Cartoons Books

I was looking for a collection of Bill Mauldin cartoons for my father. This book is full of 'em.

My father (who was part of the occupation of Japan in 1946) had a copy of this book. I grew up knowing Willie and Joe. My nephew likes to look at my copy, and I explain the war as best a civilian might, using the cartoons. He's been looking at them since he was five, and when I got a new copy of the book I let him have my old one for himself at the age of 8 -- I find nothing in there inappropriate for a child. I believe it to be a good introduction to that which it is my personal duty to never ever let the next generation forget, what the Greatest Generation did for us all. And yes it's really hysterically funny, even for a civilian, even for a small boy in the 21st century.

My nephew is too young to know that every year on November 11 in the great Peanuts comic strip, Snoopy the WWI flying ace would prepare to go over to Bill Mauldin's house to quaff a few root beers and swap stories. The inside of this book reprints one of these cartoons, in which Woodstock and one of his little birdie friends are marking the day by portraying -- Willie and Joe!

Bill Mauldin is almost certainly the single best-known cartoonist of World War II. His cartoons, many of which I never saw before they were reproduced in this book, are REAL, they are not the result of some funny gag of some sergeant hanging out 50 miles behind the lines... they are the product of a "dogface," a fellow infantryman who saw things which rang true. Mauldin's Willie and Joe characters look like they've been through Hell because that's the way infantry guys looked after weeks on the line. And the humor Mauldin uses is the same kind of fatalistic humor that one sees in this situation.

This collection also has the added benefit of allowing the reader to see Mauldin's development as a cartoonist, from the ones he did while in stateside training to the postwar cartoons which showed the bewilderment of newly-released Soldiers back to civilian life. The large format of the book does the cartoons justice, a definite improvement over the smaller versions of the same work.

This work is all cartoons from the beginning of Army life to getting out. There are captions attached and this helps those who are not familiar with military life.
I think those who appreciate Mauldins books ae those who have been there done that.
The touch I liked very much was that Mauldin treated the German Soldier much the same was as the American Soldier. There is a saying a Soldier is a Soldier is a Soldier, we just wear different uniforms, and have to do what we are told.
What adds to Mauldins cartoons and captions is that he is talking for the civilian soldier, the guy who does not want to be here, but by miracle of miracles he is here and even stays.
Light hearted peek into the life of the Army Infantryman.
Want to know what life in the Army was like for your Father, Grandfather, a must book..

Bill Mauldin was a favorite of my father who served in WWII. I served 1968 to 1972. However, more recent veterans have not heard of Bill Mauldin. I showed this to some of them. They enjoyed it as much as I. The military has not changed in the sixty years since the cartoons were drawn.

If you quickly glance through it, it might not seem like a great book. But it's really good, it just uses simple drawings to show idea's. If you want to start a comic strip artist this is a must to add to your collection. If you want to pretty pictures by a comic book, this is to learn to create them.

Before I finished my third book I decided it needed cartoons to visually explain some ideas (a picture is worth 1000 words) and provide humor to a tough subject. I started checking with hiring a professional artist (or student artist) to do the work. It quickly became clear the task would be time consuming, expensive and I may not get what I wanted in the end.

First, it would be difficult to find someone who would be able to take what was in my mind and transfer it to a cartoon

Second, it became painfully clear it would be expensive (even with a student artist). I wanted around twenty five cartoons drawn.

Third, some individuals wanted to discuss contracts and usage.

My best option was to learn how to draw cartoons myself. I figured it would be less expensive (only the cost of books and art supplies), and frustrating and I would get exactly what was in my brain. It would take some time to become proficient, but it sounded like a fun project. I was fortunately right.

The Cartoonist's Workbook by and a couple other books helped me learn how to draw cartoons good enough to put in my latest book.

Robin Hall's common sense approach to teaching drawing made the challenge fun. There were also a tremendous number of different sketches in the book that helped jump start ideas for potential cartoons.

Robin Hall provides many excellent sections that helps teach drawing techniques. Some the sections that I found especially helpful were: The Expressions section, The Useful Outdoor References and The Gag Situations.

