Illustration Books

Christopher De Hamel's "A History of Illuminated Manuscripts" (now in its second edition) is certainly the definitive history for lay readers, but it is probably the best starting place for aspiring professionals as well. It is well-written, faultlessly researched, and copiously illustrated. I happily use it in my university course on illuminated manuscripts together with Ingo Walther's "Masterpieces of Illumination" (published by Taschen)--in my opinion, the perfect companion piece.

The second edition of De Hamel's book is structured as was the first: an informative introduction is followed by chapters which divide and discuss the manuscripts according to their intended users (missionaries, emperors, monks, students, aristocrats, everybody, priests, and collectors); an extended bibliography precedes several useful indexes. This Phaidon paperback edition is a beautiful book, with a white paper cover adorned with a full-color dust-jacket. Many new illustrations have been added, and there are many more color illustrations than there were in the first edition. More importantly, the text has been updated to reflect ongoing research in the field.

My only complaint about this edition is that many of the important full-color and full-page illustrations in the first edition (to which I often referred in my classes) have either been reduced in size or eliminated entirely in the new edition. There are also significant (and inexplicable) differences in the color reproduction of illuminations between the first (David R. Godine, Publisher) edition and this second (Phaidon Press) edition--sometimes the differences are so radical that only a close inspection (or a familiarity with the actual documents) reveals they are photographs of the same manuscript. And since many of these manuscripts are from private collections (to which Mr. De Hamel apparently gained access by reputation or through associations established during his tenure at Sotheby's), it would be impossible for most readers to know which of the differing reproductions are the more accurate. My own experience would suggest that not all the changes in the new Phaidon edition are indeed improvements.

Publishing faults aside, this is a fine book by a scholar with impeccable credentials and a gift for clarity and sensibility in his writing. I highly recommend it.

The title explains exactly what is in the book. It is very infomative and has tons of color illustrations of illuminated manuscripts.

I am thoroughly impressed with this book. Its scholarship is impressive and helpful in my preparations to study medieval history at Oxford. And the thoughtfully written bibliography and through indexing of the manuscripts illustrated assist further studies. Even though it's not on my official reading list and is certainly not a light nor compact book, I'm packing it and taking it with me.

But, as scholarly as this work is, if one simply wants an attractive coffee table book on the subject, this can certainly be one. If one wants a very readable, engagingly written, well illustrated introduction to illuminated manuscripts, this is for you as well.

There is even some helpful guidance on collecting the more available manuscripts such as Books of Hours. And as the Fellow Librarian of Corpus Christi College, Cambridge and with his 25 years experience in evaluating manuscripts for Sotheby's, Dr. De Hamel's knowledge is not just theoretical.

Yet the price is extremely reasonable for a book of this quality.

Simply a treasure in print, Christopher De Hamel's work on medieval manuscripts is an enjoyable and fact-filled romp through the Middle Ages as if no "darkness" in the period ever existed. Focusing on a descriptive narrative that is as delightful as it is informative, the text leads the reader from one interesting setting to another, belying the breadth and scope of its coverage. One meets the educational reformers in Charlemagne's court, the scribes of the cathedral schools of Laon and Chartres, the workers in English scriptoriums, and many others in this highly researched, but clearly and engagingly written book. The reader feels as if he is simply touring the European countryside from one location to another and watching the patient and unrelenting work of scribes, copyists, and illustrators as they seek to develop the most enduring artifact of the period. Underpinning the entire work is a series - no, a PLETHORA - of beautifully reproduced and highly detailed medieval manuscript reproductions, many of them full-page, to the extent that one finds himself questioning why the text doesn't cost three times the price. A rarity in that it contains both outstanding prose as well as stunningly reproduced photographs, this text should be in every medievalist's (and art lover's) own scriptorium.

