Prose Books

A tale of growing up and acceptance with a strong female lead who shows, without being ultra feminist, that girls can accomplish anything that boys can.

Admittedly a huge fan of the "women-warrior, disguised as a man" characters, I have been disappointed time and again by peoples take on them, but not this time. The take on magic, the involvement of the gods, and the world, which holds different morals, gave to a very interesting atmosphere for the books to be set in. Alanna is a character that I couldn't help cheering for, and identifying with.

Granted as others point out, this is very obviously a first novel that will kick-off a series. And while I did enjoy it, I do prefer to have series of novels have the ability to be stand-alones.

A terrific kick-off, to what I hope to be a wonderful series.

I did not realize when I bought these books that they were for young adults, I still thoroughly enjoyed reading about Alanna's adventures, friends and family. Alanna proved to the men again and again that "anything you can do I can do better". A great message to put out there for young girls. And even though it took me 1 day to read each book I just couldn't stop until I was done!

When I first picked up this book, I was the typical bookworm. I knew every corner of my middle school's library. Most often, I'd find myself in the mythology section or classic plays. However, one day, I took a fateful journey into the fantasy section.
I was 12 years old, timid and accepting of even the worst opinions of me.
When I read it, I was enlightened. A whole five foot one, (four foot eleven at the time), I was keenly aware of her height issues and the jokes her friends made.
The way she shaped her own life made me feel as if I could do the same. And I have. I took control -- or as Alanna would say "rode the tiger" and I've made my own way in the world and I don't think anyone would call me timid now.
I'm in college now, and I know if I start to feel down or like I'm losing confidence in myself, I can just pick up my old worn out copy of Alanna (or any of the subsequent sequels) and feel better, feel like a stronger woman because of it. Tamora Pierce was a saint for writing this book. Sometimes I even feel like she wrote it just for me!

Is no one bothered by the essential lack of values in this book? Getting what you want is more important than honesty or respect for others. The main character threatens others with horrible, supernatural punishment, tricks her father, lies outrightly, and that's just in the first chapter.
What about integrity, justice, truth as foundations of doing right?
Compare this heroine with Jonas in The Giver, Frodo in The Lord of the Rings, Andy in Wolf Rider, or Karana in The Island of the Blue Dolphins.

I bought this book for one of my children for a summer reading project. I needed a specific version and was glad I could search Amazon by ISBN. The book arrived quickly and the price was reasonable. I'm sure other family members will enjoy the book when the projcet is complete.

except for the Bible, this is the best.
It is the full and undiluted version from the first english translation.
read it, learn it,live it.
j

Although the story is well known to me, the editing of this audio book was so confusing. I absolutely could not follow it. Too much is cut out.

Story has good twists, but there are too many French places and people which makes the audio confusing.

The book is excelent reading but please get a different version.
This version only has 580 or so pages where as other versions have over 1,300 pages. That means that this version is only half the story.
So much gets lost in translation already don't cheat yourself even more.

I need the book-equivalent of methadone to wean myself off the the genius that is Lonesome Dove.

This is one of my top three books of all time. The characters are well written, the story is exciting, sad, happy, scary and tender. It's a story about friendship, hardship, making a living, and a great history of what the West once was. I read this book at least twice a year, and still, it effects me the same way it did when I read it for the first time 15 years ago. I recommend it to anyone who likes a sweeping story full of great characters and emotion. It is also part of a great series of books. If you like this one, be sure to check out the others in this series.

I originally saw the movie "Lonesome Dove" which intrigued me and interested me in the book. I loved the book! It had even more info then the movie (as is generally the case) and though the 8 hours of movie are very true to the book, there is a lot that you miss until you see it in print.

I disagree strongly with the reviewers who say this is not a western. It is a story rich with action and human interactions. The characters are developed and become so real - I cried along with their triumphs and tragedies. There are many stories in this one book. Each character has a history and story to tell and McMurtry does this very well in "Lonesome Dove". (Not so much in other books - In "Sin Killer" he creates characters barely enough to kill them off two pages later.)

This is definitely a rich story well worth your time. It is a heavy read - literally and figuratively. Enjoy!

