Cartoons Books

A Charlie Brown Christmas: The Making of a Tradition is a treasure for those -- like me -- who love this Christmas classic. It is a great "behind the scenes look" that includes photos of the cast of characters whose voices are so familiar. Give it as a gift to the "Peanuts Fan" in your life.
Philip D. Halfacre
Author, Genuine Friendship

While we've been treated to many Charles Schulz documentaries and remembrances over the years, "A Charlie Brown Christmas: The Making of a Tradition" is the first book to focus on the first Peanuts' television special. The book includes in-depth interviews with producer Lee Mendelson, animator Bill Melendez, and Vince Guaraldi's children. This book is the ultimate backstage pass to the recording studio, with interviews with the original child actors who voiced the characters and sang on Guaraldi's "Christmas Time is Here." As a bonus treat, the script and original animation art round out the book.

I loved this book! It has material for every fan of the famous TV special, "A Charlie Brown Christmas". I may not be musical, but if you are, this book includes the music. I am fond of the discussions of the people involved in creating the production of the TV show and the script. I will be using the script in my classroom for Reader's Theatre. The book has a lot of material that has meaning for me personally. I was young when this special was shown on television and it was always one of my favorites. The book was not a disappointment to read and own. I am very glad I bought it.

This is the ultimate companion to the tv show. The art work is from the original show and the dialogue is a great bonus! The book is also packed with great trivia and information about the decisions "behind stage" that led to the creation of the ultimate Christmas Special.

"Charlie Brown Christmas" is the crown jewel of Christmas specials. Heavy on holiday introspection, but with the dry wit and humor you'd come to expect from Charles Schulz's creations.

"A Charlie Brown Christmas: The Making of a Tradition" just expands that experience, by outlining how the famed special came to be -- the music, the animation, the voice acting, even the advertisement to get people to watch it. It's a charming, nostalgic little book, and a good accompaniment.

"A Charlie Brown Christmas" was spun up quickly, when Coca Cola wanted a Christmas special in less than a week -- and Charles Schulz's lovable loser Charlie Brown seemed to be the ticket. But the special was made very differently from other cartoons -- 2-D animation, no laugh track, uncutesy kids, and (horrors!) a jazz soundtrack. It was doomed to fail, they said.

Well, instead it became a booming hit, and has been running every December ever since. Lee Mendelson and Bill Melendez reminisce in here about the much-loved Charles Schulz, and about Vince Guaraldi, who made the distinctive piano soundtrack, and why it's so beloved -- it dares to approach holiday ennui and commercialization, then dashes it away with Linus' description of Christmas' meaning.

As for the "making of" portion, there are storyboards, musical scores, test photos, clips of television reviews, and rare photos like Melendez and Schulz doing the football gag. Finally, there is the entire script of the special, framed by colourful stills from the cartoon.

You couldn't wring this much information from most half-hour animated specials, no matter how much fun they were. But it's a bit different with "Charlie Brown Christmas." It was so completely unusual -- and has proved to be so timeless -- that a book on the making of it, and its effect, seems completely right.

It's a very conversational, reminiscent book. It feels like sitting in a room with Melendez and Mendelson, listening to them reminisce about "Sparky." And we also get input from other people involved in the project, such as Christopher Shea (Linus), who talks about his famous "Second Chapter of Luke" speech, as well as odd bits of trivia (the little girl playing Sally had to be fed her lines).

The Christmas special is more than able to stand on its own, but "Charlie Brown Christmas: The Making of a Tradition" is a wonderful accompaniment. Full of interesting tidbits and history.

Great things happen in this book. Many firsts like Sally and the Great Pumpkin and many more cool stuff in this great book. Sally also falls in love with Linus and Linus falls in love with his teacher. Some of these comics are ones they used in You're a Good Man Charlie Brown. Good bye 1950s hello 1960s.

This issue gives us the first shots of Sally, plus some other developments. The baseball themes are being fleshed out (complete with mass-quitting of CB's team) and the Psychologist's Stand makes its debut.

What's most interesting is watching the beginning of Sally's crush on Linus. While the reprinted strips of before show Sally falling in love and Linus responding with revulsion, the new strips reveal some interesting tacks.

