Western Books

Robust account of one of the seminal figures of early America, one attempting the creation of an indigenous culture cast in a more universal mode than that of the provincial Christianity of his roots. The courage to give up his secure life as a minister for the uncertainties of exploration and creative renewal marks Emerson's trail through a pioneer's psychological American wilderntess, to touch on and integrate everything from the post-Kantians, to the Buddhists/Hindus to the Persians and Sufis. That Emerson evolved into a near firebrand abolitionist is an aspect of his life unsufficiently told, and this part of his later career runs clear in this book. All in all, a first rate pioneer story of another kind.

This is the only biography of Emerson that truly matters. Richardson locks in on the essentials - the development of a seeking mind is search of the ground of being and the nature of reality. Emerson is our Founding Thinker and to do him justice, a biographer has to grapple with the how and why a mind grows, changes, struggles and reaches new heights. Even if you haven't read much Emerson, this biography sheds light on what Emerson meant when he said, "Nothing is at last sacred but the integrity of your own mind."

In the past, my experience in reading Emerson has been similar to reading the Tao Te Ching; interesting, non-mainstream in its point of view, puzzling to understand what exactly it means. So I would pick up the Tao and read it at different times of the day and different frames of mind, hoping that it would resonate with me, but it never did. Maybe it was the cultural difference, or the language, or not being able to easily identify with Lao Tzu. Such had been my experience with Emerson. I wanted to understand him better because what little I did understand made me want to learn more, but I just couldn't get there.

This biographer, Richardson, really did his homework and any who want to understand Emerson better should appreciate this work. Emerson kept exhaustive journals and collections of his thoughts for many years. He read widely and deeply, kept detailed notes, and thoroughly indexed the notes. What perfect material to access for writing a biography! Apparently Richardson went back and studied much of the source material that Emerson references in his journals and brings into this biography an understanding of who Emerson was reading and what it meant to Emerson, so we receive the pleasure of following along on a journey in the development of a powerful mind. Then Richardson is able to write about this development so that it is easily readable to us moderns. It's quite a remarkable achievement.

"Mind on Fire" shows me that Richardson is certain that studying Emerson and his message is worthwhile. So much consideration has gone into this biography that when I laid it down after almost non-stop reading for several days over the holidays, I felt like I really understood Emerson for the first time, and now have much better insight. I plan to let this book simmer in my mind a few more months, then pick it up and read it again.

If Richardson could also write something as lucid and detailed to help me understand the Tao Te Ching, I wouldn't have 10,000 questions about the 10,000 things. ;-)

Mr. Richardson's 'Thoreau A Life of the Mind' was not only the best biography I've read on Thoreau, but one of the most exhilerating and enlightening reading experiences of my life. So I decided to read his 'Emerson The Mind on Fire.' And it was every bit as intimate and intelligent.

There are times you feel that you're intruding upon Waldo and Henry on one of their walks. It was an endless stroll of two intellectuals and humanists on the path of being very human. Each of the one hundred chapters (both books) are kept short, which helps move the reader from topic to topic without ever feeling put upon (too much detail can drag what is otherwise very interesting.) Though, for me personally, I would love to savor every moment these two great men shared. I don't think I could ever get bored.

Emerson has many close friends with whom one gets to know intimately. His personal address book was a whose whose of literary and intellectual greats.

The relationship between Emerson and his second wife, Lidian, is of great interest. She was also intellectual and as much a partner in life as she was a wife. Her presence is everywhere in Emerson's life.

Emerson's essays are pure poetry. And the behind the scene snippets into how they became a part of his legacy was both insightful and relevant to the day to day interactions and causes he committed himself. His transformation from the unremarkable child into the neverending 'student' of self-education and commitment to social conscience throughout his entire adult life is one to be admired.

Mr. Richardson is one of the best biographers of nineteenth century literaries. He is truly one with his topic.

Robert Richardson's biography of Emerson is superb. Though, as Richardson reminds us, Emerson did not like superlative language when precise and adequate language would do, it is the case that at times the superlative, the precise and the adequate converge (as, in fact, they often did in Emerson's writings). Richardson's biography is indeed superb in its unfolding of Emerson's life -- the loves, the friendships, the losses, the intellectual and spiritual hunger, the religious quest, the writers in America, in Europe, in Persia and elsewhere to whom Emerson owed and acknowledged debts, the grasping at and for a world, the determination of a single, brilliant human being to find his way and to see his life, and all individual lives, as imbued with the divine and thus worth living.

The book is also superbly written. Each short chapter offers enough substantive insight to urge the reader into the next. It is a long book, but not long-winded. Richardson provides the reader with some morsel of insight in a few pages of narrative, and then offers a rest to digest what has been said. His placement of quotations from Emerson's journals, essays and other works is brilliant, offering the reader a useful sketch of Emerson's metaphysics and ethics. In my own case, this has allowed time to reach for other literature more fully descriptive of the events or scenes offered in a particular chapter, or to reread chunks of Emerson's writings while moving through the biography. The book is a useful tool not merely for a study of Emerson's life but for a study of Transcendentalism and of the interplay of ideas across the Atlantic that shaped American thought in so many ways. One sees more clearly where and how such writers as Nietzsche and Thoreau obtained the seeds of their own truths from Emerson's works and thoughts.

