Illustration Books

I wanted to know what it's like to grow up in hard-scrabble, drug-plagued Baltimore neighborhoods - then saw this book on the new non-fiction shelf at my library. Seemed it might help me get the picture. Did it? Yes. But it raised as many questions as it answered. Now, I want to know even more about the author and her life than this little book tells me. This is a heart-breaking book - apparently self-published, by a young Baltimore woman in her early 30's. She endured and survived years of being treated like trash by her own mother: denied friends, restricted to home, school and church, whipped with electrical cords, turned against her siblings one by one as they broke away from their cruel homelife and reestablished themselves as pregnant teens, then mothers and welfare recipients, then drug addicts. So many aspects of the author's childhood were dreadful. High on the list of horrors is the appalling fact that her family's Jehovah's Witness congregation apparently condoned--even encouraged--the loveless cruelty of her childhood. As Jehovah's Witnesses, the children were denied friends outside the family, denied birthdays and holidays, and even denied the right to remain fond of their own siblings, who were literally ostracized one by one for straying from the rigid precepts of the denomination. The book begins with the brutal murder of the author's father, when she is twenty-three. It ends with the author's realization that her mother commissioned the murder and probably made her brother do it. The author can barely grasp the magnitude of her mother's sins and seems to hold to the belief she had, at times, a real relationship with this hellish female sociopath, who happened to have given birth to her. As for the quality of the writing - it is fast, smooth and clear - sometimes sliding into street vernacular. The author shows real promise. This could be a better book with more concrete descriptions of places, people and scenes. And with more insight. As the author continues to mature and to develop insight into the extreme emotional poverty of her early life, she will have more to bring to this vivid and compelling material. I hope that she has discovered the reality of steady, non-judgmental love and attentive listening, a reality totally absent from her childhood. Congratulations to her, for reading and writing her way out of the punishing ghetto of her youth. I hope she writes this book again - after giving the material time to develop...as she develops as a person, an artist and a writer.

This ia a true story book that represents Baltimore like never before. The author captures it's readers with true, easy to understantd english without a bunch of fillers. My question in, what is the author attempting to prove? I think the book, although readable, is too personal.

this is what true writting form is all about! I personally loved the book. It's like a movie script in written form without all the fillers. The author emphasizes the trueness of her life and all that she had to endure from isolation by ther familky to poverty to drug abuse. A must have for not only residents of Baltimore but to any major city worldwide. I truly loved this book.

As a resident of Baltimore city, my first reaction to the title of the book was a negative one. But as I read the Book, I discovered that the auther portrays Baltimore not in a negative light, but a positive one. There is a Child Of Baltimore in all of us.

This is a good book to read. I loved it. As a matter of fact, I read the book straight through. The only complaint that I have about the book is that it was too short. But what is packed in the book is a bold move by the author. That truely took courage.

I was extremely happy with the service I receivec. I requested that this book be sent to the county jail, via Overnight Mail, for my son, and it wzs received the next day. Time was of the essence and you delivered. I can't rate the book myself, because it was not for me. I would definitely use Amazon.com again.

I have been admiring and studying the Art of Boris Valejio since 1988. This is a collection of Art (late 1970s-mid 1980s) from his career PEAK. Details and tones duplicated from a MASTER Painter. If you buy ONE collection of Boris's fantastic Art, IT MUST BE MIRAGE...

There are some beautiful pencil renderings with precision use of the eraser to bring his sketches to life. An added bonus to pages of glorious full color women and men in the god-like exploitation of the human form.

I'm a long-time Boris fan. I actually own this in hardback, purchased over twenty years ago. It still is one of my favorite art books even after two decades.

Okay, why "Mirage" and not some other Boris book? This isn't a just some anthology of book covers. Quite simply, it has the finest collection of sensual fantasy art I've seen. I say sensual and not erotic because there is a difference. Boris paints lots of skin in this collection... plenty of gorgeous female pulchritude, but it keeps to the tasteful side lecherous. Oh, there are a couple of male figures as well, and they're just as well executed as his females, so you can't fault him there, either.

