Film Books

i orderd this book hoping it was the "bible" on the subject of "sound effects"...it is a verry fact filled book....it just didnt tell me what i wanted/need to know...the info in this book on "recording,and foley,equipment.ex".. can easly be found in other books on the subject of recording & foley (book stores...internet) the "sound effcts bible" offerd nothing new to me ...what i am looking for are the facts on the buisiness side of sound effects(selling the sounds for a living!)...more on editting the sounds for movie/radio production (to be sold)...more on sound creation and sound design before/after recording/capturing the sounds....(sound effects fall into sound design also not just foley)..the quantity/quallity of info in this book are good/great...just not quite what i expect in a "bible" on a subject...the details on the subject of sound effects are far grater than what i found in this book...dont get me wrong this book has good info in it... a new-be will get great info from the "sound effcts bible"...i am just allready in posession of the knolage contained in this book...and did not realize it was going to stop short of the full facts on the subject that i need(sound effect libraries,cd libraries,royalty's)...a bitter sweet purchase for me...but if you need info from the start buy it it will teach you in "every day speak"....

This book has captured the true essence of how to make your projects come to life. If you want to know how to truly enhance your movie or video project this book is a MUST READ. 5 Stars and thanks for writing it.

Although I have worked as a studio engineer for recording music I never could have imagined the extreme differences when working on sound design and Foley recording. Making the switch over to sound effects was not as easy as I originally thought it would be, until I began catching up on my research starting off with this book. The Sound Effects Bible was clutch for me in the design field, providing me with a wealth of information and not over complicating the process. I highly recommend this book to anyone who is about to take the plunge into creating sound effects.

I know almost nothing about actually creating or recording sound effects... but after reading The Sound Effect Bible, I felt like I could grab a mic and do it. (Which is total self-delusion, but still-- I FELT like I did.) This is a terrific book for anyone about to produce their own film or go to work in a post department... a comprehensive, easy-to-read, accessible reference guide.

I'm in film school so I have to read a lot of books on the video and audio industry, but most of the time I skim through them searching for the most important parts. That was not the case with the Sound Effect Bible. I actually enjoyed reading this book and found it more informative than most of the other books assigned to me in school. My favorite thing about the Sound Effects Bible is the advice that the author, Ric Viers, has to offer about real life situations that might arise while recording and producing sound effects. I know that after reading this book I will be miles ahead of the rest of my classmates in my upcoming audio production classes.

Yup . . . there's a good reason for why this book has a perfect rating thus far (at the time I write this). It's just a very very good book. Well written, insightful, colourful, compelling. The parallels it draws between the Star Wars universe and mythology are wonderful.

I saw the exhibit in Washington, DC TWICE! It was so cool to see all the real space ships near this vision of another galaxy far, far away. The book is the perfect narrative to the exhibit and it is the ANSWER to not being able to get there if you live in another part of the world.

The images, text, and layout of this book take you on a journey like none before. A MUST HAVE BOOK to complete your collection of great STAR WARS merchandise.

I don't wish to repeat the words of others, but want to agree that it is an incredible book; that is not only fun to read as a Star Wars fan, but it is very informative and thought provoking. I truly learned a lot about mythology and its application in our world. Read it, and you will appreciate the genius of George Lucas.

If you love star wars, and would love to see it analyzed seriously, but without being to heavy and dry, this is perfect for you. It discusses the correlations between myth and Star Wars, influences from around the world, etc. Its facinating, and beautifully laid out.

This book attempts to explain Star Wars in the context of patterns found throughout the mythology and legends of various cultures. The success of the film, the book claims, is due in no small part to the fact that the film's story is a composite of all the things that make mythical stories endure as myths.

To my suprise, however, I found the book to be an excellent commentary on mythology itself - the book is almost as informative in pointing out elements that repeat themselves in mythical stories - the concept of the "hero's journey" - with Luke being our hero - mystical forests as a place of healing (Degobah), etc, as it is in relating these elements to the story of Star Wars.

This book was written to accompany an exhibit of the same name at the National Air & Space Museum in Washington DC, and I was fortunate enough to see the exhibit on tour in San Diego last year. While the exhibit itself was amazing, and filled with various props and spaceship models used in the film, this book is actually more informative than the exhibit and stands exceedingly well on its own.

I love the Star Wars films, though I am certainly no hard-core Star Wars buff. I feel that just about anyone who, like me, loves these films will get a lot of enjoyment from this book.

