Western Books

As a landscape designer, this book is indispensable. It has only one major flaw, which I find extremely annoying: the binding is absolutely worthless. I've had the book for less than a year, and it's falling apart. Sections of it come out every time I take it off the shelf, and I'm about ready to rubber band it together. Otherwise, this is a must have for everyone in the horticulture industry this side of the midwest.

I use to own an older version of this book (soft cover) and lost it. I have truly missed it. I finally broke down and bought another. This is like the bible of garden books. Truly a must have!

this is an unusually complete reference book. my only complaint is is a somewhat brief treatment of deseases and pests which attack the plants listed and the treatments for them.

The book came in record time and was in perfect condition. only praises here.

This edition corrects some of the small things that bugged me with my older edition - for example, the lists of plants for special situations (shade plants, colorful plants etc) used to only have the botanical name, so you were forced to flip through the book to see what the heck they were talking about. Now the special situations section has been greatly expanded, and is much more user-friendly with the common name and page number where details of the plant can be found. Lots of marvelous color photos, plus the line drawings of the plants are now in color too. This book remains the gold standard for all garden books.

The origin of Africans in America and the music they produced over the last three hundred years was very interesting to read. Mr. Jones provides a chronological and historically based history of the evolution of Black music in America.

He also points out that when black music is accepted by the mainstream it becomes a diluted and pitiful shell of its former greater self. I agree. If anyone notices whenever a beloved artist goes mainstream, generally his or her music is so shallow, you wonder what happened to the real person. I guess it is all about the dollars. They want to get paid. They know that most folks in the mainstream society cannot take or intellectually and spiritually relate to the rawness of our people's music. It is too powerful and personal. The black experience is unique, which affects our worldview and attitudes.

However, the black folk, the masses, always create new music or keep the real music alive. We continuously create, and the mainstream is darn well lucky. If not for black folks, I don't know what in de world they would do with dye selves. Lady this would be such a dull place.

This is a really interesting look at the evolution of black culture through the lense of music. Some of the author's opinions about later music (50's-60's) may seem out of touch to today's readers, but overall it is well worth reading.

This is one of the most important books on America and American history, culture and citizenship. It would benefit the world if it were incorporated into public education. Someone said that nations are judged by their art and this book examines that subject superlatively. This study of the blues examines the evolving cosmology of the Africans and their journey and creation: the blues, one of the singular most powerful beauties of America. He shows how from the blues came all and embraced all other peoples and cultures. Baraka's ability to live the thoughts of the originators enables us to understand the profoundity of their sorrow and sublimity of their joy.

The other day a friend rashly claimed that art and music were equally hard to describe in words. I asked him to tell me about a certain painting of Picasso's. He did, but claimed it wasn't accurate. "OK," I said, "you're right, but now tell me about Mozart's Jupiter Symphony." He opened his mouth, closed it, looked at me, and said, "Yeah, I see what you mean." Writing a book about the blues would be equally hard, it seems to me. So, LeRoi Jones did what he could, back in 1963, to tie the indescribable to the more concrete. He wrote a social history of African-Americans in the USA through the prism of music or---maybe on the principle of red and yellow tile floors (are they red with yellow designs or yellow with red designs ?)---he wrote a book on African-American music through the prism of social history. It is one of the most important books on American music (and American society) that you can find. It has stood the test of time. He begins from the Africans who came to North America as slaves bearing very different cultures, confronted by an absolutely different view of the world emanating from their new masters. Here he tries to show how African music became transformed into African-AMERICAN music and then American. He continues then up through the generations of slavery, to Emancipation, migration to the cities, World War I, the Depression, World War II and the bebop age of the Fifties. The book is pre-Civil Rights movement, pre-Martin Luther King. Jones may have looked down on the NAACP and its allies as "white liberal supported organizations", I'm not sure, but they don't appear. The times are symbolized by the use of "Negro" throughout. I agree, the tome is dated, but don't reject it, don't pooh-pooh the man. This is a very intelligent, very worthwhile book. Anyone, particularly from outside the USA, who wants to know the history of African-American music within its social environment ought still to read BLUES PEOPLE. He writes, "If Negro music can be seen to be the result of certain attitudes, certain specific ways of thinking about the world (and only ultimately about the ways in which music can be made), then the basic hypothesis of this book is understood." [p.153] Jones goes to great lengths to get to the bottom of those attitudes and thoughts.

My main criticism, apart from the fact that history dictates that we must be left a half century behind contemporary realities, is that though Jones obviously knew and loved the blues and jazz and all the various styles ( if not swing), his approach is coldly academic, highly dispassionate. He may criticize people who tried to make money, he may downplay all those who "abandoned" their roots, but my disappointment is that there is nothing of himself in the work barring a few mentions of his family. He does not share his enthusiasm. Music is beauty after all. I am sure he wanted the book to be taken as a serious essay, which it is. But in keeping himself removed from the discussion, being so analytic and professional in the style of the day, he has robbed us "readers of the future" of many insights.

