Prose Books

In Straight, Francis gives us another of his honorable and vulnerable heroes who find themselves in trouble through no fault of their own. True, part of Derek Franklin's problems stems from not getting to know his much older brother, Greville, but the rest of his problems just seem to happen. Being in the wrong place at the wrong time is never in one's favor.

Derek is a successful jockey whose ankle is broken in a fall in a race. Just after he learns that his brother has been killed in a freak accident. Now, Greville was a gemologist who tended to be more than a little paranoid. He loved gadgets and puzzles and lives in a house outfitted like a fortress. Unfortunately, the strength of the house does not prevent Derek from being pummeled and otherwise abused nearly to the point of death. The worst thing is that he doesn't know why. This is a story of many mysteries most of which have nothing to do with one another. True to form, though, the villain once identified, proves to have no compunctions about doing whatever it takes to get what he/she wants and for self protection. Or is that villains?

As the story unfolds, the reader finds out as much about the deceased Greville as Derek, his brother and sole heir. (There are two sisters who live abroad.) It's difficult not to care about both and to feel the regret about not getting to know someone before it's too late.

Straight is a typical Francis novel in that it's a fast read, one cares about the protagonist, and pretty much despises the antagonist. Few surprises when it comes to it, but one of Francis's good ones.

I hve been reading Dick Francis books for at least 15 years. My father introduced me to them. When I go on vacation this summer, some of them will accompany me. "Straight" will be one of them.

Greville and Clarissa had concealed their love affair for three years.

Greville was a middleman, who had traveled the world to search out reliable sources of semiprecious gemstones. The successful London company he founded would have the stones cut in Antwerp, Tel Aviv, New York, or elsewhere, then distribute the gems in quantity to creative designers and producers of fashionable jewelry. Greville also owned racehorses, starting when someone had given him one in settlement of a debt.

Clarissa was the attractive wife of an older British lord, who had pursued her. Greville became Clarissa's first love, as she became his. When he was not on a trip, and she could come to London, they would meet. When apart, which was most days, they had agreed to pause at a set time of day to think of each other, knowing that each was doing the same.

A sudden accident ended all this. Greville had been walking down the High Street next to a construction site, when collapsing scaffolding from high up, struck him, sending him to the hospital, where he never regained consciousness and soon died.

Here are Dick Francis's very first words of the story: "I inherited my brother's life. Inherited his desk, his business, his gadgets, his enemies, his horses and his mistress. I inherited my brother's life, and it nearly killed me."

The speaker is Greville's brother Derek, younger by nineteen years. Too tall for flat racing, Derek is a steeplechase jockey, which is especially dangerous because of the jumping. In the story he is, in fact, on crutches recovering from a broken left ankle injured in a race.

Derek's racing world and Greville's business world collide throughout the book. Derek must pick up the complex gemstone business traces, while undergoing continuing pressure from racing owners and trainers to hurry up and heal.

The company employees tell Derek that Greville did not deal in diamonds. In going to the bank, Derek discovers otherwise. The manager tells him that three months earlier the bank had loaned Greville a million and a half U.S. dollars, specifically to expand into diamonds, and would soon be looking to Derek to start repayment.

Where are the diamonds? Stolen? Who are the customers who wanted them? Greville's company business and his house are broken into. Derek is assaulted and shot at. The action is nonstop. The book is a fascinating, literate page-turner.

Note: Probably all of us readers like to notice where a book's title appears in the text, and to see the meaning in context. I frankly lost count after more than a dozen instances, many of them different -- from Intensive Care Unit monitor lines going flat, to straight thinking versus labyrinthine, to honest test reporting versus shadiness, just to name a few. And a big one near the end of the book, which I wouldn't want to reveal here. Your reading will have to decide which of the many applies most strongly. Or perhaps they all do?

This has to be one of my all time favorite Dick Francis novels. It has everything a mystery should have in it - murder, missing jewels, mayhem... In my opinion, it's going to be difficult for Francis to top this one, but I can't wait while he keeps trying!

Straight takes the reader behind the scenes of the jewel trade and it's not an industry that's always on the up and up. Derek Franklin has been on a roller coaster ride of late as his steeplechase jockey career is nearing the end with him sustaining yet another injury. During his forced leave to heal, Derek finds out that his older brother, Greville, has been attacked and is on his deathbed. After his brother succumbs to his injuries, Derek is told that he has inherited his brother's business. Too late to protect himself, Derek realizes that his brother was a target and Derek suspects it has something to do with a fortune in missing diamonds.

This isn't a direct "who dun it" but also has a few subplots that are enjoyable in their own right. When Derek is summoned to his dying brother's hospital bed, the interaction (or lack there of) made me very thankful for the close relationship I have with my brothers and sisters. This thankfulness was reinforced throughout the story, as Derek learns more about his older brother and begins to understand him.

One of my favorite parts of the book is when Derek is sure that a clue is hidden in his brother's computer, but he is unable to access the correct password. Greville's secretary comes to the rescue. After hearing the clues left by Greville, followed by a brief mind struggle, she comes up with the correct code word and up pops a message on the computer screen congratulating her and promising her a raise. Now that's the kind of boss I want - he sounds fun!