After finishing my sketches, I used Adobe Elements software to polish up the work. I was very pleased with the final cartoons that went into my book...and there have been many positive comments about the cartoons from people who have the book.

Overall, this is a great resource for learning to draw cartoons!

The Re-Discovery of Common Sense: A Guide to: The Lost Art of Critical Thinking

Drawing on the Funny Side of the Brain : How to Come Up With Jokes for Cartoons and Comic Strips

Everything You Ever Wanted to Know about Cartooning but Were Afraid to Draw (Christopher Hart Titles)

This book is very helpful. I've had some experience before with attempting cartooning and I've been drawing seriously for years. However, this book teaches a different method for cartooning and drawing that is different than what I've been using before and reading it inspires me again to do more cartooning.

The way he writes is just encouraging, friendly and it is quick to get to the point. He accompanies his writing with illustrations that look comfortable and accomplished. The author is obviously a capable cartoonist and it allows you to feel like you are being taught well. He assumes you know nothing and I'm certain that his methods would seem comfortable to even the most inexperienced artists.

The gag writing section of the book is interesting too but it isn't as good as the rest of his book. This is understandable given the nature of writing humor. Even though it doesn't do as well as the drawing sections, it still is the best guide to writing humor I've ever seen. Like the rest of the book, it inspires me to write humor of my own. It's shortcoming though is that unlike the cartooning section, the examples don't seem accomplished. Though the methods he teaches seem promising with practice, his own stuff is not very funny.

Regardless of the flaws in the humor-writing sections, the whole of the book is just so inviting that it makes the book a great purchase. It's a useful and fun book and I'd have gladly paid twice what I did for it.

the cartoonist's workbook is a great book that just about goes over every thing needed to make a cartoon. of course since the book is only around a 100 pages it doesnt go into great detail on every issue. its a great recourse as it has around 20 pages of just gag ideas, useful poses etc...

Anyways the book teaches you a very 90's looking type of cartoon which i happen to like. I would recommend this book for anyone trying to draw some cartoons. This book assumes you know almost nothing and cant draw so its for absolute begginers. i highly recommend this book.

I've worked with fine art for years, and I was looking for a way to loosen up a little, do some simple sketching. Among art books there isn't much to choose from if you want to draw loose! I came across this book at a bookstore and I just liked the drawing style. I brought it home and within hours the looser style I wanted to achieve had emerged. If it's helped me this much, I can imagine what it would do for someone who actually wants to draw cartoons! It's a great reference for the simple basics of drawing everything from people to common objects. A great book!!!!

Many thanks to IDW for embarking on this publishing milestone. Even the earliest, crudest TRACY strips are entertaining and enlightening. Chester Gould's abilities as a storyteller and artist take shape over the course of years. His economy of action, character and suspense grows over decades. It's fascinating to watch the character and the strip develop in these early panels, especially if you know what's coming. At the rate they are publishing these volumes, it is expected to take five-six years to commit the entire work to book form. There have been other attempts over the years, both in hardcover volumes and comic book variations, to reprint TRACY, but it looks like IDW has come up with a satisfactory format, great design, and a commitment to getting it done once and for all. Please support them.

An excellent start to a much overdue collection! Yes, this first volume was pretty much covered in Tommyguns, but its arrangement and hardcover setup make it worthwhile. I look forward to future volumes!

I've been a huge fan of the Dick Tracy comic strip since I picked up my first comic book reprint of the strip sometime in the latter '40s in the middle of the "Boris Arson" narrative arc from the mid-'30s. It was great stuff, and even at my young age I knew it was the real deal and drew upon some actual events for plot points; "Arson" used an iodine-dyed dummy pistol carved from a raw potato to break out of jail! (Ah there!, John Dillinger!)

I was hooked, and became a dedicated collector with issue #29 (toward the end of the "Flattop" arc) and had every single issue from that point forward 'til #137! (Somewhere, inexplicably, they all disappeared! They survived the disapproval of my father, but not, apparently, my first wife!)

