Cartoons Books

For a die-hard Peanuts fan, this series is a must-have!

This series is going to be a regular drain on my bank balance for the coming decade, as that is how long it is going to take Fantagraphics to finish publishing this collection, if they stick to their published schedule.

Be warned: The Sunday strips are not in colour unlike the Calvin & Hobbes and the Farside collection in which even the black and white strips are printed on colour pages. This quite pisses me off...

Finally, a Peanuts collection in chronological order and nothing left out. It's going to be a long wait indeed...

I've always thought of creating a bookshelf of hard cover with all my favourite comic strips, when I could afford them... Calvin & Hobbes, Farside, Tintin, Asterix & of course Peanuts.

I have the first two, and I'm on my way with Peanuts... It's going to be a long and interesting 11 years...

There was a time when the newspaper comic strip was HUGE. In the early 1900s, the success of a newspaper was in part due to the comics it featured. That era has long since disappeared, and it often seems that the comic strip is a neglected relic. There are still some good comics out there, but they are getting rarer and the newspapers treat them with less and less respect, cramming many onto a single page that used to hold just a few.

Where does Peanuts fit into all this? Well, it is the most popular comic strip of all time. Does any other strip have anything close to its legacy of movies, TV shows, plays, books and merchandise? And happily, it is deserving of its success; it is arguably the best comic strip ever, and certainly one of the top ten or so. As a result, it is not hard to see why the newspapers continue to publish old strips years after its creator, Charles Schulz had died. They don't stop printing it or allow another artist to take it over. The comic strips overall are a pale shadow of what they once were, so repeats of Peanuts can prosper because nothing new can replace them.

Volume 4 of the Complete Peanuts is where the characters are really beginning to show their full development. We have Lucy, the champion fussbudget and Linus, her philosophical brother with a dependence on his security blanket. Schroeder is the budding musical genius. Patty, Violet and Shermy are mostly supporting characters at this point; they will be eventually replaced by other characters (but not in this volume).

The two key roles, however, are those of Charlie Brown and Snoopy. Snoopy is up to his usual antics, pretending to be a vulture, grabbing at Linus's blanket and relaxing in his water bowl. He also starts his practice of lying on top of his dog house, although his first attempts are not all that successful. Charlie Brown is, well, Charlie Brown, the ultimate loser who the Fates themselves conspire against. Kites won't fly for him, pens constantly smear and if, by some remote chance, his baseball team is doing okay, they heavens themselves will open up and rain out the game. His "friends" are often cruel to him (with the exception of the benevolent Linus and the aloof Schroeder). In a way, the main theme of Peanuts is defined in the very first strip (in volume 1) when Shermy says, "Good old Charlie Brown...How I hate him." This seems to be the way the whole world thinks of this hapless character.

Peanuts may seem to some to be just an overrated strip, but I don't think that's so. It may be overly merchandised, but the comic itself is a cornerstone of the genre and one of the most influential strips out there. This volume again shows why Peanuts is one of the all-time greats.

Here the Peanuts gang becomes familiar, as they start hitting the usual topics that would develop and blossom over the years. Every one of the main characters has secured their place, and Snoopy starts his development into the multi-faceted character we know and love.

Probably the best thing about the book is that we watch Charles M. Schultz modify and mollify his characters. In 1957, quite a few of the Sunday cartoons show Lucy becoming too much the bully, abusing her younger brother viciously without cause and causing no end of pain to Charlie Brown. During 1958, Lucy develops a vulnerability and Linus becomes more an actor, sometimes getting back at his sister and sometimes causing his sister's temper tantrum (it's easier watching her blow up when she has a cause). Schultz could have blown things with Lucy, but with a few modifications between her and Linus, a balance is made that makes things more interesting.

Now, here's to next April, and 1959-1960.

Everyone's favorite beagle comes into his own in this fourth volume of the best-selling COMPLETE PEANUTS series. Snoopy covets Linus's security blanket, indulges in imitations and impressions,joins the baseball team and, toward the end of the book, he even--an epochal development!--starts sleeping on the roof of his doghouse.

Of course, fans of Schroeder, Lucy, Linus, Patty, Pig-Pen, Shermy, Violet, and Charlie Brown will also find plenty of hilarious strips to enjoy as well including several hundred that have never seen print in book form before today.

Fungus is part of a bogeyman family. Their job is basically to be gross and go around scaring kids and all that sort of thing, slime, nastiness, saying boo, and that whole caper. What if this is your destiny and you don't want it to be? That is the issue under investigation in this amusing and clever tale by Briggs.