I loved this book! I used it for a graduate course on Illuminated Manuscripts, and it was one of the main textbooks we used, but I used it often after the course as well. I really enjoyed reading it, and found that it was unlike most of the typical text books I had formerly used. For any art history student, it is an outstanding resource. For anyone who loves illuminated manuscripts, book arts, or the Medieval period in general, this is a wonderful resource. It is a book that I consider an indispensable resource in my personal library. It is very well written and easily accessible for anyone. Although some of the terminology may be unfamiliar, it isn't so esoteric that it is beyond the scope of general understanding. It is clearly one of the best resources on the subject that I have ever come across!

I must admit that I am not too keen on this book. Although it doesn cover the basics of fashion illustration I just don't think its a great illustraton book. Its a great referance don;t get me wrong but I know for a fact that Bina Abling's Fashion Sketchbook (the most recent veersion) has a heck of alot more than this book and it may be a bit pricer (just buy it used!) but The Fahsion Skecthbook it well worth it. TRUST ME!

Illustration Fashion: Concept to Creation appears to be popular with a wide range of students who are both beginners, intermediate students and advanced designers. This book offers a step-by-step approach to movement of designs from the croquis (base, working sketch) to the final copy. It has references to designs for facial and body features and it has detailed illustrations of a huge range of different pieces of clothings. Stipelman explains as well as gives examples of ways to successfully convey the mood of an outfit.

Overall - it's very handy. For advanced students, however, bear in mind that it would probably be more of a reference for you than anything. It wouldn't be a bad idea to have a look at other books available here on Amazon.

I found this book to be extremely helpful and useful, far superior than some I have encountered.

I did not realize how resourceful a book this was until I actually sat down and looked through it. I had this book and another fashion illustration book (by Kathryn Hagen) for six months and all this time, I was referencing the other book only to gain insignificant knowledge of fashion illustration. While the other book contains beautifully drawn illustrations, it did little to enlighten me to the techniques, which is important when learning.

I didn't look through Steven Stipelman's book before because I deemed it boring and uninteresting based on a brief flip through. When I actually sat down to start reading it, it all seemed to make sense. What Mr. Stipelman does that other books on this topic fail to really do is to talk about technique and concepts. He outlines standards for drawing croquis (working sketch) in steps, which is a must because a croquis is a foundation for fashion illustrations and will eventually lead to a final drawing.

He also applies the step by step explanation of how to do different poses and how clothing rests on the body in different ways. A big bonus is that he also provides a historical background wherever he can to each section because each period of time had its own ideal for "the" silhouette or body type. It really just ties in well because you get a broader understanding of fashion's past and its relation to the current ideals of fashion.

Whereas some fashion illustration books merely display pages of illustrations done by the author or professionals in the fashion industry, this book is written and arranged in such a way that you feel you're actually in the classroom being taught one-on-one all that it takes to illustrate fashion effectively and beautifully.

I am intrested in fashion design and this book has helped me to learn how to draw the figure and face, etc. If you are a beginner in fashion design this should be your first book to get. This book is a keeper!!

Havnt quite finished reading but this is an interesting journal of the events experienced, people encountered and travels of Mr. Stephens as he visits Central America.

This is a Must read for anyone with even a passing interest in the mayan culture. Still easy to read even though it was written over 150 years ago! Imagine you are one of the first explores to adventure into the the jungles of the Yucatan and vist the ancient cities hidden in the jungle. I wish I had read this book before My trip to the Yucatan, would have made my trip that much more enjoyable! The Catherwood engravings are spectacular!

I realize that not everyone shares my taste in literature, but if you are an armchair adventurer (or a real adventurer) with a refined sense of humor, I guarantee you will thoroughly enjoy this book, as well as Volume II. Many evenings, after a grueling day in the office, John L. Stephens transported me to another place and time with his excellent gift for writing, eye for detail and sense of humor that frequently had me waking my poor spouse with irrepressible laughter. As an author, explorer and humorist with the subtlest of wits, I place Stephens in the ranks with Mark Twain, and that is the ultimate compliment. Enjoy.

