Works Books

This book needs to be in every horseman's (and women's) library. Clear, concise, easy to follow, great photos and best of all AWESOME Advice!!!

This book is a great book when starting your weanling on a course of training. Unfortunately for me I had already read Imprint Training by Dr Robert Miller and most of the training covered by John Lyons had already been covered in the Imprint Training book. However if you were to start training at weanling stage this would be an excellent book to begin with. Both methods are very similar the choice is up to the individual whether they wish to begin training @ birth or wait until they are weaned. All in all a very informative book. Highly recommended.

My baby isn't born yet but this book is easy to understand and should be very helpful in the future.

I find John Lyon's Bringing up Baby very informative! The pictures do a great job illustrating each lesson. I just purchased a filly, and I want to give her the best life possible. I think by following John's techinques you can't go wrong. His videos are great too!

Sometimes we forget to use common sense when working with horses, and if you pay attention to them and learn to properly communicate, you will find a great new enjoyment with your horses!

this book is great for illustrating kind, consistent lessons to educate yourself and you young weanling. if you want to establish a good relationship, and have your youngster become willing, accepting and to like you, then buy this book.

Pictures and text to satisfy the most discriminating. Inspirational to this nature photographer especially interested in the overlooked/underappreciated aspects of the world around us so worthy of our attention.

Professor Brodo is one of the great living lichenologists, and in this book he brings his many decades long experience to fruition. Beautifully illustrated, readable, and very complete, it is probably the only work like it on the subject of lichenology. All the main groups and species get covered, and although this is a very technical area, it's written to be accessible to the non-specialist as well.

I had the great fortune to take lichenology from the late, great Dr. Harry Thiers, and the year I took the class (1984), it was the only lichenology class offered at a college in the U.S., which gives you some idea of how esoteric a subject lichenology is even for botanists, who are used to working more or less in obscurity and not having their area get the attention that other more glamorous areas of macrobiology get, such as mammology and ornithology, which are far more popular with the greater public. But for those interested in learning about this unusual and difficult area, this is probably the best book on the subject that has ever been published.

I have not often encounter such a beautiful and well put together book! Every page was filled with fascinating information and pretty much all species was visually stunning with lovely photos. If you like fungi, lichens, or even plants, this book is a must have. If you love art and photography, this book will be a wow. I display it on my coffee table and it certainly deserves to be there. The price is fantastic for this huge and colorful book! I highly recommend it!!

This soon to be hard to find book is gorgeous! Even if you don't or have yet to take a 'liking' to lichen, this book presents views of these incredible organisms that are simply wonderful. A great book for indentifying lichens, comprehensive presentations of each of type of lichen it discusses. The photographs are worthy of framing. I simply wish there were an equivalent of this book for mosses of North America. I am so excited to add this book to my personal library!

Receiving this book was beyond all my expectations. I have not seen anything like this on this subject before. It is well-organized, detailed, and of highest class. The print quality is excellent. The book starts with an over 100-page general overview of the lichens before going into botanical keys and the description of individual species. The photography is just stunning. This book is for the scientist as well as the general nature lover.

This classic story carries a message, not only for children that don't want to help with their chores, but for anyone who hasn't quite got into the gardening mood. This book is all about helping, sharing, and making an effort in your own behalf. I bring it along with me when doing presentations on gardening and food security, and the grown ups pick it up read it, and they really get it. Great for families and class rooms . . .

This fable tells about the lazy animals who did not want to help the hen. They let her do all the work, but did not do a thing themselves. Then at the end when the hen reaps of the fruit of her labor, all of a sudden they want to share in that fruit. However, the hen gets it all to herself and they get nothing.

This version is a classic one. The story and illustrations are very inviting for any child. I love the classic moral of the story too.

I purchased this book for my children and did it bring back memories! I had it read to me when I was little. So the story line is cute and teaches a valuable lesson with the moral the lazy cat, dog, and mouse do not get the snack. All of my children from 2-6 love this story, it never grows old.

Her ability to cook empowers this little red hen to motivate her housemates. Help me with some of the housework if you want cake. A final illustration shows all the animals working, sweeping and dusting!

After reading the story as it is written, follow along with Heather Forest's Little Red Hen from the album, Sing me a Story. End on that final illustration with her words, "Sharing the work makes working fun."

Different versions may use different characters. This one uses the traditional Dog, Cat, Mouse.

It's more fun to realize that it's about writing, illustrations of writing and figures for writing. The reader is represented in the story as the victim of the author, which he always is.

Check it out and tell me if it doesn't work.

this is the best book i've ever read and by far the best translation of it. i can't really say anything more.