Wow! I got this book 20+ years ago from my older brother and loved it! I lost track of my copy and for years now I've been trying to remember what it was called...I just happened upon the dvd on netflix and there was that familiar face. I remember looking through this book over and over again and seeing something new each time. I'm pretty sure pages were falling apart and coming out of the binding I read it so much. I highly recommend this book for youngsters, and I plan on ordering copies for my neices...and probably one for myself!

Very happy with this copy....great read and goes with the other Raymond Briggs books I purchased....made a fabulous xmas present!

'Repulsive but none the less compulsive'. This classic Raymond Briggs book hasn't got a real storyline. It's more like an comic strip encyclopedia on the life of bogeymen (Fungus) and bogeywomen (wife Mildew) and their bogeychildren. The book just charts a day in the life of a bogeyman, who it seems, exists merely to torment us 'Drycleaners'. Briggs richly illustrated study of bogeydom delights in all things revolting, slimy, putrid, and lavatorial, and even raises deep questions on the meaning of Bogeydom life. The book is filled with visual and literary gags, e.g. hidden on Mildrew's bathroom shelf there's 'FemStench' perfume which is real Eau de Toilete (toilet water), plus you finally find out what Great Aunt Ada Doom of Cold Comfort Farm really saw in the woodshed as a child (and it was something nasty). This book would be of interest to any kid over 8, boys might go for it at an earlier age than girls - although be warned it's not suitable for sensitive parents. It's ideal for teenagers and young adults, who will appreciated the sophisticated humour more. So if you ever wondered what makes the bogeyman hiding under your bed tick, get this superbly illustrated and funny book.

I've loved this book for years, and actively sought it out in my adulthood to own. The book is filled with everything from gross visual jokes and puns, to the deep philosophical questions every Bogey must have. It's ingenius and unique. Worth buying for a creative or visually stimulated child.

All this book is, is a collection of the daily comic from the last book with very little new material. I don't think they've created any new material for this strip sense Liz and John ended up together.

This is a great book. I hope Jim Davis makes a 50th.

Other than now being in full color instead of black and white, Garfield hasn't changed much over the years. He still picks on Jon and Odie, sleeps all the time, loves food, and can't help being nasty, incorrigible, and hopelessly loveable. This book is a thick, beautiful, and easily readable tome to everybody's favorite cat.

Highly recommended.

I have been reading Garfield books for a long time now, and I have wathched him evolve in his animation and personality. He is truly still just as funny as he was when he first started. He has made us laugh through all these years, and is still making books. The book was truly classic Garfield. I hope Jim Davis makes a 50th.

Okay, there's not many days left until Xmas but let me assure you that this Garfield book makes an excellent last-minute gift. Everyone I know loves Garfield and would be thrilled at getting a book like this.

It's rather thick and taller than usual. Plus it's in full color. As long as I can remember I've loved reading Garfield, even when I was a little kid reading the black and white pocket books. So kids will appreciate this too. Trust me.

It opens with 'Garfield's code of Nevers', such as 'Never Eat the Mystery Meat. And ends with 'Garfield's Top Ten Suggestions for New Athletic Events, such as 'The Fridge Lift' and 'Eat till you Explode'. Crammed inbetween are hundreds of hilarious comic strips. Plus there is information on the last page on how to join the Garfield fan club. And why not?

I love Get Fuzzy cartoons and I absolutely can't live without the 365 days a year calendar. Each day depicts another glimpse into the lives of Satchel and Bucky which in some small way always reminds me of my 3 Girls (Suzie, Trixie and Gracie). We can't help but relate to the lives of Bucky and Satchel since they always seem to hit upon something that happens in our own lives.

Keep up the good work.

Thank you, Pattie K

Get Fuzzy is something that can always be counted on to make me laugh. Sometimes out loud. Other times it just makes me grin. No matter what it always lifts my mood. Getting a new strip everyday is even better so the day to day calender is great. It is also nice that the strips are run in order so the small stories in the strip do not get messed up and are all the more funny when they are linked together the right way.

I am a tremendous lover of Bucky Katt. It is wonderful to have a Get Fuzzy comic to wake up to every day. I highly recommend buying this page-a-day calendar so that you can get that humorous lift to start your day.

A constant - as time itself ... every day Rob, Sachel and Bucky cat deliver something that helps the days beginnings.... its addictive as coffee and a donut ... but more healthy...

