Authors Books

Thank you Jack Eadon for letting me share in your very personal journey of the sixties. Your honesty is captivating. You gave back to me memories of that era, the old neighborhood and people, which had long been forgotten. You made me smile. It took me days before I could pick up another book as I wanted more of "Got to Make It". Jack Eadon, you have truly made it.

Damn you Jack Eadon!! 'Got To Make It' kept me up until 2am for days until I finished it. I kept reading it in bed while trying not to wake up my wife with my booklight glowing through the darkness. Being in my early 30's I've only experienced the 60's as it probably wasn't: the TV-friendly Time-Life "Summer Of Love" packaged CD version, full of cliche'd images, shallow descriptions and dismissive attitudes towards the struggles of the era which are now illustrated through the words of someone who lived the political, social and music scene of the "60's" in 'Got To Make It'. This is a book that lays it all out there. The whole John Lennon sequence was literally a headtrip and a thrilling learning experience for me. You can just picture the scene all in white, just like in Lennon's music video for 'Imagine'! Now I always hear the "Hi" when I pop in "Sgt. Pepper's Reprise" in my CD player. I never did before. Wow, maybe he's saying Hi to all of us. This is a great story, full of tragedy, obstacles, small victories, innocent coming-of-age experiences that many of us never talk about, large defeats in life and love...and finally a huge victory that spans the globe and just makes you feel good. Sometimes with a little help from your friends....and sometimes not...you've got to make it.

I'll never forget Stanleys' mantra "It's all in the trying". There couldn't be an idea more important for every aspect of your life. And I'll never forget the philosophy that you and John Lennon shared: "to get 'it' out there...live your dream by doing it, getting thru the small failures, live thru the pain of being a true artist and don't be a fake...."

With 'Got To Make It' Jack Eadon reaches a new level as a writer. You've got to read it. Thanks, Jack!

Reading Jack's evocative book about striving to achieve his dream of making it as rock performer triggered a flood of memories for me about similar dreams, some pursued, some not. Jack's story is a must-read for anyone who shared his dream or had their own at that youthful stage when anything was possible. It's a wonderful narrative that brings back so many elements of growing up in the late 60s when everything seemed possible.

Emotional, entertaining and exceptionally evocative. Enjoy!

It still bugs me that I missed Woodstock.

I was only nine years old that summer, so I didn't fully realize what it was all about. Not until years later, after growing up with the music that had been introduced to me by my older brother, did I realize what an influential (and mind-bending)event that must have been. Looking back, I have always felt that I missed out on one of the defining moments of the '60s.

Fortunately, this book was written. After reading Got To Make It, there are now many more things I can understand, relate to, and appreciate more fully. With its personal, insightful perspective, the book speaks on behalf of those who lived through the turmoil of that decade -- and how it changed them and shaped them. The personal impact of events like the draft, the anti-war protests, and the hunger marches, and pivotal crises like the Kennedy and King assassinations and Kent State, are all brought home with a clear voice that sparks a direct connection, at a heart-to-heart level, between all those old rockers and their wide-eyed younger brothers (like me).

I now feel that I can better understand what my brother went through as we were growing up together in that tree-shaded, middle-class Vanilla World known as suburban Chicago. And why he always seemed a little bit smarter than me.

Jack Eadon pours out his heart and soul making himself vulnerable to the world and himself. He shows great insight on a universal level. True artists get lost in their medium; Jack's being the poetry. I see "Got to Make It!" as timeless. I was able to relate to the feeling of the 60's, paralleling the emotional environment today in our world. I found this book very thought provoking. I can't wait to hear the music!

"The Heart of Motherhood: Finding Holiness in the Catholic Home" by Donna-Marie Cooper O'Boyle is both encouraging and inspirational. A mother of five, Donna has weathered the storms and inspires me (as a new mom) with her experience and wisdom.

