Nick Earls Books
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The most fun I've had reading a book, this yearReview Date: 2005-06-29
Talking is GoodReview Date: 2003-03-07
The main character in Perfect Skin does an awful lot of talking which biases me towards both liking him and liking the book.
Another reason why I like the book: I like books that are about people and relationships, that don't necessarily need big events to drive the story. Perfect Skin is a page-turner because you want to know what happens to the characters. It's about how we live our daily lives, how we relate to each other, and how we reach out to people.
A lot seems to be made about the humour in this book - and it's true, it's very very funny and enjoyable because of it - but perhaps it works all the better because of what lies underneath - weighty gusts of loss and hurt, recovery and survival.
I found it affecting and beautiful: a perfect little gem of a book that let me under the skin of some characters I was glad to meet and get to know.
I laughed, I criedReview Date: 2002-03-13
Mildly entertainingReview Date: 2001-10-27
The topic of this venture into pop publishing is single parenting - more specifically, single fatherhood. Jon seems to have his life all under control: there's him, the Bean (6 months old), his gaggle of similarly single friends and his dermatology practice. As we begin to delve deeper into Jon's life, the strands come apart to reveal some unexpected truths about putting a life back together. Along the way, there's a semi-deranged cat woman with eighties hair, an unfortunate incident in the bathroom involving her cat, several sleep-deprived nights with baby Bean and an interesting new female acquaintance...
"Perfect Skin" kept me entertained for a few hours without really leaving a permanent impression. It stands out somewhat from other novels of the same type for the reasons above, but ultimately doesn't amount to much more than that. The style is easy, the characters are amusing, the plot isn't too saccharine. A good 'girly' book to read in the bath with a block of chocolate and a glass of something nice; or buy it as a present for that friend you always buy the latest yuppie book for.
6 stars out of 10
Refreshing change of paceReview Date: 2002-03-22
Jon, a single dad and doctor, is attempting to go back into the world after his wife's death in childbirth and what ensues is a series of misfortunate and hilarious accidents. (I have to say that Nick Earls sure knows his cats! I am almost tempted to ask him if my cat was the basis of Flag, the cat hero in this book!) Anyhow, one day he was just dad to Lily and a dermatologist in a busy practice then the next day, he's juggling between two women. Katie is the woman trapped in the 80s with the 80s hairdo that Jon and his office mates secretly joke about. Ash is the jogging partner that makes his mind go around in circles. Jon is left juggling his feelings for Ash while trying to let Katie down gently. That is where Flagg comes in. Flagg decides that he likes Jon ~~ and Jon seems to be extremely clumsy where the cat is concerned. (My husband laughed and laughed over choice parts of the book.)
I really can't go into too much details about this book because if I do, I will ruin it for the next person to read this review. All I can say is buy this book and see for yourself. Earls writes with humor and grace about a single dad slowly feeling his way back into the world after his wife's death. He also writes with feeling about Jon's coming to grips with his wife's death and becoming a father. Jon may be bewildered and confused at times, but what father wouldn't be? And it is just one of the best short reads I've read this year.
If Earls has more books out in the States, I'll be sure to pick them up. He is a talent to watch out for.
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After summerReview Date: 2006-07-25
The most beautiful book I've read about love.Review Date: 2006-03-03
a good love storyReview Date: 2006-03-28
A Summer of WaitingReview Date: 2006-03-13
"The girl" is who Alex meets during his summer of waiting and she is the one who makes the waiting bearable. Alex first sees her during his everyday routine of getting up, going to the beach, and buying a newspaper. He happens to catch a glimpse of her further down the beach, and from the first glance, he is interested in her. Luckily for Alex, who usually doesn't have much luck in this area, he is able to strike up a conversation with her which leads to breakfast and eventually, a relationship. Alex is drawn to the ease of her life, and the laid back attitude that goes with her family. Soon, Alex finds himself not being so preoccupied with his university results and has a decision to make concerning "the girl". Nick Earls pulls this plot together neatly with his humorous and unique style of writing.
As one reads the book, it is very easy to hear Alex's voice through Earls' easy-going tone and his use of language. Another reason this book is such an enjoyable and easy read is that there aren't any hidden meanings or themes that the reader has to think about during the reading. It is the simple story of a young boy who is about to start his adult life in university and his discovery of love in relationships. The reader can easily connect with Alex and can feel his emotions jumping off the pages. After Summer is a great choice for teenagers more so than adults due to the humor and experiences. Nick Earls does an excellent job of portraying teenage emotions and experiences through Alex Delaney and his summer of waiting.

