Authors Books

This book was just awful. There was not one character that I had sympathy for. Natalie was a brat and then she learned about the cancer and became even a bigger one. All the chracters were either one dimensional or stereotypical, and you saw what was coming with them a mile away. The token black woman in the book, I cannot believe the dialogue that was coming out of her mouth, and this woman was to be a lawyer. The only one of the trio of girlfriend that knew of any real work or independence was Merritt and she was the only one that and person can relate to. I guess when you are from an affluent, religious upper middle class family that is how you are suppose to act. This book deserved no stars at all.

I am not obsessed with breasts. Well, I have a pair, you know. Have for almost 39 years, though they have changed over the years. From small, to perky, to, let's just say, larger, to sagging to my knees after 4 pregnancies, 48 months of breast feeding (12 per child ONLY...), and let's just call a spade a spade - a few too many pounds added on here and there.

On the up side, I have not named them, my breasts that is, I have indeed named my kids. And I do not ever refer to them in the third person, again, my breasts.

I have also been blessed not to have ever been diagnosed with breast cancer. At least not yet, though none of us ever know what path lies ahead of us.

So I wasn't sure what I was going to think of Laura Jensen Walker's latest fiction book Reconstructing Natalie since it was about a main character, Natalie, who is diagnosed with breast cancer and undergoes a mastectomy.

Let me just say outright that THIS IS TRULY ONE OF THE MOST UPLIFTING, HUMOROUS, AND ROMANTIC STPRIES I HAVE READ.

Reconstructing Natalie is full of humor and honesty, friendship and faith, and yes, even romance.

This pink book packs a punch of joy - and you should get your hands on Reconstructing Natalie and see for yourself what Cherries boobilee!

Trish Berg
Author, Book Reviewer, Mother, and most days, Sanity Seeker!
www.trishberg.com


The Great American Supper Swap - Solving the Busy Woman's Family Dinnertime Dilemma

Rattled: Surviving Your Baby's First Year Without Losing Your Cool

Natalie has never really paid much attention to boobs before until she finds out that she may lose her own. Only 27 years old, she hears the dreaded words from her doctor that she has breast cancer. Determined to not let this get the best of her, Natalie prepares for what will be a life changing journey. Along with the support of her friends and family, she goes through the process of having to adapt to a world where survival means everything.

I have been extremely fortunate that I have not lost anyone close to me to breast cancer. However I know that there are thousands of people in the world who are affected by this and are suffering. This book perfectly balances the seriousness of the issue with lightheartedness to not make the story a downer. The writing is fun with lots of pop trivia sprinkled in, and is written in a chick lit tone of voice. I loved Natalie as a character. I admired her strength and her courage to be able to handle her situation with such grace and dignity. Some people would have seen how this affected her at such a young age as a death wish and given up hope for survival. She however, with her friends, is able to take everything one day at a time and enjoy life to the fullest. I loved the party her friends gave her before the surgery, especially the boob-cake. I was thinking this may be the one and only time I've read a Christian book that used the words boobs and breasts on every other page! I think it might also be one of the very few books where the main character gets topless of her own free will! This book showed how breast cancer affects not just the person with the cancer but everyone around them as well. I learned a lot from reading this book. I enjoyed the support group that Natalie attended especially the "show" she got from her first meeting! I was glad to read the information that men are also candidates for breast cancer as many people are unaware of this. This book is a book I would recommend every women to read. Not only is it informative but the story is engaging as well. This could happen to anyone and it's best to be aware and be knowledgeable in case the unthinkable happens.

I love the way Ms. Walker intertwined Natalie's physical reconstruction with her emotional and spiritual reconstruction. It was a fabulous story. I loved the ending where . . . What! Did you think I was going to ruin it for you? Nah, I wouldn't do that to you. If you've read any of Ms. Walker's other novels you'll like "Reconstructing Natalie"

I picked this up one day because I had recently read "Miss Invisible," also by Laura Jensen Walker. I really liked "Miss Invisible"...I just absolutely loved "Reconstructing Natalie." I really would recommend both books.

Laura does an incredible job of bringing the reader on this life-altering journey with Natalie. I felt moved and encouraged and inspired. I laughed and cried and when I finished, I just felt like running around and cheering for my new friend, Natalie, for all she did and went through. Trust me...this one's a great read...and perfect to pass on to friends.

I have a number of Ramona CD's so thought I'd venture out into Henry Huggins. As much as I love Ramona, this Henry CD is the best, due in part to the voice of Neil Patrick Harris. My son loves to listen to a CD every night before going to bed, and he requests this one more often than any other. It's amazing to think that Beverly Cleary's book, written 50 years ago, can still appeal to youngsters today. It's timeless. Thank you Beverly Cleary!

