Authors Books

I want to give my honest opinion of this book. I have never read anything else by this author. While it was entertaining, I found it to get just a little more drawn out than I would have liked. I also did not like his viewpoints on some of the different plants. I guess you just need to take it in stride, but when he characterizes some of your favorite plants as nuisances (or more), etc. it is a little irritating. I did enjoy it, but I don't think I'll read him again. I wanted to give this review, since everyone seems to have LOVED this book but me.

I first read Merry Hall over 30 years ago, and having recently re-read it I was impressed by how much an impression it had made on me. Many a time I have unknowingly quoted from the work, thinking the quote apocryphal!

You must read for yourself how to deal with an overgrown holly hedge, and how to plant hundreds of trees without buying them, and what berberis can do for you, and why you should cultivate periwinkle...

I'm sure you'll be delighted with the finely drawn sketches of the real people populating the story: the characters of gardeners, society ladies, and men who work for the government in a clearly covert and somewhat sinister capacity. You'll enjoy the cats, the lilies, and how to create an English country garden from a neglected and ill directed site.

The gentle humor reflects the gentler times before the horrors of World War 2 brought violence, destruction, and death into the hearts and homes of most of Britain.

This book is a keeper!

Beverly Nichols, author of MERRY HALL says the love of gardening involves the love of art, the love of love, and the love of death. Following his experiences in WWII, Nichols retired to the English countryside to restore himself mentally, physically, and spiritually. He doesn't inform the reader directly of his background (I know this from having read some biographical material from other sources), but he had another life before he bought the house and grounds describes in his trilogy beginning with MERRY HALL. He was a journalist and writer, and during WWII he spent some time abroad in His Majesty's Service.

To the unknowing, Nichols narrative may seem a bit too cheerful, frivolous, or shallow, but his book is intended to entertain the reader--this is gardening mind you not the aftermath of war. To the extent he able to do so, Nichols kept the events in the DAILY MAIL out of his gardening books. As a result, some readers today can mistakenly think him an English prig who had no concern for life outside his own back yard.

MERRY HALL begins one afternoon when Nichols and his 'man' Gaskin stumble across a derelict Georgian manor house and it's grounds. Nichols is overcome with a desire to restore the house and rebuild the grounds. He has been living in London and until that fateful day was more or less settled, but now he wants to "move beyond the Tudor world" and into the world of the Georgian Manor House. He buys Merry Hall and thus begins his adventure.

MERRY HALL was written about six years into the project. By that time Nichols had undertaken the restoration of the foul smelling pond just off the music room and won the support of the able Oldfield, the gardener who came with the house and grounds. The book is an interesting mixture of personal anectdote, observations about the various neighbors who have their own opinions of what Nichols ought to restore the house and grounds, insights into elements of garden design, practical advice about various bulbs, shrubs, garden ornaments such as urns and benches, and observations about greenhouses and cats.

Just as Trollope passed the literary torch to Angela Thirkell, so did E. F. Benson pass his to this good fellow! Mr. Nichols' trilogy about Merry Hall is so entertaining, even though at times he comes across as a bit "twee". As you get to know him and his neighbors through the books, you come to realize that yes, some things are more important in your own blinkered surroundings than in the big wide world. I would recommend these books to anyone who loves gardening (on a grand scale), gossip, and the minutiae of life.

The first volume of a trilogy about the author's time at Merry Hall, this book is more humorous garden writing than strict autobiography. We know (primarily from the dust jacket) that Beverley Nichols was a widely-travelled journalist and prolific author, but aside from the occasional mention that he needs to keep working (hard) to pay the (very high) bills, Nichols doesn't mention his life outside of Merry Hall or, more specifically, its garden.

The book begins after WWII, when Mr. Nichols returns from "a job" in India to a ravaged London and develops an overwhelming urge to move to the country and get back to nature in the form of a hopefully large and preferably derelict garden that he can "rescue". After a daunting (and amusingly described) search he miraculously finds what he considers to be a dream property - a Georgian manor house on 5 acres of truly hideous landscaping.

With wry wit Nichols tells the story of acquiring the property against the better judgement of friends, and of what is involved in making a run-down manor house habitable, and in dismantling, re-ordering and re-planting 5 acres of gardens. Along the way we meet Oldfield, the very talented but taciturn and somewhat difficult gardener; Gaskin, the long-standing and nearly superhuman manservant; Miss Emily and Our Rose, nosy and perpetually disapproving neighbors; and the beloved cats One and Four.

Although avid gardeners will no doubt love this book as they mentally compare notes with the author, one need not have ever dirtied one's hands with compost to enjoy reading it. The narrative meanders like a leisurely stroll in the garden, and Mr. Nichols' faith in the therapeutic powers of gardening is reminiscent of that in The Secret Garden (Frances Hodgson Burnett). The author's fond and poetic descriptions of the various aspects of his garden, intermingled with his sharp social observations and dry British humor make this a thoroughly enjoyable read. I have already ordered the other two books in the trilogy.