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Stephen Jeffreys The LibertineReview Date: 2007-09-28
Excellent treatment of Rochester's paradoxesReview Date: 2006-09-03
Its interesting to note that Jeffreys' THE LIBERTINE was originally written to be performed as a companion piece with the most famous libertine play of the Restoration, Etherege's MAN OF MODE. Most scholars agree that the lead character of Etherege's play, Dorimant, was based on a kind of idealised version of his friend Rochester. Some critics would say that Etherege crafted a portrait of his notorious friend but a portrait that Restoration audiences could admire for Dorimant like Rochester is a cool patrician libertine but unlike Rochester Etherege's Dorimant never makes a move designed to upset or lampoon the social world that he inhabits but is always an affable charmer/companion with friends and ladies (his treatment of Mrs. Loveit excepted), and his winning ways make him the toast of the town and the most sought after lover and socialite in all of London. You could say that Jeffreys' portrait of Rochester in THE LIBERTINE is designed to counter Etherege's too flattering portrait with a more gritty and more realistic portrait of his own. This is especially interesting as Rochester himself was always interested in offering a more realistic or more natural version of life than any of his literary companions and competitors were offering. Etherege's portrait is complex though and it does show Dorimant/Rochester as a consummate social performer who is capable of always knowing just what to say to each social player (and this can be viewed as a criticism not a compliment). Jeffreys wants us to see the other side of Rochester, the side that is only implied in Etherege's portrait. Taking his cues from Rochester's own poetrry Jeffreys fashions a much more complex and paradoxical creature. Jeffreys' "Rochester" talks as if he did not really want to be liked or admired. He talks as if he preferred "reality" to "art" and yet his actions seem to contradict what he says as he always seems to want to escape "reality" and seek refuge in "art". For instance Jeffreys' "Rochester" is disgusted at the artificiality of Restoration social norms and forms and yet he seems only to be interested in life as it is enhanced by or refracted through the theatre and through poetry. Rochester, according to Jeffreys, is a self-professed cynic who claims that he has ceased to believe in life and who wants from the theatre a convincing illusion that can provide him with the emotions that life alone can no longer provide. And yet his Rochester also seems to genuinely fall in love with the actress that he is training to provide him with those artificially contrived emotions (arguably what he falls in love with is the genuine being who like himself feels the need to express herself through artificial forms). Jeffreys seems to be offering us a portrait of a man who either does not know himself as well as he thinks; or a man who knows himself very well and knows that he needs a very complex cocktail of life/art to satisfy his very sophisticated urges/desires/appetites for a very sophisticated kind of life/art.
The one theme that seems to be consistent throughout the plays about Rochester and the various versions of the life is that Rochester sought release through excess. (Jeffrey's at one point has Rochester say "I only know that I am alive when I have gone too far"). As Graham Greene noted in his famous biography of Rochester, LORD ROCHESTER'S MONKEY, "excess" for Rochester (whether excessive love or hate) was a way of escaping the forms and norms of society. And yet, paradoxically, in the London of the 1670's "excess" as well as "cynicism" was in fashion (and for that matter so too the lampoon and the satire were fashionable as was the "malice" required to practice such literary modes) . Thus Rochester even in despising the age in which he lived still seems to be its most representative member.
Many Rochester scholars like James William Johnson (whose A PROFANE WIT is perhaps the most comprehensive Rochester bio available) claim that what Rochester was trying to escape from was himself (many scholars offer some version of the claim that Rochester did not believe man had anything like a transcendent identity and that, like the monkey, he was really nothing but an actor capable only of offering a series of social performances to please one audience or another). Jeffreys, as many scholars before him have done, interprets Rochester's religious conversion as just one more social performance that is no more "real" than any of the ones that preceded it. This is what some of Rochester's own friends thought when they heard of the deathbed conversion. Some scholars claim that Rochester's poetry was always full of religious imagery and that the apparent unbelief of the satirist is just a negative route toward belief and affirmation. One of the most interesting scholars claims that Rochester's conversion was indeed an act but an act that quieted his will and allowed him to actually occupy the present moment or the "now" that he had previous to the conversion only theorized about. In any event the Rochester that continues to capture the public imagination is the iconoclastic doubter and the contrarian who seems to be both attracted to and repulsed by his own libertine ways and the world that he not only belongs to but exemplifies.