Count me among the many people who completely loved this book. Even at nearly 1,000 pages, I didn't want it to end. To say it's about a bunch of cattlemen making a drive from the Texas-Mexico border all the way up into Montana hardly makes it sound exciting. To say it's a romance between a cowboy and a reformed whore makes it sound more melodramatic than it is. But to say it's about the American spirit in the 19th century, or pointless ambition, or blind allegiance to an outdated code, or aging heroes, or the disappearing wilderness--and it's about all of those things--makes it sound too grand and high-minded. The charm of McMurtry's writing lies in its simplicity. It's about a lot of things. Mostly cowboys.

The Old West, as portrayed by Hollywood and popular fiction is said to be in large part a myth. High-noon duals, standoffs between train robbers and sheriffs, and gunfights between cowboys and Indians are more legend than history. LONESOME DOVE has to be considered among the canon of the old west, as one of the archetypal books of the genre. It is a story full of stock western players--the heroic Texas rangers, the sheriff, the whore, the cattle rustlers, the Indians, the wide-eyed cow hand. But in the end, the characterization of these players flies in the face of everything we'd expect of them. They are each flawed in their own way, and none completely lives up to our expectations of what he should be. They're decidedly not stock characters. They're real. They surprise us at every turn with their actions and inactions. And while it's tempting to call this the quintessential western, it's more a deconstruction of the western. A reality check. It's more about romance than gun fights. The conflicts are internal. And it's more about character than characters. That's the greatest strength of LONESOME DOVE. McMurtry makes you fall in love with the cowboys, then breaks your heart twice--once at their fates, and once when the book comes to an end.

Taking it as a given that you have little or no interest in the old west or cowboys, in general, or in cattle drives, specifically, you should still read Lonesome Dove. The character development, of Gus and Call, especially, and the evoking of a time and place very remote from the present are absolutely remarkable and you'll be glad that you didn't miss it ... a very, very good book - truly excellent literature!

And, as in so many cases, in case you saw it and drew a conclusion ... the TV version couldn't begin to do justice to the book.

I have read this book over a hundered times in the last twenty years, and have given many copies away to friends and acquaintances. If God Himself (or Herself) were to give an opinion on various aspects of a person's life, I believe that his or her words would be very close to what Kahlil Gibran wrote in "The Prophet".

Should we, could we all walk through life in such an enlightened state? What a wonderful peaceful world it would be. How can we deny that Kahlil Gibran was directed by the Gods to deliver a message: "be as one, live in the light, love is the only answer!" and so I paraphrase, but in truth, it is a way of life that is essential to the well-being of mankind.

The Prophet is a very thought-provoking and inspiring book. I purchased it after reading a few pages from a copy that my sister-in-law had, and I knew I had to have my own. An excellent collection of short stories and poems.

I only wish I could read the original text. The simplicity and frankness, the blend of respect for the individual and appreciation of spirituality--this is the most astonishing work I have ever read.

If you can read then read this book. After that, find somebody who can't read and read it to them. It's that good.

To get the most enjoyment from this beautiful book, buy the original Katherine Woods translation.

This is a wonderful story and a great book I was able to share with my students. The only drawback with the book is that the pages are not in color, but the extremely low price allowed me to purchase the books for my students out of my own pocket.

Katherine Woods' translation is the only English-language version of The Little Prince which captures the beauty, simplicity, clarity, and profundity of the Antoine de St. Exupery's classic, penned in French.

(The newer translation is appallingly horrid and bland, mistaken, and frankly perplexing.)

This is really not a children's book, although older children will appreciate it.

Don't measure the value by the thickness of the book. De St. Exupery, himself a WWI pilot, writes with a great economy yet produces here the most beautiful poetry with a delightful playfulness and childlike innocence -- a fresh vision which thus sees clearly and does not obscure the profound.

Mr. Fred Rogers used to quote from de St. Exupery, whose image and illustrations once graced the 20-franc note (in the days before the euro).

There simply is no other work like this one. It is an exceptionally rare treasure, a masterpiece.

Be sure to read Katherine Woods' translation. Read it privately, when you have time to savor each word. And keep a box of tissues nearby.

The Little Prince has often been heralded as a youthful book, required reading in elementary and high schools alike. In delivering it this way I think The Little Prince is missed by the only audience that is likely to truly appreciate it, that is adults. It is not an uncommon misconception that this is a children's book. Indeed, I keep the pictures stored on my computer, and am often asked where they came from. I reply that they are from one of my favourite books, and without fail the response is along the lines of, 'I don't mean to be rude but is that a children's book?'. 'No', I explain, 'it is not'.

