Works Books

I was going to make a note card file of this info but someone suggested the RNotes pocket guide. It has everything I was going to put in my index card file and more. It was well worth the purchase.

This is a great cheat sheet that you can slip in your pocket. It is spill proof and can save your as*

This is a definate must have for the student nurse. I LOVE this thing! It also closely follows what I've learned as a first year.

EXCELLENT--I bought my daugther one for nursing and she loves it..going to buy myself one when i start nursing in june..

Love this item. It fits perfectly in my lab coat or scrubs pocket. It is a handy item and has so much useful info.

This book was SO good. It is one of the best queer spiritual journeys I've ever read. Sara Miles is unpretentious and honest, and I think she captures the spiritual dilemmas that so many of us face right now.
If you are struggling with your spiritual journey and chafe against old names and categories, this book will change your life. I think it's going to be a very influential text.
Oh, and it's a fabulous read! I couldn't put it down.

Take This Bread: A Radical ConversionThis book is a must read for anyone interested in understanding the community of food! Sara Miles is a writer and was an athiest who came to understand the role of sharing a meal in building community. After a varied career of cooking in restaurant kitchens and serving as an activist in poverty stricken and war torn countries, she comes home to a radical conversion resulting from the simple words: "Take this bread" said to her at a service of Holy Communion. Her conversion leads to growth in understaning the community that God intends for all humankind. Along the way, she is drawn into the community afforded by a food pantry program she starts at her newly found church community.

Its all about the human hunger for belonging and for the meaning that comes from sharing food!

A wonderful book and a quick read!

Sara Miles' book "Take This Bread" is a perfect read for our times. Her realization that feeding others is an ultimate act of goodness came during a worship service. But the real story is what she did next. She went out from that church and created a feeding program when others said it couldn't be done. Then she helped others create feeding programs. I have recommended the book to people of different faiths and political views. They all love it. And even more, they have been inspired to get involved in helping the hungry. The new paperback version contains a Readers' Guide - perfect for book groups.

take this bread is one of the best left-of-center spiritual memoirs i've read, ever.

sara miles is a self-described liberal, an intellectual journalist who spent much of her life covering wars from the side of the oppressed (often in stark contrast to u.s. policy). she grew up in a staunchly athiest home (though both of her parents were children of missionaries, which ends up playing into her story in surprising and deeply satisfying ways), and was, as she says, the last person her friends would have expected to start talking about jesus.

sara walked into a san francisco church one day -- called, one might way; compelled, she wasn't sure why -- and took the eucharist. and something clicked, in that moment. she had an encounter with jesus that she was never able to dismiss or shake off. eventually, her connection with jesus became a compelling call to feed others, as she was fed. sara started a food pantry, literally ON the alter of her extremely nervous church. the book walks through her multiple conversions, and those of the people around her, many of them already professed christians.

the comparisons to anne lamott are easy (especially to anne's first spiritual memoir, traveling mercies). both are brilliant with words; both are liberals from san francisco, who grew up in book-loving, athiest, intellectual homes; both are liberal in every sense of the word; and both are deeply in love with jesus and passionate about following his lead. this -- i think -- is what seperates both anne and sara from classical liberals, who spent a good deal of their time distancing themselves from jesus.

but sara miles and anne lammott are not the same. sara doesn't have annie's wit, which, while i absolutely adore annie's wit, makes this book somewhat more compelling, and a bit less like a collection of witty, liberal, jesus-y essays. if annie's "theme" is her self-loathing and insecurity, sara's strong-willed theme is: food. food weaves its way through every chapter of the book: from her childhood, to her experiences as a chef in new york, to her connections with people in the third world, to her intitial and ongoing experience with jesus, to her establishment of one, then many, food pantries. it's hard not to read this book and not simultaneously hanker for a chunk of some cheese you can't pronounce, and want to give that cheese to someone who wouldn't otherwise experience their next meal.

wonderful, wonderful reading. challenging at points. highly edible. deeply nourishing.

