Mythology Books

Which do you prefer? A nonstop thriller you can't put down or beautifully-written literature with eloquent prose and rich language? Well, look no further! You get it all in Zubis Rises!! The main character, Bethany O'Brien, starts out as a journalist but it turns out she is actually the "Asima Uruk" whose role it is to destroy a genie named Zubis! Sounds unbelievable?! Well--Bethany would agree!!! That's what makes this story so believable! Bethany has no idea what she's in for! And neither do you...until you read Zubis Rises!! You're going to LOVE this book!!

"Zubis Rises" is an outstanding book that brilliantly blends the ancient and long hidden knowledge of the Djinn with the current religions, politics and world events of today. It is enlightening, entertaining and extremely thought provoking. It reads so smoothly and rings so truthfully that it is obvious to even the most casual reader that the author is extremely well versed in, and familiar with, the subject matter. It is book one of the Zubis trilogy and books two and three will be anxiously awaited.

K.F. Zuzulo has done the work for us. She has researched and synthesized for pleasurable consumption thousands of years of complex history from Ancient Mesopotamia to the Middle Eastern cultures as we know them today. Using the familiar image of a genie hovering expectantly above his vessel of imprisonment, she guides us through the less familiar territory of the man's interaction with smokeless spirits and with spiritual heros shared by the Christian, Jewish and Muslim faiths.

Bethany O'Brien, a smart, young American journalist, steps into a role on the world stage that belies her years, her beliefs and her consciousness. Fortified by the teaching of Sister Marie from her early years in the orphanage, Bethany is uniquely suited to unite faiths and link supernatural forces to the human world.

The characters are rich and deeply rooted in religious and mythical lore. The story is sophisticated and relevant. Even the freedom and wealth of the modern Saudi State are put into perspective with the discovery of oil imposing the "shackles of prosperity."

The intrigue and sultry interactions of Bethany and Zubis, a djinn who haunts her dreams and seeks to lead her astray, keep us hooked. The reader is left needing more!

*Zubis Rises* is a great story; what's more, I found myself learning more than I expected to learn in the midst of a well-plotted thriller. The novel is meticulously research and deftly weaves fiction, fantasy, and fact in this tale of love and adventure. It is more than just a beach read, obviously!

This book is a real page turner! I usually like to read novels at a slow pace to take everything in, but I could not keep this book down. Every new chapter brought new excitement and I simply had to find out what would happen next! Can't wait for the second book in the trilogy!

I teach English for a living, and this is, by far, the best translation of the Odyssey that is out there. The audio version brings it to life and gets students to actually listen and read along, which isn't bad considering the story itself is over 2,000 years old and still quite a challenge to read. We skip a few books in class to keep interest up (books 2,3,4 are more about Telemachus,and book 11 is easily passed over) but the balance of the audio recordings are stellar. This is money well spent considering how many cds are in this package.

This is an absolutely fabulous product, but if you are not used to listening to audio books, I should give you a warning. This product is 11 CD's of one person speaking for about 13 hours. Can you imagine sitting down in the morning at home and staring at the wall for 13 hours while same voice goes on and on, all day and into the night? No, that won't work. So you at least have to break up the experience into chunks. Also, you might need to be doing something else as well, like walking or driving, so you don't drift off. What I did was listen while driving and intermingle other disks so I would not tire of the same voice. I would listen to one disk of the Odyssey, then I'd listen to a disk of music or a non-fiction lecture, then I'd put in another disk of the Odyssey.

However, the last 4 disks were so gripping I listened to them one after the other and could hardly wait for the next disk. Part of this was Ian McKellen's excellent, nay, masterful, enunciation and inflection. Part of the excitement is the climatic end when Odysseus returns home. Can you imagine a gripping 3 hour long buildup to the climatic moment when he reveals his return? Nothing else can compare!

I probably identified with the climax more now that I am middle-aged, with a home, a wife, and children approaching adulthood than I could have if I was a teenager listening to this or reading the book. There is little as primal to a mature man as the defense of his home and family.

It is astounding to experience a story this exciting and know it is about 2,800 years old.