The only negative some may have with this book is that it is a detour for Dick Francis. As most of his books revolve around horseracing, his devoted fans have come to expect that background. In Straight the only reference to horseracing is the fact that Derek is an injured jockey.

Want to read a mystery that will have you guessing until the end? If so, then this is the book for you to read next! It's very enjoyable and will have you wondering until the very end.

A reader knows what they are getting with a Dick Francis book. The mystery will be well plotted, the hero (usually a jockey or former jockey) will bravely face whatever trials that face him overcoming his troubled past and/or secret sorrow and the action will center around the some part of the racing world. Every once in awhile though a surprise pops up, this time the jockey is thrust into the totally alien world of gems.

Jockey Derek Franklin has been sidelined by a broken ankle, shortly after his brother Grenville is murdered. As Derek tries to settle the estate he finds himself drawn more and more into his brother's world of finance, gems and quirky little gadgets. Gradually he begins to sort out the mysteries surrounding Grenville's life and death but soon discovers that there are others who are determined to keep him from the answers. In the end, of course all is revealed.

This is a well plotted and clever mystery. The clues are all there for the reader to follow. The characters are well written, and draw the reader into the story.

I was totally humbled by this book. If it could be made manitory reading for all.....they should pass a law. You will not be the same after reading this book.

A suggested read for anyone (emphasis). Through the essays, abridged novels, and interviews, one can gather a personal and philosophical history of MLK, a summary of the civil rights movement, and a greater understanding of life and religion (which are inextricably attached really). I particularly appreciated the notion that civil rights was really about human rights on a global scale. He oft points out that poor whites, Latinos, and Asians, faced the same issues in the U. S. and across the globe.

A central theme is the principles of nonviolent resistance, which are essentially (if properly understood) unbiased and unwavering compassion and respect for (all) human life. I believe this is the single greatest area of failure in our current society. The book has entrenched that position further, with a deepened understanding of what it means, where the problems have exhibited themselves, and how we might improve upon the situation.

I must say as a native Alabamian and habitant of Birmingham for almost 10 years, the book has particular relevance to me. However, the history chronicled within is the history of man and is therefore applicable to everyone.

As a Hispanic-American increasingly involved in speaking out about social issues and looking for inspiration, I stumbed upon this incredible book.

I have since learned to love the writings and speeches of Doctor Martin Luther King. They are mighty and powerful and beautifully crafted. Biblical in their content and style, they are tremendously moving. They simplify the complicated and elevate the important!

His words ring out as loud and clear today as they did some forty years ago. For example, in one of his last and most radical speeches, "Where Do We Go From Here?" Doctor King exhorted:

"Let us go out with a 'divine dissatisfaction!

Let us be dissatisfied until America will no longer have a high blood pressure of Creeds and an anemia of Deeds!

Let us be dissatisfied until the tragic walls that separate the outer city of wealth and comfort from the inner city of poverty and dispair shall be crushed by the battering rams of the forces of justice!

Let us be dissatisfied until those that life on the outskirts of hope are brought into the metropolis of daily security!

Let us be dissatisfied until slums are cast into the junk heaps of history and every family is living in a decent sanitary home!"

This book is recommended for anyone looking for wisdom and inspiration and wishing to learn more about Doctor Martin Luther King and America's civil rights movement.

Buy it! Read it! And get involved in the battle for social justice for all Americans.

Martin Luther King Jr. the great American Civil Rights leader was a voice not only for black people in the United States, but for Mankind as a whole. He dreamed but he did not dream for black people alone but for every single American, and every single human being. Essentially his message was one of hope.
He was perhaps the most powerful speaker the United States had in the twentieth century. His 'I have a dream' speech on the Mall in Washington at the height of the Civil Rights movements was a call for and affirmation of human dignity and freedom.
He spoke in the language and rhythms of the Bible.
In his Nobel Prize Speech he articulated his faith in nonviolence as a means for human liberation. While it might be possible to question the validity of the non- violent option when confronting the most ruthless forms of totalitarian Evil it nonetheless is tribute to the spirit of King's deep Christian faith that he so passionately preached the 'non- violent doctrine'.
This book is a testimony to one of the truly great Americans of the twentieth - century. A man who by his example , by his deeds, ( And his words too are great deeds) gave hope and freedom to so many.
This work could not be recommended more highly.

Yesterday, the 40th anniversary of MLK's assassination, I spent the better part of the day thumbing through A Testment of Hope. The book is an old friend of mine. I've read and reread it for nearly twenty years now, both privately and with students in at least a dozen classes.

What I like so much about editor James Washington's collection is its comprehensiveness. In a single volume, one finds MLK's thoughts on nonviolence, civil rights and integration, the Vietnam War and poverty, Christianity and social responsibility, and justice and morality. His ideas are conveyed here through essays, sermons, interviews, and lengthy, meaty excerpts from his five books. Everything that one could want is here, including what I personally take to be his very best work: "Letter from a Birmingham Jail" (1963), "Love, Law, and Civil Disobedience" (1961), "A Christmas Sermon on Peace" (1967), "A Time to Break Silence" (1967), the "I Have a Dream" speech (1961), and Stride Toward Freedom's masterful discussion of the tactics and principles of nonviolence (1958).

