Graphic Design Books

In a style termed by the author as "dream documentary", Bryan Talbot takes us through the religious, political, cultural, and literary history of his home town of Sunderland (as well as bits and pieces of knowledge from all kinds of other places and fields). Far from a paper-dry chronological listing of names and dates, however, we jump from place to place, subject to subject, and event to event often without preamble or warning, always colorfully illustrated by drawings, photos, collages, or paintings. It truly is like falling down the rabbit-hole.

To Talbot's credit, the conceit works surprisingly well. I was completely unfamiliar with most of the subjects presented in this work, but I never felt lost while reading; and while I occasionally consulted Wikipedia for more information on a subject mentioned, I never felt like doing so was necessary in order to follow the story.

What makes the whole concept work, despite its incredibly ambitious scope, is the theme of connections. Talbot constantly shows us the influences of one event on another: the values of one family being passed to its succeeding generations, the re-invention of folk stories and myths as shows or popular fiction, the art style of an invading culture commingling with that of the previous settlers, the de-evolution of a centuries-old blood feud into an equally vicious (if supposedly more civilized) football rivalry. Nothing "just happens"; everything is preceded by numerous related events, and everything has its own effects on what follows, which are often surprisingly far-reaching.

While his approach may at first seem more scatterbrained than structured, attentive readers will soon notice how meticulously Talbot has composed his story so that everything fits together. Half the joy of reading the later pages comes from discovering the import of clues hidden in the earlier parts; equally surprising is how infectious the author's passion for the subject becomes. In interviews, Talbot claims that the only goal for his four-years-in-the-making masterpiece is to entertain. By that standard, he has succeeded wildly - as well as, perhaps, educating thousands of readers on subjects that they might otherwise never have known existed.

I'm a fan of Lewis Carol and Alice in Wonderland from the original books to take off like The Looking Glass Wars. When I first picked this thick graphic novel up from my local library, I thought it was a another charming retelling of the story I love so.

Okay, so that was my fault for assuming so. Alice in Sunderland is not just about Lewis Carol. Its about the links between the works and life of Lewis Carol and his connection to the Sunderland area in England, connecting to other writers and artists such as George Orwell for example. Alright, so it reads like a very pretty history book sometimes but the story telling is wonderful albeit long and often it moves around freely from Lewis Caroll to the Sunderland theatre to the mythic origin of the Jabberwocky story.

The point here with this book is NOT TO LOSE YOUR FOCUS or you will forget all that you have learned. If anything, the book is wonderful to look at and if you're a Lewis Caroll or fan of Britain or Sunderland or you like history and stunning visuals, well this is the book for you.

Plot: What plot? Seriously though, its a history lesson.
Art: A The art shows the range of the creator.
In general: A- Buy it or get it from the library, but its a good read. And you can pretend its not educational if it bothers you so.

Bryan Talbot's ALICE IN SUNDERLAND is so unique that it is difficult to find anything to compare it to. It would be inaccurate to call it a graphic novel, because it tells no story. There really is no plot of any kind. What it actually is is a local history. Talbot essentially tells the story of his town of Sunderland while tracing unexpected connections it has with Lewis Carroll and relatives of Alice Liddell.

The story, such as it is, concerns "a guy" (the book begins "Well, there's this guy . . . ") who walks into the Empire Theatre in Sunderland for a performance of ALICE IN SUNDERLAND, only to find himself the only person in the theater. Onstage appears a man in a puffy shirt (think "the pirate shirt" of SEINFELD fame) and the head of a rabbit. The Rabbit Man begins to talk, only to remove his head, revealing a human face (which is, in fact, Bryan Talbot's own). He then proceeds over the next 300 pages to provide an endlessly inventive history of the local area, repeatedly drawing connections to ALICE IN WONDERLAND. The exploration is categoric, embracing prehistoric and ancient history, medieval history, and modern history. He covers local the economy, politics, architecture, and cultural life. By the end of the book you not only feel like you've explored a corner of the world you never even thought about investigating, you feel that you'd love to visit the place. And indeed, you feel like you know it. You also learn a very great deal about Lewis Carroll.