I think this book is fascinating for two types of people:
- Those who are interested in the history of Central America, who will see in Stephens a witness of time
- Those very familiar with Central America's geography (specially Guatemala's), who will enjoy reading Stephens' descriptions of many places that (in their majority) still exist

In 1839, at 34, John L. Stephens was appointed as "United States Minister" - a sort of US envoy - for Central America (which at the time was still one country). Stephens was a serial traveler: 5 years ago, he had visited Eastern Europe (Greece, Turkey, Russia and Poland) and the Middle East (Egypt and Syria), and had already published a couple of books about these trips.

Stephens decided to combine his diplomatic duty with his interest in searching for Mayan ruins in the region. By October, he embarked with his friend Frederick Catherwood (another extensive traveller) in a trip that would take them to what was (already) a politically convulsed region.

At the time, Central America was filled with political turmoil. The largest state of the country, Guatemala, had basically fallen in the hands of Rafael Carrera, a non-educated peasant. Carrera refused to recognize the authority of Francisco Morazán who, based in San Salvador, was at least in theory, the President of the Central American confederation. Rumours, political intrigues and suspicions abounded at the time.

And so, in this setting, Stephens got into a boat, and after a few days in Belize, travelled (by boat again) to the Caribbean shore of Guatemala. He entered the country through Rio Dulce and touched land in a small village in the shores of the Izabal Lake.

Starting there, Stephens made a trip, generally by mule's back, that took him to Zacapa, Chiquimula, Copan (in Honduras), Esquipulas, Guastatoya, Guatemala City (already established by then where it is now), Antigua Guatemala, Escuintla, Iztapa (in the Pacific shores) and Amatitlán. He later took a boat and went to El Salvador, and then to Costa Rica, where he disembarked and returned to Guatemala by land.

Apparently, Stephens was one of the first "adventure tourists" of modern times. He ascended many volcanoes and spent a considerable time in Copan, cleaning up the forrest that was still covering the ruins and helping his friend Catherwood to draw reproductions of the ruins (these drawings are included in the book). In addition, and as part of his diplomatic duties, he met some of the leading political figures of the time, like Carrera himself.

Stephens not only did all the above, but ended up writing a very nice and enjoyable book that describes very well what he saw and thought at the time.

In short, this book is a rare jewel that allows the reader to better imagine how was life and nature in Central America in the middle of the XIX century.

(Note: the review above is based on Volume I - a book that curiously did not exist in Amazon's inventory at the time of my reading in 2005. Being respectful of my own past review, I havent' changed it. The next paragraphs though, are 2007 additions in which I comment on Volume 2)

If the reader enjoyed Vol 1, she/he will surely find Vol 2 a satisfying read. Vol 2 starts in Nicaragua, and continues in El Salvador, where Mr Stephens continues in his search of a Central American government. I will not delve into the details of all of Mr Stephens' adventures. Suffice it to say that he gets to meet the recently defeated Francisco Morazán, meets Rafael Carrera (again), travels through the Guatemalan western highlands, gets to know the story of the Los Altos state, crosses the border to Mexico, visits Palenque and Uxmal, finally returning to the US.

Its particularly interesting to read Stephens' account of Carrera and his young government. The fact that Carrera was even known at the time as the King of the Indians is an interesting point to notice -any reader knowledgeable with Guatemala's history and societal dynamics could extrapolate this to many events of the past 50 years.

Also interesting is Stephens' rebuttal of previous accounts regarding the difficulty of visiting ruins like the ones in Palenque. The more widely known stories at the time created the impression that visiting the ruins was full of dangers. Always the practical and matter-of-factly adventurer, Stephens bluntly says that they are (were) untrue, and that the greatest hardships he and Mr Catherwood endured were due to the unstable revolutionary state of the countries.

If the reader is interested or has knowledge of archaeology, he/she must also know that Vol 2 has plenty detailed descriptions and diagrams prepared by Mr Catherwood (who in my opinion was a very gifted artist, being able to draw the intrincated details of many Mayan ruins).

