Henry James Books

Push Not the River by James Conroyd Martin is a one-of-a kind truely unique novel that is bound to become a classic for many years to come. The novel's concept is unprecedented as the author uses the diary of a real life Polish Countess, Anna Maria Berezowska, (1791-1794) and mixes facts with fiction to creat a truely outstanding historical fictional novel.

The novel is based on the real life story of a young polish girl who's diary is found after passing down generation after generation. The author discovered the diary from a friend who had translated it from his great great great great grandmother and then spent many years researching the historical period it covered.

This novel is beautifully written with intricate details which allow the reader to identify with the main character Anna. I was so encredibly moved by this novel. I found that I shared all her devastations, hopes, losses, loves, betrayals and despairs. It is a novel about loss, love, hope, betrayel, despair and redemption set in the tremulous period in 1790's Poland. I also found the historical content of Poland very interesting. It was a time when Poland was being torn apart by surrounding countries.

Push Not The River is a truely epic saga that you simply cannot miss. This novel has everything in it and is a truely universal book. It is a novel that all genders, ages and cultures would appreciate. After you read this book, read the sequel, "Against a Crimson Sky" and look for the last book that he is currently working on. The author also received the Polish Culture Award from Poland for this novel. HIGHLY RECOMMEND!!!!

"Push Not the River" is a gripping tale of love and loss, not just on a personal scale, but on a national scale, as the Polish nation is finally taken over by the Russians in 1794. "Push Not the River," is a story based on the Countess Anna Maria Berezowska's diary which she kept from 1791-1794. Her story is fascinating, compelling, and will have the reader anxiously turning the page to find out what happens next.

The story begins with seventeen-year-old Anna reeling from the loss of her immediate family. Her father is killed in a fight with a peasant, and her mother, grief stricken, gives premature birth. Anna's infant brother and her mother also pass away. Anna goes to stay with her aunt and uncle, the Gronska's. They live in Halicuz, a town in southern Poland. They have a son, Walter, who is in the Russian army, and a daughter, Zofia, a couple of years older than Anna. Zofia takes a liking to Anna, and befriends her.

While exploring the countryside, Anna meets a young man, Count Jan Stelnicki, who is only a few years older than her. Anna finds herself losing her heart to him. When she finally comes out of mourning for her parents, she spends a wonderful day riding with Jan and he asks her to marry him. The moment is ruined as Zofia arrives - jealous that Anna has captured Jan's heart when she wanted it for herself. A fight ensues and Jan leaves. Anna has sprained her ankle and Zofia goes for help. While Anna waits, she's raped, and doesn't recognize her attacker. Finally, her uncle and Walter arrive to take her back to the house.

Anna is pregnant as a result of the rape and is forced into a marriage she doesn't want to Count Antoni Grawinski. The marriage is unbearable for both of them. Antoni and Jan duel over Anna, but it's not Jan who kills him, but a mysterious sniper. Just as Anna and Jan are about to give into their feelings, Poland is threatened by yet another partion, and Jan goes off to war before Anna can tell him she loves him. Anna stays with Zofia in Praga, near Warsaw, but Zofia, now Countess Gronska, is an enigma to her cousin, and Anna can't help but wonder if Zofia is continuing to keep her from Jan. As the Russians burn Praga, both Anna and Zofia face the ultimate challenge.

"Push Not the River," is wonderfully paced in a grand, sweeping style that will keep the reader enthralled in Anna's story. The plot is tight, expertly weaving between the destruction of a nation and the love story of Anna and Jan. Anna's story is so very human, it's one that leaves the reader thinking about her even after they put the novel down.

This excellent novel, which gets its name from the Polish proverb "Push not the river; it will flow of its own accord", is the story of two cousins, both countesses, who are in love with the same untitled man in a period of eightieth century history, a time when Russia, Prussia and Austria were bent on conquering and dividing Poland.

The characters are well developed, the dialogue is free flowing, and the plot is fast moving, interesting and convoluted. It is a superb five star piece of work.

James Conroyd Martin has taken the diary of Countess Anna Maria Berezowska and created a dramatic and moving historical novel.

A friend of Martin's, a direct descendant of the Countess's shared her diary with him, he thought her life was fascinating and spent years researching the historical setting for this novelization. He was unable to get his work published and so initially published the book himself.

Many times while reading this story I found myself impressed that Martin could write in a woman's voice so perfectly. I later learned the author said he employed almost all of the events and much of the dialogue from Anna Maria's diary.

Anna Maria sadly lost her parents when she was only seventeen. She went to live with her aunt Countess Stella Gronska and her family in Halicz. Her cousin Zofia is a year older yet far more worldly than her country cousin. Zofia's older brother Walter is serving Empress Catherine of Russia.

Not long after her arrival Anna Maria meets a handsome young man named Jan Stelnicki who is impressed by her intellect and appreciation of nature. Anna Maria is happy to have something to take her mind off the deep sadness she feels because of the loss of her parents. However her cousin is also interested in Jan Stelnicki and Zofia is manipulative and conniving and willing to do anything to get what she wants.