Darby Conley must be an animal lover, or has grown up with cats & dogs all his life. His 'animal' wit is astounding. Satchel is simply lovable Bucky Cat is, well, as sarcastic as a cat can be. If you want to have a LOL day, every day, this is a must for any desk top.

Utterly and completely charming.
I'd read all her books but had never seen these.
I've returned to them often.

I have read every Moomin book available in English and I loved them all. I decided to get the comic for some children I know. I actually have not read the comic and my review is concerned only with the physical properties of the publication.

I have to say that the book look beautiful and makes a perfect gift. I will order second copy now so I can read it myself. :)

Moominfamily gets bumped around in a world that is much too big and chaotic for anyone to understand. Moomin may be driven into trouble, but his goal in life is beautifully pure: to "live in peace, plant potatoes and dream." While Moomin world may had its start in the books, in this English comic strip, its full richness floats to the surface like cream, and the love put into the art is visible. Tove Jansson's intricate illustrations and lettering are made clear and bold in this volume thanks to the carefully laid out folio.

If you've never heard of Tove Jansson's comic strip "Moomin," you're in for a treat. The title character is a troll, but looks like a hippopotamus. He is a loveable character with a childlike innocence. He tries to be friends with everyone, and like many nice people, doesn't know how to set limits. In the first sequence, he has dozens of friends and family visit him, and are extremely demanding, but he doesn't seem to be able to say no. He then gets a rather smelly friend to drive everyone away, but he eats Moomin's house! We then follow Moomin and his friend Sniff as they search for riches and fame. That's the first of four parts in this collection, and the storylines flow into each other nicely. There's great character development with real pathos, and the art is unique and a pleasure to look at. If you're looking for a comic strip that's different from the ones you typically see in the paper, look no further.

In 1953 the London Evening News began running Moomin comics on a daily basis - and soon the little fantasy animals were published in over 40 papers around the world. Tove Jansson, creator of the strip, drew it for five years and these black and white strips offers her complete Moomin features to delight new and old audiences alike. It's too whimsical and funny to limit to younger audiences, and is reviewed here as a top pick for any general-interest library strong in comics history and illustrator representations.

Diane C. Donovan
California Bookwatch

This product was received in a timely manner and in excellent shape. Was very satisfied.

My son fell in love with this books. Its a good way of having him improve his reading skill...

Book 6 of Jeff Smith's graphic novel Bone series, Bone: Old Man's Cave features a showdown between the Hooded One and the valley folk - and Bone and Phoney Bone at the center of controversy. A secret sacrificial moonlight ceremony threatens them in another fine Bone presentation.

I can see why Bone is so popular! This volume is truly a great continuation of the series. The plot continues to become more complicated and intriguing, and the characters are still as likeable and endearing as ever. I can't wait to read the next volume!

I'm a fanatic of bone products, so i think they are the most wonderful things i have ever bought.

Peanuts are totally classic! Dude! Schroeder is like the coolest person on the face of the earth! He is so reserved and that make Peanuts worth the while to read. He also looks so cute at his little piano, playing Bethoven. This book clearly shows that and becuase I love little Schroeder, I love this book too! Beethoven forever! Rock on! (JK)

This book is a great buy! It has the classic lovable Peanuts strips we've all enjoyed. I love the format and size of the book and will purchase more in this series.

I find that after all this time I still love the Peanuts gang. Charlie Brown, Snoopy, Linus, Lucy and others still bring a smile to my face as the wonderful insight of the creator comes through. I wish that I was young again and still had the old paperbacks that I once read so I could go back to some and re-read them. I wish that Shultz could still create those drawings and tears just swelled up from inside reading the ending passage. Charles Shultz will be missed by me and I have read this and other books by him to my kids so they might gain an interest in these type of books. I wish they had more specials of the Peanuts ang for TV rather than some of the stuff on now. Anyone who wants great cartoons with very funny happenings for their children will definitely love this book and others by Shultz.

Peanuts has truly left its mark on the world. I can't honestly say I know anyone who has never heard of Charlie Brown, Snoopy, Linus and Lucy. We all know and love them. Who can ever forget Snoopy imagining himself as a World War I Flying Ace on the top of his doghouse? Or Charlie Brown's consistent, diligent, but always failing efforts to finally lead his baseball team to a win?

This final collection of Peanuts strips cannot quite live up to Schulz's genius from years past, but they are still very charming and fun to read. I'd like to see you try to come up with a funny idea every day for fifty years. In this collection, Schulz draws more self suffecient strips, than strories carrying accross the dailies, probably because it was easier on him at his old age.

