Horror Books
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Could Not Put It Down.Review Date: 2006-10-21
Strange Days RocksReview Date: 2006-10-04
this one keeps picking at my brainReview Date: 2006-08-02
Unthinkable TerrorReview Date: 2005-12-09
This One Creeped Me Out!Review Date: 2005-10-19

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The supernatural in literatureReview Date: 2002-07-24
Secondly, the author omits mention of most of the ghost story authors from that period who are still popular today, e.g. J. S. Le Fanu (first ghostly tale published in 1838) and M. R. James (first collection of stories published in 1904). She also leaves out most of Victorian ladies whose ghost stories are still in print today, e.g. Mary Elizabeth Braddon, E. Nesbit, and Mrs. Riddell.
I would classify this book as an overview of the literature of supernatural fantasy and horror (including a Byronic poem about a vampire). The ghost story as defined and brought to its peak by Victorian and Edwardian authors, receives only brief mention in the chapter, "Modern Ghosts."
Scarborough begins with the Gothic Romance, of which she says: "The mysterious twilights of medievalism invited eyes tired of the noonday glare of Augustan formalism. The natural had become familiar to monotony, hence men craved the supernatural. And so the Gothic novel came into being."
'Gothic' is used to designate the eighteenth-century, pseudo-medieval novel of horror. The author begins with Horace Walpole's, "The Castle of Otranto"--if you are at all fond of Regency romances, you are bound to run across a heroine who is reading Walpole's tale of mad monks and haunted castles, or Mrs. Radcliffe's horrific "Mysteries of Udolpho." These novels depicting "decaying castles with treacherous stairways leading to mysterious rooms, halls of black marble, and vaults whose great rusty keys groan in the locks"--plus a heroine who wanders through spider-webbed corridors at midnight--did not have much staying power. According to Scarborough, Jane Austin finally gave this genre the kiss of death when she satirized their gloomy, overwrought style in "Northanger Abbey," which remained unpublished until after her death in 1818. "The Supernatural in Modern English Fiction" describes many gothic romance peculiarities in detail, while having a certain amount of gentle fun with them.
A chapter on European supernatural literature is followed by the aforementioned chapter on "Modern Ghosts." The author makes much of the effect Poe, Balzac, Hoffmann and other Romantic supernaturalists had on the nineteenth century English and American ghost story. Balzac in particular exerted a strong influence over Edward George Bulwer-Lytton, English author of "The Haunters and the Haunted," and progenitor of that infamous opening sentence, "It was a dark and stormy night..." (yes, that Bulwer-Lytton). Other stories that the author selects for discussion depend more on the Romantic tradition of insanity, gruesome decline, and horrid death to spark them along, rather than a purely supernatural mechanism. (As a matter of fact, Scarborough even published a novel in which the heroine was driven mad by the wind.)
She also expends a great deal of print on Spiritualism (which was already on the decline when this book was written), and the mystical, folkloric pantheism of such writers as W.B. Yeats ("The Celtic Twilight") and Algernon Blackwood ("Ancient Sorceries").
Scarborough draws heavily upon Romanticism, Spiritualism, and folklore for her chapters on "The Devil and His Allies," "Supernatural Life (which contains an excellent exposition on the legend of the Wandering Jew)," and "The Supernatural in Folk-tales."
"Supernatural Science" is the only really dated chapter in this book, with its discussions of hypnotism, the Fourth Dimension, uncanny chemistry, and students who exchange eyeballs. Even here, the author provides interesting commentary on A. Conan Doyle, H. G. Wells, Arthur Machen (whom she despises), and Ambrose Bierce, among other authors who were popular at the beginning of the twentieth century (and still are).
"The Supernatural in Modern English Fiction" should appeal to anyone who is interested in the evolution of fantasy and horror literature. Try "Elegant Nightmares: The English Ghost Story from Le Fanu to Blackwood" by Jack Sullivan or "Night Visitors: The Rise and Fall of the English Ghost Story" by Julia Briggs if your interest is more focused on literature that is entirely devoted to ghosts.
Oooh, old horror tales...Review Date: 2001-12-18
The Beginning of HorrorReview Date: 2001-12-20
A must have for the speculative fiction lover, this book covers every genre from the early gothic to the ghost stories of the 20th century. First published in 1917, Dorothy Scarbouough covers it all, the madness and the horror of the 18oo's.
I'm glad I discovered this book, it will remain a favorite for years to come.
