Illustration Books

Alan Lee's work is amazing and to get some background information about his artwork is a treat. I wish the book was a little bigger and thicker.

What a beautiful collection this is. The afternoon it arrived, I wandered again in Middle Earth, lost in Alan Lee's art. But most wonderful, it seems to me (who came to the movies from many readings of the books,) is that as I looked at these drawings they recalled not just scenes from the movies, but returned me to the tactile pleasure of discovering this world as I first had found it --in Tolkien's books. I love both the books and the movies. Now, when time constrains, I don't have to choose between the two. Thank you, Alan Lee.

this book is awesome!
it's like looking into Alan Lee's Sketchbook as its name indicates.
the renderings are beautiful. any Tolkien fan will appreciate this as a wonderful companion to the books, as well as any one interested in fantasy art and drawing!

If you're looking for the film's information literally, this might not be what you want. But, if you're looking for a trip into the cretive process that brought Tolkiens masterpiece to life, you might like this one.
Alan Lee is a wonderful artist, his drawings are really impressive, and in this book he shows how he created his version of Tolkien's world, trying to be faithfull to the autor's ideas.
There's plenty of drawings and sketches from all parts of the story, and the text explains how and why they were developed to the movie's scenes.
I loved.

In the amazon review we can read: "the book contains 20 full-color plates", but this is a lie: The book contains only 7 full-color plates (2 of them in small size). The book is really beautifull, but it is not as amazon shows it.

This was a wonderfully written fantasy novel. I immediately fell in love with the main character and her world. I would highly recommend it to kids *and* adults!

Interesting read. Certainly a different writing style. Difficult to hold my interest until late in the book. It shows great imagination. It is not a casual read.

In the old Zork video games were these nasty critters called grues. If you went into the caverns without a candle you'd likely be eaten by one, but you never encountered them in the light and had no idea what they looked like. Somehow, it was a lot spookier that way.

I'm not saying that Billingsley based her Folk off the Zorkian grues, but both were likely inspired by the same old legends about ravenous teeth lurking in the unknowable darkness.

Instead of avoiding the Folk, like a video game adventurer would, fifteen-year-old Corrina Stonewall seeks them out. Armed only with her courage and a collection of dubious charms, Corrina spends long hours in the cellar "tending" the Folk--that is to say, keeping a journal of what the ravenous creatures eat and providing a bit of herself on the occasions that they're still hungry.

Corrina has to pass at being a boy in order to keep this plum of a work assignment, but at least it's better than scrubbing floors.

As we get to know Corrina through her Folk journal, we discover that this Folk Keeper's gender is not her only secret. She also has strange abilities and a secret past that she herself does not even guess at. The writing is powerful and poetic, and the ending is sure to please.

If you read this book, make sure you have a nightlight handy in your bedroom. Or else, you might be eaten by a grue.

I know there are a lot of books about girls pretending to be boys ( like the books by Tamora Pierce), but this one blows them all away, until only The Folk Keeper stands in all its glory on a podium made of gold.
Now, I did not think I would ever read a perfect fantasy book. Either the character is not fully developed or the writing style is boring/cheesy or it is bogged down with romance. After reading The Folk Keeper, I knew I had found the perfect book. Corinna is immediately a lovable character, a character you stand up for, that you know like the back of your hand. The plot is formed out of seemingly magical hands, spinning a tight web about you that you just can't break till the end. The end, I must tell you, is perfect, it is glorious, it gives you shivers on the back of your neck. And it's all because of the author's extraordinary writing style. Each word is perfectly placed, each scene completely vivid in your mind, until Corinna's world seems to be surrounding you on all sides -- until it is part of you, until you are part of it. I will say again: Do not stop with Tamora Pierce, thinking that no one could possibly write another good book about a girl disguised as a boy. Read The Folk Keeper(it is a million times better!!!). Enjoy!

This is a great book. It's not Tamora Pierce or anything, but that's too much to ask for anyway. At times the main character seems a little too knowledgeable about her own hard-heartedness, the romance a little too clumsy, and the plot a little too thought out, but, all in all, The Folk Keeper is a really intelligent and suspenseful story.