But don't think this is a series of illustrations with some poetry (by the artist's then-wife) thrown in to justify a book full of nudes. There's always a heavy element of high (or sometimes low) fantasy in every scene... that's fantasy as in mythic, not fantasy as in Penthouse Letters, even though Bob Guccione would have jumped at the opportunity to have any of these women grace the pages of his magazine. And to the surprise of some, there are several very humorous images as well.

Yet there is some truly incredible art in this collection as well. There is one painting of a triton and mermaid... uh... "disporting" themselves underwater that still stands out after twenty-plus years as one of my favorite pieces of art regardless of style, genre or medium. That's saying something.

If you find nudity objectionable, skip this book... you'll never get past all the skin to see the art behind it. Some of the images are slightly disturbing. Some are what I'd consider "filler" to add volume to the book, not as appealing or creative as many of the others. Yet there are some that are simply stunning... breathtaking in color, style and subject, and that makes up for any weaknesses the rest might suffer.

And as I mentioned, there is poetry included as well, contributed by Boris' wife (before Julie Bell). As far as open verse goes, she does respectably well. Some of the poems are rather forgettable, but others may appeal to the individual reader. I like Dylan Thomas and a few other modern poets who use free verse, so the style doesn't bother me a bit. Still, on the whole, the art is why I got the book, not the poetry.

If you want art by daVinci and verse by Tennyson, save your money... you'll be disappointed. Personally, I enjoy art by Boris and poems by Doris just as well.

Overall, an incredible collection well worth the acquiring.

This book collects a series of Boris' paintings, plus a few very detailed pencil drawings, done between 1979 and 1982. If you're not already familiar with Boris' work - well, you probably are whether you know it or not. He has done years work of book covers for Edgar Rice Burroughs, as well as reams of posters. The one constant through all his work is passion for the human form and human power, both male and female.

These paintings range from the lush and sensual to humorous or macabre. A hookah come to life has a demonic presence, but a bar of soap come to life (and licking the bather) is more charming and a little silly. Even the simplest pictures have overtones - that bather is truly a beautiful woman, leaving me just a little envious of such close contact. Maybe not envious either, but off in thoughts of my own. And the preface is right, 'erotic' is much too simple a word for all the different feelings and combinations of feelings that come from having or holding a strong, healthy body.

My only complaint is a sameness in the female figures presented. The faces are beautiful, long and elegant, but mostly the same. The figures - the one figure, really is beautiful, but I value the uniqueness of a figure and the differences between figures. Cloning can serve a narrative purpose, certainly, but sameness wears. Even the loveliness of Danielle Anjou, acknowledged as a principal model and collaborator, wears.

Boris is the master of the figure in fantasy art, and has been for many years. This is a great sample from an earlier time in his career. It's almost impossible not to like.

//wiredweird

If you are a fan of Boris Vallejo, or are thinking about buying a book of fantasy art -- this book should be the first one you buy. This is an absolute must-have for any art book collection, fantasy art or otherwise. Of all of Boris Vallejo's work to date -- this book by far has all his best art.

Boris Vallejo is by far the best fantasy artist EVER! His 1970s and 1980s art is by far much better than his current work, as is evident from the Mirage book. The figures/subjects in his early work in the Mirage book look like they actually belong in the painted scene. Many other fantasy artists draw subjects in scenes that look like models posing for a painting -- and look really stiff like cardboard. Boris meshes the scenes perfectly and transports you into another world with his vivid depictions of fantasy characters.

I recommend buying Boris Vallejo books in the following order:
1) Mirage
2) Fantasy Art Techniques -- buy it even if you're not an artist.
3) Enchantment
4) Dreams
5) Sketchbook

Verdict: Buy it!
Reviewed by Harrison Chua.

This is a necessary, indespensible resource for anyone desiring to become published. It is completely detailed with every iota of info you could possibly need for submission. It also provides helpful anecdotes & facts about the whole process of getting published.

If you want to find out where to submit your novel or story, there's no doubt that Children's Writer's & Illustrator's Market is about the best place to look. Unfortunately, despite the 2000 edition's claim of containing 250+ book publishers, the number I found suitable for a fantasy novel was pathetically small. A publisher for children that doesn't have a fantasy list has always seemed to me like a butcher shop without sausages, a hot bread shop without French loaves, a sweet shop without toffees ...
However, this is a publishing fault rather than a criticism of the book. My only criticism of the book itself is that you have to shelve out somewhere in the region of US$22 every year. Using last year's edition could land you up addressing your package to the wrong editor.