I love reading about converts to the Episcopal Church, I am one myself. The more unusual the story, the more it interests me and Miles' story fits that bill. Although I found some things about her puzzling- for instance: she calls herself "lesbian" but has an affair with a man (Huh?!) and then she seems to think that getting pregnant in the middle of a war was a good idea (What?!), I thought her life was fascinating. She is also admirable for starting the food pantry, and for linking food to ministry and to communion- the Body of Christ. The analogy is excellent. It also shows how a church can be so open and welcoming to all people from all walks of life, and although not intended as an ad for the Episcopal Church, it sure serves as great publicity!

Any person who signs will probably agree that facial expression is a very intregal part of deaf communication...the photographs in this book absolutely excel in that area. Very informative texts preface the images sections and accompanying information on each page (handshape, position, movement, visualizations...) is very well done and is appropriately relevant. Even though I still can hear almost normally with hearing aids, I am attempting to learn ASL as an alternate means of communication, and although I do have other reference material I can use, this book is always the one I choose. If you want more 'bang for your buck' this is the one to go with!

This is a great Book! We used this book in a sign language class I took. It is easy to read and understand. I would highly recommend this book to anyone who wants to learn to talk to the deaf or hard of hearing.

This book covers numerous "word groupings" in 17 chapters. Some of these groupings include, "Days of the Week & Time"; "School & Education"; "Descriptions,Thoughts& Emotions"; "The body& Health"; "Mealtime& Food"; "Home&Clothing"; "Numbers,Math Terms,Quantity &Money"; "Pronouns,People&Relationships"; "Actions"; as well as many more.
I especially like this book for the photographic illustrations. So far this is the only ASL book I have found with photographic illustrations.

With each word there are specific instructions for the proper hand shape, position, and movement to go with each sign as well as a visual reminder for memory. At the bottom of each page there is a photographic guide as a visual reminder of all the proper hand shapes that are used in all the signs for that particular page.

I would highly recommend this book for any with the desire to learn Sign Language.

This book was a required text for a Sign Language I course. The pictures are very clear, it gives good description of hand shape, location and movement. I really like that it gives a hint of how to visualize each sign, it makes it much easier to remember.

The book "Talking With Your Hands, Listening With Your Eyes" is a great book for people wanting to start learning sign language. The photographs of the signs are very clear. I especially like the additional material throughout the book about Deaf Culture and history. I recommend this book and enjoyed reading it even though I have been a student of sign language for 5 years.

I have purchased many copies of this book to share with friends for its thoughtful and compassionate look at life and its challenges.

John O'Donohue has used ordinary language creatively, often turning
negatives into positives: e.g. "laboratory of the soul".

I had previously been turned off by some of his ideas and bought the
book because the price was right at the WRITERS ALMANAC web site.
Turned out to be a great idea.

John O Donohue introduces the reader to the art of blessing. "It is the modest wish of this book to illuminate the gift that a blessing can be,the doors it can open,the healing and transfiguration it can bring."(ODonohue)
The author poured his heart and soul into creating blessings that speak to the human condition from the cradle to the grave and beyond. He intoduces each of the seven sections of the book with a poetic grace that draws the reader in while linking them to the Source of their own creativity and spirituality.

This is a beautiful book, a treasure! I've purchased additional copies for friends, and I'm certain they will love it.

I absolutely LOVE this book! My husband & I are planning for a family, when I got this book in the mail I opened randomly to a page somewhere in the middle and magically turned right to the blessing for "The Mother-To-Be"! So amazing! My yoga instructor reads us passages from this book sometimes (how I heard about it) and everytime she does, the peaceful, blessed effect is palpable.

Once again I am enchanted by Robert Sabuda's imagination and genius. This is a lovely collectors book to enjoy at Christmas, or any time.

I already had this book myself, but I purchased multiple copies to give as Christmas gifts this year. I think they were very well received. I have all of Sabuda's pop up books and this one fits in nicely. If you like Sabuda's books, you'll love this one. If you don't have any of his books yet, this is a nice one to start with.