While Anna Maria seems an innocent and weak young girl events happen that shape her into a strong and persevering woman. She is a heroine to admire.

I enjoyed this story very much. The backdrop of political unrest made for even more dramatic events in the lives of these people. The history of Poland's fight for democracy as well as independence from Russia, Prussia and Austria was all very interesting.

I also enjoyed the special little things included in this book; the historical maps of the locations in the story that show the changes Poland underwent during this period in time, the Polish proverbs as well as the Wycinanki (folk papercuts) by Frances Drwal.

I think there could have been a better title for the book. For some reason I didn't care for the title Push Not the River which is taken from a Polish proverb 'Don't push the river it will flow of it's own accord'. I didn't like it before reading the book and I still don't, I just seems like there could have been a title that was a more reflective of Anna Maria Berezowska's indomitable spirit. But that's hardly worth mentioning.

I did finish the book wanting to know more of what happened to Anna Maria. And I subsequently discovered that there is a continuation of Anna Maria's story. Yay! It's called Against a Crimson Sky, and I will be reading it.

PUSH NOT THE RIVER is a dream of a book for lovers of historical fiction, panoramic sagas and/or romance novels. Based upon the actual diary of an eighteenth century Polish Countess, Anna Maria Berezowska, this tale sweeps the reader into an adventure in Polish history as they experience the Third of May Constitution which granted freedom to noblemen and peasants alike. The resulting violence and intrigue generated by the Constitution produced an outcome that devastated Poland. It was repeatedly partitioned by bordering countries, an act which literally erased it from the maps of Europe for over 100 years .

The book itself covers three exciting but turbulent years in Anna Maria's life. Readers will find a story that resonates with meticulous historical detail and adventure coupled with a fabulous love story that continues to echo long after the final page is turned.

If there ever was a story that lent credibility to the adage that "truth is stranger (and in this case more hauntingly beautiful) than fiction..........this is that story!

Please say this review is helpful to you. They told me that if I post another unhelpful review they're going to kill my ferret.

It was obvious to anyone who has known Peyser that something like this was bound to happen. I refer, of course, to Peyser's bout of aphasia during his freshman year at the College. Clearly this mysterious illness has returned in book-length, perhaps even a global, form. We may never really know what Peyser is up to in this book. Oh, for some Young and Champollion to decode this, the Rosetta Stone of post-modernism!

I don't usually tolerate so-called theory, but this was fun!

Don't let the title fool you--this is a down-to-earth, engaging work that deserves to be read by a much larger audience than the academic field it's probably relegated to.

This is a powerful, bleak book. None of the writers Peyser deals with is particularly optimistic. The possible exception is Howells but there is a dark undertow even to his work which Peyser makes sure we see. So a book about utopia is also a strangely, depressing read. 40 years or so after Brooke Farm, who would have thought things would have gotten so sad? Of course it was the turn the century and the best of the Western thinkers were thinking sad and pessimistic thoughts. And now here we are at the turn of another century and we have this powerful, bleak book. Have we come all that far after this century of bloodthirsty carnage? Is Utopia even further away than it was 100 years ago? Read Peyser's powerful, bleak book and see if you can answer some of these sad questions yourself. HIGHLY RECOMMENDED

You know, this is not the sort of book I would normally read. But there it was, suddenly, on the coffee table one night. How it got there I have no idea. Just curious, I began to leaf through the pages, and the words began to resonate with me. Unable to sleep, I read it through in one sitting by candlelight. The next morning, I began to look at things around me differently. First, I removed several unessential appliances from the house in an effort to simplify my existence. Then it became time to de-clutter and I threw out several items I realized I had no more use for. Then, and this all seemed so logical in light of the things I'd read, I divorced the wife and sent her on her why. Sure, she cried a bit, but I knew I was doing the right thing. And I've never regretted it. This is, indeed, one of the best books I've read all year.

A book to keep by the bedside; tales to enjoy again and again. A haven for those familiar with the genre, and, for the novice, a menu of the fine writers of dark imagination.