Over the past 30 years I've acquired virtually every "Tracy" reprint I could get my eager mitts on, and they've been for the most part excellent. But due to the selectivity of the reprints (none of which touched on the "Boris Arson" arc), there's been no continuity of the Chester Gould oeuvre until this series debuted, and I was all over it!

I've purchased the first two volumes, devoured both, and, O joy!, "Boris Arson" has appeared toward the end of the second one. The publication date of Volume III is a month away, and I'm like a kid awaiting Christmas morning!

I imagine the reason this "Complete Dick Tracy" project wasn't previously attempted had to do with some sort of "rights" issue, but I'm delighted that it's underway... and I know that unless they accelerate the present two-a-year schedule, I probably won't live to see the "Moon Maid" years, but that's okay!

These early strips show how polished Gould had become since his rather crude beginnings, and how much he developed his technical and creative "chops" over the decades. The format is fine... anything larger to accommodate a fuller sized Sunday strip would probably have put the volumes well above the "widely accessible" price point... so it's but a minor inconvenience for me to wear my reading glasses.

Kudos to IDW Publishing.

Around the early 1930s, as Prohibition was coming to an ignominious end, gangster films began to really take hold. James Cagney, Edward G. Robinson and Humphrey Bogart led the way on screen, while Dashiell Hammett and Raymond Chandler wrote the books, and on the comics page, it was Chester Gould, with his strip, Dick Tracy. Volume One of The Complete Chester Gould's Dick Tracy follows the detective from the very beginning in late 1931 to the middle of 1933.



As the comic begins, Dick Tracy isn't even a cop. When the father of his fiancee Tess Trueheart is killed by robbers, Tracy joins the police force and becomes a top detective without even needing to take an exam. He first solves the murder of Tess's father and then proceeds to be a one-man-gang against murderers, kidnappers, thieves and con men. His first real foe is the gang leader Big Boy, and most of the early battles are against Big Boy or members of his organization.



For those familiar with Dick Tracy's more bizarre foes such as Pruneface and Flattop, there may be a little bit of disappointment with the more mundane villains in this volume. Besides the bad guys and Tess, the main characters are Pat, a rather hapless fellow detective and Junior, a street urchin who Tracy takes under his wing. But it's Tracy who is the lead character, constantly meeting out justice with fist and gun. Like many such characters, Tracy himself is not that interesting, but is made more so by others around him.



Well-drawn and decently written, even these early Dick Tracy strips should appeal to fans of older comics. It may not be the best of these old-time comics (I reserve that compliment for other strips like Krazy Kat, Gasoline Alley or Popeye), but it is a fun read.

While I appreciate the effort to reprint the complete original Dick Tracy comic strips, certainly one of the most uniquely rendered creations in comics, I have reservations about the chosen format. The reproduction size of the Sunday strips is smaller than ideal, making for some challenging reading. To properly accomodate the Sunday strips, surely a larger format would have been better.

However, it's still fascinating to watch the evolution of Gould's trademark graphic style emerge from what started as a very ordinary-looking strip. Since it's probably not going to be done again on this scale, I suppose the best thing to do is accept the Sunday strip reproduction for what it is and board the train -- the best is yet to come.

With each new Bone book I get, I never get disappointed. Each book is more and more engrossing. While the black and white issues are the originals, the colors add more to the overall story than I would have guessed. The art is great, the epic story is amazing and the colors just help bring everything together even more.

I gotta say that once you get into the Bone series, it's hard to stop reading it, and I really enjoyed this volume, which is mostly about the antics and schemes of Phoney Bone as he tries to swindle people out of their money, hurting others along the way as things backfire terribly. Definitely great stuff!

The Bone series really hits its stride in this volume. Continuing the excellence from previous volumes, the story deepens and builds into a truly great fantasy tale, on par with classics of the prose fantasy world. I'd give this volume more than 5 stars if I could. Highly recommended.

Side note: - While I understand the all ages appeal of the Bone series; I find it odd that these books get shelved (and buried from a wider range of readers) in the young adult sections of the major chain stores. It would be better to shelve them with Graphic Novels or SciFi/Fantasy.