I strongly recommend Vol 2 to anyone interested in Central American history, archaeology, the mayans, or true old-fashioned adventure travel.

This is a must read for any one with an interest in the ancient Mayan culture an ruin sites. the other reviewers have summed this book up great, but I just wanted to throw in my two cents.

I basically agree with all the reviews so far. I read this in my teens and it left a lasting impression on me. I've re-read it since on a fairly regular basis. Brilliant evocation of an early culture far removed from our own but peopled with those whose emotional reactions one can so empathise with - doubt, uncertainty and deepening friendship.

I am delighted it is back in print, although a bit ambivalent about the cover design. When will "The Sword at Sunset" be re-printed - preferably unabridged and with the map that some of the early editions had?

I really love this book. I picked it up in high school for a book report and got sucked into Rosemary Sutcliff's world. I'm glad to see a new printing is coming out, because you couldn't find this book anywhere, and the copy I have I stole from school, that's how much I love this book. I also highly recommend The Sword and the Circle, a telling of the Arthurian legend.

The "Mark of the Horse Lord" is a beautifully written story of loyalty, honor and sacrifice. The ancient Scottish setting and characters are masterfully portrayed and the story line grabs the reader on the first page and holds on tight to the very end!
Rosemary Sutcliff writes wonderfully engaging historical novels. While her books give the reader a great feel for the time period and setting, story line is never compromised! Most of her books are written for children and young adults, however, this book is more appropriate for adults and older teens. Younger readers may find the wording a little difficult to follow. Highly recommended!

One of Rosemary Sutcliff's best books is back in print. Several of her titles have been unavailable for years: Dawn Wind, Knight's Fee, The Shield Ring, Frontier Wolf, Sword at Sunset, The Mark of the Horse Lord.

Previous reviewers have provided a plot summary of this book; please see their comments on the story.

Like much of her work, TMOTHL is based on real events. Sutcliff is perhaps the finest children's historical novelist. Folks of all ages enjoy reading her work. She could research an episode in Britain's past and add memorable people and descriptive period language. The resulting tale would be true to history and her characters' humanity. As other reviewers have stated, "She makes you believe it happened just this way."

I hope Front Street Publishing succeeds with Horse Lord, and decides to bring back more Sutcliff books currently out of print.

If I were sent to a deserted island with as many books as there are fingers on my right hand, this would be one of them. I found this book in its original edition in a small town library over twenty years ago and have sought it out in every library in every town I've been in since. Its that kind of story.

If the heart of a good story is the soul-journey taken by the main character, then this book deserves a place in the canon of great literature because Phaedros' journey is truly epic, starting tightly coiled within his own needs, spiraling outward with each challenge he faces, finally culminating in the most magnificently expansive act a man can perform.

Images from this story will rematerialize in the reader's mind long after the back cover is closed upon the bittersweet ending. Highly recommended.

As an aside, if you have read Megan Whalen Turner's Thief series you may have noticed that she also apparently is an admirer of Sutcliff. I'm pretty certain she has planted some pointed references to this book and Eagle of the Ninth in her own books. Anyone else spot those?

This is my second purchase of spectrum books. 13 was the first one I brought. All I can say is this is one of the most stunning art books I have ever owned...that and after going through this one I may have to pick up all the other books. Every page is full of beautiful work from a wide arrange of different styles. I can't say how many times this book has saved me when It came down to me trying to complete a illustration. It constantly inspires me and makes me want to pick up a paintbrush or any drawing tool for that matter and create.

Spectrum deserves all the praise in the world for the great effort that they put into all these books. To top that off most standard art books like this go for itleast double the cost. Love these books!

These annuals seem to be getting bigger every year, yet there's not less quality involved. Great book for reference of what's going on in this field. Great stuff as usual. Digital art is gaining pretty fast these days, but it's still looking good.