Nearly fifty years ago, in the mid-sized Midwestern town where I spent many of my formative years, with some windfall paper route money, I purchased the Modern Library edition of "Great Tales of Terror and the Supernatural" (published by Random House, edited by Herbert A Wise and Phyllis Fraser). That particular edition was eventually worn out from extensive reading and re-reading and had long since disappeared from my possession; but several months ago, at a Montgomery County Public Library sale in Troy, North Carolina, thanks the alertness of my sharp-eyed wife, I purchased, for a mere pittance, the *original* edition of this book, published in 1944; it was like encountering a long-lost friend! The dedication page consists of an Old Scotch Invocation: "FROM GHOULIES AND GHOSTIES AND LONG-LEGGED BEASTIES AND THINGS THAT GO BUMP IN THE NIGHT, GOOD LORD DELIVER US!". Of interest also is that on the publication page the following appears: "THIS IS A WARTIME BOOK - The Text is complete and unabridged, but every effort has been made to comply with the Government's request to conserve essential materials." It was in my Modern Library edition that, as a teen-ager, I first read classic supernatural stories by Algernon Blackwood (the well-known "Ancient Sorceries" and the lesser-known "Confession" [but not "The Willows" or "The Wendigo"]), F(rancis) Marion Crawford ("The Screaming Skull" [but not "The Upper Berth"]), M(ontague) R(hodes) James ("Casting the Runes" [my favorite of all of his 30 stories] and "Oh Whistle and I'll Come to You My Lad"; both stories, incidentally, illustrate James's adroit and effective handling of understatement), H(oward) P(hilips) Lovecraft ("The Rats in the Walls" and "The Dunwich Horror"), Arthur Machen ("The Great God Pan" [but not "The Inmost Light"]), Oliver Onions ("The Beckoning Fair One"), Edgar Allan Poe (the well-known story "The Black Cat" and the lesser-known but even more disturbing "The Facts in the Case of M. Valdemar"), and Edgar Lukas White (the eerie "Lunkundoo"). Also among the 52 stories in this collection are some powerfully-effective adventure stories: Richard Connell's "The Most Dangerous Game", Geoffrey Household's "Taboo", Carl Stephenson's "Leiningen versus the Ants", and H.G. Wells's "Pollock and the Porroh Man". (Undoubtedly because of the publication date, there is nothing here by Robert Aickman [e.g., "The Inner Room"], Clive Barker [e.g., "In the Hills, The Cities"], Stephen King [e.g., "Dolan's Cadillac" {terror} or "The Mist" {supernatural/preternatural], or Joyce Carol Oates [e.g., "Where Are You Going, Where Have You Been?"]). The editors provide an Introduction, an Introduction to the Notes, and interesting and comprehensive biographical sketches of each of the authors. Over the past few months, I have enjoyed becoming re-acquainted with these stories. Although there now exist more modern collections of these types of stories (e.g. David Hartwell's "The Dark Descent", "The Oxford Book of English Ghost Stories", and "Roald Dahl's Book of Ghost Stories"), this out-of-print book is well worth acquiring, if you should be fortunate enough to happen upon it in an estate collection auction, at a library sale, in a thrift store, or at a used-book seller's.

This is yet another one of the books that was required for my Arts & Humanities class "The Horror Story"...I must say that I'm quite glad that I was introduced to this novel.

This book houses some of the greatest horror stories since the genre came into existence. I have a new appreciation for Edgar Allen Poe. Algernon Blackwood is an AMAZING writer, quite possibly my new favorite. There is even a story written by O. Henry!

This book could easily be considered a bible among those who are horror-genre fans. I can't say much else about this book other than IN MY OPINION it is worth the money you will spend on it and the time you will spend reading it.

This book is, quite simply, the best collection of 19th and early-20th century short fiction of the dark variety in existence. First published in the 1940s, this single (albeit fat) volume is a goldmine of the roots of modern horror, a great way to see where today's horror heavyweights got their inspiration and influence.

Some authors whose stories appear within: Bierce, Blackwood, Dickens, Faulkner, Hawthorne, Hemingway, James (both Henry & M.R.), Kipling, Lovecraft, Machen, Poe, Wells, and many more, a good mixture of horror genre regulars and more conventional or 'literary' authors to whom dark fiction was a departure from the norm. If many of those above names are unfamiliar to you and you consider yourself a fan of dark fiction, you owe it to yourself to read this book.

[Sidenote: The book also contains two of my all-time favorite short stories from two slightly lesser-known authors: Richard Connell's "The Most Dangerous Game," and W.W. Jacob's "The Monkey's Paw." As far as I know, this is the only single volume that includes both. The latter story is, in my humble opinion, THE most perfect scary story of all time.]

Once again: Wagner & Wise's collection is the best thing of its kind.

If you're looking for a little fear on your pallet, this book will dish it out in buckets. The authors are old world craftsmen who wrote these stories on dark and stormy nights. As you read, the wind will howl, dead children will laugh, and the scurry of rats will make you look around your room. Drink a glass of wine, eat dark chocolate, and curl up to this one in bed. Dead men do write good tales.

The title says it all: "Trombones" represents the preservation of the history of the community backbone of prayer, persistence, and strength. The poetry gives some insight to the suffering of the elders, and speaks to the continuing fight for the full parity of the AfricanAmerican community in a country that was literally built upon the bleeding, sweaty backs of my ancestors.

Amazon is to be commended for participating in this historical preservation of a works that I would recommend as mandatory reading for generations to come - regardless of religion, gender, or color.

My soul is galvanized everytime I hear or read James Weldon Johnson's God's Trombones. I have directed student perfomances of this deeply moving African American text. "The Crucifixion," for example, tells the story of how Jesus Christ, my Lord, my Savior,my Friend, suffered death on an old cross so that I might have an opportunity to be more sensitive to the hurting. The "Prodigal Son" urges me to experience and, thus understand, that I must live with a redemptive consiousness. And, of course, I am compelled to understand, through the poem "Go Down Death" this reality: God does call His children home. Those who have suffered "long in the vineyard" are deserving of rest. For sure, God's Trombones is a poetic tribute to an experience that is Christian and African American. I thank James Welson Johnson for creating this poetic masterpiece. Let's continue to read it; let's perform it. Let's live within the context of the spirituality of the voice. Amen!