Today, four decades after his death, the country is still struggling to grow into MLK's vision of reconciliation and nonviolence. One can only imagine how sad he would be at the post-9/11 turn toward militarism the nation has taken, the current wave of sentiment against Latino immigrants, the constant economic disparity between white households and African American ones, or the upswing in hate crimes against Muslims. In re-reading A Testament of Hope, I was reminded yet again of how very much we need a present-day prophet of King's caliber, vision, and courage, and of how very grateful I am that we once had King himself.
________
* "And I submit that the individual who disobeys the law, whose conscience tells him it is unjust and who is willing to accept the penalty by staying in jail until that law is altered, is expressing at the moment the very highest respect for law." From "Love, Law, and Civil Disobedience," p. 49.

I'm stuck in the first few chapters of this collection. It is much darker compared to the immediately uplifiting through positive insight book, The Prophet. It is however still filled with Gibran's signature wisdom just in a slow and gloomy kind of way. It is a must have for any Gibran lover just be prepared.

My father first gave me a copy of this powerful, and yet distant writer who exposed my mental eye to a world far away; yet close to home. Kahlil Gibran inspired me beyond words, and I know as a writer that every word written inspires someone; however, this author is my prime example of how race has no matter in words that scatter ignorance. He'd addressed the heart and mind on subjects with great story telling power. My original copy of his book is so old that it is falling apart, and so I bought this collection in order to share his words with others without concern for the condition of the book. I read a few pages to a young lady in one of my classes and she went out and bought her a copy, too. I had no idea that I was missing out on so much more incredible stories and poems until I'd made this purchase. I leave it to you form your own opinion.

Everyone seems to have known about this book but me! Where have I been? The poems and stories in this book absolutely give me those wonderful goose-bumps that come when I experience something very special.

I am very pleased with this purchase. The book was shipped quickly and in excellent condition and I love the book!

"I know that the principles upon which I base my writings, are echoes of the spirit of the great majority of the people of the world..." (656)
-Kahlil Gibran in a letter to his cousin, Nakhli Gibran, in 1908.

"The Treasured Writings of Kahlil Gibran", is a compilation of three other books of Gibran's treasury of writings, that each contained several books in one volume. They were: "A Treasury of Kahlil Gibran" (1947), "A Second Treasury of Kahlil Gibran" (1957), and "A Third Treasury of Kahlil Gibran" (1965). A total of ten books in all, this volume contains earlier books by Gibran such as, "Tears And Laughter", and more mature and widely acclaimed books such as, "The Broken Wings." In addition to the beautiful prose, verse, and imaginative stories, there is also biographical information and letters written by, and to Gibran. This is perhaps the most comprehensive book of Kahlil Gibran's writings, and one of the most informative about the man himself.

Philosopher, artist, and poet; these are some of the titles that are used to describe Kahlil Gibran. In order to fully describe this remarkable man, and this book, "The Treasured writings of Kahlil Gibran", one must reach beyond a mere title and use words such as passion, purity, and even divinity. To read this book is to realize this was a mortal man who sincerely understood the difficulties of being human, and yet often looked into the tender eyes of the divine, and shares his belief that he can see this light in the eyes of others.

"The riches of the spirit beautify the face of man and give birth to sympathy and respect. The spirit, in every being is made manifest in the eyes..." (488)

To absorb the depth of Gibran is to discover your own soul's longing for light and life, for beauty and joy. It is to hear the cries of your own heart's ecstasy as a friend, companion, and lover. With his writings, Gibran seems to gently take us by the hand, and listen with us, for our own whisper of echoing spirit.

Brian Douthit
Author Of Perfectly Said: when words become art

It's a good book, with a lot of collections of articles from history. But it'll be nicer if it has more of the author's own opinion

Anyone interested in history, academically or otherwise, should read Zinn's work since history is written by the winners, the best fighters, the most arrogant, sonmetimes, the most patient. It would be wise
for history teachers to present "the other side". I highly recommend his work.

This account of the history of the US is taken from the "little people's" point of view. Very eye opening.

History is sometimes written with the goal of documenting the attitudes or opinions of a particular class of people, such as the intellectuals, the politicians, the scientists, or the warriors. Each of these groups has made important contributions to human accomplishment, which should not be forgotten or discarded under the guise of some egalitarian or multicultural reading of history. But when the stories of these groups are documented in history, too often other voices are deafened, and these voices represent the vast majority of historical participants. It is not enough to view history through the eyes of intellectuals, politicians, or warriors. For an historical account to be meaningful, it must offer insight into the collaborations, opinions, belief structures, and longings of those who chose not to become famous, but instead chose to indulge themselves in the unique fascinations that each historical epoch possesses.