This is the 14th volume of what I expected to be a short-lived series. So, it's long lived and hopefully that's the case for many years to come. The first thing to note is the sheer size of this book and the bargain it is at just uner $40. Reproduction quality, variety of skills and styles as well as the range of subject matter are all continuing highlights to look forward to year afer year. The large format makes this a sit-down-and-get-lost tome that has such a delightfully mixed bag approach to presenting artwork highlighting the width and breadth of the genre that encompasses SF, Fantasy and Horror. From institution illustrations to sequential art this book has it all, or at least as much range as it can present in one sitting. It's also a great place to showcase both old and new artists in an established format that does it's best to spread the wealth of ideas from cover to cover. The only downside is the fact that some of the images are produced full page while the majority have to share the page with two to four other artists. However, few artists would complain about that format.
Just being in the book lends itself to the artists' elevated status in the genre.
I'd love to list my favorites in this book but like every year they are too many and after all, what's the point?
Pick your own. Even listing the artists is such that it's an act of futility. From Martiniere to Manchess this is the book to own. If you don't know the artists I just listed, it's worth your time and money to find out what they do along with all the others.

I was wondering, who would review this and not like it. Anyway, Whenever I stumbled upon this series I was quite happy. Way back when, one of my favorite books was a compilation of Dragonlance art from the 80's I think. Great pics in this and wonderful works of art.

Fantasy and Sci Fi lovers and art lovers in general will be pleased with this.

Like Santa Claus, Spectrum only comes around once per year and is always highly anticipated. This annual collection of the world's best contemporary fantasy and Sci-fi art is always a favorite not only due to its sheer size and beautiful production, but also because of its diversity in scope. Spectrum presents the best art from the fields of books, comics, advertising, editorial, concept, and even sculpture into each year's volume.

As always, the book begins with a look at the year in review and the trends in contemporary fantasy art before getting into the opening category of advertising art and presenting the first of its gold and silver annual awards to the best in each category. This year's gold winner in the advertising category went to James Jean for his Retro-hip "Spacerace 2020" painting for Nike. This gorgeous pop-art piece is a tribute to Sci-Fi imagery of the `40s and `50s.

I'm not sure how they could have picked a winner in the book category as there are so many outstanding pieces. While Jon Foster's winning painting for Night Shade books was very good, Luis Royo's offering for his graphic novel, "Dark Labyrinth". Adam Hughes took home the Gold Award in the Comics category for his depiction of the sleek and sexy Scarlet Witch from Upper Deck. As a long-time comic book fan I love seeing the industry's artists getting their just due as the outstanding artists that they are. Other standouts included Gary Giannni's standout art from the Prince Valiant comic strip that is in the best tradition of Hal Foster, and Charles Vess/Mike Kaluta's work from the Vertigo Comics series "1001 Nights of Snowfall".

One of the categories I look forward to most each year is the dimensional chapter featuring the year's best sculptures and models and this year was certainly no disappointment. A. Brent Armstrongs mammoth 54" tall piece featuring King Kong atop the Empire State Building is simply breathtaking! The Alex Ross designed Superman resin sculpt by artist Karen Palinko features the distinctive look of Ross as Clark Kent rips open his shirt to reveal Superman's legendary logo. Shawn Nagle's "Tarzan and the Golden Lion" based on art by longtime Tarzan illustrator, J. Allen St. John, is another winner.

Spectrum never fails to deliver a little something for everyone's taste and Spectrum volume 14 may be the best edition yet. Grade A.

This has been a favorite of mine since I was a child, both because of the moral of the story, the fantasy of the main character's adventures, and the stunning illustrations. I used to stare at the illustrations and see if I could find some new detail I hadn't noticed before. It's a shame this book is out of print, buy a copy now! Your sons and daughters will enjoy it! This is probably best for kids over 6.

I had a similar situation with this book. My mom read it to me when I was around 5 or 6. I'm 22 now and really wanted it for my kids but neither one of us could remember the name or author. All we could think of was the beautiful illustrations in it. I am so excited to get it for my kids now!!

