen's powers attract the attention of the dapper and eccentric Chrestomanci. Chrestomanci is an enchanter, and a nine lived one at that, so that means he controls and governs all magic in the twelve related worlds. Chrestomanci seems to take an interest in Gwendolen, so he invites her and Cat to live in his castle.

When they arrive at the castle, both children dislike it at first. But Cat, being the passive boy that he is, quickly makes friends with Chrestomanci's two children even though he's absolutely frightened to death of their father. But Gwendolen has other ideas. She hates the fact that she has to learn maths and history instead of magic in school, and she is absolutely appaled that Chrestomanci doesn't take notice in her powers. Soon, Gwendolen sets out on a war of wills and magic against Chrestomanci and his castle, and Cat is unbeknowingly caught up in the whirlwinds of his sister's dangerous ambitions.

Jones is brilliant in her prose and writing. She easily writes with a sense of whimsy, while at the same time fleshing out realistic characters and villains. Cat is passive at first, but he soon grows a spine and stands up against the one thing that holds him back (I won't ruin the surprise). Jones' magic is an everyday and casual part of life for the characters, but it comes in second to their emotions and the overall story. The story takes so many surprising twists that shocked and surprised me, I was literally biting my nails towards the end wondering what would happen next.

"Charmed Life" is a delightful and charming surprise. While not a grand and sweeping epic, it will still sweep readers off their feet with the simple and quiet humor, magic, and sheer enjoyment that Jones so evidently finds and puts into her work. This book is not to be missed, and I can only end with saying how foolish I feel now that I didn't find Diana sooner.

This story and the next ("The Lives of Christopher Chant") are easily the most complex and interesting stories in the Chrestomanci series, and really the ones that the rest hang upon, because they really explain who and what the "Chrestomanci" is, and the role he plays in the fascinating universe Diana Wynne Jones has created. This is fantasy at its best, well written and very inventive, with characters that seem both familiar and bizarrely unique. It is, I suppose, not life-changing fiction but it keeps you there and makes you care and gives an opportunity to wonder. (It is no accident that Hayao Miyazaki based his latest film - Howl's Moving Castle -- on one of Jones' novels: they seem to have imaginations that operate on the same wavelength; like him, she is endlessly inventive and capable of a sublime blending of the supernatural and the ordinary, and loves finding magic in machines, and has an obsession with cats.)

The basic premise of the "Chrestomanci multiverse" is that every time there is a major event that "changes" the world, the world actually divides into two alternate realities, one in which the event occurs and one in which it doesn't. Somehow, though, while the possibilities might seem infinite there are a limited number of possibilities that resemble the one Chrestomanci inhabits enough to warrant his general attention and concern. Within each major world variation, there are nine alternates (don't ask why just nine) that are apparently unified because they have the "same" people doing different things in them. It sometimes happens, though, that an individual within one of those realities has no parallel in the others, and so the "lives" that would belong to the other realities actually belong to him or her. Such a nine-lived individual has powerful magic and becomes a likely candidate for taking over the position of the British-hired Chrestomanci (think a mixture of Rowling's Minister of Magic for an indication of his range of responsibilities, with Head of Hogwarts for his overall competency).

Speaking of Rowling, some have compared Jones to Rowling and there are some interesting parallels -- so many that it is hard not to think that Rowling had at least read some of Diane Wynne Jones' stories. Still, I don't agree with others who say Jones is a better writer than Rowling. There is a way in which she is: for her elegance of prose, her compactness of style, for the overall simplicity and completeness of her stories. Still, I think that Rowling is superior because what Jones doesn't try to do Rowling does very well. Jones creates another world whose basic features are similar to ours, but is different in specifiable ways. In that sense it is pure fantasy, a work of the imagination that she can tinker with and alter in various stories but is basically self-contained and organized in such a way that each story can be really complete. Rowling fits her story of another world into THIS world and sets herself with what seems to me a much more difficult task of accommodating her fantasy to the unknown and improbable and strange and unfinished character of any story set in this real world. The edges in any such story are unwieldy and it is a real tribute to Rowling (though in no way a criticism of Jones who has other aims) that she can wield them so well.

I actually stumbled upon this book in Barnes and Noble, and remembered seeing a friend of mine reading it a couple years ago. She has good taste in books, so picking it up I was immediately attracted by it's beautiful cover-art. Following my mother to a fabric store afterwards, I began to read. And honestly, it was extremely difficult to put down. I found the end to be slightly confusing, but that is hardly worth mentioning. If you're on the fence about buying this book, I definitely recommend purchasing it. You won't regret it! The characters are well defined and I love seeing their unique reactions to the dog. Sirius is a lovable character as is the young girl who keeps him.

Dogsbody by Diana Wynne Jones was an absolute page-turner. I was completely immersed within the first few pages of the book. It's certainly a unique concept: the book begins with the star Sirius on trial for a crime he claims he didn't commit. Found guilty, he is sentenced to life in a single solar system, where he will have the opportunity to put things right. If he succeeds, he will be restored to his astral position; if he doesn't, he will live out his alloted lifespan and die. The fates having a sense of humor, he's born on Earth as a dog. And the story presents a dog's view of life masterfully. The book was written in 1975, but is timeless--the humans characters could as easily move through this century as the last. There's an underdog appeal in the story of Kathleen, the human who champions and cares for Sirius as he grows. The daughter of an IRA terrorist, she is the unwanted/misused ward of her English relatives. Readers will likely care for this girl as much as the protagonist. I've read several of the author's books before, most recently _Howl's Moving Castle_, and find that this book, like that, is appropriate for young adult readers without being dumbed down or prettied up for them. I finished it in a day, and immediately set it into the "to read" pile of my 9-year-old son.