Corinna Stonewall has disguised herself as a boy-Corin-to become a folk keeper. Folk keepers protect the surrounding lands from the fierce folk, who destroy crops, livestock, and food if unpleased. Suddenly, a lady comes to take her away from her cellar. There is a dying man who wants to see her, one who not only knows that she is a girl, but many of her other secrets as well. He makes her swear to leave her town to come to his mansion, where she will be a folk keeper. She agrees, knowing the folk there are fiercer than anything she has ever encountered. While trying to keep these horrific beasts at bay, she discovers many old family grudges in the mansion, as well as secrets about herself she had never imagined. In the end, she will have to choose between the place she loves best and the place she has always been kept from...

Despite the slight stylistic problems, I myself have read this book ten or so times. It is definitely a worthy addition to any fantasy-lover's collection, and is all-around a wonderful book.

This book does a great job of enhancing the experience of watching The Dark Crystal. Objects that are only seen for an instant or merely in the background are explained in detail in this beautiful collection. My only complaint? There's lots of white space on some of the pages, which makes it feel like less of a guide to an ancient world and more like a textbook.

Even so, highly recommended for fans of the movie, faerie stuff in general, or just great artwork.

Brian Froud, the creator of the Dark Crystal, is a Genius.

This book is a small Bible.

Well written, and with images so refined it makes you wonder if it is all "human" made.

All your questions about the Dark Crystal will be answered.
The information contained in the book seems almost sacred,
as for the capacity for the human mind to understand it all,
that is yet to be proven...

This book is an amazing tome for anyone who grew up in adoration of The Dark Crystal. Brian Froud's illustrations and concepts are gorgeous and so incredibly creative. This book is delivered as a history of the World in which the film takes place. It is narrated by Aughra, "...the first and last," who witnessed thousands of years of creation and destruction. She monitors the cyclical suns, a spectator of the conjunctions that bring the wise urSkeks, and their division a thousand years later into the cruel Skeksis and the mystical urRu. Aughra alone knows the long history of the crystal and throughout the pages, describes life throughout the ages. There are so many subtleties that the book describes that I can't wait to watch the film again, knowing the significance of the shapes of rocks, the intricate details of the clothes the characters wear, and the elaborate symbolism peppered throughout. The art is gorgeous and the insights into the World of the Dark Crystal shed a new light on the film and its philosophy. Bravo!

A must have for any Dark Crystal fan. It contains detailed pictures, decriptios of the various races, and a breif overveiw of how the world works. It also contains some history on the making of the movie, and a copy of the orginal movie idea. Even if you don't like the movie, it would be hard not to appreciate level of detail that went into this imaginary world.

Overall: An excellent book, which I highly recomend.

I didn't grow up with "The Dark Crystal" like most others who bought this book. I watched it for the first time in 2007. While I found the movie charming, it didn't leave much of an impression. Still, I was fascinated with just how so powerfully so many people love this movie. The film has such a following that a sequel is on the way after 25 years. So, I bought this book to see what it was I was missing. This book is mostly written from the point of view of Aughra, one of the main characters in the film. The art is fantastic but what I adored was the mythology I found within these pages. In this book is a vivid history of the world of the Dark Crystal, complete with philosophical and religious ideas that have a strong connection to the events of the film. If you wish to understand the films themes and events better, there is no better book than this. A MUST for all fans of "The Dark Crystal"

Just pop in some FrontLine Assembly, VNV Nation, Funker Vogt, and Apoptygma Berserk mp3s, and browse through this amazing collection of sci fi/fantasy artwork from the master known simply as Brom. Large, crisp, full-color photos of his amazing paintings grace this informative book. See sketches for some of his paintings in the margins, and view his talented early sketches from age 5, 11, and 20 years of age.

Brom is the most amazing artist in the Fantasy genre. This book is a great buy if you love Fantasy art and you want to see a true master. Forget Frazetta, forget Vallejo, Brom is the one. This book portrays Brom's art to it's fullest. Beautiful, full color prints adorn every page, showing off Brom's masterful talent and attention to detail. Don't miss out on this one or it's sequal 'Offerings'.

