William Blake Books

I bought this book as a gift for my 16yr old niece. The very next day, she told me how much she loved the book. She even cried reading it. I think it's nice to find reading materials that can move the minds and feelings of teenagers.

I skimmed through the book before I gave it to my granddaughter who just turned 13. I thought it had some well written stories that a teenager can relate to and a lot of food for thought. She was so happy to get it, since she had the one for pre-teens also and really liked it.

Once again, "Chicken Soup for the Soul" books has a hit. This is a wonderful gift for young teens with its easy read of short stories on pertinent topics and experiences teens face. Teens I have given it to as a gift have loved it and purchased the next in the teen series. Also a source of good talking points for those anxiety ridden moments or social issues teens face.

I am a teacher in two high schools and I like to read the stories of the book to my students from time to time to inspirate them and reinforce their teenage self esteem! I suggest it to all teacher to make the same with a nice calm background music.

I recomend that you read this book because its stories are touching, sad, heart warming, and pretty much every other emotion you can feel. You can learn a lot about different in life, and how people got through them. :p
zoe r.
lanier ms

I have shopped on Amazon before but this time I bought from another vendor through Amazon. I was skeptical at forst and wasnt sure when and how I will receive the book. I wasnt sure of the condition of it either. It arrived 7 days after my purchase in excellent condition.

This is the best handbook of dialysis. This is equally true for the forth edition as for the first edition. You don't need to look for another concise book. No one sentence or word is redundant, every information is up-to-date. No doubt you can find there every practical information you are looking for.

I am a 48 year old male who has been on hemodialysis for nearly 29 years. I pride myself in the fact that I have always been very much involved in my treatment. Over the years, I have made it a priority in my life to stay abreast of directions the dialysis industry has taken, some good, some not so good.When my docter suggested this book at first I was skeptical. I felt it was going to be another simplisticapproach to being a "good" patient as oppossed to being a knowledgable, proactive patient.

Although there is a lot of terminology which must learned. If the patient can persist,he/she WILL improve his/her standard of living. A must have for all in the field, Pt., RN, or MD.

Robert C. Notestine.
"doshuevos@aol.com"

This is about the best handbook there is in the field of dialysis. It somehow manages to marry the conciseness and practicality of a handbook that can be carried around in your whitecoat and at the sametime, contains enough information that is usually only found in huge reference texts. Not only does it contain management guidelines in easy to read tables and point form, but also contains a lot more information regarding the basic physiology and scientific evidence if you care to read the appropriate sections. The downside to this is that it appears less readable when you compare it to its main "competitor", the oxford handbook series, but there again, they serve very different needs. For the non-specialist who needs a three second reference, especially someone who works in Britain, I would get the oxford handbook. If you are a nephrologist/dialysis nurse in training, you will inevitably go back to the handbook of dialysis, sooner or later.

"The Handbook of Dialysis" is a must have for anyone who is a patient on dialysis or who is the caretaker of someone on dialysis. This book is written with a Nephrologist or Nephrology nurse in mind, but patients and caretakers can learn a great deal as well. It explains the whole dialysis process including reuse, vascular accesses, anticoagulation, nutrition, infections, sleep disorder, etc. The dialysis process affects one's whole system.

It's amazing how soothing just reading William Blake's poetry is on the troubled soul. I always look for his work to ease my mind and lift my spirit. Everyone should treat themselves to his work. Peace be with you.

A wonderful paperback edition, containing all the works of
William Blake, with a excellent introduction
of Harold Bloom. An priceless tool for students
and teachers

This is an outstanding resource for anyone interested in the works of William Blake. It's well organized and easy to work with. I'm very pleased with it.