I listened to this story on audio CD because I realized that I would never read this story because I have gone so far into my life without reading it yet. I'm very glad I listened to it instead of trying to read it. For one thing, how could I begin to pronounce so many Greek names? If you have started reading the book and put it down, try reading it by following along with this audio book. The audio book is abridged, but it is 13 hours long so I'm sure you would have a lot of text to follow along with.

If you think you know the story of the Odyssey because you've seen a movie based on the story, I will say the story by Homer is much grander and more full bodied than what has been depicted in movies. I'd go so far as to say the movies miss the real point of the Odyssey.

Robert Fagles has also translated the Aeneid and the Iliad. I've listened to those on audio CD as well and liked them all. I am a big fan of Derek Jacobi, who narrated the Iliad. I liked the Odyssey best of all.

Really liked this, the reading was outstanding and great translation by Robert Fagles. My son really enjoyed listening to it on a long road trip after plus it added to his understanding while he was reading it for English Class. I highly recommend this product.

For thousands of years this story has been told and retold.
The reason this story is still being told and still being heard is because it is so exciting and so very compelling.
It never grows old.
I have read and enjoyed this story from a leather bound book, but it is best heard spoken from a human voice. Ian McKellen is qualified as a modern day bard.

Unlike most movies and books of today, once will not be enough.
Those who listen to it will not be disappointed.

I'll not waste any time of yours with long and deserving praise for this telling of an ancient story, other than to say that should another day pass where you have stolen from yourself the opportunity to listen to this master storyteller lead you through a story written by a master, then only the Gods can forgive you.

Sir Ian Mckellan's performance is measured and beautiful, and there is no shame in a tear falling at the meeting of father and son for the emotion that comes through this practiced orator. I can say with a fair amount of confidence that the bards of old must have sounded like this - masters of their craft and able to bring the imaginations of their audience to life.

Not a moment longer - a treat awaits you...

I have found this book to be very informative and helpful. I have decided to read the book from the beginning to end as a daily reading. It is also helpful in trying to understand what was going on in the chapter. I good resource for papers, speaking, and preaching.

This is a well written book with a perspective relative to the viewpoint of African scholars. It is definitely an enhancement to my library with the details required to grasp the full intent of the text.

This commentary has been very helpful to our African church leaders and overseas missionary partners working in Africa. This is the book they request we bring on our annual visits, so we know they are using it. It's the first of it's kind - the ABC is not a critical, academic, verse-by-verse commentary. Rather, it contains section-by-section exegesis and explanation of the whole Bible, as seen through the eyes of African scholars who respect the integrity of the text and use African proverbs, metaphors and stories to make it speak to African believers in the villages and cities across the entire continent.

After serving in West Africa on the mission field for a short time, I can instantly see the value of this book both for African scholars, those who teach and work with them, as well as a multi-cultural introduction to the Bible. Excellent insights, some of them seem to recycled Western ideas, but also shows the universality of the teaching of Scripture. Evangelical, Bible-believing, solid, well-thought. A good one volume to add to your library.

The "African Bible Commentary" is written by and for the Evangelical Protestant Community. All 70 African scholars signed the statement of faith of the Association of Evangelicals in Africa. Thus readers receive a comprehensive and culturally relevant conservative theology applied to African Christian living.

It truly is a unique book--the first one-volume Bible commentary produced in Africa by African theologians to meet the needs of African pastors, students, and lay people. However, African American believers, and for that matter, all Christians, will find this book refreshing and encouraging, as well as biblically informative.

Reviewer: Bob Kellemen, Ph.D., is the author of Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction , Soul Physicians, and Spiritual Friends.

I bought the first three in this series for my 6th grader who is dyslexic. She finds graphic novels a great format. She received these in her care package at camp and they were a big hit in the unit. Mostly girls receive gossip magazines and these novels were much more popular and a much better content. These tie into the 6th grade history social studies standard with Ancient Greece. By the end of 6th grade most kids have been introduced to Greek mythology and are ready for this series, which is adult in nature but this age group is now seeking more adult content in their reading and viewing material. I would much rather this then Teen Vogue or Seventeen magazine. All I can say is a group of 11 girls who just finished 6th grade loved these. Now I just need to find something to send next year to camp.