The book contains some details about mcQueen's life that only the writer knew , that give a hint about how mcQueen viewed life, danger, and speed.
but the photos are mainly advertising ones and not real life.
i would expect more on the life of mcqueen as a person and not only as an actor

A wonderful work of art that captures what made Steve so charismatic and appealing. It leaves you wishing you could see more from other periods in his life. This is a book I will treasure all my life. Thank you Amazon, I would have paid ten times as much for this book. God Rest His Soul.

According to his foreward to this book, the photographer William Claxton met Steve McQueen in 1962 when McQueen was starring with Natalie Woods in LOVE WITH THE PROPER STRANGER. The two men formed a friendship and apparently Mr. Claxton became Mr. McQueen's favorite and most requested photographer. This book of wonderful photographs, covering a couple of years in Mr. McQueen's life from 1962 to 1964, is a result of that brief friendship. Most of the pictures appear to be shot in available light and have a wonderful, informal spontaneity about them impossible to capture in formal portraiture. Both the photographer and subject are comnpletely without pretention.

Mr. Claxton caught Mr. McQueen smiling, clowning and pensive. There are photographs of McQueen in fast cars as well as on motorcycles. Many of the shots were done while Mr. McQueen was working on movies. There are also many pictures of him with family and friends. Most of the shots are in black and white with a few in color. Every time I look at them I find yet another photograph that I think is the best in the book. There is a haunting shot of McQueen with his young daughter where the child, sitting on the floor and resting on her arms, looks into Claxton's camera. We only see her father's legs and feet. (p. 79) Another great shot appears on page 73. McQueen is embracing the family cat. Finally, there's a shot of McQueen lying on a blanket in a large field. His profile is beautifully backlit. Both photographs selected for the front and back covers are fine, informal portraits as well.

This book made me remember how much I enjoyed Steve McQueen's movies and made me sad that he is no longer among us.

A great book, considering it is of a short period in Steve McQueen's life. This is him in his prime captured by a great photographer.

Very comprehensive. Show's a different side of the rough and tumble character known as Steve McQueen. Very entertaining.

Hands down the most interesting 'behind the scenes' book I have ever read. Despite my thinking I knew alot of the background to the controversial development of the Superman movies this book has so much new information I couldn't stop reading it and knocked it off in 3 days. The history on the Reeves's Serial and Reeve's Film series is incredibly detailed (The 'Dinner with Brando' story is a highlight) while including an interesting commentary on how the charater's portrayal by hollywood relates to the character created by Jerry Siegel and Joe Shuster. I had no idea the amount of grief they were put through by Warner so it is a very interesting read in terms of the ongoing legal battles between their respective estates and Warner.

The sections on Smallville and Superman Returns are unfortunately brief compared with the other parts of the book but that is a slight criticism on a book that was otherwise thoroughly engrossing. A very welcome addition to my superhero library.

This was a great book and a very quick read! It is also a very scary and eye-opening look into the world of Hollywood in general, not just with Superman. And it seems that anyone who's not a corporation who becomes associated with Superman projects historically gets screwed in some way. Sadly, it began with Superman's creators, Jerry Siegel and Joe Shuster, who unfortunately fought for their rights to the character until their deaths. (this was recently ruled in their favor, but sadly it went to their descendants so the two men didn't live to see their life long struggle victorious). Even the Fleischer Studios Superman cartoons of the 1940's came with their share of bad luck for Max Fleischer who was forced to hand over profits made. Then, when George Reeves died mysteriously after participating in 1950's show, The Adventures of Superman, the legend of "The Superman curse" spread. When Richard Donner created his memorable Superman movies ,they were already mired in conflict with the studios which is why they degraded in quality until Superman IV killed the franchise for 20 years. And for all those Superman Returns nay-sayers, there was a whole load of crap that could have been made during those years, so I have a new appreciation for that movie. Overall, a great book which also goes into Smallville (for those of you who still watch).

This was one of the most enjoyable books about a comic icon that I have ever read. I won't bore you with what I liked as others posting reviews have done so already and much more thoroughly than I ever could...If you are a Superman fan, read this book. I am sure you will find many things you did not know. It was very hard to put it down. Enjoy

I was expecting a picture laden history of the large scale Superman movies from the 70's and eighties when I first thought about buying this book and was a little put out by the fact there were not a lot of pictures in it. However, the information inside the covers of this book was eye opening indeed and didn't need pictures to illustrate the point.