If you like to draw, like great art works, sci-fi, well fantasy art this book is for you. Brom his a great artist, very talented, his art book got lot of nice to weird art works. It had been a while since I search for a great fantasy art book and this one is the best I saw so far!

I saw this book in a store yesterday. The title, Darkwërks was what first caught my eye. So I picked it up, looked at the covers, back and front, and began to flip through the first pages. I was amused very much by the art created by Brom in his earlier years. For instance, when he was age 6, he drew quite a bloody scene; a body riddled with knives and sharp objects. So, I started to look through the pages. Immediately, I was captivated by his morbidity and uniqueness. The graphic beauty of each picture shot into my eyes and made my heart quicken. I had only planned to glance through the book, but within seconds I had become a slave to each work of art.

While definitely not for the....."Normal" person, anyone who loves the morbid and macabre will love this book with all their heart and soul. Beautiful, beautiful blood and violence. Femme nikita, freaks of nature, tortured souls and Dark Angels fill the pages of this magnificent masterpiece. BUY IT NOW!!! Hah...

Brom is a fantasy artist who is best known for his work on his work Dark Sun, Deadlands, collectable card games, and book covers. He stands out from Boris & Julie as well as Frank Franzetta partially for the sole reason that most of (though not all) of his portraits contain people who wear clothing, albeit usually something fetish inspired, leather and latex. He has a very distinct style, painting very beautiful moon-skinned redheads and tan wild-elven creatures, which stand along detailed landscapes that insipre the imagination. Some of his work is disturbing (though not quite as disturbing as H.R. Geiger), and mostly very dark (what would you expect from a man who listens to Nick Cave while he paints?) but all of his work is remarkably well composed and masterfully detailed.
Brom has a larger influence than many people realize, for example the evil albino in the recently released movie Time Machine could very well have come directy from the pages of Darkwerks. To get an idea of how popular Brom has become, just type in his name in any search engine (Google works best). Darkwerks is a very good collection of his art, containing very little text and allowing all of the pages to be showcased in full-sized, full-colored glory.

This book is an indispensable companion for huge fans of the ALIEN series, especially those who, like me, think that ALIENS is the pinnacle of the franchise. But even if you're just a casual fan of the series but a major lover of science fiction, this is a great book to have.

The most amazing part of the book is the long essay on combat between capital ships in space. The essay is a very hard-science fiction oriented piece that addresses a lot of the issues with ship to ship combat that are taken for granted in works like Star Trek and Star Wars. It addresses issues like combat between two ships in orbit around a planet, cloaking against a starfield, space mine arrays, directed energy weapons, railguns, and the use of decoys in space combat.

The rest of the book is equally believable in its portrayal of futuristic warfare, and it does an excellent job of giving background information on the world of ALIEN without holding the reader's hand or revealing everything. The pictures, drawings, and schematics are nothing short of amazing.

The book delivered exactly what it was supposed to. The equipment described were mostly from the second movie, which was expected since the colonial marines only made an appearance in that one. I was expecting a few more vehicles and weapons that were not shown in the movie. The arsenal of the marines appeared to be very limited. Whatever the case, this is a good book for fans of the movies and sci-fi fans who like big weapons. The section on the aliens themselves was kind of brief, being mostly accounts from Ripley.

I loved the quotes between the sections. The ones where other Marines are "telling what they heard". You get bits and pieces and everything gets exaggerated and blamed on the Company. It's funny "because we know better." And the descriptions of the APC and dropship are great. Too bad we don't get to see them more in the movie.

Not much more I can add that others haven't other than to push the point home. This book is a technical sci-fi fan's dream come true. The level of detail and realism put into this book rivals that of the Star Trek technical books, and even surpasses them on some levels. This book is painstakingly researched and is an official and authorized explanation of the weapons, ships, tech and much more are covered in this book.

Just about everything you could want to know about the technical aspects of the Alien and Aliens universe are here. You can know exactly how a pulse rifle or a power loader works. You can see the inner workings of a dropship. You can see the full capabilities of the Sulaco. You name it, and it's there. You even get entries for military equipment that was not in the movie, but still part of the Alien universe.