Peppered with inspirational quotes from Mother Teresa, among others, Bible passages and heartfelt prayers, The Heart of Motherhood, inspires from within. Donna-Marie begins the book with the statement that motherhood is, indeed, a truly ordinary and yet extraordinary vocation. By being mothers and by welcoming, loving and teaching our children, we are truly doing the Lord's work. She explains,

"A mother's day is filled to capacity with many ordinary tasks, not unimportant, but rather works of love that may be overlooked or unnoticed. Changing diapers, doing laundry, schedule keeping, house cleaning, planning and cooking nutritious meals and helping with homework are just some of the ordinary tasks in a mom's repertoire. Her own family family may take these loving acts for granted. Although these tasks may seem mundane, or even monotonous, they are the nitty-gritty details that keep the family going and together. . . . A mother's deep inner faith affirms that a day's sacrifices and seemingly ordinary tasks please our Lord because they are done with extraordinary love."

And later reminds us that "love is not merely a feeling or emotion. Love is also a decision . . . at times, this decision may be an enormous sacrifice."

Donna-Marie notes that today's society, unfortunately, rarely respects the woman's role as mother and wife nor the mother's domestic role in the home. However, rather than focus on that, she encourages her readers to bring back the dignity and respect motherhood deserves by being an example of holy mothering to one's family and, ultimately, to society. She continues by explaining how one can focus on holy mothering, the importance of a mother's prayer life, shares inspiration for those times when you feel anything but holy in your mothering, gives inspirational examples of holy mothers (including the most holy mother, Mary) in history and ends each chapter with beautiful prayer.

It is a blessing to me to have read this book. I kept starring and underlining passages and prayers that spoke to me! I couldn't put it down! This is a book that will be an inspiration for years to come. It does not tell you how to run a household, how to clean a sink or how to get your family pulled together each Sunday morning to make it to church on time. Instead, it delves deeper into the holy vocation of motherhood and encourages mothers young and old to keep the faith and to recognize the immeasurable importance of the job to not only their children and families, but to society, the Christian family and God.

I'll be keeping this book handy, by my bedside, on my kitchen counter, in the bathroom (yes, you read that right. You KNOW it might be the only quiet time you get all day!) . . . maybe for a few minutes of refreshing, or even for 30-seconds of inspiration and prayer.

The essence of "The Heart of Motherhood" is love. God is love. "And the greatest of these is love. . . . " We do easy, and difficult, ordinary and extraordinary things for our family and children because we are mothers (and wives) and we do them out of love.

This book came in a brown paper package a few months ago, and I saved it to be my hospital book (though it nearly killed me to see it sitting there so patiently on my shelf, waiting for the baby right along with me). What a book to read during those first few days with my new baby! As I savored the excitement of my new daughter, feeling much the way I remember feeling on the Christmas mornings of my single-digit years, Donna's book reminded me about the hard work and the bright rewards of motherhood. She doesn't gloss over the difficulty, nor does she make light of the responsibility. In this book, she does what she does so well - she encourages all of us mothers.

In the past few months, I've gotten to know Donna a bit, through her blogs and some emails we've exchanged, and reading this book was just like talking with Donna. Each chapter ends with prayer, the kind that you'll want to copy into your prayer book or post on your bathroom mirror. I felt the same sort of comfort in reading this book that I feel when I'm having a cup of tea with a dear friend. So go and grab a copy of this book and a steaming cup of tea. Donna has some words of encouragement for you!

I am a mother of soon to be 3 children ages 3 and under and have read THE HEART OF MOTHERHOOD and it has truly changed my life! The author's outlook on the vocation of motherhood could only have come from the Holy Spirit....Donna Marie Cooper Oboyle's writings are awe inspiring. I encourage all mothers to read this book. It is easy reading and one you can't put down. The writings of this book are ones you remember in the middle of the night when you are up with sick children and want to break down and cry or the days you don't know how you are going to make it through the day....the voice of this book sticks with you and truly helps you become a better mother and helps you to live a holy life at home. IT is a reminder of the true vocation of motherhood that has been lost in today's society.

This is exactly the book I was looking for. I am a stay at home Catholic mom who at times needs a few words of encouragement. It is hard to pray when the 3 year old is up at 5am, the 1 year old just went back to sleep, the 11 and 14 year old need to get up and be ready to go at 7:30 and I am trying to find time for a conversation with God. It is helpful to hear that everything we offer up for our children is a prayer. While I was reading this book I thought of friends and sisters who have and have not given up comfort and wealth to raise souls for God. The Chapter on the Cross made me think of my own Mother who lost my adult sister a few years ago. This book is highly recomended for moms and dads who suspect that there is more to life than what our culture is trying to sell us. God is love and the fullness of his love is in loving our children.

