Prose Books

Fascinating, funny, romantic, wise... This is a stunning exploration of the American Jewish experience - the heartfelt tale of every immigrant torn between the culture of his forefathers and the glorious temptations of a new land's dream. - A grand piece of storytelling-Boston Globe. Rich and compelling-The New York Times. Laugh until your side aches...Wipe away a tear...-Pittsburgh Press

Herman Wouk is an exceptional writer and this book lives up to all the others. I feel like I know the characters and I've gained a much better understanding of Jewish life in America.

There's no such thing as a bad book by Herman Wouk, and the breadth of his writing is almost as vast as the depth. To think that one man wrote MARJORIE MORNINGSTAR, THE CAINE MUTINY, THIS IS MY GOD, THE WINDS OF WAR, WAR & REMEMBRANCE, DON'T STOP THE CARNIVAL plus a half dozen others simply boggles the imagination.

Along with DON'T STOP THE CARNIVAL, Wouk's funniest book, INSIDE, OUTSIDE is an easier read than most of the other topics he has tackled. Set in a recent decade, the title refers to the fact that in Jewish families, some people use one name at home, their Hebrew, "inside" name and the Anglicized version of that same name out in the big world. Along with the name chosen go two different and distinctive aspects of their personalities.

It seemed clear on reading INSIDE, OUTSIDE that the hero's sister, Lee, is the all-grown up version of Marjorie Morningstar. This is not Herman Wouk's most important book, far from it, but it is one of his easiest works to read. The story he has told, as always, is an interesting one. There is no such thing as a bad book when Mr. Wouk is the author.

Took this book with me on a cruise and couldn't put it down. Wouk's writing so fabulous I am now reading all of his book, some a second time.

He is a masterful writer and creates characters that come alive and stay with you.Inside, Outside: A Novel

"Inside, Outside" comes as close to being an outright autobiography as Wouk is likely to write."

"Wouk demonstrates his ability to write with compassion about people both literary and historical, real and imaginary."

Wouk's 1985 saga is a social comedy of Jewish-American life reaching from New York to Jerusalem and spanning much of the 20th century.

What an unexpected turn of events. This isn't your average run of the mill thriller. Meg fights to discover who has been sending her threatening letters and ancient pieces of jewlry before the threats made come true. The most likely suspects are not who they seem, but neither are the least likely. A must read!

I've read all of the book by Barbara Michaels that I can find and I love them all. This was the first one I read and it's definitely my favorite (and the only one I've checked out of the library 4 times). The character and plot development are terrific. The ending is unpredictable (as with many of Michaels' other books). I liked the storyline and all of the characters. Overall, this is a good book and I would recommend it to anyone who likes mystery, romance, or jewelry.

Every novel Ms Michaels/Peters has written usually has some element that grabs my attention, whether or not I know I am interested. And I am interested in jewels ahem lots of delicious jewelry. Lovely antique jewelry. Bless my little fede ring. Uh....anyways. Little heiress Meg Venturi has a mystery on her hands---what killed her 90 year old gramps? Her Ms Danvers-type housemaid suggests one of the possible suitors for Meg, Mr Riley. A mysterious, ugly, burly typ'o'dude. You know, Ms Michaels favorite kinda man....Meg decides to enter into a business partnership with Riley, regarding jewels, which the whole town of Seldon disapproves of. Some one keeps sending her threatening rings and tries to run her and her lawyer off the road---who could it be? Sexy cousin Cliff? Surly vet Riley? Surely not sweet, passive Uncle George? Maybe Gram will message it to Meg direct from Dan,you know, Gramps, FROM BEYOND THE GRAVE--- All in all, a pretty good story. The whole supernatural element was pretty low key, darn. But the sexual attraction was there! And no food; Meg always pushes her food around her plate all upset. But she does have a piece of strawberry-rhubarb pie....

Barbara Michaels pens two kinds of thrillers -- lackluster and dull with unsympathetic characters, and sparkling, vivid and populated by "real" people. This, thankfully, is one of the latter, a delightfully twisted mystery that sparkles as much as any of the gems.