Rochester's paradoxes and dichotomies are fascinating and will, I think, be of interest not only to scholars but to amateur literary men and women as well. Jeffreys' play does an excellent job at sorting through and arranging some of the paradoxes that scholars have struggled with for centuries and making them accessible to a popular audience. I would not say Jeffreys' version of the life is the definitive one but only because with a life like Rochester's there is no defintive account. The paradoxes and unresolvedness are what make the life and the work so interesting.
Highly recommended.
By the way the film version of THE LIBERTINE is only a loose adaptation of Jeffreys' play. The play is a kind of scholarly entertainment geared toward audiences with an advanced interest in & knowledge of Rochester and Restoration literature (though the play can be enjoyed on some level by those who are not yet Rochester/Restoration experts I would not suggest starting here if you are new to Rochester; I would start with a biography and then come back to this play). The film, on the other hand, is designed for those who might not yet be acquainted with either Rochester or the Restoration and thus it drops far fewer insider references resulting in a far less intricately nuanced portrait. The film is nonetheless an excellent and entertaining introduction and will lead the literary minded toward the biographies and other Rochester literature.
I really recommend both play and film (and biographies). I also recommend a PBS miniseries called THE LAST KING which is an excellent way of learning about the Restoration. Rochester only makes a couple of brief appearances in the miniseries but THE LAST KING is an excellent way of familiarizing yourself with restoration era politics and society. One of Rochester's complaints in Jeffreys' LIBERTINE is that the aristocrats had no real function in Restoration England and that their lives were useless and that what they all suffered was the realization of their own irrelevance and absurdity. The miniseries offers another take on just how Charles II's politics (the crisis of authority) effected the social reality and artistic production of the time.
Inspiring a MovieReview Date: 2005-08-26
Another book I recently enjoyed that is like a modern-equivalent of Wilmot is "The Loony," a story about a guy also sort of exiled, who is also a libertine, also afflicted with a penchant for perversity, and also destined for a bad end. It was interesting to read one after the other, as they shared so many interesting attributes. I look forward to the movie, and hope it bring Wilmot more readers.


Into the DoldrumsReview Date: 2008-02-19
I am not sure how anyone could trash a book in which the main character is lacerated by an orange cat named Greg, named after his Gran's doctor (who has flaming orange hair) during a flea bath, and then Richard gets Greg (the doctor) at the local clinic. Dr. Greg assumes it was a suicide attempt ... and so it goes with all the awkwardness one might expect in a society where people talk as openly as they do here. I can see how a person could give this book three stars if they lack a single ironic or sardonic bone in their body -- then it might be 'amusing but tedious' -- but only a fan of pulp fiction could deliver less. There is too much craft at work here for this book to be anything below three stars. As a bonus, there are lots of real Brisbane references that help give a feel for the city's western suburbs. A must for transplants.
Ah, Earls.Review Date: 2006-04-03
I found Zigzag Street to be written well, with the distinctive phraseology that is ridiculously contageous, to the point that the reader's thoughts begin to take the shape of the characters. In regard to the plot, the book moves rather slowly. I must make it clear that this is not a criticism. The story is a reflection of realistic human angst, and angst is arguably not an emotion that can be dealt with in a day. The slowness, and in fact insignificance of most events in the story are what makes it humorous and believable. Again, it comes back to the fact that you shouldn't be reading Earls if you need constant action or mystery to keep the pages turning.
The problem I had with this novel was not in it's general form, but rather with the ending. It felt too easy to be credible. After two hundred pages of torment over 'thrashing', all was resolved and a happy ending was reached. For me, Rachel did not live up to expectations. I anticipated a lot more from the woman who actively pursued a man that knocked her unconscious with a shoe in a shopping centre. After idolising her for so long, she became to real and faliable, and undermined the position of the neurotic, now not-so-one-of-a-kind Richard. This, more than anything else disappointed me.
Overall, the book was good. It was a characteristically Earls, but failed to maintain his high standard at the end.