I've read MANY books about being Catholic, being a Mom & being a Catholic Mom...but none of them have touched my heart & mind the way this one did. It was SO common sense about how to weave our Catholicity into our daily lives when there are children at our feet before 5 AM (when it's near impossible to get up before them to pray...even if we really, really want to) and at night, we just pass out, not fall asleep. I read this book twice, have MUCH highlighting throughout & even bought a 2nd copy to give to my sil for her birthday this past Feb. Being a Mom can seem to be a thankless job, being a stay-at-home mom is less than respected in today's society and being a Catholic Mom in the truest sense of the word, can be rougher than anything else I could imagine. Using the practical wisdom in this book helped me to see that even though I can't physically be on my knees in prayer, my heart can be bowed down & focused on Our Lord all day, everyday, keeping my focus on the true Heart of (Catholic) Motherhood.

Isn't it strange that having lived up with Hem's books and later with all the student's stuff on him - every book and most writers take you back to those early day's good feeling which you had after having read his shortstory stuff?? And having read almost everything which is written about Hem until today, this is still one of my absolute favourites. I like his style and I appreciate the accuracy and all the work that is behind every project he publish on Hem. I recommend this book.

Here's the thing with most biographies...they're biographies. I'm a lover of fiction, the crafted tale, the sculpted language. There is a certain freedom of the word that seems to only exist in the "made up" story. A freedom almost never captured in the strict confines of an accurate and truthful biography. Enter Michael Reynolds. He tells the tale of Hemingway's Paris years with so much fluidity and grace you'd swear he fabricated this Hemingway guy out of his own gorgeous imagination. This reads like a novel and a damn good one. It's peppered with minute historical facts ie: the value of the dollar, the franc, the German mark, the pound, at any given time. Political unrest, social change, fashion, food, and most importantly...the state of literature at that point in time. All of this swirls around the incredibly multi dimensional main character. You'll read it three times.

Ah, this is one of those books that a reader savors. This is one of the most enjoyable books for the student of Hemingway or for those writing prose fiction in general. Many, many of Hemingway's techniques are explained here. Also, for those of us who have been putting up a good fight--writing short stories and novels all these years--it helps seeing what a beating Hemingway took when he started. This is a fabulous book and the only thing that mitigated its conclusion was the knowledge that Michael Reynolds wrote another three more books in this series. They too are great but this is the best one.

This is an engrossing book that makes you feel like you are actually walking alongside Hemingway during his early years in Paris. I could feel the cold that he felt on his cheek, I could see the smile that Hadley gave him every time he walked into their dark little apartment after a hard day of writing in the cafes. This is due to Michael Reynolds superb, painstaking research, the photographs, and the copies of original manuscript that he included in this biography. I cannot stress enough how unlike an usual biography this is...Hemingway literally leaps out at you from the first sentence and pulls you into his world, lets you experience his poverty and first marriage in Paris, the birth of his son, the arrival of his first mistress, and the amazing literary scene in Paris that has now apparently died for good. Hemingway has amazing quotes on writing, life, living through your failures, and it was a pleasure to get to read the library list of every book he checked out during this time period. This is an amazing book, and the best biography I have EVER read in my life.

I've been trying to read two other books, on top of The Paris Years, but put them both down yesterday so that I could finish this one. The biggest thing that stands out about it is the excellence of Michael Reynolds' prose. He has the rare skills which enable readers to successfully jettison themselves back in time.

This is the perfect companion to A Moveable Feast and elucidates the historical nature of the characters present in The Sun Also Rises as well. Reynolds, although sometimes pretending to do otherwise, is a psychologizing narrator. The good news is that most of his observations have the ring of truth. The biographer seems to understand his subject which is of great benefit to the rest of us. Hemingway's first marriage is discussed extensively and the coming of Pauline Pfeiffer is also elucidated at the very end. Hemingway had Ford and Pound as his philandering role models, and, eventually, he proves to be a most capable student.

What I liked best about the book was the way in which Reynolds lets us know what Hemingway's writing process was; the daily habits he undertook which allowed him to excel at his craft. He struggled mightily to master the short story and, throughout this work, his emergence as a novelist is far from certain. The scenes in Pamplona are vivid as is the depiction of the cafe life in Paris. You may well want to go back and tour it as badly as I do by the time you're done. Ah, the past. Anyway, it is unfortunate that more on F. Scott Fitzgerald was not included, but you'll understand Ford Maddox Ford almost as well as Hemingway once the last page is turned. Overall, it was simply outstanding, I may well read the other editions of the biography now based on what I discovered here.