What to write for my last review? That was tough. Since I was a little boy I have always been one of those who had his face in a book. Books, books, books. When I began my jobs as a paperboy, and later at the grocery store, I began buying books. This hobby grew so large, that my father made our rumpus room a library for me. And it grew ever larger. By the time I enlisted in the Air Force, I had amassed quite a large number of volumes. While in Europe and the Middle East, I would scour book stores and began purchasing leather books. Some very old, and many in foreign languages. Since the Air Force only allowed for a 5,000 lb limit, I spent a fortune sending books home. When I left the service my house looked like a library. Running out of space, I began to make my garage a library. However, it grew ever larger. Therefore, I made use of my brothers garage, then my mothers, and eventually even had to make due with having to rent a few storage spaces.

Yes, it's that large. I was hoping to make a large home library some day. Books have been my life: Even though I write mostly about Asian films. And I was glad that VHS films came into vogue, as they afforded me the opportunity to begin amassing a large collection of Japanese films which I have a soft heart for. That got real big too! Anyway, back to the question as to what to write for my last review? Well, I just happened to stumble across this book last night, one of many. There is a poem by the gifted and enigmatic poet, engraver and painter William Blake. I do recommend the book by the way. Events in my life have gone in a very negative way, therefore, I have decided to impart a poem as my last review. Hope you like it. It's one I have remembered from my childhood. There are too many great things to write about, and I figured this would not be a bad goodbye. It is William Blake's "THE TYGER"

THE TIGER

Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder and what art
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand and what dread feet?

What the hammer? What the chain?
In what furnace was thy brain?
What the anvil? What dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water'd heaven with their tears,
Did He smile His work to see?
Did He who made the lamb make thee?

Tiger, tiger, burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?


William Blake (1757-1827)

It has all his writings: letters, anotations scribbled in the margins of other people's books, everything. Only downside: it doesn't show his illuminated printing.

I loved this product. As an English teacher in DCPS I have found my students loved being read to. Sometimes they become a little sick of me reading out loud, so having the CD accompany these fantastic poems worked out well in providing variety.

This is a wonderful book for the beginner or anyone wanting to awaken the lapsed poetry lover within. I haven't read poetry since I was in college (many years ago) and found this book an easy re-entry into the wonderful world of poetry. Everyone will have their favorite poems, but I think the ones chosen for this book are diverse and reflect a treasure of past and contemporary work. I have listened to the CD over and over again as it opens up the other dimension of poetry which has helped me fully appreciate many of the poems. John Lithgow is a wonderful host, and beckons us all to enjoy one of life's truly meaningful and mysterious joys. The brief information about each poet proceeding their poem is very helpful and there are highlighted bits of general information including further reading, links to websites etc. Warning--reading poetry can be addictive...

Lithgow was born in Rochester, New York. His mother was a retired actress, and his father was a theatrical producer and director who ran the McCarter Theatre in Princeton, New Jersey. Lithgow won a scholarship to Harvard University, where he graduated magna cum laude in 1967, and won a Fulbright Scholarship to study at the London Academy of Music and Dramatic Art.

Lithgow writes that poetry was an important part of his life: "My grandmother was part of the last generation who memorized poetry for pleasure."

Lithgow's love of poetry shines through the fifty short introductions to 50 classical poets on offer here.

Here's a sampling of the bios:

"Among the Victorian poets of England, Matthew Arnold was not as famous as Tennyson and Robert Browning. Unlike them, he did not have the luxury of being able to devote himself full-time to writing. Arnold, the son of a clergyman and private-school head- master, worked for a living his entire life. A ten-year appointment at Oxford University as a poetry professor, combined with his job as a government school inspector, meant he had to squeeze in his poetry on his own time. He wrote most of his poems before he was forty years old, when family life and work were less demanding. After that, he concentrated on writing essays about culture, religion, and literature, and his prose was better received than his poetry, at least during his lifetime. Some say it was his literary criticism that elevated criticism to an art form in its own right. Here is Arnold on poetry: "I think it will be found that grand style arises in poetry, when a noble nature, poetically gifted, treats with simplicity or with severity a serious subject."