Peanuts is a very rare commodity. It is certainly not gorgeously drawn, but the writing and lovable characters make up for it's visual spareness. Plus, although the drawings were somewhat crude, the were outragously funny, and the whole point of a comic strip is to make you laugh, so there you are.

Charles Schulz is a true comic genius. His later work (i.e. this collection) is not his best, but he was still able to draw a funny comic strip every day. In the words of Bill Watterson, the brilliant man behind the wonderful "Calvin and Hobbes"-"I've never met Charles Schulz, but long ago his work introduced me to what a comic strip could be, and made me want to be a cartoonist myself. He was a hero to me as a kid, and his influence on my work and life is long and deep. I suspect most cartoonists would say something similar. Schulz has given all his readers a great gift, and my gratitude for that tempers my disappointment at the strip's cessation. May there someday be a writer/artist/philosopher/humorist who can fill even a part of the void "Peanuts" leaves behind."

These were the final words in Peanuts comics delivered by the late Charles Schulz. To answer the question, you can never forget Charlie Brown, Lucy, Linus and Snoopy.

I remember the last "new" comic strip came out 13 February, the day after he died. Thanks, Sparky, for all the memories and the inspiration (I work on my own cartoon strip).

These cartoons were originally published early 1999 through February, 2000 in the newspapers. Charlie Brown has a date for a dance (something that rarely happened). Rerun holds the football for Charlie Brown (he got more and more parts in the cartoon strip in the final years). Charlie Brown pays tribute to the ever scowling Joe Torre! Cartoonist Day is remembered (5 May). Snoopy writes more novels and plays golf with the musical notes from Schroder's piano. "Wolves are making a comeback," as Sally philosophises. There's also a tribute to painter Andrew Wyeth and Valley Forge, as acted out by Snoopy. Snoopy Claws can be seen downtown around Christmas.

Also, Charlie Brown hits a grand slam, Linus kicks the habit once and for all and gives his blanket to Snoopy, Peppermint Patty gets straight A's, the Great Pumpkin comes as promised and Schroeder finally admits he's got a crush on Lucy! Don't hold your breath on the last 5, folks! I was just seeing if you were paying attention!

However, this book is poignant since these were the final strips of Peanuts. Charles Schulz must have known the days of the Peanuts cartoon were numbered when he let Rerun hold the football! If you're a Peanuts fan, you'll enjoy this book!

My only previous experience with Gasoline Alley was a Mad Magazine parody called Gasoline Valley that focused on the interesting fact that the characters actually grew older as the series progressed. The Mad Magazine parody showed Skeezix aging from a baby into an old man just as the comic does however this volume features only a couple of years so at the end Skeezix is just a toddler. Gasoline Alley isn't a hilarious comic; instead it's a sweet, light hearted view of small town life in the early 1920's. The comic revolves around Walt, a big hearted confirmed bachelor who finds a baby deposited on his doorstep. This being the "good ol' days" Walt just keeps the baby becoming Uncle Walt (later in the book he does actually go to the effort to make it a legal adoption).

A lot of the jokes are repeated, for instance Walt, the only bachelor among his circle of friends, constantly uses the line `I know when I have it good' after seeing his hen pecked buddies. We also get to experience Walt's continual struggle with his weight. There are a few extended storylines including a shady land developer who takes the Gasoline Alley gang for a bit of money. The longest story is about the arrival of an attractive young lady named Blossom and her developing relationship with Walt.

Three things stood out for me in this collection. First was the always meticulous job done by editor Chris Ware who goes above and beyond the call of duty. There is a ton of fascinating background information on cartoonist Frank King. My tip is that any publisher who wants to release a comic collection like this one should call on Chris Ware. He is a man with serious passion for comics. The second thing that caught my attention is how clean and pleasant Frank King's drawings are. But what I enjoyed most about Walt and Skeezik's was the glimpse at life in the United States prior to the Great Depression.

What you need to do when reading through these comic strips is to try and put yourself into the era. These comics were created over 85 years ago and it's like peering into a time capsule. There is not a single mention of television or pop culture. Most of the residents of Gasoline Alley are chiefly concerned with the mileage they get on their tires or the cost of a new hat. Volume one pretty much satisfied my curiosity and I probably won't buy further volumes but that takes nothing away from this excellent collection. You definitely get your money's worth and it literally took me months to get through the entire book.