Richardson has set the standard for the writing of future biographies. Again, simply superb.

Human All Too Human and Daybreak can be considered as volumes one and two of the same work. As Nietzsche said in Ecce Homo, a careful reading predicates a full understanding of his later polemics. Here, the bombast is not yet as evident but the seismic rumblings of the will to power, the eternal return, the death of god, the over and last-men all are all foreshadowed in Nietzsche's grand, classical deftness and precision of thought. Nietzsche's largest printed work, HAtH has perhaps the broadest and best sustained discussions of nearly every topic of importance to thoughtful and reflective thinkers. This, together with Dawn is a great place to begin reading Nietzsche.

In response to some of the prattlings below-only those who do not know the first thing about Nietzsche think that he was at all anti-Semitic. He wrote clearly, very clearly, against that and against nationalism. In one of his books he stated that Germany should not admit any more Jews inside of her borders. Why? Because he felt that the German people lacked an identity, and knew that Jewish people had a very strong identity. He did not think that Germany, weak and unrealized as it was, could stand an influx of a people that he repeatedly characterized as remarkable.

I am somewhat obsessed with Nietzsche, and this book started it all. Do not dive into his later, more well known masterpieces (Beyond Good and Evil, the Genealogy of Morals, The Gay Science) without acquainting yourself with this book. It is an introduction to his style, and there is no better example of his mastery of psychological observations. In this book he comments on all elements of social reality ("no one thinks to thank the clever man for restraining his wit when in the company of those who cannot practice wit" for example), going into love, friendship, the tenor of social gatherings, absolutely everything that is psychologically investigatable. He brings this method to his later books, in which he tackles larger issues, like the history of religion, philosophy, morality, and other things. But it all starts here-his later critiques of Christianity and everything else are far more understandable after a thorough acquaintance with his psychological method, first and best presented here. If you are at all sensitive and introspective, this book will move you to tears more than a few times.

If you like aphorisms and philosophy, this book will become one of your bibles. If nothing else, it's just plain fun to read for his incredible wit. Of course you have to put his ideas in the context of the period in which he wrote and understand that he has his own odd prejudices, but the brilliance of his understanding of the human condition really shines through. The biggest mistake any reader could make is to think Nietzsche was an anti-semite---far from it. He was anti-neanderthal. In this book especially the reader sees his low tolerance for received wisdom. This book is nothing less than part of the origin of Western psychology as practiced today. It also represents the demolition of science and philosophy polluted by the received Western theological framework. Some of the best parts are when he skewers religion. You have to love his style even if you do not agree with his pessimistic disgust for piety. This is the kind of philosophy book you need not fret over, unless you harbor wishful thinking about a supremely benevolent deity. Instead of making an elaborate argument about the number of angels that can dance on the head of a pin, as preceeding systematic philosophers did literally and figuratively, Nietzsche bends the pin and throws it in the trash. I wish I had read this before his Genealogy of Morals, as knowing his thoughts here would have made that book far more interetsing and understandable. I highly recommend philosophy students first approaching Nietzsche pick up Human, All Too Human to start their study. And if you are religious and want to bolster your faith, well, you should stay far away from this book.

O.k. So I have a minor in philosophy and Nietzsche was one of my inspirations to pursue this as a degree in college. Nietzsche deals with androgony. In more modern terms, men and women are crossing over the line of androgeny with their jock image. They are getting more and more androgynous you can't distunguish between even basic differences between the sexes anymore. While my philosophy professor and classmates dismissed Nietzsche as "not being a first rate philosopher," he does have his points about god and androgeny. This is part of our changing world and in philosophy class I did make my points.

if you want to have your moral foundations knocked out from under you, read this book - and then build upon the ruins - Nietzsche's, in my opinion, most accessible work, as his aphoristic style floats over many different topics - don't stop here however, i recommend Kauffman's "Nietzsche, Philosopher, Psychologist, AntiChrist" as a starter if you find the complexity and diversity of Nietzsche's thought to be overwhelming or incomprehensible - he's frequently ambiguous and contradictory but it's more a positive trademark of his works and shouldn't dissuade one from further readings.

Excellent book!!!!!
In my opinion the beggining of the book was a little boring, but when I was around page 100 the story became very compelling, a page-turner, full of action, suspense and even romance !!! I highly recommend you to read it.

When Carina DeGratia finds out her fiancé has been unfaithful, she leaves her beloved Sonoma, California and heads for Crystal, Colorado. With the deed to her dream house in her hand and little else, she quickly finds out things are not always what they claim to be. Once in Crystal, Carina grabs the attention of two men. One a town leader, the other a man she just as soon wished she'd never met. Again, Carina learns a hard lesson in trust when she begins to realize neither man is who he seems. When violence begins to escalate in this small mining town, Carina must decide who it is she will turn to for help.

THE ROSE LEGACY, the first in a three part series, was a very enjoyable read. I'm glad I already have book two so I can plunge right in and see what else is in store for Carina, her husband, and the town of Crystal.