African-American experience in the USA expressed itself most particularly in the blues, only later did that musical mode become part of the general American culture, often watered down, sometimes imitated by those who didn't wish to fit in or who wished to cash in. When conditions have changed, when the black middle class has entered mainstream America, and the urban underclass is wrapped up in hip-hop, gangsta rap culture, which is relentlessly commercialized by the powerful media, talking about the blues may seem a matter for historians or ethnomusicologists. Still, BLUES PEOPLE resonates strongly if we try to understand where we have been. As for where we are going---that old line sums it up---we're goin where the Southern cross the yella dog.

I actually purchased the first paperback edition this book a long time ago, and I learned that it had been out of print for quite some time. It was a time when I was a casual listener of blues and jazz, and didn't think about the roots of the music I was listening to. The book was interesting enough, but it didn't have information about more contemporary stuff, as it was printed in 1963.

Recently, I found this book in the upper shelves of my library, having completely forgotten about it in spite of my infatuation with the blues for the better part of the last two decades. It was a most welcome surprise for me, as it contained a compact but comprehensive introduction to the time period from the first Africans came to America to the 1920s when their music was first recorded, and laid the groundwork to how this music evolved in a sociological context. The rural lifestyle, the reflections of the exodus from the south on the music and subsequent refined, urban sound are discussed in this framework.

Although it would not really appeal to the casual reader and listener, "Blues People" is invaluable for the serious blues and jazz fan for setting the music into the general context of social life and external effects that made this music what it is today.

At least that's what my father (Co. K, 359th Infantry, 90th ID) called it. He even went over on the Queen Mary.

I rated this book 4 stars for a good reason, so let me explain myself. If you sat down at Hobert Winebrenner's kitchen table (like Michael McCoy did) and listened to him tell his story, what you would hear is what you will read in this book. Is it great literature or great history (history in the sense of what we read in books, rather than the actual events)? No. Is it a great story, well-told? Absolutely. Is it important? You're damn right it is. Hobert Winebrenner is no Stephen Ambrose (Band of Brothers : E Company, 506th Regiment, 101st Airborne from Normandy to Hitler's Eagle's Nest, Citizen Soldiers) and he would never claim to be. His introduction to this book could have easily been one sentence: "This is what happened to me."

Although I am an avid reader of military history, I have never been a fan of memoirs. Too many are self-aggrandizing. Even Omar Bradley's A Soldier's Story (Modern Library War) has occasional touches of "If they'd listened to me, the war would have ended sooner." However, this latest (and perhaps last) generation of WWII memoirs has been written by (mostly) men who went on to be plumbers and postal workers, contractors and car salesmen. United States Senators and corporation presidents were more the exception that the rule (though there were a few of those). These are not the men who strategized great plans or organized great armies to save the world. These are the men who did the actual saving, who did the fighting and the killing and the dying. And there is a common theme that runs through these memoirs that can be summed up as: "look at the incredibly stupid, lunk-headed things I did in the war and look at the unbelieveably courageous things done by men that I knew."

Do NOT be put off by this book's sparse, straight forward narrative style. What Winebrenner says is more important than how he says it and both he and McCoy seem to know that. This is testimony. Winebrenner wants us to know these men he served with, their names and their deeds. He wants us to remember them, not merely because they saved the world, but because of what they endured and sacrificed to save it. And we must remember them, not merely for their own sakes, but for the sakes of our children who we may well call on for similar sacrifices. The game had better be worth the candle.

Read this book, remember these men. You won't be sorry.

Hobert Winebrenner has a way of telling about his WW2 service. Although many suffered the same hardships as Winebrenner, only few are able to put it in words as he does. We should be grateful he wrote it down for all of us to read and remember.

What a wonderful book! Hobert Winebrenner takes you to the heart of the foot soldier of WWII in a way no one else has. You feel the intensity of battle, along with personal feelings of anger, despair, fatigue,; just a myriad of emotions. He is one of the 'unsung heroes' of the war. His detail to things such as inadequate clothing, poor equipment, etc. is superb. This book should be considered among the best written about WWII.
It's an honor to place this among all my books. Don't miss this one!

Without reservation, "Bootprints: An Infantryman's Walk Through World War II" is one of the best memoirs out there by a front-line soldier! Co-authored by Hobert Winebrenner [former Staff Sgt. in the 3rd Bat., 358th Inf., 90th Div.] and Michael McCoy [a much younger freelance writer and publisher], "Bootprints" takes the reader on a journey from the entrance of Winebrenner into the US Army as a 'citizen soldier' in 1942 to post-V-day occupation duty, and beyond (ca. 2005 when the book was published). In short, "Bootprints" is a gripping story of humanity and sacrifice during a time when civilization seemed doomed by the forces of tyranny and fascism.

