Film Books
Related Subjects: Granada Series
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Used price: $18.80

Poetry Always was the New Rock & RollReview Date: 2004-06-16
Take This WaltzReview Date: 2004-07-23
Throughout the book, Boucher weaves explorations of various aspects of the lives and cultural context of Dylan and Cohen that strongly affected them and their work. These include the civil rights movement, drugs, women, sexuality, God and religion, what it means to be reluctantly identified as the voice of a generation, and -- particularly for Cohen -- the holocaust. Boucher also explores the influence of other artists on their work, from Woody Guthrie for Dylan to Lorca for Cohen, as well as the influence that Dylan and Cohen had on each other.
Just as Dylan and Cohen make poetry an accessible part of popular culture, with equal skill Boucher makes philosophy of art and interpretation accessible as well. He points out that our experience of lyric poetry is informed by the questions we bring to it and he explains that the richest experience is to be had when the most appropriate questions are asked. Boucher uses the theories of several philosophers such as R. G. Collingwood, Henry Jones, and Michael Oakeshott, to identify which questions are most appropriately asked of particular works at particular moments in the artists' creative development. He also shows the fruitlessness of asking the wrong kind of questions of a particular poem, as is the tendency of many thinkers. He describes various forms of artistic expression: pseudo-art, or art as magic; art as the expression of emotion, or imaginative art; and inspirational art, or poetry which delights in images. He then demonstrates how, at various stages in Dylan's artistic development, his work takes all three forms of expression, whereas Cohen's work primarily takes the form of the last two. He then offers examples from their poetry to illustrate which form(s) of expression is/are being inhabited by a particular work and he supports his demonstrations with quotations about their work from the artists themselves.
Finally, Boucher helps to bring the period to life for his reader by including several pictures of book covers, concert and film posters, magazine covers and various photographs. The overall result of the book is that Boucher successfully positions his readers to have a richer experience and a deeper understanding and appreciation of the lyric poetry of Bob Dylan and Leonard Cohen.
Sad Eyed Lady of the LowlandsReview Date: 2004-06-16
How lovely does it get...?Review Date: 2004-06-11
It is clear from this eloquent book that neither Dylan nor Cohen wished to speak for anyone but themselves and equally clear that the strength of their work would be seized upon by a generation looking for a new direction. Thankfully they both continued to write through their tribulations and we have a bank of some of the most evocative music to continue to listen to.
I urge you to buy this book but with a word of warning: you won't want to stop reading once you've started.
Compulsively ReadableReview Date: 2004-07-10

Used price: $57.79

Elvis at 21Review Date: 2008-02-27
spectacularReview Date: 2007-02-14
Elvis at 21 BookReview Date: 2007-06-30
Elvis at 21 bookReview Date: 2007-01-19
THE Best Elvis BookReview Date: 2007-04-11
Wertheimer's photographs are collectively an artifact of our cultural history. It's amazing to see so many of them gathered together and in sequence. A much smaller selection of this body of work was published about 20 years ago as "Elvis '56"--this was my one-book-in-the-library, even back when I only had a photocopied edition. With this expansion, a whole new king is crowned.
2007 is of course the 30th anniversary of the King's passing. The world should expect a vast onslaught of new and revised offerings on the man. "Elvis at 21" throws down an early gauntlet so firmly, the other publishers might just as well crawl back into their niches.
Buy it, and wear a bib so you don't ruin the pages with your drool.