I started reading the Henry Huggins books to my son when he was 5 years old. We read a chapter every night and my husband would come in to see what was going on because we were laughing so much! When Henry's mom gave him a home haircut, we cried we laughed so hard. My son is now 22 years old, and he still has his Henry Huggins books. He is saving them for when he has children of his own. I highly recommed these books and anything by Beverly Cleary. Reading with your children is such a joy and these books bring back the wonderful memories that my son and I made while hanging out with Henry and Ribsy.

I read this book when I was a child and I truly enjoyed it. I am now home schooling my son and we are going to read the entire series together. I think that any child from the age of 7-12 would enjoy this series. Especially little boys. I hope you enjoy this book as much as I did. Happy reading. Carol Salyer from the great state of Tennessee....

Henry Huggins is a boy that lives with his mom and dad in a house on a street called Klickitat Street.Henry is a ordinary boy that nothing excited ever happens to him except when he was 6 years old he broke his arm by falling out of the cherry tree. When Henry goes downtown to swim at the Y.M.C.A he finds a dog thta he wants to keep and then his life changes when he has that dog as his pet. He relizes how pet are important and hard to takt care of.He needs full responsibilities to take care of his dog named Ribsy.

Henry Huggins wasn't the best book that I have ever read, but I did enjoy it. One of my favorite parts is when Ribsy, Henry's dog, rolled in the mud right before the dog show. Henry saw another boy putting white powder on his dog to make him look whiter, so he tried it also. He was surprised that the powder was not white, but PINK! Since Ribsy was wet from the mud, Henry could not rub the powder off of him, so he decided to cover him completely in pink. At the end of this chapter Ribsy won a silver cup for being the most unusual dog at the show.
I would read Henry Huggins by Beverly Cleary again, and I think that boys would like it even better.

(Note from mom: I read chapter one aloud to my first grade daughter whom decided to read the rest to herself. This is a good read for a child who is ready to go beyond simple chapter books, but is not yet ready for something too long and thick.)

El libro es buenísimo, particularmente el estilo de Gabo es genial y lo que lo hace aun mas meritorio es que se trata de un relato autobiográfico. Lamentablemente tengo que advertirles de un error de encuadernación en la edición de pasta dura (hardcover) las hojas vienen mal cortadas, he ya ordenado dos libros y los dos vienen con el mismo defecto. La editorial KNOPF ha hecho un muy mal trabajo. Mi recomendación... busquen otras editoriales.

El autor es un relator latinoamericano costumbrista. El realismo magico es lo comun y corriente en esos pagos. De ilusion tambien se vive. Quiza algun dia se inspire en escribir una novela sobre el realismo magico de la tragedia cubana, dada su intima afinidad con el Doctor Fidel Castro Ruz.

This book is the first in a series. Frankly, I hope that in his next memoir there iwll be more about his literary writing b/c this doesn't cover his marvelous literary career at all.

The first sections of the book which deal with his childhood and schooling are comic and moving, with great turns of phrase and details about his grandfather and large family. What I found less interesting were the accounts of his journalism career. Apart from a very compelling section about a political asassination and its aftermath, I was a little bored. Even worse, I did not feel that some of his bohemian friends were distinguished from each other.

I am going to go back and reread The General in His Labyrinth and the novels that I so adore. I just prefer them.

Although I can consider myself a GGM fiction fan, I encountered "Vivir Para Contarla" utterly more attention-grabbing than any of his other works. Perhaps It was just the fact that he related his real life, from the time before his birth until he was something like twenty eight years old, in such a magical way that I could just not put the book down for more than a few moments. I could come across in this volume with so much of the background that made the genius in Gabo, that I could not accept it as factual. Actually I was so beguiled by the story, by the idiosyncrasy of his large and astonishing family, by the actual brilliance and intelligence of the child, the adolescent and the young man in Gabo, that I unreservedly supposed I was immersed in one more of this author's accomplishments. He relates his non precedent childhood and early adolescent years as a conspicuous reader and writer of poems and stories- which he memorized and recited by hearth-, as a distinguished picture drawer, as a notable singer, as an extremely timid person, in sum: as another character out of its novellas and short stories. He, at the same time, enriches our reading with his detailed and exhaustive career as an anonymous young journalist in Colombia, who spends an awesome amount of his free time discussing literature with his fellow workers and friends, at a time period when literature was the coolest matter to be involved in. However, the social and political backgrounds of his whereabouts are so precise and stuck to Colombian and the World's historic and social events, that henceforth what he conveys us in this first volume of his autobiography must have a great deal of reality in it.
In spite of the fact that a myriad of the characters, locations and events that we find as basis for his novellas and short stories come out of his real life, I do not believe it imperative to be acquainted to any of his other masterpieces in order to devour and absolutely enjoy this volume. It stands unique by itself!
I am anxiously waiting for the subsequent volumes of this trilogy, however due to the actual author's sickness; I don't believe we will be receiving the complete trilogy at all.

