Illustration Books

I agree with every word written in the previous reviews: this is a stunning work and one of my most prized possessions, ranging across manuscript illumination from the very earliest known through early to late Middle Ages and Renaissance, and geographically also ranging much more widely (i.e. outside Europe) than any work I've come across.

I paid £37 for it in the UK when it first came out ($75), and still thought it was an absolute bargain. So I am mystified why it is suddenly available (October 2007) at a fraction of the price: this must be being sold at a loss - or are Taschen simply offloading all unsold copies to Amazon? It might be worth Amazon specifying if this indeed the same as the original edition. You'll note that the cover picture is slighlty different from the one you get when you follow the link to the more expensive 'other editions' (even if the text content and reviews are identical).

This book is worth every penny! It has fantastic HUGE pictures full of great detail. As an artist who specialises in ancient illuminated manuscripts, I value this book above all others in my personal library. So many great manuscripts are represented here. Truely high art!

"Masterpieces of Illumination: The World's Most Beautiful Illuminated Manuscripts from 400 to 1600" is essentially a reprint of "Codices illustres: The World's Most Famous Illuminated Manuscripts 400 to 1600." The former is one of many 25th anniversary Taschen editions, and bears the series logo on its dust-jacket and bright green cover (rather than the classier illumination of the Limburg Brother's Anatomical Man that adorns the cover of the latter). "Masterpieces" is also slightly smaller (9 ¾" x 12 ½") than the original (10 ¼" x 13 ¼"). There are a few other slight differences between the two editions: different endpapers; white paper for the appendix in "Masterpieces," ivory in "Codices"; and slightly darker illustrations in Masterpieces (only noticeable if you actually compare the editions side by side). Otherwise the two editions are virtually identical.
This is a truly wonderful book. It contains discussions and representative illuminations from 167 of the most famous and influential extant codices, books of hours, psalters, Bibles and histories from Europe and Asia (23 or the 167 are from Persia, turkey and India) during the 1200 years in which manuscript illumination flourished as an art form (and at the end of the text proper are samples from yet another 29 manuscripts). The full-color and often full-page illustrations are beautifully and accurately rendered, and the accompanying descriptions are both authoritative and unusually informative. The appendix contains artist biographies, along with a comprehensive bibliography, glossary, and index. In short, this is more than just a coffee-table book; in fact, I use it in my university course on manuscript illumination (along with Christopher De Hamel's excellent "A History of Illuminated Manuscripts," which forms the perfect companion piece to this volume.).
At the current retail price ($29.95) this book is an absolute steal. If you only get one book on the subject of manuscript illumination, this should be the one!

This book deserves a seven stars score, as it is magnificent in every sense: Paper, Colour palette reproduction, basic and reliable information accompanying every depicted facsimil, and specially because of the scope of the compendium, involving manuscript examples from arabic countries as well as a XIII century mexican manuscript (The Borgia Codex currently held at the Biblioteca Vaticana) This collection shows (as rarely done by supossedly comprehensive treatises) that Mesoamerican, Chinese and Arabic cultures do also possess a very rich medieval heritage, characterised by a colourful tradition in art production. I strongly recommend this book for anyone interested in Medieval illumination, as well as for those modern illuminators concerned with applying only authentic medieval colours (mostly inorganic compounds) in their manuscript reproductions and finally, this book serves also as a comprehensive guide for visiting great libraries and museums all around the world where some of these manuscripts are exhibited (Do not forget to visit the Condé Museum and The Marmottan-Monet Museum in France).

Illumination has fascinated me since I was a boy. This is the best book I have seen of illuminations. The scope includes books in Greek, Latin, Old Church Slavonic, Persian, and Mayan. The printing is superb. Detailed descriptions tell who did the work, who patronized it, who owned the book, where it is now, and so forth. Great for browsing for enjoyment and as a source of inspiration. I expect this book to be a favorite for many years to come. Anybody who enjoys calligraphy and illumination would be delighted to own this book.

Again, this is from the person who is collecting books for her future (Gd-willing) children. This is beautifully illustrated by one of my favorite artists and it is another good contender for a bedtime story.

Wonderful book. I found it in the library and decided I needed to own a copy. I use it to read from in my writing workshops on finding the mysteries and depths of life. The words and illustrations are as perfectly coupled as Psyche and Cupid themselves, offering the great beauty of mystery, love and the inward journey.