The Little Prince is most needed, I think, by adults. It is easy to be caught up in, as De Saint-Exupery describes it, 'matters of consequence' and forget that it is not these matters which bring meaning to life. By pointing out the futility of professions practised endlessly and in isolation of other people, it becomes clear that the Little Prince, with his rose, is the only character with a life of consequence.

This book is beautifully written and translated by Katherine Woods. It speaks volumes through its simple tale, strange though it seems that matters such as these only become clear when they are somewhat removed from reality. Matters such as love, innocence, imagination and priorities. The Little Prince is a gentle and stirring reminder to never forget to see the boa constrictor from the hat.

I was an adult when i read this book, and i really appreciated the lessons in life that Saint-Exupery shares through the Little Prince.

A great book, full of beautiful illustrations, easy to read, while fun and sad at the same time.

I personally read it as if Exupery is sharing with us the conversations he has with his own inner child, in the image of the Little Prince. That is why the Little Prince would ask many questions, but rarely answer the ones he was asked. Like all our inner children he's been hidden inside and kept silent for a long long time, and now that he was given his chance, he will speak. And we better listen, for he is an integral part of our psyche, who will take us through the most unbelievable adventures.

I received this book as a gift and was reluctant to read it as the subject matter was not of interest. I started to read it just to see what it might be like and was captured by the outstanding writing. It was just a joy to read and the characters will stay with me forever.

About half way thru this book and had to set it aside. I'll return to it later as it is a little too intense and the language is shocking.

I thought his books Beach Music and The Prince of Tides were much better. I could not put Beach Music down.

This is a great military/coming of age novel by Pat Conroy that I would put slightly behind The Great Santini (one of my favorite books of all time) in his catalogue. In this story, Conroy follows a young cadet at the fictional Carolina Military Institute (modeled partly on Conroy's time at The Citadel) as he endures his plebe year and then comes to grip with the fact that the school fosters a great deal of hate, racism and cruelty to accomplish its mission of developing the Complete Man. Conroy's writing always moves quickly with engaging dialogue, humor and entertaining story lines and this book is no exception. It is certainly deeper than your standard pop fiction book, but it reads just as easily and quickly. I would highly recommend it to Conroy fans, people who enjoy good fiction (even my mother likes this book) or people who have interest in military schools or the South in the 50's. A very good book.

Gorgeously crafted, eloquent, beautiful, gripping, powerful. Simply an amazing book. All of Pat Conroy's books have common ties to his childhood, and this one is perhaps the best of them all.

The mark of a successful coming of age story is that you, the reader, can see yourself reflected in the protagonist. For me, this book worked very well. Will McLean, the main character and first-person narrator, a second generation Irish boy, son of a Marine, a mongrel outsider in the pedigreed Carolina Military Institute searches for himself, the man within the boy who is being molded by a system of discipline and honor that doesn't match his internal morality. He's an English major in a college of warriors. He's a basketball player, a finesse guard, in a school of brute force. He's fighting against systems he doesn't understand within a life choiceless in it's inequality.

Pat Conroy, himself a graduate of the model for the fictional Institute, The Citadel, weaves a compelling tension-filled story while eloquent in his setting, Charleston, South Carolina. Employing gracious proper Southern dialect filled with flowers, antiques, and tradition, he describes brutality, racism, sexism, and betrayal. The language works well because it provides within its description the biting irony of the scenes. Will McLean fights through every taboo the South has to offer in the 1960's: a black cadet in the all-white tradition of the military college, an unwed pregnant girl shunned by society for her shame while the father of her baby remains blameless, the brutal plebe system that crushes individuality while remaking young men as soulless military automatons, the classed society of high south old money and it's cruelty to those not born within the circle, and the fact that military honor doesn't equate to individual morality.

Fighting through this maze of pitfalls, McLean has only his closest and dearest friends to rely on, roommates Dante "Pig" Pignetti and Mark Santoro, two brawny, Northern boys of Italian descent and Tradd St. Croix, an "old Charlestonian" (from a very rich and respected family). His moral guide through the story is the epitomy of hard military men, Colonel "Bear" Berrineau, a vulgar battle-scarred man whose character is unimpeachable and whose idea of duty includes awful repercussions.