I found this book at my local bookstore way back in the summer of 1979--I read and re-read it until it finally, sadly, fell apart. What a treat it is to see it listed here on Amazon, with so many rave reviews. I agree with a comment made by another reviewer, that Diana Wynne Jones is one of the more underrated authors of children's literature, particularly of fantasy/science fiction. The story shows a complexity not normally found in books aimed at the "tween" set, a delight also in that it can be enjoyed by older children and adults as well. In a personal note, it bears the distinction of being the only book which inspired me to write to the author (back in 1980), to thank her for penning such a wonderful novel.

The dog star Sirius has been a bad dog star. His punishment is that he gets to be an actual real life furry mutt, instead of the stellar variety.

Sent to earth, he ends up in the creek when a young girl rescues him, and raises the puppy as her own.

The dog star has a quest to fulfill and an item to find until he gets to be a star again.

Imagine that the Sun, the Moon, the Earth, and every stellar body in the sky are alive and conscious, possessed by great spirit beings known as "illuminaries." This is the story about one of the greatest of such entities, Sirius - the Dogstar.

Notorious for his fiery temper, Sirius is unjustly found guilty by his celestial peers for the murder of another illuminary. Their sentence upon him is unusual and involves a mission: The murder weapon, the "zoi," has landed on the Earth. Sirius is to locate and retrieve this thing that has the unfathomable power to destroy suns. His judges, however, make sure that it will not be such an easy task. Part of Sirius' sentence is to be born on Earth as one of that sphere's creatures, a dog. Upon his birth he will have the time of a dog's lifespan to locate and retrieve the zoi. Otherwise he will die as a common earth animal and his spirit will cease to exist.

Born into an unwanted litter of white-furred and green-eyed Labrador mixed breeds, he is soon after tossed into the water with the other pups to die. Fortunately he is saved by Kathleen, a lonely Irish Catholic girl who is shunned and mistreated by the English relatives she is forced to stay with while her father does time in prison. Naming him Leo, Kathleen is at the start Sirius' only protector, while he is her only friend. Duffie, her uncle's wife, is a mean-spirited menace for both of them, constantly threatening to have the dog put down and turning Kathleen out into the streets.

Although in the beginning Leo/Sirius is barely aware of his preternatural origins, certain memories and ideas begin to enter and alter his dog mind. After some initial hostility (of course) with Tibbles the housecat and her two sons, the three felines soon befriend the canine and show him ways of getting around --and out of-- the house. In his daily travels away from the house he is soon aided by Sol, the illuminary of our own sun, and the spirits of the Earth and Moon. He also encounters a mysterious pack of sinister dogs looking very much like him. As he remembers more of his former existence and his mission, Sirius becomes conflicted with many complicating factors which stall his goal. He must deal with the biological and instinctual urges of his dog nature. And, most importantly, he is torn by the desire to remain with Kathleen, giving her the love and sense of security she desperately needs.

Immediately after reading C. McCallister's excellent review of DOGSBODY I wanted to get this book. I'm glad to say that I was not disappointed. Diana Wynne Jones has written a charming but bittersweet story that will appeal to both children and adults. Sci-fi, fantasy, even murder mystery fans have reason to read and enjoy this book. The characters --human, animal and celestial-- have a complexity of personality rarely seen in stories such as this.

After reading this book, you will never look at a bright eyed, tongue flapping mutt like you used to do.

Christopher is an only child of two parents that constantly bicker, and every night, Christopher travels to other worlds for great adventures. He has a cool uncle Ralph that seems the understand him. Soon, Christopher is meeting a young man named Tacroy in the other worlds and running "experiments" for his uncle, smuggling magical supplies back to his own world. Christopher, it is discovered, has nine lives and his so magically powerful that he is destined to become the next Chrestomanci. He befriends a similar powerful young person, a Goddess, in another world. Slowly and without realizing it, Christopher falls into darkness, becoming an angry, unkind, and disagreeable child that is breaking the laws of magic. Christopher must determine who is good and who is just trying to use him. My favorite character is Tacroy, who is quite ambiguous, and yet is sort of Christopher's Sirius Black, as the only one who can identify with him as a spirit traveler and understands him. The book itself is just another beautifully written, incredibly clever and imaginative and magical work from Diana Wynne Jones. The images and so vivid and so brilliant. Grade: A-

I read this book many years ago, and did not even realize that it was part of a series until recently. I bought the other books in the series, and was expecting the other books to be similar to this writing style. While the other three books in the series are good stories and entertaining reading, it is "The Lives of Christopher Chant" that is the best of the series. This book has more depth and humor than the other books in the series. I devoured this book in one setting, because of the wonderful imagery and use of dry humor and wit. I actually don't think that you need to read the books in the series in order; besides the first two in the series, these books really don't have much in common with each other, besides the Chrestomanci character. Each book is a wonderful book in its own right. However, it is this book that gives the best background of the world in which Chrestomanci lives. Highly recommended, especially if you like J.K. Rowling - this book is the most similar to Rowling's style.