"Living to Tell the Tale," ("Vivir Para Contarla"), is the first book in a planned trilogy that will make up the memoirs of Gabriel Garcia Marquez, the renown Colombian writer who initially won public acclaim in the mid-1960s for his novel "One Hundred Years of Solitude." At that time, Garcia Marquez, a journalist and writer, had never sold more than 700 copies of a book. While driving his family through Mexico, he had a veritable brainstorm. He remembered his grandmother's storytelling technique - to recall fantastic, improbable events as if they had actually happened - literally. That was the key to recounting the life of the imaginary village of Macondo and her inhabitants. He turned the car around and drove back home to begin "One Hundred Years of Solitude" anew. To my mind it is one of the 20th century's best works of fiction, and was highlighted in the citation awarding Garcia Marquez the 1982 Nobel Prize in Literature.

"Living to Tell The Tale" relates the early years of the author's life, although some of the book's most important incidents predate Garcia Marquez's birth. The impact of these experiences, the people and their stories, were to have a powerful effect on him, as a man and as a writer. This is the tale of his parents' courtship, marriage and the birth of their children, Garcia Marquez, (Gabito), the oldest, and his ten siblings. It tells of his early years which were spent in Aracataca, in the home of his maternal grandparents. His grandfather, Colonel Nicolás Ricardo Márquez Mejía, was a Liberal veteran of the War of a Thousand Days. He was supposedly a storyteller of great repute. The Colonel told his young grandson that there was no greater burden than to have killed a man. Later García Márquez would put these words into the mouths of his characters. His grandmother, Tranquilina Iguarán Cotes, had a major influence on Gabriel's life also. Another great source of stories, her mind was filled with superstitions and folklore, and she gossiped away with her numerous sisters within hearing range of young "Gabito." No matter how fantastic her statements, she always delivered them as if they were the absolute, verifiable truth. This was the style which was to effect Garcia Marquez's fiction, sometimes called "magical realism." These women filled the house with stories of ghosts, premonitions and omens - all of which were studiously ignored by her husband. He had little interest in "women's beliefs."

Aracataca was a small village, a banana town on the Caribbean coast, where poverty was the norm and violence was an everyday occurrence. On December 6, 1928, in the Cienaga train station, near Aracataca, 3,000 striking banana workers were shot and killed by troops from Antioquia. Although still a baby, this event, recounted to him, was to have a profound effect on the author. The incident was officially forgotten and omitted from Colombian history textbooks.

In 1940, when he was twelve, Gabo was awarded a scholarship to a secondary school for gifted students, run by Jesuits. The school, the Liceo Nacional, was in Zipaquirá, a city 30 miles to the north of Bogotá. It was during his school years, 1940s and 50s, that he was first drawn to poetry - a national obsession in Colombia. Verse was revered as an art form, and also as an effective means of social and political commentary. He and his friends, fellow students, would read aloud and discuss poetry late into the night. The youths admired a group of poets called the piedra y cielo ("stone and sky") and they were strongly influenced by Juan Ramon Jimenez and Pablo Neruda. Too poor to buy his own books, Gabo would devour novels borrowed from friends.

While still a boy, he decided he wanted to be a writer. The people who surrounded him in his childhood later became instrumental when developing the characters and the storylines for his novels. "Love In The Time of Cholera" was inspired by the romance between his mother and father. And his grandfather, who had twelve children, (some say 16), by two different women, became Colonel Aureliano Buendia in "One Hundred Years of Solitude."

One of the most powerful episodes of the book tells of the period called "La Violencia." In 1948 the Liberal presidential candidate, Jorge Eliecer Gaitan, was assassinated. The murder led to rioting, and left approximately 2500 dead on the streets of Bogota, during "el Bogotázo." Political violence and repression followed. One of the buildings that burned was the pension where Garcia Marquez lived, and his manuscripts were destroyed along with his living quarters. The National University was closed and he was forced to go to the university in Cartagena. Garcia Marquez began his career as a journalist, writing stories and commentary for a Liberal newspaper in Cartegana. Later he moved to the coastal city of Barranquilla where he began to associate with a group of young writers who admired modernists like Joyce, Woolf and Hemingway, and introduced Marquez to Faulkner. In 1954 he returned to Bogota, as a reporter for El Espectador.