If you are "into" pop-up books this is another to add to your collection. If want to sit and look and read with kids another great book. I would not give the book to the kids, as with all pop-up books this one is fragile

This is a great book to share for all ages. Kids and adults are fascinated by the ingenius pop-ups. A great low tech reminder of the wide-eyed wonder that makes Christmas fun.

makes you feel like a child again..finding a childish fasination
in each pop up..It makes my face light up and puts a smile on
my face with the realization how much work goes into these pop ups

This book is a great reference for anyone interested in sailing. If you're looking for a book that covers both power boating as well as sailing, Chapman's might be a better choice. However, on the topic of sailing, I prefer Annapolis over Chapman's.

If you are looking at this book, it is probably because it has been referred to you. This is a must have for anyone wanting to know about sailing - it covers it all.

We were introduced to sailing from friends. They let us borrow their 2nd addition copy of this book. When they purchased a different boat we finally realized it was time to get one for ourselves. We have found it to be an invaluable reference tool, but not so "encyclopediac" that you can't enjoy reading on. In fact, when I refer to it, I always find myself distracted with other interesting topics. It is a book for any sailor to keep out on their coffee table.

I highly recommend this book for any aspect of sailing knowledge.

My brother found a first edition of this book in someone's trash, and grabbed it for me, as he knew I was a sailor and thought it might be useful or important. I had learned to sail from "Sailing for Dummies"; this, however, is (or should be) the bible for learning to sail. It is the only sailing book I've read that has described how to fly a spinnaker in a useful manner.

Reading this book will shorten any sailor's learning curve. It covers all aspects of the sport. John Rousmanierehas compiled an amazing reference/textbook that is interesting, informative and invaluable. I highly recommend this book to sailors at all levels of proficiency. Thank you Mr. Rousmaniere for this wonderful resource.

this book was recommended by the instructor for a course on Shakespeare I took, to help those of us who were new to the literature and language of Shakespeare. It was an amazing resource and made it much easier to read and write about the plays. It's clearly written, explains the story well and any historically significant information that might be of importance to the play's history. This is an excellent suppliment for anyone reading Shakespeare.

This really does sum it up best:

"Shakespeare's genius is marked by his rare ability to appeal to theatergoers of all types and all levels of education. But for most modern folks, the Greek and Roman mythology and history, let alone the history of England and the geography of sixteenth-century Europe that his works are laden with, are hardly within our grasp. Isaac Asimov comes to making obscure issues clear to the layperson, selects key passages from 38 of the great bard's plays plus two of his narrative poems and, with the help of beautifully rendered maps an figures, illuminates us about their historical and mythological background."

Asimov is a genius, Shakespeare is a genius, it takes one to know one.

October 21, 2007

If you want to understand Shakespeare or just appreciate him more,this is a "must have" book.

Highly recommended for Shakespeare fans.

Gunner October, 2007 Comment | Permalink

This is the book if you want to start exploring Shakespeare. And don't get me wrong: it is not shallow -- on the contrary! -- but it is a very uncomplicated reading. Totally worth it.

As usual with Asimov works, this guide is absolutely superb!! I fully recommend it to readers attacking Shakesperare for the first time

when i first heard of this book, i was very hesitant! i am about as far from being a proverbs 31 woman as humanly possible! but donna offers life change in bite size managable pieces! i am about half way through the book and am absolutely amazed at the changes that God is making in my life! i have even had a non Christian friend comment that she is so amazed at the changes she is seeing in me, that she wants to read the book! what a great book!

This book has started me on the path of what God wants me to be. This book has 90 days of activities to help you get closer to God and change your lifestyle. I often read this book in the middle of the night while I am watching my special needs son. I have to help him clear his airway at night and my life gives new meaning to the part of Proverbs 31 that says her lamp does not go out at night. I also have a four month old.
I do get to sleep though. God gives me rest. The woman he wants me to be is not completely exhausted all of the time. He lies me down beside still waters too.
I know that God has a plan for me to prosper me and not harm me and to give my family a hope and a future.
There are fun parts of the book like the chapter on what is your signature color. I realized that I should be wearing more navy blue and I noticed a difference in how I look when I wear the right colors.
This book is a 90 day jumpstart and I can't wait to continue living the life that God has set out for me.

