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Hidden History in the Bayeux TapestryReview Date: 2006-03-22
A Worthy ReadReview Date: 2007-10-24
Author sheds light on an ancient mysteryReview Date: 2007-09-25
What were the real intentions of the sponsor who dictated the images and message stitched into the Bayeux Tapestry? The whole tale is here: ambiguous negotiations, fatal misunderstandings, Duke William's landing, the battle of Hastings, the death of King Harold in battle and the aftermath of war in a ravaged land. The Tapestry (an embroidery, really) was originally longer, but the final scenes are missing. Did fire, damp or rats carry the ending away? Or did fear suborn courage, causing an unknown hand to cut off a dangerous truth in a deadly world? That is one of a thousand mysteries inhering to the Bayeux Tapestry.
Nor is that all. The Tapestry brings us a dwarf who may have been a founding father of French literature; and reminds its contemporary viewers of an unlovely tale, of two queen-mothers thrusting their several sons forward, sometimes fatally, in their own lust for royal power. Why? How do these apparent sub-plots relate? It has been an abiding mystery, one for which Andrew Bridgeford may have supplied - if not the missing end of the cloth - then at least several answers.
By Robert Fripp, author,
Power of a Woman. Memoirs of a turbulent life: Eleanor of Aquitaine
History and Detective Novel Rolled into OneReview Date: 2008-01-27
The main contention of the work, which I will present here without spoiling the details and supporting evidence for the reader, is that the common view that the Tapestry is a work of Norman propaganda to support William the Conqueror's claim to the English throne is incorrect. Rather, Bridgeford argues, the Tapestry is instead a truly English work which gives more credit to a Frenchman (not a Norman) for the 1066 battle victory, and was meant to serve as continual reminder that William's taking of the English throne, though successful, was not morally just. In this sense, the work can be somewhat considered "subversive," because its message of the invalidity of William's ascent was played out in full view under the noses of all the Norman entourage, and indeed, full public scrutiny. The makers of the Tapestry could only do this by creating a work that passes the "scratch and sniff" test for supporting the Norman cause, but only for those wishing to read that preconceived notion into what they see, and for creating a work that, on its superficial elements, appears to do just that. But woven into the threads of this work is a contrary view that becomes apparent if one rejects the temptation to skim over and "read into" each of the Tapestry's scenes, and it is a message quite different that it might at first appear to be.
Bridgeford's prose is consistently up to this challenging task. Each page of the text further illuminates our understanding, not only of what we already know about 1066, but of those things we "know" that really do not "fit," if we took the time to further reflect on it. After carefully considering each of the pieces of evidence presented, we come to feel there is good reason to support the author's claims. In fact, the book at times lays out its evidence and persuasion much like a lawyer might do in court, and if we find ourselves on this jury of opinion, we tend to find ourselves convinced. And although the reader here might think the author will have to resort to fantastic claims and that we'll have to check credulity at the front cover, we quickly find we can rest easy. The author's case is logical, cogent, and reasonable; the work never veers outside of accepted scholarship for evidence, and rejects many surrounding claims even if some of those might further buttress the argument. This is a solid book that is a fascinating addition to the library of works surrounding the Tapestry.
Bridgeford's text begins by laying out what must be considered an epic drama of the history of the Tapestry itself, a history which begins in the 11th century but, much like an Indiana Jones movie, finds itself the target of Nazi's, governments, and various nefarious forces throughout the centuries. Once we have followed the Tapestry's journey throughout the years, we settle into an examination of the tapestry itself, a scene by scene look at each element with the work. Thankfully, the entire Tapestry is photographically reproduced in full color with additional scene numbers and annotated text to translate the Latin so that we can refer to the Tapestry itself while the author makes his points and explanations. Historical background is provided within the narrative whenever necessary, helping us understand the possible motivations for the prime characters and serving as a historical backdrop to the story. Bridgeford makes his case scene by scene, and is not unconvincing. It is a true adventure to pry open the explanations of each of the scenes, and regardless of how convinced the reader may be of the ultimate assertions of the book, the result is likely to be a newfound interest in the Tapestry itself, and perhaps even a desire to make a trip to see the Tapestry in person.
But much of the charm of this book remains in the prose which relates Harold's and William's story, with characters whose motives and intentions come alive, settings that jump out of the past, and the ebb and flow of history once again surging past us when we thought it was already finished. And that is indeed, according to the author, the whole purpose of those enigmatic creators of the Bayeux Tapestry: to serve as a constant witness of historical fact that would hopefully guide those of future generations who were willing to listen to its message. They may well have succeeded. It's now approaching 1,000 years since the Tapestry was woven, and we are still here examining, debating, and enjoying it.
A thousand year old mystery in one of the worlds great works of art.Review Date: 2007-04-09
This book takes you scene by scene through this massive work of art - and a different picture slowly emerges than the one you might have read about in other books on the subject. This embroidery is the work of a conquered people - and to please their new masters it superficially shows their success in the conquest. However, the events, and how the artist chooses to highlight them brings out another story, and its not the same one that the Normans told of their "right" to conquer England. The Tapestry also brings into focus formerly obscure people that never feature in any other period work on the conquest - and the author of this book has done some research into these named individuals and dug up some very interesting information indeed.
If you have any interest in the Bayeux Tapestry or the Norman conquest of England in 1066 this is a book you should read. The author is a Lawyer by trade and not a historian but he has done dome very impressive and detailed research with this book. I didn't know much about either the Tapestry or the Norman conquest before reading this book, so even if you don't know much about this period this is still a good read as the author tracks down the mysteries in the Tapestry that many other writers gloss over.