I loved this story and I couldn't put it down. If I had one criticism to give, it's that Conroy tried to put too much into the novel - too many problems and taboos and tried to fix hundreds of years worth of problems in one book. But, that's not really a criticism because he did it and did it well. Bravo.

CV Rick

Anyone who is a fan of Terry Pratchett should look into the three Master Li and Number Ten Ox stories. Of which, Bridge of Birds is the best.

I first read this book about 20 years ago. I read the two reviews that gave it only one star because I was curious why their reaction was so different from mine. After reading the two reviews, I believe I understand the problem.

It's called Fantasy for a reason.

It's not Literature, and it's not a History of ancient china.

Barry Hughart taught me that ancient wise men don't see themselves as "Ancient Wise Men". They see themselves as the little boys they once were (as do we all). They pass gas like the rest of us, sometimes they drink too much like the rest of us, and sometimes they are immoral like the rest of us.

Number Ten Ox may not have been the perfect foil for Kao Li, but he wasn't too far off the mark. His awe at Kao's "wisdom" (more often than not just common sense) and his willingness (and almost desire) to be proved to be less intelligent than Kao tells us a great deal about human nature.

By the end of the book I had reached the conclusion that there was little difference between Number Ten Ox and Kao Li, and that they, of all, knew that best. They each had their roles in a highly structured society and they played them to the hilt, trying their best to do good despite society's nonsense.

I loved this book 20 years ago and I love it still. I don't always want High Brow Literture. Sometimes I want a good, fun, frolic in the pool. The Number Ten Ox stories are the later.

This was an amazing fantasy novel. It's entertaining, hilarious, and heartwarming. The detail of ancient China, its traditions and beliefs are very vivid, and there are "feel good" parts to it that remind me of a Disney/Pixar movie (terrible analogy, I know, but that's what comes to me when I think of the feeling it gave me). The solutions that Li and Ox come up with to get themselves out of their various predicaments are clever in their conception and exciting in their execution, and I'm very interested in reading the next books in the series.

I've never read anything like Bridge of Birds, and I spent my first law school semester re-reading it in my spare time. With few exceptions, I never had any idea what was going to happen. I laughed like a loon during one of the murder scenes - I don't want to give away any more, but it was deliciously ironic - and was humbled by the intellect of the character who figured out the overarching mystery. The last few chapters were like a roller coaster. I felt like I was flying during the climax, and that alone would have prompted an eventual reread and reccommendation. I can't *not* reccommend Bridge of Birds to everyone, but I am aware that those who dislike complex storytelling would be totally confused before they got anywhere in the book. I will now go off in pursuit of modestly-priced copies of the other two Hughart novels...

This novel of an 'Ancient China that Never Was' is a brilliant gem of interweaving storylines that made me both smile and cry. It was alternately silly and beautiful, so much so that I want to use overblown adjectives to describe it. Basically, it was about a man looking to find a cure for a disease affecting the children of his village, but it turns out to be so much more.

When first starting the novel, it seemed a simple quest novel, usual for the fantasy genre. As it went on, it seemed more like a series of connected short stories with the same characters with perhaps an overarching goal for the main character. Then it went on some more, and it began to quickly connect. Characters once met were met again, and again. They changed, told their stories, and moved on, leaving the book and the main character changed.

By the time the book was over, I just sat there crying yet smiling with happiness at having read it and at the gorgeous ending. If you are not sobbing at that time, or when one of the characters has his letter to his daughter read, you are a much stronger person than me. I turned this book over to my husband who upon finishing agreed that it was a shame that the author did not have a large list of books for us to dive into.

Someone who reviewed this said it was not an accurate representation of ancient China. It truly is no more accurate in describing ancient China than modern fantasy novels describing medieval life or the Dark Ages, but as you read it, you realize that's not what you're reading it for. The way it glosses over facts and grittiness makes it a stronger work.

My Soul to Keep grabs you and moves with descriptive style as if you are one of the characters. There are several stories within the story that end up intertwined later. The Jazz musician, the slave , the Ethiopian, the professor, the perfect husband and the immortal all of these characters were David also known as Dawit.There are bumps and bruises along the way with murders to cover up his "immortality", David was loved and was "Mr. Perfect" where did it all go wrong? When he fell in love and wanted to give the gift of life to his wife and child? Or when his wife stumbled on the mysterious death of his daughter Rosalie?