This an incredibly lovely book that I have read a million times; and each time has been just as enjoyable as the last.
This book is the second in the Chrestomanci Quartet, and is my favorite of the four. The story is about a boy named Christopher Chant who discovers that he has magical powers, and, in due time, a truly amazing and exciting life ahead of him. Buy this book! I assure you that you won't regret it;~)

Diana Wynne Jones tells the backstory of everyone's favorite enchanter, Chrestomanci, in "The Lives of Christopher Chant". Chrestomanci turned the sterotype of old, sagely wizards upside down in the first Chrestomanci book with his dapper attitude and humorous qualities. However, I'll be frank; I did not enjoy this book as much as I enjoyed "Charmed Life". The story was very slow in places and the ending was very rushed. But, Jones still won me over with her delightful characters, quirky magic, and adept talent at writing meaningful and thoughtful fantasy.

Christopher Chant starts out as a normal boy who doesn't quite understand everything that's going on around him. Christopher never even bothered to tell people, ecspecially his feuding parents and nannies, about his dreams and the worlds he visits in them. But one day, Christopher's new nanny discovers all of the objects Christopher brings back from his dreams, and informs Christopher's Uncle Ralph, a charming enchanter, about them. It turns out that Christopher is a spirit traveler, or a person who visits the twelve related worlds in their dreams. Uncle Ralph soon recruits Christopher for many "experiments" where Christopher must bring him back various goods from the related worlds, and Christopher is only too happy to oblige.

On these experiments, Christopher soon loses many lives at such an obvious rate that he realizes he has nine lives and is a powerful enchanter, even though Christopher can barely manage the simplest of spells. Christopher is soon sent to live in Chrestomanci Castle for training, and he hates it. He would much rather play cricket than become the next Chrestomanci, but everything changes when Christoper realizes that his "perfect" uncle is really an inter-world illegal smuggler, and Christopher so happens to be his partner-in-crime even though he didn't know what he was doing in the first place.

The story is told with Jones' usual quirky prose and humor. Many readers who read the first book will smile as the story goes on and many of Chrestomanci's background is cleverly explained. Christopher as a character is skillyfully progressed from a naive and somewhat cold child to an aware and powerful enchanter. However, the story, as much as I would like to deny it, does suffer some problems. The beginning is a very long drawl, as well as the middle, and nothing interesting happens till Christopher finally arrives at Chrestomanci castle. From there to the ending its a smooth ride. Unfortunately, it appears that Jones didn't know what to do with her ending as its very quick and jumbled. For the last fifty pages, everything is unusally described and very confusing. I just wish that the story had ended with a strong conclusion rather than the sentence "that is really all, except for a letter that arrived for Christopher from Japan soon after New Year ..."

Even though the ending was a jumbled mess, we're still talking about Diana Wynne Jones here, and her brilliant writing and humorous details makes even a very weakly plotted book enjoyable. While I did not enjoy "The Lives of Christopher Chant" as much as I enjoyed the first book, readers everywhere are sure to enjoy how Chrestomanci went from a timid boy into a powerful enchanter.

"Oops!" The dragon spews fire all over Christopher and "There goes another life!" The Lives of Christopher Chant is a book about a nine-lived boy named Christopher. Every night he dreams he gets out of bed, walks around the corner of the fireplace in his room, and slips into a dreary world called "The Place Between." While conducting experiments there Christopher loses some of his nine lives.

Strong things about this book are that the story line moves along quickly, so your interest stays captive. You'll also appreciate how Dianne Wynne Jones's story line is unique. No other author has ever written anything like her "Place Between!" Her strong characters really pull the story together. Take "The Christomancy" (The Magic Governor) for instance. It seems like he was always a strict and stern man born to be "The Christomancy." However, he actually started out like Christopher, angry and bewildered.

More details would improve The Lives of Christopher Chant. Having additional information would make it easier to visualize Asheth's Temple, and why The Living Asheth (the girl who acts as a channel for the god Asheth's power) wanted to get away. More explanation about why silver stops Christopher from working magic would be helpful. Was it Christopher's dad's fault that silver stops him operating magic?

Rush out and buy The Lives of Christopher Chant, it's a page turner! The story line is new and interesting. It is a magic book, and you can never tell what's going to happen! I hope you don't lose your nine lives as quickly as Christopher Chant!

He is large, ugly and not leaving their kitchen. He is a Wizard's Enforcer. He is Archer's Goon. But what is he doing in the Sykes' kitchen, claiming to be sent by Archer and demanding the "two thousand" promised by Howard's dad, Quentin, who had better come up with the payment--and quickly?

At first Howard is relieved to find the two thousand is only words, and that his writer father has already sent them. But he sent them to Mountjoy, the man with whom he usually deals. What does a man Quentin has never heard of want with them?

Howard is determined to find out, and before he knows it he is drawn into a bizarre plot that threatens not only his own family but the whole world.