The military history literature is crowded with memoirs of WWII veterans from all echelons of service, but very few are truly worthy of the highest praise. Still fewer memoirs present war from the perspective of the frontline soldier and are capable of emoting considerable shock, empathy, anger and awe from a 21st Century reader. "My Brother, Hail and Farewell!" by Edward J. Zebrowski (another former US Army footslogger) and "Black Edelweiss: A Memoir of Combat and Conscience by a Soldier of the Waffen-SS" by Johann Voss (obviously a story told from 'the other side of the hill') represent two examples of books that fit this latter category of WWII memoirs. Add to these two books "Bootprints" and one has a trilogy of outstanding memoirs from the foxholes, fields and rumble of the Second World War. It is unfortunate but true that none of these books is a bestseller in the traditional sense. Each of these three books is fast-paced and full of emotion; each tells a unique story worth reading; and none glorifies war or is self-aggrandizing. So why aren't they bestsellers? Simply put each is published by a small publishing house and their importance as historical literature is spread not by big money marketing as much as by grass-roots word of mouth. So from this reviewer to each of you who reads this, pick up a copy of each of these books!

Clocking in at 283 pages (seventeen chapters and an Afterward), "Bootprints" exudes character and emotion that engages the visceral senses of the reader start to finish. In fact, the reader feels as if they are alongside Winebrenner as the 358th lands on the Normandy beaches as part of second wave of grunts of the First US Army; then participates in the breakout from the bocage and subsequent headlong rush across France to the German border as part of Patton's Third US Army; to breach of the West Wall and retrograde movement back to the Bulge; and the bounce of the Rhine and final drive to V-E Day and beyond. Needless to say "Bootprints" is highly readable prose and at no point should a reader feel 'tired' with the book. This is a 'sit down and read it cover-to-cover' book. Do yourself a favor, find a copy of "Bootprints" and enrich your life with a story from a man who paints a self-effacing picture and gives all of his buddies from the war full credit for successes. While everything written in "Bootprints" suggests Mr. Winebrenner would humbly and firmly disagree, this reviewer feels that, based in what is written in "Bootprints", Winebrenner could have been a prototype man on which the ideal of "The Greatest Generation" was based.

"Bootprints" is a 5 star book that should be read by adults who wish to gain perspective on life, freedom, happiness and humility!!

Bootprints by Hobert Winebrenner and Michael McCoy

Bootprints is Hobert Winebrenner's story (Michael McCoy wrote for him) of his experience in WWII. In telling his tale, Mr. Winebrenner opens before the war and tells about being drafted into the army. Interestingly, once he'd completed training he was asked to train the next batch with the promise that he'd go to officer training school. Fortunately (or not), Mr. Winebrenner was given the option to become a sergeant at Ft. Sill working with forward observers and training them on basic infantry weapons. After doing this for awhile, Mr. Winebrenner was assigned to the M Company (the heavy weapons company), 358th Infantry Regiment, 90th Infantry Division and sent to Europe.

After spending short period of time training in England, the 90th ID was to fight in the hedgerows of Normandy. It is in this time period that Mr. Winebrenner's tale picks the pace that he follows throughout the book, chapters about a series of battles, with sub-chapter that tell of particular parts of the battle (interestingly, more often than not Mr.Winebrenner tells the exploits of others). Chapters include the battles thru the hedgerows of Normandy, recovering from wounds, Operation Cobra and the race across France, breaking into Germany, the Battle of the Bulge, and the battle for Germany. To close things out, Mr. Winebrenner closed out by telling us about the men he served with and what happened to them after the war.

Reading this book I was torn many times between four and five stars. By the end of the book it had become a strong 4.5 star book. If there are weakness's in it, they're very few and far between. The strengths are many; Mr. Winebrenner paying tribute to his mates, many of the stories are exciting, and the details are exact. Because the strength's, I have to give this book the nod to 5 stars! Mr. Winebrenner, thank you for your service!

I bought this book for my mother in law just before her trip to Italy and she loved it. She said she used it as a resource there and it was very interesting. I gave it 4 stars because it wasn't something I would buy for myself but my mother in law adored it to pieces! Great gift for any Italian or someone planning to visit Italy.

I'm glad this guide book exists. I have found it helpful and informative. I am currently living in Germany, and I find pilgrimages to be a far more meaningful way of exploring Western Europe than more traditional tours. With this in mind, I would like to respectfully suggest some revisions for future editions. First, I would really appreciate more and better maps. A simple blank map of each country with dots representing the pilgrimage locations would have been extremely helpful--- as would better directions and ideas of distances between major sites. More pictures would also be helpful. I plan on eventually visiting most of these sites, but the book on its own is not enough.

A very good book full of information. The only thing i didnt like is that they talk about certain images of The Blessed Virgin , but dont show her. Only the builing... I think more pictures of the statues at the shrine and less of the outside of them would be better. But i gave it five stars for the information. It great for that reason only.