First, early on in the book (in a strip that hadn't seen the light of day in the reprints I had read over the years), Linus actually expresses an interest in Sally, wondering if she would be dateable at 17 (when he would be 22). One gets the idea that Schultz actually wanted to develop a situation where Linus was in love but his object was unrequited.

Later on in the book, Schultz hits gold: Sally falls, Linus is embarassed. While some of these strips are familiar, the section where Sally's heart breaks is new to my eyes. Towards the end of this book is a comic strip that is worth every penny: Sally sees Linus walk by and responds in a way that everyone has responded to a broken heart. Only Schultz could have reduced it to half a day's strip!

The fifth volume of "The Complete Peanuts" covers the years 1959 and 1960. During this period, the four main characters are Charlie Brown, Lucy and Linus Van Pelt, and Snoopy. Schroeder, Violet, and Patti all have fewer appearances in the strip. Although, Schroeder has a clearly defined role which makes his character stand out more than the other two. Similarly, Pig Pen has a specific role while Shermy is a throw in character, despite the fact that both appear rarely. During this period, we have the first new character since the short-lived Charlotte Braun almost five years previously. Sally Brown is born on May 26th of 1959, we find out her name on June 2nd, and she makes her first appearance in the strip on August 23rd. We see her walking for the first time on August 22nd of the following year.

There are some classic firsts which appear in this book. One is the first strip to have Lucy's Psychiatrist stand, in which she offers the classic advice "Snap out of it!" to Charlie Brown, followed by "Five cents please." The Great Pumpkin is also mentioned for the first time in these strips. There are also some wonderful sequences here, including the impending destruction of Snoopy's doghouse to make way for a freeway bypass, Linus' crush on his teacher, Charlie Brown missing a baseball game to push Sally in her stroller, and many more.

As with the previous volumes in this series, the index is an amazing resource. If you want to look up the strips in which "The Mad Punter" appears, all you have to do is check the index. The Foreword in this edition was written by Whoppi Goldberg and she reflects on her interview of Charles M. Schultz, as well s the role "Peanuts" played in her own life. "Peanuts" was my favorite comic strip when I was young, and it is wonderful to read all these classic strips again. There are also many strips here which were never printed before, so it is a great pleasure to experience them for the first time.

The best ever written. It's very difficult not to relate to Charlie Brown. He is Joe Everyman. I can't wait for the rest of the strips to come out. A big mistake for a "Peanuts" fan not to own them.

What is happiness? On April 25, 1960, Charles Schulz, through his character Lucy told us: Happiness is a warm puppy. This immortal sentence is just one of the things that appears in the fifth volume of The Complete Peanuts, which comprises the years 1959 and 1960. As in previous volumes, we see once again why Peanuts is considered by many to be the best comic strip ever.

In some sense, things have not changed from past volumes: Linus still has his blanket, Charlie Brown still can't fly a kite and Lucy is a champion fussbudget. On the other hand, things do move forward, albeit slowly. As original character Shermy (the first to ever speak in a Peanuts strip) becomes less significant, we get a new character with Charlie Brown's sister, Sally. Before she can even talk, she will have her heart broken by Linus, but don't worry, she'll recover fast.

Resiliency is the key to many of these characters, none more so than the strip's centerpiece, Charlie Brown. Constantly luckless and often ridiculed by his "friends" (only Linus, and occasionally Schroeder, are relatively consistent in being nice to him), Charlie Brown, despite his glumness is actually the eternal optimist. He never gives up on flying his kit or playing baseball or even his belief that one day, Lucy will actually allow him to kick that football.

Behind the deceptively simple drawing and the child characters (by this point in the strip, even the adult voices are gone), lies an often deep and sophisticated art, filled with wit and humanity. And like any piece of art that is great and immortal, it is timeless and as good now as ever, whether you're an adult or a child.

This book contains all the Peanuts comic strips from 1965 and 1966. The most significant events from this time period were Snoopy's first imaginary battles with The Red Baron and the first appearance of Peppermint Patty. Charles Schulz was so good for so long, it's hard to choose a "peak" period of the strip, but the strips here are definitely great. Highly recommended.