I have looked at Kristen Heiztmann's books on the bookstore shelves for years now, and never once bought one, thinking they were just the run of the mill historical Christian fiction, with not much meat in them. However, when I recently bought her books Secrets and Unforgotten when they were on sale for half price, I couldn't put them down! Upon finishing those two, I immediately took the Rose Legacy series books out of the library (whose storyline precedes that of Secrets and Unforgotten), and had them read in less than a week (ignoring other important tasks at times!) I love them even more than the first two I read. The characters are real and it was easy to hear the voice of the Lord in my own ear as I read their words. The Lord knew when and where I needed to read these!

I hadn't read Heitzmann before tackling this series, and I've got to say: she's good. The names struck me as a mite corny, but what did I expect from a historical, romance series? Once I got over Quillan, Flavio, etc I thoroughly enjoyed reading the series.
Only buy it if you're ready to put in the time though, cause you won't want to put it down for anything mundane like eating or sleeping:-)

Kristen has begun a new and certainly interesting series set in Colorado. Carina is running from a broken heart and hate for her sister. Instead of the "home" she has purchased, she finds herself in a tiny, canvas stall-type room and working for a dubious person, the only one who seemingly was willing to help. But, he had a motive. A dark one.

Quillan, both hero and scoundrel at times, plays a huge role in Carina's life. He harbors and lives a secret too painful to face. His only real friend is one legged Cain, a truly powerful Christian man whom Quillan would love to call his dad.

Mae and Emie become friends of Carina and she also finds some comfort in the priest and livery hands, but is forced to be near a horrible man she cannot figure out.

This book is set in the historical era many call the rush for silver and gold and lust and debauchery are in their heyday. Carina wonders if she has lost her mind trying to re-establish her life by coming to this small mining town. Some strike it rich while others become paupers, a few remain truthful while a sizable group become rogues and take orders from a ruthless man.

Throughout the entire book, Carina is constantly drawn to the Rose Mine/tunnel, riding there, spending time there, and trying to figure out the mystery this hole contains and why it has such a hold on her. "Wolf" figures to be part of the entire series but so far, not much is known about him.

The author does a great job of leading you straight to book 2. Thanks for a new twist to a Christian, historical, fictional book Kristen.

I read this to our son, sadly, after he "out grew" these books, they were passed on. Happily, after searching all over I found these treasures on Amazon and now have a new collection for our beautiful grand daughter to enjoy.

I have loved this book since I had it read to me many years ago, and am excited to share it with my own child. A word of caution, however, regarding the "Little Golden Treasures" version -- it has been abridged from the original! A purist like myself will prefer a copy of the full version. I may still pick it up for our child sometime down the road. The story is a lovely one and the pictures are beautiful.

The book came very quick & in great shape. But I found the book at Walmart for less.

This is a very cute little story of an elephant becoming comfortable with who he is meant to be. The characters in this story help Sooki the elephant realize he is just fine the way he is. It's an easy read with a sweet ending. Nice illustrations as well.

After 60 years (this book was first published in 1947) this story still has a nice little message about being yourself, and expressing your talents.

Daughter of a full-blooded Navajo father and white mother, Lori Arviso Alvord grew up on a New Mexico reservation in a family that took pride in its native heritage, but followed few of the traditional ways. She attended Navajo schools but never learned the language; she knew her clan relationships and enjoyed the security of tribal connections but seldom attended ceremonies or understood the depth of meaning in the Navajo concept "Walk In Beauty."

Such a person might expect to shed the remnants of tribal culture on leaving the reservation to become a high-powered surgeon, a career that by its very nature flies in the face of Navajo precepts like privacy and self-effacement.

Indeed, throughout her memoir, co-authored by Elizabeth Cohen Van Pelt, Alvord seems to straddle two worlds separated by an uncomfortable gulf. She first looked upon the deepness of that gulf at Dartmouth.

"For a girl who had never been far from Crownpoint, New Mexico, the green felt incredibly juicy, lush, beautiful and threatening." Unable to see the horizon, she felt claustrophobic. But the culture shock was worse. "I thought people talked too much, laughed too loud, asked too many personal questions, and had no respect for privacy." Navajos do not put themselves forward and cooperation is valued over competition. Not a good prescription for success at an Ivy League school.

At Dartmouth she began to feel her tribal identity more strongly and wonder if a kinaalda ceremony (a celebration of womanhood) would have helped empower her in such alien surroundings. But not until after medical school at Stanford, where she was forced to break numerous taboos (Navajo never touch the dead, for instance) and joined a profession where it is essential to ask prying, intimate questions and invade another's personal space at will, did Alvord really begin to explore the philosophical grounding of Navajo culture.

Becoming a surgeon at the Gallup Indian Medical Center, close to the reservation, Alvord notices that her patients do better when they are calm and relaxed, that harmony - even in the operating room when the patient is unconscious - is important for recovery.

She grows more interested in the Navajo philosophy that "everything in life is connected and influences everything else." To "Walk in Beauty" a person strives to live in balance, symmetry and harmony with everything and everyone else.

While this is an ancient precept, held in common with many other cultures and enjoying something of a renaissance in American medicine today, Alvord comes up with a particularly striking example. One of her surgery patients, a young woman, was the first to die of a strange illness that swept through the Navajo nation, killing 11.