To Arnold, no matter how beautiful its language or imagery, if a poem lacked an important subject, he found it unworthy of his attention. Serious and austere himself, he chose lofty subjects for his own poems-faith or the absence of faith, how to live in a meaningful way, politics, the individual in relation to society. He believed his work would endure because it reflected the period's big themes. "For the creation of a masterwork of literature two powers must concur," wrote Arnold, "the power of the man and the power of the moment, and the man is not enough without the moment." Arnold's moment in history happened to be one of great change and flux. You could say all his poetry was about coming to terms with the Victorian age of industrialism and the weakening of religion.

***

Lithgow chooses poems he personally enjoyes the most;
for Arnold he chose "Dover Beach":

The sea is calm to-night.
The tide is full, the moon lies fair
Upon the straits; -- on the French coast, the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.

You can hear the actor's cadences as you read these lines, and Lithgow adds: "There's just no way around it, this is a downbeat poem. I hear in it a desperate, yearning gloom, a sense of despair about the Victorian world and a personal crisis of faith. But despite the poet's melancholy, the poem is quite beautiful in its specificity. Arnold reveals his feelings very directly and openly."

Lithgow is very aware of the importance of sound, and for folks like me with a tin ear, the accompanying CD is a special delight: great poetry read by great actors like Jodie Foster and Helen Mirren.

Altogether, a delight to savor and perhaps to even encourage the reader to memorize a few lines.

Robert C. Ross 2007 2008

The most important factor in this anthology is that Lithgow is not a poet! How great is that! No name dropping, no friend of a friend, no academic postulations on the preponderances of poetry's perplexing postulations! He just loves poetry. And that frees him to choose what he likes.

The second important factor is that he provides us with audio. Poetry is an audio art as well as visual one. And it stinks to always be missing out on 1/2 of the art.

As a student a teacher of poetry I was schooled in contemporaries like Collins, Howe, Harjo, Bukowski so I always had an aversion to the masters being a lot of it was now cliche and with that annoying abab rhyme scheme. But Lithgow and company make it come alive for me. Hearing Auden read by Foster blew the doors on my poetic hinges. I think this anthology is important for anyone who loves the arts. It is not condescending or overwrought with analysis. A little history of the poet, a little nostalgia about why he like the poem, and then BAM! the poem PLUS he give you more poems by the same author after his initial pick just for exposure so you get 50 poems on the CD plus more in the book. This is the kind of book you buy everyone you know when you can't think of any really worthwhile and meaningful to give them.

It makes me want to do my own anthology poems I love. I my own quarrel is that I doubt there will be a sequel.

The Poet's Corner, compiled by John Lithgow presents an expansive collection of poetry, and is accompanied by a bonus MP3 CD featuring readings of poetry by Mr Lithgow and his friends [ Glenn Close, Morgan Freeman, Jodie Foster, Sam Waterston etc].

Though not the most comprehensive collection of poetry, it is a worthy compilation of well-known poetry written in the English language and is sure to find fans, both existing lovers of poetry and those just coming to appreciate the genre.

Each poem that is selected is accompanied by a short bio of the poet and Mr Lithgow's own explanation as to how the piece interests him or its emotional pull for him. The poems are presented by the poet [alphabetically by their last names] beginning with Matthew Arnold, and ending with William Butler Yeats. There are 50 poets in all, and the poems cover different eras, varied subjects, yet are all beguiling and unique in their ability to draw us in and affect us in different ways. Reading this compilation impacted me emotionally, engulfing me in feelings of joy, sadness and even silent contemplation. The bonus CD is another plus and together this is a wonderful and enjoyable compilation of poetry.

I was recently in London to hear Dr. Diamond speak and was astonished at the literary intelligence of the English. They really loved this book! I think it's such an important work, and wish that every student of literature could look at the classics in the way Dr. Diamond looks at them- for their life energy raising properties.

Blake is always beautiful, and more profoundly so in the style Diamond has laid his words out.