There were hints from "Grandpa" who's always eating a Whopper. When looking back on it I think the author used Grandpa to soften the anticipated, almost expected, blow of Kira's death. This was definitely painful to witness. I was frustrated with the speed of the unfolding. I wanted more time with Kira and to offer advice to the characters on how they could save her. Almost yelling at the book! I lost track of time reading the final chapters and couldn't put it down until I was finished.

The story leaves you hanging with several lose ends. What is Jessica doing sharing the living blood with terminal children in Africa? Was she in mourning over Kira and wanted to help as many kids as she could? Why was she so short with David when he came to visit? Will she go after him soon? I think she will. The new child seems even more powerful and superior then his immortal parents. Knowing that there is a sequel is comforting. B/c there are several more stories to be told.....

Overall it's a very good book. I would put it in the top 10 for sure. I can't wait to start the sequel.

Due is an amazing author and I can't wait to see the film adaptation of this book.

Filled with deep spiritual questions, these Tananrive Due horror novels (The Between, My Soul to Keep, and Living Blood) make my blood run cold and give me real goose bumps. It takes alot to make that happen.

I am an avid African American fiction & non-fiction reader. However, I never could get into sci-fi-type novels. My Soul to Keep changed my mind forever. I was hooked before the end of the first chapter, and read it in one night. I wanted more...and got it later. During that first read, I experienced so many different emotions: happiness, fear, anxiety, etc. That's a rare thing for me.

I think the problem with the other books that others would compare M S to K to was that the basis of the stories were unbelievable to me. Tananarive Due did an excellent job of making the story believable (at least to me) and taking me on a journey that had me addicted. I cannot wait for the third installment to come out in June!

I had heard of this author before and had browsed a few of her books via Amazon. My oh my.. I'm almost at the end and I have loved this book from the beginning.. I can't put it down. The suspense, the drama and love it keeps you on edge. I would recommend reading this and may check out another one of her books.. Good Job!

There are two duds in this book, the one about a college in the dessert, that I'm not sure even exists, but whatever, and the one about museums. But after that I think it's an intersting twist on what 'essays' mean. okay

Let me preface this by saying I was a classmate of John's at the Iowa Writers' Workshop in the mid-90's. I remember discussing several of the essays included in this collection, and being incredibly impressed with both the work and the author. The time, imagination, detail, obsession, intelligence, honesty and humble nature of both the essays and the essayist should at the very least inspire a more attentive read than several of the other negative reviewers chose to give.

It's time to give the Iowa Workshop a break. Just let it go. I mean, really, whether it's jealousy, or a rejected application, or just some strange anti-MFA vendetta, there seems to be a pervasive, generic attack on all who spent time at the school. People, it's just a school, good or bad. It's not some factory that automatically frankensteins each poetry student into some Jorie Graham/Michael Palmer avant-guardian. We actually have our own minds, styles, and ideas, and some of us even hold onto them well after we graduate. Imagine that.

I can assure you, there are few labels that would accurately portray all Iowa workshop students across the board, especially in the poetry program. You have no idea what it was like there unless you were there, and it varies from year to year. I would be uncomfortable judging people who've just graduated the program on the same standards, attitudes and practices I found during my '95-'97 term.

I'm not saying you have to like it, but review the work itself as it is given to you, not the Workshop or the writer's personal life. Why do people have to dismiss or attack writers and their works simply because they come out of a specific school, or because they are popular, or because the author has some success at an early age? Good writing has come out of Iowa, bad writing has come out of Iowa, just like every other MFA program, publishing house, school of thought, or geographical area.

This is an incredible work. Truly dazzling.

And to the reviewer who slams John for "plagiarizing" Dave Eggers, I can tell you that John had already written several of these essays, and published at least one of them in a journal (the Martha Graham piece)years before "A Heartbreaking Work..." was even published.

John is an exceptionally gifted writer and person, but even with all of his talent and imagination, I don't think he has the ability to steal work that didn't even exist at the time. To that reviewer, do your homework before you use serious words like "plagiarism" - John has clearly done his.

It seems pretty clear that the world has gone insane, since this is in fact the WORST book ever written in nonfiction, instead of what the insane reviews on here are calling the best. So from now on, every good review that this book gets I am going to counter with a negative one. It seems only fair for a book that is not only unreadable but that has copied better efforts by better writers, which has been camoflaged with lots of "experimental" techniques that are neither experimental nor very technically able. John D'Agata is overrated, untalented, and the least informed writer of his generation. These aren't essays, but just masterbatory effects.