Meg Venturi becomes the heiress to a jewelry fortune when her grandfather unexpectedly dies; among the conditions of her grandfather's will are that she must take over half of the ownership of his respected gem and jewelry store. The other half is the domain of his partner, a dark, silent, mysterious man named Riley, whom the townspeople suspect of having killed the elder Venturi. Meg is unsure about Riley, but she does know that he is brilliant with jewelry.

But then strange, sinister happenings begin to occur around Meg. As she tries to unravel the dark mysteries that destroyed her grandfather before his time, she becomes the target of a killer with a mission that stems back to a scandal many years before...

"Into the Darkness" has many of the best attributes of a Barbara Michaels novel: the witty dialogue, subtle characterizations, strong heroine, unusual romance, and a wide range of supporting characters who are never what they seem. Readers who enjoyed lessons on roses, maze gardens, and old Gothic novels will enjoy the informative lessons on jewelry and gems. As she always does in her best books, Michaels includes plenty of information that will stick in the mind without being annoying.

Meg Venturi is a standard Michaels heroine: tough, no-nonsence, mildly sarcastic with a bit of trauma in her background to add extra dimension. Riley is more of a dark horse: it's hard to tell what he's thinking or why, from his first scene onward. Supporting characters like the despicable wimp Candy, her boor husband, the seemingly fragile Mrs. Venturi and hearty Uncle George are all well-rounded from the start, but with hidden depths that are revealed as the book goes on. Even the grandfather is a very alive figure, despite the fact that he dies at the beginning of the novel.

This is more of an "Elizabeth Peters" mystery than a Barbara Michaels one, as there is virtually no supernatural influence, no cults or ghosts or werewolves or anything of the sort. But it is an excellent mystery for those of you who like a little sexy pizzazz, past scandal, and a lesson or two with your guilty pleasure.

Whether the author is writing as "Barbara Michaels" or as "Elizabeth Peters", you are likely to get strong and interesting characters. At heart, this mystery has a lot in common with the gothic romances I read in my youth (except that the heroine's grandfather was popular instead of universally hated by the villagers). I enjoyed the painless lessons on jewels (particularly since I also find diamonds boring). Heroine Meg has four men to consider: Nick, her current boyfriend from New York; Cliff, her handsome stepcousin; Darren, the old schoolmate become family lawyer; and the aloof, mysterious Riley, widely believed to have murdered his benefactor, Meg's grandfather. The old hand at gothic romances will be looking for the clues that will spell out which of these men is the blackguard in disguise -- and will probably still be surprised in the end. There's a Old Family Scandal that needs to be revisited, a housekeeper who loves to play the roles of certain famous fictional housekeepers (including the infamous Mrs. Danvers), an old-fashioned gentlewoman of a grandmother, and a treat of a cat (unless you're a cat-hater). There are other characters with their own stories and personalities. I'll leave you to make their acquaintance in your own good time. Notes: Meg's grandfather's opinion to the contrary, it takes courage to seek therapy. It takes more courage to try again if the first professional you turn to doesn't work out. For those who have read many of the author's books under both names, I should explain that INTO THE DARKNESS is really in the Elizabeth Peters style so they won't read this book with the wrong expectations, as I did.

Of the half dozen or so plays I've read in Oxford University Press's "Greek Tragedy in New Translations" series, this is the best.

An excellent synopsis and analysis of the play precedes a beautiful translation, smoothing the way for students. The play is one of the keys to understanding the Trojan War -- in addition to recapping the beef the Greeks have with Troy, there is much foreshadowing of what will happen ten years down the road.

After reading Iphigeneia at Aulis, it's difficult to cut any of those Greek heroes any slack. If the situation weren't so horrible and tragic, the interactions and reactions of some of the characters would be funny: Achilles, for example, extremely annoyed that Agamemnon would take his name in vain when tricking Iphigeneia into coming to Aulis; if Agamemnon had asked him for his help first, then tricking the girl into coming to be sacrificed would have been okay. Or Menelaos, coming around to Agamemnon's way of thinking (that it would, after all, be wrong to kill Iphigeneia), and suggesting that only he, Agamemnon and Kalchas the priest know about the need for a sacrifice to get a fair wind to Troy, and that Kalchas won't tell: "Not if he's dead."

