Caricature Books

The comics are great and so are all the little extras. But the books are bloody huge making them hard to read and I don't unless I'm excessivly carefull that they'll hold up for a long time. But if you want the whole collection this is the price you pay, and I say it's worth it.

I bought this as a gift for a nephew, and ended up buying a copy for myself. Even though the biggest fans will think they've seen them all, there's plenty of new cartoons in these massive archives. Larson is way out there, and his intelligence and cynicism are a perfect match. Worth the price.

I bought this when it was a Gold Box Deal for my husband. This set is very nice. It is huge (very tall), and I do have trouble finding a shelf big enough to display it on, but it is so pretty that I want to display it. It is very very heavy, and the free shipping is a nice bonus. It was a gift for my husband, who was very excited to receive it and immediately looked through it for 2 hours, proclaiming it to be an awesome gift.

'The Complete Far Side 1980-1994' is an absolute must buy for all Far Side fans that want to have the complete collection of his work all in one bound set. Yes this collection is expensive and yes it is heavy but what you are buying is quality, not only in bounding but in the work itself. A career spanning 15 years and hundreds upon hundreds of cartoons, to say that Larson's work was groundbreaking would be an understatement. Larson took the cartooning field and flipped it upside down with his unique wit and style.

If you are a Gary Larson Far Side fan pick up this set and either relive the days of one of the great cartoons or prepare to enter a new world that you will no doubt enjoy and laugh at.

***** HIGHLY RECOMMENDED

Absolutely outstanding collection of humor. As a younger person, I used to look forward to seeing what Larson had to offer for the day. I was never disappointed and now I have the entire collection in leather bound editions. Great works and they should be brought back for this generation to enjoy.

Tommy Tomorrow is a genious! His comics do an amazing job of summarizing just what's wrong in politics, while making the situations incredibly humorous at the same time. Very highly recommended.

Ruled by incompetent right-wingers for the last 8 years, liberals like me need an injection of humor. Here we get it, with sharp sarcasm from Sparky the Penguin. Funniest part is when Sparky, the leftist Bush critic, get hits by a toilet and becomes a Republican for about 50 pages. I highly recommend this book to anyone depressed by the current state of America and needing a good laugh. Thank you, Tom Tomorrow!

Tom Tomorrow has done a fantastic job of putting humor into a political situation that one would think impossible to find humor in. "Hell in a Handbasket" is a further example of Mr. Tomorrow's ability to mix biting political satire with the funny bone. He can cut through much of the non-sense that is allowed to float around out there and make that hypocrisy painfully evident. God, I hope he gets some joy out of his own writing and cartooning, because I would very much hate for him to disappear from the shelves. Buy this book if you are leftie, just to keep the insanity away. Buy this book if you are a winger, just to cure yourself of the insanity.

This book is a must read for all the Limbaugh-listening, neocon, Bush-backers out there! Every page is filled with poignant scenes of the Bush administration. The real humor lies in the irony involved--the jokes are so "tragically true" that they make you snicker, rather than laugh. My fellow Bush-BASHERS will agree...the book is a capsulized summary of the darkest period in American politics. Hope you learned your lesson--next time, vote for Democrats!

Kudos to Tom Tomorrow for a very funny chronicle of Life During Bush. I've never been a fan of his penguin character, but the hilarious drawings of the 1950s types that reflexively support Bush and the monsterous GOP agenda is worth the price of purchase.

Whenever events and outrageous revelations of torture, incompetence, cronyism, lies, illegalities and arrogance surface about the Bush administration (seems like it's two or three times a week lately), I often browse though Tom Tomorrow to soothe the outrage with some laughter. Sometimes it's all you can do.

This book and the other two in this series don't make history less complex but they sure make it readable!

My older sister originally bought me and my younger sister the computer program. That was a few years ago, but it was a nice dry sarcastic, but silly humor.
Then I ordered this book, which has much the same type of humor. I wish it were in color instead of black and white, but otherwise, a fun way to "read" history.

I highly recommend this book. It's well written, it's occasionally funny and very readable. Volumes 1 to 7 starts with the Big Bang, to the evolution, to the first great civilizations (Sumer, Egypt and the Greeks), and ends with Alexander the Great reaching India.

I was so impressed about the presentation that I thought - why isn't there an animated version of this book (and the other volumes)? Wouldn't it be nice for kids to be able to get their history lessons via Cartoon Network?