Did I mention Alien? Yeah you get a ton of information on the Nostromo as well as details on the escape shuttle and equipment they used. You also get extensive details on androids as well (from both movies). They even go so far as to explain how faster than light travel works. Not only do you get all this, but you get some awesome information regarding the alien itself.

The book itself is very well made considering it's labelled as a paperback. The cover is a thicker card stock and glossy on the front while the pages are made from a quality paper as well. The book quality is like what you would find on the Star Wars technical books or better. Definitely bigger than those books.

I wish all sci-fi technical books would go into this much detail with their subject matter. This book is pretty much the standard I look for in other technical manuals. If you ever get a chance to find this one and are either a big Alien fan or just a big fan on these types of books I recommend getting it. For some of you even with the high prices (I think the original list price was around $20) you see in auctions and here you might still find this book worth it.

this book provides a great deal of information on the Colonial Marines from "Aliens". all of you potential Aliens video game modders out there must get this book. it has served as an excellent reference book for all my "Aliens versus Predator" modifications. with several illustrations, it also provides the artist with valuable "Aliens" info. even the curious Sci-Fi geek will find this book thoroughly interesting.

I expected this book would contain some cool ads and lots of boring text about advertising. I was pleasantly surprised to find that it is actually full of awesome examples of ads, pretty much from cover to cover.

It also contains a good How To guide to help eliminate 'art directors block', based on methods used by the creators of the ads featured throughout this book.

A very good buy with lots of pages of 'wow'.

When you first lay your hands on this book you will realize this book is something special with its elegant appearance. The book speaks directly to two audiences creatives and professionals on the acct mgt/client side. The author chooses over 20 different styles that an ad can use to effectively communicate.

For example before and after is a technique has been used countless times and requires diverse imagery that dramatizes the benefit to the consumer yet intrigues them to look at ad. This book has 7 full color ads and explanations that demonstrate how to effectively use this technique.

You will find the examples are from across the globe using brands from all verticals. Although you can pick up a lot from reading cover to cover, anyone can enjoy viewing the ads in this book as a critiquing exercise.

Huge book. Lots of tips. Color photos. Interviews with the pros. An overall great guide to team creativity.

This book has become one of my favorite books in my library. Extremely creative ideas and large, colorful photos. I am very pleased to have this book.

Very nice book with lots of pictures for inspiration. However, I would like to know how successful the ads were and how this is measured. A clever ad does not always translate to improved sales.

This book is recommended for all art fans--you don't need to be familiar with the Sandman character to enjoy McKean's gorgeous covers. The commentary is also very interesting, providing a behind-the-scenes look at the thought process behind many of the works. McKean progresses from producing physical pieces of art to digital manipulations as the series progressed, and although some of his initial digital effects are now dated, it's still fascinating to see a modern master at work.

is there any difference between the Watson-Guptill edition and the Vertigo edition? i noticed one says '1989-1996' while the other says '1989-1997', the size also seems to be differnt, althogh the page numbers are both 208. what i want to know is, is there any difference as far as the artworks go inside? and if so, which is the better one? (one's also more price than the other, it seems).

I bought this book as a gift for a Friend, I was familiar with McKeans art from the comics and she had recently gotten into his work... So i thought it'd make a good gift.

It was a great gift! I looked through the book thoroughly myself and was amazed at not just the artwork but the presentation of it throughout. McKean and Neil Gaiman's Commentry and Notes throughout are both Fascinating and sometimes hilarious. (Ah the Fish...)

I'm gonna pick up a copy for myself, as this really is an Amazing book... ArtFans or ComicFans alike will appreciate just how Beautiful Mckeans Art is.

I don't know why I haven't gotten around to reviewing this collection of work before, but it is amazing! As the title suggests, it is the collected covers of the Sandman comic book series that ran from 1989-1996. There are no Sandman stories in here, just the collected covers of all the issues and some commentary on the covers and The Sandman series by Neil Gaiman himself.

"Just." I love this book. It's "Art" with a capital "A." So many different styles, forms, and moods. It's beauty and magic captured on paper. It calls to mind art as diverse Edward Gorey, Salvadore Dali, the movies of Tim Burtn, and on one startling cover even H.R. Geiger (in a non-Aliens way).

