Maxfield Parrish Books

A comprehensive survey of the artist's work, it covers not just his paintings, but also his posters, advertising and magazine and book illustration and the murals. Very well illustrated and with a comprehensive text it chronicles the artist's development and his vast array of work.

One of the most interesting chapters is that which explains in detail the methods Parrish employed to achieve his remarkable results. This includes his use of photography and the painstaking glazing techniques he employed.

A very interesting and useful publication; it is not one that sits idly on my book shelf.

The version of this book that I own is from the second printing (1974). What a beautiful book! In some ways Parrish seems to be the dreamy counterpart to Norman Rockwell. An amazing attention to detail and lighting. To reiterate a point raised in other reviews, this book would benefit from more color plates, but that is a minor criticism. While I have not yet purchased any of the other books in print on Maxfield's work...this is a fine place to start. There is a generous sampling of landscapes, product advertisements and magazine covers. Recommended!

Note: I made some immature person angry by giving negative reviews of books written to "prove the Book of Mormon." Rather than answer my criticism, this person automatically gives my reviews negative votes. Oh, well.

Your "helpful" votes are appreciated, and please remember that a short review is not necessarily a bad review if it leads you to a great book.

I love "Daybreak" (see cover) with a nude figure standing above a girl sleeping in a columned pavilion. If you like this painting, then check out different reproductions (the colors vary widely and change the nature and mood of the painting. Really change it.

"Twilight" is another great painting. For me, it is evocative of a great mystery. You want to step into that farm yard and explore the house and barn. No people are shown, but it gives me the feeling that ghosts live there (without being scary--in a dreamy sense).

"Afterglow" is also intreguing, showing a New England church as the stars come out.

The book is full of both color and black-and-white illustrations. I would love to see "Landing of the Brazen Boatman" in color. A robed figure is walking down some stairs of a strange temple while a boatman awaits.

What a gift of imagination Maxfield Parrish left to the world!

Highly recommended.

This book has always been the "essential" Maxfield Parrish reference for me. It contains page after page of information about the artist's incredible personal and professional life. It also goes into great depth detailing the illustrator's perfected (and tedious) technique of creating illustrations. From crafting meticulous miniatures for layout to the final process of layering oil glazes onto the canvas. It's all there.

I would highly recommend this book to Illustrators, art teachers, and overall art enthusiasts who want to expand their knowledge about illustration and a true master of the past. This book has been cited in other publications such as "Step by Step Graphics" for the depth analysis of his technique.

My only small criticism is that I would've liked to seen more color prints within the book. A few too many black and white reproductions of the artwork. That aside, I feel this book is of tremendous value.

I, like you, want to own Daybreak--perhaps more so than any other painting. Sometimes an illustration entertains, perhaps greatly. Some evoke admiration, even gaping admiration. In the case of several Parrish paintings, admiration is merely the aftertaste of a much more powerful emotion: the craving to be in the space the artist has created, to have or to be the characters therein. A desire to truly exit this world and remain in the other. The list of works that affect me in that way starts off like this: It's A Wonderful Life, Oz, Narnia, Harry Potter's magical England, Parrish's Daybreak & Land of Make-Believe & Air Castles et al., Robert Heinlein's Glory Road, ERB's A Princess Of Mars... We read or watch or view them over and over again in an attempt to ease the longing.

This volume satisfied that craving long enough for me to catch my breath.

The illustrators of this era are true artists. It was nice to find this book, which I find impossible to locate in retail stores.

A good quality book with extensive text, excellent illustrations and a description of Parrish's technique in his own words. The number of color illustrations is satisfactory and should not disappoint at the current asking price of $53.55. Parrish's later landscape paintings are reasonably well represented in full page, full color illustrations, and although I would have liked more of them, it is not a significant failing of the book.

I bought this book and I never regret of getting another Parrish art book again. This artbook is excellent with deep details of Parrish's way of study through his paintings. Theories based on his view of perspective and composition, it is something great to read about! However, one little thing I personally find missing is the "Dream Days" series, that is missing from this artbook and should have been included. Otherwise, get the book and you'll fall in love with Parrish blue all over again.