What better way to exprience a nationthan through the lives of it's people. This ultra-connected Canadian and incredibly entertaining writer tells stories that can't be forgotten. A must-read!

Peter Newman is probably Canada's best-known journalist, an editor of MacClean's Magazine and the Toronto Star, and the author of many books about the Canadian establishment. In this autobiography, he tells us how he came to Canada from Czechoslovakia in 1939 as an eleven-year old, and worked his way steadily upward. He has plenty of interesting stories to tell about prominent people in the Canadian establishment that he has personally known in his lifetime, people like Pierre Trudeau and Conrad Black. He is an excellent writer, and I found the book interesting to read.

Peter C. Newman is truly a very remarkable and great Canadian. He is by far the greatest non-fiction writer in Canadian history. Newman is a very remarkable and extraordinary person -- I admire the man !

'Here be Dragons' by Peter C. Newman is without a doubt a very very excellent book -- and that is why it is a Canadian best seller. Mr. Newman has led a very outstanding life and his memoirs speak volumes about the greatness of this man.

As a Canadian I am proud I got a copy of this great book by a great man for Christmas. Peter C. Newman's life life story is one to
admire and at the end of the day I recommend this book because
Mr. Newman is truly a great Canadian !

Peter C. Newman is truly a very remarkable and great Canadian. He is by far the greatest non-fiction writer in Canadian history. Newman is a very remarkable and extraordinary person -- I admire the man !

'Here be Dragons' by Peter C. Newman is without a doubt a very very excellent book -- and that is why it is a Canadian best seller. Mr. Newman has led a very outstanding life and his memoirs speak volumes about the greatness of this man.

As a Canadian I am proud I got a copy of this great book by a great man for Christmas. Peter C. Newman's life life story is one to
admire and at the end of the day I recommend this book because
Mr. Newman is truly a great Canadian !

Biographies are usually dull, because they implicitly brag about the achievements of the rich and powerful and famous and glamorous rather than dealing with a topic that's really important and interesting -- ME !

This book is an exception to the rule.

It's a fascinating story of a once super-privileged Jewish boy whose family escaped pre-war Czechoslovakia because a Roman Catholic priest gave them certificates to slip past the Holocaust. Being Catholics enabled his family to emigrate to Canada, where he became the leading political analyst in newspapers, magazines and books. Like many immigrants, he is more Canadian than most people born in the country; the result is a book written with humour, kindness and a sense of shattering disappointment and disillusion.

Political journalism is a slash-and-burn war in the US, anchored by the pure hatred of right-wing zealots such as Rush Limbaugh and his ilk; or the pompous twits who debate whether dissent to erudite liberal wisdom ranks above or below the grunts of orangutans. In Canada, journalism proves "the emperor has no clothes" by laughing at the foibles, faults, fears and follies of politicians. Newman is a 'Mack the Knife' artist, he doesn't use the blunt force trauma of a California Terminator. Newman wielded the best scalpel in Canadian journalism for decades, and he did so with such skill that his victims never felt obliged to drop him from their Christmas card list. In this book, he provides the delicious details of how it was done,.

But it's much more.

Think of Newman as an intelligent Garrison Keillor, who talks for 20-minutes every week about the inanities of ordinary folks in Lake Woebegone. Newman tells even better stories about the motivations of the rich and powerful leaders of America's largest trading partner (the single largest source of foreign oil, for example). Newman's harshest criticism is of his own shortcomings, not the faults of the unworthy villains writhing on the point of his pen. But he also portrays the absolute perfidy of some Canadian politicians, the devils who make any US president look saintly by comparison. It's the approach many wish they could have used against newman 40 years ago.

A few years ago, Newman visited the Theresienstadt concentration camp where most of his relatives died. He also saw10 names the same as his -- Peta Neumann -- ranging in age from 10 months to 10 years. This is what he escaped in a series of events that would put the film world to shame. But this is not another Holocaust book; it is a story of a life that soared to greatness when nourished by the freedom of Canada. Instead of the "scorched earth" journalism of the US which I favoured, he used humour to puncture the hubris of the high and haughty. In the US, humour is often acerbic. Newman embodies the definition by Stephen Leacock, "the essence of humour is human kindliness", but he accompanies it all with his penetrating analysis of Canadian politics.