God's Trombones is a beautiful expression of the themes of the Southern black experience and God's constant, personal presence in their lives. The themes he chose were expressed in sermons and in Gospel music. For the black person, God was aware of their struggles, would bring them out of "Egypt" (slavery) and would eventually take them to their home "over Jordan". Death would be a gentle freedom for those who were weary (as in "Go down Death").

Johnson's introduction explains that he was trying to express the fervant Southern black preacher with his pauses and emphases. He has done both well.

This is a book to be read for its beauty and inspiration, but more important, it shows (theological inaccuracies aside) how an oppressed people trusted in God's gentle hand, and God's constant love for even the "least" of his Creation.

I recommend this for historians, teachers, lovers of poetry, and for its spiritual content, anyone seeking inspiration.

My dad teaches Sunday School and was looking for this book to incorporate into his lesson plans. I found it here at Amazon and fell in love with this book. Absolutely wonderful to read and very profound. Exceptional!

While James Weldon Johnson's theology is not always orthodox ("God thought and thought" - who could put a new thought in God's mind? unless it was God and, then, God would not be God - this insight compliments of E.V. Hill in his sermon "When Was God At His Best?"), JWJ's poetry and, especially, his Preface displays the harmonious beauty of a long tradition of African American preaching not generally known or appreciated outside of African American circles. If one really wants to become familiar with and, indeed, edified by the godly reaching of E.V. Hill (now deceased), Fred Luter, Tony Evans, Robert Smith and a host of unknowns who preach with substance and, sometimes, in the "whoop"ing style, then, Weldon's book is a must read. May Christianity never lose what God has brought forth in a substantial style which stirs heart, mind and soul.

I met Mr. James Newton and his wife Ellie, almost twenty five years ago in his Fort Myers real estate office. Jim was in the process of finishing the manuscript for this outstanding book in which he shares many life changing moments with his five unusual friends. Jim delightfully reminds us of his firsthand experiences with them. Throughout the book, he gives us a clear understanding of how these historical icon friends impacted his life. Each of them, 'The Uncommon Friends,' had high standards of personal and business ethics. Reading the book is a flash back in American history. You may have heard some of these stories previously. But they were secondhand. Now you can read in his book as Mr. Newton relates many of these firsthand, intimate moments with Edison, Ford, Firestone, Lindbergh and Carrel. I recommend the book!

My only regret is waiting so long to acquire the it.

At a time when so many of the larger-than-life success stories of our age are caughtg up with greed, even scandal, it is wonderfully refreshing to read about some truly inspiring, authentic geniuses of the 20th century who had values as well as vision and drive. To read about great capitalists who also had heart and valued friends and family and truly wanted to make things better for people, all people, and to vicariously almost enter into their circle of friendships is a real treat.

What a lucky man, to have lived and shared the time he did, with those incredible people. Mr. Newton tells it like he lived it, you get the distinct impression, from reading this book, that Mr. Newton saw these men as both great leaders and great men. It is impressive today to be able to get a cross section of turn of the century greatness, all rolled up in one place. Interestingly enough, Mr. Newton has a strong sense of faith that worked it's way into all of these relationships, yet he incorporates it into the text with minimal overtones. I would recommend this book to anyone, like me, that only has a passing knowledge of these people and their times, it helped to color these people in as human.

This book gives insight in many discussions on business, theology and philosophy among five extraordinary people. But I find it regrettable that the belief of Edison, Ford & Lindbergh in reincarnation is rather superficially worked out. Perhaps because of the religious stance of his wife and the author.
I deem it also regrettable that no mention is made of the membership of Edison of the Theosophical Society while it is obvious he was much inspired by the books of Blavatsky.
Apart from a few inaccuracies (on p. 10: Edison is attributed to have received as a gift every new car that ran from the Ford assembly line, among which the first V8. But the V8 was introduced after the demise of this great inventor, p. 100) I find this book very readable and stimulating.

This book originally caught my eye as an addition to another book I read called Edison: A Life of Invention by Paul Israel. I wanted a book that would cover a little more of Edison's personal life, and this book did just that. However, James Newton's close, dedicated friendships with all of these great men of the twentieth century is truly amazing, and I learned more than I would probably learn otherwise about some of these important historical figures.

The entire book is fascinating, and surely different parts will appeal to different readers. I was particularly enchanted with a poignant description of how Charles Lindbergh handled dying as he lay on his deathbed. I was also fascinated with how environmentally conscientious some of these men were, particularly Edison and Lindbergh, but also Ford. For example, Ford was very interested in making automobile parts out of soybeans in order to reduce the need for metal parts. It seems that all of these men had numerous ideas and ideas for inventions that were way ahead of their time - perhaps some of them still are.

