Richard Ford Books

Excellent and true story about a family dealing with their beloved daughter and a major learning disabilty.

that all those schools turned Allegra down, her being from the prominent family she's from! Maybe the schools weren't really right for her, but I guess I assumed some would have done cartwheels (and made some adjustments) for the privilege of having a Ford in their school.

I purchased this book many times, it is one that I keep in my car. I use it to help teachers, friends and family members understand my children and others like them. It has helped me understand why I feel the frustration when my kids "don't get it" or need extra guidance in different situations or in the public school system. It is a book that I give to their teachers in hope that they will take the time to read it. As I read this book for the first time, I highlighted many sentences, example - page 17 - quote "She was so funny and effervescent and her behavior was so far frm being considered " a problem" that my mother gave up all attempts at discipline or even expressions of disapproval".... I can remember so many times my kids - acting out -- but in a way that was just "their way" they are so full of expressions and life.

most important - page 39 - There is more then enough heartace involved in coming to terms with the fact that your child is disabled. .... this is the truth, but with this book it helped me come to terms with it and I am trying to help others. Please take the time to read this book it will help you, empower you and your child. You are the voice for your child, you are their confidant. You need to read this book....another wonderful book is Legacy of the Blue Heron, Living with Learning Disabilities by Harry Sylvester.

This is a wonderful book for any parent, written in an honest, unvarnished manner. Very insightful..... with lessons on supporting, loving, and accepting one's child no matter that the child's reality differs from the parents' dream.

I have read many books out there, and this is the best one that I have found. This book is much better than Dana Buchman's book called "A Special Education" in which she constantly refers to her daughter's mild mental retardation as a "learning difference". In this book, the author is honest and tells it like it is.... she does not sugar coat it like Buchman's book. In Buckman's book, she talked too much about herself instead of her daughter. The only negative part of Anne Ford's book is that she constantly talked about the private schools refusing to let her child attend, but if she had picked a public school, it is the law that they would have to allow her child to attend. Most regular private schools would not have the resources that her child would require. For instance, speech therapist, occupation therapist, physical therapist are not necessarily found in private schools, but public schools would have these resources because they are required by law to teach all children. Anne Ford did note this in her book. Finally, here are some quotes from Anne Ford's book that might be helpful...

"a learning disability affects a person's ability to interpret what they see and hear or their ability to link information from different parts of the brain, because their brain is 'wired' a little differently. These differences can show up as specific difficulties with spoken and written language, with coordination, self-control, or with paying attention. People can have learning disabilities in reading, writing, math, and processing information."

"Most children with LD can read words, but comprehension may be another matter entirely."

"Children with LD can and do succeed in school."

"Adults with LD can and do succeed in the workplace."

"LD can be treated successfully, and children with LD can go on to live happy, normal lives."

In conclusion, I highly recommend this book to all parents who have special needs children, and the teachers who teaches them.

In his year-end column for World War II Magazine, book review editor Robert Citino selected American Warriors as one of the best World War II books of the year. I agree. History books should be informative, accurate and readable; American Warriors is all of these and more. The author brings to light the military careers of five of our recent presidents, highlighting their naval service in the Pacific. Extensively end-noted, American Warriors draws on interviews with more than 100 veterans who served with the presidents as well as on a comprehensive bibliography of primary sources. Folklore has no place in this well-researched book. Presidential scholars will find it a dependable resource; more casual readers will find it swift paced and enjoyable. I highly recommend American Warriors.

As we currently ponder our country's military involvements and the credentials of those who would be President, a.k.a. Commander in Chief, this is a timely book to digest.

American Warriors is a highly readable, yet detailed account of the naval service of five United States presidents. Before picking up this informative book, I knew that presidents Kennedy and Bush Sr. served in World War II. I certainly did not know that five presidents were naval officers in the Pacific.

I am particularly impressed with the author's interviews of well over 100 veterans who served with the presidents. American Warriors is a reflection of his diligent pursuit of the details that are often passed over by political biographers. Time and again he sorts out conflicting testimony with rational explanations of events seen through multiple eyes.

