Greek and Roman Books

I purchased this series, having read it a long time ago as a young teen, and found it to be every bit as good as I remembered. My only complaint is that this boxed set version has some truly terrible CGI art on the cover. I remember the edition I read as a child was very mysterious and ancient-looking. It's too bad that that much superior artwork was not used for this edition. That's the only thing that stands between this set, and my 5th star.

I remember reading this series years ago and since then I have always thought that it would make a great movie and guess what someone else thought so as well. IMDB is reporting that this movie is in production and will be released in October 2007. I am very excited about this and I am really wishing and hoping that they translate it well to the big screen. I have since lost my books but I have just purchased this set to read all the books again and relive my youth again.

I can't even begin to describe this series and I won't try to. I'm afraid I'd only do it a disservice! Susan Cooper says SO much in so few eloquent words that her books are rather like listening to fine music. I rank this easily with the Narnia series as well as Lord of the Rings. And while I adore the Harry Potter books and think JK is a fabulous writer, I truly feel that even they cannot live up to the quiet serious intensity of these books.

Every year I read this series again. I love it more and more with each read.

Recently many illiterate folks have called these books 'boring' and 'flat'. Those same modern day readers often have to be babied through text & dazzled with fancy action scenes. It has also become a fad to bash things that have won awards or recommendations.

This is a story told with very deep and quiet emotions and if you give it a chance then I can promise you, you won't be disappointed. :)

The series as a whole is great. if you have never read them before but enjoy other great fantasy such as Harry Potter, the Forgotten Realms, or even the Lord Of The Rings these are a must read. they have been great books for the last 35 years or so and will continue to be great books 50 years from now.

This series is my son's absolute FAVORITE. He's 8 and I recently decided to introduce him to the books, and he ate them up. He said he likes how the bad people aren't always perfect, and he likes the way the Drew siblings work together in OVER SEA, UNDER STONE and again in GREENWICH and SILVER ON THE TREE. I'm pretty sure that he didn't understand all the symbolism in THE DARK IS RISING, though he liked it and made up his own belt of rings as a result.

This series is really wonderful, and I agree with other reviewers - it should be better known. It's mythical elements mix well with the action scenes. Plus, it's very well written and edited - creating really unique and interesting characters.

I'm sort of judicious with my 5 star ratings, but this one definitely deserved it. Pick them up - you won't be disappointed.

My seven year old daughter was spellbound by the prose and the drawings in this wonderful version of the Greek myths.

My junior high used this as a textbook. I loved it so much that I bought a copy, only to lose it years later. Because I couldn't remember the author, I spent more than a decade hunting for a copy (try googling "Greek Myths"!), but now I've found it. As far as I'm concerned no other retelling of Greek mythology can hold a candle to D'Aulaires'. A must for any library -- personal or public.

I got this book a long time ago when I was little, and even though some of the content was no doubt too old for me at the time, I still loved it and never grew tired of reading the book.

I use this as my guide to greek mythology still - the pictures are gorgeous, and the stories well done.

I'd recommend this for any Greek mythology lover.

I have had this book over 10 years and it is wonderful. It introduced me to mythology and hooked me from the beginning. I remember spending much time studying the pictures which are bright and detailed. Beyond being entertaining, the stories helped to prepare me for the frequent references to greek mythology in all types of art.

If and easy-to-read introduction into Greek Mythology is what you are seeking, then there is no need to look any longer. All the stories from Gaia and her children the Titans to the legendary gods atop Mt. Olympus and their children are explained in rich detail with fully colored illustrations, that alone are worthy of 5-stars. But the adventure doesn't stop there, all the minor and major events that are attributed to Greek Lore are presented in the same painstaking detail. This definitely a must for all lovers of Greek legend and even for those with minor interests.

Editor of the highly recommended Greek novel: Fates by Georgiou Tino.

These books are always enjoyable. I've been a mythology enthusiast since I was a kid and am still a sucker for creative variations on Greek Myths. I had to particularly laugh at the Sphinx who ditches the traditional riddle contest for a standardized test. Her lines are classic.

"Think? How am I supposed to test whether you can think?, that's ridiculous!"

"If you won't pass, you fail. And since we can't allow any children to be held back, you'll be eaten!"

"My grading machine! I can't be exemplary without my test scores!"

OK, I'm a teacher. I probably found this much more amusing than the kids that this book is targeted toward.

This is the 4th book in the Percy and the Olympians series. I have heard that there are supposed to be 5 books in the series. This book was as good as the previous ones and follows the same basic formula as those ones. I listened to this on audiobook and the audiobook was very well done!

Percy is going to orientation at yet another new school. This time more is at stake because he was allowed into this school on a recommendation from his mother's boyfriend. As usual trouble ensues and he is attacked right off the bat by evil monster cheerleaders. So starts another fun fast-paced adventure with Percy and his buddies.