Newton's writing is quite good, and I only have one very minor criticism: it seems that he preaches a little bit and dwells on the religious facet of his relationships with these people. Of course, I'm sure this was a very important part of his relationship with these men and their families, but it seems that there is a grand, overarching agenda he has in constantly illustrating their connection to God and religion.

If you are interested in any of these historical figures and their fascinating relationships with each other, this book is definitely the best book you will find on the subject.

I really love the layout of this Bible. It is very easy to read and understand the commentary. The tabbed version is great as well. I was happy to find it's notes come from a literal 6 day Creationist point of view, but sadly, I'm sorry to say that the author is a Calvinist Babtist, Cessationist (does not believe that Gifts are for today). This is evident in the interpretation of certain OT and NT scriptures. Unlike others have stated, DR Morris DOES have a personal opinion about these things, and is not just basing the commentary on other scripture. Well, I love the Bible and Pray for Morris to live in all of God's goodness he has for him :)

I am very impressed with this study Bible - gives wonderful commentary information on many subject to give a better understanding of certain text. I do have a few disagreements; however, as I don't believe there are any mistakes or contradications in the KJV and only misunderstanding and limited knowledge on the readers part. Docy

The Defenders Study Bible by Dr. Henry Morris is THE BEST Bible I have ever owned. I have been a Christian for most of my life and I own several different study Bibles but they all pale in comparison. Why? Because they compromise the word of God. In most of my other study Bibles, they make you doubt Gods word, especially in regarding the creation in Genesis by adding that the creation could have occurred over a longer period of time.

Dr. Morris verifies the six day creation with other bible verses. He doesn't rely on his beliefs, he relies on other scriptures for verification. The Lord would not need longer periods of time to create the world because he did it right the first time and does not need more time to let things "correct" themselves. He is a perfect God and he created a perfect world in six days. Why would God say six days when he meant something else? This is where faith plays a vital role in reading and interpreting the scriptures. You either believe God means exactly what he says or you don't. Satan compromised the word of God to Eve and look what happened. God means exactly what he says. Exactly.

Another plus is the scientific analysis of creation and the great flood. He describes using other scripture how the flood occured and the effects of the flood on the world scientifically. It really strengthens Gods word.

Having this Bible in the King James Version is comforting also because it is as close to the original Hebrew and Greek text as we can get. There is no interpretations. I compare verses from this Bible to my other Bibles and the changes are dramatic and sometimes entirely different. To me this can be dangerous.

In Job, some of my Bibles change the words Behemoth to Hippo or elephant and Leviathan to Alligator..... Now I have never seen a hippo or an elephant with a tail the size of a ceder tree, and I have never seen an alligator have smoke and fire come out of his mouth and nostrils.

I recommend this Bible and all of Dr. Morris' other books to all Christians, both new and old.

The Morris footnotes are as conservative as Schofield's, but much easier to read and understand, and less dispensational. Neither I nor my minister and missionary friends can fault the doctrinal position of Morris, who believes that the Creator of the universe was able to state exactly what He meant, and able likewise to preserve His word for us today. Morris, the author of the standard text on creation, offers scientific background to dispense with the modern myth of evolution, enabling those who believe God rather than the humanistic fantasies of Darwin ample and irrefutable arguments for God's truth. A fine gift or presentation Bible, I received mine from my church when I trusted Christ as Savior. One of my missionary friends has won many souls to the Lord with his copy - may God grant you and I the grace to do the same with ours! There is no version of the Scripture that I can recommend more highly, especially now that the John R. Rice reference Bible seems no longer available. Signed, a redeemed sinner

Bonus points for the larger type, easier to read than a lot of other bibles. Extensive notes that defend the accuracy and infallibilty of the Bible. A must have for anyone who is serious about studying the Authorized version of the Word of God.

Blood Bankers collates vivid insider stories on the pillage of developing countries by international banks and the piracy of finance by corrupt leaders. The book accounts for the fact that, in spite of immense financial flows to the Third World, many countries have not witnessed the expected benefits, and indeed have been damaged by corruption and debt.

An Amazing read! I didn't know what I never knew! After reading this book twice, I realize that International Bankers of all varieties dominate the buisness world and are at fault for irresponsible lending to many 'developing' nations. A result of which is massive poverty and wealth inequality througout the world.
A timely and revealing look at the origins of the Iraq war are an excellent reminder of power of these wealthy few.

Everyone should buy this book.

This book is an eye-opening account of the financial chicanery that lay behind countless poorly planned, badly executed, over-priced and economically unviable development projects that were undertaken in Africa, Asia and Latin America in the 1970s and 1980s. Henry exposes the role played by leading international financial institutions in fueling the growth of dubious forms of transnational economic activity and shows how their behavior has been tolerated and even encouraged by the IMF, the World Bank and the US Treasury. He also sheds light on the influence that international financial interests have had on political developments in the third world - from the overthrow of Allende's elected government in Chile and the funding provided to Nicaragua's Contra rebels, to the support of thieving dictators like Ferdinand Marcos, General Somoza and Carlos Salinas, just to mention a few.