Lushly, sensuously, decadently overwritten, a fatal literary intersection where Baudelaire, Rimbaud, Poe, and Sade collide and out of the spectacular wreckage something lopes off into the surrounding woods declaiming like Nietzsche's Zarathustra with head trauma--Lautreamont's *Maldoror* is one of those ten or twelve books that aren't like any other. Part hallucination, part philosophy, part prose-poem, part prophecy, it's a bizarre stitched-together Frankenstein's monster of a text, a virtuoso improvisation animated by an electrifying genius who appears--and disappears--on the literary stage like a bolt out of the blue.

Here is a work where the first-person protagonist is an arrogant, cruel, disdainful superhuman egoist--sometimes seeming to be Satan; other times, something considerably less, but at all times evil incarnate. Dramatic and arbitrary shifts of narrative perspective and authorial points-of-view, a fractured, nonlinear plot-line, similes and metaphors of Homeric proportion that bring together the most disparate items in absurd conjunctions virtually without meaning. Was it all a joke? A parody of Romantic literature and the self-indulgent, self-pitying, overheated imagination of those who struck the Romantic stance of poetic revolt and existential defiance? What must the French public have thought of this black mass "celebrating" vice, blasphemy, pederasty, and murder--a work that held nothing--including itself--above disgust?

Predictably enough, *Maldoror* caused barely a ripple in the bourgeoisie calm when it was first published--by Ducasse himself incidentally--and remained unread by the general public who continues to not read it today. It remains a text ahead of its time--or perhaps more accurately--outside of time altogether. And yet it's had a huge influence on the writers, artists, and intellectuals of our time, from the Surrealists to the Situationists to literature in theory and practice to this day. *Maldoror* is a quintessentially postmodern text--a pastiche of genres with its penchant for self-parody and its direct address of the reader, breaking the illusion of "fictive reality" and authorial authority.

The translator argues forcefully that this is the edition of *Maldoror* to read--that other editions, most egregiously the Penguin--are rife with errors that stumble along the borderline of sheer incompetence. I've got no good reason to doubt this is the truth--and why not read this edition? It's attractively formatted, fully annotated, and contains all the known works of Lautreamont ((Ducasse)) including a few apocryphal tidbits, a chronology, biographical notes, and even a reminiscence by an old dude who once went to school with the Dark Prince of Letters. If there's a better edition, I'm unaware of it.

As for the heavily annotated *Poesies* that round out the main bulk of this volume--I had far less enthusiasm for them than for *Maldoror.* A series of gnomic axioms and aphorisms ala Pascal, indeed, many apparently in direct reply to Pascal, I didn't find them very interesting, often barely intelligible, even with the help of the comprehensive annotations--much of it in French which was unfortunately of no use to someone monolingual like me. What I did understand of the *Poesies,* the opinion of enthusiasts to the contrary, I found, for the most part, bombastic or banal, and very often both. A young man's ((Ducasse died in his early twenties)) bold, world-shattering, and consequently somewhat naïve proclamations on life and literature, any and all of which were likely to change if he'd lived to see even five more years of either. At twenty-three, you can be a genius and produce a literary masterpiece, but you still don't know much--certainly not even most--about life.

Indeed, even in the *Poesies,* Ducasse radically reverses field, mercilessly ridiculing Romanticism and its heroes, mocking the Satanic defiance that inspired such works as...*Maldoror!*

So was *Maldoror* all a goof then--a black spoof, a devastating satire? Had Ducasse turned a new leaf as he claimed in the *Poesies* and now dedicated himself to composing uplifting works of classical order and clarity? Was he pulling our leg then...or again? Was it all a joke--on us, on him? Was he simply insane, or just young, or both? Are we reading too much into all this--and is *that* the point?

These are some of the very potent post-contemporary questions that Ducasse has left us to contemplate in the wake of his great literary disappearing act--questions that remain in addition to, and beyond, those raised by the actual content of his enigmatic, and abbreviated, corpus of work.

An author--and a book--as important for being important as for the substance and merit of what he wrote, Ducasse and *Maldoror* is essential reading for the serious student of post-19th century literature. Ducasse/Lautreamont/Maldoror is a major signpost on the way to a new kind of writing, some of which we see today, more of which we'll see tomorrow.

This review is of *Maldoror*, alone.

Lautreamont's *Maldoror* is legendary for its bold and complex phrasing and imagery, for its reputation of embodying Surrealism *avant la lettre*, and for its remarkably extreme, savage imagery. Less frequently remarked is its obvious debt to the earlier literature of the *Frenetiques*, such as Petrus Borel. Given the very few English translations of the latter, one may pardon those who do not read French for overestimating the originality of *Maldoror*. Francophones such as the Surrealists and Lykiard, however, have no such excuse.