A doctor working for the Centers for Disease Control, Ben Muneta, visited a medicine man, a hataalii, who told him "the illness was caused by an excess of rainfall, which had caused the pinon trees to bear too much fruit." There was "a significant deviation from the natural harmony of the world."

The medicine man showed a sand painting of a mouse and said that twice before in years of excess rainfall a similar disease had struck. " `Look to the mouse,' " he said. Weeks later the CDC determined that the Hantavirus was contracted from the droppings of infected deer mice. The deer mouse population had surged due to an excess of pinon nuts. "It was the rain."

Alvord's tone is quiet, reserved. It does not seem easy for her to describe the alcoholism of her charming father or the difficulties and generosity of her (married at 16) mother. Though she takes us to a nightlong ceremony for the sick and celebrates the strength her patients draw from medicine-man visits, she never explains why it takes her so long to visit a hitaalii during her own pregnancy. Or why she never approaches a medicine man to discuss cross-cultural treatments despite her growing conviction of the efficacy of the "whole body" approach.

While most of the book concentrates on her work and her struggle to reconcile cultures, she provides a wide, sad look at reservation life, beset by poverty and "white mans'" diseases. The long grief of history resides in the alcoholism and the self-loathing of so many - a balance that can never be put right.

At last Alvord leaves. Seeing it as the next natural step in her own "life trail", she returns to Dartmouth as a surgeon and a dean of minority and student affairs. At Dartmouth, she hopes, she can teach the Navajo "Walk In Beauty" principles to new doctors as well as working within the established system to bring better care to her own people.

I am full-blooded Navajo, I was taught to believe in my traditonal ways and it disappoints me that she has talked about very scared ceremonies.

Lori Arviso Alvord walks in two worlds. Raised on the Navajo reservation in New Mexico -- "the rez" -- she is the daughter of a Navajo man and a white woman. Carrying this dichotomy into her education and career, she went from the reservation high school to Dartmouth College, then found her path to Stanford University School of Medicine and a surgical residency in New Mexico.

As the first Navajo woman surgeon, she learned to integrate the science-based world of medicine and the spirit-based Native American culture. The importance of the singing cures, native healing practices, and other spiritual traditions was brought home to her when she observed her patients' outcomes. Surgical skill was often not enough when delivered without respect for the language, culture and spirituality of the Navajo patients.

The main focus of this memoir is Dr. Alvord's path to acceptance of the first Navajo principles: balance, harmony and wholeness, known as "Walking in Beauty." Along the way we learn a great deal about Native American history and culture, sensitively presented.

Dr. Alvord speaks of the cultural bases for Native American alcoholism and the prevalence of gang culture, monumental threats to the health and well-being of her people. The healing of these ills will never be achieved in the operating room alone, and many patients' stories illustrate this lesson effectively.

The outcome of Dr. Alvord's journey is signaled from the beginning, as is often the case with a memoir. While this may dilute the dramatic tension of her story, we're rewarded with a thoughtful and inspiring look at one woman's life and work, in all its contexts. I recommend this book to readers young and old who have an interest in the cultural aspects of medical care.

Linda Bulger, 2008

I picked up this book and I could NOT put it down. What a wonderful journey described here....how she interlocks traditional medicine with Navajo, how harmony and positive spirit is such a process in the healing world. You will not be disappointed with this read. I have shared this with all those close to me. Make it part of your list

--Dr Alvord writes about her journeys as a Native American student and physician. The book seems clearly designed for non-technical readers rather than the professional medical community, and there's little medical jargon. She uses her own difficult pregnancy and the death of a beloved grandmother as case studies in integrating Western medicine and Navajo ideas.
--On the one hand, it's worth reading this book just to hear such an inspirational story from such a role model. Dr Alvord tells her story with dignity and courage and she has many good ideas about listening to patients and integrating Balance and Harmony in our profession (although these ideas don't seem as radical or as rare within the medical community as she seems to imply, and I don't think she does anyone a great service by implying they are).
--On the other hand, the authors remained disappointingly abstract, even given the limitations of confidentiality and space. The stories of Navajo healing barely scratched the surface and the book was pretty scanty with practical advice that would help non-Native healers understand Native American patients. I'd love to have heard her perspectives on the magnitude of Native American health problems, how she handled the constant pressures of time and funding, or how she successfully used traditional Native American methods to help manage serious medical-social problems (i.e. alcohol use, diabetogenic diets, family pressures, basic compliance and responsibility issues, etc). In short, I'd like to have heard more about her successes.
--The book's perspective gives a good counterpoint to those who criticize Western medicine as too impersonal/sterile/uncaring/whatever, while they fail to demonstrate how to predictably improve things and still efficiently deliver technically competent health care to people with different levels of motivation and understanding. Western medicine works beautifully in its own niche, but it will be made to work less efficiently if we mess around with the wrong things. Perhaps medicine will improve if we balance the responsibilities of patients to live a healthy lifestyle with the responsibilities of healers to carefully listen to patients and then help them heal.
--This book did not practically help me to do this, so I cannot give it five stars despite my respect for her credentials. I do look forward to a sequel.
--Other books which may be of interest include Blessings (by Dr. A. Organick), The Dancing Healers, and Primary Care of Native American Patients.