There are only a few books that have stayed in my memory from childhood, and this book would be one of the two. I got this book when I was 9 or 10, and absolutely fell in love with the art, as well as the enchanting story. I remember looking at it for hours and examening all the details. I remember it inspiering me to get art paper and pencils. I spent weeks trying to draw the cover, as well, as some of the beautiful details inside the book. I moved around a lot as a child and lost the beautiful book in one of the many moves. I never forgot the book. Now I'm 32 and I have a 2 year old son. Every time I'm looking for books I always look for a book that might inspire his creativity the way The Weaving of a dream inspired me. I wanted to purchase this book for him for when he get's older but for the life of me could not remember the title. And then recently I came across a recommendation list on Amazon called "The Most Beautiful Illustrations". And found the book listed there. I immediately bought it. I was bummed out that the Hardcover version was no longer available. I am happy to
report it's just as beautiful, and enchanting as I remember it.

My mom gave me this book when I was about 10 or so...and it STILL stands as one of my favorite children's books. The illustrations captivated me for hours...they are absolutely gorgeous. The story is fanciful, mysterious, and teaches a lesson of being good when others may be greedy. For the young artists, or artists to be, this is a must. Again, the illustrations are brilliant. The tones are very red in this book, with lots of little nuances in the pictures to look for....enjoy!

Like other reviewers here, I also first encountered this book as a child. I remember spending hours staring at the beautiful pictures- wishing I could be there!

Over the years, I would remember the book fondly, wondering if I would ever see it again. Then, I just happened to find it on Amazon- of course, I ordered it right away!

When I received the book, I must say I was at first a bit disappointed. While the pictures were still beautiful, the colors were not as bright as I remembered. Perhaps my memory fooled me?

Then I started reading the story- and I once again transported to a place long ago and far away.

I was quickly drawn into the mystical tale of the old widow, weaving her dream palace with not only thread but her tears and blood. How, after it was blown away by the wind spirits, she asks her three sons to fetch it for her, otherwise, she will surely die! How after two of her sons fall pray to fear and greed, her third son succeeds by crossing the mountain of fire and the lake of ice to reach Sun Mountain, the home of the fairies. How the brocade comes to life and they all live happily ever after.

Each time I turned the page, I would gaze at each picture, taking in all the details. The picture of the palace continues to enchant me, as it had enchanted the old widow and her sons, with its "garden, the flowers, the beautiful palace, song-birds of every kind, luscious fruits and vegetables ready to pick, all in the most perfect detail." Reading the book and viewing the pictures, its almost as if I am there.

Read this book and you too can be drawn into this enchanting dream!

I've worked in publishing for over a decade and thought I knew it all when it came time to get my own books published. Not by a LONG shot! I bought this on the suggestion of an editor and I bet I've referred to it 32 times since I got it. It helped me get through the first and second steps of the process. Now if my agent can just get my books sold!

Great coverage of markets and their needs. I recommend this highly if you are a writer for children. Do not go very far without this book!

2002 Children's Writer's & Illustrator's Market is a very highly useful and authoritative guide for both aspiring authors and artists to getting their work published in the specialized area of children's books. From finding the best markets, to writing effectively for the age index of one's choice, to preparing professional submissions, 2002 Children's Writer's & Illustrator's Market is packed from cover to cover with solid wealth of tips, tricks, and techniques on how to stand out in a highly competitive field. 2002 Children's Writer's & Illustrator's Market is an absolutely essential reference, especially for new writers and novice artists looking to break into the children's book market.

This is THE book if you want to get published. 2002 Children's Writer's & Illustrator's Market shows over 800 editors and art directors who want to buy what YOU write or illustrate. I am planning to try get publihed. And this was my resource! I've already found tons of publishers! If you want to get published, then this is your book!

Great coverage of markets and their needs. I recommend this highly if you are a writer for children. Do not go very far without this book!