Not many modern children's books have the beauty of traditional mythology or folklore, either in text or illustrations. This particular book is a refreshing change in the modern market. As an artist and writer, I find this work inspiring, and highly recommend it to anyone interested in the fantasy genre, or fairy tales and mythology. Classic tales should be introduced to new generations, and this type of book is perfect for that purpose.

I am an artist and collector of beautifully illustrated books. Not only is this book exquisite in its illustrations, it also gives a child a very comprehensive understanding of the mythological tale of Cupid and Psyche. I definitely recommend to anyone as a must.

Being a mother of two children...I buy lots of children's books. But also being an artist, I gravitate toward beautifully illustrated books. And this is one of the most beautifully illustrated books that i have ever come across. And because of this, I plan to track down other books with the same illustrator, Kinuko Craft. I love mythology and the story of Cupid and Psyche is one of my favorites. M. Charlotte Craft and Kinuko Craft deserve high praise for there superb work of Cupid and Psyche! Buy this book!!

This was the ideal book for me! Thanks to this book, I can draw better than I ever imagined possible!

Ames' provides good, clear instructions. Beagles, basenjis, bulldogs and Germans shepherds are fun to draw. Any dog with a curly tail is fun to draw. Readers are also treated to a brief history of each breed on the bottom of each page.

Now, I wish there was a book (or maybe there is and I just don't know about them) of drawing classic cars. How to draw a 1964 Ford Falcon - how cool is that!

I must admit that for me it takes a bit of work to draw realistic and 3 dimensional pictures. But using the 'Draw 50' books are so very, very easy to use! Lee J. Ames's drawing method is simple with the step-by-step instructions which are easy to follow. For kids 9 and older, "Draw 50 Dogs" by Lee J. Ames is great for drawing in your scrapbook, onto your notebooks, on cards, etc.

As the title says, this book includes instructions to draw 50 dogs; all of the 50 are different breeds and types. For me I love the portraits though I also love to draw dogs running or posing. My favorite pictures to draw are most probably the 'Irish Wolfhound', 'Cairn Terrier', 'German Shepherd Dog', 'Cocker Spaniel', and 'English Setter'. The book has another nice touch which is at the bottom of each drawing, there is some information on that dog including a brief history of the breed, average weight and height of the dog, and coat and color of the dog. Extremely helpful especially if you are thinking of coloring your drawing afterwards or would like to know how big to draw the dog when putting it in a background. My only complaint that there isn't a picture of a papillon to draw which I would like to (the reason? I have a papillon for a pet!).

Of course all of the "Draw 50" series are great, be sure to check them all out! The books I want are "Draw 50 Athletes", "Draw 50 Cats", "Draw 50 Cars, Trucks, and Motorcycles", and "Draw 50 Famous Faces".

I bought this book hoping there would be a picture of a weim or a similar breed. I got lucky, there is a weim! It does look incredibly easy to follow, but I know what dog lovers want to know: is MY breed in there? so here's a list:

The book is divided into "groups". The Hound group has Afghan, Basenji (sitting), Basset, Beagle, Black & Tan, Bloodhound (sitting), Borzoi, Dachshund (smooth), Greyhound (running), Irish Wolfhound (running). The Terrier group has Airedale, Bedlington, Bull Terrier, Cairn, Dandie Dinmont, Wire Fox, Kerry Blue, Scottish, Sealyham & a Westie (sitting). The Working group is actually the CKC working & herding combined, and has Malamute, Boxer (running), Rough Collie (running), Doberman (play bow), GSD (head shot), Great Dane, Mastiff, OES, Corgi (Pembroke), St. Bernard (lying down), Samoyed, Sheltie, Standard Schnauzer. The Sporting has Cocker (looks like American, is "sitting pretty"), English Setter (head shot), Golden Retriever, Irish Setter, Pointer, Weim. The Irish, Pointer & Weim are on point. The Non-sporting includes the Toy breeds: Bichon, Boster Terrier, Bulldog, Chow, Dalmatian (sitting), Lhasa Apso, Standard Poodle (continental cut I think), Chihuahua, Pomeranian, Pug, Yorkie. All the breeds which can have cropped or natural ears have cropped ears in these drawings.

I agree with the other reviews,this is a great book in the series. If you have an interest in drawing or know someone who does,you'll find these books to be very useful. My daughter had brought some home from the library & asked for me to buy them.They go step by step with you,in no time you'll have a wonderful picture!