Garcia Marquez begins his book, however, not with his real birth in 1928, but with his "birth as a writer," at age 22. He and his mother took a trip from Baranquilla, where he was working as a reporter, to his childhood home in Aracataca, now virtually a ghost town. They were going to sell the ancestral house. Vivid memories were stirred up here, memories which electrified his imagination. This trip was to change the course of his writing life. "With the first step I took onto the burning sands of the town, Aracataca instantly became Macondo, an earthly paradise of desolation and nostalgia." His one great subject became his family, "which was never the protagonist of anything, but only a witness to and victim of everything." His is not a chronological autobiography. Garcia Marquez cuts back and forth through time to show how memory colors experience. As he says in the book's epigraph, "Life is not what one lived, but what one remembers and how one remembers it in order to recount it."

Humor, dry wit, a sense of the absurd, is a trademark throughout the novels of Gabriel Garcia Marquez, and this autobiography is full of his deadpan humor. His anecdotes of his many mistresses and cafe society are wonderful. "Living To Tell The Tale" is not a conventional literary memoir. It is a magical combination of memoir and national history written in the author's remarkable voice. It is his personal mythology, from the repertoire which birthed Macondo. The narrative is intimate and sincere, filled with bewitching details and descriptions. In spite of poverty, and the political turmoil so prevalent in Colombia during his lifetime, Gabo acknowledges his early years were filled with joy, a sense of well-being and encouragement from many people. Garcia Marquez leaves us, at the end of this volume, with a glimpse of his future love, his wife, ""wearing a green dress with golden lace in that year's style, her hair cut like swallows' wings, and with the intense stillness of someone waiting for a person who will not arrive."

Bravo Gabriel Garcia Marquez!!
JANA

272Pgs - This is my personal view of this book.

It did not grab my attention at all. At the fourth chapter, I was looking for my receipt. More Women are becoming Soul Searchers today and if you are a Title Seeker like myself meaning (a title of a book can prompt you to purchase) this book will definitely be a lesson well deserved.

This is book could be named, "When A Man Loves a Woman." Bishop really loved Abeni and she loved him back just as hard.

This book is awesome! It will make you laugh and it will make you cry. The characters really come to life in this book--you feel what they feel as you read this wonderful book!

It's been awhile since I've ordered a few books and rather than bore you with the same old rave reviews, I just have a few things to state. The book kept me up until my eyes could not take it anymore; The character Bishop in the book was fascinating. I won't go into details but the fact that it deals with FGM (Female Genital Mutilation) which is going on in certain tribes in Africa paints a picture for me to better understand the culture. Althought I don't agree with it. Pick the book up and you will not be dissappointed.

I just finished reading this book, it was very good. All the characters were great.I liked what it was about, the story really touched my heart and it made me cry. Get this book, you will not be disappointed.

Just one read of Peter Miller's book, "Author! Screenwriter!" will broaden your horizen of writing possibilities. Don't just think screenplay, but consider formating that same story idea into a novel as well. And when you consider the odds, 100,000 to 200,000 books published per year, as compared to only some 1,000 stories produced for all of the Network Television, Motion Picture, Cable and DVD industries, Mr. Miller argues an interesting point. With over 30 years experience managing and producing writers, he gives insights into the industry that few others have even touched upon.

Definitely worth any writer's time and money. But regardless of one's writing goals, this book gives that big push every writer needs to encourage perfection and perseverance.

If you're serious about realizing your potential as a writer, this is the book you buy. Having successfully managed hundreds of books, Peter Miller truly is "The Literary Lion", and Author! Screenwriter! has left a huge impact on me as a professional writer.

Need an inside guide on how to write the perfect proposal or understand the delicacies of contracts? He's got you covered. Or maybe you really would like to take a look at some sample inquiries, be inspired by some success stories, have a better understanding of the do's and don'ts in a profession where millions of writers compete for the interest of professionals in the industry. Trust me, if you read this book it will never be far from your hands. Buy Author! Screenwriter! and you'll go back again and again to Mr. Miller's wellspring of experience and insight.

If you're like me, you want to be armed with the truth as a writer, and Peter Miller delivers. Read it, cloak your talent in its wisdom, and move forward. You'll agree that it's more than a book.

It may well be the key to your future.

The book is a must-have for a writer's bookshelf. But a companion DVD is also available with practical and pointed interviews that is well-worth seeking out.

Peter Miller's Author!Screenwriter! is direct and to the point, so I shall be also. This beautifully organized exposition provided me with more insight into the Book and Film industry than I have found in any other source. I could write much more, applauding the great chapters on the mysteries of film deals and the most helpful examples of project proposals in many genres -- but the bottom line is simple Author!Screenwriter! is definitive, the most helpful book on the subject.