I am so excited that The Complete Peanuts is being made available. I started with the first volume and have gotten each new volume. Charles Schulz was a master of understatement and pathos. HIs view of the world through the characters--Charlie Brown, Lucy and Linus, Snoopy and the rest--is honest and real: skeptical, funny, pitiful and hopeful and very humanistic.

I gave this collection 5 stars because the strip was still at its peak; but, ominously, this is where Peanuts starts to go down hill. The introduction of the Peppermint Patty character is the turning point, where the peak of Peanuts ends and the long decline from greatness begins.

Not that there was anything wrong with the Peppermint Patty character to begin with. The character was amusing as an occasional intruder into the Peanuts World; but, eventually, Peppermint Patty and the other characters introduced over the coming years came to take over the strip. This new concept of the strip was not as good as the original, and it got worse as years went by. This corruption of the "pure" original concept of Peanuts, combined with the shocking deterioration of Schulz's drawing ability in later years, clearly marks the end of Peanuts as the greatest of comic strips. Greatness is not the permanent condition of anybody or anything, and no peak lasts forever. Schulz had as long a peak period as any other comic strip artist (George Herriman being a possible exception), and I highly reccomend this volume because it was in that peak period, though towards the end of it.

Peanuts was a great strip from the beginning, and it was on a continuous upward arc from there. By the early 60s, the cast of characters was as complete as it had to be, the addition of Charlie Brown's nasty little sister Sally being the last necessary addition. Schulz possibly started running out of ideas for this cast and felt, to keep fresh, he had to bring in new faces. Unfortunately, the new faces weren't as good, or funny, as the originals. Peppermint Patty was the first of these newer characters. Peanuts was still pretty darned good for ten or so years after this, up to the mid-to-late 70s, but here is where Schulz started abandoning the original Peanuts characters and the newer cast was distinctly less inspired than was the original.

The newer characters reflected a creeping mellowness in his outlook, which is common for an artist growing older. (Some, like Mark Twain, get nastier and bitterer as they grow older, but, as in the case of Twain, this doesn't necessarily make them better either.) The newer characters were too "nice". Peanuts, for all the (mistaken) talk of its "heartwarming" humor, was not sweetness and light on the comics page. It was a tale of rotten little kids being rotten to each other. This was the source of its greatness. That was the originality and innovation behind the strip. Once it became "mellow" and "nice", it lost its originality and cutting edge.

However, though this volume represents the downward turn, it is still great stuff. Rereading it all these years later, I found it better than I remembered. When I was younger, I didn't really care for the Red Baron & Snoopy strips, thinking them too far away from the true gist of the strip. Now I found them very funny. Schulz started to play heavily on the "Bleah" vs. "Nyahh" arguments between Lucy, Violet and Snoopy, which were peaks in silly (but accurate and on-the-mark) humor. The "grit your teeth" baseball sequence, and Sally and her troubles with the "New Math" were other very inspired highlights.

Though there were bad signs of the decline to come towards the end of this volume, that decline hadn't set in yet. Peanuts had at least 2 more peak years to come, then 5 or 6 more very good years. Buy this, because it is one of the best volumes in the set, but mourn also, because here is where it starts to go down, down, down.

How can you review Charles Schulz? You're kidding right? He's an icon! As far as the collection, it's a must have if you're a Peanuts fan. My husband and I have all the collection books up to this point and they are wonderful. There are drawings from the minute you open the cover and that's even before you get to the comics. For a long time fan like me (Ok my first stuffed animal was a Snoopy) to see the development of the characters from their creation to when Mr. Schulz finished is delightful. As for the book, the quality of the paper is superb and the comics-priceless.

All the Fantagraphics Peanuts volumes are top notch, but this is my fave so far because it is at the beginning of my favorite Peanuts era. I love Peanuts, but the 60's strips will always be the ones I love the most.
The great thing about this series is that it reprints everything in chronological order. Previous Peanuts collections have either omitted strips or printed them out of order. The reproduction quality is also outstanding.
I'm looking forward to the Pogo series!