Percy flees the scene meeting Annabeth on the way and they end up back at camp half-blood where Annabeth is finally given a quest. Her quest will take her, Tyson, Percy, and Grover through the depths of the fabled Labyrinth and through many other fantastical areas of Greek mythology. As Aphrodite promised Percy's "love life" begins to get difficult with the addition of Elizabeth Rachel Dare to the story.

This was another great book. I continue to love how the Greek myths are woven in with everyday reality. I love the characters. I love how even Percy's everyday normal mortal life is kept track of and not forgotten about. This is just an all-in-all great book. I love this series and am very excited to see how it ends.

Great book!
Karissabooks.blogspot.com

Purchased for 12-year-old son. It's always been difficult to get him to read, but he can't put these books down! I hope the series never ends.

The Battle of the Labyrinth, I have to say, is my second favorite book in the "Percy Jackson and the Olympians series." The Lightning Thief is my favorite. The Battle of the Labyrinth is thrilling and spectacular. If you like mystery and adventure, read this book.
Percy Jackson is the main character who is brave and courageous. He is a half-blood, meaning his dad is a god, Poseidon, and his mom is mortal. He is a fourteen-year-old teenager who is learning about the powers that he possesses. He needs to learn how to use his powers appropriately or run away. Percy, also, can be obnoxious because he makes stupid jokes at the worst times.
This epic starts with a surprise attack on Percy by a demon-cheerleader while he is at summer orientation for another new school. As he flees, he takes a taxi to Camp Half-Blood and the real adventure begins. Percy and his friends, Annabeth, Grover, and Tyson, find a secret entrance to the labyrinth and searches for its inventor, Daedalus, and a way to stop the evil Titan lord's , Kronos, invasion. Inside the labyrinth, it is dark, murky, chilly, and ever changing. It is full of entrances, exits, changing paths, and monsters. Percy kills monster after monster with his pen that turns into a 3-foot sword named Riptide. Inside Daedalus' workshop, they ask for the addias string, which is a guide that point the way through the labyrinth. They leave the labyrinth to get ready to destroy Kronos and his army. The camp was losing to the evil army until Daedalus sacrifices himself to destroy his creation, the labyrinth. Percy thinks his adventure of fighting Kronos is over but he was mistaken. (We will have to read the next book to find out what happens.)
The theme of The Battle of the Labyrinth is to have great friends that you can trust, because friendships must prevail no matter the odds.

Four books down and one to go :-( (Mr. Riordan, PLEASE consider writing more books in the series!!!)

This series has captured my son's interest and imagination unlike any other fiction series with the exception of the Magic Treehouse books. He is an 11-year old and despite being considered AG in reading skills, he would rather eat liver than read novels. My son's fifth grade teacher got him interested in the first book. After that, he had to have the whole set. He read all four books in about 1.5 weeks time -- usually reading over 100 pages a day -- even on school nights.

He thought this book was the best though the ending definitely leaves you hanging -- and waiting for Book 5.

The things that he likes best about the series:

1. Percy is a regular kid just like him who has his struggles in school.
2. He loves the Greek Mythology tie-ins
3. He loves the writing style and humor of the author
4. The stories don't take place in ancient times -- rather uses ancient stories in modern times.

Now my problem is what to get him reading next. He isn't interested in Harry Potter or most of the other popular fantasy collections. If any one has a suggestion on other series with the above characteristics, please let me know -- I would be eternally grateful!

this book was recommended by the instructor for a course on Shakespeare I took, to help those of us who were new to the literature and language of Shakespeare. It was an amazing resource and made it much easier to read and write about the plays. It's clearly written, explains the story well and any historically significant information that might be of importance to the play's history. This is an excellent suppliment for anyone reading Shakespeare.

This really does sum it up best:

"Shakespeare's genius is marked by his rare ability to appeal to theatergoers of all types and all levels of education. But for most modern folks, the Greek and Roman mythology and history, let alone the history of England and the geography of sixteenth-century Europe that his works are laden with, are hardly within our grasp. Isaac Asimov comes to making obscure issues clear to the layperson, selects key passages from 38 of the great bard's plays plus two of his narrative poems and, with the help of beautifully rendered maps an figures, illuminates us about their historical and mythological background."

Asimov is a genius, Shakespeare is a genius, it takes one to know one.

October 21, 2007

If you want to understand Shakespeare or just appreciate him more,this is a "must have" book.

Highly recommended for Shakespeare fans.

Gunner October, 2007 Comment | Permalink

This is the book if you want to start exploring Shakespeare. And don't get me wrong: it is not shallow -- on the contrary! -- but it is a very uncomplicated reading. Totally worth it.