An additional note: this is a facsimile of the original 1951 edition; it contains lovely line drawings throughout, and is printed on the nicest paper I have encountered in a long time.

I'm beginning to realize that George Gissing is an author who is relatively unknown by the general public but who is frequently studied/referenced by academics. The main reason why I think this is true (and this relates to the book at hand) is that Gissing himself had more of an academic temperament than a writing temperament. He was very adept at analyzing the world around him and commenting on it to a point of depressing realism, but he wasn't a storyteller. In fact, he struggled with creating enough storylines in order to support himself. Thus, while his books give impressive looks at Victorian life, they don't always leave a reader fully satisfied.

Why do I say this so confidently? Well, as Gissing was particularly self-aware and as he was particularly oppressed when writing "New Grub Street," in this novel he writes about what it's like to be a writer in London in the 1880's and 1890's. He essentially writes about his own life and those he find around him, all of whom are trying to make a living on writing.

Gissings seems to portray himself through the main character, Reardon. When the story opens, Reardon is struggling. His sophisticated wife is getting fed up with their impoverished lifestyle and with her husband's inability to write decent material. Reardon, a sensitive soul, is floundering under mounting pressure and stress. He is torn between his desire to write sophisticated, meaningful material and the public demand for "fluff." The more stressed laid on him, the less he is able to create and stick with any plausible fiction novel. He becomes more and more fererish and unable to work, and he is devastated as he loses his wife's love and respect.

Around this central character Reardon, Gissing builds a very full and weighty cast of characters. A small sampling of these characters are:
- The embittered, older column writer/reviewer, Yule, whose temperament has made so many enemies during his career that he is still laboring hard to support his small family at the end of his life.
- Yule's daugher, Marion, who is very clever but who is also very vulnerable. Her education has made her too good for many positions and marriages but her lack of money makes her a poor match for the educated class.
- Reardon's friend Milvain, who is an ambitious young man who has no problem writing exactly what the masses want. He knows his talents, he knows the market, and he knows his stuff won't last for posterity. But he is determined to live a comfortable life, make a strategic marriage and become a semi-respected man.
- Biffen, another friend of Reardon's, sympathizes most with Reardon's situation and condition. Two peas in a pod, these men spend long hours discuss meter, prose and ancient poetry.

I found myself continually amazed at Gissing's amazing ability to get into the head of many individuals in his large cast and to see how the world makes sense through each's eyes. Gissing also provides us with a wealth of information about the Victorian publishing scene. It was amazing to read that writers and publishers then were struggling with the same issues writers and publishers are struggling with today.

Additionally, Gissing gives you an unglorified look at poverty and the impoverished educated class of London at that time. While Dickens' works on the poor is idyllic and sentimental, Gissing simply relates the life he has known. There is nothing exceptional or amazing, and Gissing seems to argue that poverty takes character out of a man rather then build up a man's character.

Overall, I found this to be a fascinating piece...though perhaps a slow read. For those interested in publishing, writing, realistic portrayals of Victorian England, or other such topics, this is a fantastic work.

Poor Gissing! I suspect his miserable, self-destructive life fuelled his wonderful novels much as (we now know) Dickens's traumatic "blacking-factory" experience explains so much of the nightmare world of those gargantuan fictions. Gissing greatly admired Dickens, and like Dostoyevsky, seems to have appreciated the grim side of Dickens most. Not much humor in Gissing; but there is the same shabby poetry one used to see in Bloomsbury back in the 1960s. The same wonderful appreciation of futile, obsessive scholarly lives. Gissing is a great poet and sometimes a rather fine moralist. His pictures of London rival those of the Master (Dickens --and Dore). Don't miss him. Start with "Workers in the Dawn" and "The Nether World"--his passion more than compensates for his crudities. Remember: he was also a very accomplished classicist--more of a scholar than any other major Victorian novelist! A not insignificant fact.

George Gissing's 1891 novel, "New Grub Street," is likely one of the most depressing books I've ever read. Certainly, in its descriptions of literary life, be it in publishing, or in my own realm of graduate scholarship, the situations, truths, and lives Gissing portrays are still all too relevant. "New Grub Street" itself points to the timelessness of Gissing's portrayals - as Grub Street was synonymous, even in the eighteenth century with the disrepute of hack writing, and the ignominy of having to make a living by authorship. One of Gissing's primary laments throughout the novel is that the life of the mind is of necessity one which is socially isolating and potentially devastating to any kind of relationships, familial or otherwise. "New Grub Street" gives us a world where friendship is never far from enmity, where love is never far from the most bitter kinds of hatred.

The anti-heroes of "New Grub Street" are presented to us as the novel begins - Jasper Milvain is a young, if somewhat impoverished, but highly ambitious man, eager to be a figure of influence in literary society at whatever cost. His friend, Edwin Reardon, on the other hand, was brought up on the classics, and toils away in obscurity, determined to gain fame and reputation through meaningful, psychological, and strictly literary fiction. Family matters beset the two - Jasper has two younger sisters to look out for, and Edwin has a beautiful and intelligent wife, who has become expectant of Edwin's potential fame. Throw into the mix Miss Marian Yule, daughter of a declining author of criticism, whose own reputation was never fully realized, and who has indentured his daughter to literary servitude, and we have a pretty list of discontented and anxious people struggling in the cut-throat literary marketplace of London.