But because most humans throughout history did not record their experiences, the historian is left wanting for accurate appraisals of these experiences. Diaries, journals, and other personal writings can assist the historian in this regard, and there have been many uses of these throughout the historical literature. It is important to remember though that because of the paucity of these personal documents, one should not be too hasty in imputing the opinions of their authors to the entire population at the time. One cannot view them as representing the "voices of the people" without establishing this with (difficult) statistical analysis.

Sometimes however these documents were written more as a catharsis, as a way of expressing, in a strong and determined way, an idea, grievance, or opposition to the status quo. The opening quotation in the book by Frederick Douglass reinforces this view, for in that quotation Douglass essentially states that power must be challenged before it can be defeated (Douglass does not want to stop with mere words though, for in the same quotation he asserts the need for physical confrontation if necessary).

It is in this light that this book should be read. It is a collection of essays and letters that reveal attitudes that are not the typical ones that one would be exposed to in United States secondary schools. Those readers familiar with the author's earlier book on United States history will appreciate this book even more, but both can be read independently of each other. This is not a book that will please the elitist historian who discounts any view of history that does not magnify the contributions of intellectuals or military leaders over and above the "common" person. It is a book for those who are genuinely interested in the moods and aspirations of the people of a given time, if only from a limited vantage point. It will certainly upset the intellectual equilibrium of anyone who holds to a view of American history that has been sanitized by the educational establishment.

I am a high school history teacher and I use this in class. It has been extremely helpful especially combined with the free teacher's guide which you can find online. Each primary source is introduced with a brief background which provides some context.

I always enjoy these,easy to read and understand,books. I also like anything along the Laura Ingalls Wilder line. Always good reading. A book for any age to read.

I found this collection of letters written by Laura Ingalls Wilder (author of the "Little House" series) to be fascinating. The letters were written to her husband when Mrs. Wilder went to San Francisco to visit her daughter, Rose Wilder Lane, in 1915.

The reader gets Mrs. Wilder's description of a San Francisco that is recovering from the earthquakes and fires that took place earlier in the century and is now hosting an International Exposition. Mrs. Wilder's description of her first encounter with the Pacific Ocean is wonderful.

The reader also gets a glimpse into the life of Mrs. Wilder. She is very concerned about finances and things back on the farm. She has yet to write her first "Little House" book, but her daughter, who is already an accomplished journalist, is helping Mrs. Wilder get a feel for writing.

This book will be a treat for readers interested in the life of Laura Ingalls Wilder and those interested in a portrait of San Francisco in the early 20th century.

I love all the little house books. I am buying these so I can read them again and also to build up a library for my grandchildren.

Laura Ingalls Wilders makes a trip by train to visit her daughter, Rose, in 1915 in San Francisco. It was during the 1915 World's Fair. Laura visited for two months and wrote interesting, detailed letters back home to Almanzo about what she saw and did.
Some of her descriptions were captivating in their detail. The book fills in gaps and answers questions about the years following the events of the Little House books. The reader meets Rose, the daughter, as an adult, and begins to learn about her amazing life as a successful writer.
It was during this visit that Rose begins to help Laura learn how to better write for publication, such as how to block-out a story.
The reader gets an insight into Rose's fierce loyalty and sense of responsibiity to her parents.

In addition to Laura's detailed letters to Almanzo describing her adventure, this book includes over thirty photographs featuring Laura, Rose, the Pacific Ocean (ships, beachgoers, etc.), San Francisco, and many scenes of the Panama-Pacific International Exposition including an air show and night-lit festivities. Though in black and white, this pictorial insight into what was behind the letters is wonderful.

The book also includes an introduction telling how and where the letters were found and a lovely description of San Francisco at the time of Laura's visit. The letters themselves beautifully showcase the art of letter writing: Along with Laura's vivid descriptions of the technological marvels of the expo, her words are full of charming details to make us smile such as the price of eggs, hat shopping, and her favorite foods of the expo. Laura's expertise in writing compositions, as portrayed in the original Little House books, is very much evident even in these personal letters.

This book is a must have for Little House enthusiasts. Also recommended: On the Way Home: The Diary of a Trip from South Dakota to Mansfield, Missouri, in 1894.

J.H. Sweet, author of The Fairy Chronicles, and longtime Little House fan

forces you to look in the mirror. I was introduced to Dahl by my 8th grade English teacher who saw something very dark inside of me (yes, another plug for better teacher pay!). "Pig" gave me nightmares, "Skin" made me wonder about the greed of human beings. What's missing are the "My Uncle Oswald" stories, but this collection is absolutely priceless!

Excellent book from all points of view. Sewn edition, bound and quality of printing. I have another edition of Roald Dahl but unfortunately it's a paperback edition and the pages disappear one after another. I decided never to buy again paperback books. When I saw that Roald Dahl was published in Everyman's Library I immediately decided to order it and I am more than happy with what I received. It's very good for work with my students and I will leave it to my children as well. Many thanks to the publishers.