Effortlessly The Golden Age of Advertising--The 50's combines a crash course in visual arts, history, sociology and business, and does it without you even knowing it's happening! Like the other titles in the series, volumes which cover the history of advertising in the 1970's and 1960's, this book throws out so many glorious advertisements it's like time traveling. See full color ads for cigarettes (Doctors recommend Camels for calm nerves!), alcohol, clothing, foods, appliances, cars, and more. See how fashion, hairstyles, the very thought patterns of we Americans, ourselves, have evolved from where we were at mid-century last. You can stare at the pages of this virtually word-less book for hours and still see things you missed the fist time. It's a real treat!

Massive, beautifully produced, and very insightful in it's appraisal of 1950's American consumerism, this tome is perhaps the best collection of 1950's advertising ever assembled. Tons of beautiful illustrations and (in some cases) graphic design that are now relics of the past. In my opinion, this book should only have been published in harcover, due to its weight and number of pages. Sadly the hardcover is impossible or nearly impossible to find, unless you go for the abridged version issued as "The Golden Age of Advertising- the 1950s." This whole series of books which now span most of the 20th century are a great reference, and an important documentation of American history in visual form.

We were recent house guests of a couple who have decorated some areas of their beautiful home with a 50's theme. We gave them this book as a thank you for hosting our family. It was a unique gift, and one they will enjoy for years.

Probably the best ad book I've ever seen! Worth every penny it costs and believe me, it doesn't cost THAT much - not for a book like this! I was born in the 50s (in Russia) and Russians wouldn't even dream (or didn't even hear!) of products which are in this book - advertised in the US in the 50s. I'm now waiting for my All-American Ads of the 60s to arrive from Amazon - I spent my childhood in the US in the 60s and I can't wait to meet my "good old friends" - the American products - as advertised in the 60s. I'm hoping to collect the whole series of these fabulous books. Thank you very much, Jim Heimann and Benedikt Taschen -the guys who made this wonderfull series possible. Alexander Romanov, Moscow, Russia.

I loved this book! As a child born in the mid-50's, many of these ads fortunately carried over to the 60's when I was both better able to comprehend as well as recall them. It was also nice showing the book to our children, as it gave them a glimpse into some of what our own childhood's were like. If anyone reading this wants to take a trip back to a simpler, safer, saner era, this book is your "Time Machine". All for around $25 bucks too!

The book has an excellent selection of art from the Noir period. I love every single page better than the last!

"The Art of Noir" is a big, beautiful book of 338 posters and lobby cards for crime films 1940-1960, plus a handful of later films. All the film noir greats are here, from A-list films to Poverty Row, though not every film represented is strictly "noir". "The Art of Noir" is 14 1/4" x 10 1/8" -too big even for oversized book shelves- but the results are stunning: Hundreds of full-page posters in bold, eye-popping color, along with a handful of 2-page spreads and some 2-to-a-page layouts. I could not overstate how great these posters look, and author Eddie Muller has made them more fascinating with informative captions and short essays. Each poster is captioned with the film's title, year, and studio, the size of the original poster, a brief analysis of the poster's style, and a little about the film.

The posters are divided into six chapters, each with an introduction by Muller. Chapter 1 introduces us to the distinctive styles of different Hollywood studios. Chapter 2 takes us on a tour of film noir poster art around the world, with examples and explanations of how artists abroad altered or redesigned the posters for their markets. Chapter 3 focuses on thematic and iconographic elements in the posters. The icons are guns, racy women, and automobiles. The themes include bad cops, private eyes, and femmes fatales, among others. Chapter 4 showcases posters that feature the prominent stars of film noir, 9 actors and 9 actresses, with an introductory essay for each. The art of Chapter 6 is organized by writer -not only the famed Hammett, Chandler, and Cain, but also prominent noir screenwriters. Chapter 6 features the films of prominent noir directors and cinematographer John Alton.

American and international posters are featured throughout the book. I had not seen foreign film noir posters before, and scrutinizing the posters and comparing the styles turned out to be a source of nearly endless fascination. Foreign artists departed from the bold color and lurid poses of American posters but created art from their own culture's perspective that is no less striking. "The Art of Noir" will absorb fans of film noir or poster art for hours. I am reviewing the hardback edition of the book, so I cannot comment on the reproduction quality in the paperback edition. But the color and sharpness in the hardback are excellent, on slick, white paper. This is Eddie Muller's best book yet.