What is astonishing is that Talbot keeps his story fascinating from beginning to end. In actuality this is a one-note symphony, but he so successfully disguises this that you scarcely notice it. Frequently his story approaches the sublime. For instance, at one point he enters the first house in a row of elegant dwellings for Sunderland's economic elite. He searches local records and discovers that it was built by a Quaker merchant named Joshua Wilson. He then spends the next five pages exploring his life and character. He seems to have been a thoroughly likable and admirable individual, a genuinely good, though largely forgotten, man. And then the sublime: " . . . and Joshua, long dead and long forgotten, now lives again in some small way in the mind of you, the reader." The book is filled with magical moments like that.

This is easily one of the most beautiful to look at books that I've ever seen. Talbot is unusual in the world of graphic literature in that he not only writes and pencils his work, but colors it as well. He also employs a hot of graphic techniques in organizing his pages. He uses paintings, drawings, retouched photographs, reproductions, collages, and just about anything else you can think of in creating his pages. I've shown the book to several friends who have been instantly struck by the sheer physical beauty of the pages.

I can't recommend this book strongly enough. It is easily one of the most beautiful books that I own (the only one that might surpass it is the first two volumes in THE ABSOLUTE SANDMAN -- Talbot, by the by, illustrated some of Gaiman's stories). It is also one of the most unique.

Throw away your notions of what constitutes a graphic novel because Bryan Talbot has rewritten whatever rules there were. This is a book that can't be devoured; it is a history of the Empire theatre in Sunderland but it isn't. What is evident is Talbot's love of Sunderland and its true importance in history. But it isn't a history book. It defies genres and so I will call it what it simply is:- a masterpiece.

I didn't really know what to expect from _Alice in Sunderland_; the reviews on Amazon piqued my interest, so I dove in. I had assumed it was a re-telling of Carroll's _Alice in Wonderland_, but I was willing to take a chance. I don't regret the gamble, although the book itself is about Carroll's classic only in the story *behind* the story.

The graphic novel is really about Sunderland itself - the history of the city and the relationship between the place and the people who live there with Carroll (nee Charles Dodgson), and quite a bit about Carroll himself - and how all these people and places relate to the writing, characters and events in _Alice in Wonderland_. The connections and interrelationships are fascinating (from the ancestral home of George Washington, to the inventor of the lightbulb and police box of Doctor Who fame, to well-known artists and performers.) Those who are interested a strict retelling of the story, therefore, will be disappointed.

However, the journey, non-sequitors and history of Carroll and the story are fascinating, as Talbot clears the record of many misconceptions about Carroll (that he was shy and withdrawn except when around children, for example), and the writing of the story itself (that it was created while Carroll was an Oxford Don and influenced by his time there.) These examples are just two of many. On this criterion alone I would give the book 5 stars. The artwork is impressive, Talbot clearly enjoying setting the record straight and taking the reader along on a wholly whimsical and visually stunning journey as he weaves the tale. This, too warrants five stars.

I don't read a lot of graphic novels - but I have no remorse about buying this one. It is a fascinating, true-life tale masterfully illustrated. Recommended.

The 1960's are before my time, but I still enjoy looking at stuff like this. My mother used to save EVERYTHING. She had NEW (never used-still in the packaging) gift wrap paper that I knew even when I was a kid that it was from the '60s (I was familiar with the styles). I guess she figured that she may need it one day (who knows), but I thought it woefully out of style! Other things of that era were saved in our household. I always enjoyed them. I found them to be cute and sweet and colorful, too. I also love the late '60's and early '70's.

I love this book because I am extremely nostalgic. It may appeal to other people for the same reason. As an artist, I also like to have wonderful reference books about art! I don't believe that anyone would be disappointed in this book if he or she has it for those reasons.

One more thing: I am also extremely amazed that the person who put this book together would be able to find such wonderful samples. Wow!

A perfect little coffee table art book. Lots of great, colourful scans and not much annoying text...unique and fun!

this book is amazing! i don't know how they found all these incredible patterns! the book is just jam packed with those fun wrapping papers from the 60's. a great gift for any pop-arty design fan!!!

I hardly ever write a review here, but I ordered this book for myself for Christmas 2005 and have been looking at it probably weekly since then. As a 43 year old child of 1962 and collector of everything 1950s, 60s, and 70s, this book brought SUCH a smile to my face when I initially flipped through it and has continued to bring joy. For those of us who truly relish images/graphics/design styles from our past -- feed your brain with THIS book and feel your dopamine and serotonin levels spill all over themselves as you take that trip down memory lane into Christmases, birthdays, and baby/bridal showers past! Then, buy a copy for all of your retro type friends!