I rediscovered lost works...Review Date: 2001-08-31
The Cook's Tour of English FantasyReview Date: 2002-03-25
This makes for a literal cast of thousands. I was quite surprised to discover that horror and fantasy were a major part of the world's literary output from the very beginnings of popular literature. From Walpole, Maturin, and Shelley right through to Doyle, Machen, and Blackwood it was indeed a crowded stage. And Scarborough manages to present most of these efforts in a readable and well-organized fashion. Initially we are given a historical approach, but then the themes are taken up separately. Ghost stories, the demonic, the wandering Jew, rebirth, the afterlife, folk tales, and even 'scientific' monsters each get their turn in the sun.
As I've indicated Scarborough writes without any of the boring academic tone which often haunts this kind of material. This makes this volume an entertaining way to hunt down new reading material as well as a help in steering one's way through book stall accretions with a steady hand. Keep a pencil and a piece of paper handy while reading this book, you are bound to find things of interest.
My only regret is the lack of a bibliography. Scarborough is quite up front about this. In addition to the 3,000 or so titles that she drew upon for the book, there was an even larger additional number that she felt should be provided to the reader/researcher. There simply was no room at the inn. Unfortunately, to our loss, the bibliography promised as a second volume never materialized. There is, however, a good index, which will have to serve in it's stead.

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ChillingReview Date: 2002-07-02
Natas Sivel was really a demon. He was kept buried, asleep, under an oak tree called The Protector, in a music box. But someone hated Cassidy Christopher enough to dig it up and release the demon held within. The demon's sole purpose was to destroy Cassidy, the property owner, by destroying the women he loved.
Maddie and Cassidy had a psychic connection. Cassidy's friend, Officer Kevin Sheridan (who had been first on the scene with Maddie a year ago) called it "hocus pocus stuff". The only other person with a connection to the Christophers was Maddie's best friend, Robyn Warren. When the demon went after Maddie again, she called Robyn. Robyn got Cassidy to go to his daughter while she jumped on a plane and flew toward them.
The demon saw the attraction between Robyn and Cassidy. He saw them fall in love. So the demon wanted Robyn, as well as, Maddie. Only their love could save them and put the demon back inside the music box, to sleep.
**** WOW! Here is a dark romance book. If not for the romance, I'd label it Horror! It sent chills up my spine the entire time! Fantastic reading! ****
Highly recommended!Review Date: 2001-04-18
Superb!Review Date: 2001-04-18
Shades of THE WITCHING HOUR!Review Date: 2001-04-18
Compelling!Review Date: 2001-04-18

Eeek!!Review Date: 2007-11-17
Great Even Now!Review Date: 2002-08-14
Awsome!Review Date: 2004-02-11
I really recommend this book to the people that like scary stories if not put this book down wimp! Tales for the Midnight Hour is full of horror. At night it will make you stay up asking yourself "is that true?" This book is better than "Scary Stories to Tell in the Dark." I`ll give you a summary about one story. This one is called "The Black Velvet Ribbon" Which is about a girl who always had a black velvet always worn on her neck. She would never take it off not even on her wedding! Her husband always asked her if she would take it off but she would always answer "you'll be sorry." Always the same question and answer. The day came when she was sleeping he pulled the ribbon and saw there was no ending until... I will not tell you the rest figure it out yourself! If you enjoyed this summary you'll enjoy the whole story. The way you can figure the last part out is by locating this book in any library.
Trust me you wont like it you'll love it!
By: Giovanna M.
A great book I would recommend to everyone.Review Date: 2002-08-17
The book is still as good, I'm 16 now. The stories are very eerie and well worth a read, especially 'The Furry Collar', 'The Black Velvet Ribbon' and 'The Attic Door'.
Buy the book - you won't be disappointed.
For your information, there were some follow-ups to the book:
More Tales For the Midnight Hour, Even More Tales for the Midnight Hour and Still More tales for the Midnight Hour.
Scary Tales for the YoungReview Date: 2005-09-21
The stories range widely in their focus. The reader meets monsters, vampires, witches, bad fortunes and all manner of scary thing.
This is the first in a series. It has also been collected with the second volume (MORE TALES FOR THE MIDNIGHT HOUR) in another book called TALES FOR THE MIDNIGHT HOUR, VOLUME ONE (ISBN 0-7607-6775-0).

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The definition of BeautyReview Date: 2005-11-23
Tales From the Dark Tower is a work of art.
Wow... I never thought I'd start a book review like that. But then again, I never quite expected to read something like Tales From the Dark Tower, either. Because it was truly a sweet experience; one of the best ones I've had so far in my career as a book reviewer.
