Cartoons Books

Forgive me if my review runs a bit on the sappy side, but I grew up with Calvin and Hobbes, and I sometimes think they are among the best friends I've ever had. Bill Watterson's comic is gentle, sincere, and magical. At its core it is an examination of what it means to be human, and the value of friendship. Watterson's philosophy of the comic strip was that it should be based around characters rather than gags; we should feel as though we know the protagonists as real people, rather than as interchangeable vehicles for jokes. That comes through on every page, even from the very beginning. Calvin's world has a cast you can probably count on two hands, but every character (except possibly Moe, the bully) has at least a hint of fully-rounded personality. Watterson's world is one of simple pleasures shared with good company.

As with any comic strip, the first collection is rather crude in pretty much every aspect--the drawings, the humor, the personalities--but as a prototype for what would come later, it is not without its own charms. Even at this stage I would hardly call Calvin and Hobbes a forgettable, generic strip. It still has heart and a sense of profundity, even if Watterson had not yet figured out the most effective way to illustrate these things in his strip. It's interesting to see the origin of Hobbes (even if this version was discarded later), the genesis of Calvin's relationship with Susie (the love-hate romance, which will later be toned down, is at the forefront here), the first appearance of Spaceman Spiff, the introduction of a then-unnamed Rosalyn, and so forth. Also, early Calvin and Hobbes are somehow a bit more adorable here than their later incarnations, but you didn't hear that from me.

In an age of disposable comics, Calvin and Hobbes is one of the few childhood experiences of my life that I can actually appreciate more with age. I would not find it an exaggeration to say that Watterson's perspective of life heavily shaped my own, as I find myself much less concerned with superficiality and the plastic culture of Hollywood than many of my reality-TV-addicted, Nike-sporting, iPod-blasting peers, and more appreciative of the little things in life that we tend to take for granted. All Calvin needs to be content is a good friend and a search for adventure, and even as I grow, kicking and screaming, into adulthood, I find I can still relate.

I ordered this item and received it within a week. Very good timing.

I love this book!When my friend got a Calvin and Hobbes book, I did'nt really like it because it was not in color. But once I got this book I loved it! I colored in the ilistrations so now I don't have ANY problems with this book! I want to collect all of the Calvin and Hobbes books, but right now I only have 4. I would reccomend this book to anyone who likes funny books. They are so good my dad reads them! Other good Calvin and Hobbes books are Revenge of the Baby-Sat,Scientific Progress Goes Boink, and Attack of the Deranged Muntant Killer Monster Snow Goons. Well, I guess that's it. BUY THIS BOOK!!!!!!!

This is a funny book about a kid named Calvin and his stuffed tiger named
Hobbes. They do funny stuff and they have adventures. Calvin is a funny six year old. Hobbes is a smart tiger! YOU NEED TO READ IT!

This is the second of three little books, published in the UK, that contain the exact material of the very first Calvin and Hobbes book. I bought this book thinking it had something new in it, but I didn't realize it contained the same material as a book I already had.

It's probably a better investment just to go ahead and buy the first Calvin and Hobbes book (titled Calvin and Hobbes). Everybody loves C&H; who doesn't know a little boy somewhere "just like Calvin"?

If you love C&H, you'll like this book. For me, Calvin is like pepperoni pizza... when it's good, it's really good, and when it's bad, it's still good.

Unfortunately, I say it rather cynically.

My, there are so many monsters peopling this strip. The kid's a monster. His parents are monsters. The tiger's a monster. The teacher's a monster. The babysitter's a monster. And the only character who's not a monster (and more of a victim) is naturally enough, a young girl who is never bad or gets into any trouble. And the strip, while a rugrat's fantasyland, also smacks of extreme adolescent rebellion.

The strip is so overrated even after its demise a decade ago that it's been ensured that no cartoonist alive or yet to be born would ever create a strip as well-worshipped as it is for all eternity to come. So why not just remove the whole comic section from the news for good?