As usual with Asimov works, this guide is absolutely superb!! I fully recommend it to readers attacking Shakesperare for the first time

I loved this book so much, I read it over like 3 times. It's so unexpecting...you think that it's just the same like the other informational books turned into cartoon like words, but it's actually FUNNY! It's totally different style of Greek mythology! I even got my friends to read it...and they loved it. We all read the series, and learned some facts and...had fun while reading it. GET THIS BOOK...IT'S THE BEST...(along with the series...of course).

I borrowed this book from my friend and I really loved it!! If you want to read a funny, interesting book, I will definately suggest this book!! I also read the all of the other books and I most definately cant wait for the next one!! My mom and sister loved this book as well so I could tell you that this book is suitable for all ages!! (Warning: If you read this book you wont be able to resist reading the next book and the next and....)

I enjoyed this book so much!! It was really funny when Hades first meets his uncle! I'm 8 3/4. I really recommend this book!:-)

I teach 7th grade, and my reading class studies Greek mythology for 9 weeks. I have all 8 books in this series in my room, and I am always reading one of them aloud to my class. The rest are NEVER available on my shelf; they're always checked out! There's usually a waiting list for them and sometimes the kids even hound each other to hurry and get them done so they can read them. These books are a hit with both girls and boys (a rarity), and even my reluctant readers will check these books out! I wish Kate McMullan would write more of them!!

Not too long ago Hades--that's His Royal Lowness, Lord of the Dead, King Hades to you--picked up a book on Greek mythology and discovered that his younger brother Zeus had tampered with the Greek myths in order to make himself look good (braggart and liar that Zeus tends to be). In order to set the record straight Hades set to work at once writing his own account of what really happened way back when. Have a Hot Time, Hades! is the first book to result from his labors, the initial installment in his Myth-o-Mania series, which is published pseudonymously, curiously enough, under the name of Kate McMullan.

Hades, as it turns out, can write pretty well. Have a Hot Time, Hades! is a charming, irreverent recasting of Greek myth as told from Hades' perspective, from his childhood spent dodging the refuse in his father's stomach (Cronus swallowed all but one of his children in their infancy) to his decision to adopt the Underworld as his realm. In the book we learn of the difficulties the Olympians (i.e., Hades and his siblings) had wresting power from the previous generation of gods. There are battles--well, very violent kickstones matches--with the Titans, some trouble with the monster Typhon, a talking-to from their grandmother Gaia. Nor are the Olympians themselves without their own petty squabbles, mostly arising from Zeus' habit of stealing credit from his siblings and begetting offspring with mortals.

Kate McMullan obviously takes liberties with her presentation of the Greek myths in Have a Hot Time, Hades!, but she does a tremendous service in introducing young readers in a highly entertaining way to the major figures in Greek mythology, their familial relationships, and their various areas of interest. (A handy family tree and glossary are included in the book.) The series is off to a great start. Next up is Phone Home, Persephone!, in which Hades will regale us with the true story of his marriage to Persephone.

Reviewed by Debra Hamel, author of Trying Neaira: The True Story of a Courtesan's Scandalous Life in Ancient Greece

This book is amazing!!! My 5yr old found a book at the library about greek myths and loved them so much that I ordered this book. We have now finished it and she is still asking for more.
The nice thing about this book is it is broken up by ages so you can do what your child is ready for, our 5yr old just loved all the stories soooo much we finished the entire thing.

I bought this book when my daughter's class was teaching Greek Mythology. She was happy to see this book and finished it very soon, now she can relate most of them to me. And the best part is it has explanation and spelling hint. It makes our reading aloud very easily. I am going to buy the other two read aloud series. I think this opens the door for my kids to the classic literature.

Purchased as a gift for Christmas. We did not read this book ourselves, so can't review the quality of the composition. However, the book was well made and arrived on time from Amazon.

This book is NOT for 5-year-olds. I look forward to when my child is a couple years older but, for now, this volcabulary is beyond a kindergarten level and not at all geared to that age group. I totally agree with other reviews about it being well-written, and I'm sure that these people's seventh graders do indeed enjoy it, but I think it's ridiculous to advertise this as a book for 5 and up!

We have been planning our trip to Greece and Crete for several months and I thought it would be good to expose our boys 7 and 10 to the stories in Greek Mythology. After reading reviews on Amazon.com, I decided to buy this book. My boys absolutely love the stories in this book. We read about 20 minutes per night (it's nice that each story has an estimated reading time) and they beg for more after each story. Then we review the "A Few Words More" sections - which they also really enjoy and which give great insight such as the source of the phrase "between a rock and a hard place" which traces back to the Odyssey! For anyone planmning to expose their kids to Greek Mythology, I highly recommend this book and D'Aulaires Book of Greek Myths. I'd read the latter first for "introduction" and then follow with the Russell book. There may be some repeated stories -but trust me, the kids will love every minute.