This book will bring back so many memories. If you're 40 something, you'll want a copy for yourself, one for your parents and more for your 40-something friends. It's a scrapbook of the groovy generation and the perfect gift for the person who thinks he has everything! All Wrapped Up is a gorgeous book. My kids loved looking through it. It sparked a lot of conversation about what it was like to live in the 1960's.

You'll not only remember every birthday you had in the 60s but you'll start to remember songs you forgot, commercials you saw on television and the gifts you received. This wonderful book is a treasure.

I have hundreds of books and manuals on various techie subjects and Ellen's AutoCAD 2004 Bible ranks high on my list for books worth the purchase. I have used AutoCAD for years but after moving up to Acad 2005 from Acad 2000 I thought I could use some tutoring. The book didn't disappoint. For nearly every topic there is a step by step, hands-on, example that the reader can perform. There are around 160 drawing files on the accompanying CD; one for each example in the book. You can open that file in Acad and follow the steps in the book and experiment to your heart's content.

All in all, this book won't disappont you like some I could mention.

I have had R14, 2000 AutoCAD Bibles on my shelf for many years now. I picked the 2004 Bible to use as a textbook in an advanced AutoCAD class that I teach 6 or so times a year.

I was very pleased with how well it meshed with the way I have always taught this class (13 years last month.) Plus it is a nice "value added" item that the students can take back to work. My first class was very pleased about getting to use the 2004 Bible while in class and also about having a reference to study after the class.

It was funny because I started saying "take your Bibles and turn to page ..." it was like we were in church! I can not say enough good about Ellen's writing style, her use of graphics throughout the book and her expertise! It is all there in the Bible.

I bought this to get refreshed in Autocad for a new job and would recommend it to anyone. I can't do without it.

A marvellous and first class, well written and referenced, extremely clear and as if having an AutoCAD instructer sitting next to you. I was a new user to this product and I feel today very comfortable to do my tasks on AutoCAD and feel that this book will be a good guide even for advanced users. Thanks to Ellen Finklestien and I laud your efforts and higly recomment the book to all.

I have read various book of autocad, but they all seem very complicated and dificuolt to understand. I found this bible and let me tell you that is the best book I have ever seem. I recomended to a friend of mine who wants to learn autocad. This book will challenge you as a beguiner, intermedite or advance user. It has lots of examples and this author know what she is talking about. Believe me this one of the best if not the best autocad book I have seem in the market in my 10 years of autocard experience.

This is a concise, easy to read book that seems to cover a large variety of publications and projects. I can open it up to any page and get new ideas and insights on projects I'm working on.

This book explains the basics (and some more advanced concepts) of good graphic design without overwhelming the reader with technical terms nor "dumbing down" the vocabulary for the novice. There are plenty of colourful examples and the book follows its own advice! This book lacks, however, the specific steps to accomplish the different design goals, but this is probably due the many publishing packages available. It assumes the reader will figure that out for himself (or herself.) The book is a compact 200 page document that is filled with useful information from cover to cover and is a great addition to any designer's reference library.

Yet another great book from the folks at Before & After. I have the Before & After Page Design book and subscribe to the PDF magazine. Even with all that, I still liked the addition of this book. It covers the usual business situations like newsletters, stationery, logos, forms and charts. The ideas illustrated and dissected here were found to be light bulb creating. I was able to apply a few of the tips right away to some projects I was working on at the time.

Some of the nuggets I enjoyed most were the comparison and discussion of what typefaces are best for what text that can be applied to all sorts of type, logo creation and thought process and the charts. The charts were not just your average pie charts, but great design elements.

Again, I'm impressed by another Before & After project. The illustrations and explanations help new and intermediate designers improve the craft. I'm sure seasoned professionals can pick up a few tips too.

I am a former graphic worker and I now teach this matter to students who have no ideas of the state of the art.
The book is professionnal and easy to use, and all examples are so helpfull to any people who need advices in business graphics.