Fast-paced intro to the Trojan War

Author/artist Eric Shanower will be the first to tell you (in the afterword to this marvelous "comic book") that the story of the fall of Troy has had many tellings, not all of which can be harmonized. In his sources, the age and lieage of a character can vary. And authors over the millennia have not always been careful to kep their own accounts consistent with the rest, as when 12th century minstrels created a romance between an entirely new character (Cressida) to complement a peripheral character (Troilus) known from more ancient texts. More recently, the work of archaeologists has taught us much about life in the Age of Bronze, from which can be reconstructed the preoccupations, dress and habits of people who lived thousands of years ago.

From this mélange of sources, Shanower has crafted an epic tale in graphic novel format of the leadup to the Trojan War that is endlessly fascinating and impossible to put down. His tale begins with the youthful Paris, the restless firebrand who dreams (in spite his state as a cowherd) of martial glory. Soon, we are introduced into the word of Trojan and Achaean warrior-kings, and to their world in which economic advantage, solemn oaths and ever-to-be-propitiated gods and goddesses all meet in complex and interlocking ways. As the tale ends, Agamemnon, high-king of the Achaeans, has assembled his armada of a thousand ships and is headed to Troy to avenge the breach of hospitality opened by Paris, now a Trojan prince, when he abducted the beautiful Helen, wife of Agamemnon's brother Menelaus.

Shanower gives us a plausible Bronze Age world that may well be the closest we can get to the original. The warrior "kings" are all young or youngish men -- strong, virile and hale of heart and mind. The deities they beseech are notably absent from sight -- other than in visions and dreams; their activity is assumed (and their presence feared) when events occur in concert with prayerful pleadings. But these young men have more than war on their minds, and there is plenty of sexual energy pulsing through the tale. Women play important roles as wives, mothers and seers. The erotic element is kept mostly to a PG-13 level, but there is enough kissing and fondling of the female upper anatomy to heat all but the coolest of hearts. Amusingly, Shanower keeps to the North American aversion to showing aureoles and genitalia. This aversion grows to almost ludicrous proportion as he strives manfully to hide his characters' naughty bits -- even when in full gallop -- with wisps of conveniently-draped hair.

Shanowers' black and white artwork is bold, strong and consistent. He gives his main characters identifiable features -- dark hair or light, full or balding, etc. -- that stay short of caricature. His storytelling is quickpaced and usually easy to follow. The worst I can say is that his story moves so quickly and is so engaging that the reader skips too quickly over his wonderful art.

All told, A Thousands Ships is fabulous on its own merits, and a valuable as an introduction to the Homeric masterpieces -- the Iliad and the Odyssey. Highly recommended for the age 13-and-up set.

This is the first volume in a projected seven-part graphic novel series devoted to the epic of the Trojan War. There are minor gaffes (occasional misspellings, etc.) but overall this is a powerful and immensely useful retelling of one of the greatest epic stories in human history. Shanower draws on multiple sources to come up with a cohesive, readily coherent narrative of what is often seen as a daunting story. He both expands on and simplifies the classic narrative by Homer, giving a more immediate, modern feel to the characters and events, but does not sacrifice the authenticity of time or place: Shanower makes these ancient events accessible to modern readers in a way that the best of Western Civ classes may not; indeed, academics for many years to come with probably turn to these comics as a way to give entry into the world of Greek history and mythology.