Money is of supreme importance in "New Grub Street," and it would be pointless to write a review without making note of it. As always, the literary life is one which is not remunerative for the mass of people who engage upon it, and this causes no end of strife in the novel. As Milvain points out, the paradox of making money in the literary world is that one must have a well-known reputation in order to make money from one's labours. At the same time, one must have money in order to move in circles where one's reputation may be made. This is the center of the novel's difficulties - should one or must one sacrifice principles of strictly literary fame and pander to a vulgar audience in order to simply survive? The question is one in which Reardon finds the greatest challenges to his marriage, his self-esteem, and even his very existence. For Jasper Milvain and his sisters, as well as for Alfred and Marian Yule, there is no question that the needs of subsistence outweigh most other considerations.

"New Grub Street" profoundly questions the relevance of classic literature and high culture to the great mass of people, and by proxy, to the nation itself. For England, which propagated its sense of international importance throughout the nineteenth century by encouraging the study of English literature in its colonial holdings, the matter becomes one of great significance. The careers of Miss Dora Milvain and Mr. Whelpdale, easily the novel's two most charming, endearing, and sympathetic characters, attempt to illustrate the ways in which modern literature may be profitable to both the individual who writes it and the audiences towards which they aim. They may be considered the moral centers of the novel, and redeem Gissing's work from being entirely fatalistic.

"New Grub Street" is a novel that will haunt me for quite some time. As a "man of letters" myself, I can only hope that the novel will serve as an object lesson, and one to which I may turn in hope and despair. The novel is well written, its characters and situations drawn in a very realistic and often sympathetic way. Like the ill-fated "ignobly decent" novel of Mr. Biffen's, "Mr. Bailey, Grocer," "New Grub Street" may seem less like a novel, and more like a series of rambling biographical sketches, but they are indelible and lasting sketches of literary lives as they were in the original Grub Street, still yet in Gissing's time, and as they continue to-day. Very highly recommended.

I found Jasper Milvain, the "alarmingly modern young man," to be the most interesting character in Gissing's New Grub Street for a number of reasons, the most significant of which is that he evinces what can only be considered a modernist's consciousness in his approach to writing. That is, while it soon becomes clear to the reader that Milvain represents the antithesis of what Edwin Reardon personifies-i.e., the work of literature as an emanation of author's native genius-and thus one of the intercalated plots of the novel involves the incremental success of Milvain as a modern man of letters, and the concomitant gradual abjection of Reardon. In a manner of speaking, then, Milvain and Reardon's fates emerge from a common source, namely some sea change in the reading public's (the consumer's) preferences and tendencies.

Milvain identifies as vulgar the most lucrative market for the product of the man of letter's labor. The vulgarians, or "quarter educated," drive the market (479), and since they have been determined to desire nothing more than chatty ephemera, they have successfully opened an insuperable gulf between material success in writing and artistic success. Reardon's psychologically penetrating novels just aren't in demand. Therefore, there emerges quite an interesting conceptual shift within the nascent hegemony of the quarter-educated as established by their purchasing power: what was once considered healthy artistic integrity has transmuted into a peculiar kind of petit bourgeois hubris, if, in the new paradigm, the writer is more an artisan than an artist. Therefore, Reardon's artistically-compromised and padded three-volume novel, written with no other end in mind than to pander to the vulgar reader, nonetheless achieves only modest success because, the fact that it is indistinguishable from countless other similar works glutting the market aside, his novel is infected from his irrepressible integrity, and thus his novel becomes a strange sort of counterfeit, a psychological narrative masquerading as a popular novel. Reardon thus becomes a sort of Coriolanus among writers.

Milvain, on the other hand, is a sort of Henry Ford among writers; he reveals his particular genius when offering advice to his sister Maud about how to write religious works for juveniles: "I tell you, writing is a business. Get together half-a-dozen fair specimens of the Sunday school prize; study them; discover the essential points of such a composition; hit upon new attractions; then go to work methodically, so many pages a day" (13). In other words, Jasper has managed to streamline and to mechanize the writing process. He studies previous works, abstracts formulae from them, isolates the elements of these formulae, and then deploys and rearranges these elements to give his own writing a patina of originality. By treating writing as an exercise in manipulating formulae, Jasper exchanges "authenticity" (whatever that word means anymore) for the convenience and efficiency of not having to grapple with his own potentially mutable and recalcitrant genius. Jasper did not invent writing, just as Ford did not invent the automobile. But like Ford did with automobile manufacture, Milvain discovers those aspects of writing that lend themselves to mechanical reproduction. Thus he is able to capitalize on his time and effort, and effectively becomes the very machine Reardon believes himself to be but never actually becomes because of his lingering notions of artistic integrity (352).