Wickedly witty and full of Diana Wynne Jones's usual non-stop action and amazing plot twists (though the plot is not as convoluted as in many of her later books) Archer's Goon is a great read for both young and not-so-young.

(BTW, I find it extremely irritating that the BBC turned Archer's Goon into a TV serial but Television New Zealand never bothered to buy it. While it's probably available on DVD, DVDs from the BBC are horrendously and inexcusably expensive.)

This is my favorite of all her books that I've read (that being most of them). It's absolutely excellent, and the best example of her juxtapositions of mundane and esoteric reality there is. This trick of hers is something other authors try in vain to do - a very difficult trick indeed!

"A Goon is a being who melts into the foreground and sticks there."
"All power corrupts, but we need electricity."
"It pays to increase your word power."
- from the author's note

Although Jones seems to be classified as a "children's" author, I've found her a very fine fantasy writer with a sly sense of humor ever since I took amazon.com's advice and first read HOWL'S MOVING CASTLE. While ARCHER'S GOON (a stand-alone work rather than a volume in any of Jones' series) has a young protagonist, but like Jones' other work can be enjoyed by any fantasy reader, since she doesn't talk down to her audience.

On the morning the story opens, Howard Sykes faces a typical day of school, avoiding violin practice, and the usual clashes with his little sister (nicknamed 'Awful', with a voice like an ambulance siren). Just an ordinary day in an ordinary little town, right?

Then the title character, a huge thug promptly nicknamed 'the Goon', shows up.

"What's Dad done?"
"Told her. Sykes got behind with his payment. Archer wants his two thousand. Here to collect it."
"Who *is* Archer?"
"Archer farms this part of town. Your dad pays, Archer doesn't make trouble."

In exchange for being let off his taxes - and maybe other things - Howard's father has been sending 2000 words in an envelope to City Hall every month for years. Sykes tries to laugh this off, saying it's a private joke he used to break his writer's block years ago - but now one sibling after another of the seven siblings running the town wants to get hold of the last batch of words and figure out what Archer's been up to all this time. Despite being adults, the siblings don't get on any better than Howard and Awful do; they've just got a truce by which they've divvied up the city. (One sister runs law enforcement while her twin handles crime, for example; Archer runs city power, Hathaway transportation. The brother who got last choice got waste management.) We eventually meet each sibling in turn; in some cases, the main characters must work out where that particular sibling's HQ must be, given their discipline.

The siblings settled into town about a decade before the story opens, planning to use it as a base for taking over the world - but they can't even get along with each other except for staying out of each other's way, and some seem to have changed their minds about running the world. But at least one appears to be interfering with all the others - all of them seem magically constrained to stay within the city limits, although they all deny knowing who did it, how, or why. The siblings have different personalities, and one or two really *are* efficient enough at organization to run the world if they can get free of the town.

Sitting down and asking myself why I like this book so much, I think it's basically the same reason I like some of GK Chesterton's grand conspiracy stories: on the surface we have an ordinary, apparently completely mundane and boring setting - but underneath that surface, even the most mundane activity may cover the activities of some agent of a colorful conspiracy. For instance, Hathaway doesn't get out much, which explains the town's disorganized road construction programs and why potholes don't get fixed properly. Archer has his secret lair in a bank vault and likes gadgets. The brother who runs entertainment travels with an entourage of disco dancers and the local cathedral choir when he wants to foil eavesdroppers.

The Goon himself *looks* very threatening, and refuses to leave without Archer's overdue batch of words, but he's easily bullied about little things like where he puts his feet, and can almost be overlooked like a large pet or easygoing protector - a dangerous assumption to make, perhaps.

This book was way fun to read, full of humor, magic and character. Amazing to think that when Diana Wynne Jones wrote this even SHE didn't know what was going to happen.

Howard Sykes comes home one day to find a goon- a huge dirty guy, anyway- sitting in his kitchen, saying that he comes from Archer, and refusing to move until he gets the 2000 words Howard's father owes him.

But the words got misplaced by Fifi, a college student who stays at the Sykes's house. So Fifi, Howard and Howard's little sister, Awful (who can live up to her name at times) go to find it.

Well, one thing leads to another and they soon find out that the whole town is run by 7 wizards (who are all related).

For me to give you a play by play here would take too long, but if you're thinking of reading this or just looking for a great book to read, I HIGHLY recommend this.

I'm not gonna lie to you. This book is about a Goon belonging to Archer. To be exact, it is about the repercussions of living with a Goon for an extended amount of time. I've slowly been devouring the collected works of Diana Wynne Jones and so far I haven't been disappointed by a single one of her titles. Each book is even odder and more bizarre than the last, often causing the reader to clasp his or her head from time to time and shout, "How does she think this stuff up?". "Arthur's Goon" is no exception to this rule. A brilliantly warped view of absolute power corrupting absolutely and the power plays that go on between siblings (no matter what their age), this book deserves to be remembered as one of the best children's novels out there today.