Many Americans are aware that President Kennedy was the skipper of PT 109, which was sunk by a Japanese destroyer. I would venture a guess that very few are aware that Kennedy skippered a second PT boat, or equally surprising, that Presidents Nixon and Ford each served in the Pacific longer than either Kennedy or Bush.

American Warriors sets the standard for reporting these five presidents' military service. Presidential biographers would do well to take note of this insightful book. Military history fans will be delighted.

American Warriors is a detailed, annotated account of five American Presidents who also happened to serve their country as soldiers in the Pacific theater during WWII. The author has thoroughly researched the naval careers of each of these men, and has skillfully annotated their records by interviewing the many veterans who served with them.

The thoroughness of the research in American Warriors does not affect its readability. The accounts range from Lyndon Johnson's reconnaissance mission for General MacArthur, to the rescue of George H. W. Bush after his near fatal glide-bombing attack in his VT-51 Avenger. The details describing John F. Kennedy's heroism and dedication to his crew after the ramming of his PT-109 provide an equally important "rest of the story." The particulars of Richard Nixon as a young ground aviation officer stationed in the Solomon Islands present an interesting contrast to the Machiavellian characteristics that he later exhibited. And the natural leadership qualities of Gerald Ford are clearly displayed during his duty under fire as officer-of-the-deck on the carrier Monterey. In summary, the exploits documented in American Warriors serve as fascinating prologues, that should enhance the reader's knowledge of the more well-known political personas later developed by these Commanders-in-Chief.

American Warriors is highly recommended for those interested in modern presidential history.

American Warriors chronicals the time spent by Presidents Kennedy, Johnson, Nixon, Ford, and Bush in the Pacific Theater during World War II. Most of us knew these five men from their times as President and their poltical careers prior to becoming President. Some of us knew about President Kennedy and the PT-109 story and the dangers he faced while serving his country in WWII; but few of us knew that the other Presidents served in the war and faced life-threatening situations that shaped their future views of the world prior to entering the political area.
All of these Presidents had to make decisions during their Presidency to send others to war. The book shows that these men knew war first-hand and were undoubtedly influenced in their future political careers by their dangerous wartime experiences. American Warriors provides information on these five Presidents that is not typically addressed in other biographies using interviews with veterans who were there to corroborate events during these Presidents' service in the Pacific Theater of WWII.

"Listening," "Learning to See" and "Finding a Voice," Eudora Welty entitled the three chapters of her autobiography "One Writer's Beginnings," the concluding entry in this collection, one of the two Library of America compilations dedicated to her work. And while these may be steps that most writers will undergo at some point, Welty's compact autobiography is notable both because it allows a rare glimpse into the celebrated writer's otherwise fiercely protected private life and it illustrates the roots from which sprang such extraordinary protagonists as "The Ponder Heart"'s Edna Earle and Daniel Ponder, Miss Eckhart and the Morgana families in "The Golden Apples" and, of course, the anti-heroes of her Pulitzer Prize winning novel "The Optimist's Daughter," Judge McKelva, his second wife Fay and (most importantly) his daughter Laurel.

A native and - with minimal exceptions - lifelong resident of Jackson, Mississippi, Welty received her first introduction to storytelling as a listener; and early on, learned to sharpen her ears not only to a story's contents but also to its narrator and its protagonists' individual nature: "[T]here [never was] a line read that I didn't hear," and "any room ... at any time of day, was there to read in, or to be read to," she notes in "One Writer's Beginnings," adding that the discovery that all those stories had been written by someone, not come into existence of their own, not only surprised but also severely disappointed her. Equally importantly, family visits to relatives brought out the born observer in her; each trip providing its own lessons and revelations, each a story onto itself - the seed from which later grew the literary creations collected in this compilation and its companion volume. At the same time, her father's interest in technology introduced her to photography as a means of capturing visual impressions, one moment at a time; and when traveling around Mississippi as an agent for a state agency (her first job) she learned to use that camera as "a hand-held auxiliary of wanting-to-know" and discovered that "to be able to capture transience, by being ready to click the shutter at the crucial moment, was [then] the greatest need I had" ("One Writer's Beginnings:" Not surprisingly, her photography was published in several collections which have found much acclaim of their own.)