I purchased Peter Miller's book at the recommendation of a colleague who knew I was in the process of writing a book proposal. Peter's book and DVD provide the reader/viewer with such clarity and direction. Peter provides wisdom and insights for the experienced and the novice writer in how to maneuver their way through the challenges, obstacles, politics and subtelties of the publishing industry. By the time you are finished reading his book and viewing his DVD you have a very clear picture of what lies ahead - no rose colored glasses, advice for the dedicated writer; you are clearer than you ever imagined you could be about what lies ahead. Buy this book if you are serious about our writing career.

A box that will make you cry, make you want to be a better person BUT if you have ever read a book written by Richard Paul Evans, you already know that..

Betty Graham

I SEEM TO LOVE EVERYTHING RICHARD PAUL EVANS WRITES .VERY WELL RESEARCHED ,I ALWAYS HAVE TO KEEP READING TILL I FINISH ,NO BREAKS .

this book is really eye opening as to faith and where it can lead you if you let it.

I am a big fan of the Christmas Box books, but when I saw this book I thought UHHHHHH I guess he needs even more money. RPE must have realized that he was a flash in the pan, and was desprate to hang on to his falling fame. This book does have its moments though, but it sounds like a broken record. They were giving this book away.. a free copy with every $10 purchase. I wish RPE would get over himself he's no Charles Dickens!!!

Unfortunately I read this after reading "The Light of Christmas" so I knew most of the story line but it was still worth the read. It is a simple story with a powerful message about the importance of our individual lives and the lives of those who love us. The Christian message of hope in life is prevalent but subtle and doesn't come across as 'preaching' while still delivering its impact.

Susan Shapiro's engrossing memoir about the mentoring relationship is a welcome addition to my shelves of books on writing. Though it doesn't detail much new writing advice, I welcome the same ole words repackaged. The writing life is so solitary and replete with godawful voices telling me how bad my writing is that I need to hear again that determination, willingness and turning in assignments error-free and on time will get me farther than anything.

Beyond the gossipy name-dropping (which I love) is a deeper analysis of Shapiro's relationships with her mentors. She goes beyond recounting their courtship and the writing lessons she learned from them. She also exposes their flaws and describes how their relationships evolved from a student at the feet of the master to two humans walking together, not always gracefully.

Shapiro is gutsy and it seems nothing is sacred. Neither her secrets nor her subjects are safe. Still, I read this memoir, the first of hers I've read, as if I were her student, studying at the feet of a master who's been there, still doing that. Highly recommended for any writer.

As a college-age female and aspiring journalist, I found this book to be the most valuable account of a writer's life EVER. Wise, witty and completely honest, this book is a dead-on potrayal of what to do and what not to do on the journey from student to success. It's like getting advice from an older sister if your older sister was a smart, savvy, successful writer. An absolute must-have for writers of any level. Beginners can take heed of the lessons Shapiro has learned and professionals can reflect on their own great mentors.

I read "Only As Good As Your Word" during my 3-week Mexican back-to-the-future sojourn. It was stunning in its honesty and generosity to all writers everywhere of any shape or size. I got a strong sense of her evolution as a writer. She freely admitted her setbacks as well as her successes, which was very courageous.

She included all her mentors and influences that helped her become a successful writer: Helen Stark, head librarian of the New Yorker with encyclopedic knowledge, the Holy Apostles writing group, her cousin Howard Fast, the mega-bestselling author of "Spartacus", who gave the inimitable advice, "Plumbers don't get plumber's block," and many others. Vivid, invigorating stuff.

I especially liked her words in the chapter about her collaboration with an old colleague from The New Yorker, Ian "Sandy" Frazier, "I advised my students to hang out with writers doing what they wanted to do and people they wanted to be."

I'm pestering everyone spreading the word about this wonderful professor I had, the glamorous Susan Shapiro with her pithy words of hard-earned advice in this fabulous book. If you want to make a living as a writer, this is the book to read.

Susan Shapiro's book, Only As Good As Your Word: Writing Lessons From My Literary Gurus, is a marvelously funny, candid, and insightful look into the writing life. Susan Shapiro is a writer's heroine as she triumphs and prevails over many of the trials and pitfalls that writers can go through, but not without the help, support, friendship and love of her brilliant mentors, as she reveals. There is also a section in the book that is devoted to finding your own protege, too! Therefore, this book is a must read for anyone who both understands what it's like to fall into the hands of a masterful mentor, and those who have yet to find that literary "one" with the perfect mix of experience, and adoration for a potential "protege". Filled with joy, humor, and womanhood...it's just a great book to read.