I have always loves Blake - in particular the facsimile editions with Blake's watercolor designs bordering the beautiful copper-plate text, but nowhere have I been struck by the power of his writing to the extent that I have by this volume. The layout that Dr. Diamond has chosen adds immeasurably to the force of Blake's words. The imagery in these passages leaps off the page, and the reader is given a compelling sense of the creative visions that must have inspired Blake to write.

This is a wonderful collection of Blake's later poems is specifically edited to enhance their therapeutic power and comprehensibility. This anthology, more than any other I have come across, helps to make these obscure works accessible; and the layout and punctuation has deepened my experience of them.

What a wonderful book! I highly recommend it as an introduction to Blake. I had read his "Songs of Innocence and Experience," but I did not know his prophetic writings were so powerful. I also enjoyed the humor found in extracts from Blake's letters and other writings. Phrases from the poems come back during my quiet moments, inspiring me with their beauty, imagination and fire. Dr. John Diamond has done a beautiful job in selecting and laying out the passages. His introduction is also stimulating and insightful. In addition, the book is well produced -- it is put together with friendliness and care. (And the cover is exquisite -- worth the price by itself!)

I love this book. I keep it by my armchair and open it when there's a quiet moment. And when I do, the power of Blake comes to me and helps me throughout my day. Only Blake speaks with such passion and strength, and his poetry is presented here unadulterated by titles, footnotes or page the poetry in landscape format so that Blake's long lines need not be broken. Whatever your previous experience of poetry, this book will enhance your life in a way that only such a distillation of Blake could achieve

I recommend that any fan of William Blake buy this volume and the other 5 in the series. The books are beautiful, large, and handsomely bound. Each book is reproduced in full color, using a six-color printing process rather than the standard four. The pages are heavy, opaque and have a gorgous lustre indicating very high quality paper. The text of each book accompanies the color reproductions in standard typeface with very competent commentary to boot.

This is one of the most truly incredible books I have ever read. Every page is gorgeous.

It is a "modern" retelling of Revelations through the eyes of Blake using characters and a world essentially created by Blake himself. For instance, the Holy Land is now England.

You'll want to study the accompanying notes for each plate. For as you're reading the story, you're also researching how it came about, why certain characters act the way they do, and what the images on each plate represent. I was wondering why it was taking so long to complete the book, then i realized I was taking 5-10 minutes per page. First, reading it. Then examining the plate's art. Then reading the text's notes. And finally, reading the author's notes.

The way the book was put together is perfect for modern presentation. I haven't seen any of the older copies of this story, but I can't see how much better they could have done. It has a special spot on my bookshelf, unparalleled.

I am drawn to this work. When the British Museum at Yale held a special Blake exhibition my family and I were lucky enough to attend and see all 100 plates of this book on display. They were breathtaking. This edition is a very fine reproduction and deserves the highest praise. It isn't the real thing, but amazingly close for the price. It is so good that it rewards study with a magnifying glass. Obviously, the real gold Blake put into the original (at what must have been staggering expense for a man that was so poor there were times he couldn't afford food) doesn't duplicate its brilliant sheen, but this is pretty good.

Not only are there the 100 plates of copy E (the one in the Mellon collection in the British Museum at Yale), there are some sample plates from other version and all of the text in printed form with commentary.

This is an incredible work that is bewildering in scope in a joy to lose yourself in. Extremely recommended if you love Blake at all.

Jerusalem is Blake's monumental final work, 100 densely filled large plates/pages. It also seems the most Blakean (it begins with a friendly address to the reader that has had all the friendly words gouged out); not surprisingly, Blake produced only one color copy (reproduced here), which he never sold. The book overwehlms, presenting essentially all of Blake's very complicated questions about authenticity and creation through particularly abstract mythology. It is therefore a good idea to have some experience with Blake's earlier books before attempting J. The text does not exist without Blake's awesome illustrations/illuminations. While this edition is excellent, I give it only four stars because 1. the transcription of the plates does not occur on opposite pages, but rather in a separate section, and 2. the editorial assistence is scarce, and when present, oblique. These faults are noticable mainly in relation to other outstanding titles in the Blake Trust series (published later), and are hardly fatal. You're unlikely to find a better edition.