The introduction is very nice too.

I recommend this for any fan of the Sandman series.

When I had collected the original Sandman issues, I was always intrigued by the cover art as well as the story and illustrations inside. Sometimes, I would find myself staring at the covers for minutes before reading the actual story. This was the only time I had ever really done that. And now you can own this book full of those intricate, detailed, and amazing art pieces, along with commentary by McKean and Gaiman.

And there's a Sandman story that I have never read before! If you're a Sandman fan, buy this book.

This is a lovely version of the classic Rumpelstiltskin. I enjoyed reading it with my third graders. The illustrations are beautiful and spark the imagination. A good story demonstrates struggle and challenges the students to compare present day expectations with the past.

The pictures in this book are very nice. My 5-year old loves to hear it as a story before going to sleep. The ending of the story is also suitable for this age, since Rumpelstiltskin ends up flying out the window, instead of something more tragic happening to him.

I wanted a classic children's fairy tale story with handsome illustrations. I got just what I wanted with this book. I have a 3 1/2 year old and it is the perfect length for bedtime.

I read the book Rumpelstiltskin. It is about a poor miller's daughter who is very kind. One day the miller sees the king and says, "My daughter can spin straw into gold" The king said" get her over her right away" So when she got there the king said" if you don't spin this straw into gold by tomorrow you will die" So the miller's daughter cried and cried until a strange person comes in and says" I will spin this straw into gold for you. But you need to give me something". So she does and the next day she goes to another room and he comes again. She gives him something again. Then the next day she goes to a bigger room and he comes back and says, "you will give me your first born baby So the next day she gets married to the king. She has a baby so the man comes back and she says" if I don't find out your name in three days you can take my baby. So she sends out a servant to find out the mans name. So the servant finds out his name it is Rumpelstiltskin. Then he comes and she says" is your name Rumpelstiltskin. Then he was never heard from again.

I liked the book because it had bright detailed illustrations. I liked the picture of the king and the miller. The message is don't trust strangers because she talks to him. The theme is karma because he tricks her and then she tricks him. There is good vs. evil because Rumpelstiltskin is bad and she is good. I know this because he tricks people. The conflict of person vs. person is interesting because she is ahead and then he is. It keeps going back and froth. I think kids should read this because it will teach them to not trust strangers. There are no more versions of this story that I have read.

I READ RUMPELSTILSKIN BY PAUL O. ZELINGSKY.
THERE ARE THREE CHARACTERS ONE IS THE KING ANOTHER IS RUMPELSTILSKIN AND THE LAST ONE IS THE MILLERS DAUGHTER. THE MILLER SAID TO THE KING MY DAGHTER CAN TURN STRAW INTO GOLD.
I DID LIKE THE BOOK BECAUSE OF THE ILLUSTRATIONS. I LIKED THE ILLLUSTRATIONS BECAUSE HOW THEY MADE STRAW INTO GOLD IT WAS COOL. THE CHARACTERS WERE NOT GOOD BECAUSE THE KING THREATENED THE MILLERS DAUGHTER AND RUMPELSKILSKIN SAID I WILL SPIN STRAW INTO GOLD IF YOU GIVE ME SOMETHING. THE CONFLICT IS PERSON VS PERSON BECAUSE RUMPELSTILSKIN TRICKS THE MILLERS DAUGHTER. THERE ARE NOT ANYMORE VERSIONS OF RUMPELSTILSKIN,
THE BOOK WAS EASY FOR ME. IT COULD EVEN BE FOR MORE THAN THIRD GRADERS. THE THEME IS DON'T TELL LIES BECAUSE THEY CAN CATCH UP WITH YOU. PEOPLE SHOULD READ THIS BOOK SO THEY WILL KNOW HOW HARD IT WAS BACK THEN.

Wonder Woman: The Complete History is a delightful book for fans of the character, even if you only know her from the old TV show. The background of her creation by a clinical psychologist was very enlightening.

The illustrations throughout are excellent and all in all, it's terrific book, exceptionally well written by Les Daniels.