The descriptions of *Maldoror* in the various reviews here describe the content and style of the work perfectly well, so I shall neither repeat them nor try to outdo them. Instead, I shall offer a slightly less breathlessly adoring view of the work, in general, and of Lykiard's translation of it, in particular.

My view of *Maldoror* is that it is primarily a parody of the extreme tendencies of the "dark side" of Romanticism, in general, and of Byron, in particular. Although Lykiard dismisses Mario Praz's view of Lautreamont and *Maldoror* rather abruptly, Praz's observations seem quite germane, to me:

"[Lautreamont/Ducasse is] a macabre humorist in whom it is impossible to distinguish where sincerity ends and mystification begins".

Those who doubt this observation should have a look at Ducasse's extant letters, many of which bear witness to his desire merely to be a successful writer, and to be judged by the literary critics of the day. In a word, Ducasse/Lautreamont appears to have been precisely the sort of careerist *litterateur* whom the Surrealists excoriated and excommunicated from their ranks with tedious regularity!

As for Lykiard's translation, it is adequate, but far from inspired. Although, as he trumpets *ad nauseam*, his version of *Maldoror* may be in the main less error-riddled than those of his competitors, it is frequently leaden and awkward. Compare, for instance, the following tin-eared rendition to the original, and then to Paul Knight's rendering of the same passage:

The original: "[...] car, à moins qu'il n'apporte dans sa lecture une logique rigoureuse et une tension d'esprit égale au moins à sa défiance, les émanations mortelles de ce livre imbiberont son âme comme l'eau le sucre".

Lykiard: "For unless he bring to his reading a rigorous logic and mental application at least tough enough to balance his distrust, the deadly issues of this book will lap up his soul as water does sugar".

Knight: "[...] for, unless he brings to his reading a rigorous logic and tautness of mind equal at least to his wariness, the deadly emanations of this book will dissolve his soul as water does sugar".

Granted, such evaluations involve much subjectivity, but there's no doubt in my mind which version reads both more accurately and more elegantly in English. Lykiard does, however, deserve credit for demonstrating Knight's faults, as well.

Lykiard's notes are not necessarily much better than his translations. To take but one instance, Lykiard tells us that "God is here (and *passim*) ironically addressed as *tu* rather than the more formal *vous*". If Lykiard were as clever as he'd like to appear, then he'd know that the French *always* address God as *tu*, and not as *vous*. Therefore, there is nothing ironic on its face about Lautreamont's usage, at all.

In sum, *Maldoror* is a sometimes powerful, but often puerile, *reductio ad absurdum* of *Frenetique*-era late Romanticism. Enjoy it for its over-the-top style and its infrequent passages of genuine and sincere poetic power. Do not, however, take it too seriously, because, although we shall never know for certain, my bet is that Ducasse/Lautreamont was little more than a prodigiously gifted adolescent who sought, as most adolescents do, simultaneously to shock and to impress the grown-ups.

I like my writers drunk, blasphemous, decadent and French. If any of that list sounds even vaguely familiar then this is the book for you. Set the absinthe fountain to a slow drip, light some candles and prepare to tour an alchemical end-of-the-century underworld.

The book, Mastering Monday, set the perfect example for all business people to follow. As I was always curious of why "church versus state" this book answered lots of my questions. There is such a thing as "it's just business" somewhere in our line of duty, but this book gives the big picture and how "God" and business is truly connected.

I've read some great stuff on leadership, but "Mastering Monday" is one of my favorites.

John Beckett is not a theorist, but a practitioner. I've actually had the privilege of visiting his plant in Elyria, OH. I was deeply impressed with the way John interacts with his employees--they're family.

John is unashamed of his faith. The Bible is his source of inspiration. His use of biblical characters as examples of both success and failure doesn't come across as preachy, but prove that the Bible is still relevant for the world of work today. Ironically, John Beckett the `businessman' cites the Bible more than most preachers who attempt 'cross-over' books on leadership for the general public.

From personal observation I can confirm that John Beckett is the same person in and out of the marketplace. His godly character is particularly evident in the kind of family he and Wendy have raised. That's true success.

Surprisingly, for a man who is not a writer by profession, John Beckett communicates with remarkable clarity and creativity.

John Beckett has shown that integrating work with faith is possible---and the dividends are worth the investment.

I like "Mastering Monday" so much that I ordered a whole box!