Before & After is one of my favorite design magazines. The project examples, step-by-step guidelines and practical articles have always been excellent resources for designers of all education and experiences levels. With Graphics for Business, author, designer and teacher John McWade teaches the reader how to make their business look great. The book is not logo or corporate identity specific. In addition to logo design, McWade covers the creation of newsletters, stationery, sales pieces and forms, and charts, reports, calendars and maps. Still, the logo and identity section of the book (44 pages of the volume) explains logos very well and provides great examples of how to design lettermarks, wordmarks, monograms, ligatures and other forms of identities. Playing with type, words, shapes and illustrative elements are all presented in fun and well-illustrated manner. The book will be a great addition to the design library of anyone interested in producing a strong image for their business, or that of a client. - Jeff Fisher, writer of bLog-oMotives and the "Logo Notions" column at CreativeLatitude.com

Perhaps it's just in my nature, or simply just the way I was brought up (I'm always looking for a bargain)... but I didn't learn anything new from reading this book.

Having said that, Cheap Web Tricks! Build and Promote a Successful Web Site Without Spending a Dime is a book that covers a lot of ground making it a good point of reference for anyone wanting a site starting out from scratch. In fact, the first part of the book takes you through the process of getting a site online without dealing with all the unnecessary details that inevitably get in the way.

Needless to say, this was not what I was expecting when I first opened the book. I guess I was just blind to fact that the word "build" was in the title but I was hoping for a lot more pages on the promotion side of things, so that I could pick up a few new ideas on the way.

One nice surprise was the section on making money from your site as it wasn't something I was expecting. Not only does it give you an overview of the various different ways you can make money from a web site, but also realistic with describing the results you can expect.

This has to be the reason why I'd still recommend it for the complete beginner. Of course, the book simply isn't big enough to go into all the details, nor does it claim to, but it goes a long way to giving an overview of what's involved in owning a web site. For many beginners, this is exactly what they need to know before starting out!

I thought I was a web genius until I read this book. It is absolutely amazing. The author Anne, even responded to a question I had within the hour by email. If you want to build a succesfull website you have to get this book.

Never thought it could happen, but with the help of Cheap Web Tricks this formerly computer illiterate senior has created a dynamite website. And am actually getting inquiries already about the talents I apparently convinced the folk I can offer. Now I just want to get that money rolling in!

This one is worth every penny. If you are looking to see how the whole website experience goes together from planning the site, building the site, promoting the site and tracking the site then look no further. Martinez tells you how to do this and for free, in most cases.

As a webmaster myself I can say that "FREE" when used in webspeak translates to either limited or restricted or both but nothing comes closer than pointing you in the right direction than Cheap Web Tricks.

Some parts of the book may not be as in-depth as you would want but at least you don't have to go slogging through 10 or 20 different sources either. 5 stars for Martinez. Well done!

An amazingly thorough examination of just about everything you need to know about websites. I feared the book would be boring and a rehash of things I knew; that was not the case. The information builds nicely and there are many great tips. Even if you don't utilize the "cheap" techniques(which are excellent I might add) there is a lot of useful information. Hats off to this author!

Although this book is written for adults, we purchased this book for our 7 year old son who is currently researching comics, their origins, and authors. It has been a constant companion...traveling with us everywhere! I have had the opportunity to read portions also and I too have found very well written, interesting and informative. The comics choosen have given our family quite few chuckles! Great for anyone who enjoys comics and wants to know more about comics through the years.

This gigantic collection of comics describes the strips that appeared in newspapers rather than on newsstands. There is a small amount of natural crossover, but the author is focused exclusively on what appeared in newspapers. For most of the main strips, he gives a brief historical recapitulation of the spirit of the times as well as a short biography of the people who created the strip. For the strips that have continued across generations of cartoonists, he explains when the transition took place and why.
As can be expected, the best part of the book is the cartoons. Walker gives a small but thorough sample of the flavor of the strip and how it changed over the years. There were some that I remember so well from my youth, in particular "Mandrake the Magician." When I was young, I always got up very early and opened the Sunday morning paper to read the cartoons. I always read them in the order from my least to most favorite. This meant that I shifted back and forth, but that was fine to me.
Even though I am now and will always remain a news junkie, the comics will always be my favorite part of the paper. They give us adventure, excitement and something to look forward to, and in this book you can learn a great deal about the people who made and continue to make them happen.

I've felt for a while that the newspaper comic strip is the most ignored form of popular art, rarely looked at critically. While comic books prosper and have gone well beyond the standard superhero format, the comic strip languishes, rarely allowing new and creative strips to break through, while "institutional" strips (those that have not been amusing for years but are institutions, such as Heathcliff or Crock) dominate the paper.

