Graphic Design Books

Brom stacks up as one of the most brilliant fantasy artists working today, and this book shows why. Within you will find beautiful maidens, dastardly villains, valiant heroes, vile beasts, and all manner of other characters fair and foul - each and every one of them marked with the twisted vision of Brom. Brom's art has the ability to send a chill down your spine no matter what image you might happen to be looking at - there is almost always an element of the unsettling in a Brom painting, of impending doom or contagion, and every painting yields something new to look at with each viewing. Another quality inherent in Brom's work is his ability to make the viewer wonder about his images, and construct stories around his characters in his head - you may find yourself engrossed as you construct motivations, origins, and storylines as you flip through this book. Those looking for an excellent book of fantasy art with just the right twinge of horror would well to pick up "Offerings."

This is Broms second book, his artwork is more mature than that in Darkwerks and perhaps a little less immediate, but never take a Brom picture at face value, even the classically beautiful images have something unpleasant lurking in the background. Fans of Brom will be glad to know that is more of the excellent, if somewhat disturbed work of perhaps the best fantasy illustrator working today. BUY IT !!

This book is truly amazing and Brom has outdone himself again. The paintings are very interesting and depict situations that my mind would have never discovered on its own. One word of caution... though this is great art, it is women unfriendly. What I mean by this is that the females are generally depicted in painful situations that seem to take away from their beauty. I would highly recommend this book for anyone wishing to view dark and powerful fantasy settings and people/creatures. Amazing work!

This is a good collection of Brom's art... but if you are thinking of buying a Brom book... buy 'Darkwerks' before you buy this book.

The art in this collection is more mature and refined in comparison with Brom's Darkwerks collection, but is lacking in quantity and the spontaniety of his card art.

He is one of the few artists who rarely uses reference material whilst painting. This approach is evident due to the fact that a lot of the figures have comic-book figure proportions -- which is admirable in this day in age where painters trace from photos.

Verdict: Buy Brom's Darkwerks first, buy this after.
Reviewed by Harrison Chua

This book, by Thompson Learning, is an excellent book in that it not only goes into the code aspect of game creation using QT and a C++ compiler, but gives some insight into what it takes to design a particular game program solution.

However, even though it does not take a whole lot of programming experience to program a game, one does need to have at least a working knowledge of form creation using (QT or a Visual program language) and some knowledge of a C++ compiler.

Remember, to show a form it must be called by code which includes at least one (Show form) code block.

I would say the programming level needed to use this book effectively is at least advanced beginning. And I believe some experience in the Linux version of QT and the Linux GNU C++ compliler would be very helpful.

See this book as a general introduction to developing games and open source software, but some definitions are often shallow and/or briefly explained. You'll have to follow its many references to gather the whole knowledge together. Recommended for those with good skills in C++ and class programming but are willing to build some board games for fun. Interestingly, it gives some insight into AI and 3D gfx, but never deep enough for someone to start any serious project. The attached CDROM contains complete projects which does help a lot (but nothing that you can't find in the Web).

Well written, concise, clear -- this is book is the perfect introduction for anyone who wants to code using Qt and KDE as well as for anyone who wants to get into game programming as a hobby.

This book contains everything you need to know to develop game programs on Linux and the KDE desktop, with information on how to make your games portable to Windows, Mac and PDA. It covers a wide range of topics in a very clear fashion - technicalities of various platforms, use of Qt canvas 2D graphics and OpenGL 3D graphics, sound, artificial intelligence, path finding, maths and physics of games and network play, to name just a few. The references to websites and other texts, at the end of each chapter, are alone worth their weight in gold.

If only I had had this book available when I sat down to develop a game 4 years ago. I would have saved about a year of my life, which I spent finding out things the hard way!

Do you sometimes think to yourself when you're doing a project, "I wouldn't mind doing this for a career." Then the one question you must definitely ask yourself is, "What procedures must I take in order to develop a career out of my talent?" This book can get you started in the right direction.

Opportunities in Arts and Crafts Careers offers you a clear understanding about the various careers available, the skills needed, and how to get started. I wanted to read this book to find out if it would help out fellow woodworkers who would like to pursue a career with their skills, and if it had information for them to get started in one. I've found that not only does it provide information for these two avenues, but also an understanding of the history of the craft.