John Beckett has a perspective of nearly 50 years in grappling with faith and work issues. His book, Mastering Monday, gives a remarkable perspective from a Biblical and contemporary setting to understand important issues. Beckett is well versed, well travelled, and has a thoughtful spirituality.

I know of few other marketplace leaders in the world as respected as John. His book should be a primer for every markteplace ministry and every church that understands the sacredness of vocational calling. Those of us who live in vocationally driven metropolitan areas will well appreciate the clarity with which John writes on the topic of calling.

We will encourage our church and marketplace networks here in New York City to make wide usage of this invaluable resource.

Dr. Mac Pier
President, Concerts of Prayer Greater New York
Chairman, Fulton Street Anniversary Congress

How refreshing to find someone who has a positive, creative angle on business! Whether you are a CEO or simply in the work force "Mastering Monday" is essential study to help pave the way to a fruitful and fulfilling experience for those looking for a balanced family, community and business life.

From the outset "Mastering Monday" steps right into the nitty gritty work situations that regularly grab newspaper headlines tackling issues like .... personal conflict....union confrontation....attempted takeovers....global fall-out of bad business, etc. this leads into John Beckett focusing the reader on essential management policies and practices, the need to rethink relationships, as well as the balance between work and family, employee health, safety issues, and the bottom line in the balance sheet. This book sets out a corporate roadmap that spells out vision, mission, core values and principles essential to forge a balanced corporate character of your business.

"Mastering Monday" is designed to help businesses in the work place to bridge the gap between faith in God and everyday work bringing these two worlds together. John boldly relates some well known Biblical examples of godly personalities who set the highest standards of outstanding leadership from Noah to Jesus. There is a compelling chapter spelling out the end of business where God's principles of integrity and equity are ignored. John illustrates his point with some well known examples of corporate collapse due to business excess, pride, abusing influence in the workplace and devaluing people, with the subsequent impact on the business community and society in general.

In the final chapters John lays out five rock solid structural building blocks for a business based on sound Biblical principles that transcended time and circumstances. These principles cover areas such as....a sense of purpose....core values....the importance of people....stewardship in business and what it means to serve. Again John uses practical examples of these principles which have dynamically effected many spheres of today's business world and the benefits they have brought, not only to individuals but to the community by and large.

Momentum for change is touching hundreds of corporations and organisations as they rethink how they can live out sound Biblical principles in business in seeking to integrate faith and work. This is a genuine move of God potentially changing the whole landscape of work as an integrated part of living out a Christ-centered life naturally in the business world. I would highly reccommend "Mastering Monday" to every one involved in business and management.

Noel Bell.
Retired partner of Noel Bell Ridley Smith, Architects and Planners.

John Beckett has accurately captured many of the struggles and tensions Christians experience daily in the marketplace. Aspects of the author's journey are common to many Christians. His chapter "Integrating two Worlds" will be a help to any Christian in the marketplace -it is an issue that continually manifests itself. The phrase "I found that my growing faith was often relevant to work issues - but the reverse was also true. Workplace issues challenged and strengthened my faith, occasionally more than I anticipated." provides an encouraging perspective. The author shares his own experiences in this realm - in a transparent way that should be encouraging to all who read.

The section "Companions on the Journey" provides a number of biblical stories and characters from which much is to be learned and applied to our work world today. These are not one size fits all stories, but the characters and illustrations the author selects will provide much to think about. This is mixed in with some stories of contemporary business leaders and recent situations they have faced and their responses.

Finally, a discussion of God's workplace agenda and what theme's the author believes are critical in this discussion. In light of some recent business failures (more specifically failures of leadership) - this section does a good job of connecting the themes to "good business". It is a reminder of what really matters - and some encouragement to have the courage to do the right things.

This is a pretty quick reading book, but I don't think it is a read once and put it on the shelf. I'm sure I'll be referring back to it every year or so to remind myself of proper perspectives and to be encouraged in my work.

What a fabulous book! This book is for anyone who grew up in Mexico during the 50's, 60's and 70's or anyone who loves a great true story of adventure, humor and the life of a fascinating man who lived life on his terms. It is very easy reading with a storyline that makes you never want to put the book down.

Having grown up as an American in Mexico City during the 60's and 70's, I remember listening to Larry Johnson on the radio with his Top 40 Hits and dedications in english and loving the show. What I did not know was how interesting and special Larry really is!