Well, then, what's so great about it? Let me put it this way: it's hard something that is NOT great about it. Everything, from the beautiful artwork on the cover and throughout the book (all done by genius Joseph Vargo) to the quality of the paper to the stories themselves; it's all top quality and I cannot think of a single thing that I don't like about the whole thing. Not one.
And that makes writing a review quite difficult. Why? Because there's simply not very much to say about the piece except that it's a definite must-buy. I don't usually say that; in fact I rarely say that at all, but this time I have no choice but to face the pleasant facts: I loved it. From the first page to the very last. Several different authors contribute with stories, and they're all masters of their craft.
Sure, some people might think the stories are goth-cliché. After all, they are all very much alike, both in setting (in or around the Dark Tower) or in the way the different authors present their ideas (haunted cemeteries, pale and beautiful gothic beauties, forbidden love that forever haunts the unfortunate ones, dark and sinister clouds that blocks out the sun, scary gargoyles staring down at the mortals, and so on). But then again, Tales From the Dark Tower IS a gothic collection, the authors are goths, the readers are goths, it's all a big gothic get-together and thus the stories should and could not be written any other way.
As I write this I have the book next to me on the desk. It looks beautiful. And I'm jealous on all the people out there who have still to discover it. I usually don't read a book twice, but this time I think I have to reconsider.
And I hope a sequel one day will see the light of day. Or rather, the darkness of the night
The definition of BeautyReview Date: 2005-11-29
Tales From the Dark Tower is a work of art.
Wow... I never thought I'd start a book review like that. But then again, I never quite expected to read something like Tales From the Dark Tower, either. Because it was truly a sweet experience; one of the best ones I've had so far in my career as a book reviewer.
Well, then, what's so great about it? Let me put it this way: it's hard something that is NOT great about it. Everything, from the beautiful artwork on the cover and throughout the book (all done by genius Joseph Vargo) to the quality of the paper to the stories themselves; it's all top quality and I cannot think of a single thing that I don't like about the whole thing. Not one.
And that makes writing a review quite difficult. Why? Because there's simply not very much to say about the piece except that it's a definite must-buy. I don't usually say that; in fact I rarely say that at all, but this time I have no choice but to face the pleasant facts: I loved it. From the first page to the very last. Several different authors contribute with stories, and they're all masters of their craft.
Sure, some people might think the stories are goth-cliché. After all, they are all very much alike, both in setting (in or around the Dark Tower) or in the way the different authors present their ideas (haunted cemeteries, pale and beautiful gothic beauties, forbidden love that forever haunts the unfortunate ones, dark and sinister clouds that blocks out the sun, scary gargoyles staring down at the mortals, and so on). But then again, Tales From the Dark Tower IS a gothic collection, the authors are goths, the readers are goths, it's all a big gothic get-together and thus the stories should and could not be written any other way.
As I write this I have the book next to me on the desk. It looks beautiful. And I'm jealous on all the people out there who have still to discover it. I usually don't read a book twice, but this time I think I have to reconsider.
And I hope a sequel one day will see the light of day. Or rather, the darkness of the night.
A Great Modern Gothic ArtistReview Date: 2008-05-14
However, since the work is also an anthology I feel I have to be fair and review it as a book, too, and I have to be honest, I have read better. There is a wide range of stories in this volume. Let me start by listing all the works with their authors so if you are looking for a specific author, you'll know if they are here. There is **The Dark Tower by James Pipik and Joseph Vargo **Born of the Night by Eric Muss-Barnes **Vampire's Kiss by Christine Filipak and Joseph Vargo **Masque of Sorrow by Christina Filipak **Shadows by Joseph Iorillo and James Pipik **Sentinels by James Pipik and Joseph Vargo **Sorrow's End by Jalone J. Haessig **Noctem Aeternus by Robert Michaels **Nightwatcher by James Pipik **Vesper Tolls by Joseph Iorillo **Sanctuary by Russell Norotny **Lilith by Joseph Vargo and **Watcher at the Gate by Joseph Vargo.
The stories are connected together by a single thread, which is the history and occupants of the Dark Tower. Some are undead, some are alive (though usually not for long) and all have tales of sorrow and morality to tell. Most of the stories are good, though I felt that many could have stood on their own without being connected to the Dark Tower. I even thought that once or twice the authors wrote the stories as stand-alones and then added elements to make it connect to the anthology. I think most interesting were the stories by Joseph Vargo. It's interesting to see what went through his mind, the stories behind his paintings as hold by him. Ultimately, I think my only complaint is I wanted the quality of the writing and stories to match Vargo's art, and that is nearly impossible. His art is so beautiful that it is very difficult to reach that level with another art form -writing.