This book combines material from both Yukon Ho! and Weirdos From Another Planet!. Perfect to read with a blanket and a cup of tea on a rainy Sunday afternoon. It lifts my spirits up and makes me laugh, even when there's no one around. Really, that could be said about any Calvin and Hobbes book, though!

Whether the collection is the "Indispensible" or "Essential" or "Quintessential" Calvin and Hobbes, it doesn't really matter. Watching this hyperactive, hyperimaginative child and his willing though wise accomplice, Hobbes, take on evil babysitters, Susie Derkins, the class bully and all creatures (real or imaginary), is a pleasure and laughter without stop. "The Authoritative Calvin and Hobbes" is another in a long list of the great comic work of Bill Watterson. This is an indispensible/essential/quintessential collection for all Calvin and Hobbes and humor fans!

Calvin is a beam of light, a dinosaur, Spaceman Spiff, a pollster on the election of new parents, a robotic explorer from Jupiter (in search of chocoloate) -- well lots of things. He's all the best and all the worst a boy about five can be, and that covers a lot of ground.

If the others around him never quite see things Calvin's way, that's really not his problem. Hobbes will always understand, and generally offer some understated commentary on events. I prefer not to say too much about Hobbes. It's really best if you let him introduce himself.

This book is a treasury of daily and sunday color strips. It captures a part of one of the best strip comics ever. If you already know C&H, you'll surely want this collection. If you missed the strip when it was still in the papers, this will give you a wonderful introduction.

It's never too late to have a happy childhood, and Calvin offers his for your enjoyment.

//wiredweird

When my grandparents got me this book, I didn't think it could help me. I was looking for a "How to Draw" not a "How to Write". This book proved me so wrong. I couldn't believe how much fun it was to read, and it helped me a lot too. Almost everything I thought I knew was proved wrong and after reading it I felt like I understood comics so much better. As well as making me better at writing comic books, it made me a better writer altogether. I strongly recommend this book for anyone who is interested in comics or in just plain writing or art.

Well thought out, well written, quality throughout. I like this book the best so far; the previous weren't as appealing as this but were still very well done. The author really practices what he preaches as far as his message and the book speaks for itself. You won't be disappointed. Looking forward to the new books!

This is the best cartooning and illustration
book that has EVER been created. It accomplishes cartoons and
illustrating and explains everything. THIS is
the only book you will ever need. Don't let this
book escape you, you will NEVER forgive yourself if
you let this treasure get away. It is total visual
instruction. Easy to understand. Easy to attempt.
It is the book I keep on the drawing desk next to me
because it is so complete. Wow!!!!!!---- Luisa Felix

What I like about this book is the fact that it is not only instructional for comic book artists but also for all artists. He writes and draws to enhance what he is teaching so that it is not even noticed by the reader that he is being taught. I have met Scott and he is as entertaining and funny in person as he is in his book.

Great book for beginning comic artists. You will not be taught technical details for how to draw or lay out panels, but you will be shown how to pace comics, shown some basic face anatomy in the context of emotion, given a few inspirational tips on choosing characters, and so on. Probably an interesting read even for people who aren't sure that they want to get into comics.

The laughs keep coming. I mean the title alone says it all. What a fine comic.

A very funny book, as are all of the Pearls Before Swine books, in my opinion! Everyone who comes to my house and reads it, laughs!!

Unless you're in to politically correct humor...this book is a MUST have!!! Dan Lorenzo Bergen County NJ

I've only recently become a fan of this strip. I decided to start from the beginning. Darn, this guy's funny!

These books are addictive.Great comics!The only thing wrong with these books is that there is too much duplication of comics between the various books.

"Spider-Man: The Ultimate Guide" is a must-have book for all the wall-crawler's fan! It has information about lots of characters and a fantastic spidey's time-line! The illustrations are as good as well, and you can even find information on alternative Spider-Man series, like Spider-Girl, and Spidey 2099. Although the book is very nicely done i still missed more detailed profiles, anyway you will sure not regret for buying this one!