This first volume covers the abduction of Helen, the arousal of the great Spartan army, the beginning of the cult of Achilles, and ends as the Spartan fleet sets sail to attack Troy. In general, Shanower minimizes the magical/mythological aspects of ancient Greek culture -- a centaur, for example, is not seen as a half-horse beast-man, but rather as a shaggy, burly man; various characters claim relationships to various gods, but we never see Athena's visage floating over the clouds, or Poseidon rising from the sea. Unlike in the original narratives, the Olympian gods are not characters in the story itself -- people pay allegiance to them, and discuss them as figures that may control their destinies, but we do not see the gods themselves. This realism helps make the historical context come alive -- modern readers don't have to struggle past supernatural events, nor allow the supernatural to overwhelm the human drama, and what emerges is a clear, concise historical narrative, one that makes sense and makes clear the essential stories behind the great, epic tale. It's pretty cool... I'm looking forward to the second volume! (Joe Sixpack, ReadThatAgain book reviews)

This book reprints the first nine issues of the Age of Bronze comic books. It's a beautifully drawn, well written comic book about the Trojan War. The only problem I have with the comic, and it'a a minor problem, is that there are so many characters, it's hard to keep track of who's who. Highly recommended to fans of graphic literature.

A Thousand Ships is the first in a series of comics which retell the story of the Trojan war in comic book form. It begins with Paris, the lost prince of Troy who has been raised by farmers as a farmer, making his first ever journey to the capital. He tells his girlfriend it's a short trip, but even before he leaves the oracles are speaking and don't seem to agree. Meanwhile, Achillies is just leaving boyhood and, when confronted with the choice of short life and fame in war versus a long life that won't be remembered, he is very much for the short glorious life. His mother has other plans and struggles to save him from himself.

The plot is extremely intricate. It all comes from mythology, and there's a lot there to pull from. Doing the Illiad in seven comics makes sense. One book would only have allowed for the outline of the story. By breaking it into more books, the story is more complete and here the Illiad has been adapted well to the medium.

Graphically the book is well drawn. I'm guessing that the big challenge here was to keep faces consistent so that all the characters can be told apart. There are many, many characters and they are recognizable from frame to frame, if that helps to tell you the level of detail. The storytelling and how layouts play into that is good too. Layouts help to blend in and reveal characters's backstories (and everyone has a back story in mythology) and to communicate oracles and messages from the various gods.

This is a good read as a comic book. Being a modern take on the Illiad, which concievably someone might someday make you read, is an added bonus. Libraries should definitely stock this series. For individuals and families this is a good buy for a comic book, and a pretty good read. You should already know this, but if you don't then here goes, many of the classics have a lot of sex and violence. So, don't buy this for your four year old if you don't want them to see naked people and drawings of smeared entrails.

I am currently taking an Old English class. This semester we are translating Beowulf. This book is very helpful because on the opposite side of the Old English page is the translation into modern English. This is most helpful because some of the grammar when translating is tricky. This book would be interesting if you were reading Beowulf, but wanted to see how it was originally written. The translation by Chickering is usually spot on, although he does use poetic license and adds a few of his own words to make it more clear to the reader. I would have given this 5 stars, but there is no glossary in the back and for anyone who has ever tried translating Old English, a glossary is a must!

I am happy to report that buying this book has been one of those rare occasions when I have enjoyed the pleasant surprise of actually receiving MORE for my money than what I had been expecting.

I bought this book because of its containing the full text of Beowulf plus the running modern English translation on facing pages. In addition to this, I expected perhaps the usual brief introduction which such works are frequently accompanied by.

But instead, the book turned out to be about twice as thick as what I had anticipated. Yes, the first 50 pages or so are indeed the type of introduction and pronunciation guide I had expected, followed by the 200 pages containing the actual text and translation. But above and beyond this there is also an additional almost 200 pages to the book, and it is this portion which has made me doubly happy with my purchase.

Included in the second half of the book is a very helpful chart of the royal genealogies dealt with in the work. This is then followed by literally page after page of absolutely wonderful and extensive background material and analysis which deal with everything from the history of the manuscript and theories as to its authorship and dating, to broader background material on Anglo-Saxon society, its way of life and traditions. I found hours of fascinating and rewarding reading here which I never expected. It's almost like getting an extra book!

And as if this was not enough, to top it all off they have concluded the book with a section which gives full glosses for all the words in the 8 most key sections of the text. -- No need to spend hours frantically flipping in the dictionary, it's all here done for you!