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CaptivatingReview Date: 2007-11-04
InspiringReview Date: 2004-10-17
Words can not express how Natasha's writing has touched me and renewed my strength to listen to my inner self. Thank you, Natasha.
tranformationalReview Date: 2004-10-05
Must Read if you want to know all about hwat it's like to be psychic!Review Date: 2007-10-25
Page after page, Natasha unravels 'coincidents' and changes that shaped her life and made her aware of her destiny; encouraging us, the reader, to do the same! Each chapter is punctuated by `metaphysical endnotes' that give further `teaching' on how, for example, to establish psychic boundaries, understand different levels of consciousness, death, and develop a new and different perspective on life. At times, Natasha's account of her life and the psychic forces that were at play is heartbreaking; yet in never fails to inspire.
Natasha believes she `magnetized' events to her to help her accept her `psychic awakening' as she spent many years reluctant to do so. Natasha's own life roller-coasted between happy memories and sad, painful ones, which she shares candidly and honestly. She writes: "In the beginning my search had been to understand my mother, but now it appears that she had motivated me to understand the Universe... It was my own very private, individual journey, and all I really wanted was to be master of my own life"
Natasha's writing style is also humerous (there were many incidents when I was in stiches-enjoying a good laugh) and succeeds in demystifying what a psychic is, how a psychic works, and how to find out if you are one. She shares with her reader how her own psychic abilities manifested themselves as she reflects on her life, how her various abilities grew and they unfolded; and that no matter how difficult and painful at times, life can be, it is those incidents that shape who we are and guides us towards fulfilling our lives.
In her book, Aaagh! I think I'm Psychic (and you can be too), Natasha also believes that we are all intuitive, perhaps even psychic, and that perhaps our fear of the unknown, instilled in us as a cellular memory, is what stops us from acknowledging these abilities. Natasha writes: "The most valuable education I absorbed that day, over and above the color of auras and their meanings, past and future lives and the difference between various levels of consciousness, was that we are all, if not psychic, inherently intuitive"
Natasha's love of travel lead her to an international adventure, and misadventure at times; she speaks six languages and has lived in various countries- adding an cosmopolitan drop to this psychic adventure! And along the way, her abilities unfolded in various too: she learnt palm reading, astrology, Psychometry, developed her telepathy, mediumship, chanelling, and interpreting her dreams.
And although Natasha was reluctant to accept this awakening to begin with, as her psychic abilities developed they helped her understand how we all `write our own movies', and how we `magnetize' events and people into our lives who would help us understand and develop our awareness.
Natasha's book, I Think I'm Psychic (And You Can Be Too, is entertaining as much as it is inspiring. She succeeds in engaging the reader by 'zooming in' on her life, and then 'zooming out' for a 'big-picture' perpective on the universal reality of the soul. I strongly recommend it.
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Get in touch with your real selfReview Date: 2006-07-15
It helps you to understand how a psychic works and what life is about.
Really uplifting.
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Absolutely perfect!Review Date: 2008-09-17
good bookReview Date: 2008-08-28
concise and clearReview Date: 2007-10-17
EE grad student (physics & matl eng background)Review Date: 2007-06-05
For this subject, you definitely need probability (thru matrix representation of covariance, means, etc) and stochastic process. Both Gelb and Brown & Hwang review the requisite probability/stochastic processes , but I would recommend a deeper grounding in the subjects (working thru Papoulis, for example).
great reference and guide to Kalman FilteringReview Date: 2008-02-22