"The Blood Bankers" is an important contribution to our understanding of global financial instability. Most often, liberalized (legitimate) capital markets, international trade, state power, and international regulatory institutions are cited as the causes of destabilization. However, J. Henry allows us to look behind these forces and bodies to see how the liberalization of the global economy has unleashed illicit and/ or immoral financial forces, often acting through otherwise legitimate enterprises. Thus, "The Blood Bankers" gives us another level of understanding and critique of the agents of globalization. Without understanding the underground players, it would be impossible to fully understand the instability of modern international markets.

Major U.S. banks have knowingly dealt with the corrupt elites of the world's developing countries.
They have harbored capital flight from wealthy investors who had lost confidence in their country.
They have extended loans to corrupt industrialists, who promptly skimmed the profits and, through their political connections, convinced the national governments to guarantee the loans, placing the burden on the backs of the poor.
They have lent money to violently repressive military dictators.
They have accepted bribes; they have offered bribes; they have turned a blind eye to untold human suffering.

One Man can do often more than hundred
so-called 'pp'* together.
Devotional Creationist can get me read
his commentary work and appreciate it.

*(profane pros)

i got this study bible for myself at christmas time in 2007. it is written from a creationalist point of view. to counter evolution. all of the hard versus you thought you would never understand are broken down. what i did was i started out using a sharpie highlighter but it bled though the pages. i went to a christian book store to get a bible highlighter it was almost $4.00 just for one color. and when i got it home i could hardly see it on the paper. so i went and bought a set of twist up crayons at walmart. there is 10 different colors. so i would highlight a verse or word that stood out. or i would highlight a verse and the corresponding explaination at the bottom of the page in the same color. let me tell you, this really makes it nice to find a verse quicker and by using the same color on the verse and explaination it really helps to locate the harder versus and their meaning. check out my other reviews on how to really study the bible with just a few products. by using these products over the last 8 months i have learned and reatained more than ever in my life. get 1 or all of these products and watch the bible come alive. i bought 3 of the hardcovers for my relatives. and 2 soft covers for my parents and brother. i like the softcover better it lays open easier, but i bought the hardcovers because they were a little cheaper.
GOD bless you on your journey....................

This is a wonderful edition of the King James Version for anyone with an interest in science. Dr. Morris provides highly readable and eye-opening explanations of many passages - especially gripping when he unveils the science behind such passages as 2 Peter 3:4-7.

The KJV New Defenders Study Bible is just that, a great study Bible.Anyone interested in understanding what the scriptures really say should consider purchasing this Bible. I know I shall enjoy reading this Bible for years to come.

The good;
First let me say I agree with the other reviewers and will tell you this is a wonderful study Bible. I purchased it because I am a fan of Dr. Henry Morris and his work in studying and making available to Christians everywhere strong scientific basis for the literal interpretation of the Bible and creation.
The notes in the Bible with his insights are wonderful and will help you grow in a your understanding of the Bible. The notes are extensive and as one reviewer noted they are the same font size as the Bible text and do take up a considerable amount of the page throughout the Bible. I did not really find this a hindrance at all and in-fact like the fact that the larger font makes the notes easier to read. I also liked the self-pronouncing text and in-text explanations of archaic words, So I think that is really a matter of personal preference.
I would not really look at this so much as a traditional study bible but as a bible with a commentary built in.

The bad;
I did not know Dr. Morris's denominational affiliation and I really did not expect that he would have any dogmatic theological positions in his notes other then his strong stand for a literal six day creation.
But here is an excerpt from his introduction to the Bible;

"The Bible does contain many teachings that Christians have disagrees about, of course, and some annotated Bibles try to take neutral positions on such controversial doctrines. I have thought it best, however, to express my own convictions on these matters, even at the risk of losing some readers who hold other views...Based on this literal and contextual approach, the notes become what one might call Baptistic in ecclesiology, pre-millennial in eschatology, non-charismatic in pnematology, and moderately Calvinistic in soteriology. These are man-made terms, of course, and no attempt has been made to develop formal theological doctrines in the notes. I have tried to be irenic, rather than argumentative, in dealing with such controversial matters, so it is hoped that anyone who disagrees with any particular annotation will still find the other notes helpful and profitable."

As a Charismatic Armenian I do wish Dr. Morris had taken a more neutral position on matters that in my opinion are probably outside of area of expertise as a creationist bible teacher, and had I known this about him and the bible notes I may not have bought it. But I will say to his defense he does not take a very strong dogmatic stand in the notes even though it does become obvious what he believes about certain bible passages. For instance he does not dogmatically say that the spiritual gifts in 1st Corinthians 12 stopped with the Apostles but the notes do reflect the fact that he does not believe they are for today either.

Here is an example of Dr. Morris's notes from 1st Corinthians 12:8
"...No individual would have all the gifts, nor (probably) would any one church. Some would cease with time, others would be added, as needed. They are gifts of the Spirit "as he will" not "as I wish". "

And 1st Corinthians 12:10
"...The word tongue itself (Greek glossa from which we get "glossary"), always refers either to a definite structured language or else the physical organ of speech as used in both biblical and extra-biblical Greek writings (never meaningless noises)."