But then I reached the part about what early Greek women did with their goats and sheep and how the Spartans treated young boys and I thought "well, maybe it's better if it stays in book form".

My only gripe is the lack of an index. Certainly handy when important names and places are regularly mentioned (like any other history book) .

This book is amazingly good. It is funny and educational and incredibly well drawn. You should BUY it.

I bought this book for my 6th grade classroom and ended up reading it myself. It's a favorite with the students though there is a bit of nudity that I had to censor with a black marker.

I first saw this in my school library, and after reading a bit I decided to buy my own copy as it was so good. It is kind of like a short biography of Larson combined with special features like his earliest cartoons that weren't published and others he decided not to publish for various reasons. He includes annotated versions of some of his best cartoons, which make you think "Oh, so THAT'S what he meant..."

It's like a Larson bible. You need it.

Gary Larson has one of the sickest, most demented senses of humor and we are all better for it. In this book, he describes some of the major points in his development as a cartoonist. There is not a great deal of insight into his mentality, although he does include some of his cartoons that were rejected as being in too bad of taste. Those are of course the most interesting ones in the collection.
If you love the slightly macabre touch that Gary Larson expresses in his "The Far Side" comic strip, then this is a book you should read. It all started in a music store and the rest is twisted history.

I would totally recommend this book for anyone who would like some insight into the mind of the man who brought us the Far Side as well as anyone with an interest in the cartooning industry.

My favorite part being a section of mistakes made when the cartoons were published, for example, when his caption was switched with one from Dennis the Menace (my childhood nemesis, by the way). The result is hilarious.

The first Farside reads, "Lucky thing I learned to make peanut butter sandwiches or we woulda starved to death by now" as a family of snakes sits around a table for dinner. The first Dennis the Menace reads, "Oh, brother!... Not hamsters again!" as he and his friend walk through the house holding peanut butter and jelly sandwiches.

The second Far Side reads, "If I get as big as Dad, won't my skin be too tight?" (not very funny but...) The second Dennis the Menace reads, "I see your little, petrified skull... labeled and resting on a shelf somewhere." Said as Dennis looks Thoughfully at his mother. REally Funny!

Great book. Get it!

So you've got the massive two-volume "Complete Far Side" and figure you're all set, Gary Larson-wise. If so, you're a few cows short of a herd, because you need this book to round out your collection. It's not just a collection of his comics. The book has a discussion of how his career as a cartoonist got started and has examples of his previous effort, a one-newspaper comic in the same style as "The Far Side." It goes on to show particular cartoons, with his comments on them, both positive and negative, on how they worked, where ideas came from or even the mechanics of drawing them, amongst other criteria. He also shares some sketchbook drawings, some of which led to final, published comics and some which did not. (One of the latter, about a frontiersman named Jeremiah and rhubarb, would have been a good one.) And he discusses how editing had sometimes unexpectedly changed his cartoons, and he relates the letters from people about specific cartoons, some very negative as you might imagine; for certain ones, he engages in a detailed discussion of what he tried to do, contrasting this with how others saw it upon publication. Larson also shares some UNpublished panels, some of which are hilarious. There's also a giant picture of a louse. He ends with a generous helping of his favorite panels, some in color. All in all, it's a lot of fun, and it gives a lot of insight into how Larson went about creating his famous comic that so many of us miss seeing in our newspapers daily.

This book is fantastic. I've had it for years and just re-discovered it. It's essential for any far side fan because it's more than just a compilation. I think it may even be a good introduction if you're just learning about the far side from the calendar (since the panel strip isn't in circulation anymore). If you'd like to own one book but aren't sure which to buy or where to start, start with this.

I bought this book for my father who is a WWII vet. He sat and laughed and laughed. He loved it. He even brought it with him to his WWII army reunion for the guys to read. I would highly recommend this book.

I really enjoyed the experience of reading and viewing "Up Front". My parents had the book in our home and I remember having the same experience in the early 50's. I truely enjoyed the art work of Bill Mauldin. It was around that time that I became interested in World War II history and drawing and I think I was influenced in both areas by this book. Over the years and as a result of several moves the book disappeared. I was recently reminded of it's existence by a recent issue of World War II Magazine which had a article about Bill Mauldin, "Up Front" and showed several of the cartoons. I immediately purchased it on amazon.com. It bought back so many memories. The hard cover was the same as the book in our home so many years before. If you are a WWII buff you will definately enjoy Mauldin's insight into the lives of the infantry soldier in the front lines. It's a great book.