If you're looking for all the juicy, digging up the dirt on celebrities trivia on what went on behind the scenes in any of the incarnations of Superman, this really isn't the place to look.

If you're looking for a well researched history on all the trials and tribulations involved in getting Superman off the pages of comic books and up into the sky via radio serials, TV live action series and cartoons or cinemas, this is the book for you.

The author has dug deep and gathered together a wide cross section of information that shows just how hard it is to get a idea past the post. From writers who have no idea how to write the Superman character to studio execs who are only interested in the after market merchandising and how to save a few million dollars by compromising the vision.

The fact that Superman actually got to fly is pretty amazing.

I was so engaged that I read the book in a day instead of stretching it out. Lots of interesting info. The backstage in-fighting was fascinating and so were the accounts of the evolution of various Superman TV shows and movies. Since the other reviewers have hit a lot of the high points, and at the time that I purchased the book, no table of contents was attached, here's a breakdown of the subjects covered.

The first couple of chapters cover Bud Collyer,Kirk Alyn, and George Reeves, as you might expect. The middle section deals largely with the Salkinds, Richard Donner, Richard Lester, and Christoper Reeve; the making of Superman I-III. There's an excursion by one chapter into the Salkinds' Supergirl movie and it's effect on the Superman franchise. There are also scattered references throughout the book to the Batman TV shows/movies and that franchise's effects on Superman. Spiderman and other superhero movie/shows are referenced, but Batman gets the most page time.

The Cannon Group and Superman IV are also discussed. Then we move onto the Superboy TV show and more on the Salkinds. The next bit covers Lois & Clark and there's a brief visit to Bruce Timm's animated version of Superman. Smallville is also dealt with. Most of the latter portion of the book is about with the scripts, producers, and actors contemplated for various possible versions of a new Superman movie before Superman Returns was decided upon. Bryan Singer and the making of Superman Returns are also discussed.

On the whole, this is a very intriguing look. I wish the author had been less cursory in the discussions of Smallville and had gone into more detail with the animated versions of Superman, but I would recommend this book to any Superman fan.

This is a great companion piece to the film. The screenplay differs slightly from what is spoken in the film, but this is what Favreau originally wrote and is why the movie came about. The introduction, rules, and glossary are all nice added features.

This book is so MONEY, and you don't even know it! Everyone should buy this book, whether your a dork, a nerd, heck, even a ROUNDER should buy this book. Not only is Jon Favreau the man, but he is also the greatest inspration in my life. "Swingers: A Screenplay and the Swinger Rules" teaches the average joe everything from getting the DIGITS to catching a BEAUTIFUL BABY for yourself. Without this book, life is just PUPPY DOGS AND ICE CREAM. This is the one step-self-help guide to getting the BEAUTIFUL BABIES, using your WINGMAN effectively, and learning how to feel the VIBE a PARTY GIRL could be sending you at a PARTY. Although some DIGITS come with BUISNESS CLASS PARTY GIRLS, BUSINESS CLASS always equals BUSINESS A$$. With Favreau's "Swingers: A Screenplay and the Swinger Rules," you will never, ever be SHAQED. I guarentee it. So after you go to AMAZON.COM, and buy the book, you'll be MONEY, and YOU WILL KNOW IT!

A great book! A must have for the die-hard fan. Vince's rules of dating and the enclosed glossary of terms are hilarious! John Favreau and Vince Vaughn are here to stay!

I was blown away when I saw the movie. I watched it three times right afterwards and I watch it almost 3x a week. The expression is magnificant and the way they actors portray the characters is unbelievable. Right away I fell in love w/ vince vaughn and after I read the book and I love him even more! Fantastic!

I remember when i first heard about swingers many years ago. I didnt even know what it was about, but something made me want to see it. When i did i was blown away. I have never seen a movie like this. I was so use to the big action packed movies and never realized there was a whole other field of films out there. Ever since i saw swingers i have been a huge fan. I was also very infactuated by the character Mikey. He has become a sort of a idle for me, or at least someone who i look up too. A while ago i saw this screenplay and bought it. I was even more suprised to see that Jon Favreau was the writer. Jon Favreau was also Mikey in the film. Jon has inspired me to change who i am, and i have. I am also very interested in the film industry and started writing screenplays myself, and i used the screenplay to swingers to start me out writing my own. I owe everything to Jon Favreau I used to be a adolescent punk, now i live in hollywood and have friends that can't be better. I am also trying to get into directing. I learned that maturity means your pleasure isn't worth someone elses pain. Might i say all my friends now are very mature. Thanks alot Jon if i ever get a big movie deal i'm looking you up. take care all. bye.