Walter comes home one day to discover a Goon sitting in his family's kitchen. Your typical hired heavy, the Goon has been sent by the mysterious Archer to collect from Walter's dad about 2000 words. It seems that for the last 13 years Walter's father (Howard) has been writing 2000 words a month and sending them off to a mysterious somebody. Now the words have become misplaced and the Goon has been sent to collect. As Howard steadfastly refuses to type any more, things start to go a little crazy. It isn't long before Walter and his family come to realize that their town is run by seven power mad sibling wizards. These wizards have been trapped in the town and each one runs a different part of it. For example, Dillian farms (that means runs) the police force while Shine farms crime. Now it's up to Walter to solve the mystery of the seven mysterious beings and to figure out who exactly is behind their entrapment within the town.

Author Jones is equally a master at engaging peculiar characters as she is creating complex multi-layered plots. You grow to love the Goon as he grows horribly lovesick for a young college student staying with Walter and his family. And who wouldn't identify with Walter when he has to deal with his appropriately nicknamed little sister Awful. I would venture to guess that she's the worst little sister character I have ever encountered in a kid's book, and that's saying a lot. Then there's the mystery to contend with. As Walter meets more and more of the seven the reader slowly is given clues to understand who's behind it all. Not since Raskin's, "The Westing Game" did I have this much fun with a mysterious kid's book. And to be honest, I never guessed the ending until I was told. The surprise twist this book carries is a doozy. If you figure out who's behind it all before they tell you then you're probably the kind of person who downs Agatha Christie novels like pop tarts.

Unfortunately, I have a bone to pick with this book. Sad to say, either I wasn't bright enough for some of the loose ends here or they were just too darn loose. The ending of this story is never fully explained and (to be frank) I don't believe we ever do find out EXACTLY how the seven brothers and sisters were trapped in the town at all. Some of these points are glossed over so beautifully that it takes a full three hours after putting the book down to realize what it is that you have missed. Now I'm 26 years of age and if I can't understand parts of this tale it's probably a fair guess that your average 10 year-old reader with have similar problems.

Still, that's my only quarrel. There's so much to love here that I feel a little dour making these kinds of comments. I mean, how can you dislike a book where a character like Awful is constantly asking the seven wizards where they come in order of birth so that she can better understand the pecking order in the family? It's a delightful tale about family fights and what it is that exactly makes up a family at all. And then of course there's the goon. Last of all I display for you the fabulous goon that starts this book rolling and, quite possibly, ends it. Here's to goons, ladies and gentlemen! May they grace the pages of more and more children's books in the future.

Strange, supernatural game playing beings are at the heart of this book. They like to play games on a very large scale, as in planet to planet, and are not particularly nice.

A young boy gets involved, and is made into one of the participants. He meets others, and they decide to do something about it, as well as running into the Flying Dutchman, the Wandering Jew and Prometheus.

I discovered this book a few years ago after my mom took me to a book store, and told me to get some books. It follows a twelve year old boy as he travels through other worlds in hopes of someday making it back home. The characters are great, and the plot is even better. I love how Diana Wynne Jones describes the other worlds/dimensions. It is a thought provoking book. the only problem i have with it is that at some points it's hard to follow, and it starts out a bit slow. Other than that, this book is fantastic and has become one of my favorites.

This is probably my favorite of Diana Wynne Jones' books, since her humor in the others can grate on me. The main character seems (to me)to be a fairly normal kid one or two centuries ago. (Of course, I'm an expert on neither normal kids nor that time period, so maybe I'm wrong.) That never gets too jarring; he adapts pretty well to almsot everything.

Concept

They (the villains of the book are refered to as Them, always in italics and capitals) are ancient and thouroghly weird demons playing continual games with entire worlds for their boards. People are their playing peices. However, if one of the "pieces" sees Them (not everyone can)They banish that person to another world. HTe person must switch worlds every time the Them playing that world make a move, so that they cannot make any changes to "play". If they get Home, to their own world, they can stop, but no one ever gets Home. Besides, time flows differently for Homward Bounders (world travlers)than for their worlds. A year passes for Jamie, but a century passes for his world. I was strongly reminded of Rip Van Winkle, and I wondered if Jones was thinking of that story, too.

The main characters (Jamie, Helen, and Joris, mostly Jamie) are all new Homeward Bounders. They haven't been away from Home long, and are still both fiercely angry at Them and hopeful to get home. Older Homeward Bounders have given up.
Jamie is fairly ordinary for his time period in England, but Helen and Joris are both really weird. Other Homeward Bounders are taken from mythology: Ahasuarus (the Wandering Jew) and the Flying Dutchman.

Other Characters:

Helen (proper name: Haras-uquara) is wacky. She comes from a world which is really nasty. Everyone there steals from everyone else, except the House of Uquar, where she grows up. (Uquar is their name for Prometheus, who taught them about Them before he was chained.) She has an odd ability to change one of her arms into anything she can think of- an elephant's trunk, or a Living Blade to fight Them with. (The living blade was the idea of Konstam, who will be mentioned with Joris. It is a weapon against demons.) Helen loves creepy things, like bones and rats and bugs. WHich is fun and wacky, espessially in a girl. She isn't the sort of nice and pretty girl in most stories- in fact she never shows her face unless to look at a rat or bug, prefering for some reason to keep it covered with her hair. She isn't a quantifiable character. I like her.