Susan Shapiro has written a "Letters to a Young Poet" for the contemporary set. Frank, honest, raw and touching she chronicles her climb from protege to mentor without reserve and the result is a life affirming, pocket therapist for every aspiring writer and reader. Worth highlighting and keeping by your desk.

Woody's book (and WOW site) offer the very best practical and error-avoiding advice on using MS Outlook 97. Using Outlook is very different from using other Office applications. The file management aspect is thoroughly confusing and inflexible. Woody's book helps deal with this thorny issue.

As a software trainer and consultant, I am always looking for good books. This book is not good -- it's GREAT! The information on pgs.643 to 647 is worth much more than the price of the book! A must have....

Until now I have practically only been reading the Outlook 98 part of the book, as this part was the most urgent from my point of view. I have certainly not been disappointed. But on the other hand I had not expected less as a keen reader of Woody's Office Watch (WOW) and Woody's Window Watch (WWW). I am really looking forward to the rest of the book. It is a pleasure reading and learning from a book where there are a lot of humour included.

I have been using Office 97 for 1 1/2 years and have taken college courses in Word 97 and Excel 97. Having received certificates in both courses I thought that I knew it all. RIGHT! Woody Leonhard has taught me about the easy ways to execute commands. His shortcuts are invaluable to me. I am a quadriplegic and find his advice very helpful and time saving. I am learning Powerpoint 97 in far less time than it would of taken me in school. I believe he has been most helpful in making me a real power user. Thanks to Woody and his gang.

Clear, concise and easy instructions on how to use MS Ofc 97. Points out the good, bad and ugly of Microsoft products. Can turn any novice into more of a professional than he/she ever dreamed of! I recommend this book to anyone who will be working with MS Ofc 97! Don't pass this one up!

The book Ramona and her mother is about a 7 year old little girl who is jealous of her big sister Beatrice and she wants to spend time with her mommy as mommy's little girl but Beezus has already taken on that role. In the end, Ramona Quimby gets her wish...To spend time with her mother. You'll need to read this book and find out how it all actually ends. Though this book does have some boring parts, I would recommend this book to any elementary or beginning middle school girl who loves Beverly Cleary books or any girl who might be experiencing what Ramona is going through. I myself can relate because I go through this almost on a daily basis. Sometimes I'm jealous of my baby cousin who gets most of all the attention but in the end (just like Ramona), I get my mommy all to myself.

G.B.M. Sanders - 6th grade - Hammond Middle
Alexandria, VA

Ramona is seven-and-a-half-years-old right now. She is going through a difficult time trying to figure out if she wants to be mommy's little girl or grow up. Ramona's mother invited Ramona's best friends family over for brunch. When Howie's little sister Willa Jean arrives Ramona can't stand to be jealous. Willa Jean is a little girl with curled hair and has pretty little dresses. When Ramona sees her bear, Roger she will do anything to get her hands on it . Ramona's mom puts her in charge of watching Willa Jean. While Beezus and the adults eat brunch the adults refer to her as mother's girl. Ramona is trying to figure out why she doesn't get in trouble for anything and gets away with everything. Ramona never gets away with anything and is always in trouble. When she squirts the whole tube of toothpaste in the sink, she gets yelled at and when she has a tantrum, she is told to stop right away. In Ramona's world nothing is fair. She can't stand that her mother has to work and she is forced to be watched by Willa Jean's grandmother evryday after school. Ramona would rather stay at home sewing, cooking, reading, and watching T.V. with her mom, but things never seem to work out. All she wants to do is be mommy's little girl forever. Now time passes by and she realizes she will just have to grow up.

Ramona is seven-and-a-half-years-old right now. She is going through a difficult time trying to figure out if she wants to be mommy's little girl or grow up. Ramona's mother invited Ramona's best friends family over for brunch. When Howie's little sister Willa Jean arrives Ramona can't stand to be jealous. Willa Jean is a little girl with curled hair and has pretty little dresses. When Ramona sees her bear, Roger shes will do anything to get her hands on it . Ramona's mom puts her in charge of watching Willa Jean. While Beezus and the adults eat brunch and she keeps getting called mother's girl. Ramona is trying to figure out why she doesn't get in trouble for anything and gets away with everything. Ramona never gets away with anything and is always in trouble. When she squirts the whole tube of toothpaste in the sink, she gets yelled at and when she has a tantrum, she is told to stop right away. In Ramona's world nothing is fair. She can't stand that her mother has to work and she is forced to be watched by Willa Jean's grandmother evryday after school. Ramona would rather stay at home sewing, cooking, reading, and watching T.V. with her mom, but things never seem to work out. All she wants to do is be mommy's little girl forever. Now time passes by and she relizes she will just have to grow up.