A heart-warming, inspiring, sometimes humerous and delightful book about a blind man's experiences in early life. A book that is difficult to put down--and one that is enjoyable a second and third time. After meeting Larry, it even has more impact. For anyone who enjoys autobiographies and being enlightened. AMR

Larry Johnson's book shows the reader what we are all capable of doing when armed with a large dose of determination and optimism. He doesn't quit regardless of the adversity and he inspires the reader to do the same. He encourages us all to stop using excuses to be nonproductive and start living productive and fullfilling lives.
For example, if you don't have eyes, use your ears, if you don't have ears use your sense of smell. It encourages you to go around obstacles and proceed with life full speed ahead. It is quite a positive life affiming book.

What an inspiring book this will be for anyone with or without a handicap. The author shows us that through hard work and ambition you can not only overcome obstacles but you can excel in life by maintaining a positive attitude. The account of his years in Mexico city coupled by the many humorous anecdotes he shares with us offer a fantastic read.

Now THIS is a great book. I loved it!

It is funny, exciting, thoughtful and most of all, it is the most inspiring book that I have ever read.

Mr. Johnson's credo must be "no challenge too large."

Imagine a very young man traveling by rail from Chicago to Mexico City in the 1950s without human companionship. Now imagine that very same young person doing it totally blind! And, if that is not inspiring enough, he then goes on to become the #1 DJ, on the #1 program, on the #1 radio show in Mexico City. You gotta' love this guy.

As I read about his adventures, failures and successes, the people he met including the love of his life, and the fun he had along the way, I found myself rooting for him so much that I couldn't put it down. I also enjoyed the way he writes because it didn't even feel like I was reading, it was more like being entertained by someone re-telling me some really great stories.

It was a very pleasureable read and I'd recommend this book to anyone who has ever faced a large or small challenge in their life.

Well, I guess that includes just about everyone!

This English translation of Montaigne's Complete Essays is wonderful. Although I like it better than Donald Frame's version, I actually prefer J.M. Cohen's to either. Cohen's translation is only a selection, unfortunately. If you need the Complete Essays, go with Screech.

Screech's version, however, has a very annoying problem. As in Frame's translation, letters are used within the text to note differences between the three major editions of the Essays (A, B, C). Frame's version uses small capital letters inserted within the text; they are unobtrusive and can be ignored. Screech's version, however, uses full-sized letters within brackets with a lot of space surrounding them. They are just too darned disruptive. Why in the heck did they do this? Perhaps they intended it for academic or scholarly use. It's a shame. I hope that Penguin will issue a new edition or revision that will take care of this problem.

Use the "Look Inside" feature of this book to decide for yourself.

In the entire history of western philosophy, there is not one person I can praise more than Michel de Montaigne. Normally, any book over 500 pages tends to become tedious to me, and works of philosophy over that length become insufferable. The best praise I can give this book is to say that at 1200 pages, I was not the least weary of it. In fact, I wished it was longer! Montaigne is the definitive philosopher, a man driven to write out of boredom, who presents his essays as his views, never trying to categorize and name realities, but simply marvelling over everything, from literature to pets. His broad learning and wonderfully disorganized style lead the reader on a journey into the what ifs, and whys of existence. Montaigne is the epitome of a renaissance man. His views in most situations are more modern than yesterday. He speaks out for the virtues of women, carefully denounces war, subtly questions the more extraneous doctrines of Catholicism, and even denounces colonialism and promotes respect of racial and cultural differences. This is not a man one would have expected to find in the 1500s. But here he is. And his text! Often saying that his memory was weak, MOntaigne demonstrates it by going off on wild tangents for thirty pages, only to realize that he has succeeding in proving his original idea without his knowledge. His sentences and rich prose leap across the pages, and dance with ideas of the sublime and the ridiculous, ideas which he does not so much attempt to resolve as ponder upon a page. He never once falls into the philosopher's folly of stating his views as though they were fact, and is often very careful to say, "This is what I think" in one way or another. He never attempts to convince the reader, for he originally never intended his essays to have a reader. In situations where he would challenge authority, he is always careful to say, for instance, "But my own views are nothing, the church of course knows better". More than any other work of philosophy, the Essays are an adventure, leading one through the soul of a man, a man who thought so little of himself but was so great. It reads almost as a novel, and at the end, after 1200 pages of Essays, Montaigne stands before the reader as clearly as any historical or fictional figure ever has. This is the true Magnum Opus of western philosophy.

I cannot praise this book highly enough. It is one of those rare books that can change your life. Sure, many people say something similar about a particular book, but it is genuinely true in this instance. Montaigne is wise, humane, and very humourous. If I had to live on an island and could only take three books with me, this would be one of them. And, it would be an easy choice to make. I have read the Essays cover to cover twice already and plan to do so again many times in my life.