I received my item as described and delivered as scheduled.
I am very satisfied with my transaction.

The copy of this Book, that I grew up with was my Father's 1945 Paperback Edition. As a Kid, I was drawn in to these amazing Cartoons by Bill. When I was about 13, I read the Text to this Great Book, and was Blown Away by it! In my view, Bill Mauldin has written the Most Honest Account of World War II that you are gonna find. From a Dogface's Point-Of-View, this Book is a History Lesson for all of us.

War is indeed a Tragic Thing, and it is still Real in 2008. But to be Honest about it AND to be able still Laugh, This is what makes: "Up Front", such a special Book for me. It reminds me of my Pop, who served in Patton's Third Armored from 1943-1945. My Dad loved a Good Paperback, and through his Bookshelf, I was able to Discover some Fantastic Stuff, but from Mark Twain to Steinbeck, this is my Favorite from his Collection.

The Muddy Faces of Willie and Joe are the faces of Millions of American Veterans of World War II. These were our Father's and Grandfather's, this is the Story of those GI's....From their Muddy Foxholes...FIVE STARS !!!

Of course, this is not a novel. It's a collection of cartoons as they appeared in the Armed Services newspaper Stars and Stripes. The cartoon began to appear in 1944 as the invasion of Europe was underway and millions of Allied troops were fighting their way through Italy and France and into the heart of the third reich.
After a few false starts, Mauldin settled on two characters, Willie and Joe-infantry men. Willie and Joe (who were barely distinguishable from each other) were concerned with all the things that veterans said concerned them during the war. Lousy food was as much of a concern as enemy artillery, fear of cold, wet feet as annoying as the fear of death.
The cartoons, and Mauldin's self-effacing recollections together form a kind of narrative that is at once immensely personal and deeply historical. Mauldin was a pioneer. It was ten years before Cornelius Ryan The Longest Day: The Classic Epic of D-Dayturned personal narratives into history and almost forty before Ken Burns came along.The War - A Film By Ken Burns and Lynn Novick
Mauldin was, in effect, the only war reporter who was relatively uncensored. Since his cartoons carried no strategic information, his only worry was the military's possible perception that he might be lowering troop morale with his swipes at the brass and the rear-echelon. Fortunately, some American sensibility that 'it's good to laugh at the boss even if the boss is us' prevailed.

Up Front was one of the few books that my parents kept by their bedside. This is the book that helped the post-war generation remember the war as it was fought by the men who did the hard work. A quiet masterpiece.

Lynn Hoffman, author of bang BANG: A Novel

This the best cartooning book around. A classic. A must for entry level cartoonist or professional.

I'm always looking for the perfect book of whatever variety, & speaking as a former library employee, a cartoonist & art teacher, Jack Hamm has written THE book on cartooning. It is so packed with examples & not so much text, as it should be, it has tips & then TONS of examples. The style ranges from early American cartooning style to 50s/60s modern style. Fantastic examples of different expressions, hand positions, walking positions, drawing women, all of it. All good. If you want a great guide for old fashioned American cartooning, this is the one to get. Then get the Preston Blair book from Walter Foster.

This book is full of great ideas and tips. There's plenty for the beginner, like little tutorials on highly-stylized eyes or noses or mouths, or straightforward examples on common poses, but it's not just a book for beginners. There are a lot of highly-finished drawings as well, and examples of moving from simple to more complex drawings. Plus tips on various penciling and inking techniques, and various cartoon genres. All in all, there are literally thousands of examples and sketches, enough material to keep anybody busy for a long time. I've pulled this book down from the shelf more often than any of my other numerous drawing books, and I've filled page after page with exercises based on the material. A classic and worth far more than its price.

If you're a cartoonist this is a book you have to have. It has been in publication for quite a while but nothing better has been created in the way of a great, all-purpose reference book. I've gone through a couple copies of this book and no matter how many times I looked at it I was still able to come up with ideas. Whether you're just starting out or have been doing cartoons for years you should have a copy of this book.

"Cartooning the Head & Figure" --by Jack Hamm

Artist and Christian minister Jack Hamm passed from this world at the age of 81. He illustrated the notable cartoon strip characters "BUGS BUNNY" and "ALLEY OOP" early in his career as an artist. He wrote and illustrated over 25 books on drawing. He pioneered an early TV show on drawing instruction in the Dallas/Houston Texas area.