Woodstock was a part of our lives but we were not there. Instead we were home raising our small children. It was interesting to read Elliot Tiber's tale of what went on. Needless to say the news reports had no idea of the "behind the scenes" events at the local motel. When the movie comes out next summer, we'll all be there. A great part of it was filmed in our area and we know a number of the people who are in the movie, including our son who had a few of his older cars in it.
This is a definite read for those who remember the summer of Woodstock. You need to have an open mind though, and realize that it was the beginning of a different way of life.........what is now an open and accepable way of life. Entertaining and amusing!!!

Entertaining, fast moving story about being gay in the 60's, a background on how Woodstock came to be, and an excellent snapshot of the era. Based on a true story, this book shows indeed, that truth is stranger than fiction. The scenes range from bizarre to wildly hilarious. The author touches on the many issues and nuances of the time without getting weighed down by them. I found it a thoughtful rendition of Woodstock experience, from an entirely different perspective. An easy read, I read it in a day.

This book just takes me back to the Woodstock Days....I was 19 and never went as I had a 3 month old baby at the time..lived in Brooklyn..reading Elliot Tibbers book about the White Lake area brings back such funny memories as my parents used to take my brother and I to the bungalow colonies in Monicello NY and Woodridge area each summer.
I was just cracking up at his accurate discriptions of the area and reading this book reminded me so much of my own Jewish parents and paternal grandmother from Minsk, Russia.
Wonderful book!

Born Eliyahu Teichberg, poor Elli struggles to break what he calls the "Teichberg Curse" and changes his name to Elliot Tiber--hoping that would break the curse. Always on the brink of financial ruin and trying to hide his deepest secret, he dreams of the miracle that would change his life.

In 1969, he got that miracle. Manager of his Jewish parents' failing resort hotel El Monaco in White Lake, New York on the weekends, Elliot runs during the week to Greenwich Village where he can live the life he chooses as an interior designer and meeting the likes of Truman Capote, Tennessee Williams and Robert Mapplethorpe--all the while keeping his gay life a secret from his family. That is, until June 28, 1969, when he finds himself at the Stonewall Inn and the famous "Stonewall Riot" that would revolutionize the gay culture breaks out. With a newfound boldness, he finds out in July that the town of Wallkill has revoked the permit for the Woodstock festival. So he contacts Mike Lang, the concert's promoter, to offer his 15 acres for the concert. While Elliot hopes this is the miracle he has been waiting for, Mike Lang and his entourage arrive by helicopter but they end up feeling that the swampland of his resort hotel won't work for the concert. Tiber assures Lang and company that, since he has been the president of the Bethel Chamber of Commerce and has held a concert and art show for the past few years, he can get the necessary concert permit. Quickly, he calls his good friend Max Yasgur--who supports everything Elli does and only lives four miles up the road--and asks him to hold the concert. Elli explains to Mike that Max has a dairy farm on a hundred acres--more than enough to hold a concert. Arrangements are made and, before he knows it, Elli is caught up in the magic that will change his life forever. He is introduced to the hippie scene where everyone is accepted no matter who or what you are and learns he can love himself.

Whoa! Totally awesome and even far out and groovy! This book is absolutely amazing! This reviewer couldn't put it down--in fact, read it twice before writing this review. If you've ever dreamed of being at Woodstock or even if you were there, the author Elliot Tiber will take you back. The Sixties will come alive and you won't want the trip to end! But that is only part of the story, as Elliot takes you through the time of his troubled past and describes in perfect word pictures the struggles of his secret life, his childhood, the insanity of running the hotel resort, and dealing with bigoted locals who persecute him because of his Jewish heritage. In the end, you'll feel you know everyone and that you were there, too.

See Woodstock through the eyes of someone who lived it, who helped bring it to life - you'll never look at this period of history the same again. Don't pass this one by, as this autobiography guarantees to be one of the best reads of 2007 and is to be released just in time for the media's annual August remembrance of that great music festival. Also an awesome unique feature that this reviewer really likes is the reversible dust jacket--one side conservative, the other psychedelic. This feature, according to Square One's publisher Rudy Shur in Publishers Weekly, represents "The notion of duality [that] has been a central theme throughout Elliot's life, and we wanted the book to represent that notion of difference in a very direct and colorful way." So whichever trip you decide to take, this is one you'll never forget.