I would recommend this book just for the Vargo plates alone, especially since Amazon now has the paperback for $16.99. The art is worth it.
So buy it, curl up on a dark and stormy night, and enjoy.
Awsome Book...Review Date: 2003-05-22
Mind Blowing!Review Date: 2004-08-28
You may also be interested in The Gothic Tarot. Joseph Vargo came up with and illustrated it all by himself! His talents are unbelieveable! ...You can get the Gothic Tarot from Hot Topic or hottopic.com, when i purchased the deck it was only $16!!

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Poetic Horror at its best!Review Date: 2008-09-08
I wouldn't like to offer you a story-wise review, since that would do great injustice to Kiernan's writing. Although these 22 stories are somewhat loosely related, as we find some of the characters coming back to their own unique hells (and occasionally heavens), you may read them in whatever order you wish. Readers of "Threshold" would especially appreciate the "Into the Water Works", a prequel to that novel, and other stories leading to the introduction of the character of Deacon. But most importantly, this book should be read and treasured by all lovers of fiction, irrespective of the genre preferred: dark fantasy, horror, urban angst, surrealism, poetry.... Wholeheartedly recommended.
Postcards from the End of the WorldReview Date: 2002-04-20
That said, the Meisha Merlin edition is a disappointment, a shoddy, unprofessional effort with one of the most garish and inappropriate covers I've seen in ages. The interior layout is slipshod, Richard Kirk's gorgeous interior illustrations are reproduced a bit to darkly, and the book is marred by errors that would have been eliminated from a more skillful printing. I encourage readers who can't afford the pricey Gauntlet hardback to pick up this edition - it's far better than nothing - but I regret that Kiernan's masterwork has been done such a disservice.
"...they've killed poetry..."Review Date: 2004-06-01
I have lately come to refer to Kiernan as the 'last of the great horror writers.' Partially as a lament for a genre that currently spends far too much time specializing in hot, romantic vampire novels, but also because she really is good enough that writers of her caliber are far and few between. Hers is a horror that leaks out of the spaces between things and pervades the atmosphere surrounding her characters, clinging to them like a faint scent of doubt and rot. Yet when its time finally comes, it is sure and brutal, sparing no unkindness.
Kiernan's characters exist on the fine edge of self-destructiveness, whether they come from wealth like the sisters Salammbo and Salmagundi, hypnotized by the beauty of death like Lark and Crispin, or, like Jimmy de Sade, have both feet firmly planted in terror so real it is an aesthetic experience. The confront things they cannot understand, or know far too well, living the kind of homeless or disconnected lives that make them lightning rods for real horror, not the candy-coated-sip-your-blood kind.
Kiernan admits in her forward that the book has two narratives, one is the accident of the order of writing, and the other is a natural order where the interconnections among the tales is more obvious. I chose to read in the latter order, which reveals the most about how the story arcs develop, rather than the former, which says more about Kiernan than her tales. Both, though, are legitimate approaches, and produce equally valid if different experiences.
The writer has a knack for creating symbols and only half filling them in. Eerie twins, cold presences, wounds that never heal, and barren landscapes come and go, but the reader is expected to do part of the work - to construct a narrative at least partially his own. Part of the horror is that it is my terror that lurks about, as well as Caitlin Kiernan's. Each of these stories is a opportunity to look in a place you desperately don't want to go, and to succumb to a nightmarish glamour. And above everything stands Jimmy de Sade, judge and jury in a gothic world.
This is top grade stuff. Kiernan's writing style is excellent - each word is carefully selected for its purpose, nothing is extra. Characters quickly step out of the shadows and assume an unexpected reality. This is what contemporary horror should be.
=^oo^=Review Date: 2003-10-04
Caitlin R. Kiernan is the Lovecraft of our TimeReview Date: 2002-12-15

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A must-read, fast-paced thriller!!Review Date: 2008-06-23
TAKE NOTE HOLLYWOOD: This book would make a great film. It has everything: humor, suspense, likeable characters and a villain unlike any you have ever seen.
BOTTOM LINE: Pick up a copy and settle in for a good time. You won't regret it!