I never read a Spider-man comic book, but I wanted to know all about Spidey, his allies, and his enemies. This ended my search!

We bought this book for our five year old who loves Spiderman, but our whole family has enjoyed learning more about the villains and other characters in Spidey's world. It is fun to learn the origin of characters we are familiar with and some we had never heard of before. There are lots and lots of illustrations to keep the kids' attention, and the stories and bios are interesting enough for adults as well. The binding has fallen apart on our book- which may have survived better under normal wear and tear- but that is mostly because my son takes it to bed with him since he loves this book so much. Overall, a great book for kids and adults too.

Tom De Falco's comprehensive SPIDER-MAN guide is one of my favourite spidey books, covering everything from the comic's origins in the 60s to the recent movies. With some great insight into the characters in the world of comics and good layout, this guide tells you all you need to know about Peter Parker, Mary Jane and assotment of villians (Green Goblin, Doc Ock, Venom et all). DeFalco's extensive research has paid off, making this an essential addition to the already bookshelf-breaking collection of comic book guides. This is a must-have book for any SPIDER-MAN enthusiast.

I have been a rabid Spider-Man fan, reader, and collector for the past 13 years. In that time, I've seen some of the best (1980's to 1993) and worst (Clone Saga) this hero has to offer. IN addition, I have collected every issue ever published. So, I'm very knowledgable about SPider-Man and his world. Still, this book is a delight to read. I didn't learn anything new, but it is well written, spectacularly illustrated with original comic art from some of Spidey's most legendary artists (Ditko, Romita Sr., Romita Jr., Frenz, Andru, Sal Buscema, Gil Kane, McFarlane, Bagley, Larsen). New fans will learn a lot from this book, but no matter how long you've been a fan of Spidey, this book is a treasure trove for you!!

What a visially stunning book. Bruce Timm's artwork is sensationally brought to the reader through Chip Kidds fantastic use of photo design. This book thoroughly examines the behind the scene design concepts of Bruce Timm and Paul Dino and company with insightful reading on how they got to create one of TV's best animated series. A valuable piece of work collecting wonderfully laid out illustrations. Highly recommended for the curious and pure fans of the Batman character.

A very good buy, i was waiting to have this book in my hands for a long time and i finally have it, it's just excellent for those who love the batman animated series and animation. It has a lot of tips and information "behind the scenes" of the series.
very recomendated, the only bad thing is that it was the only book this kind, i'm still waiting for something similar but of justice league and batman beyond.

"Batman: The Animated Series" was one of the most revolutionary and influential cartoons ever created. This book, written by B:TAS writer/producer Paul Dini, is an essential look into the creation and phenomenon of the series. While a little slim on actual reading, what is there gives you that most coveted "behind-the-scenes" info on what it took to make "Batman". (For another perspective on the show's creation, check out the "Modern Masters: Bruce Timm" interview book.)

The real meat of the book lies in its visuals: photos, line art, animation cels, background keys, licensed toys, etc. The layout of these materials seems a bit haphazard (for being done by the "design-god" Chip Kidd), with captions sometimes hard to correlate with their images and numerous fold-out pages (which I really don't care for). However, the sheer number and quality of images is amazing, and some of the full-page renderings of production key art is breath-taking. I question some of the image choices in the character-design section, particularly the villians. But, again, there's a lot of ground to cover here and the quality and quantity of pictures is overwhelming.

The book was published before Batman Beyond and Justice League, so the ending comments might seem a little off. Still as a retrospective on the "B:TAS", you can't ask for much more. This would have been a 5 star review, if only there'd been a little more reading and a bit less visual confusion.

Bottom line: Love "Batman: The Animated Series"? Buy this book.