Being a newcomer to the field of Old English, this book has been everything I have been looking for. And considering the modest price of this volume, I feel I have gotten a real bargain and am happy to give this book my highest recommendation to all.

I had to read this book for school and let me tell you...I adored it. It brings to life picturesque characters and mysterious beings that are truly fantastic. Reading this book I felt a true excitement in my heart, which I don't get with many other books. I suggest that people read this book, because its not only for the older generation its for us younger generation as well.

Brittanie Chisum

I fell in love with Beowulf when I read Seamus Heany's facing page translation. I also fell in love with Anglo-Saxon Old English and decided to teach it to myself. I then bought John Porter's word for word facing page translation, which is good for learning Anglo-Saxon, but not for enjoying Beowulf as a rip-roaring adventure. I wanted to read another translation, to see how someone else would handle it, and the variety of translations available is amazing. Prose translations I hated. Even a modern poem turned into prose sounds wrong. Translations that ignor the alliteration and poem structure also bother me. I liked Howell Chickering's version. It's close to original feel of the poem. But the best thing about this book is Chickering's Commentary in the back. All the extra explanations were very helpful in understanding the poem. Questions that I had thought of are brought up and discussed. There are not always answers, but a thorough discussions of all the various theories. I thoroughly recommend this version.

If you read the Penguin edition (or any other modern translation) and wondered what all the fuss was about, this is your answer in a form accessible to the motivated reader. This monk-produced epic in an age when Christ challenged the devil at every turn and monsters and witchcraft were accepted as fact was crafted in language that rolls like a viking boat in stormy seas and cracks like lightning splintering a glacier. Here is a nuanced tale of life in a remote Germanic outpost haunted by a trinity of monsters and blessed by an able if flawed and mortal savior, a princeling knight errent compiling a couple of resume stuffers on his way to kinghood and then capping a great career with a final, defining epic deed.

The reader is provided with an intralinear translation, old english verse on one page, modern verse translation on the other. Vocabulary, pronunciation guides, and annotations are all provided. The sounds of this poetry are raw and powerful in a way that can only be weakly imitated in modern English, rich with wry, textured prosody. I found this book based on an offhand mention by a professor when I was in college, a two year search of university and second-hand bookstores without result, followed up over ten years later with an Amazon alert entry that finally bore fruit many years after that. A luminous accomplishment.

This is a really fun book that everyone can enjoy. There are a lot of hidden meanings. The author makes you feel in the end that how you make money is probably just as or even more important than how much you make. I think this is a book for every one.

SO AWESOME!!!!!!!!!
I love this book! It is so awesome. Singh really leaves you hanging. You never know what will jump out at you next.

You wanna laugh, don't miss this one. I don't know about what the others are talking about, I didn't get any deep meanings out of this. But what I did get was great entertainment. get this one for your collection. Also nice to add to your collection are: Aesop for Children (Winter), Grimm's complete fairy tales (Grimm), Great Children's stories (Richardson). There are many other great children's books out there, but these were the ones I enjoyed the most. Oh, and I almost forgot the two classics that no children should ever be deprived of: The Little Prince (Exupery) and Charlotte's Web (White).

A brilliant story of contemporary philosophy which draws upon fable, fairy tale, and mythology-as well as modern aesthetic and mathematical thought. Even more brilliant is the style in which it was written, a literary equivalent to Cubism with all sorts of pleasant repetitions and poetic phrases. If Picasso had been a writer, I imagine him writing something like this, although he probably would have stayed away from caterpillars and butterflies, especially pink and blue ones.