In this sense, this book is not very helpful; it is a relatively uncritical appreciation of the comics. Nonetheless, it is an excellent book, a good summary of the major artists and developments in the comics since World War II. All the big strips are here: Garfield, Peanuts, Doonesbury, Calvin & Hobbes, the Far Side and many more, along with plenty of material from bygone eras.

This book is around 50% text and 50% comics, so there is plenty of fun stuff to read in either format. For what it is - an appreciative history - it is fantastic. The only flaw is that Walker ignores the comic strips of alternative newspapers, therefore neglecting such important works as Groening's Life in Hell (without which, there would be no Simpsons).

For anyone who has ever enjoyed the comics, this book is a great look at the field and a lot of fun.

Blondie, Archie, Nancy, Pogo, Beetle Bailey to Peanuts, Garfield, Mutts and Calvin and Hobbes, here's a lavish, full-color, oversized, hardback, coffee table book celebrating the best part of the newspaper. Comics curator Brian Walker, son of Mort Walker (Beetle Bailey, Hi and Lois), collects the best examples of this much-loved medium over the last half century. Now that the companion volume, The Comics Before 1945, has appeared, Walker's labor of love is complete. Together these inviting volumes offer a compelling tribute to the art of the funny papers. And Amazon's irresistable price is nearly half off retail.

Hey,where to start in writing a review on a book about Comics, when one has been reading them for over 60 years.An excellent book in every way.Physically,this book is beautifully constructed,with top of the line paper,printing and color illustrations.A great dust jacket, as well as glossy hard covers printed with comic strips.A large volume 10X14 inches,over an inch thick and 326 pages...WOW! By the way ,there is a companion book,which is just as good,covering Comics before 1945;same size and by the same author.
What great memories this book brought back.I was born in 1935 and was an avid Comic Strip reader of 10 where this book starts.
While there are many strips covered in this book that are unfamiliar to me,and probably to most people;all my favourites are there.All through the years,in my opinion the Strips and writers were at their best in the 40's and 50's.But then that was when they were really growing up and so was I.
My favourites were Dick Tracy,Little Orphan Annie,Li'l Abner,Smilin' Jack,Popeye,Beetle Baily,Joe Palooka,Blondie,Tarzan,Captain Easy,Mandrake the Magician,Mutt and Jeff ,Smokey Stover,Henry,Superman,Terry and the Pirates,Pogo and later Doonesbury.
Dick Tracy was my overall favourite,especially in its prime with super characters such as Flattop,Mumbles,The Mole,Brow, B.O.Plenty,Gravel Gertie and little Pebbles,Pruneface,etc.,etc.
Then there was Li'l Abner with Daisy Mae and Ma and Pa Yokum.The nation wide craze set off by those wonderful Shmoos and then the creation of Sadie Hawkins Day antics that swept the schools and colleges.Nothing like that kind of stuff today!
I guess all this fun was just too much for the prudes of political correctness, and their misguided efforts put the end to it all.
At the height of the Comic Strip days,everyone was aware of the 'funnies'and knew all the characters.If you didn't know who Dagwood or Annie's dog Sandy,or Fearless Fosdick was;you just didn't know what was happening.There is nothing like it today.I found the papers kept dropping reader favourites,cutting back on the number of strips,introducing strips with agendas and social engineering,to the point many readers lost interest and abandoned them.
As a matter of fact ,I was really following only Pogo and Doonesbury for the last few years and sadly we have even lost Pogo.Dick Tracy is not even carried by out largest paper in Toronto.I just read the Tracy strips on the Net for 2005.Fletcher and Collins give it a good try,but the storylines and artwork fall way short of the master, Chester Gould.Not only that,punching the keyboard and reading the screen is a poor subsitute for sitting back with the funny papers enjoying a coffee after breakfast or dinner;again in my opinion.
This book also covers a lot of what I call cartoons,and does a great job of it,but cartoons just aren't what the world of Comic Strips was all about.
Walker has also included a huge list of references if one wants to dig further.
This book should not be thought of as a review of any particular strip.It is really a history of Comics,a reference to use if one wants a quick look-see of what a strip looked like and a little about the artists who drew the strips.It also tells a lot about what went on behind the scenes with the artists,newspapers and syndicates over the years.
It also talks about Comics as an artform.Here I agree,one only has to look at how the artwork progressed in a strip like Dick Tracy and more recently Doonesbury,to see the advancement from very simple sketches to excellent art of colors, silhouette,perspective and all, to appreciate it.
After reading the book, I hope one day to visit the International Museum of Cartoon Art;although I continue to think of the Comic Strips as one thing and Cartoons as something completely different.
A great gift for a friend or yourself if you were a follower of the "strips".