This play, and this translation, are probably one of the best introductions a student could have to Greek tragedy.

This ancient Greek play by the famous playwrite Euripides is a diatribe on war and the foolishness of pride. The play is often thought to be an incomplete work, but as Dimock points out in the introduction, recent discoveries suggest that IPHIGENEIA AT AULIS isn't as incomplete as once thought. This edition includes a fine introduction, several detailed notes on the text, and a glossary of proper nouns. The book is not too difficult to read and can be useful for students of the theatre and/or ancient Greek culture.

This play contemplates the question of how many wars would be fought if the first to die were the children of the leaders themselves. The translation is quite readable but not strict, as a comparison of Greek with English line numbers quickly shows. The introductory essay and concluding notes on the play are especially helpful, placing the play in its historical context (the Peloponesian War) and explaining various allusions to mythological or historical events in the play itself.

Of the half dozen or so plays I've read in Oxford University Press's "Greek Tragedy in New Translations" series, this is the best.

An excellent synopsis and analysis of the play precedes a beautiful translation, smoothing the way for students. The play is one of the keys to understanding the Trojan War -- in addition to recapping the beef the Greeks have with Troy, there is much foreshadowing of what will happen ten years down the road.

After reading Iphigeneia at Aulis, it's difficult to cut any of those Greek heroes any slack. If the situation weren't so horrible and tragic, the interactions and reactions of some of the characters would be funny: Achilles, for example, extremely annoyed that Agamemnon would take his name in vain when tricking Iphigeneia into coming to Aulis -- if Agamemnon had asked him for his help first, then tricking the girl into coming to be sacrificed would have been okay. Or Menelaos, coming around to Agamemnon's way of thinking (that it would, after all, be wrong to kill Iphigeneia), and suggesting that only he, Agamemnon and Kalchas the priest know about the need for a sacrifice to get a fair wind to Troy, and that Kalchas won't tell: "Not if he's dead."

This play, and this translation, are probably one of the best introductions a student could have to Greek tragedy.

Finding first rate translations can be a hit and miss affair. However, this it definitely a "hit". Merwin's translation of Euripides' tragedy is masterful and deserves the glowing reviews it has received here as elsewhere. Readers of this review might be interested to know that it is part of a series called "The Greek Tragedy in New Translations". And while it is out of print, good used copies are freely available in the Amazon marketplace -- which is where I secured mine.

Merwin has rendered a taut, readable version in modern English. And the volume is supplemented with an extremely interesting introduction by George Dimock -- with which I am not sure I entirely agree -- though he does a fine job of fitting the play within the context of the Peloponnesian War.

For me, the riveting aspect of this work is the treatment that Achilles gets (Agamemnon, of course, gets a good drubbing, which is satisfying -- but hardly unexpected!). We see him at Aulis, a young man as yet unbowed and unbloodied by the years of warfare at Troy. Dimock makes a rather startling remark when he asseverates, "The one thing that his [Achilles] speeches do not contain is simple human feeling such as Paris might entertain: it does not seem to have occurred to him that a young girl is about to die." And he is rather critical of Achilles for this (I might even say that his introduction is suffused with "pro-Trojan" sympathies). But for me, isn't this rather the whole point? Of course Achilles is like this, it took TEN years of warfare and the death of Patroclus for him to learn (and recall that he ALONE among the Greeks appears to have absorbed the lesson) how to be "human" -- on this see Bernard Knox's introduction to Robert Fagles' brilliant translation of the Iliad. I prefer the General Editor's view on this when he says, "the play enacts the heroic education of Achilles." Well, at least it enacts the very early stages of it!

Merwin is a wonderful poet -- and I would also recommend his translation of Dante's Purgatorio and Paradiso. For readers in search of other top notch modern translations, see Stanley Lombardo's truly astonishing translations of the Iliad and the Odyssey. See also Nicholas Pevear's translation of Aias.