Maybe my hopes were too high due to the previous reviews, but I found it a little dull.

I loved the McKettrick's, every book I have picked up I cant put it down until I have read through, and cant wait till he next.

I love all the McKettrick Series stories, they are all different, but many of the same characters throughout. I really enjoy these type of books because it's almost like a continuation of the same story that I liked in the first place! Currently I am reading The Last Chance Cafe by the same author, and it is not about the McKettrick's, but is a wonderful story that's different but in the same style as the others.

One of the best books I have read, I have read the Trilogy and loved all three.

This is great book if you read the other two books of the McKettrick family you will enjoy it. Dont forget to read about the last or should I say first brother of the McKettrick Cowboys. Title: "McKettrick Choice".

As an event manager for Jan Mulder and orchestra, website: www.janmulder.us I purchased three copies of The Story of the Orchestra which will be given to young people to learn about the orchestra's various instrument. I highly recommend this book for both adults and younger people.
Hans Goede

Excellent tool for teaching your children about the Orchestra. The CD that comes with it is great.

"Santa" brought this book for our 4 year old. She loves it! It is layed out in a way that we can read just portions of each page without her getting overwhelmed. It is definitely a book she can grow with. Because a mom has to brag: My daughter can now easily name each instrument and knows which "family" it belongs. She laughs hysterically over Beethoven's picture, knows Tchaikovsky composed Swan Lake and the Nutcracker (the sweetest thing is hearing a 4 year old rattle of Tchaikovsky and Vivaldi!) etc. Highly recommended!

I purchased this book in preparation for teaching a group of homeschooled students (ages 7-14) a short course in music appreciation. It was a terrific resource for them. The text was brief but engaging; the cartoons were entertaining; and the photography was so eyecatching. It covered the musical periods, with information on several representative composers. Then each of the orchestra sections was covered, with a helpful CD included to hear snips from pieces that featured the instruments. The students all learned quite a bit from this book. I recommend it highly.

I was looking for resources to help make teaching about classical music and composers to primary grade children more entertaining and I found what I needed all wrapped up in this book and CD combination.

Part I of the book concerns composers and is separated into the periods in which they composed, ie., Baroque, etc., with a brief description of art, architecture and feeling of the period. The composers covered for all periods are Vivaldi, Bach, Haydn, Mozart, Beethoven, Wagner, Tchaikovsky, Brahms, Mahler, Debussy, Stravinsky, Schoenberg, Gershwin, Copland and Bernstein.

Part II of the book is about the instruments of the orchestra. Again, this is further broken down into the different sections of the orchestra such as strings, woodwinds, etc. Then within each of those sections a feature on the individual instruments.

The accompanying CD has brief examples of the compositions introduced in the composers section and for each instrument. It really helps the kids hear what they've been discussing.

One of the best things about this book are the illustrations. They are colorful and entertaining. Sometimes there are humorous illustrations such as a drawing of the ideal Baroque instrumentalist needing 2 right hands, 3 left hands, and 3 eyes which really had my 3rd grade kids in giggles after hearing the intricacies of "Spring" by Vivaldi. There are also entertaining illustrations showing how an instrument produces its sound and they are mixed with photographs of the instrument itself. I highly recommend this book for music teachers to use as a reference and for parents who have children interested in learning an instrument.

Wayne Williams captures the beauty of the western United States in a way that inspires a respect for nature. Hopefully, everyone will have an opportunity to view this book and remember to treat our environment as the gift it truly is.

I have just spent an enchanted couple of hours visiting 'America's Vanishing Landscapes'. Wayne Williams has produced a visual feast and testament to the beauty of Nature. This book contains so many beautiful images, I felt compelled to write and reccomend it to you.
I am lucky enough to live by one of nature's rain forests in the West Indies. Everyday I am filled with awe and wonder by my surroundings. This book makes me feel the same way. What also impressed me too, was his mastery of the craft and it reminded me of Ansel Adams work. They have combined technological mastery of the photographic techniquies available to them; and have produced a vision that not only speaks to the senses, but also to the heart. This is a rare combination and achievement.

Breath-taking vistas!!! You want to run away and see America. I have never seen the jewels of our country captured with such feeling. This is THE book for every home that wants to "travel" the country. Gorgeous presentation, beautifully put together. Perfect gift item, but get one for yourself too. I can't wait for the other editions covering the rest of the country.

It's impossible to capture the grandeur and magnitude of beauty of nature in a photo but Williams comes as close as you can get in this amazing book. The greatest and worst terrorism is the terrorism against the environment. It dwarfs all the other forms. This book may give people the vision that is an antidote.

What would it feel like to be able to go back a couple of hundred years and experience in real life the magnificent vistas of the American west as they were then? Amazingly enough, this book of contemporary photography will magically let you feel that and then bowl you over with its message. It is simply the most moving collection of landscape images I have ever seen. The stunning beauty of these photographs of some of the American West's most spectacular vistas and the inspiration and purpose reflected in the artist's heartfelt interpretations of each image weave together a haunting sense of loss and, at the same time, a deep understanding of what we have done and must now do. It will be a long time before you make room on your coffee table for another book (probably about as long as it takes Mr. Williams to publish the next volume in the project). It will not take long, however, for you to make room in your life for its purpose. Thank you, Wayne Williams, for helping us see again with this important and beautiful work.