Also of interest is the fact that Albert Yule is a sort of synthesis of Milvain and Reardon. Like Milvain, Yule attempts to streamline his own literary production by delegating some of the labor to his daughter Marian. However, like Reardon, Yule clings to the superannuated notion of the necessary individuality of writing: "[h]is failings, obvious enough, were the results of a strong and somewhat pedantic individuality ceaselessly at conflict with unpropitious circumstances" (38). In other words, Yule fails to recognize the obsolescence of the lone, learned genius within the realm of literary production. A market of vulgarians who demand occasional literary confections simply does not expect Works of individual genius. Moreover, even if they were in demand, works of individual genius are too ponderously inefficient to keep pace with the rate at which they are consumed. Therefore, Yule straddles the either/or proposition personified by Reardon and Milvain: One may preserve his artistic integrity and write "for the ages"--hence Yule, Biffen, and Reardon's fetishization of Shakespeare, Coleridge and authors of classical antiquity--and starve in the process, or one may write "for the moment" and actually turn a respectable profit.

The shadow of Charles Darwin indeed looms large over the events and characters of New Grub Street. The growth market brought about by the advent of the "quarter-educated" vulgar class, and their discretionary income coupled with their callow aesthetic sensibilities and truncated attention spans, represents a nascent economic, if not ecological niche, for certain social creatures to occupy. However, it's not simply a matter of being able to adapt one's skills to the tastes of these consumers. One must also be a prodigious enough writer to keep pace with an equally prodigious rate of consumption. Individuals like Milvain and Whelpdale are adequately adapted to this niche in that they satisfy the demands of this niche in terms of both content and output. Reardon panders to the vulgar taste only grudgingly and after long resistance and thereby cannot meet the production demands of this niche. Biffen absolutely refuses to pander at all. Alfred Yule does attempt to pander, but his mode of literary production is too inefficient to meet production demands, and he is also largely ignorant of vulgar literary taste. While more in touch with the vulgar reader than her father, Marian Yule is as inefficient in her literary production as her father. Therefore, each of the characters named above are equally maladaptive, albeit for various reasons, and thus their extinction by the novel's end strikes the reader as somehow inevitable. Whereas Milvain and Reardon's widow Amy are left to come together as the triumphant niche occupants and thus reproduce themselves in their offspring, should they decide to produce any.

I recently read New Grub Street, and I must say I was stunned by how much I enjoyed it. Gissing's prose and characterization hold up remarkably well. He's sort of an urban Hardy, though far more accessible to today's reader. I'd recommend this to any serious reader. Oh, and this novel is ripe for adaptation. A BBC miniseries would be great.

Though the other stories have much cinematic potential, my favorite of this collection has to be "Dirk Snigby's Guide To The Afterlife." Funny and snarkily irreverent, it is full of the absurdities that is the currency of organized religion. In the right hands, "Dirk" could be the next "Dr. Strangelove" -- a chilling satire on what we fear most after taking that final breath in this life as we open the door to the next. Who knows, perhaps Dirk might in fact be our Guide. Pick up a copy of this anthology for this story alone.

an excellent collection of short stories that will make wonderful movies. standouts :gone to mum's
dirk snigby
some pig
waltzing matilda.
sit back with a long cool drink and enjoy.

_The Hustler, It Happened One Night, High Noon, Minority Report_ and _All About Eve._ Quite an impressive list, but what do these movies all have in common? Give up? They all started as a short story.

Next Stop Hollywood is the brainchild of Steve Cohen and Jonathan Davis. Each year they partner with St. Martin's Press to publish original short stories that are judged by a panel of Hollywood insiders via an international contest, with winning entries compiled into the anthology. Their criteria? Finding stories that would make a great movie or TV project. More than 600 entries were submitted and narrowed down to a mere 15.

Using the same judging criteria, I chose three stories from Next Stop Hollywood to highlight.

Perry Glasser's "An Age of Marvels and Wonders," tells the story of a lonely old man slowly going blind and the young woman who comes into his life. Raylene is a walking hard luck story--with two kids, no money and an abusive ex-husband. Is it any wonder she's skeptical of an offer of help? Bob may slowly be going blind, but he sees far more than mere eyesight allows.

"Gone to Mum's" by Barry Simiana is a richly detailed and poignant story of missed chances, stolen moments, heartbreak and redemption. Simiana's narrator takes readers along on his journey of self-discovery amid the rugged backdrop of Australia. The author paints emotion on his canvas, stunning the reader with the simplicity and honesty of his prose.

"The Good Kid" by Brian Richmond, is a clever tale of deception. Marty is a bank robber on the run with nowhere to go. The kid is more than willing to help. But is he helping himself or Marty? O. Henry would have approved.

With Hollywood scrambling for fresh ideas, it's nice to know that the art of the short story is not completely forgotten.

Armchair Interviews says: Kudos to Cohen and Davis for their part in reviving an endangered genre.

I thoroughly enjoyed these short stories, especially "Dirk Snigby's Guide to the Afterlife". Dirk and the devil would be a hit on the silver screen!