A rambunctious little girl all her life, seven-year-old Ramona is suddenly seized with jealousy, watching New Year's guests compliment her older sister Beezus and call her their mother's girl.

Too young to want all the things that the adolescent Beezus does - but too old to run through the house, flinging Kleenex like bratty four-year-old neighbor Willa Jean - Ramona is filled with strange longings, like squeezing all the toothpaste out of a brand-new tube for no apparent reason.

All Ramona wants - like any of us - is to find her place in the family, and to know that she's ultimately loved, no matter what she does...

Being seven-and-a-half-years-old (right now!) may seem like a simple task, but for second-grader, Ramona Quimby, it's proving to be a mix of difficulty and confusion. After all, she's between two strange ages - seven and eight - and can't figure out what she wants to do. Part of her is determined to stay her mother's little bunny, twitching her nose and being babied; while the other part wants to act like a grown-up, and do whatever she pleases. When Ramona's parents throw a New Year's brunch to celebrate her father finding a new job, she's thrilled to get the chance to eat a mix of breakfast and lunch. But when her best friend Howie's younger sister, Willa Jean arrives, Ramona can't help but feel jealous of the "little angel." For one, Willa Jean has ruffles sewed onto her underpants; and two, she's holding a stuffed bear - aptly named Woger - that Ramona would do anything to get her hands on. But, alas, even at her young age, Willa Jean is determined not to part with Woger. To make matters worse, Ramona's mother leaves her in charge of Willa Jean while Beezus and the rest of the adults get to fraternize with one another over hot muffins, coffee, sausage, and so much more. Ramona can't understand why her parents are treating her like a baby, while Beezus is constantly called her "mother's girl." Beezus doesn't even get in trouble for anything, because everyone says that she's at a "difficult" age. Ramona feels that she's at a difficult age, as well. But she never gets away with anything. When she squirts a whole tube of toothpaste into the bathroom sink, she gets yelled at; when she has a tantrum, she's told to "stop this instant," when she wants to stay up later than her bedtime, she's not allowed. In Ramona's eyes, nothing is fair. She can't stand that her mother has to work, and that she's forced to be watched by Willa Jean's grandmother everyday after school, and the fact that Beezus gets to go to her friends houses only makes matters worse. Ramona would do anything to just spend everyday with her mother - sewing, cooking, reading, watching TV. But things never seem to work out the way Ramona wants them to. All she wants is to stay her mother's little girl forever, but the more time that passes the more Ramona begins to realize that, perhaps, her wish will never be granted, and she'll be forced to grow up.

I first discovered Ramona Quimby when I was about six-years-old, and instantly fell in love with her pesty antics, and penchant for throwing tantrums at the worst possible moments. Now, with the re-publication of the RAMONA series, however, I am beginning to realize that I missed out on quite a few of Ramona's tales, and have decided to re-immerse myself in the life of the Quimby family. Now, even though so many years have passed, I find that Beverly Cleary's tales about Ramona are still enjoyable, and quite irresistible. Ramona, as always, is the perfect example of a precocious child embarking on the trials and tribulations that accompany growing up. Her ability to act slightly mature at times, then revert back to full-blown childish behavior is spot-on with how growing children truly act; while her jealousy, and ability to find herself in countless bizarre situations only prove to make her even more hilarious. Cleary manages to balance humor with family problems by placing a slight emphasis on difficulties with money, a parent losing a job, and being bombarded with bills. While subjects such as money problems, and not wanting to grow-up are often sore spots, Cleary presents them in a neutral way that offers parents the opportunity to discuss such issues with their children in an effort to put their minds at ease. However, even by introducing these problems, Cleary never overshadows the humorous side of Ramona, and never talks down to the reader. In fact, Ramona remains as lovable as ever as she traverses the muddy waters of second grade, and works to accept the new teacher whom she's still unsure of; while, at the same time, working overtime to twitch her nose to remind her mother that she is, and always will be, her little bunny. The most obnoxious - yet entertaining - little sister in fiction!