This wonderful step-by-step drawing book has great illustrations like the Yorkshire terrier(My favourite). Lee J. Ames, author, is very kind as I had e-mailed him many times. Hope you like this book too...

I haven't actually used the book yet but it looks like it will be good for me. There seem to be many horses I would like to draw and they are detailed enough that I think they will be helpful in teaching me the finer details I need to draw horses well.

My daughter loves to draw and loves horses. She has never been able to get them right. The first day the book came in she drew the body of the horse unbelievably well. Just by following the guidelines in two of the pages. Of course the legs need some work but there's lots of help within the book for that. A real keeper!

This book is a perfect guide for learning to draw horses. Sam Savitt's artwork is excellent, and he captures horses in a amazing way. Great book for anyone who loves drawing!

I familar to Sam Savitt; I say he best Artist who can trully capture the horse at their best form. I suggest this book to any person who studing horse to artist form to motion the horse. This is a must for any Equine lovers' collection.

This book is so amazing, The first day that I had it I was drawing horses better than I ever thought I could! If you are interested in horses, conformation, breeds, and drawing, this is the perfect book! It gives you page by page instructions and examples, plus sketching from photographs. If you have any doubts about this book, don't worry, it's great!

This is one of the better art books I have found up to date. It does give some instruction on painting and drawing but I feel is meant more for an advance student of fantasy art than a beginner. Some one with some art experience will find it very helpful in many areas. It is definitely one of my favorite additions to my own reference library.

This book was helpful for determining things like color choices for skin tones, and was inspirational for trees, and different creatures. Their choices of finished artist's works were neat. However, this book did not give much information for techniques in acrylics, which is what I work in. For people who need help drawing fantasy characters, and fleshing them out, this book is great, but I do this naturally, so it wasn't a really big help for me.

This is a light-hearted, profusely illustrated book on the making of fantasy art, with a nice gallery of other artist's works in the back.
It is, though, not necessarily a book for present illustrators looking to get into the fantasy market; it is really more for a young person just starting out. Artists who are further along with fundamental skills in drawing and painting would benefit more from John Howe Fantasy Art Workshop, a more in-depth and less elementary approach. But for lovers of fantasy art, either book is a pleasure to see.

I found this book, and a few others like it to be absolutely indespensable when it comes to building a library for the functional artist within this genre. Well written, informative, and lavishly illustrated with how to's as well as finished peices meant to inspire the aspiring and the pros alike. Recommended.
John F Willis

Gary Lippincott is one of the best illustrators of our time. His attention to detail using watercolor cannot be matched. This book is a journey into the world of fantasy art with Lippincott as your personal guide. A must for any would-be artist needing a boost with the know-how. Very visual with tons of illustrations that carry you from drawing through to the final coloring. Inspiring for all ages and levels.

This volume is easily the most complete and well organized collection of Alchemical images ever published. The author begins with an incredibly insightful explanation and history of both the origin and meaning of hieroglyphics, and concisely explicates how these engravings are a natural intellectual evolution of the original Egyptian concept of pictorial language, one much more adept for conveying immense knowledge than written verse. And he does not rely solely on his own voice for this: crucial passages from the most relevant philosophers and scholars throughout history punctuate his discourse frequently to give the reader the most thorough explanation possible. He then trails into a brief history of how these collections first became available from a few dedicated publishers until they blossomed into a popular Hermetic movement, one that was responsible for the majority of the images contained within this book. Curiously, he ends his introduction with an incredibly cryptic passage on the Quest for the Philosopherýs Stone, rife with innuendo and subtle symbolism, an allusion which I am not fortunate enough to decipher.

The images themselves are presented chronologically, showing the original Latin, German, etc., prefaces with English translations immediately below. A short biography of both the author and circumstances surrounding the publication of their respective work is also listed faithfully, followed by the plates themselves in consecutive original order. At least a paragraph explaining the most obvious of the plateýs symbolism provided in the form of footnotes is given as well. There is no detail that escapes the authorýs eye, and he specifically tells how they relate to Alchemical process, once again adding commentary from other learned minds where relevant. It is obvious that this was an intense labor on Mr. DeRolaýs part, a product of many years spent honing an incredible grasp of the craft which he has so competently brought to us.