Insipid StreetReview Date: 2005-05-19
Contemporary Comedy of Manners set in BrisbaneReview Date: 2005-10-17
It is written in first person present tense as we experience Derrington's life since Anna's departure. As consistent with the conventions of this genre Zigzag Street takes a light and humourous approach to contemporary themes. Derrington somehow struggles through his work and social life using a mixture of alcohol and timtams (chocolate biscuits). His search for a partner to complete his life is reminiscent of works such as Bridget Jone's Diary.
There are some eccentic minor characters who interact with Derrington such as neighbour Kevin, his friend Jeff and boss Hillary. They help to establish Derrington as a decent person who through alcohol and bad fortune seems to end up in some embarrassing and hilarious situations.
Where Zigzag Street differs from other contemporary of manners is the location. Being set in Brisbane means that references to cricket, Timtams and The Triffids will be lost on many readers. However this is a minor problem. It is an engaging, genuinely funny book that would be a great holiday read, or for anyone that needs a laugh.
meh!Review Date: 2003-08-20

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FUNNY!Review Date: 2004-06-26

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atmosphere plusReview Date: 2003-10-25
hes funny and creates an atmosphere which runs throughout his novels. rather than a story where soemthing has to happen non stop just to keep u interested, this book has the lulls and highs of life itself. its like seeing someone else's life, and how they deal with it.
admittedly seeing as this is his first book, it does ccentre a bit much upon mood and thoughts than events, but i happen to like this. his later books are even better.
a seriously aussie novel. the humour the people, the pastimes are all familiar to our country. its great.
Shoots for the stars but missesReview Date: 2003-07-23
Excellent YAF novel, dealing delicately with first loveReview Date: 1996-07-20

boringReview Date: 2007-11-30
Interesting BookReview Date: 2005-04-04
This book is awesome. Review Date: 2007-10-18
I loved it.
Amusing yet TediousReview Date: 2005-04-08
Dan chooses to live with his aunt, Jacq, and her friend Naomi. Jacq is a 22 year old who plays bass guitar in her band. Naomi is a beautiful university student who has a boyfriend named Jason. Everything goes crazy when Dan realizes that he has fallen in love with Naomi and spends all his time trying to memorize the shades of brown to classify birds scientifically and impress Naomi. As if everything isn't confusing enough for Dan, his best friend, Chris Burns, is obsessed with pornography. Throw in a dog named Boner, Dan's ability to analyze just about anything and a good deal of vomiting and you get 48 Shades of Brown.
The book is written in first person from Dan's perspective. Dan is a curious guy with a comical view on life. You'll find yourself laughing uncontrollably at some of Dan's thoughts and questions. But most of the time you'll feel like skipping a couple pages as Dan analyzes aspects of his life. His ability to examine everything from one sentence that Naomi said to his own habit of wearing socks for up to four pages could get incredibly boring. It even seems like a tedious chore after a while.
The book is written almost completely in stream of consciousness, even more so than Catcher in the Rye by JD Salinger. If you don't like stream of consciousness you should stay far away from this book.
48 Shades of Brown won the Children's Book of the Year: Older Readers Award from the Children's Book Council of Australia. As suggested by the award the book is targeted at an older audience. The book contains a lot of adult content (mainly sexual references) so people who are young or immature shouldn't read it.
So what will be your choice? Will you read this book and laugh along with (and sometimes at) Dan as he amusingly explores his new life? Or will you stay far far away from this tedious read? The choice is yours.
Nick Earls Is A GeniousReview Date: 2005-04-05

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Inaugural viewReview Date: 2007-05-26
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It's too bad I'm such a slow reader because yesterday was totally shot, thanks to this book. The story of Jon Marshall is gripping because Earls blends intelligence, realism and humor with madcap situations, dangling unanswered questions that the protagonist convincingly sidesteps as he tells his story in first person. Where, for example, is the mother of his child Lily? Well, another reviewer has answered that, but try to forget before you read this book.
Apart from a few angst-ridden reflections that dragged on a bit too long, this was one of the best books I've read all year. The dialogue was witty, its hero incredibly easy to love and relate to in spite of (or maybe because of) his many insecurities and imperfections, and every character was well-defined. I particularly loved the fact that Jon's friends were the kind you can call at 3:00 a.m., knowing they'll be there for you in an emergency--but don't let them get wind of the stupid thing you did last night or they'll never let you live it down. In other words, they were true to life. Highly recommended, particularly for those who enjoy contemporary fiction.