Thus, from early childhood on, Eudora Welty not only had a keen sense of the world around her but also, of words as such: of their existence as much as the interrelation between their sound, physical appearance and the things they stand for. Encouraged by her mother, a teacher, and over her father's worries (he considered fiction writing an occupation of dubitable financial promise and, worse, inferior to fact because it was "not true") Welty embarked on a writer's path which would lead her to award-winning heights and to a reputation as one of the South's finest writers, with as abounding as obvious comparisons to fellow Mississippian William Faulkner in particular; a literary debt she acknowledged when she wrote that "his work, though it can't increase in itself, increases us" and "[w]hat is written in the South from now on is going to be taken into account by Faulkner's work" ("Must the Novelist Crusade?", 1965). The Library of America dedicated two volumes to her work; one containing her novels, the other - this one - her short stories, essays (some, like her autobiography, based on a series of lectures) and her autobiography.

An approach that Welty developed early on was to consider the publication of her stories in periodicals merely a step towards each story's final shape, and she generally revised her stories before including them in collections. This compilation brings together all her short stories in the versions intended to be final by Welty herself: the 1941 edition of "A Curtain of Green and Other Stories" (her first short story collection), the 1943 edition of "The Wide Net and Other Stories" and the 1949 edition of "The Golden Apples" - each collection suffered substantial editorial revisions in subsequent publications. Included are also two stand-alone short stories ("Where is This Voice Coming From?" and "The Demonstrators"), the first one inspired by the 1963 murder of Mississippi NAACP leader Medgar Evers and revised by Welty over the telephone after having been accepted by "The New Yorker," to avoid a potentially prejudicial effect of its original ending on the then-impending trial.

A keen observer, Welty was also a writer endowed with a sharp sense of humor and satire, and with the gift to brilliantly use location, localisms, accents, patterns of speech and customs to make a point. Not a single word is wasted: "Marrying must have been some of his showing off - like man never married at all till *he* flung in," we're told about King MacLain in the opening story of "The Golden Apples," "Shower of Gold." And you don't have to learn anything more about the man, do you? Equally as instructive on Welty's writing are the eight essays included in this collection, all taken from the 1978 compilation "The Eye of the Story" and dealing with particular aspects of her own fiction as much as, more generally, with "Place in Fiction" (1954) and the fiction writer's role ("Writing and Analyzing a Story," originally published in 1955 under the title "How I Write" and substantially revised for its inclusion in "The Eye of the Story" and "Must the Novelist Crusade?").

"There is no explanation outside fiction for what its writer is learning to do," Eudora Welty maintained in "Writing and Analyzing a Story;" explaining that each story references only the writer's vision at the moment of the creation of that story, and the creative process itself: nothing that can be "mapped and plotted" but a product taking shape in the process of creation itself, giving each story a unique identity of its own. And while her fiction, alas, can no longer grow any more than Faulkner's, she has left us enough of those unique creations to cherish for a long time to come.

At the time of her death, Eudora Welty was widely regarded as America's single greatest living author. Although she produced several critically acclaimed novels, including the Pulitzer Prize-winning THE OPTIMIST'S DAUGHTER, Welty achieved her greatest fame through mastery of that most difficult of all literary forms, the short story.

Welty's skill with short stories is amazing, for she possessed a talent that combined a remarkable ear for the spoken word, meticulous observation of physical world, and the truly mysterious ability to slip almost effortlessly into the very marrow of the characters she depicts. Her comic stories are perhaps best known to the public in general, but she is equally at home with provocative and unsettling material, and although her tales are most often firmly rooted in America's deep south they have a sense of humanity that transcends the limitations of purely regional literature.

In addition to stories previously collected under the titles A CURTAIN OF GREEN, THE WIDE NET, THE GOLDEN APPLES, and THE BRIDE OF THE INNISFALLEN, this Library of America publication also includes the independently published stories "Where Is the Voice Coming From?" and "The Demonstrators," nine selected essays, and Welty's memoir ONE WRITER'S BEGINNINGS. A chronology of Welty's life up to 1996, textual notes, and general notes (including Katherine Anne Porter's introduction for A CURTAIN OF GREEN) are also included. This book (and its Library of America) companion, EUDORA WELTY: COMPLETE NOVELS) are essentials for any one who admires Welty's work and wishes to possess it in handy, collected form; those who have had limited exposure to Welty's work, however, might be better served by smaller collections.