What is also obvious from the authorýs elusive admission is that Alchemy is not solely a process for the transmutation of metals so much as it is a purification of oneýs soul. This book is not an end all definitive manual for such things. Despite the authorýs profound understanding of this philosophy, he does not eagerly impart unto us the deeper meaning of alchemy. He remains quite prudent, but not selfish; within the text he gives many clues about how to penetrate the surface of this transcendentalism. Youýll find many references such as ýOne would be wise to pay close attention to this part of the frameý, or ýThe learned man should look past the obvious theme of this symbolý. In essence, this work will provide the most comprehensive reference of Alchemical engravings available short of an expensive trip to Europeýs most hallowed libraries. On a deeper level, Mr. DeRola lends a wise hand that may guide the more intuitive mind past tired folklore and into the realm that the most proficient Hermetic intellects strove to inhabit. An indispensable work, invaluably resourceful and seamlessly crafted.

As outside, so within, one might say. The construction of the book itself is sturdy and handsome, and no doubt able to deal with the occasional spilled alembic. Me, I got some coffee on it. It still looks good. Excellent qualifications for home-library fare.

But the *contents*. Good heavens. I was expecting page after page of illustrations with small-text captions. I bought it with an eye toward obscure imagery; I got it, but as an unexpected bonus there is a *wealth* of material explaining what it all means, and the sources, and the authors in whose works it appeared originally, and relevant snippets therefrom. Glorious! In addition to the images (and there are a great many, scrupulously reproduced and diverse, never fear) there is supplemental text on the history of the imagery and--among other things--why the 'hieroglyphics' of alchemy had such appeal to for alchemists and for the world of these illustrations' time. There are woodcuts, ink drawings, engravings and a few other media for the plates themselves. All look clear, or at least true to the original artist's shortcomings. Kings, queens, lions, baths, ovens, snakes, eggs, phoenixes and the like abound. That's not all, certainly: be assured that there are also rarer devices included. If I had it on my lap at the moment, I could blow the rest of my available space here with them. You will be satisfied with the breadth of the material, I'm certain.

It's *such* a good book to have. It stimulates both eyes and brain. Artists will draw inspiration from it, and the more scholarly folks will find it a gracious and sage read. I got it both ways. Lucky me.

This book is basicly the biography of many alchemist's from that period. Each alchemist featured starts with a brief bio of him and then the images of his engravings. After that is translations of the latin on the engravins and an inerpretation.

However, I must warn you that the translations from latin are very simple, they will say 'cook' when the word means 'cook by boiling down'. It is best to check any translations you wish to rely on. As for the authors interpretation's, that is strictly a matter of opinion.

This book is a true treasure for those who are working with alchemical emblems. Yes, there are not many explanations of the emblems, but then again the purpose of working with the alchemical emblems is to stimulate the emergence of the information coming from one's deeper wisdom, which is facilitated by contemplating and meditating upon the emblems.

Adam McLean has a number of courses which can assist those who don't know how to start working with emblems. They are excellent.

If you are interested in alchemical iconography this book will not disappoint. Ninety-nine percent of the book contains reproductions of engravings from alchemical works published in the 17th century. Also they are not the teeny-tiny pictures you find in a lot of other books on the subject.

The softcover edition (Thames & Hudson) is printed in Slovenia on glossy paper. The hardcover editions (Thames & Hudson/George Braziller) are both printed in the German Democratic Republic on what appears to be acid-free cream-colored paper.

The reproductions look slightly better in the softcover edition printed in Slovenia. Perhaps because the glossy paper provides a higher contrast. Or it could be that it was just printed better. (I think the German Democratic Republic in 1988 could have been the former East Germany.)

The George Braziller hardcover just slightly edges out the Thames & Hudson hardcover. Although some people might say the quality of the reproductions look the same.

None of the reproductions (which are probably photolithography) can compare to the original metal plates. Just look at the detail in any 100 to 200 year old book and you will see what I'm talking about.

Be that as it may I highly recommend this book. This is an important compilation of Alchemical art. Normally you would have to purchase many books to acquire what is contained in this one. Buy it before its gone; before you have to purchase a beat-up used copy, or an expensive out-of-print hardcover.

My son received this book as a birthday present when he was five years old. He was fascinated by the story and beautiful pictures. Since we live in the wine country, and watch the "grapes grow sweet" in real life, it was wonderful to have such a wonderful book to read. Now that he is eleven, he reads it to my grandson who is equally enchanted, and asks us to read it each time he visits.