To understand the soul of Canada today, this is the prime guidebook.

It's written by a man who knows how to love; a combination of pure exhilaration and crushing despair that creates true passion. Instead of the polls and poltroons of modern politics, Newman's focus is on the feelings and meanings of public service. I've known him since the 1970s, and we've been in the like sport for decades, though I've never worked with or for him (he does quote me briefly in the book). Based on my career, I can honestly say this is the book of a master craftsman gifted with a rare insight, sensitivity and acumen.

It's liable to infuriate many Canadians, who tend to be very sensitive about having their political idols described as emperors without clothes. For that reason, it's probably the best book about Canada written within the last 50 years. Newman reflects the finest principle of honest journalism, "Comfort the afflicted, afflict the comfortable".

"...a high-quality, hard-cover, beautifully crafted book, which could be a gift, a prize possession of a golfing fan or player-or to anyone who enjoys a little humor."

"The Humorous Golf Poetry of Tom Edwards is quite a good read. I got a kick out of it and I'm a pretty tough critic."

"...a delightful new book...Although I'd rather be beaten with sticks as play golf, I thoroughly enjoyed reading his [Edwards'] witticisms. Edwards may not have mastered the game itself, but he is a gifted wordsmith when it comes to describing his sport in verse."

I got this book as a gift. Being an avid golfer I thought it was a hoot. I'm getting more for gifts. Great illustrations too.

Tom Edwards slim book is packed with whimsey and verse so charming that every golfer needs one in his bag. Clever drawings only amplify the twists of rhyme that lead one down the fairway between sand trap and trees. Fresh, quotable lines for venting the frustration only the game of golf can create. This book was more refreshing to read than eighteen holes on an empty green.

I don't usually read short stories and picked this on accident but it was such a pleasent surprise! The characters are really intersting and you could really relate to them. When I read the stories, I felt like I was in their lives as opposed to just viewing them from the outside. He gives you just enough information so you can turn it in to what you want it to be. He just tells the stories without judgement. It was just a good book. You can take it at face value or really think about the stories and get your mind around the symbolism. The only thing I didn't like was that the author did not use quotation marks but other than that it was excellent.

I doubt anyone will read this review, since I noticed the last written reviews of this book were submitted several years ago -- a testament to how little this beautiful collection of short stories has been read. That is truly unfortunate, since these stories are each painfully beautiful. The Tennessee counstyside is William Gay's locale of choice and in each story it plays a role, its woods always present, mysterious, sometimes frightening. Gay sets the scene to match the tone of each tale, and it is usually grim at best. However, the stories and their characters have a rough-edged beauty all their own. Ironic and often sublimely tragic, these stories bare the dark underside of human nature. The title story, "I Hate to See the Evening Sun Go Down," has darkly comic elements and is the only story that made me laugh, even while its protagonist stubbornly continues to fight in the face of inevitable defeat. In other stories, like "A Death in the Woods" and "The Paperhanger," life deals tragic blows to the characters who manage to survive in ways that are not always admirable, but survive they do, nonetheless. And often, as with the protagonist in "The Man Who Knew Dylan," they simply drive away, often leaving behind, with their problems, their responsibilities as well -- responsibilities often for heinous acts. Gay's language is clean and crisp, befitting the starkness of the themes of the stories. A lovely collection, even if it is tough to take, at times.

I purchased this book based largely on the strength of the reviews below. If anything, they understate the the quality of the writing and stories contained in the book. I found stories to be compelling and the writing superb. If you enjoy truly great writing and short stories you will not want to pass this book up. I am amazed that this collection has not recieved more attention or acclaim. (By the way, I agree with Francis' observation in her review that the "expert" reviewer who opined that Gay's characters are undeveloped obviously didn't actually read the book).

I found this author by chance and haven't looked back since. His writing brings you inside of the words, characters and the settings. I especially like the "southern flavor" that flows from his pen and highly recommend his books to all readers of southern culture.