Commentary and editorial aside, the heart of this book is the wonderful Gasoline Alley strips. For those who honestly can't imagine what daily life was like before automatic shift, television, modern medicine, sexual liberation--this book is like being pulled through a time warp into the 1920s and 30s.

It has a lot of the same flavor as For Better or Worse. It's infested with genuine American characters. (Fair warning: the portrayals of African Americans are deeply stereotyped--but also remarkably sympathetic in terms of human feeling.)

DO NOT read it all in one sitting. Try to limit yourself to ten strips a night. Like movie serials, comic strips that appeared in daily newspapers took months or years to fully develop a story arc. You can't rush through that--and why the heck would you want to?

This collection was a little before my time, but it is great to read about the earlier days of Gasoline Alley.

I thoroughly enjoyed this book. The photographs really provide insite into the authours life and basis for the comic strips. I really enjoyed the dated chronology of the strips. It also provided me with a humorous way of conveying the social, political and economic happenings of that period in American History. Absolutely Fantastic, I can not wait to read the second book in the series.

I had never really understood the appeal of Gasoline Alley. I sensed that it was a pleasant enough "slice of life" comic strip, well drawn and harmless. I had given it a glance now and then over the years, not even beginning to sense the iceberg that was always there, just beneath the 3 or 4 daily comic panels. This was all before I was exposed to the collected early stuff and the absolute genius of creator Frank King. Now, after having just finished the first volume of "Walt and Skeezix" which covers years 1921 and 1922 of this wonderful strip, I am simply very grateful to the Montreal publishing house, Drawn and Quarterly, for undertaking the multi-year project of collecting all the dailies from the King years.

The effect of this strip is somewhat cumulative, and Jeet Heer puts it best in his introduction when he writes "Gasoline Alley needs to be read in bulk to be appreciated." As I read along, it became increasingly clear to me what an astonishingly bright gem I was looking at. After I had read about six months into the dailies from 1921, I knew I was onto something very, very unique. The story of Walt and Skeezix unfolded exactly at the pace of real life, with all the well drawn characters growing older in real time. This infuses the strip with an immediately gripping "realism" that in turn makes the reader identify in a powerful way with the characters. The moments of subtle insight into human nature are many and so brilliantly done I found myself re-reading a single daily strip two or three times to truly savor it, finding ever-deepening levels to appreciate (if this sounds like hyperbole for a review of a comic strip, all I can say is buy this volume and I bet you will agree).

I don't want to gush and ruin your enjoyment of this work. You should come to it yourself, on your own terms. I will just say that you can truly sense the earth turning as you read these pages, and that this strip contains some of the truest, purest moments of understanding that I have experienced in any book.

One can look at this collected work as an incredible record of American life, or simply appreciate Frank King's wonderful art, and be well rewarded for all effort. Just beneath the surface, though, lies a much larger and impressive piece of art. Chris Ware, editor of the series, writes in his preface "I am convinced that after all these books are published, Gasoline Alley will stand as one of the most individual, human, and genuinely great works in the history of comics." Amen to that, brother. I will go further even than Mr. Ware: I believe that Frank King's Gasoline Alley, taken as a whole, is one of the greatest works of literature by an American.

Drawn and Quarterly Books deserves a medal of recognition for this multi-volume publishing project, and I personally regret every mean thought I have ever had about our neighbors to the north.

This work is highly recommended. -Mykal Banta

The book was better than I expected, and arrived before I expected it to.
Great buy. Thanks. :D

This book is so much fun. I'm a digital artist and use Illustrator as my tool. I learned so many techniques from this book. The pictures are big and bold and the author teaches without making you feel like a novice.

I bought this book for my husband and he loves it. He is constantly drawing little pictures for me. It will certainly bring out the inner artist in you. This book is easy to follow along with.

A casual glance through this book originally made me think it looked too cutesy and not what I wanted. I'll still say that too many of his characters and examples are cutesy, and rather stilted. But there's a lot of excellent material here. I found several tips that I (so far) haven't seen in several other books. I've had several nagging questions: Exactly how do I get things done? How is a finished cartoon created? On what size and kind of paper, using what tools? Blitz walks you through all of that stuff. The section on drawing backgrounds and perspective was also really handy.

I'd say this is the single best book I've seen to get started on cartooning. Even if you want to draw some other, very different style (like, some kind of dark Batman comic or something), if you have little or no cartooning experience, this book will be helpful.