Who best to write a book about this justifiably award-winning animated series than one of the series writer/producers--Paul Dini (who wrote one of my favorite episodes--"Heart of Ice")? And with graphic designer Chip Kidd involved, you have a book that looks great on the coffee table. The best word I can use to describe this book is "thorough." It contains superlative art in full color, storyboards, character designs, in-house memos, licensed products, an episode guide from the animated series, plus great information on why the series was created, why the censors said no to certain aspects, as well as facts about the movies based on the series (SUBZERO, MASK OF THE PHANTASM). My only complaint is that the book isn't longer. But that's not the authors' fault. They put together such a great book, you'll want as much insight into the creation of this series as you can get (like a good DVD provides). And these guys deliver! This is a great "backstage" look for fans of the series.

I really was blown away by how meticulously put-together this book was. Besides the animation being great, this documentive source included everything from the episode guide title cards, merchandise (including ice cream and bubblegum cards), storyboards, character concepts, and a hell of a lot more! It also includes a great photo of Bruce Timm's drawing desk- complete with all the references he uses such as G.I. Joes & knick knacks. Color photos are adorned throughout, but besides that, there are also great stories of what the animation department went through with the head leaders of Warner Bros. There is even a charicature drawing that includes everything that the animators were restricted to draw (a nude, smoking Catwoman, a boozin' Joker, Batman strangling his foe, etc- it's really a treat!)
Even if you've had the misfortunate of not being familiar with this cartoon series, owning this book will make you realize how much effort is needed to create something this vast, and how much more we need to practice to ever reach this level!

Frank Miller doesn't pull many punches when he writes. I use the word raw to describe his writing because honestly, there is no more appropriate word if you ask me. His characters exist and breathe unapologizingly in the world of Basin City and That Yellow Bastard is way at the top of the best Sin City books for a reason. You have a hero that doesn't have an ounce of quit in him and who's pushed beyond what's even amorally admisible. Hardigan is the type of hero everyone says they would be in a situation such as that but quite frankly, I don't think there exists someone who is as unbreakable as Hardigan. Moral dilemmas don't exist when it comes to saving a kid from a rapist but it all gets way complicated when push comes to shove comes to murder. The beauty of Sin City is that even though it's noir fiction, you can't help but believe these characters, feel their pain, feel their anger and silently nod as some questionable decisions regarding what's right in this world are taken by a hero that shows that being a hero sometimes means not giving a damn and taking your hatred for one Yellow Bastard to the brink of sanity.

A mostly honest cop close to retirement saves a young girl, foiling the plots of some crooked colleagues and other powerful men. He takes the torture, deprivation and long prison sentence to protect her, revelling in the letters she writes him.

They stop, he is let out. Finding the girl, he realises he has been played, and knows there is only one way to stop the little yellow bastard and company.

Frank Miller's Sin City is paradise for noir fans, nothing can't happen in these graphic novels. "Walk down the right back alley in Sin City, and you can find anything." Book 4 of 7, That Yellow Bastard is a tale of bravery and sacrifice. It's my absolute favorite of all the Sin City books, Frank Miller's dark and extremely stylized way of telling this masterpiece is electrifying. The artwork is tip top, the writing is crisp and smooth, and the characterization is excellent. I hope you enjoy this amazing book!

A fan favorite due to the movie, John Hartigan is probably the most unusual character in the Sin City roster - an honest and honorable cop in a very corrupt and dishonest city. Not surprisingly, things do not go well for him. Betrayed by his partner and set up as the patsy for a heinous crime, he represent the epitome of honor as he quietly and passively accepts his fate in order to protect the innocent.

On the other side is Hartigan's polar opposite. The title character is probably the single most despicable character in the series who tortures little kids before killing them, uses family connections to get himself off while framing an innocent man. The great thing about this book is that it really presents the two extremes of humanity and puts them at crossing paths to each other.

The story has more sticking power than many of the others by Frank Miller. No doubt this is due to the ending, far more poignant than that of others. It is too bad that Miller did not continue with this story line in other volumes as there are enough loose ends here for a number of good stories. Perhaps, though, the ambiguity is part of the charm.