I love Peanuts it really got good by these years when they put in Peppermint Patty. I love when they talk to the readers like the comic on 2/4/65 when Snoopy was gonna marry his skating girlfriend he said to the readers wish me luck so cute. Great comics great books and a lot of long lost comics and lots of it came from TV.

Come on! It's the Peanuts! Quit reading the reviews and start reading this set. Besides, if you have to read the reviews, you haven't read the Peanuts.

For those of us who grew up in the 1960's Peanuts was the paragon of subtle wit and insight into our cultural minds. We could live vicariously in the dancing of Snoopy, his triumphs over the Red Baron, and his material excesses(a house with a Van Gogh, no less). We could sigh along with Charlie Brown, philospophize with Linus, and argue with Lucy. This collection continues the daily progression of the characters as they navigate the turbulent 1960's and gave us all something we could share in common every day in the paper.

This collection from Fantagraphics Comics is sooo beautiful! Besides having the whole Peanuts production, the box sets are collector items themselves with brilliant forwards and an overall excellent graphic packaging.
In one of the volume a note from the Editor explains how in the original of certain strip was damaged or lost and they had to reconstruct somehow. One strip out of 700 of that volume alone and it deserved an explanatory note! This just to give you an idea of how much carefulness and passion is behind this Peanuts collection.
A must!

The Complete Peanuts is definitely complete! It's a real collectors' item!

Each book contains 2 complete years of Peanuts - the funniest comic strip of all time (IMHO). So this two-book set contains four complete years of Peanuts - all the strips that were published between 1963-1966.

Note that both books included in the boxed set are exactly the same ones that are sold separately. The books also contain full book jackets (i.e. if desired can be shelved separately). As of this review date it is cheaper to buy the two-book set than to buy them separately at Amazon and we get an added attractive slipcase with the two-book set.

Unfortunately the Sunday strips are in black and white - a minor gripe. However other such comic strip collections (including Calvin and Hobbs) have the Sunday ones in color.

Recommended.

(Note: I have essentially copied my review of the other peanuts sets for this one)

Gift material 110% I love it. I have taken drawing courses in school and online and through the mail, and my mother taught me to draw, and I learned from DRAWING ON THE RIGHT SIDE OF THE BRAIN, and THIS DRAW..HEROS is fantastic both from a teaching methods standpoint, and from an artist's needs standpoint. It can teach you to refresh some of your old drawings with movement and power, and MOVEMENT! WHhhham! ZOOoooMmmmm!!

I am giving this to deaf friends as I am always trying to show them I appreciate their special abilities.

Purchased this as a Christmas gift for my nephew. My 14 year old would like it after reviewing. Shows how to draw characters; first by shapes - and then adds in details, including hands and feet.

This is a great product. It is small and self contained, comes with drawing tools stored in a zipper pouch so it is perfect for travel. The easy to follow, step by step instructions create the sensation of instant success. Great for all ages - even adults can have a bit of fun with it!

I can't walk past this book in a store with out picking it up (heck, I couldn't see a link for it with out clicking it).
This is single handedly, the most influential book I have ever picked up.

I first got it when I was 6, and it laid the ground work for the rest of my entire life. I'm an art student, I'm going to be an illustrator, I want to be in comics. This book is why and how.

Everything in here is solid and where EVERY ONE should start if they want to do this thing right. Give this to your kids, give this to those friends of yours who want to do art, but never had any teaching or talent, give it to that rival who needs a refresher on the simplest of simple. Buy it for yourself, as a clear reminder of what you should be doing, and of the foundations that everything you do is based on.

This isn't Burn Hogarth, but it is still a must for ANYONE getting into drawing. I can not recommend this enough. This book will always hold a special place in my heart and on my shelf.

This book is really great. My son picked it out as something he wanted because Spiderman was on the cover. I would never have thought to buy it. The content is great. It takes you step by step in drawing. It all starts with the stick figure with ball joints. This may seem dumb, but it is essential. I have been poor at drawing a body or figure, but after using the starting point of the stick figure and then adding more to it, I could not believe how well it turned out. I still only at the beginning too. Lots more to learn from it! This is a great way to teach my son how to draw at an early age. The superhero tie in is perfect, but the content is top notch.