Each new volume from The Library of America, the non-profit publisher that has become the de facto literary hall of fame, is a cause for celebration. Its goal of preserving in an enduring format the best fiction and non-fiction is a significant bulwark against the encroaching tides of cultural relativism that attempts to render any value judgments meaningless, as well as a consumer society that insists that if it ain't new, it ain't good.

In the case of Eudora Welty, we're given two volumes: a collection of five novels ("The Robber Bridegroom," "Delta Wedding," "The Ponder Heart," "Losing Battles" and the Pulitzer-winning "The Optimist's Daughter"), and another of her essays, her memoir "One Writer's Beginnings" and her short stories. From her first published short stories, "Lily Daw and the Three Ladies" in 1937, to her last novel in 1972, Welty captures with her highly readable style and sharp eye and ear the varieties and eccentricities of Southern life.

But while the South claims Welty as one of its own, she may not necessarily return the favor. Teh cause is both geographic and a matter of choice. Although she was born in Jackson, Miss., in 1909 and lived there all her life, her father was from Ohio and her mother from West Virginia, a state created by the Civil War that went for the Union. This isn't Margaret Mitchell we're talking about here.

Then, in her essay "Place in Fiction," she stresses that while it is important for a writer to capture the feeling of an area, it is not the paramount goal in fiction:

"It is through place that we put out roots ... but where those roots reach toward ... is the deep and running vein, eternal and consistent and everywhere purely itself, that feeds and is fed by the human understanding."

But what pedigree does not provide, her environment probably did, for her work contains those elements poularly associated with Southern fiction. "Delta Wedding" celebrates the Southern family through the sprawling Fairchild clan and its passel of sons, daughters, cousins, aunts, great-aunts, nieces and nephews, all involved in each others' lives to a degree rarely seen today.

Many of her stories revolve around characters marginalized by society, struggling to exist and reach out to others: the simple Lily Daw who tries to evade the determination of the town's ladies to either marry her off or send her to the asylum; the generous, slightly retarded Daniel Ponder who would give away everything he has at the drop of a hat; the demented Clytie in "A Curtain of Green," who rushes about looking in people's faces until, seeing her reflection in a barrel of rainwater, dives in and drowns.

Eudora Welty was a sharp, perceptive writer, and her enshrinement by the Library of America is most welcome.

If you have ever wondered what really goes on at the White House, this is the book to buy. David Kennerly had more access to the inner workings of the White House than any other photographer, before or since. These photos certainly prove it. For any student of history, or photography, this is one book to have on your shelf. As a working photojournalist for 35 years, I have had the pleasure of working beside Kennerly and can say that besides being a great photographer, he is one of the gentlemen of the business, an old-school hero to many an up and coming photographer. Don't miss out on this book.

David Hume-Kennerly is one of the most gifted photojournalists of our generation. He was chosen by Gerald Ford to be the "eyes of the nation on the presidency" after the insanity of paranoia that was Nixon's Whitehouse. This resulted in David becoming a "member" of the Ford family and thus having total access to the reality of The Pardon, The End of The War, and everything else that happened in those short Ford years. (As a fellow Shooter, his was the only job that I was INSANELY jealous of because he was the permanent `fly on the wall'!)

This book shares with us those times and shows us how lucky this country was to have had this strong and honest man at the top when we needed those qualities the most.

I truly hope that DHK is awarded another Pulitzer for this work.