To me this reflects the misunderstanding of charismatic christians by non-charismatic christians and the gifts of the Spirit.
Modern day speaking in tongues are often in known foreign languages and in our modern times have resulted in people that were present when they were being spoken that knew those languages recognizing them and being converted to the Lord by hearing them. It is not just "meaningless noises".
Additionally, the gifts of the Spirit are indeed given by the Lord as he wills and not as we desire but if we are not open to them being from the Lord in our modern time he does not force them on us either.

This is a very sensitively written and complex story about two people - written in stellar prose.

This Dover edition - titled The Beast in the Jungle and Other Stories - provides three short stories that are among the finest of their genre, although defining the genre itself is not without difficulty. Only The Jolly Corner might be classed a ghost story. These superb studies of obsession might be best described as nuanced, subtle, and intellectually haunting, and are among the best short works of Henry James.

The Alter of the Dead (1895): George Stransom "had perhaps not more losses than most men, but he counted his losses more: he hadn't seen death more closely, but had in a manner felt it more deeply."

The Beast in the Jungle (1903): John Marcher had from his earliest time, deep within him, "the sense of being kept for something rare and strange, possibly prodigious and terrible, that was sooner or later to happen" and he had in his bones the foreboding and conviction that it might overwhelm him. Despite its suspense and deep sense of despair, this classic tale has been described as sluggish and overly ornate. Be that as it may, this foreboding tale is memorable.

The Jolly Corner (1908): Returning after decades in Europe to his vacant, empty home in New York, Spencer Brydon would in the gathering dusk "wander and wait, linger and listen, feel his fine attention, never in his life so fine, on the pulse of the great vague place: he preferred the lampless hour and only wished he might have prolonged each day the deep crepuscular spell."

I have read this collection on three, perhaps four occasions. The works of Henry James, like that of William Faulkner, continue to improve with subsequent readings, undoubtedly the mark of great literature. For the reader unfamiliar with the writings of Henry James, this little collection would be an excellent introduction to his challenging prose. I highly recommend this Dover edition.

In this basically two person novella, John Marcher, believes that something, not necessarily wonderful, maybe even terrible-but something-would eventually spring on him unawares, like a beast in the jungle, and ultimately determine his fate. May Bartram, his friend throughout these many years, agrees to wait with Marcher to observe his destiny.

_The Beast in the Jungle_, in its quiet, psychologically incisive, and intimate way, is the tragedy of a man who is too passive, too timid, too self-absorbed and self-centered to attempt even in the slightest manner to take life in his own hands to shape his future. Marcher is certain that May Bartram can provide him with all the answers to the impending great event, but he only succeeds in slowly draining the life from her. May Bartram, patient and wise, is the true hero of the piece. It is only at the end that the truth is revealed to Marcher. The jungle finally becomes empty, and poor pitiful, ineffectual John Marcher never even witnessed it.

I have never read Henry James before because I have always been told that he is not worth reading. My own teachers have told me that, but they obviously didn't read like I do because I found this story nothing but delightful. Henry James faintly resembles the writing of Charlotte Brontë's Jane Eyre. I see the resemblance in James' use of detail, not only in physical descriptions but also in the portrayals of capturing what is happening in the minds of his characters. This can be tedious if a reader is looking for plot, but my own conviction is that good fiction is driven by character, and anything that happens within a plot happens consequently to how characters act and/or think. "The Beast in the Jungle" revolves around only two characters and how their relationship and convictions affect each other's lives. The beauty in this story is the reality within it-a realization of time and how and what it should be spent on. James focuses on human relationships and shows the flaws that can occur within those relationships. John Marcher's selfishness, for instance, keeps him at a distance from May Bartram and her love for him: "Marcher had been visited by one of his occasional warnings against egotism. He had kept up, he felt . . . his consciousness of the importance of not being selfish". This selfishness, which Marcher believes he suppresses fairly well, is what turns out to be part of the Beast he is seeking; the selfishness is what keeps him from loving Mary Bartram simply because he wants her only for what she can do for him: ". . . he had never felt before, the growth of a dread of losing her by some catastrophe . . . that yet wouldn't at all be the catastrophe: partly because she had almost of a sudden begun to strike him as more useful to him than ever yet". I enjoyed "The Beast in the Jungle" so much because it took me into the mind of a person who grows throughout the story and learns something that perhaps every human being needs to learn throughout the course of his/her life. I don't find Henry James tiresome or dull at all; in fact, to myself of course, his writing is quite the contrary. I look forward to reading more of him.

Henry James' Beast in the Jungle is surely not for everyone, there is little action in the novella (I suppose that is the point actually) and the title could give readers the wrong idea. John Marcher, the protagonist, is re-aquainted with May Bartram, a woman he knew ten years earlier, who remembers his odd secret- Marcher is seized with the belief that his life is to be defined by some catastrophic or spectacular event, lying in wait for him like a "beast in the jungle."

