Studios Books
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Used price: $9.89

Excellent Guide to Arts and Crafts Studios and artistsReview Date: 2006-11-10
Great Discovery GuideReview Date: 2006-05-20
Great organization and matter of fact accounting of great places to visit make this a very useful guide. Maps and points of reference help you streamline your travel, without missing a thing.
With more than can be accomplished in any one trip, it has been useful for many weekend getaways to Cape Cod.
Cape adventure Review Date: 2006-05-18
A Vacation Must HaveReview Date: 2006-05-17
Excellent!Review Date: 2006-05-18


A Musical ProphetReview Date: 2000-09-15
A liberating and inspirational story of a true prophet.Review Date: 1999-10-22
unbelievableReview Date: 2006-02-18
goodReview Date: 1999-11-17
This book is Vivid, It is A MUST for any fan of Bob Marley!Review Date: 1999-07-18
One love, Jah Schreiber

Used price: $15.90

Great Book. Great Buy Great PriceReview Date: 2007-07-03
The book was far more than expected. Delivery was prompt. Good Service.
Thank you.
Wow! Very impressed. Comprehensive yet easily implemented instructions.Review Date: 2008-01-07
Of course, TechSmith has just released v5, but I've not seen enough reason to upgrade this time around (I previously owned v3). I highly recommend that you purchase this book.
I would also recommend purchasing Bill Myers' DVD video training on Camtasia which you can find here on Amazon or at his website www(dot)bmyers(dot)com.
Daryl Wilson
Founder, Aladdin Studios
Good informationReview Date: 2007-09-04
Comprehensive and readableReview Date: 2007-08-24
This is one of very few I've actually read cover-to-cover.
But the book is structured so that for the most part you can read any one chapter without missing out on information that depends on a previous chapter.
I've even wound up taking some of his hardware advice. Otherwise, I never would have thought to purchase a preamp with as dorky a name as "Audio Buddy"...LOL...
If you're using Camtasia Studio to produce instructional or sales videos - or considering using it - this is the book you need.
Excellent, comprehensive book for newbies and experienced usersReview Date: 2007-07-22

Used price: $13.49

Good purchase, perfect for the carReview Date: 2008-03-22
I don't like the other stories as much, but that one in itself is worth the purchase.
Long car ride anyone?Review Date: 2007-12-21
Great voices!Review Date: 2007-01-04
Wonderful for Early ReadersReview Date: 2006-02-26
Old favorites, familier voices.Review Date: 2005-08-21

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This is it!Review Date: 2000-09-21
Best I've Read.Review Date: 2000-06-09
The Creative Pattern Book is Marvelous!Review Date: 2000-04-25
This is it!Review Date: 2000-09-21
This is it!Review Date: 2000-09-21

Used price: $1.75

Very InterestingReview Date: 2007-07-24
InspirationalReview Date: 2006-07-21
Murakami concludes that life is such a miracle that it must be the product of "somthing great." He briefly touches on the possibility that we have a soul and reincarnate.
I was inspired to search out new information on the soul and reincarnation and a friend recommended
"This Side of the Gate" by John P. Johnston.
It's a fascinatingly fresh look at these concepts and adds insight into what Murakami speculates on. These new books have inspired me once again to rededicate myself to the spiritual quest.
interestingReview Date: 2006-12-20
The Hidden Order of the UniverseReview Date: 2006-06-01
The book begins with some very basic descriptions about genetics. He then moves on to a description about the fluid nature of genes. He is quite correct that most are switched on and off depending upon environmental conditions and, most of the time, most are barely functioning. He also talks about the apparent transmission of genes between sexual partners and the inheritance of acquired characteristics. All this is true, and part of a revolution in our understanding of how genes function. It was long assumed that most had to be fixed little programmers, because how otherwise could the structural and functional integrity of the body be maintained? But things are not quite so simple. I think that I may have been the person who coined the term "The Dancing Genes," to describe this strange paradox.
We then get into the third section, where he discusses some of his own research that appears to indicate an effect of positive psychology on gene expression. It was this that so impressed the Dalai Lama at a meeting in Dharamsala, India, some eighteen months ago. We already know that stress can inhibit the expression of a gene involved in the synthesis of acetylcholine: one of the key players in many cognitive functions and in Alzheimer's disease. So it is entirely plausible that positive mental states may do something good to our genes. In a study of people with type II diabetes, he found that laughter was associated with an apparent change in the activity of 23 genes. He does not mention in the book that these were 23 out of 18,716 genes that were screened. Naturally that rather changes the impact of the findings. Nonetheless, the research is interesting and needs to be replicated by independent researchers, so that we can better understand it.
He finishes with some suggestions for producing mental states that may perhaps have positive effects on our genes: have noble intentions; be thankful and keep your thoughts positive. Nobody would dispute the value of those sentiments. Though it is also important to note that there is research that has failed to find a correlation between some of these factors, the risk of getting sick and quality of life and survival from some cancers.
In summary, it is great to see a world-class scientist explain in simple terms that biology is not destiny. And that he is in awe at the hidden order of the universe. He certainly goes beyond the data when he makes suggestions about how we should think and live. There's nothing at all wrong with some speculation, but for people not familiar with the field, it's a bit difficult to work out what is fact and what is speculation.
But if it turns out that he is correct, the implications for all of us will be extraordinary.
Thought ProvokingReview Date: 2006-09-30