This book is your begining to a new way of life. This is the best guide to help you get to where you want to be. It will bring you closer to the Lord and help you become the woman you were ment to be.

This is a wonderful easy read. It helped me find my way back to the Lord. I can honestly say it saved my life. It's one of them books every woman who wants a deeper walk with God should read.

I wanted a devotional book that I could read every morning that would take approx 10 mins of my time with another 5 mins for reflection on what I just read. This book is ment to be read in 90 days based on Donnas day by day format. It is exactly what I was looking for. Donna is full of inspiration and guidance while applying scripture to every day life. I looked forward to every morning excited to read what Donna would have to say! This is a great read for any woman in her journey with god and in life.

The Complete Works of Shakespeare / 0-673-99996-3

Every play, every sonnet, every scribble is here - and much more. This volume includes useful background on the theatre, politics, morality, and social mores of the day. The level of detail here is absolutely stunning; the footnotes are numerous and incredibly helpful, especially to 'translate' obscure sayings or particularly unusual English usage. Each play is prefaced with an introduction containing the complete 'cliffs notes' of the play, providing useful insight into character motivation and development. I highly recommend this volume, both for Shakespeare enthusiasts and for students just wishing for enough information that they can passably demonstrate familiarity with the Bard.

This was the text for my college Shakespeare classes over 20 years ago (different edition of course) I still have it and still use it. A wonderful book for students and those who want not only the complete works but some well written and authoritative information about Shakespeare and the world in which he lived and wrote.

The texts of the plays are well foot-noted and the type is easy on the eyes. Well worth the investment.

While reading reviews of this edition elsewhere on the Web, I came across this review by David Allen White, professor of English @ the U.S. Naval Academy and editor (with Charles Boyce) of Shakespeare A to Z:

"Re-writing Shakespeare is nothing new. The Nahum Tate version of King Lear--with the happy ending--held the stage for nearly a century and a half. The great actors of the romantic age, Kean and Booth and Macready, not only spotlighted the heroes in the tragedies but felt free to beef up their roles. Directors began more than 50 years ago to monkey with the historical settings of the play, often with imaginative and instructive results. Scholars, critics, and directors have ridden various hobbyhorses through the plays for years, introducing us to Freudian Hamlets and Marxist King Lears and feminist Tamings of the Shrew.

"Recent Shakespeare production and scholarship, however, add a perverse twist to this long tradition. We no longer care what the Bard actually wrote. Years of deconstructionist theorizing have taught us that words are needy and we, readers or actors or scholars, have the right, indeed the obligation, to give them the gift of meaning--our meaning, the more bizarre the better.

"For the 23 years that I've taught Shakespeare at the United States Naval Academy, I have always used the same text, The Complete Works of Shakespeare, edited by David Bevington of the University of Chicago. Professor Bevington is an old-school scholar with a distinguished career. The book he edited had many advantages: large print, full character names before each speech, specific indications of settings, modernized spellings, solid introductions that connected the plays to the students' experience of love and politics, morality and order, passion and faith, and comprehensive but not overwhelming notes. Every few years a new edition would appear, and I would open it with interest and a little apprehension. But the changes would be minor--thinner paper (approaching the substance of tissue, a malady afflicting many recent books), hints here and there of encroaching academic perversity in the notes--nothing sufficient to make me seek another text. The 4th edition's introduction to The Tempest caused me to swallow hard: We learn there that Prospero's authority "is problematic to us because he seems so patriarchal, colonialist, even sexist and racist in his arrogating to himself the right and responsibility to control others in the name of Western and Christian values." But this is an imperfect world, and I soldiered on.