I have been a faithful FoxTrot reader for years. Roger, Andy and their kids Peter, Paige and Jason are always good for a reality check with a large dose of laughter. I've got two girls and let me tell you, I see a lot of my kids in Paige with, I believe, even a healthy dose of Jason thrown in. And they have Peter's bottomless stomach. Of course, they're faithful FoxTrot readers too. I used to read the strip to them, explain what was going on, but now they get it just fine and we three all laugh together. Then my girls try and explain the strip to their dad, who pretends he doesn't get it.

The FoxTrot folks are a great family, one we sort of got used to checking up on every day, so we took the news that Mr. Amend was going to cease daily distribution of his wonderfully funny people and turn his strip to Sunday only, with a bit of sadness. Still, we have these terrific FoxTrot books to keep us going with our FoxTrot fix. Mr. Amend is to be commended for his great gift to our culture and his great gift to so many lives. I truly believe a laugh a day, helps keep the blues away and the FoxTrot gang are always good for a laugh. Heck there are a lot of laughs in the FoxTrot books. I know, I have them all and I am, along with my girls and my hubby dear, eagerly awaiting the next one.

Oh yes, I forgot to mention, we don't have an iguana, but my girls do have a pet gecko and, you guessed it, his name is Quincy.

I've been a Foxtrot reader for a long time and personally I think there is something suspiciously wrong with people who don't find Bill Amend's characters funny as all get out. If you want a good laugh, check out Bill in your local newspaper, or better yet, get one of the Foxtrot books. They are all great, really, they are.

Like many of Mr. Amend's fans I'm a bit disappointed he's switching his strip to Sunday-only, but fortunately I can still read him daily in the Foxtrot books. Get them one and all and you can keep right on a laughing.

It's a funny book and all but there is just one thing - not just about this foxtrot series but all of them - it's that fox family always stay the same, no one ever grows up. Paige is always starting her first year in high school, peter is always staying a junior and taking a physics and trig class and jason is being jason as usual. Although maybe I'm wrong, maybe if they did grow up the show wouldnt be funny anymore...I dont know but it's still funny though. BUY THIS BOOK!!! IT'S FUNNY reaaaaaaly funny.

First Bill Watterson retired and there was no more new Calvin and Hobbes. Then Charles Scultz retired and unexpectedly passed away, so many newspapers stopped running Peantus. At first it would seem there isn't anything all that funny left in the funny papers. Ah, but one grand gem remains: Fox Trot. Appearing about half a decade before the funnies started to become unfunny, Fox Trot remains as about the only witty and upbeat comic that can be seen in papers. ASSEMBLED WITH CARE is a collection of two-year's worth of Fox Trot comics. I'm not for sure of the exact dates, but the strips ran around 1999-2000. The stories make grand observations on life, but are also constantly ribbing pop culture and (then) current events. Two of my favorite story lines are the one where Jason and Marcus imagine themselves acting in the just announced production of THE LORD OF THE RINGS (the director looks like a hybrid between Steven Spielberg and Peter Jackson) and the series that ran the week that Y2K could have happened (the comic strip finds itself back in 1900). A great collection of one of the best comic strips still being written.

FoxTrot is by far the best comic strip ever! My favorite character is Jason. In this book, he creates a TV special called "The Mrs. Grinch who was too Cheap for Christmas". My advice is too just buy the treasouries; or else you'll get repeats. This book is one of the best!!!!!!!!!!!!!!!!

There is no one better at spoofing the foolishness of how business is done than Scott Adams in his Dilbert strip. All quality spoofs are based on fundamental truths and Dilbert is no exception. That is of course why the Dilbert web site is one of the sites most frequently blocked by business managers.
While the truth often hurts, in the right hands it can be hilarious and Adams' hands are the right ones when it comes to business. Reading this book may not make your job better, but it certainly will make it more tolerable.

For some reason, I didn't find this book quite as funny as some of Adams' later stuff, but it still gave me some good laughs!

The funniest humor always has a root in reality. . . that's why Dilbert is so hilarious! Though sometimes outlandish, I can sometimes see similarities between the Dilbert characters and people I work with!