Duane Barnharts Cartooning Basics has just been so much fun for my kids ages 12, 10, and 7. Using the Books step-by-step guidelines to cartooning they have created some of the most fabulous characters and cartoon strips. Not only is it great from a drawing perspective, but it also has some fun and interesting facts about the history of cartooning. Love this book!!!

'Cartooning Basics' is a wonderful tool for young aspiring cartoonists. No. 2 illustrates how to create friendly, familiar characters from simple shapes, which every child can relate to (ie circles, ovals, squares, triangles, etc.). Art teachers can gain lesson ideas that are effective and easy to implement. This is a great buy and a must read for any aspiring cartoonist, art teacher and student alike. Duane and Angie have created a fun, creative, well-illustrated tool in 'Cartooning Basics'.

Great how-to book, lots of practice exercises. The most helpful, how-to book I've read so far, and I've got a ton of them. Wish I'd found this one sooner!

'Cartooning Basics' is a wonderful tool for young aspiring cartoonists. No. 2 illustrates how to create friendly, familiar characters from simple shapes, which every child can relate to (ie circles, ovals, squares, triangles, etc.). Art teachers can gain lesson ideas that are effective and easy to implement. This is a great buy and a must read for any aspiring cartoonist, art teacher and student alike. Duane and Angie have created a fun, creative, well-illustrated tool in 'Cartooning Basics'.

This book has helped me learn to cartoon, and now, I teach it to my 2nd grade class!

It's essential for any chick who is drawn to the darker things in life to own at least one Emily item but once you enter her bizarre world it's hard to go back. I received both "Emily's Book Of Strange" along with the 2004 calendar for my birthday and those were a perfect introduction to this quiet (but nowhere near shy) cat-luvin' Goth grrl who's preferred favorite color is everything black...or red. Her attitude is anything but cheery but sometimes us open-minded people have to shield ourselves from the ones that are afraid to venture outside the box and to explore what's beyond the edges. I could be wrong but I believe her image is a symbol of encouraging individuality. Or, in other words, to think for yourself without following the crowd by listening and dressing according to what's considered "normal".

There's not a lot of text within these pages (there's often a bare minimum of two words) but the illustrations by Rob Reger and Buzz Parker are creatively "strange" and pure (or is that tainted?) candy for the eyes.

I especially enjoy perusing this on cold, rainy days.

Hey there, my name is Emily, that's not why I love Emily The Strange. I am also 12 years old, but 2 years ago, thanks to someone special, I got into Emily stuff. My friend Ashley, well, her big sister showed me some of her Emily stuff, I really liked Emily then, she told me to look out for some Emily the Strange stuff and that it's probably right up my alley. And she's right, 2 years later, I'm an Emily the strange freak! I collect all the cards, I 've got tons of stuff, actually, I think that's all the stuff I have, Emily the Strange stuff. Maybe a few hello kitty stuff, but nothing else. I went onto hot topic, and spent some of my birthday money on Emily the Strange stuff, I have a really nice bed spread and pillow cases that match. Anyway, about the book, I love every single thing about it. It really inspires me. I like the way Emily can speak cat, I like the plan with the cats to attack the dog, I'm an animal lover, and I would never hurt one, I wouldn't hurt someone either. I like the way in one of the pages it says hell-o-kitty, you have to see that. I have 2 cats, who are very friendly, I have my own posse. This book is a must have, I do recommend the Emily's good nightmares book, I only have 2 of Emily's books, I'm looking out for the other one. I know Emily's morose code all by heart, so does my friend Ashley, we do all sorts of letters to each other with the morose code, that way, no one knows what it says but us!But this book is really cool, I like that it has such big, and discriptive pictures, but with such little words, I like that it's simple. A good item for a strange collection, like mine!
Now, get strange, or get lost!
Emily the strange, the stranger!