Fabulous retrospective of Maxfield Parrish's finest work. The illustrations are superb. This book is expensive, but worth the money. If you're looking for a price guide, I suggest Erwin Flack's book. -- James Halperin, sf novelist and Parrish fanatic.

This book is excellent! It has one of the best Maxfield Parrish selected works. A lot of prints and images for you to be inspired all over again. It also contains pages of great readings, such as a section about Parrish's perspective theory and theory. It also show close-ups of Parrish's studies. It is a great read! However, the only thing disappoints me is the absence of the "Dream Days" series. Other than that, get it and you won't regret it!

To answer the extremely perseptive reviewer, who seemed to have gotten so much more from this book than any body else besides myself...yes, Eugene Field had a son who died. He wrote a poem about it too, and it is called "Little Boy Blue". My mother used to torture herself reading this poem..and it got so bad she just couldn't any more. This book of poetry is just wonderful. The illustrations by the renown artist Maxfield Parish are a pure delight, a treasure unto themselves.
By Eugene Field
Little Boy Blue

The little toy dog is covered with dust,
But sturdy and stanch he stands;
And the little toy soldier is red with rust,
And his musket moulds in his hands.
Time was when the little toy dog was new,
And the soldier was passing fair;
And that was the time when our Little Boy Blue
Kissed them and put them there.

"Now, don't you go till I come," he said,
"And don't you make any noise!"
So, toddling off to his trundle-bed,
He dreamt of the pretty toys;
And, as he was dreaming, an angel song
Awakened our Little Boy Blue---
Oh! the years are many, the years are long,
But the little toy friends are true!

Ay, faithful to Little Boy Blue they stand,
Each in the same old place---
Awaiting the touch of a little hand,
The smile of a little face;
And they wonder, as waiting the long years through
In the dust of that little chair,
What has become of our Little Boy Blue,
Since he kissed them and put them there.

This was a book from my childhood and which I have searched for many years. So happy to find it at Amazon's. Maxfield Parrish, the illustrator , with his imagination was the right choice for this book of poetry. Eugene Field's love of children and the sadness which was part of his life makes the poetry memorable.

I received this book as a gift when I was about 8 or 10, and it was one of my favorite all time books. The poems are dear and the illustrations are simply magical. This volume had poems I had heard before, like "Winken, Blinken, and Nod", and many that were new to me. Over the years, when I had to memorize a poem for school, it was always one of these I chose -- "Jest 'Fore Christmas", "The Gingham Dog and the Calico Cat", and "the Dickey bird is singing in the Amphalula tree."

One of my very favorite books of my childhood. The copy I have was given to my mother in her childhood, and she read the poems to me. This book introduced me to not only some wonderful poetry, but also to the amazing artwork of Maxfield Parrish. I'm delighted that Scribner's has reissued the book in the original design.

Some of these poems are for children. Some are merely about children. Some are for grown ups who love children. Some are for children who have no idea how dear they are to the grown ups in their lives.

Despite having had my copy of �Poems of Childhood� for ten years, I know absolutely nothing about Eugene Field save what I can infer from the poems in this collection. From their recurring themes, and the order in which they appear, I can guess that Field lost a child who was very precious to him . . . was slowly healed of his grief by the love and presence of other children . . . and was given a second chance with the birth of a new baby.

There are about 15 poems that hint of that lost child and a handful that juxtapose sleep and death, making me wonder if the baby died in its sleep. Other sad poems are merely wistful about beloved children who have grown up. Thankfully, there are just as many happy poems as sad ones: cheery verses about toys, imaginary creatures, and playground games. Field also wrote several �lullabies� that are perfect for rocking children to sleep, whether or not they are put to music.

I don�t know any other poet who has brought such dignity to "babytalk." Toddlers in his poems are called names like Pittypat, Tippytoe, Googly-Goo and Luddy-Dud. His imaginary fairies include Amberglee, Daisybright and Pilfercurds. Moreover, I�m sure that no other collection of children�s poems has this many terms for "dreamland"--Blinkiwink garden, Shut-Eye town, and Hushaby street, to name a few.