Here is a sample of Merwin's translation (from the Chorus's reaction to a speech of Agamemnon's):

"O Cyprian,
most beautiful of the goddesses, keep
such wild flights from me.
Let me know love
within reason and desire within
marraige, and feel your presence
not your rage.
The natures of humans
are various, and human ways of acting
are different,
but everyone knows what is right,
and teaching
inclines them at last to virtue."

I really enjoyed the heart felt and brutally honest stories in this book. Being a women in her 20's, this book spoke to me greatly.Every girl should read this at least once while in her twenties or even in her thirties just to have a laugh. I've been the girl in each of these stories and it lets me know- I will survive these years of confusion, frustrations and let-downs.

This book is the perfect antidote to the quarterlife crisis blues. Covering all topics ranging from love relationships to housing to careers to friends, whatever is bothering you, there will be an essay reminding you that yes, your 20s aren't that great, but no, you definitely aren't alone, and, the best news: you'll survive, and likely end up far happier and fulfilled than you think you will. Overall, an inspiring read, with little bites of wisdom and, yes, perspective.

It isn't set up like I expected it to be, but it's definately the truth. hah.

As a twenty-something, I picked up this book for obvious reasons. It was so heartening to learn that what I am going through, other women have gone through and no one has all the answers no matter what path you choose. I plan to share this book with all of my girlfriends.

I was in Borders when I stumbled along this book and thought " What a clever title and concept." As a twenty something professional in higher education that deals with early twenty something women on a regular basis, I highly recommend this book. It is a quick read but able to be put down and picked back up easily. There were times when I shook my head in agreement and laughed aloud hysterically.

Love this book and have loved reading Call of the Wild, since I was 9 or 10.
I also recommend the other collection because it has a few this one doesn't. The Portable Jack London (Viking Portable Library) The thing I liked in addition are the old letters he wrote. Cool reflection and time travel to that time period.

Novels and Stories was the first of a two volume set that I scored for cheap on ebay a few years ago. The second, Novels and Social writings concentrates on his political/social novels and essays while this one is comprised of his Alaskan and sea bearing adventure stories.

This book weighs in at over 1000 pages and includes three GREAT novels in Call of the Wild, The Sea Wolf and White Fang as well as multitudes of his short stories.

I can't say enough about how much I love Londons writings and how much admiration I have for him as a man as well. I've read Call of the Wild about every two years or so since the first time I read it as a child and I get more out of it every time I re-read it. His adventure stories on one level are just great red blooded adventure stories that anyone who has any heart or spirit would enjoy and there is a deeper level to London as well. His stories are highly spiritual if you are able to look at them on another level. Although thats something that you have to "feel" from within I suppose.

After reading this book for school, (not that I was forced to) I gave it a 4/5 star rating. It was excellent when it came to the setting of the story. Even though it is a very short, it crams alot of suspensfull and interesting moments into 100 some odd pages. This book is quite good and page turning. I highly recommend it to readers who like a mix of reality and fantasy in one. Masterful piece of writing.

You can't lump too many people into the same sphere with London...Twain, Poe, and Lovecraft are a few that spring to mind. He's an American Titan, and he gets the fawning treatment you'd expect from the Library of America in this exemplary, extraordinary, green-registered book.

Call of the Wild is a page-turning yarn about a dog that becomes a wolf. It's listed on the MLA 100, but any competent kid of ten could tackle it...and enjoy it.

White Fang is a canine bildungsroman that inverts the plot of Call of the Wild, with the wolf becoming a dog. Also a page-turner, also something a kid would read without having to be coerced, and possessed of a truly classic scene where White Fang fights a bulldog.

The Klondike Short Stories are all superb--some people think London's metier was the short story rather than the novel--with Batard being a personal favorite.

The Sea-Wolf is a work of genius...until it all comes crashing down with the introduction of Maud Brewster, and the escape to Endeavour Island. What had heretofore been a truly transcendent work of art transmogrifies into a clunky, melodramatic, and tedious chore, where London's love of sailing jargon threatens to overwhelm the reader.