I absolutely loved Petticoat Ranch so I had very high expectations for Calico Canyon. I'm happy to say I wasn't disappointed. In fact, I found this book to be even stronger than the first, which is saying something.

Mary Connealy knows her way around emotions. She can make you laugh out loud one minute and tug on your heart the next. In Grace and Daniel she's created two characters you love and root for, even while they are contemplating knocking each other silly. It's a match reminiscent of classic movie pairings like Tracy and Hepburn or Gable and Lombard. Grace and Daniel are just as much fun... and romantic.

She also has some interesting secondary story lines which will almost certainly pop up in her next book in the series, Gingham Mountain. While this book can stand alone, I think you'll enjoy it more if you read Petticoat Ranch first. Not only will you have a proper introduction to Grace, but you'll get to read another fast-paced and fun romance.

Grace Calhoun has a past she doesn't want to share. She has a new job teaching school in Mosqueros, Texas, and her biggest problem is loud-mouthed, aggravating widower, Daniel Reeves. He eventually gets her fired and she is stranded, with no place to go and no money. Then her abusive foster father arrives and threatens her. In a desperate attempt to escape, Grace jumps out the window and hides in the back of a wagon, not realizing it belongs to Daniel. He doesn't discover her until he reaches home. He can't throw her out in a blizzard to freeze, and the pass back to town is closed by snow, so he's stuck with her. Daniel and his motherless brood of five sons live in a cave. There's barely space for them all and since they sleep on the floor in the one room, Grace and Daniel are sharing very close quarters. The preacher and his wife arrive the next morning, and immediately see that something must be done. Before Grace and Daniel realize what is happening, they end up married--to each other, something they rank right up there with a bad case of the plague. Mary Connealy has a wicked sense of humor, and her books are always fun. Calico Canyon has it all: supsense, likable hero and heroine, five rambunctious boys, humor, and a heaping helping of romance. Don't miss it.

CALICO CANYON by Mary Connealy is the second book in the Lassoed in Texas series. In it, we follow Grace Calhoun, a runaway adopted orphan, who is barely squeaking out a living as a schoolteacher in Mosqueros, Texas. She sends all her money home to her sister, Hannah, who is diligently caring for street kids in Chicago with the hopes of one day being reunited. With her adoptive father hot on her trail with a vendetta to settle, Grace is constantly looking over her shoulder praying she will be able to send Hannah the help she needs. Grace's determination to make a go of it as a teacher is challenged by the five Reeves boys that she has affectionately named "The Five Horsemen of the Apocalypse." When she has it out with Daniel Reeves, the boy's father, she is fired by the school board and left to wonder how she will ever be able to help Hannah.
Grace's fear for Hannah is short-lived when Parrish, her adoptive father, catches up with her in Masqueros and plans to mete out his vengeance. In a turn of events, Grace ends up in the back of Daniel Reeves wagon and is carried away to his ranch. Grace, Daniel, and the five boys are thrown together under the oddest of circumstances and have an entire winter to work out their differences. All the while, Parrish is in town plotting how he will one day make Grace pay for her disobedience.
I really enjoyed CALICO CANYON. Much of the premise of Grace and Daniel being thrown together is reminiscent of Seven Brides for Seven Brothers, without the brothers. Though there are plots that take dramatic turns, I never found myself gasping in fear. The trials in the book are taken care of so quickly, you never really feel as if anyone is in real danger. I can only assume, since the story ended with Hannah determined to find Grace, that there will be a book three.

Reviewed by Wendy Cleveland for Reader Views (6/08)

"Calico Canyon" takes place in Mosqueros, Texas in 1867. It centers around teacher Grace Calhoun, who settled in Mosqueros, hoping to escape from her past. She is used to teaching girls, but when the five Reeve boys (twins and triplets) show up, she has her work cut out for her. Being typical boys, they play pranks and misbehave. Their widowed father, Daniel, is no better. When Grace confronts him about the boy's behavior, he does not want to hear it. He takes it up with the school board who listens to both sides of the story. Not being able to come to a conclusion, the board fires Ms. Calhoun and expels the five Reeve boys from school. After being fired, Grace goes back home. She senses danger and realizes her abusive adoptive father, Parrish, has found her. Come to find out, she has been running from him because he had been conducting shady business about which she turned over evidence to the authorities. Trying to escape his clutches, she jumps out the window and hides in a nearby wagon. The wagon belonged to none other than Daniel Reeves. Unbeknownst to Mr. Reeves, he takes off with Grace in the back. While his sons are helping him take everything out of the wagon, one of the younger ones asks "if he brought home a ma." Of course, no one knew what he was talking about until they all see Grace cold and unconscious. They bring her inside and nurture her until she is well. The boys and Daniel are not happy about the situation because of the previous encounter at the school. This dislike permeates throughout most of the story until they discover Grace's past and whom she is running from. This leads to everyone being in danger with only love prevailing.