I admit I am not an expert on fine art, but after reviewing many books which teach beginners HOW-TO-DRAW, it is my sincere opinion that Jack Hamm is the finest instructor America ever produced. Hamm almost never composed text, or used wordy explanations about drawing something. Hamm drew you a picture or series of pictures and showed how it might be done. He did not do this ..."sometimes" in his books. Hamm did this ALL THE TIME, whether it was cartoon figures, seascapes, landscapes, or drawing the human figure.

That is why any effort to list all the contents of his book, "CARTOONING THE HEAD & FIGURE" staggers the human imagination. I might be sitting at the computer for several hours, just listing the contents. Hamm shows how to draw every possible human emotion. Pages 22 & 23 alone are specific instructions in how to draw particular parts of the face to yield a human feeling.

The amazing thing is, Hamm is offering a book not only that adults can use; rather, Hamm is offering a book that CHILDREN can use. This book is in a class by itself, just as is Hamm's classic on drawing the human figure. Hamm's books are one of the richest treasures ever produced on American soil.

Keelan is a master a simple caricatures, cartooning, and creating abstract design within the face. This book will show a beginner how to understand and create caricatures as well as equipping a novice with the knowledge and tools to sell caricatures in a retail or party environment. This is a great beginner's manual and perfect for anyone trying to understand the "why and how" of basic line-based caricature.

As a seasoned illustrator, character designer, caricaturist, and author of my own caricature book (REJECTS: the Extreme Art of Retail Caricature), I can safely say that my experience in the field has shown me that one of the hardest thing to do is train a new artist to draw a caricature and explain why you make the choice you make. This book is great and will show you just that.

I highly recommend this book! It is a fun and easy read. It breaks down the drawing process step by step, body part by body part getting you on your way to start drawing caricatures like a pro!

Keelan, I am so happy for your success selling your great "How To" book. I have shown it to curious youngsters and it's a wonderful starting point for future Face Hustlers. Concise and fun to look at.

Thanks for the inspiration. I am trying to get mine for sale here as well. Wish me luck!

All the best and Watch out for those Hurricanes!

Sam Klemke
Gypsy Caricaturist

Yap it's a useful Book..it help me a lot in improving my drawing.. learn a lot from this book.. it's a great book to buy! Pic is more than the word, not like others like writing grandmother story.. word more than pic..that would be boring but this book won't..overall this book is very useful to me for drawing pic for my teachers..

For a complete novice who suddenly realised it would be fun to have a go at drawing caricatures, I cannot recommend this book highly enough. Other "how to" books on the subject left me feeling inadeqate and incapable of drawing anything resembling my victims. When Keelans book safely and quickly arrived to me here in the UK, the easy step by step illustrations immediatley gave me the confidence and skill I was lacking and my results have rapidly improved.

I now find myself staring a strangers trying to decide how I would tackle their caricature by wondering what their head shape is and how their features are arranged. Thanks Keelan!

Ken Hultgren's animal drawing book is by far the best I've ever seen. The drawings are not only beautiful and full of life but rich in anatomical information as well. Studying and copying these drawings, combined with a few trips to the zoo and a horse ranch, enhanced my awareness of animal anatomy and movement enormously.
I used this book as my primary resource for modeling, rigging, animating a horse in Maya. It's a great asset for animators, modelers, sculptors -- artists of any sort-- or anyone who loves animals and good drawings.

Excellent art reference for the developing artist who wants to understand animal anatomy and motion.

The book has lots of great drawing. I wish it had more explanations. But I still love it.

if you are studying animal drawing, this is one of the best books ever. this concentrates on the motion and line of action, as well as the construction!

This book is somewhere right between a "How to Draw Animals" book and a detailed anatomy book. It gives you the basics of the muscles for each animal in beautiful, dynamic sketches that take you from drawing static (but proportional) animals to leaping, rolling, fighting animals. If you're really serious, you'll still need a more detailed anatomy book, but for movement (especially of horses and deer and their running patterns) this one is awesome. Just a warning though, the section on dogs is awesome but smaller than the horses, the section on cats is extensive but focuses mostly on big cats, and the section on wolves/foxes/wild dogs is pretty brief - much more of the book is spent on the larger herbivores and some less commonly studied animals like kangaroos, camels, rabbits, and a big section on bears.