Jeff Smith's BONE: THE DRAGONSLAYER provides another fine graphic novel in Book 4 of the Bone series. Here the forces of evil are growing - and the roots may be within the Bone family itself. Full-color graphic novel pages entice kids to read the Bone adventures, and even newcomers will find it easy to jump in.

Action, suspense, mystery, with a winning plot and great characters, this beautifully mastered chapter in the bone series is top notch! I can't wait for the next book in the (assumed nine-part) series to come out!

It's a great book. I love the way you get to know more about Frazz. I also love the relationships Frazz has with some of the students and teachers.

I really would rate this a 7! It's also really good to see children put in a good light. All parents and teachers should read this and the second one.

The first of the author's Frazz series, hilarious and real life from the first strip to the last. All will enjoy reading this and reliving our youth, a keen insight into the minds of the youth and all others. Read it, you will put this in your library and refer to it often.

My first encounter with Mr Mallet's work, and definitely a case of love at first sight. I'm astonished at how deeply Mr Mallet can make his characters come alive, while still being at least as funny and deep as any other of my favourite comics.

If you are not familiar with Frazz (or Mr. Frazier) the Janitor at Bryson Elementary School, let me take a moment to introduce you. Frazz is a triathlete, a song writer, a poet, a literary buff and, surprisingly, a janitor at an elementary school. He is into healthy living, good food, good fun, and loves a good battle ball/eraser fight. He is the shining star of Bryson and is loved by all the kids there. He is a better teacher than some of the other paid staff at the school.

I sometimes think that Frazz is a grown up Calvin (from Calvin and Hobbs)

I really love Frazz. This collection allowed me to catch up on a lot of the old Frazz cartoons. Mr. Mallett's drawing style is very consistent from beginning to end. His humour is always gentle, loving caring, thoughtful and morally sound. The lessons Frazz provides to the kids of Bryson elementary school are deep, valuable, honest, socially responsible, healthy and usually indirect and subtle. If I take the time, I even learn new words from Mr. Mallett.

My teens also love Frazz. Then again, they like Garfield a lot too, so there is no accounting for taste.

My family and I will be reading and re-reading this collection of Frazz cartoons over and over again in the coming weeks.

Gotta love Frazz!

any book by Ralph Steadman requires serious and not so serious reading. his perspective on life is truly unique and worthy of consideration.

I'm very pleased with my purchase...It arrived promptly, well packaged, and in stellar condition. A flawless venture.

I love his work, have since he did the cover art and animation for Pink Floyd The Wall. This book is worth grabbing if you respect the artistic value of total insanity and the furthering of freedom of expression.

May the ghost of Hunter S. Thompson come down and become the next President of the United States - and may Ralph Steadman be his Art Director!

Having had, as many people did, my first taste of Ralph via Hunter S Thompson's books, I found this to be a great introduction to the Hyperactive and frantic style of a dude who is probably my favourite artist. This has a forward by Hunter, gives great colour examples of his works in the realm of Gonzo, and also has many written, poetical works, and songs. My fave piece is 'Stand up and be counted.' IE: The maverick beast will ALWAYS raise his head in the crowd. A perfect definition of Gonzo.

We love all the Mutts material. We've bought every Mutts book there is. Great to have around for a quick laugh. Too much is never enough!

A whole series of wonderful Sunday comic strips all gathered together! It was a real treat. I highly recommend this and the rest of the Mutts Sundays series ...

Patrick McDonnell's "Mutts" comic strip is quite an achievement: it's sweet without being cloying, heartwarming without being manipulative, and nostalgic yet always original. His simple yet eloquent artwork achieves a range of emotions; he may be today's most economical cartoonist. Even more remarkably, he earns laughs without resorting to the gross-out humour so prevalent in today's comic world.

This collection includes possibly my favorite "Mutts" strip: Guard Dog asks Earl "How's your old man?" Earl imagines his Ozzie in a cape performing all sorts of heroic tasks, and answers, "He's Super!"

I never tire of the adventures of Earl and Mooch. Of course, it helps to be a dog owner and animal lover! But I can't imagine anyone not being won over by McDonnell's lovable gang of "Mutts."