Joris is also significantly weird, but nto as fun. He is a slave and an apprentice demon hunter (until his eighteenth birthday, when his master will free him but he will stay a demon hunter). He is obsesssed with said master, Konstam Khan, one of a huge family of demon hunters led by a woman named Elsa Khan, who don't hold with slavery adn were somewhat ticked off at Konstam for having a slave. It can get to be a bit annoying (to Jamie and Helen more than to the reader) the way Joris keeps talking about Konstam, but it's not too big a thing. And both Joris and Konstam turn out to be useful in getting rid of THem.

Okay. The story is darker than most of Diana Jones' books; the characters are pretty ambivilent and flawed. The ending isn't really happily ever after for Jamie, because (in order to keep Them, once expelled from teh worlds, from coming back) Jamie must travel between worlds forever. He'll be able to visit his friends, but each time he'll be the same age, and they'll be older. He comes up with it himself, but it's not an easy ending. It's necessery, but I wish there was another way. Endings like that are good; they are realer somehow.

But it doesn't end badly. Prometheus is freed and can go home; the other Homeward Bounders can go home, if only to die. Which, for soem of them, would probably be a relief. Helen goes back to fix her world, which was so nasty in part because of Their games. It'll be hard work for her, but you get the impression she'll have fun. She claims she will, anyway.

I like this book a lot, and i appologize if my review was scattery.

A well-crafted book like this has literary merit long before most YA fiction was considered to be of much merit at all. The mythic background of this book is tremendously evocative to me. A former reviewer mentioned the Christ symbolism of one of the characters - this is simply false - the chained up nameless character is Prometheus, the bringer of fire to humanity.

Reflecting in the mood of the multiverse an odd and endearing British Empire view of the universe, the tropes of the "bounds", the conspiratorial THEM, the mythic depths, and the presence of a cosmic game, combined with the sombre mood of the plot - all of these give this book great merit as one of DWJ's strongest works.

You could say it's a collage of myths - that can be a good or a bad thing depending on whether like myself you have fallen in love with the mythic elements. I have read this book countless times since I was very small and still enjoy it, so this is my cheerful recommendation.

Jamie, an average boy living in 19th century London, stumbles upon his destiny at only 12 years old. He discovers a mysterious building known only as the Old Fort, and is punished for trespassing in a way he could not have even guessed. Jamie is captured by Them, robed spirits who 'play' the worlds like gameboards, and is whisked away to wander the thousands of worlds by traveling the Boundaries. He is gives only one hope, that if he finds his way home he may stay there and 'reenter play'. Jamie visits worlds of nomadic peoples, war, jungles, and even cannabilism. He eventually makes friends with Helen and Joris, other lost Homeward Boundaries with a bitter hatred of Them. This trio and other friends make a plan to overthrow Them once and for all to put the worlds back to normal... but will it be enough?
The Homeward Bounders was one of Dianna Wynne Jones' more serious novels, with discussions on hope, reality, friendship, and having a place to call home. I loved the creative multi-universe setting and the way the book grabs your attention and doesn't let go. The ending was anything but happily ever after, but satisfying all the same.

Reviewed by Casey Holt (age 14) for Reader Views (7/08)

"The Chronicles of Chrestomanci, Volume III" is a very good book. It is actually two books in one! They are set in a magical world, where there is only one person who can control all of that magic -- and that is the Chrestomanci.

In "Conrad's Fate," Christopher Chant (who is to become the next Chrestomanci) goes to find his enchantress friend "Millie" who has run away from boarding school because it was such an awful school, but by doing so, got herself caught up in all the different possibilities and is getting pulled around different worlds! He takes a job as an improver at Stallery, an old and mysterious mansion, to try and find her. He makes friends with a boy who thinks he has terrible karma, only to find out that it was all an evil plan because of greed.

"The Pinhoe Egg" was also a very good story, about witches and 9-lived enchanters, and many other of the sort. It also involves an old woman who has lost her mind growing herself to her bed, because she doesn't want to move.

I highly recommend "The Chronicles of Chrestomanci, Volume III" by Diana Wynne Jones.

When I find an author I like, I tend to buy all his/her books. This book is two novellas together. If I'd known that when I bought it, I wouldn't have bought the separate novellas. It left a bit of a bad taste in my mouth even though I enjoyed the books. I just wish the description of the books would tell you when it's two previously published books in one. I buy enough books twice without that twist added.

I've ready many Diana Wynne Jones books, some better, some worse. The two stories in this volume are excellent. I bought it late in the afternoon, reluctantly put it down in the middle of Conrad's Fate to go to bed, then finished the rest the next day. I scarcely noticed the time passing, and I look forward to another reread.

One thing I love about both of these stories is that consequences always exist for the actions of the characters--whether they're young or old, no one gets off scott-free. There may be elements of mercy, but there's not getting off without a consequence of some kind, and the adults are just as smart as the children. And yet the children don't expect the adults to do everything--they're quite independent and each tries to solve problems on their own--sometimes in the face of enormous pressure and disapproval, from fellow children and adults both. And when rewards come, in the form of advanced education or activities, they're nearly always influenced by (if not the direct result of) something the children did. Which is very satisfying, to me. It's always a disappointment when the ending is entirely made up by an adult demigod coming in and resolving everything.