May decides to take a flat nearby in London, and to spend her days with Marcher curiously awaiting what fate has in stall for John. Of course Marcher is a self-centered egoist, believing that he is precluded from marrying so that he does not subject his wife to his "spectacular fate". So he takes May to the theatre and invites her to an occasional dinner, while not allowing her to really get close to him for her own sake. As he sits idly by and allows the best years of his life to pass, he takes May down as well, until the denouement wherein he learns that the great misfortune of his life was to throw it away, and to ignore the love of a good woman, based upon his preposterous sense of foreboding.

James' language can be a bit stilted at times, and some of the dialogue may strike modern readers as out-dated. However James was a master of the novella format, and with The Beast in the Jungle he has written an engrossing psychological drama, which left me speechless at the very end. Pick up a collection that also includes The Turn of the Screw and Daisy Miller if you haven't already read them, they are accessible (more so than some of James' full length novels) and great examples of the format's potential.

Elisabeth Murray writes a wonderful and highly detailed biography of her grandfather, James Murray. Simon Winchester reintroduced many in this country to Mr. Murray in his book The Professor and the Madman, which told the story of Murray and an American living in an English asylum named W. C. Minor. This book was highly readable, but not comprehensive as a true biography of Murray.

James Murray, the first editor of the Oxford English Dictionary, was a gentle man of words who dedicated his life to the study of the English Language. His efforts are best understood in this book by the descriptions Elisabeth gives of his scriptorum, where Murray spent the majority of his life, and where Elisabeth worked as a young lady.

In reading about this man's life and the effort that was required to undertake the construction of this dictionary, one really gets a sense of the vastness and complexity of the English Language, the historical richness and the regional diversity. One also sees in florid detail the life of one of the great late-Victorian pedants.

I enjoyed this book for the most part. It really conveys the sense of martyrdom that Murray must have felt during the 30-some years that he worked on the Dictionary. After a while, however, it got a little old--chapter after chapter describing the horrible deprivation Murray suffered at the hands of the Delagacy of the Oxford University Press into which he was virtually forced.

Whenever there were "good years" the book would read something like "...and then the Delagacy let up on the poor guy for a while, but then so-and-so was named the new Secretary and he turned out to be an idiot." Then the author (actually Murray's granddaughter) spends another chapter detailing how so-and-so made Murray's life a living hell.

Like I said before, this gets to be tiring. It seems as if she has an axe to grind with the OUP after all these years and has made the main point of this book to be a crusade of some sort. She wants the world to know just how much pain and suffering dear old granddad went through. I couldn't help thinking that, in reality, he was just some kind of ultra-perfectionist nutcase and somewhat of a big crybaby.

Other than that, I recommend the book as being informative and interesting.

James Murray was a prodigy. He learned languages, geography, botany at an early age. He lived in Scotland. He was intrigued that his border language was identical to that of Northumberland and so that the English-Scots boundary had no linguistic significance. He was always learning, always collecting knowledge.

In two years at school he learned four languages. After school he was tutored in two more by a family friend, Italian and German. His family did not send him to grammar school at Melrose because there were other boys to educate. He became an assistant master when he was seventeen. By 1857 he was developing an interest in philology. Seeing Anglo-Saxon put him into a high state of excitement. He moved to London and started to work at Russian. He wrote THE DIALECT OF THE SOUTHERN COUNTIES OF SCOTLAND.

James Murray was respected by Morris, Ellis, Sweat, Skeat--men instrumental in revolutionizing the science of etymology. In 1868 at the Philological Society Murray encountered Frederick Furnivall. Furnivall was an inveterate founder of organizations for the study of English. Murray became an editor of the dictionary project of the Philological Society after the first editor, Herbert Coleridge, died. Borrowing the method of work from the Germans, Coleridge had started in 1860 with fifty four pigeon-holes. James Murray was named editor in 1877.

Ultimately there were sixteen thousand pages of the OED. Murray died in July 1915. The last portion of the dictionary appeared in 1928. Supplements to the dictionary were issued in 1933 and 1972. There are two appendices, notes, and an index in this very good book.

This is really two books in one: the life story of James Murray, first editor of the Oxford English Dictionary, and the tale of the dictionary itself. Both are lovingly told. It's a must read for anyone interested in dictionaries or linguistics.

Elizabeth Murray, the granddaughter of James Murray, who was the chief editor of the huge Oxford English Dictionary on which every serious scholar of English continues to depend, has written an excellent biography of the greatest English lexicographer, and done more: she has also given an insight into his personality, and, yet more importantly, into the whole scholarly world of philology, lexicography etc. in Victorian England, and the difficulties which beset the creators of the dictionary. I recommend the biography most highly, and feel that all fans of *The Surgeon of Crowthorne* (chiefly on Dr W.C. Minor) should read this - preferably BEFORE that book (so as to get a sense of context), but otherwise after. - Joost Daalder, Professor of English, Flinders University (see "More about me')