Frank Miller gave noir a new, gritty face with the "Sin City" series, and his favorite is reportedly "That Yellow Bastard." It's another story where a hardened man goes down a dark path, regardless of harm to himself -- and Miller's exceptional art and storytelling are in their prime here.

John Hartigan is mere hours from retiring when he finds that little Nancy Callahan has been kiidnapped by murderous pedophile Roark Jr., who also happens to be a senator's son. Hartigan disarms Roark Jr. (both as a killer and a rapist) but ends up in prison, abused and hated, where his only comfort is his weekly letter from little Nancy. She knows the truth, and loves him for what he did.

But eight years later, Hartigan finally gets himself paroled, since he's concerned about Nancy. She's now an exotic dancer being pursued by a hideous, yellow-skinned creature -- Roark Jr., reborn as a horrendous, unnatural creature. Now Hartigan will do anything -- including sacrifice himself -- to save Nancy from her disgusting attacker.

A knight-in-tarnished-armor theme runs through the "Sin City" series, with deeply flawed men seeking revenge or protection for women. It started off the series, and popped up in many others. That story is at its height in "That Yellow Bastard," which also contains what may be the noblest character in the whole series -- and he's a broken-down cop with angina.

Miller's black-and-white artwork is as striking as ever, especially for a series where everything is a shade of grey. There are lots of shadows and stark faces, as well as the typical violence of the series -- guys, you may end up cringing a lot in the castration scenes. Yet somehow the violence seems appropriate, no matter how horrible it is, since it's being aimed at the deformed rapist-murderer.

Hartigan may be the noblest character in the entire series. The entire story is about him trying to protect Nancy, even to the point of suffering eight years of prison and beatings without a word. He's the only honest cop in Sin City, and similarly, Nancy Callahan retains a sense of innocence despite her raunchy job.

"That Yellow Bastard" is a raw, dark noir comic that somehow manages to be poignant as well. It's a disturbing ride, but still worth taking.

Wow! This book rocks! What happens is...
--the true owner of the black stallion shows up and TAKES THE BLACK BACK
--Alec and Henry find the black, but it is a very difficult journey and they first must travel across the Atlantic
--there is a big race that the black is to be in
--somewhere along the way, a vicious man attempts to KILL THE BLACK
This is not only a horse book, but a good vs. evil book. I highly recommend it.

In this book, the second one in the Black Stallion series, the Black Stallion's real owner comes to retrieve him. He returns to his homeland, Arabia, soon after.You follow Alec, Raj, Henry, and Mr. Volence in an unforgettable adventure through Arabian deserts, facing criminals and hunger.
This was the best book that I ever read! If I could I would give it 9 million star!

Abu the Black Stallions ownerhad lost his horse by going on a ship to a country and the ship had started sinking.The Black had saved a boys life named Alec.Alec had thought that the owner of the horse was really dead but he wasnt,which Alec didnt know that.Well anyways Alec had took the Black home with him and put him in a stall and took good care of the Black.Well now Abu had been looking for his horse for a while now and so he had finally found out where his horse was and went to Alecs house and proved ownership of the Black.Then Abu had taken the horse back home to their country and then Alec was really upset that he didnt have that horse anymore so Abu said that he could have the Blacks baby that was born.

Abu the Black stallions owner had lost his horse by going on a ship to a country and the ship had started sinking.The Black had saved a boys life named Alec.Alec had thought that the owner of the horse was really dead but he wasnt,which Alec didnt know that.Well anyways Alec had took the Black home with him and put him in a stall and took good care of the Black.Well now Abu had been looking for his horse for a while now and so he had finally found out where his horse was and went to Alecs house and proved
ownership of the Black. Then Abu had taken the horse back home to their country and then Alec was really upset that he didnt have that horse anymore so Abu said that he could have the first Blacks baby that was born.

This mysterious and enchanting book takes Alec and Henry to a setting far from the one in the previous book. In the barren deserts of Arabia, they search for their black stallion in his own home. A thrilling tale of survival, and just as vivid, with a race for high stakes and a horse to beat any of the same caliber all thrown in too make the story plot thicken.