Wow, A Thriller!!!!Review Date: 2007-06-28
Can't wait for the sequelReview Date: 2007-06-28
Great Read!Review Date: 2007-05-26
glen serbin
Watch out for those icebergs!Review Date: 2007-05-15
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An imaginative, scary tale.Review Date: 2007-07-01
good bookReview Date: 2007-06-06
A return to the classicsReview Date: 2002-02-13
the holiday houseReview Date: 2001-12-10
although ive probably only read about a minimum of 10 novels in my life this book was the best. Also, the audio cassette version rocks your mom. if you ever listen to an audio book I'd recommend this one.
The Best Book Ever!Review Date: 2004-04-14


I'm campaigning for Vice President---of the Repairman Jack Fan ClubReview Date: 2008-09-09
Repairman JackReview Date: 2008-07-21
What I like most about The Tomb was the fact that Jack did not have all the answers. Some conclusions came to him slowly, if at all. The pacing, characters development, and the action were dead-on. F. Paul Wilson writing made it easy to visualize everything that was happening and at times it was hard for me to put the book down. I am definitely a fan of Repairman Jack and of the author.
The Friday House
Xiii
Best novel I've ever readReview Date: 2007-04-02
Superb!
Repairman Jack's first bookReview Date: 2006-11-01
Jack has a fiancee named Gia, who has a nine year old daughter named Vickey. She doesn't approve of what Jack does but Jack has saved both their lives on more than one occasion, so she grudgingly accepts his occupation. Jack is crazy about both of them and Vickey idolizes Jack.
More about Jack
Jack is average in every way - average height, weight, looks, hair and eyes and clothes. Since Jacks works within an underground society he works at blending in, being non descript if you will but that's where all similarities to an average man end.
Jack is tough as nails. When he doesn't have a client he works out and practices martial arts. Jack is deadly in a fight and is afraid of no one. Has Jack beat anyone up? You bet. Has he killed anyone? Only those who deserved it and even then, reluctantly. Jack has friends in low places like the intractable, Abe, proprietor of a sporting goods store that is a front for an armory, both legal and illegal weapons. The more you read him the more you decide that Jack is a very interesting fellow.
The Tomb
Jack can be your worst nightmare but as nightmares go, everything is relative and Jack takes second fiddle in this book!
Jack Meets a lovely but troubled woman named Gia. She has an adolescent daughter named Vicky. Jack grows to love Gia and Vicky. He would lay down his life for either and in this story he almost does.
Vicky's father (who's divorced and not in the book) has the surname Wesphalen and hence Vicky's is Wesphalen. None believe it but the Wesphalen family is living under a curse, precipitated by the murderous acts committed by an unnamed, greedy ancestor over a hundred years ago in India.
Kusum Bhakti, an East Indian priest of a tiny sect that worships the bloodthirsty deity Kali and his sister Kolobati are descendants of the victims of the atrocities perpetrated by this elder Wesphalen. They have come to New York City to carry out their vendetta and wipe out the rest of the Westphalen line. Kusum has brought with him the Rakoshi, vicious, flesh eating monsters, to accomplish this horrible undertaking.
Rakoshi are huge (over eight feet tall) hideous, malodorous, perversions of the humanity created eons ago.
Coincidently, Kusum hires Jack to locate the thief that mugged his aged grandmother and stole a necklace which is a family heirloom. Jacks thinks lightning just might strike twice so he dresses up like an old lady and sure enough our perp. attacks him. Jack quickly turns the tables and after a couple broken bones convinces the perp. to relinquish his ill gotten gains. Funny thing, the perp. claims the victim was young.
In fact, the aged grandmother is Kolobati, Kusum's younger sister and both of them are almost 150 years old. They maintain their young appearance because of the necklaces they wear (the family heirlooms) and of course when the mugger took the necklace, Kolobati began to age immediately.
When Jack returns with the necklace, Kusum is ecstatic and Jack walks away a few thousand richer and now has to visit Gia and Vicky. Gia called while Jack was on the Mugger case and needed to see him.
Gia Westphalen, who is a freelance commercial artist, had broken off her relationship with Jack after accidentally discovering his real occupation but decided to call Jack anyway, when one of Vicky's two aunts disappeared.
She's decided Jacks line of work, which she abhors and is the reason she broke with Jack, might be helpful to locate the Aunt. Unfortunately the aunt is long gone and the other aunt is next and Jack and Gia get dragged into a battle with Kusum and supernatural creatures, the Rakoshi to save the last remaining Wesphalen - Vicky
Conclusion
Not for the faint of heart, this story gets quite scary as our hero Jack must confront the apparently insane, murderous Kusum and his nest of monsters in order to save Vicky.