William Gay has staked out the Tennessee/Alabama border country and made it his own playground. The stories are compelling and have a depth that is unusual in short fiction. I put Gay right up there with Raymond Carver and John Cheever as a champion of the American short story. Gay's greatest strength is his ability to use dialogue to move the story forward. There is nothing artificial or stilted about any of the words used by the characters in Gay's stories. The usual southern melancholy and pathos is present in each story--we are dealing with broken hearts, eny, greed, dementia in old folks, quick and lethal brutality. It's all there. But done in such a free and easy manner that you almost forget about the terrible events unfolding before your eyes and get lost in the lovely use of language. And one crucial point, the stories have a conclusion. Too often I find that modern fiction has no beginning, no middle and no end. Gay starts his stories and ends his stories--he first and foremost is a tremendously gifted storyteller, of that there is no question.

The best of the stories in here are brilliant. The dialogue is great, as well as the reflective passages. That a mediocre short story writer like Raymond Carver is lauded, while Schwartz is relatively obscure, shows that the cream does NOT rise to the top. I've read passages of these stories a number of times. I can't praise them highly enough.

Five of the stories here are flat-out masterpieces ("In Dreams;" "The World is a Wedding;" "New Year's Eve;" "The Commencement Address;" and "The Track Meet"), while the other 3 are extremely well done, if not as wholly satisfying. This collection should be required reading in every contemporary lit. class. It's got everything: all the themes of struggle, frustration and defeat, responsibility, ambition, all the thoughts that men have thought in every age, and captures its era so perfectly and completely I am in awe. Even though the stories are, in some ways similar (especially "In Dreams," "The Commencement Address," and "The Track Meet"), they are utterly original, beautiful, hallucinatory, profound, funny and heartbreaking. Schwartz -- that great voice speaking out against the crowd -- deserves to be heard at last.

This collection of stories is a minor masterpiece. As other Amazon reviewers have pointed out Schwartz is not much attended to these days, not much read. At one time he seemed to be the great promise of American writing. The sad tale of how he lost it and died young is now a part of his legend. In these stories he shows originality and invention. The unforgettable movie scene in ' In Dreams Begin Responsibilities' where the child watching the courtship of his parents, hearing his father propose yells out at the screen ' Don't do it. Don't do it' is funny and deeply sad at once. Schwarz's Brooklyn world was one in which family frustrations and tensions seem to put reality itself on edge. It is Schwartz after all who is really responsible for the famous ' Paranoids too have real enemies'. Whether the persecutor was himself or not , they got him young. Before this he wrote these wonderful stories which hopefully will have a larger place in the American canon in the years to come.

I've never had this experience before, or since. It is autumn of 1964. I am a college freshman, sitting on my bed reading the story "In Dreams Begin Responsibilities." My roommate and a few other dorm mates walk into the room and call my name, but I don't hear them, so lost am I in the story. Finally, someone nudges my arm. I look up--and the story, which had been unrolling before my eyes, is gone! I'm back in my college dorm room, no longer in the movie theater in the story. I had not even been aware that I was reading--I was IN the story, I was there, experiencing it, not just reading it--and for a few moments, I didn't know what had happened or where I was. Repeated readings never quite duplicated that first experience, but the story remains very powerful, very moving, very involving.

This collection of stories is graced by two introductions and lives up to every superlative. Irving Howe and biographer James Atlas note for the reader Delmore Schwartz's unfailing ear for the idiom of his parents' generation. Each of the stories is a masterpiece and competes, in terms of quality, with the Schwartz poetry. Having read James Atlas's biography of Delmore Schwartz this reader thinks of tragic waste and pain when thinking of Schwartz. And yet, and yet, when one considers the brilliance of these stories, the fact that his mere existence inspired the wonderful novel HUMBOLDT'S GIFT by Saul Bellow, and that he evoked intense loyality from his students the picture shifts to a life of immense achievement not disproportionate to his evident gift. This New Directions Paperback has a compelling photograph on the cover.

I randomly picked this book up at the local library not realizing how magnificent it would be. I wanted a breather from all the romance novels I've been hooked on lately and boy what a difference! It was a very depressing story. There are particular lines in the book that are still lingering in my mind. I don't want to spoil it for anyone, but when Evan gets back with his ex-wife and they're talking of the past and he realizes the child she had with another man could have been theirs, but it wasn't.(please read the book and you'll understand) As a reader I felt his pain and misery for the mistakes he made that he couldnt take back, but was trying to mend. When I finished reading this book I could not stop crying; it's that touching!I read a review somewhere where the reviewer is saying this book is not depressing, but I beg to differ! It is very depressing and nostalgic, yet I got the message the author was sending. I highly recommend it.