Let me give you the scoop on John D'Agata. I am a student of the Writer's Workshop at the University of Iowa. Before I came I made a point to read everyone's books. I haven't had John D'Agata as a teacher and haven't even seen him yet because he's a freak and a hermit. But this is what I think about his "brilliant" book. Halls of Fame is D'Agata's first book, and you can tell it is. Now that the love fest with him seems to be over, I hope people will be willing to think about this book intelligently. It is a waste of paper. And definitely a waste of money. His "essays" ,if that's what you want to call them, are just hodge podges of bits of information and "observations" that are about as profound as a bowell movement. Just because a guy uses some "experimental" styles while writing in a conventinoal form doesn't make him a "breakthrough!" Get with it people. This is not a good book.

Now that the hype is over, please can we finally agree that John D'Agata is 100% the worst writer this country has ever produced!

I absolutely love Johanna Lindsey and all of the Malory stories. I just reread this one and still love it. The writing is so smooth I just sail through these books and find myself in love with all of the characters. I recommend virtually all of Johanna Lindsey's books to any historical lover.

This is my favorite of the Malory Series. Johanna Lindsey creates romance between the handsome Englishman James Malory and the beautiful American Georgina Anderson. Not only is James Malory a "gentleman pirate" but he is also a "connoiseur of women." Georgina has no intention of falling for the reprehensible rake, but she can't resist his bold, sultry advances. The plot takes the reader to England, the Caribbean and the New England shores. It is full of interesting characters, witty banter and steamy scenes.

This was my absolute favorite Malory book (so far, as I have yet to read Derek's and Jason's stories). James and George have amazing chemistry, and they are so cute together - i love the boat the best obviously, but it really is a great story. Gets slightly frustrating in the end, but overall it's fabulous!

I've read a number of books by J. Lindsey and my two favorites are this book and "A Loving Scoundrel." Both of them have a girl dressed as and pretending to be a boy. I loved the characters. Good plot. Good writing. Great fun

CAUTION SPOILERS: Georgina was dressed as a boy and thought the captain (James) believed she was a boy. James knew she was really a girl but pretended he didn't know. It was great fun to watch James try to seduce the "boy". It didn't work the way James had planned because Georgina was so ignorant of sex that she thought she was nauseous rather than turned on. I loved the end where James purposely embarassed her publicly so her brothers would force the marriage.

Sexual language: mild. Number of sex scenes: five. Setting: 1818 London, the high seas and America. Copyright: 1990. Genre: regency romance.

To date, I have read thirteen books by Johanna Lindsey, as follows. All my reviews were posted on Amazon between 6/3/08 and 6/14/08, except as noted.
Malory Family Series:
5 stars. Gentle Rogue Copyright: 1990.
5 stars. A Loving Scoundrel Copyright: 2004.
4.5 stars. The Magic of You Copyright: 1993.
4.5 stars. Say You Love Me Copyright: 1996.
3 stars. Love Only Once Copyright: 1985.
3 stars. Tender Rebel Copyright: 1988.
3 stars. No Choice But Seduction Copyright: 2008. My review posted 6/21/08.
2 stars. The Present copyright: 1998.
2 stars. Captive of My Desires copyright: 2006.

Sherring Cross Series:
4.5 stars. Man of My Dreams Copyright: 1993.
3 stars. Love Me Forever Copyright: 1995.
(not read) The Pursuit

Other novels:
2 stars. The Devil Who Tamed Her Copyright: 2007.
1 star. Prisoner of My Desire Copyright: 1991.

I first read this probably a decade ago (Johanna Lindsey was one of the first authors who got me into historical romance), and decided to give it another whirl recently, wondering if it would hold up as well now. I think I actually like it better this time around -- perhaps I've read a lot more bad romance novels in the interim? -- and found it funny, engaging, and endearing.

James and Georgie are delightful together, and the way they're brought together, split apart, and come together again is well-done. The Big Misunderstanding works really well in the story (the super-melodramatic ones always annoy me for their ridiculousness), and Lindsey keeps the humor flowing throughout. I wouldn't say Gentle Rogue is my favorite romance novel ever, but it's a thoroughly satisfying, comfortable read.