As a resident of northern California I enjoy reading "The Grapes Grow Sweet" to my daughter, which describes a fall grape harvest from the perspective of a young boy growing up in a family vineyard. I am also a school teacher and use the book in my classroom. Many of my students have family members who are farm workers so they have background knowledge of life in a vineyard and can relate to the story being told. We spend a few days in my class each fall completing an integrated thematic unit that includes reading, descriptive writing and art. We finish the unit by bringing in different foods made with grapes that we can eat in class. Typically we have grape juice, grape jelly, raisins, grapes, etc. It is easily adaptable to the state standards and has amazing water color art that inspires the children to create their own works of art! The text offers descriptive writing samples to students by describing the pale green leaves, rattling, roaring tractor, shiny bunch of grapes, bouncing jackrabbit and sunbathing lizard. I look forward to fall each year and the opportunity to read "The Grapes Grow Sweet" with a new group of students.

"The Grapes Grow Sweet" is well-summarized in the other reviews, so I won't go into that. My four-year old and I really enjoyed this book he received as a present. The pictures are copy an Impressionist-era style (nice for adults) but have a lot going on in them, from the bees that constantly hover over the sweet grapes to the grape pickers rushing to fill the gondolas. I love the fact that the author doesn't talk down to her audience, she talks about gondolas instead of "big trucks" and grape cutting knives instead of "cutters." Every character has a different voice, and the aspects of family life, community pride, migrant farming, and the life of a four-year old are all highlighted without the author shoving it in your face.

I highly recommend this book to children 4-8 and their parents.

Lynne Tuft is a fabulous artist. I think she should win an Emmy award for the best artwork of the year!!The story hooks you from the start, and she gives you such description that you can practically taste the grapes in your mouth and feel the summer heat and the years that Julian has waited to work in the fields! I would recommend this book to everyone because of the wonderful story as well as the incredible art.

This narrative proves that us kids and our parents are safe around wine despite what others may think! Lynne teaches us about the way it is when the grapes, which are made into wine, jelly, or jam, remember this book and all the hard work, long years, and effort put into it. If you read this book, I can guarantee many readings of pure enjoyment!! Estelle Wagner, Age 10, grade 6

I bought this book not knowing anything about it for my nephew who lives in a large city so he could have a book about what I do out in the country. I was VERY pleasantly surprised by just how nice a book it is. The story is great and the pictures are wonderful. It now tops my list for baby/childrens presents.

This book collects their calendar and other advertising work. I was a little diappointed with this book because it contains some paintings from other books, instead of artwork we haven't seen in print before. The title is a little misleading. Overall, a good book and worth the price.

I had purchased the 2007 calendar and loved the artwork. This got my curiosity going as to how they started doing this type of artwork - which is fabulous. So I ordered their book to find out their story. Facinating read and just awesome artwork!

We have all their books and truly this one is another true work of art and expression of good art in this world of ours.

This collection proves, as if it needed proving, that Vallejo and Bell consistently provide the finest fantasy art around, both individually and as a team. Samples in this collection include book covers, where many readers will first have seen their work ("Oh, that's who did that cool cover!"). It also includes samples of their calendar art, advertising commissions, and other works that accumulated as they chased their muse.

I know there are negative attitudes about "mere" commercial art, and even reticence to call it art. If you define art (or Art) as whatever doesn't get wide recognition, then we'll disagree. I have no qualms about the morality of keeping beans on the table, and I'd like to think that at least some advertisers have realized the value of appealing to our visual intelligence. Although the purpose of each commission is clear, B&J bring their full range of skills to bear on every piece they deliver. Their wit, composition, and craftmanship meet the same standard in every work, whether for sneakers or pure inspiration.

I could go on at length about how great their work is, and almost did. Instead, I invite you to see these wonderful works for yourself. The majority of the book presents their oil paintings, with a few pages of commentary at the start of each section. In among those, you'll find preliminary sketches, book covers as the publisher finally showed them, and comic book pages. There are also a few atypical works, SF themes with no living being in sight - even though B&J are best known for their mastery of the human animal (among others), they do a great job with the hardware and landscape, too. Suspending disbelief isn't the problem in viewing these works. Instead, the problem might lie in getting past the belief in each painting's inner logic. It's not normally in my orbit, but I'll be looking for the tarot deck hinted at in this work - it might even motivate me to figure out what all those arcana are about.