I spent two semesters in Europe and this book was immensely helpful in deciding which pilgrimage sights to go to and then finding them! I love the little maps that are shown for the various shrines. At Franciscan University's campus in Austria, this book in particular is very popular, because it tells about the history of the place and how to find it. If you know a Catholic who is going to Europe and wants to visit shrines, then I highly recommend this book.

My brother and I both lived in Europe (in different places) and we both used this book extensively. The book unabled us to visit shrines that otherwise we would not have known existed. The book was easy to use and included the history of each shrine, directions on how to get there, where to stay and how to contact the shrine. There is also a picture of each shrine, with made it easy to choose which shrines we wanted to see. Our stay in Europe was greatly enriched by the use of this book.

COUNTERPOINT, the frank account of the varied and exciting life of Joe Harnell, pianist, composer, arranger, bandleader, will be sure to appeal to anyone who's a fan of mid to late 20th century popular culture and it's major players, louis armstrong, marlene dietrich, etc.
While not always pretty (Harnell has no desire to gloss over the more unpleasent aspects of his life), it is an always honest and very revealing account of the artistic and personal development of a musician's musician. After reading this book, it is difficult not to be touched by Harnell's humanity whether or not one is aware of his work and contributions to popular and television music over the last five decades.

COUNTERPOINT, the frank account of the varied and exciting life of Joe Harnell, pianist, composer, arranger, bandleader, will be sure to appeal to anyone who's a fan of mid to late 20th century popular culture and it's major players, louis armstrong, marlene dietrich, etc.
While not always pretty (Harnell has no desire to gloss over the more unpleasent aspects of his life), it is an always honest and very revealing account of the artistic and personal development of a musician's musician. After reading this book, it is difficult not to be touched by Harnell's humanity whether or not one is aware of his work and contributions to popular and television music over the last five decades.

"Counterpoint" provides the reader with a rare perspective on a rich era in American Music written by one of the industry's giants about other musical giants of the time. Not only is Joe Harnell's personal journey told with extreme honesty, it's written with the light touch of a master humorist. He and Ira Skutch choose to divide the dazzling parade of musical legends by giving each one their own chapter, which makes it easy to refer back to a particular singer and reread a funny anecdote or insightful observation. This book succeeds on several levels: as a chronicle of music history; as a story of personal triumph; and as an important musical autobiography.

Joe Harnell pulls no punches in this great journey from boyhood to the present. Not only did I love the descriptions of the places and times Joe has traveled through, but the insight into the musicians and stars he worked with was rewarding. The fact that he is so out front with his personal life only makes you like him more for his human foibles and the peaks and valleys that we all experience. I'm from a younger generation but truly enjoyed reliving this time period through the words and music of Joe Harnell.

Not only a riveting expose of the music business over the last half a century, but also a revealing glimpse into the intimate life of a man with the sensitivity and temperament of a true artist and all the color and drama that go with it. Joe invites you along on his roller coaster ride of a life with stories you will never forget.

I have purchased book for a cousin as I've had tremendous success with
many recipes in this book and value it.

This cookbook is one of the best all around cookbooks ever.
I use this one for so many dinners and I love how it gives
you suggestions on what to serve with the entries.

This was the first cookbook my parents bought me when I moved out. It's the cookbook I turn to when entertaining. Favorites include the mustard chicken in phyllo and maroon bell cheese spread. Guests always ask for the recipes.

Likely you too have scanned or even invested in those recipe collections to fund a worthy effort, either not expecting to use the recipes or had to search through to find those that one even would want to attempt. Not the case with this collection of the Jr. League of Denver! And over half-a-million in print to date! You'll want one before it goes out of print!

This is large, rich colleciton that is well thought out, organized and bursts forth with uniqueness, creativity and breadth.

Some unique features are its individual sections on Colorado Wild, Mexican and HealthMark Modifications. For example, the game section using Colorado abundance of wildlife is buy a doctor who is in to this, who gives recommendations on preparing to remove gaminess and to improve flavor and maintain health.
How about Wild Pheasant Stroganoff! Indicative of the stuff you'll love finding here and trying.

Also a plus to this delight is notes which accompany most all of the recipes that tell about alternatives, serving suggestions, history where the dish came from, etc. Adds zest for us foodphiles!

One can easily see why so many other reviewers have raved about this -- it enticed me to try it. I think you will enjoy using this collection too!

I have over 200 cookbooks, I often times go to sleep reading cookbooks and I relate to the world in many aspects through my stomach. I love food and cooking. This is definitely my most-used cookbook, I don't know how many times I've looked for a recipe, finally gotten this book out and there it was all the time. I consult this book first. I have several Junior League cookbooks, this is my favorite. Everything I have cooked out of this book has been good. Don't even think about it, just buy this book. You won't be diappointed.