The only writer who has made me laugh and cry in the same book. It can be slow at times,but trust me, stick with it! I have recommended it to many others who have told me how they laughed out loud and even cried in cafes, getting a whole lot of other people interested in the book. Now I see why so many people are enjoying and talking about what is but a simple tale of a caterpillar searching for its food plant. I think my only problem with the book is that the author didn't give the caterpillar a name. I think this bothered a lot of people. Poor thing needs a name. Instead she is always referred to as THE BRAVE LITTLE CATERPILLAR. It's tedious and tiring and I wish he had given her a name, any name, couldn't have been that hard. Personally I would have named her. But that's not reason enough to bash a book that has won the heart of so many young Asians. And if great art bears true witness to an experience, I think Singh has quite honestly captured the ambitions and anxieties, the experience, of second generation American Asians, be they Indian, Korean, or Japanese. Myself I had a dad who ever since I was a child would sneak into my room while I was sleeping and whisper, in my ear, 'Doctor, doctor, I want to be a doctor,' in a sad and futile hope to subliminally mold my dreams and desires. But when he saw that wasn't working, it was sort of forced upon me and sadly this was for his own ego. So now for his ego I truly believe I'm wasting my time studying something I really don't want to be studying. But, slowly but surely, I'm summoning up the courage to leave the 'Silk Palace' and pursue my 'food plant' whatever it may be. I admittedly don't know yet. But that's more because I regrettably let someone else define my life. In writing this, I see and feel how powerful this book is and I look forward to anything else this author has to say.

Anne Cameron's account of Native Americans of early Vancouver Island is beautifully written and combines history of the area with Native American lore. Most of us are ignorant of that lovely island and it's history before the Europeans arrived.
I learned a lot and enjoyed the writing. I read Daughters of Copper Woman for a graduate religion class and was very impressed.

This is a story that will touch your heart and you will never be the same.

This is a story that will touch your heart and you will never be the same.

This is a story that will touch your heart and you will never be the same.

A great book, it has more than just mythology. The stories show how we are all one people of different tribes.

When I was in 5th grade (25 or so years ago), our teacher, Mrs. Smith had a reward system where if the class got enough checks, we could redeem them for various treats. Time after time, once we got enough checks, we'd beg her to read to us from this book. I don't recall our class ever asking for anything else. I'd strongly recommend this one to parents of kids of any age. This, to me, is as good as American fairy tales get.

This book is very dear to my heart. The stories told in this book came from my family, R.M. Ward. I grew up hearing my grand parents, father & Richard Chase tell these tall tells. I read them to my kids now and I hear my relatives in my head so I begain tellin-um like they told me.My hope is that these stories live on through the generations of my family as well as other families.I love hearing my daughter ask for just one more just like I did.

I remember reading an earlier version of this book as a child. The collection of folk tales is as enjoyable to read as an adult as it was years ago. In fact, I can now bring my children the tales of the Appalachian Mountains and let their imaginations run wild with giants, witches, talking animals, and a witty little scoundrel like Jack. The tales are preserved in a very close "mountain vernacular" language. There is a noticable difference between some stories in the use of terminology, but this helps me to envision another storyteller spinning the yarn in his/her own fashion, which is part of the fun of listening to folk tales. My only complaint is that the collection is not larger.

I had this book as a child, and loved it so much that I bought it for my own children and read them a story out of it every night until they had heard all the stories it offered, and they loved it, too.

I heard about this book from a teacher who used to sub. in inner city schools. She said kids always remembered her for it. It's a compilation of short stories that are supposed to be told orally. They use HEAVY Appalachian dialect and I had thought that might be a problem for my second language learners, but THEY LOVED THEM. The stories tell of how Jack (from the beanstalk) outsmarts giants in different situations. His tricks often have a violent description, but because he's doing it to giants, it's not very traumatizing. A terrific oral language developer, and a whole lot of fun!!

As to why the literature we know today as the Holy Bible came to be assembled as it was, one can only speculate. Compiled from jewish texts and scrolls, a series of main books emerged as the finished work. In its grand history, it has only been recently that other writing and chronicles of central characters were discovered. For whatever reason,they were deemed APOCRYPHA (related to but not included in the main text). When the author first brought me the "Lost Stories...", I admittedly had to work through a bit of personal prejudice. Down through the years many self proclaimed Apostles have had religions to themselves founded on their own unique publications, Joseph Smith and Mary Baker Eddy to name examples and I quite frankly, thought it a little pretentious.