"Notified that a 5th Edition would appear this fall, I took time to examine it closely. Many of the introductions remain the same; but new editors and commentators have significantly altered others. Despite the myth of progress that reigns in all the disciplines of modern academia, "new" is often far from "improved." Apparently, Professor Bevington has either ignored the changes or allowed the young scholar-colts to have a romp. In some of the new introductory essays, especially under the guise of new brief histories of stage performance, questionable judgment, to put it mildly, has crept in. For example, the introduction to Othello ends with the following observation:

'In another recent development, Emilia has stood out in several productions as the raissoneur and heroic figure in the play, speaking as she does on behalf of maltreated women, urging Desdemona to stand up for her rights. One recent Chicago production went so far as to rewrite the ending: Othello and Iago both survive unpunished for what they have done, while Desdemona and Emilia lie dead as their innocent victims. This deliberate and provocative overstatement might seem extreme to some viewers, but unquestionably did signal the direction of recent performance history of the profoundly disturbing play.'

"It may be time to stop buying tickets to that great play.

"The current obsession in academia is "queer theory," and the homoerotic is everywhere, not just in Shakespeare studies. But this particular perversity fills the introductions to the new Bevington, especially the introductions to the comedies. Compare the following passages, the first from the introduction to As You Like It in the 4th Edition, essentially a carry-over from earlier editions:

'Rosalind's disguise name, Ganymede, taken from Jove's amorous cupbearer, has homoerotic connotations that are easily misinterpreted today. Shakespeare delicately acknowledges the suggestion, to be sure, both in Phoebe's pursuit of a young lady (but really a boy actor) in male attire, and in Orlando's courtship of "Ganymede" as though addressed to Rosalind. Yet this innocent titillation, found also in Shakespeare's source, is not meant to hint at homosexual attraction as we understand it. On the contrary, the point is that Orlando can speak frankly and personally to "Ganymede" as to a perfect friend, one to whom he can relate in platonically spiritual terms without the distracting note of sexual interest.'

"These are eminently sane and sensible remarks. Now from the Introduction to As You Like It in the 5th Edition:

'Rosalind's disguise name, Ganymede, has connotations that suggest ways in which human sexuality can be partly understood as socially constructed. If Rosalind in disguise as Ganymede wins the affection and eventually the love of Orlando, while her father and the others are equally taken in by the disguise, are maleness and femaleness chiefly matters of sartorial convention and superficial appearance? When Phoebe falls in love with Ganymede, is not her infatuation a way of showing that the roles of the sexes can be put on and off? Theatrically, the device of having a young male actor play Rosalind who then disguises him/herself as a young man adds to the witty confusion of sexual identities by introducing homoerotic possibilities. Not only can the roles of the sexes be put on and off, sexual desire itself is unstable...'

"This is ideology masquerading as interpretation.

"To be sure, the range of possible interpretations of Shakespeare's work is wide, for he encompasses all of humanity and tells profound and mysterious truths about human life. Such inexhaustible expansiveness invites discussion and dispute and differences. At the end of the Introduction to Richard II in this volume, for example, there is a brief but superb account of various interpretations of that rich role by leading actors. Professor Charles Forker of Indiana University provides that account; another old-school scholar, he knows more about that play than any other living soul. Too many of the revised introductions, however, are more interested in advancing the latest academic-political orthodoxy than in discovering and illuminating the natural and conventional moral order so abundantly on display in Shakespeare's works. Nothing is more orthodox--still--among contemporary literary critics than the alleged truth that there is no truth, that all interpretations are valid except the author's own.

"Thus Puck in A Midsummer Night's Dream can be presented as "the denizen of a drug culture, with the love potion as the weed he gleefully distributes. The experience of the forest becomes a drug-induced 'high,' for audiences as for the actors. The fairies, sometimes played by adult and hairy males, can exhibit a streak of cruelty." And, indeed, in a recent production at the Shakespeare Theater in Washington, D.C., the fairies were hairy males who carried something like miners' lights. So much for lightness and charm and magic. This same Dream introduction gives the game away in words that are echoed in many of the other essays: "These modern interpretations are arguably neither more nor less 'true' to Shakespeare's text than earlier or more 'traditional' versions. What they do demonstrate is the play's remarkable permeability and openness to differing views."