My husband had always wanted this set of books and, thanks to Amazon, I was able to purchase them for almost half the price of new ones. The volumes arrived safely and still wrapped in their original plastic, except for two books, which were in excellent shape.

Thanks, Amazon!

The Great Books played a significant role in my early education process and I have always placed considerable value in what they represent. Over the many years I managed to get separated from my original set. I've recently replaced them and was quickly reminded of their importance. I'm truly looking forward to re-familiarizing myself with them during this stage of my life.

Henry W. Kappel

I had heard of the Great Books Project some time ago but had never actually had a chance to see these translations until this past semester at my school library. They were located on the top floor right next to the bathroom so I sort stumbled into them by accident one night. After sifting through a few of these I can't say that I was anything other than supremely disapointed. It was a noble attempt on Adler's part but it just didn't pan out for a number of reasons.

I'm not one of these diversity crackpots and I personally think schools that use this collection (albeit losely) as a foundation for their curriculum (St. John's in Annapolis particularly) are vastly more rigorous, comprehensive, and rewarding than those of practically every other American University. Four years of science, three of mathematics, three of intensive Greek and French, weekly seminars in Western Literature and Philosophy. It's no wonder that this environment produces among the highest acceptance rates into top professional and graduate programs in the country.

However, as I mentioned before these schools use Adler's collection as more of a suggestion than anything else mostly because this hodgepodge of some 37,000 poorly translated and at times even obsolete pages of loseleaf paper couldn't possibly offer the coherence required of a college program.

To be fair though this was not Adler's intention with this collection. Still, one is left wondering what exactly Adler's intention was with all of this. One would assume that the intention was to get these books into as many homes and minds as possible. That's a great idea in principle but if folks aren't interest in reading these books individually what would lead you to believe that assembling them in one giant mass makes them more intriguing? Certainly he couldn't have done this to make the books more affordable ($1000+)...oh dear God, I believe he did.

I found the translations to be cumbersome, utterly oblivious to the language of the author's time and location, and unnecessarily small in size. Oh and the paper is of extremely low quality as well at least in the series I read out of.

These are all problems but what I find most unfortunate is the lack of coherence to the whole thing. First off, WHERE are the history books? Aside from the two big Greeks there are absolutely none to be found in the entire collection. Tens of thousands of pages with no history whatsoever to put any of into context for the young reader who I'll assume is the target audience of this collection.

Secondly, I support the attempt to expose the general public to the beauty of mathematics and especially science. But seriously, is there any point in adding something like Newton's Principia to this collection other than to show off? Really, what percentage of the population can make sense of a book like that? Cambridge prints short introductory texts to dozens of subjects in the sciences that are more relavent to that 99.99% of the population that doesn't have an advanced degree in Physics of Mathematics. Next.

Third, if you're selecting works based on influence then how do people like Kierkegaard, Marx and Nietzsche only get one of work apeice included whereas folks like Chaucer, Pascal and Ibsen get numerous selections? How can it be that Pascal has had more influence than a man whose philosophy spawned worldwide panic, violence and revolution for most of the 20th Century?

Finally, if you're going to try and produce a comprehensive collection of the Greatest the Western World has produced why not select each authors most notable contributions to that legacy. Nobody remembers Thomas Mann for "Death and Venice." Nobody remembers Joyce for "A Portrait of the Artist as a Young Man."

But then again I could be wrong. Regardless, I am still going to give this book 4 stars for fighting the good fight against relativism, multiculturalism and the general degeneration of the human race.

These books are worth their weight in Gold. You can find most, if not all, of these writings for free on the internet since there is no copyright anymore; however, if you are looking for physical books then this is the way to go. Very well made and if you go to the Britannica website you may a good deal or at least a payment plan for the hefty price.

When I was 16, my father bought me a set of the Great Books. They changed my life. Tocqueville, Aristotle, Shakespeare, Tolstoy, et al.

They teach compassion, reason, understanding, social responsibility, and every other conceivable virtue.

Anatopsis is one of those books -- think Philip Pullman's "His Dark Materials" -- that offers something for readers of all ages. For children, the plight of the young heroine and her new buddy will entertain. Teens will recognize the familiar struggle for independence from parents, and may also tap into the topic of environmental hazards on a fragile earth. For adults, the craft will delight: Abouzeid's limber handling of the strands of plot pay out beautifully (especially in a tension-inducing ending to the first half of the book); then, at the book's end, the thought-provoking conclusion leaves the reader with plenty to contemplate instead of a simple fairy-tale result. The dollops of humor throughout also add to the pleasure of the read. I do hope this is the first in a series!

Anatopsis is kind of a strange book. The beginning seems a little long and the ending seems a little short. The characters are interesting, but lack a level of depth. They seems to have no introspection at all. I know this is a young adult novel, but that really is not an excuse. For that reason it is a cute book with an interesting premise, but nothing more.