I don't consider my self to possess any artistic abilities when it comes to drawing. I wanted to enter a contest on YouTube where I had to draw pictures of things. I got this book. Followed the easy to use instructions, drew my pictures, entered the contest and won the $5,000 grand prize. I would definitely say I got my money's worth from this book and much much more. Highly recommended.

Bill Pete started out as a daydreaming, doodling boy, and made it all the way to Walt Disney! Bill was born in Grandview and was raised in Indianapolis. He lived happily with his Mother, two brothers, and grandmother. His father was a traveling salesman, and didn't really come into his life until later. Ever since Bill was young, he loved to draw. During class, he would doodle in between the margins, and his books were a big favorite amongst the other kids when he sold them as second-hand. His childhood was fun filled, and he had some big hopes and dreams. First of all, he wanted to go on a safari and sketch the animals, but most of all, he wanted to be an artist. One day, in the summer of 1928, Bill's father returned "home" broke, travel weary, and demanding money. After arguing for many days, Bills mother gave in and paid his father. With that, his father drove away. Not long after that, Bill's grandmother tragically died, which put the family in complete shambles. They had to move, and everything changed. The Great Depression started, and Bills father kept taking money, so he kept them poor. Bill went through school well as a student, graduated, and went to college. That was when the work became harder. Bill was facing flunking some of his classes. One night, he ran into an old friend from school, and was persuaded to start taking some arts classes. Bill began painting, and it is there that he met his beautiful wife Margaret Brunst with which he eventually had two sons. He graduated with flying colors, and took a job as a painter. Finally, he realized he didn't have a steady income, and applied for Walt Disney Productions. He became a good friend of Walt Disney himself! Bill helped create many classics starting with Snow White, and going all the way to Jungle book. As time went by, Bill decided that after 27 years, it was time to leave. Bill had become attached to the company and his job, but mostly Walt. It was hard to say "good bye." About one year later, Walt Disney died. Bill went on to writing stories and illustrating them for children of all ages. They all relate to him in one way or another, but the one that felt the most connected to him was "Chester the Worldly Pig". Chester was who he was, and he had always been so. And like Chester, Pete "had grown beyond his expectations."

I can see myself in Pete sometimes. He never gave up and kept dreaming and kept his spirit alive. He has an easy flow to his writing that makes you feel relaxed and know that you're in for one heck of a good story. I loved his book for the truth that it told, and for the wonder that makes up Bill Pete. Keep dreaming, if you strive, you can reach the stars and soar beyond.

The book that introduced me to Bill Peet as a child and helped in inspiring me to push my art and chase my dreams. A must have for any lover of original Disney art or aspiring artist.

Wonderful book. A must for any Bill Peet fan. He captures himself in Bill Peet style - with words and illustrations - just as I would expect. The book is simple and direct, with life lessons woven between the pages.

This Book is about my favorite author Bill Peet. This book tells about his life starting his career at Walt Disney, then going to wright his own books.
Bill Peet was born in Indianapolis, Indiana, he started drawing when he was around 6 or 7. He dreamed of being a author one day. When he got into college he was in different art classes, during going to college he entered painting compititions and one most of them for extra money.
When he was asked work at Disney Annex he gladly accepted, this was around the mid 30s. After working there for a few years he was asked to work on Pinnochio. During his time at Disney he had many arguments with walt himself. He drew Dumbo, and drew the rats and the cat in Cinderella.
After he quit working for disney, Bill realized that he was a good writer too.His first book was Huberts Hair Raising Adventure, which I own along with acouple more of his books, my favorite is The Wingdingdile.
Bill Peet a tall thin man that had a dream, and made it come true wrote about 30 to 50 books, retired win 1989 after he wrote this book.This book is excellent and it will make you want to keep on reading.

I nevertheless found it quite fascinating and engrossing.

Peet is a self-professed reluctant student, especially of English classes, but he is nonetheless quite the good writer. Peet's illustrations add a lot to the pace and feel of the book and are a joy in their own right. His stories of life in Indianapolis before World War II will be interesting to any native Hoosier (as am I).

However, the most interesting part details his jobs at Walt Disney studios. His descriptions of how they made movies in the old days as well as the insider's look at Walt Disney himself are fascinating. Peet worked on several Disney movies, including Pinnochio, Fantasia, Cinderella (he created the lovable mice) and the original 101 Dalmations.

Peet brushes over his life after he left Disney a little too quickly. I would have liked to have read his descriptions of life in the publishing world as well. Also lacking is much history of his family life.

That being said, it was still fascinating, entertaining and totally worth the reader's time.

I give this one a grade of A-