I loved the interaction between Daniel and Grace. Throughout the book, I was hoping that they would realize they belonged with each other. The history and details of 1800 Texas were interesting and well researched. It was also suspenseful as Parrish was a very scary man. To think that he would adopt orphans to work in his carpet mill and then control and beat them was disturbing. If you want to be "Lassoed in Texas" and then some, I would definitely recommend you read "Calico Canyon.," by Mary Connealy. You won't be disappointed.

Mary Connealy has done it again - given her readers a novel chock-full of fun, humor, heart tugs and more. Get ready to scale the heights of Calico Canyon in this heart-warming story of prim and proper schoolmarm Grace Calhoun who tumbles into a canyon full of trouble when she's forced to marry Daniel Reeves, the unruly father of five of her worst students. Motherless little boys and troublemakers all, the Reeves boys are Grace's worst nightmare as a teacher -- or so she thinks! Having fled the cruelty of an abusive foster-father, Grace had hoped her life couldn't get any worse. But when the prim and proper "Miss Calhoun" becomes "Ma" to five ruffians and wife to their belligerent father, there's a heap of trouble in them thar hills that will have the pages turning faster than wind whipping through a canyon.

After reading Petticoat Ranch, I wondered if Mary Connealy could surpass the fun and whimsy of that first wonderful book in the series, but I am happy to say she does, soaring to new heights as an author who just gets better and better. In this second book of the Lassoed in Texas series, Ms. Connealy delivers a well-written tale of two unlikely people who manage to fall in love despite a mountain of obstacles, not only winning each other's hearts, but the reader's as well. Page by page, Calico Canyon has it all - laugh-out-loud humor, heart-wrenching moments, tender romance and lots and lots of fun - not to mention a spiritual message that's as deep as the canyon in which it all takes place. Bottom line? This book is simply a no-brainer -- buy it, you'll love it!

In the entire history of western philosophy, there is not one person I can praise more than Michel de Montaigne. Normally, any book over 500 pages tends to become tedious to me, and works of philosophy over that length become insufferable. The best praise I can give this book is to say that at 1200 pages, I was not the least weary of it. In fact, I wished it was longer! Montaigne is the definitive philosopher, a man driven to write out of boredom, who presents his essays as his views, never trying to categorize and name realities, but simply marvelling over everything, from literature to pets. His broad learning and wonderfully disorganized style lead the reader on a journey into the what ifs, and whys of existence. Montaigne is the epitome of a renaissance man. His views in most situations are more modern than yesterday. He speaks out for the virtues of women, carefully denounces war, subtly questions the more extraneous doctrines of Catholicism, and even denounces colonialism and promotes respect of racial and cultural differences. This is not a man one would have expected to find in the 1500s. But here he is. And his text! Often saying that his memory was weak, MOntaigne demonstrates it by going off on wild tangents for thirty pages, only to realize that he has succeeding in proving his original idea without his knowledge. His sentences and rich prose leap across the pages, and dance with ideas of the sublime and the ridiculous, ideas which he does not so much attempt to resolve as ponder upon a page. He never once falls into the philosopher's folly of stating his views as though they were fact, and is often very careful to say, "This is what I think" in one way or another. He never attempts to convince the reader, for he originally never intended his essays to have a reader. In situations where he would challenge authority, he is always careful to say, for instance, "But my own views are nothing, the church of course knows better". More than any other work of philosophy, the Essays are an adventure, leading one through the soul of a man, a man who thought so little of himself but was so great. It reads almost as a novel, and at the end, after 1200 pages of Essays, Montaigne stands before the reader as clearly as any historical or fictional figure ever has. This is the true Magnum Opus of western philosophy.

This English translation of Montaigne's Complete Essays is wonderful. Although I like it better than Donald Frame's version, I actually prefer J.M. Cohen's to either. Cohen's translation is only a selection, unfortunately. If you need the Complete Essays, go with Screech.

Screech's version, however, has a very annoying problem. As in Frame's translation, letters are used within the text to note differences between the three major editions of the Essays (A, B, C). Frame's version uses small capital letters inserted within the text; they are unobtrusive and can be ignored. Screech's version, however, uses full-sized letters within brackets with a lot of space surrounding them. They are just too darned disruptive. Why in the heck did they do this? Perhaps they intended it for academic or scholarly use. It's a shame. I hope that Penguin will issue a new edition or revision that will take care of this problem.

Use the "Look Inside" feature of this book to decide for yourself.

I cannot praise this book highly enough. It is one of those rare books that can change your life. Sure, many people say something similar about a particular book, but it is genuinely true in this instance. Montaigne is wise, humane, and very humourous. If I had to live on an island and could only take three books with me, this would be one of them. And, it would be an easy choice to make. I have read the Essays cover to cover twice already and plan to do so again many times in my life.

Here are some general points you might want to keep in mind when reading Montaigne's Essays: First, he doesn't always stick to the topic announced at the beginning of an essay. Sometimes, an essay appears to be about a particular topic but ends up being about something else entirely. Second, even when Montainge makes a half-hearted attempt at staying on topic, the journey is still the scenic route instead of a straight shot (but, this is half the fun of his Essays). Third, Montaigne's Essays are a perfect crash course on the wisdom to be found in the writings of the Latin authors. Finally, Montaigne is surprisingly skeptical and relativistic on many issues. This is obviously why his Essays are so relevant even today.