The Selected Short Stories show that London wasn't just a Yukon guy...he had some other arrows in his quiver. A few stories demonstrate his--at the time--devout socialism, which lasted up until he himself got rich. The Apostate is the weakest of these, but The Strength of the Strong is a pretty good allegory for fin-de-siecle capitalism, with all its gory excesses. London also writes convincingly about such diverse topics as boxing, South Sea cannibals, and straight-up science fiction.

This book of books is excellent, and any American who fancies himself a lover of literature would be remiss in not reading it.

This book was really good, but I believe that White Fang was better. Many settings took place, but I will start with the main ones. The first setting in this book was Judge Millers Mansion. The second is the dog breakers place, in which Buck (the main character, a dog,) learns the "law of Club and Fang." The third place is where Buck learns the method of husky fighting, and because the other dog died, he lived a long and well-lived life. The first major event in this book is when a person steals Buck from Judge Miller, and he is starved and strangled and is thrown in a shed to wait for a train to the dog breaker. There, he is introduced to the primitive law of club and fang. After that, he, and a Newfoundland, are taken to Alaska. There, he is introduced to the method of Husky Fighting, and then is put into the harness, and is put to work on the mushing sled. The next major event is when Buck is taken of his first mushing trip in the wild. There he learns how to keep warm in the harsh winters by digging into the snow and having your body heat heat up the space. The next area is when Buck and Spitz finally fight to the death, and Buck takes the position of lead dog on the mushing track. Finally, the last major setting is when Buck finaly turns to the wild, and he attacks the YeeHats with a vengance, because they had killed his LOVED master. The conflict in this book is Buck is a spoilled rotten dog, until he reaches the North and finds that he has wild ancestors. They eventually take over Buck and he lives with the wild.

If you want to love life, read this book; if you want to hate life, read this book, too. It makes you a hero.

Just like many of the readers, I first read it about ten years ago and surely it has since remained the best book I've ever read in my life. As a keen lover of music, I have experienced, am experiencing and will experience how music of Beethoven's gives me bravery and strength during dark and weak period of life. This book, too, certainly is the counterpart that will be accompanying me for life, sublimating my soul and give me
power and strength.

I read this book when I was in high school. All summer nights in 1994!! I even felt bad as I progressed through the pages as if the book was a bag of cookies. Ideal, spiritual, as pure as the sound of a wood wind instrument.

A decade later I revisited this book this summer. The protagonist were no more as inspirational as before. First of all this Jean Christophe person is such a super moral man that I don't see any reality in his character. It is hard to imagine that Beethoven was such a character.( Another book by the same author. See how I was intrigued then.) Maybe I'm wrong. People born before WW2 could have lived different lives than our own.

Jean-Christophe is a very touching story that does indeed prove the saying above.Jean Christophe may be the idea of a rascal, evil and full of hatred to the rich, but he's just a desperate man in need of comfort, of peace, and most of all, of appreciation. It just-in it's persuasive way-forces you to look upon the dirty, 'unworthy' ones with a new light, with pity-not disgust. The language simply cools down the heart like a mountain-full of ice by the beauty of it. And it's hatred for the world behind the mask just burns your heart as it did with Christophe. Down with pretense! Down with politeness! All in all, the tragedy of this impatient man who found peace in death will either pierce your heart with enlightment or choke you with laughter. Be it a long lecture, a 1600+ pages of enlightment, a rebellion, this is not a master of the great arts you will soon forget.

I read it translated in Korean about 12 years ago. Though i felt it was somewhat boring at that time, i couldn't put it down, so i persisted. And now i know the book has been serving all these years as a formative novel to me. I am afraid I don't remember the details, but surely i remember how absolutely it absorbed me and arrested me. I want to get a copy of it now and read it again, for now I am sure i will be fully enjoying it, even loving the memory of boredom it gave me when i was a novice and dull reader. So sad it is out of print.