I recommend that any fan of William Blake buy this volume and the other 5 in the series. The books are beautiful, large, and handsomely bound. Each book is reproduced in full color, using a six-color printing process rather than the standard four. The pages are heavy, opaque and have a gorgous lustre indicating very high quality paper. The text of each book accompanies the color reproductions in standard typeface with very competent commentary to boot.

A favorite story as a child... Evidently this is where I developed my strange desire to eat chocolate cookies, while standing on a cobblestone street, listening to the rustle of silver leaves.

The illustrations are wonderful and the expression on the adults' faces are understandable to even the smallest child. It's a great book to counterbalance all of the "danger" messages we give our kids.

I loved this book as a child. It takes place in medival times and all the adults are afraid of a tree that grows full of chocolate cookies. They think that it is evil or bad luck. It took a child to suggest eating one and the adults rejoiced at the blessing it truly was.

As an adult collector of children's literature, this book is one of my favorites, too. The adults in the town are uptight and concerned about the unnatural appearance of a cookie tree. The message is one of enjoying your blessings and also, I think, of not being afraid of the strange or unknown. Wonderful book.

This one has been around a few years, and hopefully it will remain so. This is a delightful story pointing to the obvious fact that child's preception can be, and often is, much clearer than that of an adult. The narrative is quite well done, Williams is a natural story teller and it shows through this work. The illustations are colorful and simple in a way, at first glance, but the more you study them, the more complex they become. Quite detailed, as a matter of fact, in a strange sort of way. I like them. This is a great book for the young and certainly for the young at heart. Recommend this one highly.

Bertie Wooster can sing the latest Broadway melody while he scrub brushes his back, but I prefer reading poetry aloud in my acoustically-correct, ceramic-tiled bath. And I've discovered the perfect book for it: Dover's Thrift Edition of Great Sonnets.

It is from this small volume that I've learned that the world is charged with the grandeur of God ("God's Grandeur," Hopkins), that lust in action is a waste of shame ("Th' Expense of Spirit in a Waste of Shame," Shakespeare), and that listening to my lover's breathing while pillowed upon her breast beats looking at that lone, cold, bright and steadfast star any old day ("Bright Star," Keats).

And that's not all. This thin volume of sonnets is chock-full of other such keen observations.

For example, how does Wordsworth ("Surprised by Joy") manage to convey so economically that fleeting feeling of joy accidentally experienced by a man mourning the death of a loved one, that is immediately followed by his feeling of guilt for having felt it, which makes us feel how quickly times passes?

How does Archibald MacLeish reduce a cataclysmic event as large as the end of the world into so few choice words that when the circus big top blows off you feel as if the top of your head has blown off with it? ("The End of the World")

How can someone say so much in so few lines and so few words? Fourteen lines to be exact, with five strong beats or stresses per line-no more and no less-and a very exacting rhyme scheme. I don't know. I'm usually given to such wordiness that it would take me a warehouse the size of a state university filled with three-ring binders to tell you, and I still couldn't begin to touch the truth of it. However, that poets can do it never ceases to astonish me.

What's more, should my dog-eared Dover thrift edition ever fall by accident into the tub, I can cheaply replace it.

This is yet another great value produced by Dover publication. For a small amount of money one receives ' treasures' that can help sustain one throughout one's lifetime. There are ' immortal poems' in this collection including many of the greatest sonnets ever written , sonnets by Shakespeare, Donne, Milton, Wordsworth, Keats, Hopkins, the greatest masters of the form.
I myself came to know many of these sonnets in popular editions by other publishers, editions which have commentary these 'Dover Thrifts' lack. But the poetry is here, and much of it is real food for the soul.
The collection raises the question why it is that so much great English poetry has been written in this particular form- a question I do not really have the answer to.

this isn't an exhaustive collection of sonnets, nor a serious study. it is simply what it is: a short collection of sonnets that can be purchased cheaply. there are many great sonnets not included and no contemporary sonnets. but it isn't meant to be anything more than what it is. and if you love the sonnet, it's a good collection.