No doubt a prophetic genius, one has to wonder ,though, if Guenon was not also a bit of a fanatical lunatic. His assertions about the tremendous flaws in Western civilization are etched in such clear-cut shades of black and white that they leave no room for argument or compromise. In short, these are revelations that brook no opposition. However, I must admit I felt a powerful sympathy with his description of how unsane our modern world has become. But I am very cautious and skeptical about his proposal of a return to a more "traditional" culture run by an intellectual elite. This sounds like a recipe for another totalitarian system of rule. As always, who is to decide which are the "elite" worthy to rule? Bracing and stimulating, this work seems inspired, but one might wonder by whom or what.

In perhaps his most important work, _The Crisis of the Modern World_, traditionalist thinker Rene Guenon outlines his philosophy and shows how the traditional outlook is opposed by modern developments. Guenon begins by noting that the modern world has brought about a crisis, conceived by many in terms of apocalypse and the "end times" (the coming dark age of the Kali Yuga in terms of Hindu cyclical cosmology), which can only be resolved by a return of the West to the traditional outlook. Taking off from what he had written earlier in a book entitled _East and West_, Guenon notes that the worldviews of West and East are profoundly different from each other, the East maintaining its traditions, while the West creeps towards degeneracy in the form of modernism and materialism. Much of this book is spent contrasting East and West, attempting to demonstrate exactly where the West has gone astray (both in its attempts to colonize the East and in its rampant materialism and modernism). In the East, three great traditions remain corresponding to the Near, Middle, and Far East respectively. These are the traditions of Islam, the traditions of India (especially Hinduism), and the traditions of the Chinese civilization. Guenon believes that only one possible source for traditional renewal remains in the West, and that is the Catholic (meaning "universal") Church, which he opposes to Protestant Christianity or modern day "rationalism", for example. Tranditionalism places an emphasis on both "primordialism" and universality, in line with its Vedantist roots. Guenon also notes several contrasting distinctions between the traditional viewpoint and that of the modern day (the Western materialist/"rationalist" outlook). Part of this involves the contrast between sacred and profane science. Modernists emphasize profane science, attempting to desacralize nature, and place their priority in both pragmatism and the material world. Such a view has come even to relegate metaphysical notions of truth to the realm of the purely pragmatic and utilitarian. Guenon also notes how the modern day world is dominated by a mass democratic levelling brought about by what he terms "individualism". It is this form of "individualism" which has led to materialism and an emphasis on pure pragmatics (quantity as opposed to quality), although he contrasts this to the more genuine view of the traditional man which remains opposed to the encroaching influences of force, through the state for example. Guenon sees much to criticize in the democratic development of the West, seeing in democracy a form of mass levelling. Opposing these developments within the modern world, Guenon calls for a new intellectual elite, who will serve to revive tradition where it is to be found. This revival also centers around the schism between East and West. In this sense, those among the "intellectual elite" must either opt to integrate the traditions of the East (which remain viable) into the West or attempt to restore genuine Western tradition (such as that which exists in a form of decline within the Catholic Church). Guenon remains a champion of the East and notes the Western bias and attempt to dominate the traditional East, citing several sources of this problematic, where he means by the West the modern materialist-driven West and not the traditional West. This book serves as an important introduction to the thinking of Rene Guenon, who is the father of the traditionalist school which also includes Ananda Coomaraswamy, Frithjof Schuon, Julius Evola, and Mircea Eliade, among others. It serves to highlight many of the contrasts which exist between the modern world (undergoing crisis) and the traditional outlook. Guenon notes that while there is a tendency for those among the traditional camp to despair, given the bleak outlook presented by the modern world (which may be destroyed in catastrophe given its false foundations), that this tendency should be overcome, particularly by those among his chosen elite. Guenon quotes several important passages from the Gospel accounts to illustrate his point. Truly the modern world represents the traditional Kali Yuga of the Hindu cycle, a dark age of rampant materialism, and a decline from the once golden age of spiritual tradition.

In this short book, the supremely intelligent Rene Guenon manages to crystallize some of the most fundamental ailments of modern society. He is neither afraid to examine from a traditionalist viewpoint all recent intellectual "developments" in science along with the callow, bigoted perceptions of modern philosophy, nor does he shy away from criticizing democracy and the notions of socio-political "progress," or the diluted and comical nature of modern religion. Consistency and holistic understanding are Guenon's hallmarks, and he demonstrates it well with this succinct volume.

This work is genuine treasure for all those capable of fully comprehending reality and naturally find themselves alone and at odds with contemporary civilization. Serves as a good introduction to the general orientations of authentic traditionalist thought. Guenon expands on this work significantly in its companion volume, The Reign of Quantity.

The scholarly world is never too short of what is in vogue as `critiques of modernity' that another addition to this stock would have been redundant. Guénon's The Crisis of the Modern World however, is not simply `another' of this but is distinguished by its profound wisdom, transcending conventional approaches that either diagnosed the symptoms and not the real disease or carried from an exclusively `philosophical' viewpoint, oblivious to the fact that `philosophy' itself is among modernity's offspring. Guénon's theme is sophia perennis, or primordial Wisdom, which seeks to resurrect the sacred metaphysics that lies at the root of the world's major religions.