Scott Adams has talent. That is a fact. His comics, Dilbert, are basically about this engineer who works in a cubicle and has no social life. They're so funny, and have such original characters. Bob the Dinosaur, who basically goes around giving wedgies to people, is probably one of my favourites. I find it very amusing how a lot of characters are animals, like Dogbert, Catbert, Ratbert, etc. It seems so funny, somehow, to incorporate animals into work at an office building.
So, overall, any Dilbert books are incredibly hilarious. Go buy one.

Fugitive From The Cubicle Police is a 224-page collection of Scott Adams' hilarious Dilbert cartoons. Dated from 1993 and 1994, these cartoons are from quite early in the Dilbert story. Most of the normal crew is here: Dilbert, Alice (her hair isn't pyramid-shaped yet), Wally, Dogbert, and so forth, but no Catbert. The cartoons themselves appear as they did in your favorite newspaper, with the big Sunday ones printed in bright color!

This book is great, a must-have addition to the library of any Scott Adams fan. And, the finger-puppets make it that much better. This is perhaps the best Dilbert book of them all - buy it!

Monkey: Evolution favors monkeys. Eventually humans will be kept in cages as pets...
Dilbert: Impossible! We humans will never allow ourselves to be treated like that! Now, get out of my cubicle!

Dilbert, the mainstay of office-life critical witticisms, is the concept of Scott Adams, who quit his job to write the column, using it primarily to exorcise the demons that haunted him (and, indeed, seem to haunt all in small-to-large corporate America) during his tenure as a mid-level office worker.

In his introduction, he says: 'I was doing some thinking today. But I didn't enjoy it very much, so I decided to write this introduction instead....'

Who can argue with this? This, perhaps in a brief statement, summarises much of the underlying philosophy of the corporate culture Adams presents in his Dilbert column. It certainly epitomises the prevailing attitude of the boss and management structure. And of course, being in charge of his own column, Adams has graduated (or, perhaps sunk) to the level of management.

This book consists of a generous sampling of Sunday columns (complete with colour -- OOOH! AAAH!) -- colour of course being a Dilbert-ian device to disguise the lack of information. Yet, the information here is timely and timeless (insofar as anything about corporate culture can be timeless).

Dogbert's entry into and rising through the hierarchy is a good case in point, where LOUD equals results. After securing a corner office with a window by being LOUD, a task force ripe for empire-building within the company, the budgetary control of his boss, he is invited, at the end of his first week on the job, to meet with the president of the company.

President: You've made quite a name for yourself in the week you've worked here.
Dogbert: It was easy to grab power, once I realised that other executives were just imbeciles with good hair.
President: I hope you don't think that of me.
Dogbert: No, that looks like a toupee from here...

Onward and upward...

Finally Dogbert becomes president, exercises stock options after a disastrous but stock-market-friendly series of initiative plans (of course, they only have to be plans for the stock market to react), and retires to devote himself to philanthropy, which is 'mostly about watching people beg, and having buildings named after me.'

We are introduced to Dilbert's co-workers, who are variously competent and stuck in their jobs, rejoicing the occasional tiny victories, or, more frequently, plotting grand schemes to gain the minor advantage (a few more inches of cubicle space, for instance). We are introduced to incompetent co-workers who get promotions and jobs in other firms with real offices and perks. We discover what kinds of women will date (and dump) Dilbert. Of course, that might have become a bit of a different problem had Dilbert's boss not been corrected in time...

Boss: My boss says we need some eunuchs programmers.
Dilbert: I think he means Unix, not eunuchs. And I already know Unix.
Boss: If the company nurse drops by, tell her I said "Never mind."

Dilbert does sometimes win after all.

Jim Tooney, is certifiable. This was excellent. The characters are all so memorable and completely well rounded. Thx.

I bought this book for my Dad as a birthday present because he loved this comic. I read it before I gave it to him, but I had to stop several times because I was paralyzed with laughter! This is definitely the funniest book I have ever read. After I read it, I immediately went out and bought the first book Ate That, What's Next. I was quite dissappointed in it. Then, I reread it about a month later and was in tears again! The simple reason: it's a great book, but this one is absolutely the best and I was expecting too much. Ate That was hysterical too, though just not as funny as Poodle: The Other White Meat. You should probably read Ate That first. Both books are great, and I can't wait to read the new third one, The Illustrated Guide to Shark Ettiquette!