I extremely recommend this book for those who would like to seek a career in the arts and crafts. Elizabeth B. Gardner has performed an exceptional measure of research, in order to write this book with the facts provided in it.

Excellent advice on how to pursue careers in the arts and crafts fields and professions. It is practical and fun to read especially since so many opportunities in these fields are discussed. The histories of these fields are very good as are the processes involved. It makes one want to pursue one's interest in arts and crafts!

This book is a valuable guide for students considering a career in the arts. Each career path includes a brief history, a description of the actual processes involved in the work and discusses training options and job potentials. A particular strength of the book lies in including some of the more unusual crafts like book binding, stained glass design and weaving.

I applaud Elizabeth Gardner for authoring Opportunities in Arts and Crafts Careers. This book is a very engaging and accessible reference to a multitude of careers that are too often overlooked by students, their teachers, parents, and counselors. The book covers a broad scope of career opportunities including fine art, applied art or design, and craft. The result is a career reference book with great collective strength.

This is a very good book. Page after page of good photos of good package designs, from cartons, to bottles, etc. The designs will probably start to look a little dated by 2005, they are showing slight mid-ninetiesness, but they are still very good and have some life left in them- worth buying for the serious designer who needs a little inspiration now and then.

I think is a very good book, i don't have it, but i've seen it. I'm sorry my english is bad.

I think is a very good book, i don't have it, but i've seen it. I'm sorry my english is bad.

I think is a very good book, i don't have it, but i've seen it. I'm sorry my english is bad.

I started reading Lynda Weinman's books way back when she did a book on creating graphics for the web. I don't recall the title, but it was a book on optimizing images, and it was made way back in around '99.

What I guess I'm saying is that Lynda is an authority, she knows what she's doing, and just as importantly, knows how to actually convey her knowledge in an understandable, interactive way. Hands On Training is kinda like those DeVry ads you've seen for so many years during Perry Mason episodes. It's about learning by doing. I mean, how are you going to learn how create layer masks with gradients and textures that are linked and include shapes and are feathered with paths and........if you're reading a book with one paragraph after another, and very few numbered steps. Are you really going to remember that shortcut key for the magic wand from reading a manual written in paragraph form, with one pictured example every 3 pages?

And, to sidetrack, do you really want to learn how to make 3-D warped multicolored lettering to be used in a Word newsletter?

I say no. And so does Lynda, I'm sure. And so, I'd guess, does DeVry. I've used Photoshop for 12 years and I'd say I'm an intermediate. Maybe in 20 years I'll know what Lynda and her fine associates know.

This is by far the best and most informative and detailed book of its kind. It covers every aspect of "everything you ever wanted to know about" rollovers and rollover animated menus! It does not leave you 'missing something' or saying: 'yes, but it really doesn't cover...' - It covers everything! The accompanying CD is excellent!

My favorite tutorial books for software are the Hands On Training and the Classroom In A Book series. And, if forced to choose one series or the other, I'd choose H O T.

Authors Lynda Weinman and Jan Kabili have done a great job.

Although I remain a devotee of CIB methods, my library will include the HOT books for all complex software.

Discussion of animated GIFs, automation and integrating with other programs, such as GoLive, Dreamweaver, Illustrator, Acrobat and QuickTime [Chapters 13, 14 and 16] are of especial importance.

This book is a must for users of Adobe's ImageReady and Photoshop.

The most comprehensive tutorial you're likely to find covering PhotoShop's "little web sister", leave it to Lynda.com to come up with THE ImageReady book. Don't let the title mislead you, especially if you're already a long-time P-Shop veteran. The information contained in these pages, accompanied by outstanding tutorials and full color illustrations, is NOT a rehash of stuff you already know; it is a means of making the transition from traditional publishing to creating full-blown web pages with minimal compromise.

Even seasoned users of Adobe's cornerstone image editing tool may find some new and useful tips in streamlining graphics production - I certainly did. Instructor Jan Kabili makes the journey such a pleasure (not to mention a productive use of time), one could actually become converted to working in lo-res art! As in other titles by this publisher, the exercises are straighforward, economical and plentiful - the reader is presented with a great deal of material in relatively short order, yet in a way that is not at all difficult to retain practical information.