Guénon begins with the premise that the modern world as we know it corresponds exactly to the period of Kali Yuga (or Dark Age) in Hindu cosmology, similar to the Iron Age in Western traditional doctrine, a time when the forces of matter reign supreme and spirituality has been thoroughly eclipsed. In fact, history itself is a gradual process of declining spirituality and "progressive materialization", so that at the last phase of the human cycle (or the darkest of the Dark Age), mankind shall witness the abundance of material prosperity as has never been witnessed before, while simultaneously impoverished spiritually and utterly divorced from true intellectuality and hence truth itself.

Intellectually, this decline is especially evident in science and philosophy. Philosophy - `love' of wisdom - became wisdom unto itself; `physics' - the science of `nature' in its totality - became a science that deals with only a portion of nature; astrology degraded into astronomy; alchemy degenerated into chemistry; and all that was once meaningful and bound to truth transcending the domain of matter and the world of sensible experience is reduced to bare facts bereft of truth, meaning and purpose. It is no wonder that the modern man today feels alienated from the world, from each other and from himself. The ancient sciences were invariably bound to metaphysical principles found in the world's great religions, made possible by the eminently religious and theocentric character of the earlier people. Truth for them is one, just as God is One. The different orders and aspects of Reality are but reflections of this same, single and universal truth. Whichever angle the truth is approached, contradictions only appear at the surface so that `specialization' would eventually lead to the convergence of the various disciplines, which explains why the ancients were so adept at mastering several different branches of knowledge at the same time, insofar as mastery of certain basic laws underlying all of reality permits their application to many different domains.

Modernity by contrast, is built upon the spirit of opposition to religion (think of the Renaissance, Reformation and the Enlightenment) and therefore hostility to metaphysics and truth. Once the ultimate Truth is denied, the ground is cleared for the manufacture of many different "truths", tending naturally towards relativism and nihilism that are so prevalent in today's world. Indeed, relativism is the logical outcome of rationalism, this in turn being the result of humanism and individualism, which of course, is the "determining cause of the present decline of the West." Descartes' rationalism, instead of raising man to transcend himself towards truth, seeks to drag truth down to the "purely relative and human faculty" of rational thought. The mental outlook that made this possible is materialism, "a conception according to which nothing else exists but matter and its derivatives." Now this is significant even symbolically, for matter is essentially multiplicity and division, hence the source of strife and conflict.

This decadence even manifests itself in the social order - from the separation of religion from the state, the triumph of mediocrity over the wise (democracy), the spread of `mass education' (which compromises the uniqueness of each individual) to the rise of the cult of `originality' in the intellectual domain, for whom it is better to create a new error than repeat an old truth. All this are but manifestations of the same catastrophe - neglect of spirituality, hence the loss of unity.

Materialism is also tied to Western domination. The East has been traditionally religious, but in the face of (material) challenge and encroachment by the modern West, is now compelled to adopt the materialistic worldview to compete in this profane realm and in this regard, its religious past is certainly no guide. Where else would they seek guidance and `light', if not from the very civilization in which materialism organically springed forth? This is in fact how the present age fits neatly into that last phase of Kali Yuga as Guénon understands it, namely that the darkness of materialism will ultimately bring the whole world into its dominion (long before `globalization' and `end of history' became common lingo), marking finally the end of an era, i.e. the end of a human cycle, or Manvantara, where `the wheel stops turning.' This is when chaos, conflict and strife will erupt as never before, a time known in Christianity as the reign of the Antichrist and in Islam as the era of Dajjal.

There is a way out - for the establishment of a spiritual elite to lead the masses out of this darkness. This elite necessarily has to operate covertly, like a secret puppeteer when others could not see the strings, for the masses have become deeply entrenched in their materialism, which continuously creates in them more artificial needs for materiality than it can satisfy. In the West, the only institution capable of bringing about this change is the Catholic Church, which alone is in possession of the sacred traditional doctrine of Christianity. Yet even then, Guenon remains skeptical and calls for the Western world to summon aid from what modicum of true spirituality is left in the East, unadulterated by the `modernized' outlook that is fast making headways throughout the Orient.

This book show us the roots of our modern world. This book is for those that, unsatisfied with the course os the modern world and it?s oppressive materialism, are looking for convincing explanations, out of the common political and economical vision. The author examines the deep factors that conducted our world to it?s present unbalance, demonstrating that, since the Middle Age, the Occident went further and further away, with increasing velocity, from the principles that ruled all the humanity until that momment. Principles that presume an hierarchy of values, from the highest (spiritual) ones to the basic (material) ones; principles that are within the essence of the traditional civilizations, that harmonize man and nature. We find examples of traditional civilizations with the north-american native tribes (as the Hopi and Sioux, among others); the Tibet, before the chinese invasion; the medieval Japan... Ren? Gu?non (1886-1951), with this book that is at once masterly and accessible, don?t give us illusions about the future of our civilization. Instead he provides us with new and wide horizons, with tools that enables us to evaluate and stand up to the great challenges of the modern world crisis. It's the best way to make a first contact with Ren? Gu?non and the traditional view.