This manga is unsophisticated in its artwork, storytelling, and politics. Yet that very lack of sophistication seems to me to be what gives it power that probably could only otherwise be generated by poetry, or perhaps opera.

You might as well go ahead and buy the four volumes in this series now, to save time & postage. Then you can wait, like I am waiting, in the hope that Project Gen manages to publish the next six volumes in the series.

Note: there is at least one prior English edition of Barefoot Gen, and the volume contents are not the same as in the latest edition. So if, for example, you buy volume 3 of the earlier edition (1979), you will find that it overlaps the latter part of volume 2 of the current edition (issued in 2004.) The volume titles seem to be the same in each edition, so things can get confusing if you don't stick with the same edition. If you buy used, pay attention to which edition you are getting.

According to Wikipedia, these are the published & projected volumes in the current English translation series of Barefoot Gen:

* Barefoot Gen #1: A Cartoon Story Of Hiroshima (ISBN 0-86719-602-5)
* Barefoot Gen #2: The Day After (ISBN 0-86719-619-X)
* Barefoot Gen #3: Life After The Bomb (ISBN 0-86719-594-0)
* Barefoot Gen #4: Out Of The Ashes (ISBN 0-86719-595-9)
* Barefoot Gen #5: The Never-Ending War (17 April 2008, ISBN-10: 0867195967)
* Barefoot Gen #6: Writing the Truth (17 April 2008, ISBN-10: 0867195975)
* Barefoot Gen #7: (Not published in English)
* Barefoot Gen #8: (Not published in English)
* Barefoot Gen #9: (Not published in English)
* Barefoot Gen #10: (Not published in English)

Barefoot Gen - I grew up with this famous comic series by Nakazawa. It's about a boy called 'Gen' and his life in Hiroshima during the WWII and soon after the atomic bomb. Volumes 1 & 2 are probably the most important ones. After I read them in English, I just had to lend them to everyone I knew. If you read this story, you'll realise how silly to hear some popular opiniton 'Dropping two atomic bombs in Japan was necessary to end the war'. The author Nakazawa says that each and every event illustrated here is a true story. You'll see, for example, that two young brothers fight against each other for a little grain of rice. Gen trying to encourage a girl who used to be dreaming about one day becoming a professional dancer, but now her face was badly burnt by the bomb, although she still didn't know it - he refuses to let her see the mirror.

The bombs were dropped onto civilians in the two cities, and, in Hiroshima alone, 100,000 people, including children, elderly people and western prisoners of war, were killed instantly, and the pain they suffered from it was tremendous. The way some of Gen's family members, including a new born baby sister, were slowly dying is simply too sad to look at. But the reality is that it actually took place and was caused by human hands.

I sincerely hope that many people will find the opportunity to read this book at least once in their life-time, and I strongly believe that this book will enlighten the whole world with the message: 'What really happens when a nuclear bomb is dropped onto humanity', which hasn't really been talked about in history books for some reason. But I think it's time to face reality.

The manga form of presentation makes reading about the prelude to this event easy and fast. The book seemed to be reasonably accurate with historical documentation and the visual format allowed the author to include detail that might otherwise have become difficult to work into the story. The clothing, clogs, air raid hoods, etc. that are be depicted add depth of information to a quick read.

Keiji Nakazawa, Barefoot Gen (New Society Publishing, 1983)

Keiji Nakazawa's four-volume graphic epic Barefoot Gen has become legendary in the field of graphic literature, and also, in no small way, out of it. While many Japanese artists working in every medium have examined the dropping of the atomic bombs on Hiroshima and Nagasaki and their aftereffects, Nakazawa, who lived in Hiroshima at the time the bombs were dropped, has an understandably closer perspective than most others who have tried it. For sheer power, Barefoot Gen's only rival in the subgenre is the similarly legendary Grave of the Fireflies.

This eponymous first volume takes us through the life of Gen, an elementary school student, and his family in the months before the dropping of the bomb on Hiroshima. Gen's father, while not a pacifist, is notorious in town for his speaking out against the war, which gets him and his family branded traitors. Because of this, they don't have an easy life. The family members try to find various ways to survive in the face of shunning at best, and aggression at worst, from the rest of the townspeople.