I read this book over the past 4 days, and it is still with me. I found myself doing something I rarely do when reading... going back and re-reading certain passages because of the pure, simple beauty of Long's writing and clarity of his observations on love, live, and death. Evan Molloy is certainly flawed and not the most sympathetic character, but this is what makes him so utterly likeable... he could be you, me, our sibling, our neighbor, anyone. As his mother tells him early on, he has a charmed life - a happy childhood, education, meaningful work, and marriage to his soul mate, who he then wrongs in the worst way. Later, given the chance to love again, he is betrayed by his own mind, suffering from mental illness. His suspension between the living world and the afterlife, and his 'relationship' with the new owner of his home, 30-something Maureen, herself struggling to find her footing after leaving her job and fleeing a destructive affair, allow him to reflect and uncover the mysteries of his own death, and ultimately for him to be free.

The premise of a lonely ghost observing life going on in the house in which he died is what attracted me to David Long's novel. But that idea is actually a rather slight portion of this story.

For reasons neither he, nor the reader, ever understand, Evan is doomed to remain in the house in which he committed suicide 10 years earlier. While the premise is fantastical, the tone of the novel is not. We see Evan's life is fragmented, almost swirling snapshots, which seem appropriate for a lost soul still piecing his recollections together. Long writes beautifully in a very literate style and much of the story is Evan reflecting upon his life. And the events of his life are rather prosaic and mundane. He meets his wife, marries her, has an affair, is divorced, reunites with his wife and her troubled daughter. Perhaps Long's point is that life is mundane. But Long's elegant, somewhat melacholy prose holds the reader more than the story itself.

There's a slightness to the narrative. And Evan's connection to Maureen, the woman living in 'his' house doesn't seem fully fleshed out. What is it about her that touches him more than the previous tenants in the house? (She seems to most resemble the woman with whom he had an affair, but that connection is never made explicit.) We follow Evan's mental collapse leading to his suicide in the flashbacks, but it feels a bit arbitrary. There's a slightly aloof quality to Long's story and prose and Evan remains an oddly generic character. It's clear long before the reader gets to the end of this book that there will be no tidy conclusion to this story. And there isn't. And since the emotional impact of the ending hinges on Evan's connection with Maureen, it's puzzling that this connection is what is slighted for much of the novel.

This is a lovely novel -- readable, if not entirely compelling, but perhaps not what many readers might expect from its other-worldly premise.

I have not, in the past, felt compelled to write reviews on the internet, but this book is so haunting, smart, poetic, and strange, I can't help myself from asserting to potential readers: read it. This is an author who has such a sense of the nature of human beings, their motivations, the depths of the psyche--it changed the way I'll ever again see some of the people in my life. While I was reading it, I found myself talking to its characters, recalling its details, singings its praises to strangers. It entered my dreams! I'm not doing it just, but will say, you won't find another novel like this, and you won't forget it.

Evan commits suicide and returns 10 years after his death to his Seattle area home where he tries to understand "why" he did it - he reflects on his life and his quest for strength to escape his battle with depression and failed relationships. The book is dark and often foggy and rainy like its setting in winter in the Pacific Northwest. However, it is beautifully written and places the reader in the shoes of one where if your DNA was off-kilter just a tad - you can imagine that it could happen to you...

This was a very beautifully told memoir with a surprising amount of detail and description. It was as much a story of the life Harry and his family lived as it was the love story between his sister and the non-Jewish boyfriend she loved. Lovely.

This is a really beautiful book. It's so remarkable that the author at what may be considered an advanced age can recreate the atmosphere of England in the early 1900s. Not since "how Green Is My Valley" have I become so immersed in a memoir. The portrait of his mother is lovingly done and your heart aches for her as she struggles. Be sure to follow it up with his sequel, "The Dream" as it, too, is so compelling. May Mr. Bernstein live many more years and continue writing.