Luiz Pontual (irget@reneguenon.net), director of Ren? Gu?non's Institute, April 9, 1999. See our site irget@reneguenon.net and buy our book at Amazon.com

On their own, the pictures are nice. I thought they detracted from the text, which I have read before in a different edition (and gave away!).

If you can understand the text without letting the pictures have any influence, great. I think this poem (?) is all the wisdom anyone needs to get through life.

I found the photos to take away from the words. Also parts of the poem were placed in bold face and made them stand out in the wrong way; it simplified Ehrmann's ideas too much. I was very disappointed in how it changed the over all feel. I would think these words are better left alone without other artists visual interpretation attached. Just my thoughts.

I gave eight of these books away for Christmas this year. I love the book because proceeds go to the Daniel Pearl Foundation, not to mention the nice black and white photography and inspiring philosophy. This book is a bit of sunshine on demand.

This is a wonderful book for any age. The Desiderata, an inspirational poem, was written long ago. This book illustrates the words using simple, yet striking, photographs. I have bought this book for teachers, students, and as gifts for graduates. I always keep a copy in my collection. Words we can all live by.

One of my favorite poems, a comforting and refreshing perspective on life's big picture. It purports to have been discovered in a church in the seventeenth century, but in fact it was written by a man named Max Ehrmann in the first third of this century. I have kept a copy around since elementary school (ever since I learned that Gene Roddenberry, the creator of Star Trek, kept one in his office), and now keep one in my office at home and one at work.

I bought this for my nephew's 4th birthday and he asks to have it read over and over. All of the adults who have read it laugh out loud. It's absolutely wonderful.

My 3 year old thinks that this is the greatest book ever written. The story is engaging and the illustrations are priceless. My husband and I would read this story even if we didn't have kids. It's awfully hard not to like the dirty cowboy or his dog.

This book is your basic, down to earth, cowboy story. It is sure to tickle any child that you read it to, and entertain you too. The illustrations are wonderful and the story unique.

Amy Timberlake's Dirty Cowboy is now my favorite picture book. I have started using this as a read aloud for my students at school and they love the illustrations!
The Cowboy goes to take his yearly bath at the creek only to find that once he is super clean his "Dawg" no longer recognizes him. It is a humorous tale as the Cowboy and Dawg fight for the clothing.

This book is highly entertaining and clever. We love it!

It is quite likely that the hardest question I've ever been asked is, "What's that book about?" This book manages to discuss, coherently, cohesively, and interestingly, everything from molecular biology to quantum physics to computer science to music theory to philosophy to advanced mathematics to Elizabethan literature and beyond. Reading this will definitely change the way you see the world, and if you read one book this entire year, this should probably be it. VERY highly recommended.

As far as the layout and design of the book go, I find this piece to be particularly structured in a way that one studying abstract and modern mathematics might find appealing. It gives specific axioms for use with each topic and in doing so defines more than just what the topic might imply. As the content goes, for those taking an introduction course in abstract algebra, this book may be slightly heavy and unwieldy, however, for those well-learned in some of its background material, this book is enjoyable and pleasurable to read. The author even makes use of antecdotes to enforce his topics. Overall, this book has been one of the most pleasurable assigned readings I have endured.

The Atlanta Journal Constitution describes Gödel, Escher, Bach (GEB) as "A huge, sprawling literary marvel, a philosophy book, disguised as a book of entertainment, disguised as a book of instruction." That is the best one line description of this book that anybody could give. GEB is without a doubt the most interesting mathematical book that I have ever read, quickly making its place into the Top 5 books I have ever read.
The introduction of the book, "Introduction: A Musico-Logical Offering" begins by quickly discussing the three main participants in the book, Gödel, Escher, and Bach. Gödel was a mathematician who founded Gödel's Incompleteness Theorem, which states, as Hofstadter paraphrases, "All consistent axiomatic formulations of number theory include undecidable propositions." This is what Hofstadter calls the pearl. This is one example of one of the recurring themes in GEB, strange loops.
Strange loops occur when you move up or down in a hierarchical manner and eventually end up exactly where you started. The first example of a strange loop comes from Bach's Endlessly rising canon. This is a musical piece that continues to rise in key, modulating through the entire chromatic scale, ending at the same key with which he began. To emphasize the loop Bach wrote in the margin, "As the modulation rises, so may the King's Glory."
The third loop in the introduction comes from an artist, Escher. Escher is famous for his paintings of paradoxes. A good example is his Waterfall; Hofstadter gives many examples of Escher's work, which truly exemplify the strange loop phenomenon.
One feature of GEB, which I was particularly fond of, is the `little stories' in between each chapter of the book. These stories which star Achilles and the Tortoise of Lewis Carroll fame, are illustrations of the points which Hofstadter brings out in the chapters. They also serve as a guidepost to the careful reader who finds clues buried inside of these sections. Hofstadter introduces these stories by reproducing "What the Tortoise Said to Achilles" by Lewis Carroll. This illustrates Zeno's paradox, another example of a strange loop.
In GEB Hofstadter comments on the trouble author's have with people skipping to the end of the book and reading the ending. He suggests that a solution to this would be to print a series of blank pages at the end, but then the reader would turn through the blank pages and find the last one with text on it. So he says to print gibberish throughout those blank pages, again a human would be smart enough to find the end of the gibberish and read there. He finally suggests that authors need to write many pages more of text than the book requires just fooling the reader into having to read the entire book. Perhaps Hofstadter employs this technique.
GEB is in itself a strange loop. It talks about the interconnectedness of things always getting more and more in depth about the topic at hand. However you are frequently brought back to the same point, similarly to Escher's paintings, Bach's rising canon, and Gödel's Incompleteness theorem. A book, which is filled with puzzles and riddles for the reader to find and answer, GEB, is a magnificently captivating book.