Here are some general points you might want to keep in mind when reading Montaigne's Essays: First, he doesn't always stick to the topic announced at the beginning of an essay. Sometimes, an essay appears to be about a particular topic but ends up being about something else entirely. Second, even when Montainge makes a half-hearted attempt at staying on topic, the journey is still the scenic route instead of a straight shot (but, this is half the fun of his Essays). Third, Montaigne's Essays are a perfect crash course on the wisdom to be found in the writings of the Latin authors. Finally, Montaigne is surprisingly skeptical and relativistic on many issues. This is obviously why his Essays are so relevant even today.

Now for a word on translations. The two primary translations that are easily available are this Penguin edition translated by Screech and the Stanford University Press edition translated by Frame. Each edition has its advantages and disadvantages, and it's a shame the editions can't be combined to create the perfect translation.

The Penguin/Screech edition includes the original and a translation of all Montaigne's foreign language quotations. The vast majority of these are in Latin; so, if you know some Latin, this is helpful. It also includes very helpful notes on obscure literary and historical issues, which provides for greater understanding. However, if you read the introduction and Screech's notes carefully, you will realize he does have an agenda. Screech plays down Montaigne's skepticism and tries to portray Montaigne as being more religious than he was.

As to the Stanford/Frame edition, its translation is much closer to the original French than Screech's. If you put the French text and Frame's translation side by side, you'll see what I mean (even if your French is pretty weak like mine). And, Frame does not play down Montaigne's skepticism - he lets Montaigne speak for himself. But, Frame's translation does have some flaws. It does not include the original for foreign language quotations. And, when Frame translates Latin poetry, he almost always makes it rhyme even when the original Latin does not rhyme. I find this jarring and not true to the original. Frame also does not include any helpful notes.

All in all, I'd like to combine Frame's translation of Montaigne's French with Screech's original and translation of all foreign language quotations. This would be the best possible version of the Essays.

This book is one of the finest products of the human mind. You will not regret the significant amount of time it will take to read these Essays. And, if you read them carefully, you'll never look at the world the same way again.

Montaigne. He has lessons for us all, I've found.

Some of the lessons are hard. He writes about everything, but most of all, he writes about himself. There is a painful clarity to his work - but that cliche term does nothing to properly explain what it is he accomplishes with his writing.

At thirty-three, Montaigne decided to retire to his home and write. He had vague ideas about writing a gentleman's book on warfare, and the first few essays reflect that. But, as he progressed, he kept going on little side journeys into his own thoughts and opinions. At first, Montaigne reigned himself in, struggling to stay true to the path he had decided for himself.

Happily for us, he failed.

He abandoned the idea of writing for gentlemen - though there are still slight evidences of this throughout the work. Instead, he decided to focus on the one thing he knew better than anybody else in the entire world - Montaigne. Who else could know more, or would bother to take as much time exploring this one man than the man himself? And why not explore his own mind - every day, he has to live and deal with the advantages and disadvantages, the habits and the thoughts, the opinions and the ironies of being Montaigne. Thus, he decided, it was worth exploring. In his view, there was nothing more important than understanding one's self. If you cannot understand yourself, how can you expect to understand anybody else?

There are moments of 'painful clarity', as I said above. Montaigne discusses (his) impotence, his imperfect marriage, the disappointments he has created in others, the times when he did not do what he should. But he also talks about how he can make himself a better person, and how, in a lot of ways, he is an admirable person. It is important to realise that Montaigne is not writing an apology for himself. He is putting himself on to paper, 'warts and all', and declaring it true. There is a point in one of the essays where he declares that he wouldn't want anyone to lie about the person he is, even if they flattered him or praised him. This is, in a nutshell, Montaigne's thinking. He is not concerned with being the greatest person ever known - he is concerned with understanding himself.

Four hundred years on, what is there to offer us, the modern reader, in Montaigne? An infinity of wisdom. Could I, in honesty, completely and unwaveringly disect myself for the consumption of both myself and others? I don't think so. I very much fear that the answer is no. And yet - why not? Is it shame? I don't think so, as I have nothing major to hide. Perhaps, then, it is simply the fear of unrealised ideas and thoughts. If I am unaware of myself, I cannot present it. Montaigne was and is aware of himself and thus manages to accurately describe the person that he is.

Montaigne's essays are invaluable not only for the man that they portray, but for the wisdom in what is spoken. Montaigne has thought about so many aspects of what it is to be a human and alive, and we can all learn from this. The topics he discusses go beyond mere 16th century issues, and deal with concepts, ideas and concerns that affect us now, and will affect us always. Absolutely essential reading.