Do you need to be told that this is a book that's going to hit you in the face like a sledgehammer with its message? The artistry, or lack of same, in the delivery is the place where Grave of the Fireflies is clearly superior to Barefoot Gen, but while Nakazawa is not above letting his message get in the way of his story on occasion, it never happens for too long a period of time. Nakazawa's characters are well-drawn, and the story spends more time focused on its characters than on its message. There is a lot to be liked here, and a good deal to be mulled over, as well. Well worth your time. ****

In our present time this portal to the topic of Hiroshima and Nagasaki and our nature as the only nation to build and to use nuclear weapons, and against strictly civilian population centers may inform our moral consideration of the present failure of our total war alone against civilians to establish a peaceful and stable and democratic society.

This present volume serves as an excellent introduction to the topic. Centering on Hiroshima, as may supplement this strong introductory reading with the recent study by Prof. Takaki, or the new Racing the Enemy, which explores the lack of military reason for dropping the Bomb against an already defeated Japanese Empire. We may also read on this specific event of crisis the moving Letters from the End of the World, or HIroshima Diary, written as was Gen by eyewitnesses and civilian victims of this our nuclear holocaust. Hershey is also important to read of course, and the reissue of Hiroshima Mon Amour, but I keep returning to this child's eye view in Barefoot Gen.

We are fortunate in this reprinting for the informed and astute introduction by Art Spiegelman, the creator of the Maus series which does a similar though more symbolic treatment of the Nazi Holocaust. Art strongly recomends this first person account of a small boy on the morning of the Bomb, and its immediate effects upon himself and upon his family. Please read this book and remember. Our Popes continue to visit the Peace Park at Ground Zero in Hiroshima, to pray for peace and nonviolence and for the development of peoples.

My father (who was part of the occupation of Japan in 1946) had a copy of this book. I grew up knowing Willie and Joe. My nephew likes to look at my copy, and I explain the war as best a civilian might, using the cartoons. He's been looking at them since he was five, and when I got a new copy of the book I let him have my old one for himself at the age of 8 -- I find nothing in there inappropriate for a child. I believe it to be a good introduction to that which it is my personal duty to never ever let the next generation forget, what the Greatest Generation did for us all. And yes it's really hysterically funny, even for a civilian, even for a small boy in the 21st century.

My nephew is too young to know that every year on November 11 in the great Peanuts comic strip, Snoopy the WWI flying ace would prepare to go over to Bill Mauldin's house to quaff a few root beers and swap stories. The inside of this book reprints one of these cartoons, in which Woodstock and one of his little birdie friends are marking the day by portraying -- Willie and Joe!

Bill Mauldin is almost certainly the single best-known cartoonist of World War II. His cartoons, many of which I never saw before they were reproduced in this book, are REAL, they are not the result of some funny gag of some sergeant hanging out 50 miles behind the lines... they are the product of a "dogface," a fellow infantryman who saw things which rang true. Mauldin's Willie and Joe characters look like they've been through Hell because that's the way infantry guys looked after weeks on the line. And the humor Mauldin uses is the same kind of fatalistic humor that one sees in this situation.

This collection also has the added benefit of allowing the reader to see Mauldin's development as a cartoonist, from the ones he did while in stateside training to the postwar cartoons which showed the bewilderment of newly-released Soldiers back to civilian life. The large format of the book does the cartoons justice, a definite improvement over the smaller versions of the same work.

This work is all cartoons from the beginning of Army life to getting out. There are captions attached and this helps those who are not familiar with military life.
I think those who appreciate Mauldins books ae those who have been there done that.
The touch I liked very much was that Mauldin treated the German Soldier much the same was as the American Soldier. There is a saying a Soldier is a Soldier is a Soldier, we just wear different uniforms, and have to do what we are told.
What adds to Mauldins cartoons and captions is that he is talking for the civilian soldier, the guy who does not want to be here, but by miracle of miracles he is here and even stays.
Light hearted peek into the life of the Army Infantryman.
Want to know what life in the Army was like for your Father, Grandfather, a must book..

Bill Mauldin was a favorite of my father who served in WWII. I served 1968 to 1972. However, more recent veterans have not heard of Bill Mauldin. I showed this to some of them. They enjoyed it as much as I. The military has not changed in the sixty years since the cartoons were drawn.

Have not completed this copy.However,in scanning thru it reminds me very much of his cartoons in Stars and Stripes during World War 2.Know it will bring back many memories