The idea behind the book is great, but it lacks the satirical bite of The Wandering Jew. As a "realistic" novel it suffers from the fact it has only one source, the Bible

This is another masterpiece from Stefan Heym, the pseudonym for Helmut Flieg. The author is an East German/American Jewish writer, known for his controversial political standing, and as an advocate of "real socialism" he has been a victim of totalitarism and western democracy alike. In "The King David Report," Hyem has retold the old biblical/legendary/historical story of King David. The main character, who personifies the author, is Ethan of Ezra, a wise, truthful man who has been entrusted by King Solomon to write the official version of King David's life and deeds. Ethan is the intellectual who must face the conflicts of time and who is tormented by the limitations which are set to his writing the truth, who soon realizes that learned men are an annoyance to the people and a bother to the servants of the King. To what extent should he expose the truth of King David's life, who setting aside his political glory can also be accused of being a murderer, adulterer, and a machiavellic leader? How does history deal with a King whose only purpose was power, who only loved himself, whose God was made exclusive to himself and justified his crimes in the name of the Holy One? Ethan soon realizes that the outlaw will cover his tracks rather than leave behind accounts of his exploits, and a high price is to be paid by those who are willing to bring forth the truth.

How are we to deal with historical undesirable matter? Tell it all, tell it with discretion, or don't tell it. Heym's intention is to extrapolate the story of King David to events taken place in our recent history, something that comes out quite easily for the reader. But despite oppression, torture, false witnesses, perversion of the facts, plariarism, and the death of the innocent, the author is a positive, optimistic thinker. He believes that it is impossible to entirely divorce history from truth and expect it to remain credible. "As the sun breaks through the clouds, truth will break through words..."

"The King David Report" has a complex structure, a well-documented background, and a clear ironic transparency. It is a well-elaborated piece of literature, which must be seen as a historical novel, a biblical account, and a political satire.

An amazing portrayal of an honest man caught in the forces of a history driven by less-upright minds.

An eminent scholar is asked by King Salomon to write a true - nothing but the truth - biography of his father King David.
The scholar's research reveals a not so quite divine portrait of the late king. It is heavily stained by incest, sodomy, treachery, lechery, manslaughter, bloodbaths and opportunism. In one word, it exposes a satanic character.
King David followed the advice of his counsellor: 'In order to reign you should have but one goal: power, and love only one person: yourself.'
The scholar discovers also some very compromising facts about the present king.

He recognizes all too well that he lives in a split world: 'I do not say what I know; I say what I don't think; I think what I don't say; I want to say what I should not think. I am a dog turning around and around trying to catch a flea on my tail.' 'Truth is the daughter of ill fate.'

His report becomes a tohuwabohu: a rewrite of a rewrite ... until he looses his job.
The king's command of a true biography turns into an order for censure. There should be a yawning abyss between reality and what his subjects should believe: 'Do as I say, not as I do.'

This novel was (and is) an extremely intelligent attack on the 'newspeak' of one party-communist regimes, which wield(ed) complete control of the communications sector.
But the problems it tackled are even more actual and widespread today. Our world is dominated by big media monopolies, which are controlled by the powerful, who in turn control the government. These powerful people are not interested in the truth, only in 'their' truth.
Sabotage or direct liquidation of free objective journalism is rampant all over our planet.

This novel is an extremely clever and magisterial exposure of the all important 'the media and the powerful'-issue.
A must read.

Being the account of the life and times of the Biblical King David, this historical novel, masquerading as an official report from King Solomon's designated historical interpreters, shines a brilliant light on the Biblical David as well as on the process by which fact becomes "historical truth". Imagining the court of King Solomon, a somewhat small-minded, self-seeking, albeit reasonably clever, Near Eastern potentate, Stefan Heym here conjures for us a picture of a reluctant scholar sucked into the maelstrom of politics and revisionism by which governing bureaucracies have historically secured their rule. Called to Jerusalem by King Solomon to help glorify the memory of his father, David, and establish the regime's bona fides, Ethan of Ezra, an actual Biblical personage credited with writing one of the psalms, must seek out the varying threads of King David's life from those who have survived him and meld these with the official records and documents of Solomon's court, all with an eye toward creating a legendary king who will give legitimacy to the rule of the petty tyrant, Solomon. Ethan does this at continued risk to his own life and to what is his, driven by an insatiable desire to ferret out and preserve some semblance of truth. All the while, he must find ways to compromise and get away from the court intrigues in one piece. The King David he discovers is not a particularly lovely specimen of humanity and it is Ethan's challenge to preserve a glimpse of this true David, through the smoke and mirrors of the official history he must write. Satiric and ironic by turns, the tale has one real flaw: its characters, though sharply realized, remain aloof from us, people we see but do not greatly care about. However, the book is so well written otherwise, the ancient world of the Bible so brilliantly evoked, that this deficiency does no harm to the book itself. This one is finely wrought as it lays out a convincing tale of how the Bible we have may actually have come to be and of what must really lie beneath the surface of the confused and folklorish tale of David that has come down to us from its ancient authors.