I have always enjoyed Les Daniels and his carefully researched books of comics history, but everyone has a blind spot. Wonder Woman is obviously his. This book, beautifully designed as it is, fails to capture what has made Wonder Woman such an enduring character and icon. It's clear on almost every page, Daniels is unimpressed by her. It's fine if he doesn't like her -- no one character can be everyone's favorite -- but it does make for a frustrating read at times when one wishes to celebrate Wonder Woman's unique place in comics history. His fascination with her creator is evident to the point that it seems clear Daniels would much rather write about Marston than Diana. His heavy emphasis on the bondage subtext of the Golden Age incarnation undercuts the more postive surface elements of those stories. Indeed, he sneers at Gloria Steinem's endorsement of those early years, casting great disbelief that there could be anything of substance taken from them.

Also, as another reviewer points out, Daniels gives short shrift to George Perez's post-Crisis revamp. Widely acknowledged by fans as the high point of her modern career, it's strange to see Daniels blandly note the support Perez got from female collegues in overhauling Wonder Woman's character and deride it by calling the later issues akin to ADVENTURES OF MENOPAUSAL MOM (I'm paraphrasing but only slightly). Daniels here suffers from the same fanboy syndrome that infuses the industry these days -- the idea that if HE doesn't appreciate it, it must be terrible. Meanwhile, Mike Deodato's art is viewed favorably, despite that being universely considered a lower point in the post-Crisis stories.

At the end of the book, it really seems as if Daniels only reluctantly churned it out because of a contractual obligation. His Superman and Batman books are excellent and filled with total respect for the characters and their appeal. If only he could've retained enough objectivity for the Wonder Woman assignment. Despite it all, it is a beautiful book and the history is thorough and still fascinating if somewhat subjective. Good for historical nuts, not so good for WW fans.

Not only do you get hte nostalgic book with the history of this heroine, you get the figurine that you can display and become the envy of all your friends! The statue is of classic Wonder Woman, the one from the 50's. She's still wearing the skirt.

This is truly rare. It's fantastic for all collectors and a MUST-HAVE for all die-hard fans!

First off, loved the book. It was nice to read the comments from Lynda Carter and see the multitude of changes that WW has gone through. But I did notice two things, the actress that played Wonder Woman's mother in that tiny demo in the 60's was named Maudie Pricket and the photo of Ms. Carter's costume says it is from the first season and it's not, it's from the CBS years as are the bracelets and tiara on the following page. I know Ms. Carter preferred the CBS years updated costume but the original on worn while fighting Nazis in the more humorous years will always be my absolute favorite! Thanx...

Les Daniels' Wonder Woman: The Complete History is the third book in a 3-volume series (the first two addressed Superman and Batman). While not without its flaws, it's overall a well-researched and enjoyable treatment of the character.

Wonder Woman first appeared in 1941, the brainchild of Dr. William Moulton Marston (writing under the pen name Charles Moulton), by any standard a bit of a weirdo who's remembered today for two things: (1) he invented the polygraph, (2) Wonder Woman, of course.

I could pick a few nits with Daniels' text. In places he does reveal an ignorance on certain topics. For instance, when speaking of Marston's World War I U.S. Army service, he states Marston "rose to the rank of second lieutenant." False. No officer (and I can't imagine someone of Marston's high educational level ever being an enlisted man) "rises" to Second Lieutenant because that's the absolute lowest officer rank.

Daniels is extremely opinionated. How much space is allocated to any of Wonder Woman's creative teams over the decades is very much controlled by how much Daniels likes their work. Obviously the Marston stories, with artwork by Harry G. Peters, are his favorites thus receive the most attention, though he devotes surprising time and positive comment to the generally despised stories written by Robert Kanigher. This is fine. Half the fun of a book like this is getting the writer's likes and dislikes on the character and her creators. Where I part company with Daniels is his low opinion of the George Perez stories of the mid-1980s thru early '90s. Daniels devotes an entire chapter to Kanigher's creation of such fascinating (hah!) characters as Glop (a "shapeless mass of grinning goo from outer space [which] absorbed everything in its path including 100 rock 'n' roll records"), Wonder Tot ("Mommy be proud to see me now!"), and Egg Fu (a Chinese Communist agent inexplicably shaped like an egg the size of a house, who used his mustaches as weapons and had a Charlie Chan speech pattern). After that, it was more than a little disappointing to have the Perez stories, considered by many Wonder Woman fans including myself the character's finest hour (especially the stories on which Perez did the artwork in addition to scripting) dealt with in a mere seven text pages, much of that explaining how they weren't really all that hot.