-- wiredweird

I believe the Imaginistix book is one of Boris Vallejo and Julie Bell's best collection of artworks. If you are considering buying the art books of Boris Vallejo and Julie Bell -- whom I consider to be the best fantasy artists in the world -- I recommend buying this one and the "Boris Vallejo and Julie Bell: The Ultimate Guide". This book features uncluttered full-page images of their artwork. It contains personal accounts of their early career which I believe is a must-read for every person who admires their work and those who have yet to discover their greatness. Boris Vallejo's accounts of his early career as a commercial illustrator and his migration to America is a fantastic read, as it delves into his journey into how he became one of the best artists in the world. Julie Bell's love for painting all creatures great and small is evident in the paintings, and her talent for painting portraits is second to none. I definitely recommend buying this book. Reviewed by Harrison Chua. www.harrisonchua.biz

I recommend that any fan of William Blake buy this volume and the other 5 in the series. The books are beautiful, large, and handsomely bound. Each book is reproduced in full color, using a six-color printing process rather than the standard four. The pages are heavy, opaque and have a gorgous lustre indicating very high quality paper. The text of each book accompanies the color reproductions in standard typeface with very competent commentary to boot.

This is one of the most truly incredible books I have ever read. Every page is gorgeous.

It is a "modern" retelling of Revelations through the eyes of Blake using characters and a world essentially created by Blake himself. For instance, the Holy Land is now England.

You'll want to study the accompanying notes for each plate. For as you're reading the story, you're also researching how it came about, why certain characters act the way they do, and what the images on each plate represent. I was wondering why it was taking so long to complete the book, then i realized I was taking 5-10 minutes per page. First, reading it. Then examining the plate's art. Then reading the text's notes. And finally, reading the author's notes.

The way the book was put together is perfect for modern presentation. I haven't seen any of the older copies of this story, but I can't see how much better they could have done. It has a special spot on my bookshelf, unparalleled.

I am drawn to this work. When the British Museum at Yale held a special Blake exhibition my family and I were lucky enough to attend and see all 100 plates of this book on display. They were breathtaking. This edition is a very fine reproduction and deserves the highest praise. It isn't the real thing, but amazingly close for the price. It is so good that it rewards study with a magnifying glass. Obviously, the real gold Blake put into the original (at what must have been staggering expense for a man that was so poor there were times he couldn't afford food) doesn't duplicate its brilliant sheen, but this is pretty good.

Not only are there the 100 plates of copy E (the one in the Mellon collection in the British Museum at Yale), there are some sample plates from other version and all of the text in printed form with commentary.

This is an incredible work that is bewildering in scope in a joy to lose yourself in. Extremely recommended if you love Blake at all.

Jerusalem is Blake's monumental final work, 100 densely filled large plates/pages. It also seems the most Blakean (it begins with a friendly address to the reader that has had all the friendly words gouged out); not surprisingly, Blake produced only one color copy (reproduced here), which he never sold. The book overwehlms, presenting essentially all of Blake's very complicated questions about authenticity and creation through particularly abstract mythology. It is therefore a good idea to have some experience with Blake's earlier books before attempting J. The text does not exist without Blake's awesome illustrations/illuminations. While this edition is excellent, I give it only four stars because 1. the transcription of the plates does not occur on opposite pages, but rather in a separate section, and 2. the editorial assistence is scarce, and when present, oblique. These faults are noticable mainly in relation to other outstanding titles in the Blake Trust series (published later), and are hardly fatal. You're unlikely to find a better edition.

I recommend that any fan of William Blake buy this volume and the other 5 in the series. The books are beautiful, large, and handsomely bound. Each book is reproduced in full color, using a six-color printing process rather than the standard four. The pages are heavy, opaque and have a gorgous lustre indicating very high quality paper. The text of each book accompanies the color reproductions in standard typeface with very competent commentary to boot.

The title of this book is somewhat misleading. "Jim Henson's Designs and Doodles" is as much a biography of Henson as a gallery of his artwork. Admittedly, the biographical details focus on Henson's career, rather than his personal life, but the fact still remains that the text still takes up about as much space as the pictures themselves. I think that this is something that people should be aware of if they are thinking of purchasing this book. I, for one, was hoping to see more of Henson's artwork, and was somewhat disappointed at the sparseness of it. Nevertheless, this is still a worthwhile book.
This is the first (and only, as far as I am aware) book to contain Henson's early sketches and artwork, and any fan of the Muppets is likely to find this fascinating. It is possible, through these pictures, to see how many of the Muppets have evolved. For example, in Henson's original sketches, Oscar the Grouch was purple with a long, skinny neck, a far cry from the green monster who now appears on "Sesame Street". Furthermore, in spite of the fact that I wish there was less text and more pictures, I did find the text to be of interest when I finally sat down and read it.