And, no, that's NOT a typo.

While every Writer's Digest Books "Market" title is a valuable source of information about who to contact and what to send, the reputation is slightly tainted with this year's edition of Children's Writer's & Illustrator's Market. The very same guide that admonishes the hopeful author and illustrator to dot every "i" and cross every "t" is riddled with the kinds of typographical and grammatical errors that send one's dreams to the dreaded slush pile.

Examples:

"Paula Danzier collaborated with friend Ann M. Martin for 'P.S. Longer Letter Later' and it's (sic) sequel 'Snail Mail No More.'"

"Her book is a first-person account of three days in the life of Memphis Riley, a thirteen-year-old girl who has lived with her grandmother Naomi four (sic) five years. . ."

". . .and also deals with sibling rivalry from the point of view of an 'only dog' dealing with the edition (sic) of a new baby."

Throughout the book, the reader is constantly exhorted to put together a professional, error-free presentation but that advice can be a little disheartening when one's own Bible doesn't practice what it preaches.

Let's be honest. In a field saturated by talented writers, there is no substitute for having some help from inside the industry. However, for any persistent writer or illustrator who has the talent, but no "in," there is no substitute for this listing, which gives one hope for publication without candy coating the difficult task of breaking into this field.

The listings are easy to use, and writer/illustrator-oriented, really bending over backwards to provide enough details about each potential publication company to prevent wasted effort. If you have an agent, or the means to get your manuscript or portfolio looked at by someone who matters, use that. But if not, use this book to maximize your effort and chances.

What's to say about Children's Writer's and Illustrator's market? If you write or illustrate children's books you have to have this book. A library edition won't do because this book has to have yellow highlighting and colored tabs applied! and then too, it needs to be constantly updated as new information arrives about which editor is working where and which publisher is still in business. No, every writer and illustrator needs their very own copy!

What a wonderful resource! This book offers so many alchemical and hermetic diagrams and illustrations, it's hard to choose where to start. From the musical and mystical illustrations of Robert Fludd, to William Blake, this book has it all.

Nicely organized by numerous categories such as "Light and Darkness," "Serpent," and "Divine Geometry." The only drawback is that the descriptions for the illustrations are sometimes difficult to understand. I'm not an expert on alchemy, and at times I became a bit frustrated since some of the concepts are not easily grasped.

But perhaps it is not necessary that just our intellect comprehends these phenomenal drawings since many of the illustrations visually send messages our subconscious minds receive and interpret. For that reason alone, this book is a must-have for anyone seriously interested in learning and experiencing more about alchemy and hermeticism.

Everyone else is saying what I would. This book is fantastic. Great illustrations, great captions, great information hard to find elsewhere! Get it!

This book is fat and loaded with color plates of pretty much every major example of medieval/renaissance alchemical artwork. It seems impossible that such a book would be so inexpensive! As such it is an invaluable reference guide. There are textual explanations of each plate included in the book, some more detailed than others, though the text won't help you understand the emblems or the subtext if you don't already know about it. I would recommend anyone interested in alchemical imagery to visit the Alchemy website (...) and check out anything else online by Adam McLean.

All the other reviewers have already said it: this book is absoluteley amazing and the price .. I feel almost guilty paying so little for it. This book is a treasure of the ages. I didn't know much about alchemy when I bought it (though the subject is one that has always interested me.) Reading it was a long, slow, contemplative journey. There's a vast wealth of information there, between the glorious pictures and the intelligent captions, the thoughtful text at the beginning of each section ... It seems alchemy is not merely a materialistic quest for profit by turning cheap metals into gold; the true goal of "philosophical" alchemy was to turn the alchemist himself into spiritual gold, in other words, to obtain enlightenment. It's a quest to find God, and many of its principles cannot be explained in words. Many of its secrets cannot be told except in cryptic hints and mysterious symbols, because discovering the key for yourself is part of the journey. Reading this book feels almost like taking a few steps down that road, and glimpsing from far away the great Light waiting at the end of it ...
This is definitely a "must read" if you have any interest in metaphysical subjects.