Granted, Adobe ImageReady is not a web management tool ..... that's Macromedia Dreamweaver's job, and though it may not integrate with that program as closely as, say, Fireworks, it contains no shortage of tools for fully preparing, creating, optimizing and animating raster images for web use. This entry in the highly-praised Hands-On-Training series is as good an introduction as you'll find on making full use of ImageReady in a short time, and a genuinely enjoyable one at that.

Acquire, read, and get thyself web-ready.

I bought this book for my son who loves graffiti art. He loves it and uses it often as he practices his own art. I would highly recommend this book to anyone looking for the perfect gift for the graffiti artist.

The PieceBook gives you an inside look to the world of graffiti through the eyes of street artist.

i myself grew up a graffiti writer and are quite familiar to all those who contributed art work to this book. it was well done the prologue written by sacha jenkins(another graffiti writer) was well spoken an hit home as we who grew up in the early days of this era of graffiti sub culture can relate to. the art was reproduced with colorful visages that brought it all to life again as if it was done a few hours before i bought the book. each page was a look back to yesteryear, reading the messages that were a staple of the times ''fresh,def,and many other phrases we used then bring memories of an earlier time when it was fun to do the graffiti and create styles of your imagining.special thanks to chino villorente (another graffiti writer) who took the time an the love to put this together!! i truly enjoyed this book tremendously and glad i bought it, any graffiti writer should have this book on the shelf next to all the other homage books of the street life growing up.

Piecebook: The Secret Drawings of Graffiti Writers has successfully compiled a who's who of writer's writers in a format that looks so legit, you'd swear you could feel the grooves in the pages left by pencils and pens... as authentic and realistic as possible, there are even a few blank sheets to get up yourself! I even tried to peel the sticker off the inside cover!

For those who can't get ahold of the hardcover, now-sold-out _The Glamour Girls of Bill Ward_ (also edited by Alex Chun) or who can't afford the huge _The Wonderful World of Bill Ward_ (published by Taschen), this is a cheap, readily available alternative with enough of Ward's classic glamour girls to satisfy all but the most hard-core, completist fan of Ward's work. The book is published in trade-paperback format, so the illustration reproductions are not as big as in the other two books, but the quality is quite satisfactory.

As he did in _Glamour Girls_, Chun has chosen to focus on the art that Ward is most famous for, and the art that Ward himself loved the best; the voluptuous, elegantly dressed, Ekbergesque (as in Anita Ekberg, one of the inspirational models for Ward's beauties) lovelies that populated the pages of so many men's magazines in the 1950's and 1960's - and not the raunchier work that he did in his later years, much of which he did strictly for the fee. These classic cartoons, by contrast, were done as much for love as for money, and it shows; there's an elegant lushness in them that doesn't show up in his later X-rated work. The selection includes a healthy number of Ward's (in)famous "telephone girls". While some of the cartoons and drawings chosen for this book are the same as in _Glamour Girls_, many of them are new to book publication; thus, if you really love Ward's girls, you'll want to get all three of the books that are currently in print. Definitely a "must have" for fans of pinup art.

Typical for a Bill Ward book, this contains a terrific representation of his gorgeous pinup work. The main drawback of this volume is the rather small size, but the great selection of artwork mostly makes up for that. Recommended for any fan of Ward or pinup art.

If you're a baby-boomer or older, chances are you've seen Bill Ward's art, even if you didn't necessarily know the name. Ward was one of the premiere and pioneering artists of what came to be known as Good Girl Art in the 40's and 50's. Good Girl Art refers to those comics depicting attractive women in various stages of undress or, quite often, in some form of bondage. These covers were quite popular in both pulp magazines and comic books of the era and are highly prized among collectors today.

Ward's most famous creation was "Torchy" Todd, the sexy blonde bombshell who made her first appearance in the mid-1940's. Torchy's run in comics was cut short by the crusade against sex and violence in comics in the 1950's. Leaving comics, Ward moved on to work for editor Abe Goodman's Humorama line of magazines that included titles such as Gee-Whiz, Romp, Snappy, Laugh Riot, and more. There he began his prolific run of sexy one-page cartoons featuring his stunning Good Girl Art.