If you are 5 or 95 you will love Mutts. It is wonderfully drawn, funny, and sweet.

This book, the first of the Sunday collections, has great art, good humor, and an abundance of the charm and warmth that makes McDonnell's work so special. Plus it's in color, beautifully printed, and given an interesting presentation. Who could ask for anything more?

It's Gorey at his best continued. I am not exactly sure if the book i supposed to be a continuation of Amphigorey, but it has more of Edward Gorey. Content is different from the original Amphigorey, with the exception of the Chinese Obelisk. This book has included draft version of the work, as well as the final one (final one appears in the first book as well).

This is definitely a quality addition to one's Gorey library. However, if you're going to own only one Amphigorey, make it Amphigorey Also, in which he has truly mastered his own peculiar style.

This excellent follow-up anthology contains such classic Gorey works as The Beastly Baby, The Pious Infant, The Gilded Bat, The Chinese Obelisks, The Deranged Cousins, and The Disrespectful Summons.

I don't care if you've never in your life read Edward Gorey, I don't care if "it's not your thing," I don't care about any silly excuse. If you haven't read this book than you are not complete, and there's only one way to fix the problem.

Edward Gorey is satiric genius, and when he isn't being sarcastic and whimsical then he is beautiful and poetic (although come to think of it, he's always poetic, isn't he?). Being an Amphigorey, this book has loads or nonsense stuff crammed together with some of his best work. I can't imagine that anyone with any kind of imagination could read through it without finding at least one thing that they adored.

The contents of Gorey's collections with personal rates for each work:

AMPHIGOREY:
The Unstrung Harp (1953) ========================= ****1/2
The Listing Attic (1954) ========================= *****
The Doubtful Guest (1957) ======================== ****1/2
The Object-Lesson (1958) ========================= ****
The Bug Book (1959) ============================== ***1/2
The Fatal Lozenge (1960) ========================= *****
The Hapless Child (1961) ========================= *****
The Curious Sofa (1961) ========================== ****1/2
The Willowdale Handcar (1962) ==================== ****1/2
The Gashlycrumb Tinies (1963) ==================== *****
The Insect God (1963) ============================ *****
The West Wing (1963) ============================= ***1/2
The Wuggly Ump (1963) ============================ ****1/2
The Sinking Spell (1964) ========================= ****1/2
The Remembered Visit (1965) ====================== ****

AMPHIGOREY TOO:
The Beastly Baby (1962) =================== *****
The Nursery Frieza (1964) ================= -
The Pious Infant (1966) =================== ****1/2
The Evil Garden (1966) ==================== ****1/2
The Inanimate Tragedy (1966) ============== ****
The Gilded Bat (1966) ===================== ****
The Iron Tonic (1969) ===================== ****
The Osbick Bird (1970) ==================== ****1/2
The Chinese Obelisks (Sketch) (1970) ====== ***
The Chinese Obelisks (1970) =============== ****
The Deranged Cousins (1970) =============== ****1/2
The Eleventh Episode (1971) =============== ****
The Untitled Book (1971) ================== ***1/2
The Lavander Leotard ===================== ***
Direspecful Sermons ======================= ****1/2
The Abandoned Sock (1972) ================= ****
The Lost Lions (1973) ===================== ****
Story for Sara ============================ ****
The Salt Herring ========================== ***
Leaves for a Mislaid Album (1972) ========= ***
A Limerick (1973) ========================= ****1/2

AMPHIGOREY ALSO:
The Utter Zoo (1967) ======================== *****
The Blue Aspic (1968) ======================= ****1/2
The Epileptic Bicycle (1969) ================ ****
The Sopping Thrusday (1970) ================= ****1/2
The Grand Passion (1976) =================== **1/2
Les Passementeries Horribles ================ ***
The Ecletic Abecedarium ===================== ***
L'eure Bleau ================================ ***
The Broken Spoke (1976) ===================== ****
The Awdrey-Gore Legacy (1972) =============== ****
The Glorious Nosebleed (1975) =============== ****
The Loathsome Couple (1977) ================= ****1/2
The Green Beads (1978) ====================== ****
Les Urnes Utiles ============================ ***
The Stupid Joke (1980-1982) ================ ****1/2
The Prune People (1983) ===================== ****
The Tuning Fork ============================= ****1/2