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Just an excellent book on the subjectReview Date: 2000-07-27
If you want to read about the business structure of Hollywood during its beginnings, this is the book for you. I cannot recommend it enough.
Hollywood's golden age is richly revealed and explained.Review Date: 2000-06-27
He illuminates both the art and the business of films, with keen analysis of how producers, directors and screenwriters created such fine art (and rich profits) -- especially the producers, who are more the authors of Hollywood films than any other group.
He convincingly portrays MGM's Irving Thalberg as a genius of art and commerce and MGM's Louis B. Mayer as a clod (except when dealing with difficult stars).
Schatz offers telling portraits of many others who did their best work under the constraints of the Hollywood system. He details the major studios' styles and how they evolved over the years. It's clear he has read file cabinets of documents, from endless -- but revealing -- memos to how much the stars made(!).
He also puts the film industry in social and cultural context; he even says the anti-communist witch hunts of the 1940s and 1950s were a disguised form of anti-semitism.
In the end, Schatz offers a convincing alternative to the auteur theory.
A must for anyone interested in hollywoods's golden ageReview Date: 2005-03-08
Schatz does a remarkable job of diagraming the rise of the studio system in Hollywood. The book is remarkably easy to follow (compared to any of Andrew Sarris's works) and includes numerous photographs. He focuses most on the trials and tribulations of Universal Studios, Warner Bros. and MGM and their distinct, integrated studio styles (RKO is mentioned to a lesser extent as well).
Producers Irving Thalberg, David O. Selznick, Daryl Zanuck and director Alfred Hitchcock are featured prominently and rightfully so. Also, includes many of the behind the scene battles between studios and directors/producers.
There are some minor criticisms though. He almost completely ignores Paramount and Colombia Pictures. Paramount was as much a factory set-up as MGM and deserves more attention. And the decline of the studio system is sparse compared to the rise of. But aside from that, this book is an enjoyable read and recommend it to anyone who is fascinated with early Hollywood.
Fascinating, but buyer bewareReview Date: 2004-08-01
I did find a glaring error--the finale to "Babes in Arms" was not the minstral number, but the song, "God's Country." In a book of this size, or of any size for that matter, errors will creep in, so it isn't the kiss of death. However, if the reader is familiar with MGM musicals, it may be a small turn-off.
Also, I wasn't satisfied with the epilogue. Instead of citing examples of the comeback of the studio system (LucasFilm, for instance), Schatz simply outlines the creative decline of Alfred Hitchcock. Huh.
Slight shortcomings aside, this book is very entertaining. I wish my film studies textbooks had been this interesting.
A refreshing take on Hollywood where business men are stars!Review Date: 2003-11-26
Up until its publication in 1988, film history had been defined by the "auteur" school of thinking where the director is the supreme artist who nurtured the art form. The studio executives- the money men- were relegated to the background and often depicted as crass capitalist who often hindered the creative process.
In Schatz's eyes, men like Carl Laemmle, Darryl F. Zanuck, David O. Selznick, Harry Warner, and Irving Thalberg were intuitive geniuses who understood the art of storytelling and were able to systematically deliver that art to the masses with drive and innovation. From the low rent beginnings of the Nickelodeon to steady decline of the studio system amid the dawn of Television, these men set standards that are sadly not met by today's faceless conglomerates. They all created "the movies" as we fondly perceive it and Schatz lets the creation of 20th century popular culture unfold with a finely turned narrative sweep.

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A beautiful edition worthy of the art it holds Review Date: 2008-05-09
The Foglios do it again!Review Date: 2007-12-22
Girl Genius #6Review Date: 2007-11-06
Agatha Comes Full CircleReview Date: 2007-10-10
The production values are high, the binding excellent, and the print clear and readable, and the inking and coloring crisp and well balanced, letting the distinctive Foglio style shine. The writing is funny and not, I think, too reliant on knowing a lot about previous stories, although a working knowledge of #5 would help as it is a direct continuation of the plot.
Buy it and show it to your friends! Show Them ALL!
just keep getting betterReview Date: 2008-03-31
Collectible price: $200.00

A River JourneyReview Date: 2007-01-05
The Hidden Canyon: A River JourneyReview Date: 2006-11-05
The Hidden Canyon : A River JourneyReview Date: 2006-02-27
AWE INSPIRING!!Review Date: 1999-07-28
BreathtakingReview Date: 1999-07-13
Used price: $0.40
Collectible price: $135.96

biop of lennonReview Date: 2003-07-06
Beautiful Book!Review Date: 2001-02-22
A Big, Beautiful BookReview Date: 2000-10-16
AmazingReview Date: 2003-02-09
I loved it!Review Date: 1999-01-10
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The areas on the Cape feature 17 pages in a chapter including Bourne, Falmouth, Mashpee, Osterville and Hyannis; a chaper with 23 pages covering Sandwich, West Barnstable, Barnstable, Yarmouth Port and Dennis; a chapter with 15 pages from artists in Harwich Port, Chatham, West Dennis and Dennisport; 16 pages for Brewster and Orleans; and 16 pages overing the outer Cape from Eastham, Wellfleet and Truro out to Provincetown. The Nantucket chapter has 19 pages on studios and galleries and a page on local festivals and special events. Martha's Vineyard earns 11 pages on studios and galleries.
Each article about an artist or gallery gives something of the artist's history and describes her or his work, highlighting the particular emphasis that artist brings to the pieces. There are also listings of museums and theatres and websites and phone numbers for them as well as for other art forms such as Opera and Chorale groups.
With the first edition printed in 2006, all the material is up-to-date, at least for the present.