Perry Glasser is a wonderful writer and an inspiration in my own writing. His forthright yet crafty style will leave you complete. You won't be disappointed!

FABULOUS! I loved this book of poems written by ten different women. They make it easy for you to feel the joy, desire, pain and humor they've experienced. It connected with my soul.

This cozy book by 10 diverse and talented ladies is a comfortable, intimate read. It provokes thoughts, makes you smile, makes you feel and think about many things. i especially liked Sandy Fackler's 'Green Beads', which evokes poignant childhood memories that many must share.

Anyone over thirty has to relate to P. Diane Truswell's, "Competition Circa 1957," the things women have done to recognize themselves or others. The "how" is different now but the "why" is still the same. "The Dance," by Mary L. Kling speaks for all of us less than gifted wanna-be dancers, ball players, singers, etc. and the people or things that stand in our way. Humor, sorrow, quick and elongated; all the poems in ON WINGS OF WORDS merit one read, or two, or three......

What a wonderful experience!! Loved reading it! These women have truly done a marvelous job of writing what is in women's hearts. They are wonderful. I hope and pray there will be more. Thank you!

Although the book was small, it did pack quite a punch. These ladies seem to write directly from the heart. Many of the passages left you wanting to know more but before long you were relating the topics to things that have happened in your own life. I would recommend the book to all and would hope that there will be more books to follow.

This was a great book in the Outlanders series. It had plenty of surprises and twists with the new relationship between a "young" Lakesh and Domi!

I recommend this book for any new readers!

This was the first Outlanders novel I read and I was very happy to find it. I'd seen them on the stands before but assumed they were something else. I'm glad I gave Devil in the Moon a try. It was so enjoyable and intriguing I searched all the used the bookstores in my area for earlier novels in the series. I was afraid I might be lost since there were so many prior books but there was enough information in Devil in the Moon to bring new readers up to speed.

This was a great science-fiction adventure, almost like watching a movie!

Kane and his fellow outcasts have found a secret base on the moon(again). I really liked this book, it is a breath of fresh air compared to the rather lack-luster performances of the recent deathlands books. The whole concept while it has been done before is still orginal in many respects. If you like good plup and a good story, go ahead and read this.

The story line kept up with the better of the Outlanders series. The action is fairly fast passed but the characterization falled to flow on from the previous issue "Prodigal Chalice". The Domi - Grant - Lakesh interactions have taken a big step change. Although the storyline for this new mini series was strong, I felt the author dedicated too much ink to recovering background information and history for other issues. I guess all these ghost writers use the cut and paste function alot.

What can I say--I loved this novel! It was indeed a real epic. I've been hoping Outlanders would get back out into space ever since 'Parallax Red' and 'Devil In The Moon' more than meets my expectations. Its full of action and colorful characters and real nail biting suspense, particularly during the scenes where the heroes are crossing the face of the Moon and get out on the "Sea of Ice" and are blinded by the reflected sunlight. And those carnobots--yeesh! A really nasty bunch of droids you won't see in a Star Wars movie!

The writer really knows how to balance characterization, action and plot development--this book and the all the others in the series compare favorably to the best sci-fi novels, movies and TV shows.

The book is not without a sense of humor, particularly in the some the dialogue between the heroes. I particularly liked the scene where Brigid, Kane and Grant are cornered by carnobots and Brigid gets afraid that Grant will lose his temper and jump down to fight them. She warns him, "Don't get any crazy ideas" and Kane says, "Yeah--that's MY department." The opening scenes set in the old mental clinic are pretty funny too with all the psychological jargon thrown around.

And I really liked the surprising development about Lakesh and Domi! The new cover was great too as well as the new technology in use. And the ending!!! Whoa!! When and if Kane, Brigid and Grant get back to Cerberus from this moon mission, they'll be in for a heck of a surprise!!

I realized after finishing this book that even though I liked Prodigal Chalice by Mel Odom, Devil In The Moon proves that only Mark Ellis knows really how to write this series. Every chapter gives us shocks, surprises, spills, thrills and laughs. I eagerly look forward to the next book in the Dragon Kings storyline. Two enthusastic thumbs WAY up!!

My wife is a text book writer and has found this gift text to be quite valuable. Recommended

Those are the bitter pills of civilization. Like other bitter pills, they have great healing power. As a matter of fact, if the World took more notice of those pearls of wisdom, produced by outstanding minds, from Heraclitus to the Huxleys, policies might be less absurd and mass actions less disastrous than they actually are.

The book is dark verging on sardonic, reflecting the dark, sardonic nature of the best epigrams of our age. I was inspired to respond in the margins to a number of them, and I can't think of a better response to epigrams in general, than for them to get under your prickly skin to the extent that you might write your own ironic counterstatements. Bloodshed begets bloodshed, and so we might say (ironically) that this sort of bitterness begets bitterness. But it may very well be the most brilliant bitterness you've known.