What's not to like about Montaigne? Everytime I pick through parts of his essays [and it does not matter where one begins] I find myself in deep thought. Sometimes I feel as if Montaigne were speaking to me. I have the Donald Frame translation. Although I have read the Cohen translation too, and I do have a copy of it somewhere in this jungle I call my library. I have just recently purchased this Penguin edition, with another yet another translation. But no matter, the words and wit of Montaigne are, and will be as timeless as long as people are willing to open these pages and gather meaning from them. And I will always continue to do so.

These essays were meant to be read and re-read. And you know, I never tire of reading Michel de Montaigne. This mans works have been a part of my life for as long as I can recall. And how many times can you remember picking up the same books over and over again to reach words of wisdom? And Montaigne's humble wisdom and honest look at himself is what makes these essays so profound and enjoyable to read. Why? Because he took a long hard look deep into his own soul and wrote for himself, and to himself: And in turn, he imparted these essays to the rest of us. Which I am forever grateful to him for. If you have never read Montaigne, it's time you do. Highly recommended. Should be required reading in all schools today.

Jarret writes about contemporary pop culture in the tradition of Field, Duhamel, Seibles, and Wojahn. That is, he uplifts the mundane to a higher level, through form, piercing satire, and the riveting raw emotion, this book shows a Gen X poet making aesthetic headway for the future.

Buy this book, and give it to your brother who likes comic books for his birthday, but read it first. Jarret promises to deliver the goods to all audiences.

Keene's writing topics are so diverse in this collection. From ex-ray glasses to cancer victims, he has a distinct opinion on just about everything and isn't afraid to express it. His poetic style is very straight forward. It is both easy to read and easy to understand.

Keene's creativity is what impresses me the most though. His ideas for his poems are so so unique. Where does he come up with all of this stuff?? It is incredible! One of my favorites is a poem called "Ventriloquism Made Easy." In this poem, Keene writes from the perspective of the dummy.

I know I said this already, but the diversity and creativity throughout this whole collection are amazing.

I know you're not supposed to judge a book by its cover, but this book immediately jumped out to me. It was one of the brightest and most colorful books i have ever seen. I had to open it right away, and the cover was just a warmup for what's inside. I liked Jarret Keene's collection of poems because it isn't a sad i'm so depressed i want to kill myself kind of poems, i'm so used to reading. It was real. It spoke to me and my generation. It also was really funny and a quick and easy read. One of my favorite things is how ironic he is with every day life things. Reading up on him i found out his father was a tampa firefighter, and i happen to be from tampa and miss it deeply so it made me think of home. The poems he has in there also reminded me of home when i was in high school and all you did was get drunk a go nuts. I guarantee if you are young or young at heart then you will love this book, but don't listen to me read it for yourself.

Jarret Keene's debut book of poems, "Monster Fashion," is a book that adds a sense of freshness and excitement in a genre that is often riddled with staunchy, boring and dry verse from the world of academia. All I have to say is..."Thank Goddess for Monster Fashion!" Keene's book is filled with comedic, familial and pop culture verse that most books lack. I like the fact that Keene has the ability to laugh at himself and not take himself so seriously in his work. We need more poets like this poetic holy ghost.

Among one of my favorites is "Scoped" where the character takes a dreadful visit to the doctor to find out why he's been 'passing blood'.

"He tells me to turn over
on my side and pull my knees
against my chest.
The glove snaps. And
sure enough, he's got his finger
inside of me, poking around."

Because of the immediate and sensitive description
in this poem, Keene does a superb job of making you feel
that you're there. From the "so-clean-it-smells examination
room," to the terrifying snapping of those smelly latex gloves.

This is the only poem that makes me cross my legs
with phantom pains.

"Monster Fashion" is not a book of poetry with just words sprawled out on the page without a sense of order. Keene proves that he is well-seasoned with some poems written beatifully in couplets and quatrains, which is one of my personal favorite forms.

Other poems such as "Heart, You're a Hospital Now" and "Ventriloquism Made Easy," are two more of my favorites where Keene practically yanks you by the arm and pulls you into his cut-throat psyche.

I love the smidgen of ryhme and alliteration in the beginnings of "Heart, You're a Hospital Now."

"Nothing is worse than a dying patient,
Except the surgeon, who gives your life lease,
Cuts you open, removes a sick piece,
stitches you up and grows impatient
of your bloated face."

Oh, I love the way the second and third line

ends with such emergence.

'gives your life lease,'
'removes a sick piece.'

The way the lines and words carefully entwine
and dance so immediately.

'removes a sick piece.'

Who doesn't want to steal that line and run for the hills?