SWM The King of Vinland's Saga

Me gusto mucho el libro al punto que no queria que se me acabara y no lo podia soltar

Isabel Allende siempre ofrece un deleite literario, este libro es la continuación de "Paula", que pasó despues y como sigue la Familia que Pula dejó,,, o ¿sigue con ellos?. Una novela entre la realidad y el toque ficticio de la escritora. MUY RECOMENDABLE

As much as I like (actually adore) Isabel Allende's writings and style, La Suma de los Días is not in my opinion up to Isabel's standards. It felt weak and repetitive. But at the same time maybe that it is exactly what she was aiming for. Inner family matters and things of the heart and emotions tend to be weak and repetitive with a twist of hope and eternity. Having said that, I read the book in 3 days hoping until the very end that the next line would become the starting point for the ususally turn-page reading Isabel always brings to her readers. But this is not a worry at all. I consider myself the most common and ordinary of all her fans. Likely one that she will never meet but always will be with her waiting for her next master piece.

If you dreamt about meeting Isabel, look no further! Her book is warm and realistic. There is no need to try to imagine how she is in real life because the book allows you to meet her in the most profound way. With her extraordinary writing Isabel becomes your best friend, mother, daughter, son, or as she calls it "a member of her tribe". I am looking forward to her next book and wonder, what could be better than, La Suma de los Dias!

I have read every single book written by Isabel Allende who is one of my favorite authors. This new book is wonderful, as usual.

I bought this book at a used book sale because it was old. I did not know of the book or the author. I began to read it with interest to see what was between these pages - I was not disappointed. I loved the story as told by the young girl. What a delight she was. She almost became real in my mind and I was sorry to find the book ending. I will try to read more of this author.

I'd never heard of or read Laddie until I reached 39 yrs of age, and though it seems it was written for youth I can think of many adults that would benefit from taking in such earnest literature. The cynical part of me wants to call this book dated, but in truth I find the story's lack of modern day cynicism refreshing. Enjoy this hidden jewel.

I loved this book. What a great example of good old-fashioned character and family values. My family and I love these kind of books for family reading time. What a great way to teach character.

By far the author of Laddie (Straton-Porter) is an outstanding story teller. Its warm, entertaining, one of the best books anyone could ever read for themselves or to their young children!!! In my life, this is one book I'm VERY GLAD I READ!!!!!!!

I chose this classic to read because it was listed as a "must-read" in the book A Thomas Jefferson Education to help parents and teachers learn how to mentor their children through reading of the Classics. I haven't yet finished it, but every spare minute I have (which is hard with three toddlers in the house!), I'm devoting to find out Little Sister's next adventure. I can't wait to see what happens with the Princess and Laddie, and am so glad when things go well for the family.

So vivid a story, I am pleased to be reading this as an adult. Somehow I wasn't required to read it in public school growing up, and therefore just didn't.

I really enjoyed this book. It is a must read for the ones interested in his life as well as in his writings.