The Pin-up Art of Bill Ward from Fantagraphics packs 260 pages of these classic one panel pin-up cartoons into the book. The Ward female of these cartoons is classic 1950's pin-up: large breasts, thin waist, wide hips, and a round bottom. The classic hourglass figure complete with the pouty lips and eyes that can make any man melt. These women are bawdy and busty and make no apologies for utilizing their physical assets. Fetishists will love Ward's hilarious series of spanking cartoons, which are often girl-on-girl. In one, an angry boss with a black eye is spanking his secretary and telling her, "This will teach you to let my wife catch you sitting on my lap!" In another, a bank President is showing his gorgeous blonde customer what the penalty is at his bank for overdrawing her account.

Among the other cartoons in the book is Ward's series of telephone girl gags. These generally feature one of his gorgeous models lying on a bed or sofa in a negligee or other type of lingerie, talking on the phone. There's also a fair share of Ward's burlesque stripper cartoons. In one, two men are ogling a dancer clad only in panties and pasties. One exclaims, "This is one thing television will never replace!"

Wardss pin-ups are truly the 50'sand 60's American male view of the perfect female. These classic cartoons and drawings have lost none of their humor even after some fifty years.

Reviewed by Tim Janson

Now that Alex Chun's first book on Bill Ward is sold out Fantagraphics have wisely decided there is a market for a cheaper edition. This is not a straight reprint of the original, 'The Glamour Girls of Bill Ward' (ISBN 1560975318) which was a large size portfolio edition, beautifully printed. This current title is much smaller with an edited intro from the original but what looks like a different selection of art. Still good value if you like Bill's art.

Considering that he can only really be considered on the fringes of quality girly art it is amazing that three books of his output have been published in the last three years. Ward claims to have drawn thousands of pin-ups over the years so I expect there will be more titles in the future.

The two from Fantagraphics are good but Eric Kroll's The Wonderful World of Bill Ward, King of the Glamour Girls (Various)with its chunky size, comprehensive illustrated biography and hundreds of pin-ups must really be the last word on Ward.

product was sent in a timely manner with tracking information to follow the progress. Good work as always

This is a mandatory book in an urban planner or college bookshelf, for it has all the necessary information to complete urban projects. It is my handbook and that says all. It is also very well presented with a hardcover in good leather. The only shortcoming that I see is the absence of folded pages with urban plans in a larger scale, or renderings of zoning plans.

This book is tremendously broad in its coverage of planning topics, though not in depth. Most topics get only 2 pages, though some get 4-5. References are listed for each topic to help you find more detailed information. The book is well organized and indexed. It's loaded with illustrations such as graphs, diagrams, flow charts, line art, photographs, and maps. Most are black and white, but there are 16 color plates that are grouped together and stuck in a seemingly arbitrary position in the middle of an unrelated topic.

Some information is already out of date. For example, on page 580 it says that the Transportation Equity Act for the 21st Century (TEA-21) expired in 2003 and Congress was still debating reauthorization. The new act (SAFETEA-LU) was enacted in August 2005 and is not mentioned.

My only real complaint is that the type is quite small and can be difficult to read for 40+ year-old readers. On the other hand, I understand that if they used larger type this huge, heavy book would be even bigger and heavier.

I also got the electronic, online version of the book and was disappointed in that, again because of the small type. Even using a 20" monitor I had a very hard time reading it. The viewer application that Amazon uses has very limited capability to zoom in on the text so it does not help.

An excellent resource for anyone involved in public sector land-use planning. Contains great detail on many different subjects. Good illustrations throughout. Not the best resource for site planning, though.

I've owned this book for years & I return to it regularly. There is something magical about this book. Although most of us will never experience living in a Provence villa, the photography takes you away & it is absoultely wonderful to look at. Every page offers delightful discoveries. This book has it all and is by far my favorite interior design book in my collection.

I have never been there, but through samplings such as this treasure of a book, I have seen on print what I most want to see: Provence! This "gift" presents the reader with the best views of interiors that I am aware of. I have combed my library and bookstores for views of Provence for almost forever. This book almost makes me cry, I long to see it so! Until I do, this sumptuous look at this magical region is availble in this outstanding book. I am SO glad I have my copy!

In this rich photographic essay of interiors in Provence, Lovatt-Smith captures the design, style, essence, texture, life and breath of this magical location and its occupant's beautiful interiors.