Once again! the Everyman's Library has outdone any other publisher's job of creating a thorough and precise piece of book history. This is the third book I have purchased and read through Everyman's Library and I sincerely feel their books are the only ones I will buy when creating my own hardcover collection. The quality of paper, the texture of the outer red cover, the beauty of the chronological timeline of events in the author's life, they not only think of it all, but go so far beyond what is called for in a $20 book. If I were a tree that died in the name of paper, I would only hope my flesh would go towards another Everyman's success.
On to Roald Dahl. Best writer Ever. Best collection Ever. Best stories I have Ever read. Best organization of stories contained within a single volume. This book is Paper Gold. My favorite writer and my favorite book publish company smooshed into a magnificent creation that is the perfect size for the average human; hand and lap!!! Touch the hard cover. Feel it upon your cheek. Smell the pages... In the name of all that is holy!

I actually have a compendium of Roald Dahl's stories in a different edition but when I came across this edition with the inimitable Mr Dahl on the cover I had to buy it. It is a lovely edition that collects all of Dahl's short stories in one book, and I love the fact that it comes with a lovely red satin page marker! A great addition to any library.

This collection of stories by Roald Dahl is great. He was one of the best and entertaining writers that composed such original work. I have read some of his stories more than once. I read them and when I am in the mood I pick them up again and read them again. I highly recommend these to anyone who especially has never read anything by Mr. Dahl.

I was not familiar with Singer's work at all -- having not even seen the movie "Yentl" which was based on one of them, but the stories are quite engaging, with compelling characters and surprising plot twists. Singer is a masterful storytelller; and though obviously rooted in Jewish culture (both his father and grandfather were Rabbis) his exploration of the vicissitudes of life, character and relationships is universal.

A collection of Jewish tales, essentially from Poland and full of the fatalistic themes permeating the diaspora, along with a spicy dash of the demonistic.

This is the first ive read of Bashevi Singers work but its sure aint the last.
Ive read quite a lot of the classics and more than a couple of the Nobel prize winners, but I can honestly say that I have a hard time remembering such joyous storytelling. Singer was amazing; it all seems so easy when he tells his stories; its almost like the stories flows from his pen.
The fact that the stories often stem from the culturally rich jewish community in Europe makes it even more interesting. We tend to forget today, that much of what we call art was carried at great length by that community, together with the russian.
Anyway...if we forget all this and center on the prose, i end up with the following recommendation:
If you want to read something marvellous, enchanting and extraordinary,
dont miss Singer.

This truly excellent collection of Singer's stories (all originally composed in the Yiddish language) are as colorful as the people about whom the stories were written. Here are tales of weddings, of jokesters, of happy occasions of all variety, of feuding farmwives, and of unrepentant fools. After reading through a handful of Singer's works, a person gets the feeling of how it must have been to live as a Jew in eastern Europe a hundred years ago. This was a culture rich in its traditions and lore, a people who loved life and kept their identity through good times and bad. Singer, himself born and raised in the region so many of his short stories describe, was one of very few authors I would unhesitantly dub "a human treasure".

Isaac Bashevis Singer was a master storyteller and any reader will be well-rewarded for spending time with his "Collected Stories." Many of these stories are set in Poland before World War II or post-war New York City, but there is a spiritual energy that drives all of these tales, regardless of location. Old World demons and devils can be found in "The Unseen," "The Destruction of Kreshev," "Henne Fire," "Zeidlus the Pope," about the Devil tempting a Rabbi into becoming the Pope, and one of the collection's best, "The Dead Fiddler," about a would-be bride inhabited by dueling dybbuks. New World mystical forces are recounted in "Powers," about a man's seductive past, and "The Psychic Journey," about war breaking out during a writer's trip to Israel. Several stories involve survivors of World War II, among them "The Cafeteria," about a woman who imagines seeing Hitler in a New York City deli, and the unexpectedly heartbreaking "The Joke," about a practical joke taken seriously. Every story is deeply felt and richly detailed, including the more comic ones such as "Gimpel the Fool," "The Yearning Heifer," and "The Admirer," about a writer's fan disrupting his day. Choosing favorite stories in this collection is almost impossible, because they are all unforgettable, but ones that resonated most richly for me include "Taibele and her Demon," about a woman's mysterious night visitor, "The Little Shoemakers," about a family of cobblers who courageously survive two world wars, "The Manuscript," about a mistress who saves her lover's novel from destruction, and the transformative "A Crown of Feathers," about a young woman losing and then trying to regain her faith.

A great western novel.
The gold rush.
The economic boom.
A story of revenge. What stories! A psychological profile of the murderer remarkably painted by Louis L'Amour. In further action on more than 400 pages.
A great western. One of the best.

This was my first L. L'Amour book and I loved it. It was relatively easy reading but very enjoyable. Mr. L'Amour is excellent at developing the characters and weaving them into the story. I had a hard time putting this book down at night before going to bed..
I have already purchased several more of his books and am planning on collecting the entire set.
You will definitely enjoy this book and this writer.

Comstock Lode is classic Louis L'amour. This book is extremely enjoyable and fast-paced. If you are just starting out on Louis, this book will not steer you wrong, it is a perfect example of his genius.