Hopefully, there will one day be a second book, featuring more of Henson's artwork. However, until then, this is all that is available and provided that you are aware of the limitations of this book, you shouldn't be too disappointed.

I ordered this book for my daughter who loves Jim Henson & the Muppets as a birthday present, and is a professional puppeteer inspired by Jim Henson. She absolutely loves this book and I highly recommend anything Jim Henson related as he was a pioneer in this area and one of the most creative people on the planet.

This is a must for all you muppet fans!

The wonderful new long awaited book, Jim Henson's Desings and Doodles is almost a museum on paper. It shows Jim's best artwork, from storyboards, to puppet desingns, even a very early Kermit sketch. The book also features a never before seen look at the never produced special, "Johnny Carson and The Muppet Machine" which was to be a physcedelic trip into the 1960's. The artwork is very detailed, and even has a stone carving of Ed Macmahon! The book also shows some of his early work, including silkscreen images of meloncholy (which was inspired by the death of his brother , Paul) and concert posters and crazy characters who were soon to be Frackles!

One of the best parts of the book is Henson 's early commercial storyboards, which feature the two popular commercial Muppets ,Wilkins and Wontkins, Hansel and Gretel Muppets, and Kermit, The Snerfs and Rowlf (the IDEAL doll ad where Kermit sings the unfamilliar jingle"Oh buy us, oh buy us, oh buy us we beg! If you do not buy us, we'll bite you in the leg!!!) . Early drawings of the La Choy Dragon, and Nutty Bird(Royal Crown soda ads, precursor to Big Bird) are also featured.

The book brings us for the first time many illustrations of show ideas that never made it to the small screen. The Zoocus (The Zoo Circus), The Entertainers, and Martian Landing are all examples shown by illustrations from Jim's fertile imagination. The Zoocus was to be a show full of new Muppets such as Mr. Ripple and Carbourator Jones and had a guest star on each show (Sound like TMS to you?). The show would be a variety but would mostly ,as shown in Henson's drawings,be a talk show with the guest, where the Muppets would lounge behind large alters and other sets. The Entertainer was to be a show about a travelling vaudevillian show where Muppet men (and a can can girl) would sing popular songs at the time. This was also to be a Variety type show. Martian Landing would feature Muppet Koosebaine like creatures that would swap jokes and do skits on another planet. It was to be a Live variety show. It ashame these didn't get aired.

This book has so much I haven't mentioned yet, (I don't want to spoil it!) and it is definetly worth every penny. By far, one of my favs. among a long line of Muppet Books. Enjoy!

I have always been a Jim Henson fan. After all, I grew up with Sesame Street and the Muppet Show. I was always fascinated with the strange and creative creatures that he came up with. This book is a gold mine of his ideas and sketches - some that you will recognize and some that you have probably never seen.

This is sort of an odd book for me to have. I don't collect books based on movies or TV shows. But this one doesn't really fall into that category at all. It's more of an artist's diary and sketchbook. I enjoy just paging through it to look at all of the wonderous things Jim Henson imagined. His work seems to have something "odd" to it that I can somehow connect with and be fascinated by it.

I think anyone who has enjoyed Jim Henson's productions will probably enjoy looking through this book. It's an adventure to page through time after time.

Jim Henson was a man who managed to sum up the whole intire feeling of what it was to be young, and full of energy in his fantastic creations. His work, from Mupets to films such as 'Labyrinth' and 'The Dark Crystal', showed us that he could tap that part of our minds that wanted to let go, and be free to live in our fantasies. This book, unlocks the back door to the mind that created our most cherished characters from the Henson world. It shows us where these characters came from, and also gives us an insight to the man who made it all happen. I found this book to be a real Gem, and an adventure. Just seeing the doodles Jim did as a child, or a teen, and some of his non character based art work, was fascinating. Buy this book If you are a fan of Mr hensons work. It is not the most complete book, as far as his other projects go, and some people may wish that some of his film work had got into the book. But for those that like to get closer to their idols, and want to feel like a close friend looking through his old scrapbooks, get this book. You won't be dissapointed.