AMPHIGOREY AGAIN:
The Galoshes of Remorse (illustration) ==========
Signs of Spring ================================= ***1/2
Seasonal Confusion ============================== ***1/2
Random Walk ===================================== ***1/2
Category (illustration) =========================
The Other Statue (1968) ========================= ****
10 Impossible Objects =========================== -
The Universal Solvent (1989) ==================== -
Scénes de Ballet ================================ ***1/2
Verse Advice ==================================== ***
The Deadly Blotter (1997) ======================= ***
Creativity ====================================== ***
The Retrieved Locket (1994) ===================== ***
The Water Flowers (1982) ======================== ***1/2
The Haunted The-Cosy (1988) ===================== ***1/2
Christmas Wrap-up (illustration) ================
The Headless Bust (1999) ======================== ****
The Just Dessert (1997) ========================= **1/2
The Admonitory Hippopotamus ===================== ***1/2
Negected Murderesses (1980) ===================== ***1/2
Tragédies Topiaries ============================= ****
The Raging Tide (1987) ========================== ****
The Unknown Vegetable (1995) ==================== ****
Another Random Walk ============================= ***1/2
Serious Life: A Cruise ========================== ***1/2
Figbash Acrobate (Illustrations) ================
La Malle Saignante ============================== ****
The Izzard Book ================================= ***

Cute title but the book was a little too old for my two year old grandaughter. Not sure she got the concept of animals wearing or not wearing clothes.

I work in a Nursery and I bought this book to read to the children. They loved it! They thought it was hilarious.

We use this book in our kindergarten class. The students just laugh and laugh over the pictures of animals wearing clothes.

This book is very short and the pictures just make me and ny son laugh. Well done

I enjoyed this book as a child, although even then I remember thinking that the 1970s clothing looked goofy on any one, not just animals.

This book is a classic, right down to the vintage illustrations.

I think this was my favorite volume in the series so far. The first two were fun and entertaining, but in this one the plot becomes thicker, more complicated, and we start to see glimpses of a rich backstory behind the characters Grandma Ben and Thorn. People who liked the first two books will be sure to like this one, too.

This is my 1st Graphic Novel that I have read. Jeff Smith is a great author and illustrator. The words along with the pictures tell a great story. Jeff uses many story elements in his book Eyes of the storm. His plot has several conflicts in it. He uses mainly person-against-person, with it being the Bone cousins and village people against the rat creatures. Jeff Smith uses flashbacks and foreshadowing in dreams to let Thorn know what her past was like. He uses cliff hangers to make the story more suspenseful. Amongst all of this, Jeff Smith knows how to lighten the atmosphere by putting humor in the right places. This book kept me wanting more. I can't wait to get a hold of the next volume. This will not be my last graphic novel that I read.

The Bone books are the gratest comics I have Ever read

check em' out ;)

This book I just read is about a boy named Bone. Bone's friend started a cow race, and convinced everyone to bet on a cow that didn't even exist. So now they have to wash dishes at a bar to pay back what they destroyed. They have weird dreams about their past. So they spend days trying to figure out what their dreams were about. There are furry creatures in the woods trying to kill them.
Bone was the main character in the story he is the coolest and funniest in the book. There grandma reminds me of my grandma from when I was 3. She told me that there as no such thing as ghosts. I figured out that there was such thing as ghosts when I was 5. My favorite part in the story is when Bone realized that their dreams where real. If you like comic books then you will like the Bone series. This book was made to be read by kids 11 and older.

These books are fantastic! I have two 7yr old boys that cry if I don't read this book to them at night.

Parents:
Imagine using, I won't read to you tonight if you don't stop right now, and it works...that's how good this series is. At first I thought the book might be a little too scary for them but they were hooked and it wasn't until book 4 that I had to consider sensoring some of the language (things like "idiot"). Any book that brings kids back to the well again and again is worth purchasing.