Hot off the shelf from some wizard harem this "brickbook" consisting of about a 1000 full-color illustrations on over 700 pages of glossified paper from the Renaissance & Enlightenment eras' for the most part, but going back to the early post-crucfixion days of the prevailing Mystery Religions and into our terrifying millenary day with a few examples of Modernist/Post-Modernist Art such as Duchamp's work & the playwright August Strindberg's cosmological photographic exposures to the night sky; several references to Fulcanelli as well as Theosophical Architectural drawings...around 30 pieces from the AURORA CONSURGENS (14-17th cen./see CGJung's writings) are celebrated herein, they are some of the most intriguing works I have ever seen!; all variety of outtakes from myriad illuminated manuscripts & Medieval incunabula fill these pages; but it is mostly the Renaissance Hermetic texts of the Alchemists and Mystics (hence the title) that is represented in the finest detailed prints; from Anastasius Kircher's beautiful cabalistic diagrams to the mnemonic palaces & Hermetic/Alchemical graphics of Robert Fludd, H.Khunrath, Jacob Bohme, M.Maier...the names go on in a never ending procession of Renaissance & Enlightenment Artistic brilliance. There is no other work ever printed in the last few hundred years, at least that I have ever even heard of mythologized by bibliophiles & collectors or Antiquarians that warrants comparison with such a high-quality work as this is and for such a trifle of a price! For the sheer bulk, much less the quality prints that one gets from Sir Benedikt Taschen's wondrous press (which is unequalled in the Art world!) the price is practically nil as even a lesser book consisting of half the number of the same works would go for 10 times what Mr. taschen's offering it to the world for!...and only Taschen could ever come up with a second volume to match it! I & many others I suppose have fantasized for hundreds of years perhaps for a book like this to be published at under a 1000 dollars say; for it is definitely a luxury item for poorer students & scholars both independent and academic to be able to afford such a sublime effort and product as this, for which I thank Taschen press from the bottom of a bookish passion for all they have done in just the past decade or so. The work defends itself, nay it has no need but only should be championed by anyone who appreciates and admires history itself. This book is a lens by which one can focus in on lost eras whose words cannot be trusted nearly as much as these illustrative works; it's a catalogue of dreams, maps of lost and/or forgotten utopian ideals, charts of spiritual aspirations and records of strange initiations; a massive book of riddles in pictograph, for which the puzzle-subject is one's very own microprosopus-being whose final assembly means heaven reached or paradise achieved; & at the least intellectual delight/enlightenment, & gnosis at best. The artwork is perhaps from the most sublime genre of them all, the human tradition at the heart of all scientific endeavor & religious searching; it is no less than an journey into both inner & outer space, whose realms the artists' believed an iron lung was not necessary in order to explore, and which many mystics & theologians of contemporary times as well as philosophers & scientists of the past are inclined to agree. The book should give "Occulture" a whole new rightful respect for it's rich past filled with sheer artistic brilliance and depth of knowledge, and I need not mention those aspirations which are the highest humankind can ever aspire to in any age that are herein depicted and portrayed in the most profound ways imaginable that many dragons herein seem almost ready to take flight in many a reader's enriched mind...ouroboros, the snake that eats itself revolves furiously and only ceases and stands still when the book is opened so that its admirers may better perceive its classical serpentine symmetry...such is the magic that is just barely contained in this museum catalogue from the deepest recesses of humankind's time here in these terrestrial & celestial spheres in the immense spaces, sublime in all the terror they hold for such miniscule beings, ("Aliens of Universal charity" as Constant said) aspiring to so large a consciousness which is charted in the finest infinitesimal details in this atlas of human history.

Like every Discworld fan, I've always had in my mind a good idea of what the characters looked like. I pictured Ridcully as Brian Blessed, Vetenari as David Warner, Granny Weatherwax as either Judi Dentch or Maggie Smith, Lady Sybil as Dawn French, CMOT Dibbler as Eric Idle, and Vimes as Russell Crowe. This book doesn't present the characters exactly as I've pictured them, but it's not far off and what it shows is certainly great!