Some of my favorite quotes with my responses--representative in the extreme:

"Where they burn books they will also in the end burn human bodies"--Heine, <>, 1823

"Where they burn human beings, they will also, in the end, burn the wrong book"--Eucaleh Terrapin

"A secret may sometimes be best kept by keeping the secret of its being a secret"--Sir Henry Taylor, <>, 1823

"Thus the wisest proverb is common sense"--Eucaleh Terrapin

"Freedom produces jokes, and jokes produce freedom"--Jean Paul Richter, Introduction to Aesthetics, 1823

"But to be witty is to be serious about other comedians"--Eucaleh Terrapin

John Gross has compliled an excellent collection of the best aphorisms into a nicely accessible framework. The book is arranged by chapters reflecting everything from "Nature" to "The Afterlife." This arrangement works well as a path to pursue the great thoughts that philosophers, psychologists, and aphorists have written about the areas that most commonly provoke interest. The book has an outstanding index and an insightful introduction from Gross in which he expresses his regret about not having beem able to obtain permission to include the observations of Wittgenstein. As Vauvenargues wrote in 1746, "Men's maxims reveal their characters," and one of the great values in this collection is that it juxtaposes what others have said by subject area, juxtaposing what the famous thinkers here included remarked on the same subjects. The cover of this volume displays an explosive rocket, appropriately enough. The anti-religious elements are especially entertaining, as it is always fun to see the response to the groveling aspects of Christian orthodoxy. Highly recommended.

Like most collections of aphorisms this one is rich in helpful thoughts. These thoughts inspire and give birth to new thoughts. 1) Aphorisms of others ideally inspire aphorisms of our own.
2) Aphorisms help make our minds more interesting.
3) It is senseless to read too many aphorisms at once
4) A little here a little there, aphoristic pleasure everywhere.
5) A good aphorism is one you want to tell someone else.

This book was referred to in another book that I was reading. I was enjoying that book so I checked Amazon for Brother Lawrence's book and ordered a copy. It has proven to be one of the BEST investments I have ever made. This tiny book is just amazing in the Truth that it delivers. Brother Lawrence seems to have been an exceptional human being blessed with tremendous Grace from God. It was so because he sought after it. I have recently traveled through losing a job and beginning a new one quite different from what I was used to. After 25 years of being a manager I am now punching a time clock and emptying my own trash. When I begin experiencing pride issues I can pick this book up and immediately be put in my place. Praise God! This book may be small in size but is LARGE in content. Personally, I highly recommend.

This book contains a description of how one Godly man communicates with God and receives communication from his God and is obedient to that communication.

I dont have this exact copy, but just wanted to encourage everyone to get this book.

You can read this thin little thing and put into practice what it says, and let the Lord teach you. Or, you can buy and read a dozen 300 page books.

I have read book after book, for fun, or for seminary, and over and over again, I write in the margins "BL", because so much of what people are saying that has merit is really related to what BL (Brother Lawrence) writes.

This book did more for really bringing me into a relationship with Christ than anything else. I buy like 100 of them at a time to hand out to people who are searching for God's true heart.

Grace, peace and joy!

Since the web site that offers Brother Lawrence's The Practice of the Presence of God as a free print out (for personal use) was launched in 1999, many hard paper editions have re-surfaced. So, now, in addition to the free, online edition, there are many good, inexpensive book choices. This is one nice option.

It is worthwhile to visit the Practice God's Presence web site for the series titled: Reflections on Practicing God's Presence - 12 little books that may also be printed free for personal use.

I bought at least 10 copies of this for all the guys in my Bible study, thinking this was just a newer version of the one which I had read. However, unfortunately, this translation is much tougher to read than the one which has a white cover, with a picture of a tree and a mountain. (Note this is still a step up from the version you can find for free online, which one of my guys said sounded like it was translated by a college student). Here's the one to get: The Practice of the Presence of God

As an old cold warrior, I can certainly relate to the themes in this rip-roaring tale of one man's realization that nobody gets out alive in the game of "life, liberty and the pursuit of happiness." Wow, Harry--where DO you get these demons? Now I have ANOTHER potential global catastrophe to ponder...

This book intrigued me from page one. It is a fast-paced, fascinating thriller with multiple levels and layers that should please even the most jaded thriller/suspense lovers!