Cheri Clay
Reviewer's Bookwatch

The above would be an appropriate subtitle for this heartfelt but energetic and witty coming-of-age autobiography/memoir by Elliot Tiber, whose main claim to fame is that he fought the petty politics and narrow-mindedness of his small town of Bethel, NY, in order to make possible the Woodstock Festival in 1969.

The author (born Eliyahu Teichberg) grew up in the richly ethnic neighborhood of Bensonhurst, Brooklyn in an emotionally-starved but hardworking family with his Russian-Jewish immigrant parents. His father worked as a roofer, while his mother ran a housewares store in which they all helped out. Elliot finished college and began a moderately successful career in art design, primarily starting out dressing store windows and painting murals for rich Manhattanites. A trip to the Catskills resulted in the family buying a run-down motel right off Highway 17B at White Lake, in the town of Bethel NY, and Elliot found himself splitting his time, working weekdays in NYC and spending weekends doing whatever had to be done to keep the motel operational and barely financially afloat.

At the same time, Elliot came to the realization that he was gay, and - for whatever reason - favored the underground S&M flavored scene that existed in NYC in the mid 1960's. He met and partied with Robert Mapplethorpe, Truman Capote, Tennessee Williams, and even encountered Rock Hudson at one point. Of course, coming out to his conservative parents wasn't an option for him at the time, but his "secret life" during the week somewhat served to make bearable the weekends at the motel, scrubbing toilets and dealing with customer complaints (The Teichbergs cut a few corners in customer service. For example, they had phones in each room, but they weren't connected to anything. The TV was an empty box, as was the air conditioner sleeve below the window. Need soap and a towel? It'll cost ya extra, but you're lucky you made it in today, since Dad has hosed off your sheets - the only cleaning they ever got - just yesterday.)

In early 1969, Elliot read with interest the news accounts that the promoters of the planned Woodstock Music and Art Festival had been denied a permit by the town of Walkill, their planned location. As president (nobody else wanted the job) of Bethel's Chamber of Commerce, he had the authority to issue festival permits, and contacted the promoters about the possibility of moving the festival to Bethel, and offered the meadow of a friend, dairy farmer Max Yasgur, as the perfect venue. Much of the book details the whirlwind events that followed, as the festival took on a life of its own, eventually attracting around 500,000 people to the small town, resulting in threats by locals, payoffs to those who opposed it, nudity, drugs, gangsters, people bathing in the lake, shortages of food and water, but - despite it all - the most historic event in music and counterculture history, after which nothing would ever be the same again for Elliot and his family.

The author has a gift in telling a story, even one as obviously self-centered as this one is, for the most part. Witty and engaging, sure to bring back memories of that era. Loved the reversible (regular/psychodelic) dust jacket! 5 stars out of 5.

What I like most about this book is that it takes a few months from 1957 on a film location and tells how it feels to be there. The movie was not great, and it was forgotten soon enough. Yet, the atmosphere of film making and the camaraderie of the crew and cast is just a wonderful experience. Yes, they had some terrible times, with ego clashing and scandals covered up, but it is such a nostalgic little story, reading like a novel. All the people in the story, Audie Murphy and Michael Redgrave, mostly are fascinating, and how nice to have a special look at them. I truly enjoyed this armchair escape to another time and another place. Thanks!

This really is a marvelous book--full of all the details and asides that you don't get to read elsewhere. I found it amusing as well as informative. The author, Dr. Russo, clearly knows his subject--and shares his knowledge in a very entertaining way.

I have an interest in war, Japanese and Asian affairs. Amazon recommended The Quiet American with Michael Caine. Somewhat a Caine fan, I ordered it and liked it for what it implied about early US involvement in Vietnam. Amazon then recommended the dvd version with Audie Murphy and Michael Redgrave which I tried. That was different. What was going on? What had Graham Greene really written? Ordered and read new Penguin edition. Both film versions took liberties. Why? Amazon suggested A Thinker's Damn by Willima Russo, which finally sorted out for me why the Murphy/Redgrave version differed from the Greene book. Russo also filled in a huge number of additional details and insights about this first film version. The two dvds and the two books provide a very good look at book to film adaptations, and three people's impressions about US policy in early Vietnam. I wonder if Russo has written about the Michael Caine version; it is the one I prefer, even though I am a fan of Michael Redgrave who portrays Fowler in the early film. A good number of photographs illustrate this book.