Erika Sorocco
Freelance Reviewer

Vera Brittain (1893-1970) was raised as the daughter of a mill owner in the north of England. She was an intellectual who dreamed of majoring in English Literature at Oxford University's Somerville College for Women. In the post-World War I period Vera would return to Oxford taking a second in History and later winning a Master's degree.
The first third of this book deals with Vera's autobiographical description of her raising in a conservative Edwardian home. She was close to her brother Edward; fell in love with poet Roland Leighton and enjoyed poetry. She and her generation were not ready for the horrific reality of the war which would kill over 10 million people.
During the war Vera temporarily dropped out of Oxford to serve as a
V.A.D. (a volunteer nurse). She would serve in London, Malta and France.
She would minster to German Prisoners of War as well as serving with distinction. Vera's beloved Roland was killed in battle as was her brother Edward who fell in the last summer of the war. Vera was seared by these overwhelming tragedies. And yet she went on with her life serving with bravery.
As the war ended she returned to Oxford becoming a feminist and pacifist. She lectured all over England on behalf of the League of Nations Union. Vera married a World War I veteran who became an academic.
Vera would write over 25 books becoming a beloved and popular author in her native England.
This is a long book over 600 densely printed pages. It is also one of the best books about non-combat, civilian life ever written about the war. Many of the scenes in which Vera is serving as a nurse are graphic and touch the human heart with the sadness and tragic loss of a bright generation of young Europeans. This book has become a modern classic which should be required reading in any course on World War I. Several years ago it was broadcast in a miniseries by BBC appearing on Masterpiece Theatre on PBS. This is a book which will remain lodged in your memory. Do your self a favor and purchase a copy soon!

I clearly am in a minority here but I did not like this book. A peer of other notable young British writers like Robert Graves and Wilfred Owen, Britton's book stands out among the male writers of the period as giving a woman's view of the war. The problem, at least for me, is that Britton is so over come with bitterness that she flogs the reader with it from the start.

An early feminist Britton had strong views and supported her male friends and family going off to the First World War but as they fell to the german guns she, like many of her generation, became disillusioned. This is understandable but in writing her book, Britton cannot set aside her bitterness and it makes the reading ponderous and heavy. For example noting a fete in her early childhood and the bunting and flags put out she says "If only I knew then it was all meaningless." we are taken from a little girl's views to a bitter adult in the blink of an eye and it just gets too much.

By comparrison the autobiography of Robert Graves, Goodby to All That, starts out with the childish illusions being enjoyed as a child and slowly the bitterness slips into the writer's world view as he matures and is exposed to the horrors of the war. this is far more subtle and easier to read, meaning you are guided to the ponit he wants you to reach, instead of trying to bludgeon you into the mindset as Britton does.

This is a fascinating, insightful book that it would behoove many of us modern folk to read. Learn about the harder times of the past, while sipping latte in a comfy chair. You'll be thankful for today's comforts -- and today's modern attitudes towards the capabilities and intelligence of women -- after you read what it was like for one woman early in the 20th century. Simply a great book.

The word "classic" gets thrown around a lot these days. Many so-called "modern classics" are not that important, but "Testament of Youth" deserves this reprint as a Penguin Classic. Brittain tells of her early life in the north of England between 1893 and the start of World War I in 1914 in beautifully clear prose, and her clarity of thought and powers of observation make the bulk of the book, dealing with the war's impact on her, painfully vivid without ever lapsing into self-pity. Like too many others of her generation (and the next and the next) Vera Brittain learned almost unimaginable lessons about life and her own inner strength. To that extent, "Testament of Youth" can serve as both example and inspiration.

Vera Brittain came from an upper-middle-class background shared by millions of young women in late Victorian England. One thing that made her different was her great intellectual curiosity and determination to escape a truly suffocating existence that few of today's Western women can easily imagine. What made her like most citizens of the time (and of later times)was her complete ignorance of the meaning of "war." Patriotism, her social conscience, and a desire to take part in the bigger world led her to volunteer as a nursing sister with the British Army. Her grueling hospital experiences were a revelation to her. Her personal losses are even more powerfully revealing of the human condition. Brittain was a "survivor" in every sense of the word.

"Testament of Youth" is just as fresh and moving today as it was when it was written 75 years ago and Vera Brittain tells a story that must be told and retold to each generation. For every reader who finds the book "too long" by current standards (its almost 700 pages), there will be two who wish they could follow the author even further. But even if you find yourself skipping ahead, particularly in the early part, you will not be able to forget Vera Brittain or her story. "Testament of Youth" is one of the great autobiographies of the past 100 years.

Vera Brittain enrolled in Summerville College, Oxford, in a time before degrees were granted to women. This was just before The First World War changed almost everything for almost everyone. When it was over, her best friends, her fiance and her brother had all been killed. She also personally witnessed the agony of thousands in the surgical wards where she worked as a volunteer nurse.

In response, she became a suffragette, a feminist and a liberal writer and lecturer. She sought to prevent such tragedy from reoccurring.

The answers to the political and social questions with which she struggled elude us still. But Vera Brittain's autobiographical account of her generation's trials, Testament of Youth, remains both a stunningly-honest portrait of a courageous young woman and a vivid chronicle of a time almost out of living memory. Through her words we see what we might have thought, felt and believed, had we been born into her era.