ON BEING GEROGE ORWELL Review Date: 2007-05-30
a moral bookReview Date: 2004-10-16
An Insider's Careful Diagnosis of Political and Literary Trends at the End of World War IIReview Date: 2008-02-11
This reviewer thinks that Orwell's literary criticism of Arthur Koestler is the best article of literary criticism. Orwell focused on Koester's DARKNESS AT NOON which Orwell thought was Koestler's best work. Orwell argued that Koestler was a supporter of the "Left" during the Spanish Civil War and was arrested and faced the prospect of being shot. Koeslter escaped but had to know how the Stalinists betrayed the Spanish Left during the Spanish Civil War. Koestler was a member of the Hungarian Communist Party, knew of the Stalinist purges of Lenin's Bolsheviks, and saw a repeat of all this in Spain.
Orwell also had intelligent commentary of literature and humor. Orwell stated that good humor had all but disappeared in Great Britian because of political and religious sensitivity. Orwell stated that the best comedy was that which attacked hypocrisy and pretensioness. Orwell cited Aristophanes, Rabelais, Shakespear,Voltaire, etc. who did not hestitate to mock and write comedy of the self righteous and "high and mighty." Orwell was bothered by the fact that such humor almost disappeared from English litature during his life time. An interesting aside is that Orwell complimented Hillaire Belloc and G.K. Chesterton for their humor. Orwell was critical of both in some of the other essays in this anthology.
Orwell not only wrote good literary criticism, he wrote solid political commentary. Readers can see the beginnings of his best known novels-ANIMAL FARM and 1984. Orwell's comments on ill feeling between British and American troops. Orwell stated that since American troops were paid at least five times as much as British troops, social divisions and hard feelings were almost inevitable. Orwell also commented that many American troops refused to admit that British casualties were larger than American casualties which indeed they were.
Orwell's best political commentary dealt with such concepts as Fascism, Pacifism, the Trotskyites, the Stalinists, etc. Orwell's major criticism of the "Leftists" was that because they were anti-Fascist, they would not become anti-totalitarian because of refusal to oppose the Stalinists and Big Communism and its obvious record of mass murder and concentration camp brutality. Orwell makes hash out of the accusation that the Internatianl Jews heavilty subsidized Britian's Trotskyites. Orwell commented if that were true, one had to ask why Trotsky's supporters were always so poor. Orwell accused much of the "Left" of refusing to accept facts and assessments of World War II. For example, many of the British and American leftists commented that the Soviet Union was an example of the biblical inscription that the meek shall inherit the earth. Orwell noted that those who made this remark obviously had not read Soviet anti-German propaganda which was full of hatred and violent vengence. Orwell also noted that the Left expected British military failure while extolling Soviet victories during World War II.
Orwell also expressed serious concern over the distortions and falsification of history. For example, both the "Allies" and "Axis" claimed victory when their was defeat. Casualty figures were distorted as were events. What was worse was the description of non-events or events that never occured. Orwell commented that the Leftists never wrote a word about the SovietGerman "Non-Aggression Pact" which was negotiated in 1939 with the secret protocol of the Soviets and Germans to invade Poland.
Orwell made comments that his novel titled ANIMAL FARM was censored or kept from publication because of British concerns of offending their Soviet "allies." Little did Orwell know that this novel would be a best seller after he died. Orwell can also see the outlines of his 1984 in this collection of essays.
One development that concerned Orwell toward the end of World War II was the emerging anti-Semitism in Great Britain and to a lesser degree in the United States. Orwell was clear that accusations and slurs agains Jewish people were patently false. Yet, Orwell was clear that facts and reason were of no avail to many because they were immune to knowledge and reasoned thinking. Orwell attributed much to a weakened Great Britain at the end of World War II, and the British Empire would soon be dismantled. Orwell argued that nationalism and the fear of the loss of Empire incited anti-Semitism among people who would otherwise not fall for such nonsense.
While Orwell was wrong in some of his earlier predictions, he was honest enough to admit this and explained why which something most "intellectuals" are loathe to do. If Orwell had lived another 50 years, he would know that his important predictions came true. This reviewer was pleased to see Orwell admit he was wrong as this showed a degree of honesty that is sadly lacking.
This reviewer did not like the format of the book. As this reviewer stated elsewhere, the book should have been arranged by topic rather than by chronology. However, this is a matter of taste. This reviewer strongly recommends this anthology which is part of a four volume set of Orwell's thought. This is yet another excellent collection of Orwell's great writing.
Every piece he writes has sense and meaning Review Date: 2005-09-24
In this third volume of his collected essays, jouralisms, and letters there are a number of outstanding longer pieces, including those on 'The English People' 'Notes on Nationalism' and 'Anti- Semitism'
He is an excellent letter writer and I especially enjoyed his insights into literature. His remarks on Conrad and Koestler and European as opposed to British Literature are sensible and insightful.
All through this work there are scattered gems of humane perception.
Unconscious patriotism and inability to think logicallyReview Date: 2008-02-24
This is volume 3 of 4, and the first that I give 5 stars. It is less uneven, less self-contradictory, probably more honest than the previous 2. GO had grown up, I assume. The bulk of the book are his leaders under the name that the collection carries: As I please. He comments on events of the time, and does it with lasting interest.
I don't want to repeat my friend Jim Egolf's summary of the book, nor his assessment of its historical value. All true.
But Jim left out an important subject that Orwell also included, and that I want to bring to your attention. The fact is that GO was an impossible romantic about England. He honestly thought that there was merit in English cooking! One essay is called: In Defence of English Cooking.
He lists a few items that we are supposed to accept as proof of his odd point of view. Believe it or not, one of the items which supposedly prove the high standard of English cooking are English apples. I rest my case.
'It is not a law of nature that every restaurant in England is either foreign or bad.' Written 1945. My regular visits in recent years, all in basically friendly intention, make me conclude: if anything changed, then for the worse, because now even many of the foreign restaurants are bad.
Dui bu qi.