Are you a fantasy lover looking for something a little different? Not your average boy-slays-dragon-and-captures-the-heart-of-the-princess fantasy? A fantasy, perhaps, with a bit of a dark edge to it? Well, Anatopsis may be just what you are looking for.

Set on an Earth that is either far in the past, far in the future, or perhaps just an alternate reality (it could be any one of these things), the world is a different place from what we are used to. There are two classes of people: those who are immortal and those unfortunates who are not. Immortals control magic and pretty much everything else, but they cannot truly create anything. Normal humans are forced to work for the Immortals and live in terrible conditions. Actually, the entire planet has nearly been ruined by the toxic stuff generated by the magic that the Immortals cast - only a small island area is inhabitable and it is kept that way with a magic spell. The poor humans? They, of course, live outside this area.

Anatopsis is a princess and heir to the fortune and power that her mother, Queen Solomon, has built up by running Amalgamated Witchcraft Corporation. Their main (and really, only) competition is with the Georges family, who runs Consolidated Necromantic Industries. But Anatopsis would really rather be a knight errant, like her father.

When Anatopsis (Ana) turns 13, a strange new tutor comes to teach her - Mr. Pound, who is a demi-god (and the last living god of any kind, all the rest having been killed some time before). If the chilling Mr. Pound weren't strange enough, Barnaby Georges is to be her classmate and her father has been sent away "for her own good" so that he can't interfere with her education. (No one, and I mean NO ONE, dares disagree with the Queen)

Barnaby is almost the exact opposite of Anatopsis. He has no skill whatsoever at magic, even though he is an immortal. What he does have are clever fingers that can build mechanical items and the last dog in existence, Uno (who can, incidentally, talk).

There's also Clarissa, a human girl who is supposed to be Ana's personal maid, but is really her best friend. When mysterious things start to happen to the prisoners in the Queen's dungeon and the children suspect Mr. Pound, the three of them band together to try and figure out just what Mr. Pound is up to.

Now I come to the point where I feel I can't really tell you much more without giving things away. Let's just say that Mr. Pound is up to no good...as in destroying-the-universe no good and that the humans have a few tricks still up their sleeves. It will ultimately be up to Ana to figure out what's best for everyone, because she is the one that holds the key...to everything.

Recommended for readers aged 12 and up, especially if you are looking for a fantasy novel that's a little different. This book will appeal to both girls and boys equally, though girls may get into it a bit more because of Ana being the primary character. There are some dark bits and things to make you think about our own world (the class segregation between humans and Immortals, for instance, or what pollution has done to the planet) and there's not a happy ending for everyone involved (which would have been too pat), so don't go looking for a Disney-type fantasy. I think you'll enjoy it.

A friend of my mother's recommended this book to me, so on a summer day with nothing to do, I cracked it open and jumped in. What I was met with was much more than a simple, linear fantasy story for kids...it was an engrossing and exciting adventure! I found myself sprawled out on my couch for hours, putting it down only for quick bathroom breaks and snack runs. I highly suggest giving this new and upcoming author a try, you won't be disappointed!

This was amazing. Never before has a book such as this hit me with such force! This was an edge-of-your-seat thriller with lots of twists. Its moral is great- its metaphors are fantastic.
This book takes place in the future, where there are mortals and immortals, with the immortals ruling. There are two Ruling Families, both being rivals. When the Princess Anatopsis of the AW (Amalgameated Witchcraft Corporation) and the Prince Barnaby from the CNI (Consolidated Necromantic Industries) have to take classes together with their strange teacher Mr. Pound (a demigod- being not a mortal nor a god) will they save themselves as well as the dying breed of mortals? Will they find the Os Divantias before Mr. Pound destroys all they know and love?
Highly recommended! I could not put this book down. Read it and you will enjoy it!

My daughter and I both loved this book. Traditional Greek myths are retold through the eyes of Atalanta, Andromeda, and Psyche. The tales are fairly true to the originals, with a few slight departures. The mortal characters are wonderfully human, and even the gods and goddesses are rendered as multifaceted beings. These are love stories but there isn't any overt sexuality. I enjoyed the author's notes at the end, as Ms. McLaren provides information about the myths, ancient Greek culture, and women's roles. If you are considering this book for a young reader, you may wish to know that these notes do refer to homosexual relationships, which were a well documented part of the ancient Greek culture.
I recommend this book most highly to all myth lovers at a 4th grade or higher reading level.

McLaren's other book "Inside the Walls of Troy" is better than this one, but I really enjoyed this short book.

Atalanta has been raised since birth to be her a son to her father, rather than a daughter. So when her father proposes a marriage, she is furious. She outruns all her suitors in a marriage-or-death race, but one.