This book had me turning the pages, never wanting to put it down. The story was very different from the first, but not as much as some sequels. Farley had a way of keeping his characters in prospective, and in turn, the story again took the readers on an exhilarating ride. A great piece of literature for young tweens to read, though the movie does have violence in it, but seems to make the story even more thrilling. An excellent book I will be sure to show my kids one day.

The book was in great price, and it arrived in great condition. The best thing was, however, the promptness of the delivery!! Thank you very much.

Another in a collection of zany, wonderful episodes brought to us by a cartooning master. Keeps us in touch with sanity and makes us laugh because we need it! Good job, Bill!

The commentary provided by the author on each of the Sunday cominc cartoon included in the collection in itself is worth the book. Each cartoon is presented twice, though. The left panel is similar to the sketches and the right hand presents the same cartoon in color. Each of the two pages provide a narrative related to the specific cartoon - explaining the artistic characteristics and inspiration for the cartoon....All in all, an excellent addition to any Calvin fan (and which intelligent reader isnt!)

Calvin & Hobbes was much more than a really good newspaper comic strip.

Created by Bill Watterson, Calvin & Hobbes will be hailed among the greatest ever created, right alongside Peanuts and Krazy Kat for its creativity, scope of influence and the enjoyment it offered the reader. It was a strip capable of being all things gleeful and all things sad, all things goofy and all things serious.

Bill Watterson's genius cannot be overstated. He was a master of the comic form. He somehow managed to be funny, clever, touching, insightful, warm, cynical, uplifting, devious, nostalgic, and mischievous, all in the space of a little three- or four-panel comic strip.

And his Sunday strips? A feast. His use of space and color, especially in the strip's later years, was masterful. He knew how to work a page like no other.

In this collection, some of the best Sunday strips are collected in glorious color. Each is amended with footnotes and annotations by the creator himself, along with early pre-newspaper versions of the strips. While many of these can be found elsewhere, this collection is a nice look back at some favorites, made even better by the insight and observations of the man who drew them. Even those intimately familiar with these cartoons will learn something new about the craft of comic creation through his annotations.

Each comic strip is a story - and for longtime Calvin & Hobbes readers, a memory. That final strip, with its clean slate of white snow into which Calvin and Hobbes disappear, talking of discovery and exploring ... just fantastic.

If you're a fan of Watterson's work and Calvin & Hobbes, you owe it to yourself to pick this up.

For the eleven years that it ran (1985-1995), Waterson's "Calvin and Hobbes" comic strip was one of the greatest ever. His genius is reflected in a combination of brilliant images, imaginative story lines, unpredictable situations, and just the fun, love, and silliness of a little boy and his stuffed tiger. I have a few of the large format books, and I get a bit tired by Watterson's gassy forewords, in which he never fails to yak on and on about the cruel cartoon industry with its shrinking sizes, loss of artistic greatness, and insistence on merchandising every successful strip. Whatever. He does it again in this book, so you'll have to skip past that. The book doubled as the exhibit catalog for a showing of Watterson's works at Ohio State a few years ago. The interesting pages are dozens of Sunday strips with his personal comments under most of them. They appear in both the original draft and the final colored form (though personally, I didn't see much value added in running the same strip twice --in black-and-white and then in color). But it is fun to page through and laugh again at some of the most creative, clever, humorous, and well-drawn strips ever.

This is a great collection of Pearls before Swine cartoons. I would recommend it to everyone.

I don't agree with ALL of the political junk, but the Crocs are a riotous laugh fest.

I just bought this book because I love the strips and I found it really good to have them printed on a book like this. They are really fun!

I love his work! It is a great read and everyone can relate and appreciate his political/satirical humor.

Dis booka lotte fun!! Me geets it fer Chrissmass. Me laugh so hard Zeeba hear me an runna way. Darn book too funnee. Now me sad but steel laffeng.
Bob Da Croc