I'm happy to say it falls nowhere in that category. It exists as an abridged compilation most notably of writings by Enoch and a few letters of the Imperical government of Rome in power at the time of Jesus' life on Earth. It struck me that current anti-semitic prejudices of today might well be founded specifically on the myopic views expressed in the letters to Pilate from Tibeius-Caesar. As much as it overshadows Gethsemane, these writings may well be an accurate translation of Roman views. And do I really need to know how suicidal Adam was in dealing with his exile?? The first chapter alone for whatever reason is a sloggy soap-opera of a read, but the same can be said at many points in the Old Testament.

The question of translation accuracy is also a valid concern especially in the wake of Babel. Have past scribes given us a clear picture of God's message in ANY available texts?? That issue is for the heart alone to judge and with no concrete guarantees, I rated the book as I did. I don't know whether I would've used the insights of Gene Scott who has always impressed me more as an old Texas Carnival Barker than a man of biblical letters, but with the Swaggarts and the Hargises and the Bakkers muddying up the waters I suppose he's none the worse for wear and even in the face of re-printing known material as opposed to many other apocryphal sources that hold historically conflicting views, "Lost Stories..." boils down to a good snack for an open mind.

Someone has finally taken the time to find the "Lost Stories" behind the stories of the Bible.

It is obvious that the author has spent countless hours researching, and had the good sense not to clutter up his pages with "Be-Gats" and the double-talk of an ancient language. His tales are in plain English.

A Job Well Done Kent Smith!

George K.

Lost Stories For All Ages is a charming book. It consists of 3 interlinked stories discovered in an ancient manuscript in 1768.
The first begins at the time when God began to create and when he created Adam and then Eve from one of his ribs. They live a charmed life at first, enjoying all the delights of the Garden until their first encounter with evil in the form of Satan. This is what leads to their expulsion. Following this they must endure living in a cave as well as all sorts of temptations and tricks played on them by Satan. But God makes a promise to them . . .

The story unravels very cleverly and leads into Fire and Blade, a story about Nimrod, the first to dare rebel against God after the flood, and Abram. The story starts just after the flood and tells of how Nimrod became a great warrior and fought his way to becoming King. He builds a kingdom Shinar, and a Palace. His power became so great that his name spread over the entire world and the population began to speak in one language.

This is shortly followed by an example of the quote, "Men are not evil in themselves, it is what they do that is evil . . ."

Abram is born soon after this and his birth heralds a spectacular omen in the night sky witnessed by Nimrod's sages, who clearly understand it's meaning but attempt to keep the king from finding out. But self preservation prevails and they all go to the King to give him the news so that they cannot be accused of hiding the truth if he ever finds out.

Upon hearing what the Omen signifies he summons the child's father, Terah, and offers him great riches in exchange for his son's life so that he may never pose a threat to Nimrod. . . You'll have to read the book to find out what happens next.

As well as being an excellent storyteller, W.Kent Smith paints an enlightening picture of times then with some powerfully ivocative passages.

God's promise is carried through to the final story, Trial by Fury, which reveals the tribulations of Pontius Pilate in a place called Canaan, the ancient name for Israel.

Pilate receives a letter from Herod in which he begins by explaining that all is not well with him since the passing of Jesus, and why he believes that it is God who is punishing him for his evil deeds. His family are sick as he is himself with dropsy and
he asks Pilate to pray for him and encourages him to praise Jesus too.

Following this the details of the crucifiction come to light during Pilate's trial and W. Kent Smith will keep you turning the pages right to the epilogue, as he did me.

Lost Stories is both refreshingly entertaining and enlightening.

Ray Smith [No Relation]

Mr. Smith's book blows apart some misconceptions about mankinds origin and destiny. Some people walk around in life saying to themselves, "Why was I ever born?" Or "Am I living only to die?" These questions have an answer in Mr. Smith's book. What really happened between Genisis 1:1 and 1:2? At one time, was the earth populated with angels? Did a "civil war" in heaven occure that wiped-out the earth at that time? Could it be that mankind is the replacement for those rebelious angels? It is well written; three acts with the same theme - rescue fallen mankind (1) the garden of Eden (2) the story of Abraham (3) the death and resurection of Jesus Christ. Redeeming lost mankind is the greatest drama to ever unfold on this earth.