Now for a word on translations. The two primary translations that are easily available are this Penguin edition translated by Screech and the Stanford University Press edition translated by Frame. Each edition has its advantages and disadvantages, and it's a shame the editions can't be combined to create the perfect translation.

The Penguin/Screech edition includes the original and a translation of all Montaigne's foreign language quotations. The vast majority of these are in Latin; so, if you know some Latin, this is helpful. It also includes very helpful notes on obscure literary and historical issues, which provides for greater understanding. However, if you read the introduction and Screech's notes carefully, you will realize he does have an agenda. Screech plays down Montaigne's skepticism and tries to portray Montaigne as being more religious than he was.

As to the Stanford/Frame edition, its translation is much closer to the original French than Screech's. If you put the French text and Frame's translation side by side, you'll see what I mean (even if your French is pretty weak like mine). And, Frame does not play down Montaigne's skepticism - he lets Montaigne speak for himself. But, Frame's translation does have some flaws. It does not include the original for foreign language quotations. And, when Frame translates Latin poetry, he almost always makes it rhyme even when the original Latin does not rhyme. I find this jarring and not true to the original. Frame also does not include any helpful notes.

All in all, I'd like to combine Frame's translation of Montaigne's French with Screech's original and translation of all foreign language quotations. This would be the best possible version of the Essays.

This book is one of the finest products of the human mind. You will not regret the significant amount of time it will take to read these Essays. And, if you read them carefully, you'll never look at the world the same way again.

Montaigne. He has lessons for us all, I've found.

Some of the lessons are hard. He writes about everything, but most of all, he writes about himself. There is a painful clarity to his work - but that cliche term does nothing to properly explain what it is he accomplishes with his writing.

At thirty-three, Montaigne decided to retire to his home and write. He had vague ideas about writing a gentleman's book on warfare, and the first few essays reflect that. But, as he progressed, he kept going on little side journeys into his own thoughts and opinions. At first, Montaigne reigned himself in, struggling to stay true to the path he had decided for himself.

Happily for us, he failed.

He abandoned the idea of writing for gentlemen - though there are still slight evidences of this throughout the work. Instead, he decided to focus on the one thing he knew better than anybody else in the entire world - Montaigne. Who else could know more, or would bother to take as much time exploring this one man than the man himself? And why not explore his own mind - every day, he has to live and deal with the advantages and disadvantages, the habits and the thoughts, the opinions and the ironies of being Montaigne. Thus, he decided, it was worth exploring. In his view, there was nothing more important than understanding one's self. If you cannot understand yourself, how can you expect to understand anybody else?

There are moments of 'painful clarity', as I said above. Montaigne discusses (his) impotence, his imperfect marriage, the disappointments he has created in others, the times when he did not do what he should. But he also talks about how he can make himself a better person, and how, in a lot of ways, he is an admirable person. It is important to realise that Montaigne is not writing an apology for himself. He is putting himself on to paper, 'warts and all', and declaring it true. There is a point in one of the essays where he declares that he wouldn't want anyone to lie about the person he is, even if they flattered him or praised him. This is, in a nutshell, Montaigne's thinking. He is not concerned with being the greatest person ever known - he is concerned with understanding himself.

Four hundred years on, what is there to offer us, the modern reader, in Montaigne? An infinity of wisdom. Could I, in honesty, completely and unwaveringly disect myself for the consumption of both myself and others? I don't think so. I very much fear that the answer is no. And yet - why not? Is it shame? I don't think so, as I have nothing major to hide. Perhaps, then, it is simply the fear of unrealised ideas and thoughts. If I am unaware of myself, I cannot present it. Montaigne was and is aware of himself and thus manages to accurately describe the person that he is.

Montaigne's essays are invaluable not only for the man that they portray, but for the wisdom in what is spoken. Montaigne has thought about so many aspects of what it is to be a human and alive, and we can all learn from this. The topics he discusses go beyond mere 16th century issues, and deal with concepts, ideas and concerns that affect us now, and will affect us always. Absolutely essential reading.

What's not to like about Montaigne? Everytime I pick through parts of his essays [and it does not matter where one begins] I find myself in deep thought. Sometimes I feel as if Montaigne were speaking to me. I have the Donald Frame translation. Although I have read the Cohen translation too, and I do have a copy of it somewhere in this jungle I call my library. I have just recently purchased this Penguin edition, with another yet another translation. But no matter, the words and wit of Montaigne are, and will be as timeless as long as people are willing to open these pages and gather meaning from them. And I will always continue to do so.

These essays were meant to be read and re-read. And you know, I never tire of reading Michel de Montaigne. This mans works have been a part of my life for as long as I can recall. And how many times can you remember picking up the same books over and over again to reach words of wisdom? And Montaigne's humble wisdom and honest look at himself is what makes these essays so profound and enjoyable to read. Why? Because he took a long hard look deep into his own soul and wrote for himself, and to himself: And in turn, he imparted these essays to the rest of us. Which I am forever grateful to him for. If you have never read Montaigne, it's time you do. Highly recommended. Should be required reading in all schools today.