Douglas Hofstadter uses the art of M.C. Escher, the music of J.S. Bach, and Kurt Goedel's mathematics as the centerpieces for a magnificent inquiry into the nature of the mind. Along the way you will encounter Bertrand Russel, Carroll Lewis, particle physics, molecular biology, Magritte's paintings, and Zen koans. These are all used to probe recursion and the mystery of how we form thoughts. But the list of topics alone is not what makes this book great, it's the playful, joyful sense that characterize's Hofstadter's treatment of this. This sense of wonder is critical, as without it this highly challenging book would be very frustrating. The book's style itself is based on Bach's canons, and the chapters are interspersed with dialogues between the Tortois and the Hare, in the style of Carroll's Alice in Wonderland. The result is an artistic as well as scientific or philisophical masterpiece. I am currently a triple-major in molecular biology, physics, and philosophy, and much of my curriculum has been influenced by the beauty of Hofstadter's book. This will go down as one of the 20th Century's bests books.

This book is a must for math majors (as well as many logic and philosophy majors). Anyone else in the hard sciences should also read this book, at least to be enlightened. Initially, it is easy reading, then becomes slightly foggy, but pushing through is rewarding. Of the three, my favorite is Godel and I always mention his Incompleteness Theorem whenever his name comes up. It his probably actually best mentioned by Rudy Rucker in his book "Infinity and the Mind". I think it is significant enough to mention here:

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The proof of Gödel's Incompleteness Theorem is so simple, and so sneaky, that it is almost embarassing to relate. His basic procedure is as follows:

1. Someone introduces Gödel to a UTM, a machine that is supposed to be a Universal Truth Machine, capable of correctly answering any question at all.

2. Gödel asks for the program and the circuit design of the UTM. The program may be complicated, but it can only be finitely long. Call the program P(UTM) for Program of the Universal Truth Machine.

3. Smiling a little, Gödel writes out the following sentence: "The machine constructed on the basis of the program P(UTM) will never say that this sentence is true." Call this sentence G for Gödel. Note that G is equivalent to: "UTM will never say G is true."

4. Now Gödel laughs his high laugh and asks UTM whether G is true or not.

5. If UTM says G is true, then "UTM will never say G is true" is false. If "UTM will never say G is true" is false, then G is false (since G = "UTM will never say G is true"). So if UTM says G is true, then G is in fact false, and UTM has made a false statement. So UTM will never say that G is true, since UTM makes only true statements.

6. We have established that UTM will never say G is true. So "UTM will never say G is true" is in fact a true statement. So G is true (since G = "UTM will never say G is true").

7. "I know a truth that UTM can never utter," Gödel says. "I know that G is true. UTM is not truly universal."

Think about it - it grows on you ...

With his great mathematical and logical genius, Gödel was able to find a way (for any given P(UTM)) actually to write down a complicated polynomial equation that has a solution if and only if G is true. So G is not at all some vague or non-mathematical sentence. G is a specific mathematical problem that we know the answer to, even though UTM does not! So UTM does not, and cannot, embody a best and final theory of mathematics ...

Although this theorem can be stated and proved in a rigorously mathematical way, what it seems to say is that rational thought can never penetrate to the final ultimate truth ... But, paradoxically, to understand Gödel's proof is to find a sort of liberation. For many logic students, the final breakthrough to full understanding of the Incompleteness Theorem is practically a conversion experience. This is partly a by-product of the potent mystique Gödel's name carries. But, more profoundly, to understand the essentially labyrinthine nature of the castle is, somehow, to be free of it.
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This is the kind of mental freedom you will gain by reading this book. Highly recommended.