Andromeda is betrothed to someone whom she wants nothing to do with. Her mother makes the mistake of proclaiming that both she and Andromeda are more beautiful than the goddesses. Andromeda is sent to death, but something happens that changes that.

Psyche is one of the most beautiful women alive. One day, a nameless immortal asks for her hand in marriage. Psyche goes to the man's home and is never happier, until she makes a horrible mistake.

I LOVED Psyche's story and I wish that McLaren had made Psyche's story a book alone. While this is not my favorite Greek myths book, it is worth reading.

~Atalanta

I loved this when i first read it back in 8th grade. Now that i bought it and re-read it again, i love it even more! I have loved greek mythology and romantic stuff for a long time and this book provides both. It first inspired me to write my own greek mythology love story back in 8th grade. But now that i have re-read it and another one of the author's books, i'm going to fix my story and make it better.

This book was pretty good. I definitely enjoyed reading it. Aphrodite's Blessing is a book about three Greek myths. In these myths, Aphrodite plays a main role in the lives of the main characters: Atalanta, Andromeda, and Psyche.

In the first myth, Atalanta is of an age to marry. But she doesn't want to be married off and to get out of it, she races against her suitors. If Atalanta wins, her suitors will be executed. If she loses, she will be married off to the winner. Atalanta ends up winning most of the races and tying only one time. She stays unmarried, until Aphrodite decides to change all that.

In the second myth, Andrommeda is going to be thrown in a loveless, arranged marriage. Until her mother brags about them being more beautiful than the water nymphs. In consequence, Andrommeda must be sacrificed to a sea monster. Until her secret hero comes and saves her.

The third myth is my favorite out of the book. It's about Psyche, who's beauty is enough to make Aphrodite herself jealous.
A prophecy has been made that Psyche is not to marry any mortal being and so she's ends up being married to an immortal. But there are sacrifices she must make. Psyche is not allowed to see the face of her husband and must trust him. But thanks to the meddling of her sisters, she breaks that trust and finds out he is Eros, a.k.a. Cupid. Now she must complete three tasks for jealous Aphrodite, Eros's mother, to ever see him again.

These are great stories and it gets more in depth than the original myths. I found out that some of the stories contradict the original myths, but i liked them anyway.

This book has got to be one of the best books I've ever read, and I liked it so much that I'm now absolutely obsessed with all Greek myths! My favourite has got to be Psyche's story, for it's the story with the most feelings. When I read retold myths, they are somehow rather vague. I recommend waiting for Oddyseus too.

Enthralling, entertaining, educational, and thought-provoking, "The Symposium" is one of Plato's classics. A group of men gathered at a dinner party in ancient Greece discuss the topic of love. Each man offers his view or definition of love, and the results are all different, engaging, and full of symbolism. Although it is a short book, one must not read it once and put it away; it ought to be be read again and again just to compare to what is "picked up on" each time. One thing always puzzles me: I will never know why Plato included the doctor (his name escapes me at the moment) have a bout of hiccups during someone's speech. I have never come up with a satisfactory answer - nor has any one I know, either. Nevertheless, this is an excellent read that I highly recommend for anyone - student and nonstudent. Enjoy!

The Symposium of Plato is a profoundly thought-provoking, entertaining and inspiring piece of philosophical writing. It is very short, yet infinitely more substantial than many longer works.

We are in Athens, 416 B.C.E. The scene is a banquet at the house of Agathon, who had the day before celebrated the victory of his tragedy. By the end of the party, seven men - and one absent but central woman - will have presented their views on the nature and meaning of Eros, or love.

There is no difficulty in keeping the characters distinct in our minds. Plato has great fun contrasting the opinions - and verbal styles - of tragic poet, comic poet, politician, physician and the rest, allowing absurdities and profundities to mingle freely. Socrates is very appealing, saint-like, yet utterly down-to-earth, playing his usual role of a 'philosopher' - one who 'knows only that he does not know' - always in passionate search of the truth, but catching only revelatory glimpses of its perfection.

Phaedrus gives the first speech, praising lovers' (especially homosexual) passion and loyalty, which makes them perform mighty and heroic deeds. Pausanias differentiates between virtuous, or spiritual love, and common, or bodily love. Virtuous love between men should not be primarily about sex, but about improvement and education of the soul. Eryximachus, the doctor, makes a mostly irrelevant (and boring) speech, claiming nature's contrasting elements illustrate the need to balance the healthy and unhealthy aspects of love. Aristophanes then delivers a brilliantly memorable speech, hilarious and poignant by turns, telling of how humans were once two-in-one, back to back, with two heads, four arms and four legs, with three combinations of sexes, male/male, male/female, and female/female. Their strength and speed made them threaten the gods, so Zeus cut them in half, leaving them to search forever for their other halves, and through love attempt to regain their original oneness. Agathon then gives an over-the-top, ecstatic speech, praising love as the youngest, most graceful of the gods, saying he brought order to heaven itself, 'empties men of disaffection and fills them with affection', etc, climaxing with the suggestion we all follow in love's footsteps, 'sweetly singing in his honour'.