I needed a little reference with sonnet examples.
This fit the bill, and had some savory treats as well.
I am a bit time-greedy with my poetry reading, and a sonnet
is a fantastic way to get some of the best Shakespeare,
Shelley, Longfellow, Hardy, Frost, etc. distilled down
to a minute, even reading slowly.
It's great to flick open to a page
and see some masterful language on a time budget.
If you have little time, or haven't read poetry
for a while, this great little tome is fresh
entertainment. Read Shakespeare sonnets aloud
to the missus, and you'll both be entertained.
The sonnet bites back at the sound-bite!
No batteries needed, no compatibility problems,
no cell-tower fade on the train.
I love little books.. Try some today!

A fine collection of sonnets, including many if not most of the most familiar ones. Eight from Shakespeare, four from E. Browning, four from Frost, four from Hopkins, four from Longfellow. For me at least, a more appealing collection than another I recently purchased.

Northrop Frye manages to convey in sweeping master strokes the brilliance of William Blakes poetry and unlocks the mysteries of Blakes symbols. More importantly, Frye engages the reader in learning a new way to look at literature in general and open up his eyes to a deeper world.

Blake sets us in the middle of a rich mythological structure. This is the best book for explaining what that structure is and how Blake will come to an element and illuminate sometimes inconsistent characteristics of that element if viewed in a limited selection. And yet when Blake's work is examined as a whole an encompassing structure is revealed where each part has been carefully delineated and accurately described throughout. Since Blake's collected works are rather massive it is very helpful to have an overview of Blake's view of man when examining how any one particular image is dealt with in a poem. Else, one might think that Blake's portrayals are incongruent from poem to poem, while his vision is actually quite cohesive. Frye wrote another excellent essay on Blake, the title has something to do with the Fourfold Key. It shows the structural similarity between Blake, Marx and Freud.

This punch statement belongs to William Blake .
Enthusiasm , passion and a huge sense of commitment describe the enormous effort behind these admirable lines written by Frye
Every major poet demands from his critic a combination of direction and perspective , of intensive and extensive reading . Cosmology is literary art but there are two kinds : the first designed to understand the world and the other designed to transform it into the human desire .
The part one The argument
1. The case against Locke
2. The rising God
3. Beyond Good and evil
4. A literalist of the imagination
5. The word within the word
Part two The development of the symbolism
6. Tradition and experiment
7. The thief of fire
8. The refiner in fire
9. The nightmare with her ninefold
Part three The final synthesis
10. Comus Agonistes
11. The city of God
12. The burden of the valley of Vision
Fearful symmetry was written during the Second World Two and the principal reason which persuades me to recommend you this wise essay is the fact you can draw a line in the story which starts with Homero , Dante , Michelangelo, Blake and Beethoven and obtain a powerful conclusion about the enormous significance of this admirable thinker.
Beware the fact the unforgettable conductor Wilhelm Fürtwangler whose father was an intimate friend of Hans Schliemann liked to visit Rome and Florence to watch over and over the Michelangelo sculptures and paintings ; this fact allows me to onclude the underground road between the Florentine genius and the Bonn genius .
An indispensable book in your library.

One disadvantage of browsing online bookstores is that you can't simply skim the cover blurbs; sometimes you just have to settle for the opinions of strangers like me. So it may be helpful to read the quotes on the back cover of my copy of 'Fearful Symmetry.'