"The new Bevington retails for $90; in good conscience, I cannot ask students to fork over such a sum of cash for a book that is now rife with nonsense. So next fall I'll assign The Riverside Shakespeare, which fortunately is still in its 2nd edition. I fervently hope it is not soon updated.

"Of course, the Bevington volume has come to reflect the universities it serves, where young students pay small fortunes to be taught that there is no enduring meaning or beauty to be found in the poetry of Shakespeare, no tradition worth preserving, no "truth" other than personal whim and innovative foolery. If the price of the new Bevington is petty theft, the tuitions charged by these institutions have become, at least for the study of the humanities, highway robbery.

"I know a father who gave his son the equivalent of a year's tuition and told the lad to go to Europe, to travel, to observe, to learn for as long as the money would hold out. The young man came back after two-and-a-half years, mature and educated, and instantly found a good job. The time has come for imaginative, alternative learning. I talked recently with a very intelligent young woman who loves literature; she is completing her sophomore year at Yale, where she had hoped to pursue an English Literature major. She informed me with sorrow that she was abandoning that plan. Her reason was quite simple: she had already sat through too many classes where lunacy prevailed. She mentioned the possibility of looking at traditional Catholic convents. Could this be the first refreshing drop of a wave of the future? It would not be the first time that civilization was preserved in the convents and the monasteries. Nymph, in thy orisons, be all of Academia's sins remembered."

(Allen, David White, "An Unweeded Garden," The Claremont Institute, http://claremont.org/publications/crb/id.959/article_detail.asp [originally published March 22, 2004])

I guess it's safe to say that, based on his review, Professor Allen'd give this edition 1 star...right?

I purchased this book as a birthday present for a graduating high school student who is a big fan of Shakespeare.
This volume has a lot to offer to both students and casual readers. In addition to very readable text of all the plays and sonnets, the fifth edition provides historical and literary context, including drawings and photos, as well as insightful essays on each of the plays. The essays include background, plot summaries and discussion of major themes and would be very useful to anyone seeing a play, especially for the first time. The helpful glossary is extensive, so the reader doesn't have to look up unfamiliar words or feel intimidated by the language. Professor Bevington's fifth edition of the Complete Works is a gem, authoritative and attractive. The birthday girl thinks so, too-- she gives it an A+.

This is truly a great book. Not only does it contain all of Shakespeare's works but it also has an enormous amount of information. There's a little bit on his life and a bit more about the theater during his time. There are also some great drawings in the beginning of the book.

The Complete Works of Shakespeare / 0-673-99996-3

Every play, every sonnet, every scribble is here - and much more. This volume includes useful background on the theatre, politics, morality, and social mores of the day. The level of detail here is absolutely stunning; the footnotes are numerous and incredibly helpful, especially to 'translate' obscure sayings or particularly unusual English usage. Each play is prefaced with an introduction containing the complete 'cliffs notes' of the play, providing useful insight into character motivation and development. I highly recommend this volume, both for Shakespeare enthusiasts and for students just wishing for enough information that they can passably demonstrate familiarity with the Bard.

This was the text for my college Shakespeare classes over 20 years ago (different edition of course) I still have it and still use it. A wonderful book for students and those who want not only the complete works but some well written and authoritative information about Shakespeare and the world in which he lived and wrote.

The texts of the plays are well foot-noted and the type is easy on the eyes. Well worth the investment.

While reading reviews of this edition elsewhere on the Web, I came across this review by David Allen White, professor of English @ the U.S. Naval Academy and editor (with Charles Boyce) of Shakespeare A to Z:

"Re-writing Shakespeare is nothing new. The Nahum Tate version of King Lear--with the happy ending--held the stage for nearly a century and a half. The great actors of the romantic age, Kean and Booth and Macready, not only spotlighted the heroes in the tragedies but felt free to beef up their roles. Directors began more than 50 years ago to monkey with the historical settings of the play, often with imaginative and instructive results. Scholars, critics, and directors have ridden various hobbyhorses through the plays for years, introducing us to Freudian Hamlets and Marxist King Lears and feminist Tamings of the Shrew.