It is then Socrates' turn. He performs for all conversations that took place between himself when much younger and Diotima, a 'wise' woman from Mantineia, to whom he had gone for instruction in the highest truths of love. In sum, the lesson is that love is the desire for the everlasting possession of the good and beautiful, which brings happiness. We crave immortality, in order to be happy eternally. We love our offspring, artistic works, laws and institutions, because they are all attempts to achieve an immortal name. These, Diotima claims, are the 'lesser' mysteries of love.

The 'greater' proceed from the 'lesser' in ascending steps. From one beautiful body the lover creates 'fair notions', then he sees all bodies are similar and equally worthy of love. From bodies he proceeds to the beauty of the virtuous mind, then the beauties of institutions and laws, climbing from there to the beauty of the sciences, until, after much growth in wisdom, he reaches the vision of all creation as beautiful. The final step is to rise to the contemplation of unchanging, eternal, absolute beauty itself. To spend your life in union with perfect beauty allows you to bring forth 'real' things, not 'images' and 'be immortal, if mortal man may'.

A drunken Alcibiades bursts in at this point, and gives a rambling, often funny, speech about his love for Socrates and how he - a very beautiful man - was spurned sexually by him. He describes Socrates' near-supernatural control of himself, totally above the effects of pain and pleasure. The book ends with a description of Socrates' companions all falling asleep as dawn breaks (after all-night drinking) and his going about his usual day.

Throughout the Symposium, Plato makes it clear that sexual relations are not the best thing at all for 'lovers'; they who wish for the highest happiness must seek to grow in virtue and wisdom and become increasingly detached from earthly pleasures. This is the origin of the phrase 'Platonic love'. Women were not considered their intellectual and spiritual equals in Athens at the time, so men of sophistication had to look to each other for emotional sustenance.

What then, we may ask, can the Symposium offer human beings today who are not interested in purely mystical/intellectual living and prefer the sexual and emotional satisfactions found in personal relationships?

A great deal, I believe. In his introduction Benjamin Jowett states that Plato 'is conscious that the highest and noblest things in the world are not easily severed from the sensual desires, or may even be regarded as a spiritual form of them'. In other words, earthly pleasures and transcendent ones are inextricable. Plato used words such as 'good' and 'virtue' to describe freeing oneself from the world of the senses, by using our reason to choose correctly who - or what - to attach to as we move through life. If we choose correctly, be it friends, sexual or lifetime partners, we strengthen our sense of inner freedom, until finally we experience it at the deepest, mystical level - the profound shift in consciousness that Plato was pointing to as the highest good - which in and of itself is morally and values-neutral.

The genius of Plato is that he communicates the total commitment required to attain perfect freedom, and the moral obligation of all human beings to strive for the happiness it alone can deliver.

Plato's "Symposium" will always be read because there will always be people who question the nature of Love. Agathon's dinner party is the scene of a conversation between a small group of men, who go around the table offering their views on Love. What does Love mean to us to-day? Reading over the responses of the dinner-guests and their host, we find the same range of answers in Ancient Greece that we are likely to find now.

Phaedrus and Pausanias are utilitarians and materialists. Phaedrus looks at love between people and a proto-Burkean love for government and state. Pausanias complicates the argument, saying that there are two different kinds of love, one which is common and one which is heavenly - yet still oriented towards the real and the tangible. Eryximachus is a proto-Swedenborg, trying to reconcile or harmonize the two kinds of love.

The jewels of Plato's "Symposium" are Aristophanes and Socrates. Aristophanes gives us the profoundly moving depiction of Love as a fundamental human need, a desire for completion. For a writer of comedy, whose aim as an art form is forgiveness and acceptance, Aristophanes's explanation is no surprise, though its depth is amazing. While women are generally discounted throughout the "Symposium," not only does Socrates, as we might expect, completely astound his audience (both inside the book and out) with his progressively logical and ascendant view of Love, but he also does it through the voice of a woman, Diotima. When we realize that Socrates is a character in this fiction, and that his words originate in a woman, the egalitarianism and wisdom of Plato the author truly shines forth, like the absolute beauty he claims as the ultimate goal of Love.

Was Plato a feminist? I don't know. I do know that the "Symposium" is a tremendous book. I picked it up and did not stop reading it until I was finished. The style of the Penguin translation is smooth, with a lighthearted tone that can make you forget that you are reading philosophy. Plato's comedic masterpiece in the "Symposium" is the character of Alcibiades, who provides the work a fitting end. Get the "Symposium" and read it now. You cannot help but Love it...in a Platonic sort of way.