This book is a must for all film lovers. It contains the most complete collection of film noir posters anywhere. And since the book is "cofee-table" size, the posters are big enough that you can appreciate even the smallest details. The text is also very interesting, giving a short but insightful review of each film. Get this book now!!!!

A feast for the eyes! Gorgeous NOIR poster repros and interesting factoids highlight this weighty tome. Fans will swoon, and the casual viewer will have his/her interest tweaked. As a NOIR poster/lobby card collector, this book is an essential library addition, because I need to occasionally check out pictures of posters I'll sadly never be able to afford(!)

Film noir is a fascinating field with a deserved faithful and ever widening audience. Eddie Muller scored impressively with "Dark City Dames," a study of the women of film noir with intimate portraits of such notables as Jane Greer, Marie Windsor and Ann Savage.

Muller returns to a familiar theme here and achieves mightily in two respects, with glossy pictures which practically jump off the page at you, giving one a feel for time and place, as well as being a part of the scene, along with a text providing valuable information on the memorable films being showcased.

San Franciscan Muller is one of the genuine authorities of the genre. He has a real feel for the world of darkness beset by flashing neon lights, smoke-filled bars, detectives in trench coats, and dangerous women.

A highly detailed account of the entire family of this great writer/painter. Very complete and entertaining.

I have never read any of Beatrix Potters books and never really knew anything about her. One day I discovered the movie Miss Potter with my favourite actress and I felt I wanted to know more about Beatrix Potter. I bought this book and it was quite boring! I think to relly enjoy it you have to have a true interest in B.Potter. This book bored me. Personally I thought it was a 3-star but give it 4 since it written extremly well.

I'll have to admit that it took the movie Miss Potter to stir my interest in Beatrix Potter; once stirred however, I discovered that Miss Potter was truly a remarkable women. This book displays in a very well written manner the many facets of a life that went far beyond Peter Rabbit. My wife read it first, raved about it, and then turned it over to me. It didn't take long to see the source of her enthusiasm. The book gives a carefully documented look into the life of a young women in England during the first part of the 20th century.

Miss Potter was a most extraordinary young woman to say the least. The obstacles she had to overcome proved her to be a woman of great imagination and courage; her determination to be her own person, in spite of the societal challenges she faced shaped her into a woman of depth and devotion to her dreams and visions.

Over the course of her life, Beatrix Potter lived two greatly different lifestyles. First as an author and finally as a farmer; fortunately for her, her first life as an author helped her accomplish the dream of her second life, as Mrs. William Heelis, in the gift of thousands of acres of land in the English Lake District to the National Trust to be preserved for the people of England.

I would encourage all who have enjoyed Peter Rabbit to find out more about the exceptional woman who started it all.

This book is a worthy addition to anyone's library.

DEAR AMAZON
PURCHASED TWO COPIES OF BEATRIX POTTER: A LIFE IN NATURE, BOOKS BOTH IN FANTASTIC CONDITION, NICE CONTAINER. Seemed like the waiting was about 5-6 days longer than the orders I send out -- But well worth the brief waiting. Am always thrilled with the Fast and Efficient Service I GIVE and RECEIVE on Amazon. Rarely disappointed. THERE IS A HIGH STANDARD OF QUALITY AT A VERY REASONABLE PRICE. Forget the others, we've tried them all.

I'm a writer and illustrator of children's books. After reading Linda Lear's masterful biography of Beatrix Potter, I have a new role model, Beatrix Potter.I'm inspired by her devotion to her art, her spunky determination against many obstacles, and of course, her exceptional talent. Her interaction with her publisher was very familiar to me, and encouraging.
I'll read this book again soon. Thank you, Ms. Lear. You, too, are an exceptional craftsman of your art.