This book was a book club pick that came in second only after the first book selected was not in print, how unbelievably lucky do I feel? This book is absolutely amazing. The story and all the details make you feel like you were a part of this family sharing in all the good times and bad. As a previous reviewer mentioned, this book has a truly heart breaking story but it is absolutely uplifting and hopeful. I read it in a week and could not put it down. As soon as I finished reading The Invisible Wall I ran right out to the store and picked up The Dream, Harry Bernsteins follow up, I've had the book for one day and already and am half way through it. This is a must read, wonderful, wonderful book.

I read 5 plus books a month and almost all from the library.
And when I read this one, I bought it from Amazon before I even finished it. You will want to read this, reread this, and pass it on to everyone you know! What an author! Why did he have to wait til 96 to start? :)

This was a really good read. It was a book club read. Very interesting story! Harry Bernstein did an incredible job at this memoir. Would recommend!

I bought this book because I was interesting in Agony Press and wanted to see what they published. Invitations was supposed to be an introduction to a publisher. It turned out to be an introduction to a remarkable new voice in short fiction.

Maizenberg surprised me with his terse fiction stylings in the first story, "Smoking with Felix-the-Super." I didn't want to think it at first, because it's a dooming thought if tossed around hastily, but I was forced to relent and make the comparison--it's like Carver, only fresher than the thousands of other imitators out there. Honest. Real.

That's what Maizenberg is in all these stories: honest and real. And sometimes that gives us a queasy feeling, like in "Looking for Jojo," and sometimes it just washes over us in a tide of recognition, like in Play-Doh Pill/Lego Life"; we know these people--we are these people.

But he's versatile, too. The collection's best story is "Dotcomicon," a story I dreaded from the title. "Hip," I thought. "He's trying to be hip and 'Now'." And he is current, but what he's trying to do is write an allegory. He succeeds. This is one of the best modern allegories I've read in a while. And that title is one of the best titles I've seen, too, the kind that grows in depth each time you think about its connection to the story. A must-read.

Short, too-the-point but not in-your-face, Maizenberg hasn't redefined contemporary fiction, but he's certainly refreshed it. Keep an eye out for more by this author.

A fresh, new group of short stories from a young writer who can only be on his way up. Maizenberg combines insight into the human condition, excellent prose, and an acute sense of drama and wit. The stories' diversity of intent and plot show off both the range of talent and the originality of voice of this exciting new author. I look forward to reading his next wave of writings.

An extraordinary and compact collection of unpredictable and disturbing characters, subtle relationships, and haunting situations. Fine storytelling! David Maizenberg is a true talent with a wry sense of humor and a keen sense of the painfully ridiculous. Plenty of hip, cool, refreshing (as a tonic) prose. Nuance galore.

David Maizenberg's book is much more than a fine collection of short stories -- it's an unintentional treatise on what is wrong with the corporate book-publishing world. For every nonlinear leap and unpredictable twist of thought in these pages, there's a moment of genuine revelation. I don't want to call it spiritual, though it is. I don't want to call it redemptive, though I feel redeemed. I only want you to give this book a chance to change your life. Because it can do so, it is art in the truest sense. Don't say you weren't warned.

If you're looking for a familiar landmark to compare this book to, try George Saunders. Although Maizenberg's targets are more real and immediate than Saunders's, this author possesses a similar wit and dazzling capacity for self-revelation through seemingly mundane details. This book will haunt you.

A kneejerk reaction would be to compare "Invitations to a Bridge Burning" to "Generation X." Maizenburg's tone echoes the simple profoundness of Douglas Coupland's watershed novel, and like Coupland, firmly entrenches his characters in times and places familiar to young oh-so-hip college-educated readers -- coffee shops in SoHo, IPO parties in Palo Alto, flirtations in Rome. There are no universal sentiments here. With only a few exceptions, the prose is sleek and evocative, sometimes dancing with verse. This is a book for those looking for love and the Big Score in the 2000s.

But read the last two stories, and suddenly you are thrust deep within a character's spirit, where dreams are not empty but virile, and for better or worse take control. This collection yanks you on a bullet-train from dirty realism to surrealism in 137 pages flat. "Invitations to a Bridge Burning" will appeal to everyone who might feel his or her life is not quite settled -- not because Maizenburg reflects our yearning for more with a pandering wink and nod, but because he realizes our dreams exist to serve us, not vice versa. By the last page, you feel wrong has been made right.