Eternally spotlessReview Date: 2005-06-27
"Eternal Sunshine of the Spotless Mind" deals with timid, conservative Joel, who bumps into ex-girlfriend Clementine at a store -- and finds she doesn't remember him. He finds a notice in his mail that she has had him erased from her memories, and angrily decides to have the same done. But during the procedure, Joel revisits the good times they had together, and finds that he doesn't want to lose his memories with Clementine.
This movie, by Michel Gondry and Charlie Kaufman, was one of the best of 2004, and one that isn't quickly forgotten. The screenplay is an excellent accompaniment; if there is a line or an image that didn't seem to make sense, it might make more sense here. "Eternal Sunshine" fans will also like the scenes that never made it to the final cut, and one scene got shuffled around.
Additionally, there is an interview at the end with Kaufman. In it, he describes his writing background, his collaborations with Gondry, clashes with Ben Affleck's horrific "Paycheck," memory, and that wonderful "Velveteen Rabbit" scene. Although, it could have used more of Kaufman's thoughts on the final product and the actors.
The stumbling blocks? Don't try reading the screenplay BEFORE seeing the movie, or you will be hopelessly lost. The script cuts wildly from the past, the present, inside and outside the characters' heads. It works wonderfully on the screen, but on paper it's hard to visualize just by the words alone. That, and this richly visual film is only represented by some murky black-and-white photos.
"Eternal Sunshine of the Spotless Mind" is a wonderful script, which spawned a wonderful film. And for fans of that film, this is an excellent accompaniment and resource.
memories are to be rememberedReview Date: 2004-12-10
This is a truly beautiful movie...Review Date: 2005-05-27
Provides the reader with a 165-page shooting script in bookReview Date: 2004-05-02
Thought provoking and truly originalReview Date: 2005-01-19
First of all, this movie is truly original. That's rare these days. It revolves around the premise that you can erase someone from your memories. In this case, the "someone" to be erased is Kate Winslet's character of Clementine. She is wacky and artsy, and plays against Carey's straightlaced character Joel perfectly. I had just seen an interview with Winslet before this movie and was amazed at her accurate American accent. Very well done.
And Carey is brilliant. His toned down, not over the top portrayal of Joel was delightful and wonderful. This is the first time I actually thought of Carey as a very good actor. Both Carey and Winslet deserve an Oscar for this film.
In addition, the film is beautifully shot as well. This could have been a very goofy movie, with a premise that was hard to actually get into and believe, but this film worked perfectly on all accounts: writing, cinematography, acting. I would recommend this film to anyone that wants to see a thoroughly enjoyable, funny, sweet, interesting, wonderful film that is unlike any you've seen before.
From the author of The Difference Now, A New Dish, and At the Coffee Shop. (www.thedifferencenow.com).

Used price: $4.32

Scientific writing at its bestReview Date: 2008-06-23
Read and RereadReview Date: 2007-03-29
I go back to this book every six months or so and have for a number of years. It is a very thorough, reverent, and insightful reference book but it goes well beyond that. Though very full of information, it is personal enough that it has allowed (and encouraged) me to go and evaluate the films myself without the feeling that there is a "law" or an agenda already set with these films.
The greatest beauty of Cassavetes' films is that each one belongs to the individual; meaning that every person who chooses to lend his or her heart to the characters, stories, and subject matter(s) can get something out of it that belongs solely to that person. The films can excite, enrage, entertain, and rattle you in ways that films seldom do.
Cassavetes films make you more than an audience member as they make you more aware than ever that you just might still be human.
Great book and highly reccomended.
a very interesting and important bookReview Date: 2003-09-06
you didn't think about. One last point: Does any one notice how suprisingly objective Carney is when he mentions his most hated film makers like Spielberg ? Get this book. It may feel too intellectual, but it really isn't. If you think that then you are reading it too quickly and not thinking about what it's actually saying.
Boring is as boring doesReview Date: 2001-11-21
Don't read it without supportReview Date: 2000-05-10
Everything Carney writes tends to be tough at first, because, like Cassavetes, he mentions truths about life that very few people wish to confront. There is no evasion of reality in this book. People can be horrible to each other. We all die in the end. That's life.
Carney doesn't analyse Cassavetes' work in relation to other movies and cultural trends (as most film professors tend to do), but prefers to focus entirely on the performances of the characters on screen. Like Cassavetes, he never really explains the characters' motivations, but instead focuses on how they react to their environments. Everything he writes is about life -- you'll find nothing about tendentious compositions, popular culture, or auteur theory. The only important thing here is Carney's love for the characters and their creator.
One of the greatest books ever written on American film.