This book is a gorgeously photographed journey into the homes of wealthy and/or very stylish residents of Provence. Not a book of typical 'French Country Interiors', it covers a wide range of styles from super modern to 17th century grandeur, from 'to the manor born', to gypsy caravans (stunning). As with all things French I adore the way they so gracefully combine the old and the new. These are for the most part not homes that were 'designed', but instead homes that 'grew' with thier owners over time. This book is one of a series of books by this publisher/editor team and they are all wonderful. I have this one, the book on Indian Interiors, the book on Moroccan Interiors (my favorite) and the one on Tuscan Interiors. Each of these books is pure quality. The photography, the variety of well chosen homes, the layout and design of the books, including paper quality, binding etc. is superb. There isn't one aspect of any of these books, including this one, that is run-of-the-mill or poorly conceived. If you are interested in Provencial style, creative interiors, use of colour and texture, and French Culture, you will adore this book. It is without a doubt the best book on French Interiors that I have found.

Having this book out where people can see it will likely get you laid, by people way better looking than you are.

I've been a fan of Paul Pope since reading his THB series years ago. There's one thing that really stands out about his work--the lines seem almost imbued with a sense of energy. You can almost see the inked lines jump and move on the page, and this give Pope's works a sense of being alive. The works in this collection don't disappoint. You'll be drawn into every page as you flip through the book. Another thing that some people may overlook is that Pope is an excellent writer. This book contains several essays about his work and himself. Pope writes about as good as he draws, so it is difficult to put down the book once you start reading. I highly recommend this book.

A few warnings though: if you became a fan of Pope through his mainstream comic work, there is none of it in this book. There is a bit of THB featured (not as much as I would have liked), but most of the book consists of his private projects and illustration work. Another warning is that if you find erotic illustrations offensive, be warned that this book includes a few.

Pope's work is full of frantic, almost desperate energy. His art seems driven, and the essays in this book (I was surprised by the amount of text, but not unpleasantly, as it turned out) enhance this feeling. The book paints a picture of an artist with a great deal of passion for his work, and also a deeply thoughtful, philosophic side, and a strong respect for the history of his chosen art.

The pictures are often raw-edged, a few of them appear to have been lifted from sketchbooks or diaries, sometimes with blocks of handwritten (and not always legible) text running off the edge of the page, or stamped with rubber stamps in Japanese ("Paul Pope" "Comics Destroyer" and so on). It is deliberate, of course, and it seems right that way. Each picture is full of texture and detail, and rewards a careful viewing.

Don't just look at the pretty pictures, though. The book contains several autobiographical essays that are worth the price of admission by themselves. Pope talks about his inspirations and methods, discusses his thinking during the creation of some of the pieces in the book, and such topics as pornography as it relates to art and erotica. (Note to the prudish, a few of the pictures in this book are quite explicit. Although there are no sex acts shown, Pope is very frank about his appreciation for sex as a source of passion and inspiration, and he doesn't shy away from portraying all parts of human anatomy.) Reading the essays enhanced my appreciation for the art significantly.

It's a fine book, especially if you like Paul Pope's style. Recommended.

(As a side note, the version I received does not have the cover shown by Amazon, a drawing of a woman's face, but a black and white design based on an image of the author, I believe, and some abstract ink lines. It's not a bad cover, but I think I might have preferred the drawing.)

all in all a very cool book. being relatively new to pope (first through heavy liquid and batman 100, the best bat thing ever!) i find the book a very good intro to him, his ideas and thought process. he really seems to be on the path of re-creating / re-defining the "comic". the different essays throughout go from open self effacement to sadly comedic in his dealings with poss. employers and his tenure in japan. his knowledge of art history and his own desire to be a leader in his chosen area is very evident and well deserved.

For being an artist's opus, i would have actually preferred a bit more art (the first and usu. obvious complaint any art geek would say regardless the amount given), there too is none of the Bat 100 art here, prob. for rights reasons, fair enough. Alot of the stuff here is blown to full bleed, possibly unnecessarily so, but if one sits and meditates on those pages you begin to see something, his art does seep in and soak a bit... one cannot argue with the overall design in any way, alot of the newer art books (ash wood's stuff, james jean's) push the boundaries of the medium and give the fan what they want, possibly b/c they are fans themselves and are giving what they want from those they admire.

this one is going on the shelf between Malicious Resplendence and Lowlife Paradise...