This book has info about Audie that is not anywhere else. The author interviewed people close to Audie who never have talked about him before for publication. The movie The Quiet American was a special project for him, according to his best friend Willard Willingham. He soon hated doing it because Vietnam, even in 1957, was not a pleasant place before the war. This book reads like a novel but is all true. If you really want insights into Audie Murphy, you must read this book. Despite all that happened, he knew what he had to do. He was not just an actor. He was a hero--and in the Quiet American, he played the part to perfection. There is another remake of the movie now filmed, but nothing can top the original.

What I like most about this book is that it takes a few months from 1957 on a film location and tells how it feels to be there. The movie was not great, and it was forgotten soon enough. Yet, the atmosphere of film making and the camaraderie of the crew and cast is just a wonderful experience. Yes, they had some terrible times, with ego clashing and scandals covered up, but it is such a nostalgic little story, reading like a novel. All the people in the story, Audie Murphy and Michael Redgrave, mostly are fascinating, and how nice to have a special look at them. I truly enjoyed this armchair escape to another time and another place. Thanks!

Give props for writer/filmmaker/critic Cheo Coker for doing such a fine job of this book. And for Vibe magazine for keeping the legacy of Biggie alive. Who would've a remarkable talent like this will leave too early, too soon? This man had it all from his early childhood, to making grades at school, drug dealing, having trouble with the law and now leaving behind to start a new regime. First of all, he wasn't just a rapper or the Greatest per se, he wasn't just Notorious B.I.G. He was a man that been thru the storms and the upbeats and downs. It's more than the music, it's more than the lifestyle, this was the American Way at the time. What if Tupac and Biggie would never been caught up between East Coast and West Coast? What if they live a little longer to see the day and not be killed? I said it before this book details everything goes around and behind the sets here. Best Wishes for the new movie NOTORIOUS coming this January 2009. Let us learn the lessons and mistakes of the two beloved artists [Tupac Shakur and Notorious B.I.G.] that made thru in they lifetimes and how they dreams became reality. Welcome to pass that on to our other generations and older alike. Rest in Peace Biggie you were on top.

Coker has written a readable, entertaining, and comprehensive biography of the man who became, rather improbably, the greatest rapper of all time. Focusing on his life, his titanic talent, his character, and the intrinsic grace of his storytelling, this book does not dwell on the petty rivalries that engrossed the media and dominated most discussions about Biggie Smalls. This book is overwhelmingly positive; in fact, the author seems somewhat infatuated with the subject, and this is the only reason I do not give the book 5 stars. For instance, Coker does not dwell on how Biggie exaggerated the poverty and depravation of his childhood to a great degree. But overall it is a great book that gives a solid feel of the life and times of the King of N-Y, although it is a bit of a puff piece.

Book Review: The Life, Death, And Afterlife of Notorious Of Big

By: Cheo Hodon Coker






The Notorious B.I.G. aka "Biggie" has left the rap game in body, but his music lives

on. Unbelievable; The life, death, and afterlife of The Notorious Big which was written

By: Cheo Hodon Coker. I gave it a five star rating; because it gave a better

understanding of Biggie problems and emotion that he faced on the streets of Brooklyn,

New York to the Hills of Hollywood, California. Coker makes it clear that Biggie

conquered the music industry with his street rhythms to win number of awards. Never

the less he come short to explain why when Biggie saw his wife Faith they did not talk to

each other for the last time.


The book was a good Biography of Notorious Big. It rest; fill with a lot of street

talking just as know Biggie to talk on a day to day bases. The book makes it seem as if

McPherson 2




Biggie was the person telling the story that how good the book is. It also explores a lot

of interesting issues that not many people are willing to talk about. Biggie had attended

Catholic School and getting a lot of things from his mother, who was a teacher, young

Biggie did not have much to do.


By the age of 16 he had dropped out of High School and had become a crack dealer.

Coker often said in the book that biggie just wanted more. Sean Combs, a Music

Producer, who pay Biggie money to stop selling crack. Biggie would not stop

because he had just had a baby and the music was not giving him the money he wanted

Combs one time had to went down south to get Biggie, because Biggie was down there

selling crack. Biggie often says that he did not think that he could make it in the rap

game.

Then come the war "East Coast" VS "West Coast", which the Media put a lot of

paper to the Fire and made it bigger. It ended up with the death of Tupac death, and then

soon it would be Biggie turn.

Over the entire book was a success I would recommend that people take out of there

busy life and read this book, most of all the rappers in the music busy now. It would also

help to stop the "Beefing" of rappers.