"To say it is a magnificent, extraordinary book is to praise it as it should be praised, but in doing so one gives little idea of the huge scope of the book and of its fiery understanding . Several great poets have written of Blake, but this book, I believe, is the first to show the full magnitude of Blake's mind, its vast creative thought." -- Edith Sitwell, 'The Spectator'

"According as we agree or disagree with Mr. Frye's contention we shall decide finally on the supremacy of his book. In following the structure of Blake's total vision and relating it to the thought of his age he has triumphantly carried out a task which, given the giant shape of the material, cannot help being immense. His cadences, by sheer explanatory devotion, approach the sonorities of Blake's own." -- 'Times Literary Supplement'

"Frye conducts his ambitious study with unflagging energy, great enthusiasm, and immense erudition." -- 'Poetry'

"An intelligent and beautifully written critical interpretation of the poetry and symbolic thought of William Blake..." -- 'New Yorker'

My opinion: Northrop Frye's literary criticism manages to shift the ground underfoot in the same rare way Blake's poetry does. Frye was the first to crack Blake's code, remove from him the labels of Mystic and Nutcase, and reveal him as a poet who systematically recreates the world. Frye taught Blake to Jesuits, Communist organizers, deans of women, and angry young poets. He was continually pleased to encounter doctors, housewives, clergymen, teachers, blue-collar workers, and shopkeepers, all with a great and deep appreciation of Blake.

Frye's deep appreciation and admiration for Blake comes through on every page, six times over. I reread this book about every five years, each time coming away seeing the world upside down, inside out, and worth renovating.

This book of Blake's illustrations -- both color and detail black & white -- of his interpretation of the Book of Job is such a beautiful treasure.

`Blake's Illustrations for the Book of Job' by the great 18th century illustrator and poet, William Blake, is a superior source of inexpensive copies of these works, which the publisher characterizes as `among the artist's greatest achievements'.
The best feature of the volume, aside from its reasonable price, is the size of the illustrations. As long as one is willing to stress the spine of the book a bit, it is very easy to make excellent scans of the illustrations. And, if one needs especially high quality scans of the large color reproductions, you can cut out the page(s) to insure that they lay flat on the scanning bed with no shadow creeping in along the edges. Since the list price of the book is less than $10, it is virtually no hardship to buy two copies of the book to have one intact on your shelves while the second copy gives up its pages for your presentations.
For those unfamiliar with Blake's work, it's important to know that he did not one, but at least two full series of illustrations, both of which are in this volume. The first is a series of 21 black and white engravings, with borders including English and Hebrew writings relevant to the scene depicted. The second is a series of 21 larger color engravings, the Linnell set, made by manually applying watercolor to the black line image made by an engraving reproduction. Supplementing the color engravings are two additional sets (not of the full set of 21) called the Butts Set and the New Zealand set. There are some small variations in coloring and in line detail between the parallel images in the New Zealand set compared to the Linnell set reproductions. One advantage of the New Zealand set is that they are smaller, so they may be less difficult to scan and embed in a document.
Blake's Job illustrations are a terrific find for those who wish to do a Bible study of the Book of Job, as it reinforces the sense that this is one of the most powerfully written pieces of literature in the whole of Judeo-Christian scriptures.

Blake's Illustrations for the Book of Job makes me want to take a Bible study course, just to learn as much as I can about the compelling sketches so beautifully printed on the pages of this eye-catching book. Each lovely oversized page of this book depicts a Scripture episode found the Biblical Book of Job, all of them worth meditating on. I am particularly impressed by the images Blake paints of God, who appears consistently benevolent even in the face of Satan. This book creates fascinating imagery, painted by a man whose life was, apparently, somewhat fixated on this particular subject. Blake painted these images sometime in the early 19th century, but they are still contemporary and memorable. I really love this book for its artistic interest and as a subject for an art history course.

I was shown a copy of this book 25 years ago. Blake's art transformed my world. I have been a student of Blake ever since. I still go back to this book often. This book, in a few pages, gave me an entry into Blake's system.