Marshall Darling on The Cape

Aside from the stunning photography which I'll get to, this important book gave me new insights into a mostly overlooked Presidency. Kennerly documented the Ford Presidency and shows us the actual moments that some of the most significant decisions in American history were made- the Nixon pardon and leaving Vietnam to name two- thus revealing Ford as a true leader and rare politician willing to act on his beliefs regardless of consequences. (I say this as a lifelong Democrat!) As you go through the book, the range of images and perfect moments add up to a master class of great photojournalism, timeless, classic and relevant. The access he gained to intimate family moments, such as Betty Ford recovering from breast surgery, is astounding and says much about Kennerly's sensitivity and the trust he gained. It feels very emotional, intimate and world's away from our current super-posed, photo-op political culture. What is truly amazing is how easy he makes the photography look. Almost every image here is archetypal, profoundly primal, and about the subjects, not the photographer. The beauty of his work is the Zen of it; the essence of the story and person is revealed in the most graceful way. "Extraordinary Circumstances" fills an important gap in American history from a rare talent given a ringside seat, an incredible achievement.

For anyone interested in garter snakes, this book is the Holy Grail. Its chapters summarize a tremendous amount of work done on the genus, and make this book the one reference to consult first when doing any research on garters. It covers all thirty species, including many from Mexico and Central America for which data is limited and that I had never heard of before. I'm very pleased with it, and refer to it often.

But bear in mind that this a scientific monograph. As monographs go it is surprisingly accessible, but it does not pull any scholarly punches, and some parts of it will be beyond some readers, particularly children. The species key, for example, refers to measurements that no amateur or casual observer would be able to make, but it does so in order to be correct rather than easy.

That garter snake researchers need to own a copy of it goes without saying; amateurs with a serious interest in garters ought to buy it as well.

This wonderful compendium of gartersnake information is a treasure for lovers of Thamnophis. The color plates are wonderful, and the biological information is fascinating. Who would have guessed that some garters actually brumate (hibernate) in water? A great gift for any gartersnake keeper.

There is far too much information in this book to be summarized in a review. Suffice it to say that the book is fascinating: the writing is clear, the conclusions sound, and the research extensive. For most other varieties of snake--other colubrids, boidae, vipers, even elapids--there is no shortage of books, and books covering even individual species are plentiful (think how many books are devoted exclusively to Boa constrictor ssp., for example). And while most of these books are worth reading once, the majority say little that all the others don't say, too. Garter snakes, however, seldom rate more than a paragraph or two in any snake book, and there are very few books devoted exclusively to garters (I can think of only one, offhand). This book, however, gives garters the attention--and gives the reader the information--that the species deserves. If one is a ratsnake enthusiast, or a python person, or mad about milksnakes, there are plenty of books worth reading, but few that are indispensable. If one is a breeder, researcher, or simply an interested layperson regarding garter snakes, however, this book is one that simply cannot be done without.

Such a crucial, scary time..."on their own." You wonder if it can ever happen successfully. Very knowledgeable, ungarnished yet helpful and hopeful.

This is the book every parent of an adult child with LD should read, especially in those times when you feel so hopeless and that no one truly knows what you are going through. As the parent of an adult son with learning disabilities I can honestly say that On Their Own has changed the way I think about my son and his future. Most of all it has given me hope that he has a future at all! The book helped us see the whole person with all their strengths and weaknesses. Nothing is sugar-coated here, and parents of adults with LD will find many points where'll they'll nod in agreement and realize that yes, after all someone truly does understand what we are going through. I absolutely loved Anne Ford's previous book Laughing Allegra. In that book, I felt she spoke to me personally as we followed her step by step while raising a child with LD. On Their Own continues the story, but it is a much more hands-on approach and with a great deal of practical information. Even so, I found it as readable as Laughing Allegra, with many insights and anecdotes that separate it from so many other dry academic books in this field. Parents of adult children with any disability will benefit greatly from On Their Own

I was worried that I would be bored by all the language specific jargon so commonly used by professionals in books like these, but the insight and personal account of dealing with learning disabled adults kept me totally engrossed for the entire book. I wish more books about dealing with disabilities were written with such a human voice.

Richard Ford is my favorite writer of fiction today. Whatever else you can say about his books and stories, he tries to be honest about life, observant, gentle, respectful, and is able to show the hard realities of life, and doesn't dote too much on the sweet, the easy, or the sentimental. His books tend to be more like memories of life lived by a friend, rather than stories. He never attempts to be catchy, self aggrandizing, or entertaining, apart from telling the truths he can find in stories and novels.