This book is Big as biggie smallz, i always respected Biggie smallz and i always wanted to know who really was Christopher wallace and when you read it you just fell pain for his mother, cause christopher was the son every mother want to have, this nigga could have done everything to see the people around him happy, when you read this you see how Biggie would never done nothing whrong to 2pac ,every hip hop fan have to buy this cause we all know many things about 2pac life but finally we don't know nothing about Biggie smalls , before reading this i was taking Big as the best flow hip hop will never had, after reading this book i thing that this fella was the realest hip hop will never have , i want to tell all the 2pac fan who take Biggie as the so called greatest to never forgot that 2pac has 6 lps before his death and Biggie got 2 only, this nigga was at the begining of his career and he was on his way to be the mike anyone jordan , jackson of hip hop!at the reading of this book you see that the 2 dearly legend of hip hop was two friend with nothing in common but with everything complementary, so enjoy cause this may not be the best biography i've read it's arleady one of the best ... it's 25 years full of love, pain, drugs,sex, guns , talent,women and many more!

A must read for anyone interested in the history of hip hop. Before I read it, I had only heard of the Notorious B.I.G. Now I feel as though I know him - personally.

During the 90's, when gansta rap and the East coast vs. West coast fight broke out, I was too busy working on my Bachelor's and Master's degrees to pay much attention to anything else.
I had also heard of Suge Knight and Sean Combs, but only from newspaper reports. Reading this book really filled in a lot of the details for me. Suge Knight is portrayed in a postive light as really caring for his artists and seeing to it that they were treated right. He became violent only when he thought that those artists were being taken advantage of, and that they (as well as he) were losing part of the money they were entitled to. I had always wondered what had prompted this violent streak of his. I remember the newspapers would only report the latest incidents, never try to explain them. The book also explains what it is, in fact, that Sean Combs does. I had always wondered: Is he a rapper? A producer? An executive? And, how did he amass so much money? Combs had always been a mystery to me. To some extent, he still is, but the book goes a long way toward solving this riddle too.

This book explores many interesting puzzles like these and shows how intricate relationships within the hip hop community had become, even by the 90's. Biggie Smalls is portrayed as a flawed yet sympathetic character. At first, he's a child attending Catholic school in uniform, who feels different from all the others hanging out on the corner. His mother is a teacher, he's fatherless, and while not rich, he's by no means poor. His mother gets all the latest gear for him so he doesn't go out and get in trouble. As he grows older, however, the lure of quick profits grows stronger, so that by the time he's 16, he's dropped out of school and become a full-time crack dealer. The book wants us to believe this is so he can buy even more of the latest gear, and that he's never statisfied with what he's got. I'm not sure that that's the whole story, but surely his life was never as bleak as what he depicted later in some of his songs. One gets the feeling that somewhere along the line, something just isn't right - either with the world, or with Biggie. Then, once Biggie becomes a rap star, he says in the book that he never expected to, that rapping was just a hobby and that the profession he had actually chosen was that of the crack dealer. So, we're expected to believe that this rap star thing just happened as a fluke, and came just as much as a surprise to him as to the rest of the world. Maybe all this is so, but if it isn't, the book makes no alternative explanations, nor even attempts to. All we're left with, instead, is an incomplete portrayal of the man who would later become known as the Notorious BIG. All in all, despite the inadequacies in the portrayal, one is still able to admire and respect the genius and charisma of this man. This is both a tribute to the man and to the author. It makes us aware that even legends have character pitfalls, yet we're still able to remember and love them for who they were.

If You don't know about all the '70s films,this book will let you know.I was blown away with this book it's a must have for all black film fans!

Without a doubt one of the Baddest Books that i have ever read.this book talks about my Favorite ERA.it explains the importance of these films&Artists.cuz at the time Tinseltown wasn't happening.the Black Artists here&their Films kept the Lights&Power on.this book sheds Light on Many Topics.the Impact of the Images have Lasting Impact.I'M Glad that Many Artists in the book said that they couldn't stand the term Blaxploitation.I Agree.Hollywood is a Business if the films weren't happening&Making Profit they wouldn't be on display.No Impact,no Word of Mouth they wouldn't be Happening.not everything was cool or worth watching but it was the kind of Charge that is needed to Level the Playing Field.it left a Lasting Impression on Me&Countless others.this is a Must have.very Detailed.