Consider the picture of A'Tuin flying through space, or the picture of Granny Weatherwax smiling broadly. Look at Greebo, oozing feline malevolence (though too bad we didn't get a look at his human form, once described as being the sort of person who can commit sexual harrasment by sitting quietly in the other room).

All your favorite characters are here, and most of them are so well-done you can look at them and just KNOW who it is, without being told. Look at the totally gormless picture of Fred Colon, for example, or Carrot, looking quite noble... almost... regal...

Basically what it boils down to is that if you enjoyed, The Last Hero: A Discworld Fable you'll like this book. There's no story, just some lovely artwork. A definate must-own for any Discworld fan!

This book is a collection of Artist Paul Kidby's illustrations of the various characters in Terry Pratchett' Discworld. And boy howdy, what a good job he does. Personal favorites of mine are the picture of Discworld on the back of the elephants on the back of the turtle swimming through space!! Kidby gets it perfect! I am also very fond of his pictures of DEATH.. one of my favorite characters in the series.

If you are fond of the series, I highly recommend this book! I would also suggest that you check out The Last Hero: A Discworld Fable, which also features the art of Paul Kidby.

All the best,

Jay

"The Art of Discworld" is a beautiful collection of images by Paul Kidby - some are pen and pencil essays, others are more advanced sketches and many form completed paintings. They are grouped by theme and portray the Discworld itself, several landscapes (Ankh-Morpork, Lancre, Überwald...) and buildings (Unseen University, several Guilds, Night Watch HQ...) and almost every named character in the Discworld universe. In addition, Terry Pratchett adds interesting, lengthy comments on characters, how they came to be and his opinion on Paul Kidby's view of them.

There are a couple of inexplicable omissions (for instance, Magrat Garlick is barely shown in the background of a picture, even though she is mentioned repeatedly in the accompanying text) and several images have already been featured elsewhere (e.g. several book covers, the Mapps,the Calendars).

Finally, the illustrations and the text correspond to the Discworld situation as it was by 2006, which means there are some serious SPOILERS in the text for those who haven't read the corresponding books.

Overall, this is an absolute MUST for any serious Discworld fan. It's gorgeous to look at, interesting to read and at times hysterically funny like only something written by Terry Pratchett can be.

I would say that the art depicting the various characters of Discworld looks exactly like I had imagined them. This is a wonderful book that I highly recommend if you are a Discworld fan. The only thing missing in this book is a depiction of Sybil, Vime's wife. I would liked to have seen her included in "The Art of Discworld". All in all, an excellent Discworld resource for the Discworld fan!

It's amazing how a well written description or the good development of a character can put an image in someone's mind.

I found Paul Kidby's illustrations to be as I expected the assorted characters to appear. And it motivated me to further pursue reading more of Pratchett's work.

I saw this book on the shelf and opened it ever so gently and reverently. Those beautiful pictures of Lionel Trains reproduced from the old catalogs graced the pages. I went back in time for a few moments and tried to recall those days so long ago. I relived for a very fleeting moment that era and in a blink of the eye it was gone. But I savored the moment and put it away somewhere special to take out again perhaps on a rainy day as I gaze out my window in a bit of melancholy and think how long ago it was when I held my first Lionel Train. Flipping through the pages of this book is a moving experience if you grew up with Lionel Trains as I did. Collecting Lionel Trains and the catalogs was truly a family affair and one I will always cherish. This is an important book for me. I don't have to take out my Lionel catalogs with their yellowing and brittle pages or pull out streamlined passenger cars or boxcars from my closet in orange boxes now crumbling at the edges. I can sit down and open this book and gaze into the past and just remember. Just remembering is good enough these days. Just remembering when.

A "must have" for Lionel Train enthusiasts. I'm not sure who enjoys it the most, my 60 year old husband or our three year old grandson! Ours is getting so dog-eared from hours of enjoyment that we might need to think about a repalacement!