Perhaps the most "literary" of all Plato's works, "Symposium" is the story of a dinner party gathering of great (and a few not so great) minds, whom engage in a discussion in praise of eros, or passionate love. It is considered literary because it is highly metaphorical, it's characters are drawn well and in some cases unforgettably, and it succeeds on many levels. It is not uncommon for Socrates to elevate the subject of discussion in any given dialogue to that of our earthly existence, and how we should go about it. Perhaps shocking to readers unfamiliar with the Greeks is the prevalence of homosexual love, particularly with young boys. But, if nothing else, this is an insight into ancient culture. And the absolutely magnificent speeches given by Aristophanes and Socrates remain profound and beautiful to modern readers, regardless of whether or not the other speeches are unpalatable to some. Also, Alcibiades, drunken, hilarious rant is not to be missed. Read in a single sitting, this work is almost sublime.

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Plato's "Symposium" is the story of Agathon's dinner party where conversation takes place with a small group of men, who recline, eat and drink around a table offering their views on Love. This story is an amazing account of how intelligent and yet so different a culture the men from ancient Greece were compared to our society today. Each speaker has this most amazing ability to tell two stories at the very same time, an creative artistic movement of what love 'is' in each and every story. applying and , metaphorically. intertwining a cultural, mythological story of the gods, giving far deeper meaning. In addition to this, the love relationships and sexual nature of these men also permeate an entire cultural feel to the story, enveloping a radical differentiation from our de-mystified and de-enchanted world back into a once existing world of substantial meaning and profundity.

Phaedrus, speaks first and relates how love is the greatest good, the beautiful, is shameful of ugly things and how only lovers are willing to die for one another.

The second speaker, Pausanias, applies two types of love, one Aphrodite, a common base love working at random with men's feelings, for money, for loving physical bodies, boys, men and women. The other type of love, from a much younger goddess, being a higher type, the heavenly, who only loves other men and boy love, but this is not physical body love but from affection of the mind of virtue and wisdom..

Aristophanes has the hiccups, so it is Eryximachus, a doctor, who speaks third, applying the idea of love as a double love; "for bodily health and disease are by common consent different things and unlike, and what is unlike desires and loves things unlike." p.82 The god of art was said to implant love as a healing art, all such love guided by this god. "It is quite illogical to say that a harmony is at variance with itself or is made up of notes still at variance." "So love as a whole has great and mighty power, or in a word, omnipotence ."

Aristophanes, the comic writer, gives a moving account of Love as a absolute human need, a desire for completion to the point of each person once shaped differently being cut in half, taking our current shape, in need of the other to complete the whole of what we once were. "For first there were three sexes, not two as at present, male and female, but also a third having both together," and they were violent, strong and forceful and would even attack the gods. So Zeus and the other gods held a meeting and decided to cut them in halves and make them weaker. From then on, they were sexually drawn to one another, both heterosexual and homosexual, reasons all due to the way of the cutting of the halves.Lesbianism and boy to man love is freely spoken of and justified according to this story of the gods. His moving speech on the beauty and virtue of love however, is according to Socrates, true only in the sense of romanticism and fictional idolatrous admiration of what love should be. For Socrates found such a romantic explanation of love as untrue to what love really is and what love contains, as it does not contain all the beauty and good.

The fourth speaker, Agathon gives a moving speech on the beauty and virtue of love however, it is according to Socrates, true only in the sense of romanticism and fictional idolatrous admiration of what love should be. "For all the gods are happy . . and love is the happiest of them all being the most beautiful and best . . the youngest of gods." In his speech, love is every good, virtuosos and beautiful thing.

The last speaker, Socrates, found such a romantic explanation of love to be untrue, for what desires good, virtue and wisdom is only something that does not contain such, something lacking, and therefore lacking it desires such things. Love only desires what it lacks. Love is neither beautiful nor ugly. "To have right opinion without being able to give reason is neither to understand nor is it ignorance. Right opinion is no doubt something between knowledge and ignorance."

It is so interesting how common and free sexuality and homosexuality were, how each man present commented on the beauty of the young men in their glory of youth. Alcibiades, jealous of Agathon, also a young beautiful male, makes a moving speech how Socrates refused his love and how other like young men, also were moved with his amazing wisdom and prose.

While women are generally discounted, and the bonding of affection in male love was considered a higher love by Pausanias, Socrates explanation of love, by far the most profound, was one he received from a woman named Diotima. Here, as another reviewer has stated, shows Plato's the egalitarianism and wisdom, like that of the beauty and ultimate goal of Love.

Later a group of men crash the party and the drinking really gets started. Some leave, while Socrates stays all night, never loosing integrity from his drinking and leaves with all his integrity.