I was expecting this kind of book because I'm now deep into Blaxploitation era, but also curious about Black movements of the 60ies and 70ies. In a way I learned a lot of things. A big deception is Ron O' Neal (aka Priest in "Superfly") isn't there, and the authors could also have gotten Tamara Dobson, James Brown, the late Curtis Mayfield and Willie Hutch. But that's life ! A big book, great value for me

I thoroughly enjoyed the artwork in this book. I wish they still made movies like they did back in the day.

Great book about the 70's black movies. I thought I seen them all but this book talked about movies I did'nt know about but would like to see, if I could just find all the videos! The art work alone is worth the price of the book! If you plan or get invited to a 70's party use this book as a guide to get that true afropicking,bellbottom,platform shoe wearing look.

This is a biography about a blues singer named Honeyboy Edwards who was a contemporary of blues legend the late Robert Johnson. I became interested in his history when I saw a documentary on Robert Johnson's life containing interview footage of Honeyboy Edwards. The lives of musicians in the 20's, 30's and 40's tend to be fascinating and this is no exception. It is a great read.

AS A BLUES HISTORIAN AND GUITAR COLLECTOR I HAVE MANY BLUES RELATED BOOKS IN MY COLLECTION. THIS BOOK HOWEVER MUST RATE AT THE TOP OF THE PILE. WHAT FANTASTIC FLOWING STORY LINES, MAKING IT HARD TO PUT DOWN. IT GIVES A GREAT INSIGHT INTO THE WAY OF LIFE IN THOSE EARLY DAYS OF THE BLUES. THE PLACES HE HAS SEEN AND THE PEOPLE WHO HE GOT TO KNOW & MEET IS JUST MIND BLOWING. ANYONE WHO IS NOT BLUES MINDED SHOULD READ THIS BOOK JUST TO UNDERSTAND HOW HARD IT WAS IN THOSE DAYS JUST TO LIVE AND PUT FOOD ON THE TABLE.(I BET HE THOUGHT EVERONE IN THE MODEN WORLD WAS SOFT)TRULY ENJOYABLE.

Fans of blues music and musicians will relish this autobiography of Delta bluesman Edwards, which charts his rise to fame and his survival in a critical musical world. His first-person observations of the changing blues style and field are especially meaningful given that so many blues titles are not written by participants in the field.

Honey and his astute collaborators have given us the genuine article: a poignant, detailed, uproarous chronicle of what Robert Palmer called the"Deep Blues," the Delta tradition from which all other blues styles emanate. If you've heard Honey sing either in person or on his fine recordings, you will hear the voice you read. He offers dozens of unforgettable moments, from the first sounds he ushers from a broken-necked guitar to his mother's death to the death of Robert Johnson, that are alive and chilling. My only criticism is that the photographs featured in the book are spartan, contemporary views of critical sites in this artist's life. More historical photography would have enhanced the text. The publisher of this well-designed softcover has made the text relaxingly readable. After my first 50 pages, I wanted to purchase all of Honey's recordings and read more about him. He is an articulate, funny, precise chronicler of his own life. If only I could do the same with my own life! First rate.

This autobiography succeeds memorably on several levels. Told in spare, moving words, it provides a vivid picture of life in the Mississippi Delta long before the civil rights movements of the '50s. In addition, it's a kind of African-American "On the Road," told from the perspective of one who crisscrossed the Southern United States, scuffling to make a living playing the blues. And finally, it's a terrific history of the blues, told by a man who made a significant musical contribution himself and who played with nearly all the essential artists of the '30s and on.

Edwards, born in the Delta around 1915, worked the fields as a kid before he learned to play the guitar and began hoboing around the South. He rode the rails, played in innumerable small towns, and polished his craft. Along the way, he hung out and played with the likes of Sunnyland Slim, Big Walter Horton, Little Walter Jacobs, Robert Junior Lockwood, Muddy Waters, B.B. King and yes, Robert Johnson. The book describes how these architects of the modern blues passed songs, licks, and stories back and forth, keeping a form that relies so heavily on tradition dynamic and vital.

A major strength of the book is Edwards' distinctive voice, transcribed by his collaborators to retain its distinctive rhythms and dialect. The book's title sums up his attitude. His memories include violent death, physical and emotional loss, and great material want. Still, you sense strongly that he wouldn't have had his life any other way. His narrative is devoid of self-pity, but it never glosses over the difficulty of the times he endured, which included stints in prison.

The book concludes with useful appendices that define key terms and offer capsule biographies and discographies of musicians Edwards encountered. A good bibliography is also included. Highly recommended for those interested in the blues and in American social history. Great read.