The magical world(s) are thoroughly created and I never once got a feeling as if any element of the story was out of place.

Long before Harry Potter was even dreamed of, Diana Wynne Jones was penning stories about her magical alternate worlds, and the nine-lived enchanter Chrestomanci.

Fortuntely, the last few years have seen a return for Chrestomanci. "The Chronicles of Chrestomanci, Volume III" compiles the latest two books, one set in the past and one in the present. And both of them have everything you'd expect of a Chrestomanci novel -- eccentric humor, oddball characters, strange magic, mysterious happenings, and plenty of cats.

According to Conrad Tesdinic's uncle, "Conrad's Fate" involves deadly bad karma, which he can only rid himself of by killing someone at Stallery Mansion. With only an enchanted cork, Conrad is sent to Stallery as one of the new footmen, and soon befriends a strangely aristocratic older boy, Christopher "Smith," who turns out to be at Stallery for his own reasons -- and turns out to be an enchanter as well.

But Christopher isn't the only oddity at Stallery -- Conrad is left to question just who is "pulling the possibilities," aka changing details of the world via magic. Also there's a witch, an acting troupe, a dog, and his own sister, all making things more complicated. Now Conrad is forced to decide his OWN fate...

Then, having revisited Christopher Chant's teenage years, we lurch back into Chrestomanci's adult life.

Gammer Pinhoe has gone unexpectedly mad -- but her successor Marianne doesn't entirely believe that she has. While the Pinhoes and Farleighs have always conspired to keep their "dwimmer" magic a secret from Chrestomanci, suddenly they are sending unpleasant curses at one another, and Marianne suspects that it's Gammer's doing. Unfortunately, none of the adults around her will believe that Gammer -- even a crazed Gammer -- would ever do such a thing.

To make matters even more complicated, she and her brother have befriended the future Chrestomanci, Cat Chant -- and while they're exploring Gammer's old house, she gives him an old egg in the attic. But suddenly Cat is receiving nighttime visits from a great shadowy monster -- and the egg hatches. As Chrestomanci begins to investigate the strange matter of the Pinhoes, it turns out that Marianne has unwittingly revealed a conspiracy from centuries back...

Returning to the worlds of Chrestomanci is a little like slipping on a pair of well-worn fuzzy socks. Diana Wynne-Jones has thankfully lost none of her quirky talent, or her ability to spin up a world that is very much like early twentieth-century England, but then add something unique to it -- like deep-rooted "dwimmer" or the idea of making small changes to the universe to bring about big ones.

Her twinkly British humor and detailed style bring plenty of atmosphere, whether it's the polished creepiness of Stallery or the stifled chaos of Chrestomanci Castle and its surrounding villages. Jones spins up some dark and creepy moments (such as the ruined Stallery), but the plots are mostly saturated with lighthearted dialogue ("You pear-shaped FREAK!") and some very funny moments, like the crazy-looking flying machine.

And she intertwines lots of little subplots -- including quite a few mysteries -- that sort of float around loosely until she snaps them taut at the end. Just read carefully to avoid losing track of the details.

We also get to see Chrestomanci in two time periods here -- as a charming, confident teenager, and as a more responsible but still quirky adult. Other favorites such as Millie and Gabriel return, and Cat Chant gets plenty of expansion -- we get to see him truly acting as the future Chrestomanci, as well as dealing with his adorable new pet Klartch.

And most of the new characters are also pretty solid, particularly the kids who are having trouble with their families. Marianne is a likable girl who dreams of being a writer, and struggles with family legacies and prejudices that nobody bothered to explain. And despite his gullibility, Conrad is a pleasant sidekick for Christopher and a fairly clever kid.

And don't worry, the trademark cats are still very much in the series. Of particular note: Nutcase, a suitably named feline who seems to have the ability to walk through walls.

"The Chronicles of Chrestomanci, Volume III" brings together two more of Diana Wynne-Jones' clever, complex fantasy stories, and it's a welcome return to the multiverse of the nine-lifed enchanter. Definitely a good read.

This volume contains two books: "Conrad's Fate" and "The Pinhoe Egg". It costs just a little more than each of them, so it's a very good deal. I wish I'd known this before.

I've read several of Diana Winne Jone's books and enjoyed them all but this is one of my favorites. It is fun, engaging, and unpredictable. The characters are well drawn and likeable, and the book itself leaves you thinking afterwards. I'd recommend it to anyone.

This is an excellent book. I would recommend it highly to nearly anyone who might possibly enjoy this particular mix of science fiction/fantasy, humor, alternate reality, and writing-about-writing. It gets no recognition, unfortunately, and does not appear to have the cult following I would expect from such an enjoyable, intelligent adventure. I read it when I was ten years old, and nearly ten years later, I still enjoy it and find that, upon rereading, details I may have missed way back when appear and make "Archer's Goon" an even more delightful experience than before.