I just finished reading Comstock last week, when I happened to be up in the California gold country myself. I'm a garden writer, author of 5 published books, and I was in Placer County, speaking to the Auburn Garden Club. The town of Auburn, which sits in the middle of the gold rush's richest territory, is a neat place, one to visit if you get the chance. I noticed too that there is still a very busy mining supply store right on one of Auburn's main streets. There's still gold and silver being found up there!
But I digress: All of us who read Louis L'Amour's Westerns have probably noticed that while all of them are fun to read, some are certainly better than others. I thought that Comstock was darn good, and certainly one of the best of his books set in California. If you enjoy a fast-paced, action packed Western, I expect you'll like Comstock. I recommend it!

Louis L'Amour's Comstock Lode is a brilliant, fictional novel based on real events that will suck you in as soon as you start reading. I'm not one for westerns at ALL, but I was recommended this book and told myself, Why not? It sounds alright, nothing really better to read as of right now. I'll admit, the first few chapters started off a little dull, but then, you get deeper and deeper into the story and you can't put the book down. I recommend this book to anyone who likes adventure novels or Louis L'Amour in general.
Val Trevallion was a son of Tom Trevallion and his wife Mary, who lived in England until finding a large amount of gold and, moves to the States. While in Louisiana, Val's mother and the mother of another girl named Grita Redaway are brutally murdered by a group of shadowy characters, one of which Val will never forget the eyes of. Val and his father set out for the Wild West, but on the way there, his father gets murdered as well. A name on a gun gives Val a clue as to the identity of one man from the group of men that murdered his father and possibly his mother. Val goes to the Comstock where he is known as the toughest, most feared man around. While there, he will remeet Grita, a beautiful, budding actress and the memories come rushing back. His main mission: to kill those who killed his parents. But not everyone seems to be who they are, and Val has to come face-to-face with the man whose eyes haunted him years earlier in this edge-of-your-seat thriller.

Excellent selection of fine writing about crime and vice - another winner provided us by the LOA. It's early era merely extends it's charm into a time past that's as vibrant as if it were set in the last decade, allowing us a nostalgic glimpse into our own literary birthright.

One, entitled "The Big Clock", is about the highly sophisticated and competitive world of big city publishing and involves a murder committed by it's top executive who is losing his ability to cope; a uniquely arranged set of chapters detailing the thoughts and actions of each player through their own individual eyes and each written in the "first person" which adds another layer of intrigue and dimension to it. An innocent man, fearing he will be the prime suspect, becomes enmeshed in an incredibly intricate plot trying to keep himself out of it, wading in deeper and deeper even though he has had nothing to do with the actual murder, but definitely has knowledge of certain of the events that will bring his family - that means his wife - into it which must be avoided at all costs.

In "Thieves Like Us", a gang of bank robbers is on the run through the Oklahoma countryside, living by their wits and for the day because tomorrow may never come; the doomed rampage is prolonged by the lack of law enforcement technology of the era. The visual image projected into the mind of the reader is vivid; of 1930's automobiles, dust and sweat, of desperate, reckless men who have nothing more to lose except their lives, which have never been good anyway - to them, for them or because of them. The old phrase of "Honor among the Thieves" becomes duly recognizable for a few chapters, as does the necessary bonding, and uneasy, false friendship that was tantamount to survival. This, due to it's very nature begins to unravel just when dependence upon one another is needed most; and the loser's urge to "do just one more job" to compensate for the money that seems to run through their fingers like sand through an hourglass overrides any thought process any of them may have had. It has it's anti-hero in one man who seems straight enough to maybe make it if he can just manage to split from his bad seed influences; but nothing can alter his headlong rush down the lonely path to perdition, taking the one lonely person who actually cares about him down with him. He has known nothing else; he has never been nurtured, never been taught the good lessons of life to offset the problems of it; he simply reacts to stimulus; the once child of clay has hardened to brittle nothingness.

Highly recommended for anyone enjoying mystery and suspense in it's finest form.

Before reading this handsome, well-made volume of six crime novels, I tended to consider 'noir' a movement, one of both style and period. I now know that noir is also and more generally an atmosphere and pertains to a wide variety of literary styles, characters, plots, motivations -- but all informed by a dark and often depressing overall mood. Ultimately, these six novels are character studies and although they are offhandedly described as 'pulp novels', their qualities of description, dialogue, and even basic construction techniques such as gradual disclosure and story arc far exceed most recent crime novels I've read. And although classic noir undoubtedly exposed the dark recesses in the minds and hearts of its contemporary audiences, these stories today confirm that there is very little that can shock us; the beauty and longevity of these novels is in their exposition and description of characters and surroundings and the significance of a single, seemingly insignificant event building to an inexorable, devastating climax.

Rather than recount each novel's plot and characters, I will only add that again, each of the representatives of the noir genre present in this edition illustrate a wide variety of settings and styles, places and characters. From what most of us probably consider classic noir represented by Cain's classic "The Postman Always Rings Twice" with its classic highway settings and passion, to the suave, biting, and sardonic wit of Fearing's "The Big Clock" reflecting the unusual structure of multiple first-person narration around a single, main protagonist in an urban, corporate setting, to the Oklahoman grit of a group study in gang crime via serial bankrobbers in Anderson's "Thieves Like Us", to the more explicitly horrifying, psychologically penetrating and depraved "Nightmare Alley" of Gresham, this edition is like a menu of various aspects and directions noir can and did take.