Wilson does introduce some homey, risible moments into the story, through Jack and a couple friends of his. For instance, Julio owns a bar which sometimes substitutes for Jacks office. Julio's Bar (Julio's) has dozens of dead potted ferns located around the bar because he thinks it will keep the yuppies away. Abe owns a pawnshop which is also Jacks armory. While Jack is somewhat upbeat, Abe is kind dour and pessimistic, always predicting a financial or a social catastrophe and he always seems to have a spot of ketchup or mustard on his shirt. Wilson uses moments of levity to lighten the overall darkness of the story.
The Tomb is an excellent fast paced read that I personally have read four times. Wilson's writing is very reader friendly and fast moving, though he does digress occasionally. The novel is fast paced and seems to cover a lot of ground in just over 400 pages. Wilson seems to be a natural storyteller. In this and other novels I have read by him, he draws you in and makes you terrified for our hero and his loved ones. For horror fans this is essential reading!!!!
This novel has ultimately been listed as one of six books that form the Adversary Cycle. I don't think it started out that way but it ended up that way. It and "The Touch" are self contained reads that can be taken that way with no further reading; however they should be read sometime before reading the final book of the series "Nightworld".
A CURSE FROM THE PAST INVADES THE PRESENT...Review Date: 2006-11-24
The plot is relatively simple. The horror reaches out across the world from India to the United States. A heinous defilement and murders by British soldiers in a temple in mid-nineteenth century India unleashes a curse that is to follow the descendants of the leader of the attack. Coupled with that curse is an entourage of creatures of unimaginable horror that have once again risen to do the bidding of one who would avenge past wrongs. With great power, however, comes great responsibility.
Enter Repairman Jack, a man who works to right what once went wrong and who earns his living by his wits and by his ability to defend himself to the death, if necessary. If one has a problem, he will fix it. When he agrees to help a one-armed Indian gentleman, Kusum Bahkti, retrieve a necklace that is a priceless family heirloom, he soon discovers just how priceless it is.
Jack suddenly finds himself thrust into the middle of a series of almost inexplicable events. Besieged by mysterious disappearances, rank odors, unusual substances of Indian origin, he finds that the necklace holds the key to an ancient horror. He then comes up against the most formidable foes he has ever encountered. He must find a way to vanquish some pretty hellish creatures or risk losing those whom he loves.
Highly original and inventive, this is a pretty well written horror story that should keep even the most jaded of readers turning its pages. It is also the book that introduced Repairman Jack, a popular character that would go on to have a series of books revolve around him.

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Really keeps you wondering what will happen nextReview Date: 2007-07-18
from chapter to chapter what will happen next
and you really don't expect it when it does.
Everything comes together beautifully and it
is exceedingly well written. A must for every
bored housewife out there to add to her collection.
It is an excellent book.
The Best The Best!!!Review Date: 2005-06-05
Ryan Alden had roared out of the unknown into Shana's life on a Harley-Davidson motorcycle. Was he the reckless drifter he seemed? Or was he a demon of desire from a past that he did not remember? This love could mean magic menace for Shana. But only the fates she had so recklessly tempted held the tantalizing answer."--from the back of the cover.
This is one of those kind of books that you'll stay up reading until the last page. Can not put down. I recommend all of Carin Rafferty's books and if any of you know of any more that she has written, please e-mail me and let me know!!!
Touch of MagicReview Date: 2002-02-19
Touch of MagicReview Date: 2002-02-19
exhilarating one sitting paranormal romantic suspense Review Date: 2008-01-13
However, Moira's jailers understanding human nature, especially witching human nature, included a caveat that Moira's rescuer must be in love to switch places. Shana knows she is okay as she has no one. That is until Ryan Alden crashes his Harley right in front of her. She is stunned as she wants the unconscious stranger with feelings like nothing she ever felt before. However, if he is her true love as she suspects, Shan's price is the curse.
This is an exhilarating one sitting paranormal romantic suspense novel. Readers assume from the moment out cold Ryan lays at Shana's feet, he is the one who will instigate the switch. The heroic lead couple is a delightful pairing of a seemingly doomed duet as they battle a more powerful foe. Moira disarms them by negatively using the power of love so she can live Shana's future while her savior occupies her incarceration time. Carin Rafferty imparts a compelling tale in which love is the curse.
Harriet Klausner
Related Subjects: B C F G H I K L P S T W
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