My wife's favorite current comic strip, Sherman's Lagoon, has another anthology collection out, and this is it. We get to see Sherman visit Venice, disguise himself as a human to rescue a friend, and deal with a military drill. No sidesplitters but definitely entertaining.

This book by J.P. Tommey is very witty and very funny. I reccomend this book to people who like to laugh.

This second collection offers us another look at the adventures of the funniest sea-dwellers known to man. There are several hilarious storylines here, including invasion from Navy Seals, Hawthorne's adventures off-island, Fillmore's trip, once again, to Ascension Island, the gang raising a baby sea turtle they call Clayton, the return of sun-loving polar bear Thornton, Sherman and Ernest's trip to Atlantis and, of course, Sherman's attempts to impress his girlfriend Megan. This is a great work of art and writing that anyone can enjoy, not just fans. It is always funny, often hilarious, and I am proud to own it. I'm sure you would be too. Thanks for another great book, Mr. Toomey!

I have the hardcover edition. I collect Robert Crumb's works and this is a favorite of everyone looking at my collection. It you are an art student this along with his Gotta Have'Em Portraits of Women by R.Crumb is good resource material. I'd give The R. Crumb Coffee Table Art Book in (hardcover) ten stars if I could. I have not had the opportunity to look at the soft cover version but I would bet it is well done.

I just picked up the hardcover edition yesterday at the bargain section of my local bookstore. Once I started reading it I couldn't put it down. It's in chronological order of R. Crumb's work broken into chapters. Each chapter starts with a write up by him telling about what was going on in his life at that time, and how some of the drawings came to be. I find him to be a fascinating artist. He bares his soul in his work, not really caring how he appears or what people think.

This book is the ultimate Crumb. You won't be disappointed if you love his work.

Just about every huge page (this book is big!) is filled with inspired color drawings from the legendary underground artist. Crumb gets very personal in this book, it's incredibly honest and, at times, deep. He takes the reader on a nostalgic journey through his childhood, life, and career. It's about growing up, finding the artist within, and adjusting to the insanity of the world. Or, you can simply read it for the edgy, often sexual comics. Either way, this is a big heavy book that is hard to pick up, but harder to put down.

A generation ago, American poets such as Sylvia Plath, Robert Lowell, John Berryman, and Anne Sexton gave birth to a genre that's come to be known as "confessional poetry." Their verse revealed intimate facts about their lives that simply weren't spoken of in polite company: fears, phobias, sexual hang-ups, pettiness, depression, suicidal tendencies. Some of their work wound up being rather pathetic, more confessional than poetic. But when it was good, it invited readers to face their own demons.

Robert Crumb, whom the art critic Robert Hughes has called the "Breughel of the 20th century," is a confessional artist whose chosen genre is comics. For 50-odd years (with the emphasis on "odd"!), R. Crumb has explored his many identities and personae in thousands of sketches, drawings, and paintings. The R. Crumb Coffee Table Art Book is actually an autobiography put together from a handful of the work Crumb has produced over the years. It's interspersed with essays by Crumb on his childhood, school days, the hippie scene in San Francisco, his marriages, his "personal obsession with big women," his spiritual yearnings, and his love of old music. Taken together, it's a fascinating portrait of a man who's dared to explore some of his deepest and darkest places, and to do so (at least sometimes) publicly.

Crumb believes that the pivotal moment in his personal and artistic life was the period in the mid-60s to the early 70s when he dropped acid on a regular basis. Although he sometimes worries that he might've fried his brain, he also thinks that the LSD trips liberated his psyche and helped him break through to new and deeper levels of creativity. The LSD was, he tells us, his "road to Damascus."

Perhaps. It's true that Crumb's work has changed over the years--it's become more brutally honest, more introspective, darker and at the same time funnier. Perhaps the LSD had something to do with it (although, personally, I quite dislike some of the work that comes from that period, finding it rather flat and silly). But I suspect that the single greatest influence on Crumb was his childhood and his family, especially his brother Charlie, who seems to have been just as much a genius as Robert. Crumb the man really is the child of Crumb the boy. The LSD may've helped Crumb get in touch with the raw energy generated from those days.