I have read everything here including his great memoir of his mom. It is tempting to buy this book again just because I like it so much. I really loved Ford's Rock Springs so much that I have two copies so I don't have to take the autographed copy out of the house.

This book is an excellent introduction to Ford. Of course once you read him, you are going to need to buy everything else he has ever written. I recommend first reading Rock Springs, one of the great collections of short fiction in the English language, and Wildlife, a novella that Ford tolm me was really the culmination of what Rock Springs talked about. After that read The Sports Writer and Independence Day, two great novels about the same character.

I have been reading Ford seriously since 1985, especially in the late 1980s and early 1990s when I was writing fiction. One thing that hits me is how rereadable he is. Even as I type these worls, I am thinking of when I can get home, pull down one of my copies of Rock Springs and pack it for the trip I am going on this weekend, if I can wait that long to read it!

I've never even heard of this guy. I was at the bookstore and I started reading this edition for no reason. Immediately, he became one of my top five favorite writers. Each story I completed, I was just that more amazed. Amazed with his work and the fact I had never heard of him. I feel it's very sensitive, down-to-earth work. He is an ace at describing the outer scene while also gouging out the the inside. And it is so gouged out, that you can't help but find pieces of your own despair and failings there. Maybe the stories will mirror some similar experiences in your life. I've read writers who could do this. It's hard to find those who can do it so well. This book has introduced me to a lesser-known writer (to me at least) who is greatly capable of this craft.

I admit, of all 12 Vintage Readers, this is the one I was most adamant about--for no other reason than I'd tried reading Ford a few years ago (Independence Day...didn't care for it at all). However, this collection is a mix of small masterpieces!

"The Womanizer" might possibly be the best novella/short story I've ever read. All the pieces contain a certain amount of nervous tension with the narrator/main character to the others in their lives. The Womanizer capitalizes on this tension best and I'm convinced now that Ford is a master at creating it. It's that kind of nervousness that we get when in awkward situations and aren't sure how to boldly handle it. Remarkable.

If any piece was dry, it would have to be the selection from Independence Day. For some reason, it just doesn't sit well with me. But, that segment was only 10 pages, so, no biggie.

Check this book out if, for no other reason, for The Womanizer. It's 70 pages--so makes up a good 1/3 of the book.

Remarkable!

The short stories are wonderfully written, and, because they are from the last fifty years, no archaic words or phrases get in the way of good story-telling. As most of these stories aren't included in the "typical" anthology (though many of the authors are), the reading experience is like spring rain, encouraging a fresh joy in the written word. The price is excellent, really inexpensive for an anthology.

A collection that clearly defines America's lasting contribution to the form. Richard Ford carefully canvasses the past fifty or so years of great, and often overlooked, writers. Missing, but not missed, are the staple short story writers like Hemingway, Faulkner, and Fitzgerald. But, the brilliance of this collection is that it traces the trajectory of what these pillars of the form initiated. From Baldwin's jazzy, layered "Sonny's Blues" to the raw and devestating "What They Carried" by Tim O'Brien this is a must have for writers and lovers of great writing.

everyone should read this book, if you ever plan to do the work on your own car. so the car dealers won,t rip you off!!

I fix my car often and have a few books about it, but none come close to the depth that Chiltons puts into their books. First I do have the Haynes repair guide, but it has very few pictures and does not explain in detail about how to remove some parts of your car. If you need to buy a repair manual for your car then buy Chiltons.

What an amazing woman! I thoroughly enjoyed reading about Jeanne Foster, and it brought back many memories of my early years in the "north country" before I retired and moved to Florida. The authors winter here in Venice, and they have given many interesting talks in the area about Foster and her famous friends, displaying diaries, actual letters to Foster from people like Ford Madox Ford and Ezra Pound, and drawings of her by William Butler Yeats's father. Recommended for lovers of biography and great stories.

This book is a great story of a truly "American" woman who was a friend to the world or at least to the world of artists,writers, and politicians. The biography has everything to keep a reader reading: beauty, poetry, intrigue, sex, passion mysticism, and sweetness. I wish I could have known this person called Jeanne Robert Foster.