You may have heard these stories in Sunday School, but you most certainly never heard them the way W.K.Smith tells 'em. His approach is modern, clean and easy to understand. His characters are more human than in most tellings. But detail is his ultimate forte. Smith has certainly done his research - as he has embellished and rounded out the "lost" stories, from Adam and Eve to Abraham to Pontius Pilate, with a rich tapestry of information you'll never hear from you Sunday School Teacher.

A most enlightening read!

Stanley Lombardo has done it again!

His Odyssey is as fast-paced, lucid, poetic and punchy as his Iliad, but this time with a human feel, a warmth that the story calls for.

He brings real thoughts and real emotions to the characters...the like I've never seen! (I must have compared around 10 different translations).

...Lombardo has said that the "Iliad" is like the Sun blazing at its peak in mid-summer, whereas the "Odyssey" is like a setting Sun as fall sneaks in...

The best modern translation available! Get it with his amazing Iliad!

Cheers!

The Odyssey is mandatory reading for my freshman English classes and it has been quite difficult to teach. This literary work can be a very dry read for those who do not enjoy poetry reading (most freshmen). For this reason, I began a search for a translation that would make it easier for my students to understand. I read the previous reviews before buying it and I must say, I am glad that I did. Lombardo does an excellent job of making the translation understandable without dumbing down the text. My students this year have enjoyed this story much more than previous classes because of this. If you are looking to gain better understanding for yourself or to teach this text to others, this is the translation to get!

Stanley Lombardo's translation has brought back the original "feel" of the ancient Greek epic. Classical and Koine Greek are both what you call "earthy" languages, a tone lost with many established and contemporary translations. Lombardo restores the drama and the linguistic edge that the epic poem possessed in its original tongue. The Lombardo translation is quickly becoming standard among university professors and students of classical literature.

Lombardo's translation of the Odyssey, as well as his Iliad and Aeneid, receive much-deserved kudos as the most readable translations available. He writes with poetic and colloquial English that makes it easy for the lay person to understand.

Unfortunately, many of these same lay readers bash Lombardo's translations because they assume the personable nature of the writing makes it inaccurate. People expect a classic to have a certain formal diction to it, in the vein of Shakespeare and the King James Bible. In fact, nothing could be further from the truth. The King James Bible, despite having the most formal prose, is certainly not the most accurate translation of the Bible. Similarly, verbose translations of Homer do not mean it is more true to the text. Lombardo's version of the Odyssey preserves the immediacy and hard hitting nature of Homer's original Greek poetry. You will notice in other reviews that readers disapprove based on what they imagine Homer should sound like. Trust me, they haven't read the original texts. Classical scholars, some of whom I personally work with, have given universally excellent reviews to Lombardo's translations. This translation proves you can have your cake and eat it too. It is highly recommended.

One reviewer here took umbrance at some of the language used by the translator. One point he made was the use of the word "chow". Another was about the language used by a Goddess. He asked if Homer would really have used such vernacularisms. I say: YES! Of course he would have. He wasn't trying to live up to some modern readers' clueless perceptions of "high art". He was trying to tell a good story, like any good storyteller. And like any good storyteller, he would have used techniques that enabled his audience to identify with his characters. In this instance, sailors will be sailors regardless of the times. Also, the gods of the ancient greeks did a lot of things that wouldn't have been done by God as we commonly percieve him. Now, take Shakespear for example. He wrote for the Everyman of his times. It is only much later that elitists turned him into an acquired taste. I think ostentatious readers need to understand that 200 years from now critics, looking back on our literature, will probably have long forgotten the pseudo-intellectual whinings of the Kurt Vonneguts and consider as classicists solid storytellers like Dean Koontz. The problem here lies in the fact that there is absolutely no way to translate literally from the greek and retain the original impact. I would strongly recommend reading Lattimore's translation as well if one wants a more literal interpretation, but remember that something will be lost that way. Lombardo has translated more than just the words, he has translated Homer's intentions, and that is the important thing.