As other reviewers have stated, there is not a weak novel here. I found "The Big Clock" the most singular in structure, setting, and style and in certain aspects, it defies categorization as 'noir' except perhaps only in mood. In fact, it is the novel that for me most broadened the definition of the genre. I found "They Shoot Horses, Don't They?" the most depressing because it appears to be the least fanciful, most truthful and thus the most devastating of the set. In this sense, "...Horses..." comes closest to rivalling truly great literature not so much for its details, but for its overall impact. In my opinion, Woolrich's "I Married a Dead Man" is the least successful because its exploration of mistaken identity (first mistaken, then deliberate) is somewhat banal and after finishing it, I wished Woolrich might have explored the contrast of genteel facade and grasping desperation a bit more explicitly. It is in many ways the most subtle and emotional of the set as well as the most modern (it is chronologically the last), but suffers a bit from the repetitive description of Helen/Patrice and the strain of her external and internal duality.

Several reviewers have found Anderson's "Thieves Like Us" the weakest of the set, but I disagree. The description of a gang is necessarily different and unlike the other novels, Anderson manages to accomplish what the other authors are unable to do (save perhaps McCoy): Describe the criminal as a legitimate, objective individual who deserves our sympathy and even our allegiance. Bowie, the central character, is described as taking a far more relaxed view of his own criminal activity and isn't portrayed in dark, tortured terms. In this light, Bowie has either the weakest conscience or the strongest depending upon how you choose to read him and in either sense, he and together with his cohorts provide and excellent example of the Anti-Hero.

"Nightmare Alley" is the longest and the most absorbing of the set. It is also the most violently and sexually explicit, has the largest cast of important and varied characters, and best succeeds in addressing the big questions concerning truth, faith, relationships, society, etc. Who are the real freaks -- carnival oddities and tricksters, or respectable society members seeking spirituality? Those with mere physical abnormalities or those who deliberately develop intentional differences? What is deception, particularly self-deception? "All the world's a carnival" might be a nihilistic worldview, but Gresham's portrait of an intelligent young carnival magician's development from a sensitive, impressionable boy into a full-blown 'spiritualist medium' whose only desire to trick the vulnerable out of their money (and who ultimately is tricked by one who lacks his ultimate weakness -- his conscience) is devastating. Although I predicted the ending, this truly nightmarish journey down Stanton Carlisle's alley is the point of the book. The true ending is, in fact, never reached and is a brilliant literary stroke.

I highly recommend this set of novels.

This collection of novels from the 30s and 40s was terrific fun and an outstanding introduction to the genre. You can debate whether they're all noir (at least what I expected noir to be); but nonetheless they each convey a distinct impression and view of the time. Without getting into lengthy reviews, I enjoyed Woolrich's "I Married a Dead Man" the most--from his eloquent style to the actual story-line. You know you're reading a master story-teller. Second was Gresham's "Nightmare Alley;" although sometimes I thought he could have expanded on some aspects of the story and shortened other passages (i.e., a little bit of editing would help). But each novel was distinct and enjoyable. Highly recommended.

First of all, the Library Of America collection provides the reader with some of the most beautiful hardcover editions available today. That said, the selections chosesn for this edition are all first class; for someone just getting into hard-boiled fiction, this is the ideal place to start. If you're like me and have been reading this genre for many years, this is a perfect volume to add to one's collection.

Noir emerged in the early 20th-Century from Pulp paperbacks published for mass consumption. Highlighting in gritty and sensationalistic detail the sordid undercurrents of Western society, Noir became an artistic force that became the medium for the representation of the down and out segment of the populace. Whether set in the impersonal grime of urban reality or at the deceptive simplicity of rural picturesqueness, Noir in Film and Literature revealed the odyssey and travails of lost souls whose misguided characters bore too much of the weight of their selves and their pasts to break from the shackles of their present.

"Crime Novels: American Noir of the 1930's and 40's" is the American equivalent in prose of the influential and enduring genre. The grim and unforgiving tales of the dejected cast of mid 20th-Century American life are openly depicted ("The Postman Always Rings Twice"; "They Shoot Horses, Don't They?"; "Thieves Like Us"; "Nightmare Alley"); vicissitudes of fate ("The Big Clock"; "I Married a Dead Man"). Whether set in scenic California, the vast and open Midwest, or a high-rise office in Manhattan, these novels uniformly render a panorama of blighted dreams, twisted turns of fate, and the sad recurrence of misfortune in desperate individuals doomed to tragedy.

None too substantial in content but highly readable, this edition is the first of a handsome 2-Volume anthology on American Noir fiction published by the venerable Library of America. Edited by Robert Polito (Poet, writer, anthologist on Noir Lit. and author of a biography on Jim Thompson), these stories enduring relevance are seen in various forms of contemporary society: from the writings of James Ellroy, Brett Easton Ellis, Lawrence Block, and Robert Bloch; in films like "Scarface", "Pulp Fiction", "Fight Club"; and in everyday life.