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Didn't Care for ItReview Date: 2008-09-01
Great Series To learn To ReadReview Date: 2007-12-05
My daughter is now 5 and can read any Biscuit book w/o help. She even chose one for her first book report in kindergarten. A definite for all children ages 2-6.
bathtime for biscuitReview Date: 2007-06-10
Simple Text Appeals to Young ReadersReview Date: 2007-02-19
We like it for all the wrong reasons.Review Date: 2005-10-14

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This is a fabulous book, very informative and encouraging!Review Date: 2008-09-05
Perfect for the Teen Who Wants to Know About FASReview Date: 2008-07-07
Great Book!Review Date: 2008-01-07
Eye opening. Will order copy for my library.Review Date: 2008-01-03
Awesome..very much to my heart. I have a 14 yr. old grandson with FAS.
Must Read for parents who adopt and for professionals who work with kidsReview Date: 2006-02-27

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A real view of today's MarinesReview Date: 2005-08-05
Anyone who wants a break from the Clancy-esque fantastic plots that are so common now will love Christie's latest offering. Its taut plot, sharp characters, and insider's eye for detail will satisfy any mature reader. I loved it, and I would recommend it to anyone.
21st century action that could be tomorrow's headlinesReview Date: 2005-05-19
His best yet (but see the author's comment below)Review Date: 2006-10-20
The first half of this book is a "Men-in-Training" look at the Marine Corps' training program, and the second half is a mission in Yemen. No dames.
It does not get any better than this!Review Date: 2005-04-27
This was an excellent page turner from start to finish.
I predict that Mr. Christie will find himself mentioned in the same breath as Webb and Coonts in the not to distant future.
Semper Fi
From the AuthorReview Date: 2006-03-17

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Refreshing, Honest, Awesome Guide to ParentingReview Date: 2007-12-19
A Great Approach to ParentingReview Date: 2007-12-17
A Must Read for Every Modern ParentReview Date: 2007-12-17
Thank Goodness, a Sane Approach to ParentingReview Date: 2007-12-18
An Essential Read!Review Date: 2007-12-18

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Great Story, just wanted to tell people that its still available in The Jump at the Sun TreasuryReview Date: 2008-04-01
Wonderful work for Garin Baker. Review Date: 2007-10-31
Perfect for all God's ChildrenReview Date: 2004-10-16
This is a Book for All Children!Review Date: 2003-01-17
A TreasureReview Date: 2002-12-30


Great for AnyoneReview Date: 2008-03-24
I feel it gently introduces the reader to relevant ideas.
Simple but interestingReview Date: 2008-02-27
amazingReview Date: 2005-09-15
OUTSTANDING COMMENTARYReview Date: 2006-07-05
One of the simplest books on I Ching.Review Date: 2005-12-21
There are very few books that you can read that will help you learn something easily and is easy to understand.This book is one of those few books.This book was my 2nd choice.
The other beginners book I recommend is:"The I Ching made easy:be your own psychic advisor using the world's oldest oracle".By Roderick Sorrell and Amy Max Sorrell.And,I recommend these:
1)"Practical guide to the I Ching".By Kim-Anh Lim.
2)"I Ching:a new interpretation for modern times".By Sam Reifler.
Related Subjects: Issa Irving, John Ibáñez, Sara de Ishiguro, Kazuo Isherwood, Christopher Iles, Greg Inness-Brown, Elizabeth
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