"Recent Shakespeare production and scholarship, however, add a perverse twist to this long tradition. We no longer care what the Bard actually wrote. Years of deconstructionist theorizing have taught us that words are needy and we, readers or actors or scholars, have the right, indeed the obligation, to give them the gift of meaning--our meaning, the more bizarre the better.

"For the 23 years that I've taught Shakespeare at the United States Naval Academy, I have always used the same text, The Complete Works of Shakespeare, edited by David Bevington of the University of Chicago. Professor Bevington is an old-school scholar with a distinguished career. The book he edited had many advantages: large print, full character names before each speech, specific indications of settings, modernized spellings, solid introductions that connected the plays to the students' experience of love and politics, morality and order, passion and faith, and comprehensive but not overwhelming notes. Every few years a new edition would appear, and I would open it with interest and a little apprehension. But the changes would be minor--thinner paper (approaching the substance of tissue, a malady afflicting many recent books), hints here and there of encroaching academic perversity in the notes--nothing sufficient to make me seek another text. The 4th edition's introduction to The Tempest caused me to swallow hard: We learn there that Prospero's authority "is problematic to us because he seems so patriarchal, colonialist, even sexist and racist in his arrogating to himself the right and responsibility to control others in the name of Western and Christian values." But this is an imperfect world, and I soldiered on.

"Notified that a 5th Edition would appear this fall, I took time to examine it closely. Many of the introductions remain the same; but new editors and commentators have significantly altered others. Despite the myth of progress that reigns in all the disciplines of modern academia, "new" is often far from "improved." Apparently, Professor Bevington has either ignored the changes or allowed the young scholar-colts to have a romp. In some of the new introductory essays, especially under the guise of new brief histories of stage performance, questionable judgment, to put it mildly, has crept in. For example, the introduction to Othello ends with the following observation:

'In another recent development, Emilia has stood out in several productions as the raissoneur and heroic figure in the play, speaking as she does on behalf of maltreated women, urging Desdemona to stand up for her rights. One recent Chicago production went so far as to rewrite the ending: Othello and Iago both survive unpunished for what they have done, while Desdemona and Emilia lie dead as their innocent victims. This deliberate and provocative overstatement might seem extreme to some viewers, but unquestionably did signal the direction of recent performance history of the profoundly disturbing play.'

"It may be time to stop buying tickets to that great play.

"The current obsession in academia is "queer theory," and the homoerotic is everywhere, not just in Shakespeare studies. But this particular perversity fills the introductions to the new Bevington, especially the introductions to the comedies. Compare the following passages, the first from the introduction to As You Like It in the 4th Edition, essentially a carry-over from earlier editions:

'Rosalind's disguise name, Ganymede, taken from Jove's amorous cupbearer, has homoerotic connotations that are easily misinterpreted today. Shakespeare delicately acknowledges the suggestion, to be sure, both in Phoebe's pursuit of a young lady (but really a boy actor) in male attire, and in Orlando's courtship of "Ganymede" as though addressed to Rosalind. Yet this innocent titillation, found also in Shakespeare's source, is not meant to hint at homosexual attraction as we understand it. On the contrary, the point is that Orlando can speak frankly and personally to "Ganymede" as to a perfect friend, one to whom he can relate in platonically spiritual terms without the distracting note of sexual interest.'

"These are eminently sane and sensible remarks. Now from the Introduction to As You Like It in the 5th Edition:

'Rosalind's disguise name, Ganymede, has connotations that suggest ways in which human sexuality can be partly understood as socially constructed. If Rosalind in disguise as Ganymede wins the affection and eventually the love of Orlando, while her father and the others are equally taken in by the disguise, are maleness and femaleness chiefly matters of sartorial convention and superficial appearance? When Phoebe falls in love with Ganymede, is not her infatuation a way of showing that the roles of the sexes can be put on and off? Theatrically, the device of having a young male actor play Rosalind who then disguises him/herself as a young man adds to the witty confusion of sexual identities by introducing homoerotic possibilities. Not only can the roles of the sexes be put on and off, sexual desire itself is unstable...'