Milan Kundera gives us a new insite on what makes a novel a different type of literature. He is widely read, witty and light. At the same time his opinions are thought provoking and the breadth and appropriateness of his quotations a joy to read. I must say that I read the book in one rainy weekend sitting and that it has been a long time since I have enjoyed so much following an author's thought process.

The Curtain is Kundera's third work of literary criticism/theory and it is, in my view, the best. It is more focused than Art of the Novel and less bitter than Testaments Betrayed. Here Kundera presents extremely readable and pointed analyses of several works and, more importantly, provides a larger argument about the role of the novel in the world and its moral capabilities. He provides insights into several well known writers such as Cervantes and Kafka, but he has also alerted me to many writers with whom I was previously unfamiliar. It is one of those books that, after you finish, will make you want to go and read a dozen other books. And I think that is a good thing.

In The Curtain, which in fact is a series of separate pieces, each of which are further divided into component pieces, Kundera presents the novel and novelists in a tableau of history, politics, and culture. His manner is discursive. Among his shaggy dog elements: the novel as psychological exploration of character or as existential analysis; phenomenological observations on the workings of memory; Rabelais, Cervantes, and Hermann Broch (The Sleepwalkers) as stand-alone contributors to the nonlinear history of the novel, along with Sterne, Flaubert, Kafka, Carlos Fuentes, and more; the influence of national culture on art (the difference between French "vulgarity" and Central European "kitsch"); the innards of a novel's process, and the workings of prosai-comi-epic imagination ...

It occurred to me, as I began to scribble notes on this or that observation, put so succinctly and well, that I hadn't felt the need to do that in a while, since reading E.M. Cioran's observations on life, in fact, and before that the aesthetic takes on visual art of Andre Malraux in Anti-Memoirs) and the comments on writing by Sartre in Why I Write. You can reread such books, as I expect I'll reread this one as well.I Think, Therefore Who Am I?

It is unfortunate many readers of serious fiction will never read this book. Milan Kundera (1929) is a Czech-born writer who writes mostly in French these days. He is best known for his novel, The Unbearable Lightness of Being: A Novel (Perennial Classics) (1984), a profound exploration of the fragile nature of the life of an individual. Following The Art of the Novel (1985) and Testaments Betrayed (1992), his seven-part essay, The Curtain, is part three in a trilogy of essays on the European novel. Translated by Linda Asher, it was originally published as "Le Rideau," in French in April 2005 by Gallimard. It should be considered required reading for anyone interested in knowing what the novel is all about.

Kundera believes that reading novels, from Cervantes, Dostoyevsky, and Tolstoy, to Kafka, Garcia Marquez, and Rushdie, offers a way of thinking that is essential to understanding human nature and our own lives. Reading allows us to tear down "the curtain" of pre-interpreted assumptions ingrained in our psyche, enabling us to have an unobstructed vision of the world we inhabit: "A magic curtain, woven of legends, hung before the world. Cervantes sent Don Quixote journeying and tore through the curtain. The world opened before the knight errant in all the comical nakedness of its prose" (p.92). For Kundera, "a novel that fails to reveal some unknown bit of existence is immoral" (p.61); its objective should be to reach into "the soul of things'" and the '"enigmas of existence." Understanding human life--that is "the raison d'etre of the art of the novel" (p.10). Anything less than that is mere "babble."

Although Kundera's subject is erudite, his writing is easy to follow--like sitting in a Paris cafe with a 78-year-old scholar, discussing why reading serious European literature matters.

G. Merritt

Kundera's book about the novel is not exactly as billed. These are not seven
essays. What we have is a set of notes, some speculations and assertions about
the past and future of the novel and its place in the world of literature and art.

Since these happen to be the spectulations of one of the most radically unsentimental
writers of our time, they are very valuable indeed. As the thoughts of a writer
whose work inspires other novelists (well, okay, this novelist) to keep writing,
they're especially precious.

Kundera urges us to see the novel in the context of its history. He suggests that its
reason for being is that the novel can tell a particular kind of truth, that it can
get to the heart of things and tear back the curtain of interpretation that veils
our realities.

The specifics of this arguement are as enlightening as the arguement itself:Cervantes'
humor as a reprise of what grownups know about the world, Rabelais' coinage of
a word for the humorless, Musil's irony, Stifter's prescience. Read Kundera to enlarge
your circle of acquaintance and turn literary acquaintances into teachers.

For all the inspiration that Kundera's work affords writers, this is a very pessimistic
book. With the death of historical awareness and appreciation for the moment comes
the death of the novel. Without 'the history of various arts, there's not much left
to works of art'. It's the pessimism of the true conservative-one whose heritage and
nation have vanished and being now incapable of growth can only be shored up
against the inevitable ravages of the new.

This perspective encourages-I think-an appreciation for the everyday, a Gestalt
shrink's awareness of the here and now. It's the kind of appreciation that rubs off on
the reader. If the reader is also a writer, this is the stuff that keeps you going.


--Lynn Hoffman, author of New Short Course in Wine,The and
the extremely charismatic bang BANG: A Novel ISBN 9781601640005