Officially licensed by Lionel itself, The Art Of Lionel Trains: Toy Trains And American Dreams by Roger Carp is more than just a simple showcase of promotional art that the Lionel company used to advertise their classic model locomotives; its informed and informative text follows the journey and evolution of the internationally famous model railroading company and its various products that inspired hobbies and dreams in households across America. Illustrated throughout in full color and a highly recommended addition to any personal or community library Railroading History collection, The Art Of Lionel Trains is as much a trip down memory lane for model train buffs as it is a peek to an era when advertising art was lively yet simple.

The book is a beauty (as a graphic arts product) but as the review title reads I am a little bit disapointed. Don't get me wrong. I like Roger Carp and his writting. In fact, he is almost the only reason I am suscriber to TCC magazine. However the book, in my humble opinion, falls short in the two aspects one could possible focus on: the Lionel art and the information about it. The illustations though as nice as we expect from Lionel history are pretty much common for Lionel enthusiasts and very well known from long ago. One could think that being this a book about Lionel art something special would appear.

The text did not contribute much to the common knowledge of Lionel aficionados. Commom places such as the bond between fathers and sons and the search for security during rough times, fill most of the space in the book. Not even short biographies of artists as important as Robert Sherman appear in the text. Carp's great sense of humor is also pretty much absent.

In short, I think the other superb books by Roger Carp left me expecting more than real life provides. Everyone has the right to some "failure". In the case of Roger Carp I think this book fills the bill for that.

"Saying 'Lionel' to anyone over the age of 40 brings forth nods of recognition and stories of smoking, whistling trains chugging around Christmas trees."

"The Art of Lionel Trains" is a showcase of familiar images, famous pictures and the artwork from catalog covers, newspaper advertising and other marketing pieces. Some of the pictures are sentimental and show the dreams of children.

When my mother bought my husband his first Lionel Train, I think he spent most of one afternoon putting the track together and then would amuse our cats by running the train at least once a day, complete with smoke billowing about in our mostly empty room. I kept wondering what was burning. My memories of Lionel Trains now include cats jumping across tracks to avoid the impending doom. They were actually quite fascinated for weeks.

This book highlights classic Lionel trains, helps to revive memories of toy trains from the past and analyzes art and its relationship to dreams and values.

The Chapters Include:

Dreams of Ambition 1900-1923
Dreams of Consumption 1920-1933
Dreams of Authority 1931-1947
Dreams of Security 1946-1964
Dreams of Nostalgia 1963-1993
Dreams of Tomorrow 1990-2003

This book is a history of Lionel Trains from 1900-2003 and is the perfect gift for Lionel Train fans everywhere. Each chapter contains detailed information on all things train through an analysis of advertising.

What I noticed, is a sense of family unity throughout the pictures. It also seems that a Lionel Train looks best with a Christmas tree. Artists actually started promoting this idea back in the1920s. The text in the advertising is readable in most cases. You have to love the pictures of the poor kids watching while "grandpa and dad" took over the train tracks.

Roger Carp has been a member of the editorial staff of Classic Toy Trains magazine since 1988. You might want to look for additional selections by Roger Carp:

The World's Greatest Toy Train Maker: Insiders Remember Lionel

Classic Lionel Display Layouts You Can Build

~TheRebeccaReview.com

i really like this book. i have many yoga books, videos and decks and this is amongst the best. as an instructor i find the descriptions and visuals very helpful. i like the sequences that are written out. it's just a good book to have. this is a book i'd feel totally comfortable referring to my students for their home practice.

Excelent book, as a begginer in yoga I find it quite complete and very illustrative on the different excercises.

Essential Yoga is like a medicine cabinet for yoga practitioners. Inside are simple, precise, and thorough single-page guides to about 100 essential poses, warm-ups, meditations, and breath exercises...plus, what is far more important, two chapters full of creative and unique routines and sequences. Each pose is simply and crisply illustrated, and detailed instructions are given. (It's particularly nice that the book is sewn to lie flat, a feature which makes it quite easy to use while actually practicing! This nicely supports the premise of the book, which is to be a text that is for the practice of actual yoga--and not just "about" it.) Each pose includes English and Hindi names, suggested modifications and variations, and a sentence or two about its physical and mental benefits. What really makes this sublimely practical book a "medicine chest", however, are the sequences. From short vinyasas (everything from Camel to Sun and Moon Salutations) to complete workouts of several lengths and intensity levels, the back chapters of this book contain everything you need to begin a home practice for all moods and occasions. Best of all are the short series geared to various physical goals and/or ailments (from "Biking", "Golf" and "Skiing" workouts to programs for "Toxin Flush", "Cold Prevention" and "Depression")--they're effective and eminently doable.