Though Field could be accused of writing the same poems over and over again, most of his verses have such distinctive _personalities_ that this is not entirely true. What they _all_ have in common is his delicate touch--yes, even the ones in which his voice turns rustic and homey--that has endeared him to children and grown ups alike.

I'm sorry to see that Grahame's "Dream Days" is so unavailable. It's a deeply enjoyable book that demonstrates the power of "stories" to pull us out of the here and now and make us to stand up straighter, to imagine ourselves as knights and ladies. Grahame's book would be great for older children (young ones may find themselves fidgeting - there is a certain amount of description and archaic language). Adults may actually enjoy this one more than kids. Reading it brought back to me the days of my youth, when a good story could fire my imagination for days, and the characters lived right along side of me, as sort of doppelgangers. This story reminds me of E. Nesbit, another great Edwardian children's writer. Children should read these books, they are well-written and can help foster a love for the "right word" and the well-turned phrase. Try to find a copy with Parrish's illustrations. This whole book is just a wonderful aesthetic experience.

If you are picking up this book, you most likely have read its companion, THE GOLDEN AGE. This book continues the exploits of the children introduced in the first volume. Veddy, veddy English. Completely delightful, though.

I am not sure today's children would enjoy this book. The 19th Century British-isms will probably be quite tedious to any but the most precocious of children. And nothing really "happens" so to speak. No adventures of overwhelming magnitude. Rather, the children's imagination governs what happens throughout the book. Small things are turned into events of great importance. Children brought up with video games will most likely be bored. But for an adult, ahhh! This is a find. It will make you yearn for the idyllic childhood you never had or anybody had for that matter.

Each chapter is like sunlight shining on a bead of dew in April. Or something similarily poetic. Grahame's the better writer anyway.

This is an updated version of an excellent book. It is a must for all Maxfield Parrish collectors.

Incredibly useful. I believe Flacks has written the most accurate and convenient pricing guide available for Maxfield Parrish collectors and anyone else who wants to figure out what a Parrish item is worth. If you're looking for a great coffee table book, I suggest Alma Gilbert's The Masterworks. -- James Halperin, sf novelist (The Truth Machine & The First Immortal) and Parrish collector.

In concise but informative prose, Margaret Wagner illuminatesnot just the work of the timelessly popular Maxfield Parrish, but sheplaces him firmly within the context of his time. Ms. Wagner accomplishes this by introducing readers to some of Parrish's lesser known contemporaries (though the book has a rich selection of his work too) and by not falling prey to histrionically trumpeting his "greatness." Parrish's fans might even learn something from this book.

Many books have profiled Parrish's art; Maxfield Parrish and the Illustrators of the Golden Age reproduces 70 works of Parrish and other illustrators of his times, using the archives of the Americana Illustrators Gallery and other resources to present works by a range of painters. Chapters provide plenty of text history of the works of these illustrators and their related styles. Highly recommended, this goes beyond most singular Parrish focuses.

A definite must if you want to be inspired

The book is a lovely companion to my Maxfield Parrish print. The color plates are very close to the actual art work.

Kenneth Grahame's rich, elegant writing make "The Golden Age" a joy to read and reread. While it is a story of children in late Victorian England, it is not a childish book. Rather, it is an examination of how children view the world and are confounded by the actions of the adults around them. Grahame had a wonderful knack for presenting the child's point of view without being cutesy or condescending - no other author has as successfully done this. Nor does he present the typical Victorian view that children are all little angels and always innocent. All adults should read this book - it makes one stop and examine one's priorities and will encourage you recapture a zest for life and imagination.

My sister read about this book in a recent magazine and we are totally delighted to see that it was available as a reprint from the original plates. Maxfield Parrish, the painter, did the illustrations and they are wonderful in their dreamlike qualities. And the prose by Ms Wharton are flowing and typical of the turn of the last century.

I would recommend this book as a coffe table book, a piece of art and a conversation piece all in one.

this book is wonderful. it makes me want to read the book because this book is just the illustrations. But it is well worth your money if you enjoy maxfeilds work.