Crumb has become notorious for the sexuality of some of his comics, and has taken his share of political correct knocks. But The R. Crumb Coffee Table Art Book makes clear that the bottom line of much of his art is his existential need to explore and expose the shallowness and absurdity of much of modern life. Above all, as he tells us (p. 247), he wants to tell the truth, not only about himself but about us as well. Whether it's in the pages of "Zap" or "Weirdo" comics, or in panels featuring Shuman the Human or Mr. Natural, Crumb continuously questions racial, sexual, cultural, and artistic conventions, pushing the envelope as far as it can go and frequently causing readers discomfort. There's also a longing on Crumb's part for deep meaning in a universe that appears crazy. This most often reveals itself as nostalgia for bygone days (his love of "old" music, for example), but also more explicitly as a yearning for a god that he can no longer fully believe in and frequently mocks.

Reading R. Crumb is an intense experience. Like all good art, his stuff can make one laugh with joy or send shivers down the spine. The R. Crumb Coffee Table Art Book is a good place to start if you're just discovering Crumb, and an equally good collection to help long-time admirers get some idea of the big picture of Crumb's work and to better appreciate its depth. It's also a good catalyst for getting in touch with one's own multiple identities.

Excellent! 10 out 10! The true story of Sailor Moon! If you're into Manga and Anime, I would recommend this manga 100%. Sailor moon is full or Romance, Adventure, Drama and More. If you like sailor moon you might also like Revolutionary girl Utena another Manga written by Naoko Takeuchi.

The cool thing about this book and other SM comics is an instant replay is included, which has:
Information about Bunny's family and her friends {both her scout friends and her friends like Molly that have no powers}.
The people from the Black Moon {Nemesis}
A summary of what has happened in previous comics that are in this season {which includes #4 to this one}.
In the first chapter:
Sailor Pluto stops time and kills herself.
Black {Wicked} Lady transforms back to Rini and then becomes Sailor Minimoon.
Neo-Queen Serenity and King Endymion wake up.
Sailor Moon and Sailor Minimoon destroy Death Phantom.
The sailor scouts meet their future self, including Sailor Moon.
Rini goes back to the 30th century. See if she comes back to the present 20th century.
Second chapter:
Raye and Darien get a premination.
Rini goes to an amusement park and meets Hotaru.

I really love it I like the beginning of it plus it starts the Sailor Moon S comic part.If you are really a moonie you should get this!

First of all I loved the cover of this book, not to mention the beautiful artwork inside! Naoko Takeuchi has done it again with book #7! I won't tell you much about the book (or it might spoil it) but I will tell you that this is the book where hotaru first appears-there's not much about her but hey....Anyway, I would recommend to buy book #6 first or you won't really know what's going on.
If you're interested in sailor moon, Nakayoshi magazine was were it all began. ......sailor moon #7 are very worth getting!!

This is another great volume. Usagi/Mamoru, Serena/Darien, Bunny/Darien are the best couple. My favorite version is the Japanese version. I will use both names. In this volume, Usagi, known as Bunny and Mamoru, known as Darien have a wonderful experiece. Bunny and Darien are lovers. After going to the future, Bunny becomes trapped. Darien comes to rescue her in space. Bunny and her boyfriend and true love, Darien, travel together. Bunny asks Darien if she should exist because the future would be altered by her. Darien tells Bunny that she has saved many lives. Darien tells Bunny that he lives to protect her and he will lend her his power. Tuxedo Mask and Sailor Moon kiss. Bunny kisses Darien. As they kiss, she feels that they become one. She tells him that she's finally found herself. Darien holds Bunny close. After the battle, they send their future daughter back to the future. Bunny and Darien go to a bench together. Bunny becomes sad. Darien cheers her up and says that they have the whole future together. Bunny smiles, knowing he will always be beside her. Bunny and Darien kiss. As they kiss, their future daughter returns. Bunny wakes up the enxt day and is alte to meet Darien, but he forgives her. Bunny and Darien kiss and Darien senses something new. To find out what happens, read this wonderful volume.