This is by far one the best illustrated Yoga books I own. Very descriptive and many poses

I loved this book. I started yoga to destress from work, but I found that when the yoga instructor called out positions by name, I was lost. I found myself staring at what the instructor was doing and losing the benefit of yoga. This book not only helped me learn the positions, it also has some really great routines you can do at home.

This book shows great insite into the history of the firecracker and the intricate artwork involved with the packaging of them. The clarity of the illustrations are wonderful, its hard to believe some of the labels are as old as they are. I highly recommend this book to anyone who can remember the excitement of being able to "set off" these firecrackers on the 4th of July, without worrying about breaking the law. Those of you who were not as lucky to experience this thrill, will definitely find this book fun.

My husband was looking for a book on firecrackers and I tried the local book stores, i.e. Barnes and Nobles, Bookmart, Books a Million, but no luck. I browsed the internet and the reviews on firecracker reference materials were few and far between. Finally I came across this book on Amazon and took a chance it would please him.....he's quite picky about his reference library. This soft-cover book is GREAT! It is packed with beautiful, vibrant full color photos of the common labels all the way up to the very rare. The book layout is dotted with photos and the glossary is helpful to even the intermediate collector. The section "Interview with a Collector" gives a nice insightful look into the pursuit of fireworks labels. The history of firecrackers is also discussed, giving the collector a great back-story to the industry. No price guide, but that is fine with my husband, as it tends to date a book after a couple of years. This is an informative addition to the Hubby's library......he's happy and I'm glad.

Excellent beautifully illustrated book well worth the money. The illustrations and layout are extremely well done. This is easy reading that covers some terrtory not well documented anywhere else (Vietnam.) Some historical inaccuracies especially in the history of the manufacture of "Chinese" crackers in the 20th century. Overall an excellent job! Highly reccomended to anyone who has an interest in the subject, or who just likes the imagery of the old labels.

Bright, colorful pages packed with color illustrations and photos chart the art and history of the firecracker, from their construction and advancement to the making of labels and items promoting them. Beautiful drawings pack an illustrated history which invites leisure browsers as much as researchers, and which is very highly recommended for general library collections.

(As noted in the last pages of this book, firecrackers are now politically incorrect, suffering the wrath of do-gooders, safety mavens and law enforcement. For those of us old enough to remember a pre-"nanny state" summer, this book brings back wonderful memories. By the time I was old enough to get real cherry bombs, they were outlawed. But I could tell a few stories...)

I always wondered how even today, firecrackers in their millions could be produced. The answer, documented in his book, surprised me. This book reveals the fate of the companies whose names appeared on the labels I saw in the 1960s. Ever wonder what happened to Kwong Hing Tai? The authors reveal how the firecracker trade developed in China and made its way to the United States. Even some of today's importers are mentioned.

Technically speaking, the book is well printed and the illustrations are crisp and sharp, not bad for paper originals that may be most of 100 years old. Although not exhaustive, there is good reference for collectors. I'd recommend you to get a copy of this book while it is still available. I look forward to many hours of pleasure leafing through my copy.

This book is a great way to collect some of Tolkien's best works of art and to get a glimpse behind the scenes of one of the greatest literary figures of the 20th century. Highly recommended.

Lleno de ilustraciones color, y algunas en blanco y negro. Me gusta porque es lo que Tolkien imaginó para sus obras... eso es lo que lo hace más hermoso. Además demuestra que Tolkien era un alma muy sensible, amante de la naturaleza, y esto se refleja no solo en sus libros sino también en sus dibujos. Me gustaría que estos dibujos estén incluidos en sus obras, no solo los dibujos de otros artistas. Hermoso, hermoso, para todos los admiradores de Tolkien.

This book features many of Tolkien's ink, watercolor, pencil, and colored pencil works. The detailed descriptions of each drawing include history, explanations, and dates. Quite a few maps are included, as well as illustrations for The Hobbit and The Lord of the Rings. It is wonderful to see how Tolkien imagined Middle Earth and its inhabitants. The colors he used are very earthy and lovely.