"This is ideology masquerading as interpretation.

"To be sure, the range of possible interpretations of Shakespeare's work is wide, for he encompasses all of humanity and tells profound and mysterious truths about human life. Such inexhaustible expansiveness invites discussion and dispute and differences. At the end of the Introduction to Richard II in this volume, for example, there is a brief but superb account of various interpretations of that rich role by leading actors. Professor Charles Forker of Indiana University provides that account; another old-school scholar, he knows more about that play than any other living soul. Too many of the revised introductions, however, are more interested in advancing the latest academic-political orthodoxy than in discovering and illuminating the natural and conventional moral order so abundantly on display in Shakespeare's works. Nothing is more orthodox--still--among contemporary literary critics than the alleged truth that there is no truth, that all interpretations are valid except the author's own.

"Thus Puck in A Midsummer Night's Dream can be presented as "the denizen of a drug culture, with the love potion as the weed he gleefully distributes. The experience of the forest becomes a drug-induced 'high,' for audiences as for the actors. The fairies, sometimes played by adult and hairy males, can exhibit a streak of cruelty." And, indeed, in a recent production at the Shakespeare Theater in Washington, D.C., the fairies were hairy males who carried something like miners' lights. So much for lightness and charm and magic. This same Dream introduction gives the game away in words that are echoed in many of the other essays: "These modern interpretations are arguably neither more nor less 'true' to Shakespeare's text than earlier or more 'traditional' versions. What they do demonstrate is the play's remarkable permeability and openness to differing views."

"The new Bevington retails for $90; in good conscience, I cannot ask students to fork over such a sum of cash for a book that is now rife with nonsense. So next fall I'll assign The Riverside Shakespeare, which fortunately is still in its 2nd edition. I fervently hope it is not soon updated.

"Of course, the Bevington volume has come to reflect the universities it serves, where young students pay small fortunes to be taught that there is no enduring meaning or beauty to be found in the poetry of Shakespeare, no tradition worth preserving, no "truth" other than personal whim and innovative foolery. If the price of the new Bevington is petty theft, the tuitions charged by these institutions have become, at least for the study of the humanities, highway robbery.

"I know a father who gave his son the equivalent of a year's tuition and told the lad to go to Europe, to travel, to observe, to learn for as long as the money would hold out. The young man came back after two-and-a-half years, mature and educated, and instantly found a good job. The time has come for imaginative, alternative learning. I talked recently with a very intelligent young woman who loves literature; she is completing her sophomore year at Yale, where she had hoped to pursue an English Literature major. She informed me with sorrow that she was abandoning that plan. Her reason was quite simple: she had already sat through too many classes where lunacy prevailed. She mentioned the possibility of looking at traditional Catholic convents. Could this be the first refreshing drop of a wave of the future? It would not be the first time that civilization was preserved in the convents and the monasteries. Nymph, in thy orisons, be all of Academia's sins remembered."

(Allen, David White, "An Unweeded Garden," The Claremont Institute, http://claremont.org/publications/crb/id.959/article_detail.asp [originally published March 22, 2004])

I guess it's safe to say that, based on his review, Professor Allen'd give this edition 1 star...right?

I purchased this book as a birthday present for a graduating high school student who is a big fan of Shakespeare.
This volume has a lot to offer to both students and casual readers. In addition to very readable text of all the plays and sonnets, the fifth edition provides historical and literary context, including drawings and photos, as well as insightful essays on each of the plays. The essays include background, plot summaries and discussion of major themes and would be very useful to anyone seeing a play, especially for the first time. The helpful glossary is extensive, so the reader doesn't have to look up unfamiliar words or feel intimidated by the language. Professor Bevington's fifth edition of the Complete Works is a gem, authoritative and attractive. The birthday girl thinks so, too-- she gives it an A+.

This is truly a great book. Not only does it contain all of Shakespeare's works but it also has an enormous amount of information. There's a little bit on his life and a bit more about the theater during his time. There are also some great drawings in the beginning of the book.