When a best selling horror author is found dead in a locked room after a night of self-mutilation, his dubious daughter hires ex-Special Ops agent, Jack Burke, to prove it wasn't simply a bizarre suicide, but cold-blooded murder. Following a trail of lies and ancient mysteries, Burke uncovers a conspiracy as bizarre as the author's death, while delving into his own shadowy past, layer by layer, until he must face his worst nightmares.
Harry Shannon, author of the Mick Callahan novels (MEMORIAL DAY and EYE OF THE BURNING MAN), knows how to grab the reader from the first page. In fact, the first twenty pages of his newest novel, THE PRESSURE OF DARKNESS, starts with a breakneck speed that hardly relents for the remaining four hundred pages, as he drops the reader head first into a Black Ops mission gone wrong. From there, the narrative whisks us from the recent past of the South American jungle to modern day California, revealing Burke's less than enviable present. Working as a leg breaker for a loan shark, and with his wife in the hospital after a car crash, medical bills mounting day by day, Burke agrees to take on a side job to earn some easy money. But he can't let the obvious attempt at a cover up rest- no matter how much cash is involved. Soon, he's up to his neck in hot water with the mob, a faceless animalistic killer, a lost love, and tarnished friendships that may prove his undoing.
It takes a special talent to pull in tropes from such diverse sub-genres as neo-noir, medical thrillers and horror into a seamless mesh, but Shannon delivers- in spades. This is an author who knows the value of imperfect characters. No one is unsoiled by the dirt of life in THE PRESSURE OF DARKNESS. No one is safe. No one is immortal. Everyone is dangerous. Shannon trades on their foibles, using their greed, lust and deceit to drive the narrative. These are no mere automatons doing the keyboard dance. These feel like real people, reacting like real people.
Like I said: No one is safe.
Shannon gives us an odd mixture of eastern religion to underpin the tale- something that, at first, feels anomalous to the contemporary setting. But once Burke's nature is revealed, Shannon's anti-hero becomes almost an extension of those tenants, an avenging force to oppose those whom would misuse them for their own ends.
But there is another level to THE PRESSURE OF DARKNESS, one that digs into the fear of the everyman.
Death.
It's meaning. It's mystery. Life's value in the face of it.
Shannon shouts into that inevitable void, perhaps to hear a response from what awaits us on the other side. He tries to deconstruct the flesh from the spirit, and does an admirable job of giving his readers something to think about after the last page has been turned.
I can't recommend THE PRESSURE OF DARKNESS enough to someone whom has yet to read Shannon's prose. Here, he is at the top of his game. Honest, cutting, and just plain talented as hell.
I'm eager to see what becomes of Jack Burke. Will there be more in the future? Only Harry Shannon knows for sure. But I hope he knows what a great thing he's got going with Jack Burke.

--Nickolas Cook

Right off the top: Harry Shannon's The Pressure of Darkness is the best novel he has published to date. I've enjoyed them all, with the Mick Callahan novels being personal favorites. But this one, The Pressure of Darkness, is a huge step up for Harry. In a just and fair world, it would be his breakthrough bestseller.

The Pressure of Darkness is a thriller. It's also a horror story. It's sort of a serial killer novel. It would fit well among those men's adventure books. But most of all, The Pressure of Darkness is an entertainment. But, as with the best books and films, this novel does far more than merely entertain. The Pressure of Darkness gives the reader a lot to ponder. Its issues are nothing less than life and death. Mortality and the agony that so many go through in contemplating it. There is a lot of wisdom in its pages and a casual reader shouldn't be surprised to learn that Harry Shannon is a counselor.

Don't let the above make you believe that The Pressure of Darkness is preachy or boring. It is anything but. Harry keeps the adrenalin pumping from the start, framing the novel with tense, suspenseful covert operations in extremely hostile environments. The action, mystery and drama never let up for a second in between. Even if you wanted it to.

The plot is a horror lover's dream: A phenomenally successful writer of scary books is found dead. It looks like suicide, but it is far from any normal one. He is disemboweled and great pains were taken to prolong the agony and the demise. The writer's daughter wants to know more and hires ex-military Delta operative Jack Burke to look into it. During the investigation, Burke realizes that he has uncovered something big. Far bigger than any mere suicide. Powers that be want him off the case and to have it shut and buried. But Burke collected his pay and his code of getting the job done is still important to him.

Having read all of Harry Shannon's previous work, I expected a good time, but I never dreamed he would give us a plot this rich and filled with such ghastly detail. The Pressure of Darkness is easily the darkest, most brutal and disturbing of them. Yet the author imbues the novel with a core of human decency and dignity. This is a powerful piece of fiction that works on the reader's gut emotional level. I read a lot of thrillers and The Pressure of Darkness is as good as any I've read in the last decade. I think it's better than anything David Morrell (the writer that The Pressure of Darkness most reminds me of) has published in ages.

If you love great suspense and horror, please consider giving The Pressure of Darkness a shot. You won't regret it.

Nicole Moberly has a problem. Her father, the famous horror writer Peter Stryker, has apparently committed suicide. According to the LAPD's official version, he sealed himself in a hotel room and proceeded to mutilate every square inch of his body. Nicole doesn't believe a man can do that to himself, and neither does police detective Scottie Bowden.

Enter Jack Burke, a wonderfully drawn, but horribly haunted man, whose list of careers includes mob enforcer, private detective, and black ops specialist. This is a man you do NOT want to play with. Bowden directs Nicole to Burke, and what follows is a lightning fast thriller packed with twist after maddening twist as Burke's investigation puts him square in the sights of a cult that will stop at nothing to bring about a biological holocaust in God's name.