Everard's Ride is a collection of short stories dealing with a wide variety of fantasy subjuects from lycanthrope to dragon keeping. The title story, a novella, concerns two children crossing the boundary to an otherworld

I have read EVERY ONE of DWJ's books, and unfortunately, this is one of her best. I say unfortunately because they only ran a small edition and it's now ridiculously expensive. I bought it a few years ago when it was about $...still expensive but worth it (I have all her other books)
This collection includes the title story, Everard's Ride, which is a "traditional" fantasy story, a novella really, set in the english countryside. A boy and his sister get lost on a magical island near their home, and get caught up in political intrigue at a medieval court. This story is the centerpiece of the collection. The others are good, but shorter-- this one is really special--I found it thrilling, actually. I would say it's about a YA level.
Also included in this collection is "the True State of Affairs", set in Dalemark--but told in a completely different style from the Dalemark stories-very very dark--very much for the adult reader (I don't mean because of subject matter, rather, because of the mood and subtleties). It's written in the first person, by a woman imprisoned in a fortress due to a case of mistaken identity. It is different from anything else I have read by DWJ, and is absolutely perfectly done. (of course)

Just thought I'd write this in case there were any other DWJ fans wondering what's in this book. I liked it very much.

This book by Diana Wynne Jones is an awesome book. I have read these stories over and over again. I highly recommend this book to anyone who enjoys Harry Potter or any of Jones' other books.

"Stopping for a Spell" will probably never be as well-known as Jones' better works, as the three stories are essentially large-print kid novellas. Nevertheless, they show Jones' particular brand of charm and cuteness, focusing on ordinary everyday things that become infused with magic -- and some very annoying houseguests.

In "Chair Person," the family has just decided to get rid of a hideous old chair when bustling Aunt Christa arrives with a used conjurer's set. Her experiments in magic have an unexpected effect when the chair transforms into Chair Person, who is clumsy, stupid, gluttonous, and who recites commercials constantly. How can Simon and Marcia deal with Chair Person?

"Four Grannies" draws on the attitudes of bossy elderly types. Erg and Emily have four grandmothers, two biological and two stepgrandmothers -- and all of them have ways of making the kids miserable. Erg just wants to be left alone to finish his prayer machine. But when one of the grannies gives him a a chopstick that happens to be magical, the prayer machine causes some unique mayhem...

"Who Got Rid of Angus Filch?" features Angus Filch, the houseguest of your nightmares. His wife threw him out, and now his old college buddy's family can see why: He's controlling, obnoxious, complains constantly, torments the dog, jeers at the furniture, watches raunchy TV shows, never pays, grabs the kids by their hair to punish them, and gets up in the middle of the night to set fire to his supposedly contaminated sheets. But the kids of the family receive unexpected help -- from some very angry furniture.

Diana Wynne Jones is in excellent form here; readers who don't like short stories may still like these. The characters are all delightfully realistic, from the reclusive wannabe inventor to the nightmarish grandmothers who don't want kids in the bathroom too long, lest they become "peculiar." All sorts of hilarious situations arise, such as Emily ("Four Grannies") becoming sickening pious, or Chair Person regaling a church group with the fate of the wildebeest.

As these are all earlier short stories of Jones', ranging from the mid-1970s to late 1980s, they aren't very detailed as some of her current books. But the same absurd, sparkling magic is very present. A delightful little read.

Note: "Black Maria" is the original title for the book later published as "Aunt Maria."

After her father is killed in a car accident, Nan and what's left of her family are invited to spend the school holiday with their paternal Aunt Maria. Nan thinks it's a bad idea to stay with her father's relatives, particularly the one who raised him, but her mother feels sorry for the helpless old woman and accepts. Far from being helpless, the aunt is ludicrously particular and demanding of the mom, adores Nan, and shows an instant (and mutually reciprocated) loathing for Nan's brother. But other than that everything is pretty dull (the vacation, not the story). And then Nan and her brother discover their father's car in a parking lot when it's supposed to have crashed into the ocean, an anonymous green ghost appears in a bedroom, and a lot of people seem obsessed with finding and/or hiding a small box. The children realize something very strange is afoot.

Nan's brother gets an idea as to what that could be, but he won't let Nan help him. And then he disappears, and their mother doesn't notice even when he's been gone for several days, and Aunt Maria takes a sudden keen interest in Nan's activities.

Nan wants to find out what's going on and get her family back to normal. To do that, she first must solve a mystery dating back to events twenty years before--a mystery for which she has precious few clues to go on. The townspeople won't help--they're either against her, or too afraid to fight what they know she's up against. And all the while she has to dodge around Aunt Maria's prying, meddling, seriously menacing curiosity.

It's all really quite fun. I particularly like the way Jones throws out clues that seem so slender they don't seem to be clues at all, puts Nan into truly dangerous situations (all the scarier for the fact that in a village full of people our heroine cannot appeal to *anybody* for help), makes the story seem like there is no way on earth it can ever work out--and then executes such a series of brilliant twists and startling turns that suddenly when you find everything has come out more or less right after all it's a real unexpected pleasure. The book by turns tragic, dark, exciting, dramatic, and funny (sometimes all at the same time). And yet everything is totally plausible and entertaining.

Nan is a quiet, intelligent heroine--she understands people, and is not impressed or fooled by appearances. As she works to save her brother and mother and maybe even a whole town (all the while tossing out funny, spot-on observations about the people she meets), there is always the unspoken acceptance in her mind that whatever happens, there can be no completely happy ending--only the right one. She's right, too, and I like her all the more for it.