This book of letters tells the story of Steinbeck's life. As his third- wife the book's co- editor Elaine Steinbeck makes clear in her introduction Steinbeck was a life- long letter-writer. Steinbeck usually started his day writing letters to his friends, and business- associates. They were the warm-up for his real writing.
Steinbeck speaks frequently in these letters of his love of writing. He writes with a refreshing frankness and directness. The book tells in no doubt an incomplete way the story of his struggle for literary success, of his three marriages, of his relation to his parents, children and a number of friends.
Steinbeck seems in these letters a fundamentally decent, loyal , hardworking person. However one of the interesting elements in the letters is seeing how his relation to certain people, most notably his wives, changes in time. His first wife Carole in the early years is described and written about almost exclusively in superlatives. After his divorce from her he speaks about those years as ones in which each was angry at the other much of the time. His second wife, the mother of his children left him after five years, and his initial enthusiasm for her naturally cooled. Though he vowed not to marry again when he met Elaine SCott, who was then the wife of the actor Zachary Scott he found apparently the great love of his life. In one especially moving letter he will thank her for their life together and for her especially good relation to his two sons. Another exceptionally good letter is written to Elaine's daughter who is about to marry. His advice to her again shows him to be caring and non- conventionally wise.
One especially notable set of letters are those he wrote to his lifelong friend Carlton A. Sheffeld( Duke). Another are those to his publisher Pascal (Pat)Covici.
I have never been a special fan of Steinbeck, but reading these letters I have a sense I somehow did not fully appreciate his work. So these letters will probably move me to reading more of his work.

Steinbeck left an autobiography of sorts when he died, a collection of personal letters to his friends. His widow and his friend worked together to gather the letters from everyone they could. They edited them for clarity and published them in chronological order.

The result is the personal story of a very creative, complex writer who worked every day with his hands. When he wasn't writing novels using pencils and a legal pad, he was mending the fence or fixing the roof. He loved people as much as he loved solitude, so he began each day by reaching out with these letters to his friends around the world. He talked about his surroundings and his thoughts and his ongoing projects.

All of this would be enough to make a wonderful book, but there's the added benefit of Steinbeck's writing style. Steinbeck used as few words as possible, always trying for a poetic effect without pretension. He wanted to be honest and accurate, but he knew the value of capturing an image or feeling with a colorful use of words. As a result, this massive book is a pleasure to read, from start to finish. Steinbeck's writing style keeps you interested but never overwhelmed.

I highly recommend this book to anyone who has enjoyed a few Steinbeck novels. Aspiring writers should read it, as well. When you're done, read the Steinbeck chapter in 'Alcohol and the Writer' and Jackson Benson's books on Steinbeck. You'll be glad you did.

If you appreciate the art of letter writing, you'll be delighted with this collection of letters from John Steinbeck.

Wow! can this man, write. But perhaps "write" is the wrong term - "think" is better. Wow! can this man think. And then he is able to express those thoughts in a clear, eloquent and, most of all, honest way that is a treat to read.

The book begins with a letter from the young, penniless author to a friend. At the time, Steinbeck was in isolation when he took a job as the winter caretaker of a lodge in Lake Tahoe. From there, he takes us along on a life journey through three marriages, financial success that always made him uncomfortable, fame that he often detested, Pulitzer and Nobel prizes, adventure in settings from the Sea of Cortez to Saigon.

The insights are astounding. His lack of pretension in the midst of his success amazes.

Here was a sensitive, often gruff but completely honest man who was not afraid to reveal himself in total to the friends he cherished.

Can't put it down in any sense. This collection goes right through Steinbeck's life, from his twenties into old age, and contains many letters to key people in his life interspersed with helpful commentaries by his wife to give the reader a sense of what Steinbeck was facing when he wrote. Highly recommended, and very moving in many places, whether humorous, joyful, or passionately angry.

"I learn that all of my manuscripts have been rejected three or four times since I last heard. It is a nice thing to know that so many people are reading my books. That is one way of getting an audience." -- JS

"One very funny thing. Hotel clerks here [Monterey] are being instructed to tell guests that there is no Tortilla Flat. The Chamber of Commerce does not like my poor efforts, I guess. But there is one all right, and they know it." -- JS in the years before the Chamber of Commerce boosted Cannery Row as a tourist shrine

"I'm trying to write history while it is happening and I don't want to be wrong." -- JS before penning the Grapes of Wrath