The only truly major flaw in this book involves its layout. These days, book publishers are terrified of the Internet. And well they should be. However, instead of focusing their efforts on what books do better that the 'net - provide one, continuous, uninterrupted stream of information - publishers' response has been to make their book pages look as much as possible like web pages. Lots of bright colors, lots of sidebars. I hate sidebars. I don't appreciate having to flip back and forth between pages, sometimes reading blocks of text in four or five different locations, to get all the info. More to the point in this particular book, choice of color on some of the sidebars is extremely poor, so much so it's difficult to read the text. Black lettering against a dark blue or dark red background just doesn't make it.

With those few negatives out of the way, this book is a delight. It's all here: a biography of Marston, on to the creation of Wonder Woman, all the creative teams of note and their storylines up til this book's publication date (2000), the Cathy Lee Crosby made-for-television movie, the Lynda Carter TV show, Wonder Woman merchandise, her appearance on the cover of Ms. magazine's first issue, etc. This book is a must-have for fans of one of the 20th/21st Century's most fascinating fictional creations.

This book was extremely helpful to me. I never gave much thought to the healing ministry, mainly because it all seemed so foreign and so over-the-top. I thought all faith healers were a bunch of kooks and that miraculous healings were few and far between. It's sad that I thought all of that because I am a Christian and I grew up in a Christian home. Then I started dating this guy who felt called into the healing ministry. I was really troubled by this (and so was my family). So I started doing research. I didn't want to just bail out on anything if the healing ministry is valid, if it's real and it's of God. I came across this book and it explained it all for me. If you have doubts about the healing ministry, or you just need some more information... Read this book. It's amazing. There are some things in it than I have doubts about, but those are just small issues; trivial things that probably aren't that important. I like this book because Dr MacNutt isn't some radical, holy-rolling, throw-the-spirit-at-all-people kind of person. He is down to earth and he lays out the facts like they are. He doesn't claim to know the mysteries behind healing and even confesses that he, in no way, has all the answers. But this guy is experienced and it is well worth your time to read this book.

I believe that every Christian should read this book. It explains God's healing power in a very understandable and down to earth manner.

This is a very informative and helpful book. I recommend it for anyone striving for an understanding of hands-on healing. The book is written for any Christian, Catholic or Protestant, not just clergy.

This book has become the model I use for the healing ministry I lead.
Practical & Spirit led.

MacNutt has compiled the definitive work in Christian healing. Any church with or without a healing ministry would profit from a study of this book

Part one walks us through the usually explanations and rationale that a lot of people need as preparation for healing if they've grown up in naturalistic, materialistic educational systems. We need to be reminded of the plausibility that the transcendent God we believe in really does transcend. The only thing I might have found interesting that isn't included here would be a brief background of the philosophical foundations of modernity and rationalism, although it might not have been appropriate for MacNutt's intended audience.

Part two is an essential reminder of the necessity of faith and loving when it comes to healing. The book strikes a good balance between the theological, the practical, and the exhortative.


Part three is perhaps the most useful part of the work. It divides healing into four categories: forgiveness, emotional healing, physical healing, and exorcism. It gives careful analysis of each situation and practical approaches to prayer. I appreciate that when he comes to exorcism, he is neither dramatic nor shy.

Part four is a bit of a mishmash of last details. He gives twelve reasons why people may not be healed, talks about the presence of healing in the (seven) sacraments, and gives due consideration to the importance of secular medical care in addition to prayer.

Having watched a healing ministry be established and flourish at a church, I now wish retrospectively that this was the foundational text. Pragmatically, it is at least the notes on the growth of a healing ministry in a well-written, complete, and balanced form.