My favorite drawing in this book is "End of the World" done in pencil and colored pencil on a sheet of notebook paper - you can actually see the lines of the paper. It is so simple; yet, the story it tells includes subtle intricacies and complexities similar to those in his writings. I also love the pencil and colored pencil drawing, "The Tree of Amalion," which obviously blooms with the flowers of Tolkien's imagination since they do not resemble traditional flowers. Finally, the hand drawn Christmas cards are beautiful mini-stories with dancing bears and penguins, and Father Christmas making deliveries.

This book is truly exquisite, full of details and surprises for those of us who didn't know Tolkien was an extremely talented artist. It is a worthwhile purchase in my opinion.

J.H. Sweet, author of The Fairy Chronicles

With the reissue of Tolkien's cover of "The Hobbit" and other original drawings that he did, it seems like an appropriate time to pick up this book. Why? Because for a really complete vision of Tolkien's work (Lord of the Rings, Hobbit, and all the rest) it's probably best to see it as he saw it.

This book contains all the artwork that Tolkien created (NOT all the artwork BASED on his works, just the stuff he did himself!). Some are miscellaneous sketches and doodles, some are watercolors, ink drawings, prints, pencil sketches, and combinations of all of the above. One doodle looks like multicolored snowflakes, some are landscapes or pictures of little houses, teddy bears, owls, and so on. Very cute and cool, especially the illustrations done for "Roverandum."

And many are Middle-Earth related -- different views of the Misty Mountains or the Elvenking's hall, the evolution of what the Shire looked like, different Laketowns, different "Doors of Durin," even drawings of the tattered pages of the Dwarf Book of Moria. Near the end, even Tolkien's design drawings for LOTR book covers are included. And, of course -- MAPS! Maps of Wilderland, as well as the famous map from "Hobbit."

The text accompanying these many pictures carefully dissects all of the drawings and their importance, as well as how they evolved. (It's a bit like looking at concept art) As well as going over only Tolkien's work, Wayne G. Hammond also examines influences on Tolkien's artwork. For example, there is a fairy-tale picture that influenced a "Hobbit" picture, and a scientific drawing of a golden eagle that influenced another "Hobbit" picture with Bilbo.

This is a must-read for fans of J.R.R. Tolkien, a great peek into a great mind. And it emphasizes that Tolkien was not just a brilliant writer, but a brilliant artist as well. Great stuff, definitely a must-see.

Any fan of Tolkien has seen how others imagine Middle earth, from the art of Alan Lee to the films by Peter Jackson there are countless examples. This book is a treasure in that it gives us a look into Tolkien's own view of what Middle Earth looked like. Before buying this book I had no idea that Tolkien was so accomplished an artist. There are more drawings and paintings of "The Hobbit" than "Lord of the Rings," but this is a must own book for any serious reader of Tolkien.

This book has wonderful, colorful pictures that captivate my nephew. The story is fun to read and entertaining for him. The characters spark a lot of questions from the little guy which makes it a great book to read to him. He's only 2 and loves reading it daily. My older 6 year old cousin likes reading it himself and it's one of his favorites too. We'd really like to see more stories from the characters at Junkyard Junction.

We thought this book was very good, we all enjoyed reading this and have read it several times since receiving it.
The pictures are very interesting and the characters are so cute. This would be a very helpful book for any child moving to a new home and needing to make new friends. It helps kids learn how to help each other out when you really need it. Really enjoyed it! Wonderfully done!
When is the next book?

This is truly a wonderful book, with a great story and beautiful pictures. I know that my great nieces and nephews will enjoy this (as I will) for many years to come.

This book is such an amazing example of pure creativity that any child would be delighted to read it. Because of the imaginative quality of the entire book I am left to believe that the authors have a deep understanding of the imaginary nature or essence of childhood. This book won't disappoint you.

This is a wonderful book with great illustrations. It is the perfect Christmas gift for any child. This story about a little bug named Squirt finding a new home in the country and making new friends is great for all ages. I hope there will be more stories to come.