Be warned...this is not an easy book. It will grab you where it hurts and not let go. The pages fly by, because this is a VERY fast moving book, but don't mistake hard-hitting action for soft content. Veteran thriller writer Harry Shannon has put a lot of balls in the air, and watching him juggle them all is something to see. This guy is good...really, really good. Whether you're in to military spec ops, hard-biting crime, or mind-bending horror, you're going to find a lot to love in this supreme achievement. Do yourself a big favor and read this book. You will not be disappointed. I promise.

Joe McKinney, author of Dead City

This book was interesting and certainly kept one's attention and raised some interesting issues. The only objections I have are that the logic was inconsistent, the picture of university politics not realistic, and a very, very minor one - its "Columbia" not "Colombia" University.

I really didn't expect to like this book much based on the cover flap synopsis, but I could not have been more wrong. It grabbed me very quickly and kept me glued throughout to the last page. Even though the author was bold enough to set up overt clues early in the book about what would happen, I couldn't predict any of the twists and turns in the story. It was like being in the ring with a professional boxer, with blows landing at will from every angle. Unbelievable effort for a first novel. I am definitely looking forward to T.K. Kenyon's future work.

Rabid, by T.K. Kenyon, was released by Kunati, Inc. in Spring, 2007. It is an amazing book!
One word for this book: riveting. No, two words: riveting, compelling...actually, Rabid would take more words than I even know to use, and I'm a wordsmyth myself. I could not put it down.
T.K. Kenyon's Rabid is an amazing story. Masterfully woven plotlines and an absolute commitment to truth and utter refusal to play the complacency game left me feeling as if I had gone on an "explore" with the author. Kenyon has the gift of pulling the reader in to the world of her characters. She manages to make an untouchable character like Leila a sympathetic one.
I look forward to Kenyon's next novel. Can't wait.

I bought this book on a recommendation from a well-read friend, and after recently reading "Special Topics in Calamity Physics," "Saturday," and "Never Let Me Go," this book was exactly what I needed. At first blush, with its delightfully raunchy characters and turbo-charged pace, "Rabid" seems like a here-today, forgotten-tomorrow mass-market thriller you'd pick up in the front of an airport bookstore. However, this intelligent book has some intriguing, unusual themes stuck inside its highly digestible prose. The dialogue is, in my opinion, some of the best I've seen in any novel. The conversations amongst the characters are illuminating and entertaining without being unrealistic. Furthermore, as someone who has degrees in Biotechnology and Biomedical Engineering, I relished Kenyon's many references to laboratory culture.

Kenyon does an impressive job of juggling the four intertwined characters, and I was happy with three of the four endings. One of the character's endings just seemed abrupt and unfinished based on everything that had happened, but this didn't make me enjoy the book any less. This is an amazing and inspiring first effort. Kenyon skillfully teeters on the edge of absurdity with several of the elements in her plot; one almost expects her to take this plunge that many first-time novelists would indulge in, but she keeps the story firmly on the rails despite navigating amongst disparate settings.

If you're weary of a lot of the overwrought and unnecessarily obscure fiction that's been on the market lately and want a read that is unashamedly enjoyable yet thought-provoking, you won't go wrong picking up "Rabid."

A very good read from the first page. I liked this tremendously. Characters are well-defined and have depth and the action is unpredictable; this book is all it should be - absorbing and fascinating. Five stars.

What motivated our American forefathers to take up arms against each other? Jack Maples has given us a story where confronting this question doesn't boil down to a simple argument for one ideology over another. This book gave me a better appreciation of the role individual, personal motivations played in the minds of men who fought this war. I'm also convinced the richness of detail in historical accuracy lent a depth to the storytelling that made for very satisfying reading - even for someone with only passing interest in the Civil War. Towards the end of the story, as Caleb returns to Gettysburg for a reunion with his rebel unit, one can't help but be moved by the scene. A good read and a powerful story.

Reconstructed Yankee is a novel set during the civil war, and it follows one man's struggle to live and find his place in a hostile world. Caleb Parker is one of 257,000 free persons of color living in the Confederacy; when war breaks out, he and his best friend enlist in the Union militia, yet Yankee atrocities force them to change sides and fight for the Confederacy. After the war, Caleb encounters extreme discrimination in reconstructed North Carolina; he takes his family to New York, hoping to find more tolerance, yet racism and segregation persist, leading him to ponder whether the bloody Civil War accomplished anything good at all. A harrowing and thought provoking insight into individual and societal failings and legacies.

A new edition of Reconstructed Yankee now is available. The hardcover ISBN is 1-59411-087-5; the softcover ISBN is 1-59411-088-3. Please enter the applicable ISBN under a "Books" search to locate this product.

As a native Tennessean, I was captivated by the well-researched and well-written descriptions of people and places throughout the South. The characters and situations were very much like people that my grandparents had heard about from their relatives and talked about as I grew up. Descriptions of the battles were authentic-and a good reminder that war, even when fought at a distance, is still horrible and painful.

This was not a fast read-I savored every word and look forward to Jack Maples' next offering.

This book is an easy-to-read novel that deals with the Civil War. It is quite informative and very interesting. By reading this book, I was able to have a whole new perspective and outlook on the Civil War. This book is one of the great ones!!! Definitely pick it up..