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. . .Review Date: 2004-02-17
Great book and fun too!Review Date: 2003-10-17
Love this book.........Review Date: 2003-12-02
But I did see a couple of errors in the book.
But the only errors were length and stuff like that....so it really doesn't matter that much.
Besides that the book gives you information on just about everyone in the movie and information on the type of fish that the characters are,like I never knew that Dory and Bubbles were related,let me tell you how:
Dory is a Regal Tang.
Bubbles is a Yellow Tang. cool huh....?
Anyway, its a good book to read when you're bored or while you're watching the movie.
This book is auesome.
sincerly,
Kenny (jellyman)
It is so awesome!!!!Review Date: 2003-06-17
Excitement Under the SeaReview Date: 2003-07-22

Used price: $14.97

The most informative Book for Flash on TVReview Date: 2005-05-25
MacIntosh & plugins needed to get full use of this bookReview Date: 2005-01-02
But look elsewhere if you only have a Windows computer and want to use only Flash for video work.
You Get Your Money's WorthReview Date: 2003-12-23
FlashTV! highly recommends this book!Review Date: 2003-01-20
Nicholas Da Silva, ...
Essential Reference for theNext Wave of FlashReview Date: 2002-12-12
Janet Galore and Todd Kelsey lay it all out clearly and write in an easy to read style that doesn't skimp on details. The entire book is laden with terrific artwork and helpful screen grabs that support the text. Very undaunting for the visually inclined.
The sections on video exporting, and postproduction effects was particularly eye opening. this section alone cleared a lot uncertainty for me.
While this book won't make the reader a better Flash animator/designer, it most definately will make any level Animator or designer a more informed artist. It will open a lot of doors personaly and in the hands of a talented, creative person, change the ever evolving face of the Flash community indelibly.

Used price: $4.93
Collectible price: $38.00

Terrific Lucy Memorabilia BookReview Date: 2002-06-21
Awesome book!!Review Date: 1999-06-17
Gorgeous to Look at!!!Review Date: 1999-07-29
wymans gemReview Date: 2000-04-24
Lucy Lovers Will Love This!Review Date: 2001-06-05

Used price: $1.09

Forever Spice ReviewReview Date: 2008-01-14
The real Spice of life.Review Date: 2001-01-22
BEST SPICE GIRLS BOOKReview Date: 2000-08-30
It's the bestReview Date: 2001-04-17
FOREVER SPICE BEST BOOKReview Date: 2000-08-20

Used price: $4.90

Fabulous Insight into the Making of the Film Review Date: 2008-07-24
Superb for priceReview Date: 2005-08-30
Astonishing & insightfulReview Date: 2005-08-17
Frank Miller's Sin City : The Making of the MovieReview Date: 2005-08-28
If you loved the movie you'll love the book...Review Date: 2005-08-04

Used price: $49.95
Collectible price: $275.00

Maybe my favorite music related book everReview Date: 2008-06-11
great book for a great rock band make finally justice.Review Date: 2003-03-31
i hope in a third edition with more accurate pages,photos colours and in a book only dedicated to my great guitar player and always inspiration source PAUL KOSSOFF.
peter from italy.
worth the energy it takes to hold this big book upReview Date: 2001-06-12
It was all Kossoff's fault...Review Date: 2005-05-09
It is a sobering and sometimes depressing read about a band who should have been much larger, but instead were corrupted by eventual success after years of struggle and poverty.
Young up and coming bands would do well to read about, and try to avoid, the mistakes this band made regarding management, drugs, egos, song selection, and group parasites which all got in the way of the music.
At LastReview Date: 2001-06-19
Related Subjects: Granada Series
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Dylan, whom he refers to as "The Changing Man" in Chapter Three, was the chameleon-like performer who picked up, and discarded new personas and new musical styles at the drop of his very famous hat. The obvious example here is the infamous "electric tour" where Dylan was heckled and called "Judas". This abuse was, the book shows, not only for his perceived betrayal of the acoustic folk movement, but also a reaction to the contempt with which Dylan treated his audience. Dylan had always been a confrontational performer, and his response to such attacks was to become louder and less acoustic than ever. What David Boucher also shows is that this signified a shift from the community centred ethic of the folk movement to the excessive individualism and nihilism of the Beat poets who through the drug culture wanted, like Rimbaud, to experience the extremes.
In other chapters the myriad influences on both performers are examined as well as their involvement with political and religious organisations. Finally David Boucher gives us an insight into the road travelled by both men in search of their own personal salvation.
Bob Dylan and Leonard Cohen are complex men and complex performers. To listen to, or to read the works of either man is always challenging. In this book the author has written an analysis that is equally challenging exploring, as it does, the anger and the angst of the 1960s and beyond. I enjoyed every minute of the challenge.