This poem is crammed delightfuly with similiar, arresting lines
all the way to the end, which hurls the reader back
into reality.

Keene's verse in this book are exciting, entertaining, funny and beautiful. From epic poems such as "Ava Gardner, Queen of Earthquakes," to the short and brutal "Black Revolver," Monster Fashion offers something for the most rabid lover of the poetic word.

Jarret Keene has mined the underworld of Hollywood scholck to bring us these darkly comic poems, and he's come away with more than you might expect. Here you'll find all manner of monsters and lovelies, of course-Frankenstein and the Wolfman, Janet Leigh and Ava Gardner. You'll find zombies and earthquakes and a lot of prose that's taut and "dark as a blood clot." There's even " The Lovesong on Alfred E. Nueman" (after Elliot, of course) and "The Conversion of Aubrey Beardsley." But what makes these poems rich and worth reading, I think, is Keene's sharp take on the actual world-the way he gets, for example (in the book's opening poem) that only the young can be in love with death. For me, the book's most frightening moments-and its most rewarding-come when the author takes off the mask for a moment and explores the horror of the world we all know too well, when the funhouse comes to resemble the house we live in ("Inside Mystery Funhouse"), or when real friends are lost ("Gifted Students") and we're confronted with the ghosts of their fathers, who come back-with surprising emotional impact-to make us sandwiches. This is a sharp and funny collection. I recommend it even to those with a fear of poetry, though not to those who are afraid of the dark.

The artwork stands out and the book is worth the price for that alone. The story itself is also wonderful and gives a good starting place for talking about what happens to a person after s/he "dies." My daughter loves this book.

Although my 20 month old is too young to understand the story he definately relaxes from the calm that this book brings to me as we read it together. Beautiful illustrations too.

I checked this out of the library and read it when I was 4 and have loved it ever since. It's one of those "must-have" books. It's a children's book but adults can enjoy it as well. The idea of the book is very sophistocated but can be easily understood by kids due to the simple language and color artwork.

I asked friends who practices Buddhism about any books that they could recommend that I could gift to a young friend who lost a companion very unexpectedly. Although they said that the content does not strictly follow Buddhist principles they suggested it with rave reviews. I was intrigued by the delicate simple manner of the story and noticed an interesting element in the illustrations ( read it to discover for yourself!)The story seems to soften the sadness of losing a loved one, reminds the reader of how dying is a part of living and raises hope that there is life after. It also beautifully narrates how fulfilling and rich a simple life can be. The illustrations are soft and enchanting like the story and the ending is all embracing....

Gorgeous illustrations and a truly beautiful story make this book a rare treasure in Children's literature. A valuable addition to the book collection of Buddhist parented children. Explains the process of death and rebirth/reincarnation in a gentle and interesting way. Not weird at all and so suitable for children of non-Buddhist background as well as it provides an valuable insight as to how Buddhism/other belief systems explain death and the afterlife.

I came in not knowing much of anything about the music industry...and after reading this book from cover to cover (its a long book), I can say I learned a lot. The book is very easy to read, with real and made-up examples, and simple language. The author does a great job breaking down the rules of the industry. It does not tell you how to run your operation or how to market a hit record...it just lays out all the rules for you to either follow, break, or bend.

The best chapters were about song ownership, copyrights, publishing, royalties, and taxes. Actually, the taxes chapter was really enlightening. You can tell a lawyer wrote this book from that chapter.

I've been in a band for several years, and unfortunately, everyone else that has been in my band has never had the experience of running it as a business. We have been skating by all these years just doing gigs, but now we are planning on releasing a CD and this definitely makes things more complicated. This book has been a godsend. Very informative and USEFUL information. Other music law type books are informative, but haven't been very useful on the level we needed it. You can use what is in this book right away. Its easy to read and understand.

Like all carpenters needing important tools to build a house, this book is the tool for all musicians. It covers all the important music business information and will help cut down unnecessary misfortune for musicians. Definitely a MUST BUY!!!

This offers a great foundation to Music Law. It is clear & easy to read w/ room in the margins for notes. Richard Stim even mentions a few legal loopholes you can benefit from.

You can also recieve free book updates on the Nolo website, which is a cool perk.

There comes a time in a musician or band's career when they get serious about what they're doing and need to start focusing on legal aspects of their endeavors. This book is and indispensable reference for that situation.

The book is written in easy to understand layman's terms. It covers a fairly broad range of subjects, and provides pointers to other resources for more in depth cover of the covered subjects.

One more notable point about the book is the pre-fabricated contracts and legal forms that it comes with. They seem to be solid, could be useful in a number of situations, and are explained thoroughly.