I actually had never heard of the Emily books, untill my friend showed me her autographed copy of this book & I fell in love, my copy is on the way via mail, this book has neat pictures with very cool secret writing on each page. A fun book for anyone.

I really like the Emily's Secret Book of Strange because it has really cool pictures. Although, it doesn't really have that many words in it either but the pictures are amazing and fun to look at. the secret messeges that are on the pages are really cool, but you have to look closely to see them. If you like to look at a lot of pictures, Emily's Book of the strange has a lot of them.

Emily is an intelligent little black and white child who started out as a small internet idea but spawned into a large merchandise line and nows the chance to see for yourself why this little goth girl is so popular. With wit, sarcasm, insight, and her four dangerous cats, Emily will show you the dark side of life that has already been favored by many of us. I love the awesome cover, the illustrations and each page in the book has many secret codes and messages for you to find. I've had this book for months and theres still things i find myself noticing for the very first time! Rock on Emily!

This incredible book for me is a totally new
way of illustrating a fairy tale.
The description of this fantasy world using
postcards is innovative and very interesting.
I strongly suggest this book to all the
art lovers.

As an artist of middle age, I sometimes think of my art as good and my growth as complete... that is, until I look at work like this.

Suddenly I feel like a beginner again, with nothing to do but learn and get better at my art. Mr. Scheurer teaches this teacher how to teach better, just by the inspirational settings he creates and the drawings he does from deep in his imagination. There is a whole world residing in him that is too fanciful to describe. He is my new favorite artist.

Even though this book, at first glance, appears to be an art book, there is a very charming story woven into the "stamp" descriptions, as well. Each page features an illustration of a stamp from the imaginary realm of "Entropia" and a description of the event or history the stamp is commemorating. I read this book in two sittings, only because I had an appointment to keep that tore me away from such a beautiful book. Once finished, this book left me with a strong desire to read and see more of Christian Lorenz Scheurer's "Entropia".

Christian is one of my favorite artist. This new book is full of great stories and wonderful pictures! It's great for all ages.

Bought this book as a gift for a friend but then ended up keeping it for myself.
The fantastic story and beautiful illustrations felt like a mix between Nick Bartock's Griffin and Sabine and Miyazaki's Spirited Away.
This is most inspiring fantasy book I read this year!:)

Exploring Digital Video provides well-organized and reliable information. This book is quite appealing, with distinct photos and graphics, lucid text, and clear-cut chapters.

Notably, a beautiful full-color insert offers a look at Star Wars. And the DVD-ROM that comes free with the book contains surprising and useful free offers and specials and a feature on The Philadelphia Eagles! A must-have.

This book covers so many areas of digital video that I'm sure it will have what you need. It talks about topics such as purchasing video cameras and includes technical specs and quality. It also discusses bluescreen technology, capturing video and audio, scriptwriting, storyboarding and so on. And this is all just the beginning. It goes on to discuss how to edit, render and output film for the internet, television, or for multimedia presentations.

Other than just being a great source of information this book also has a lot of fun extras that will keep you interested. At the end of each chapter there is a quick question formatted review to make sure that you understood and remembered the important aspects of the chapter. There are also various inserts with profiles and interviews of some of the professionals in the field. Although all of the inserts are interesting and informative, the best was the piece about Star Wars. This particular insert is about Industrial Light and Magic (ILM) which is part of Lucas Film LTD. It discusses how one of the scenes from Star Wars was created. It's really cool to hear how they created something and made it look so amazing on film.

As if this weren't enough already, this book comes with a DVD/DVD-ROM with interviews with the Eagles Television Network and a number of tutorials. For those unfamiliar with the ETN, it is the Emmy award winning network of the Philadelphia Eagles. You get to hear about digital video from experts in the field through watching the DVD and reading the book. For such a low price it is one of the best literary investments you can make if you want to learn about digital video.

The book does a great job of offering an overview of digital video, including things like using still photos, what type of equipment would you need, and how to set-up a shoot.

Only complaint is that the author occasionally states opinions as fact example: wide screen is better than standard, when in reality, it is an artistic choice, and it is how you use the space provided that makes something like widescreen better or worse.

Finally! A book that makes a difficult subject easy to understand - creating and working with digital video (DV)! Each chapter is well laid out with great illustrations and nicely sized titles for each section and lesson. It also enhances its content by making good use of sidebars, to add relevant information.. Each chapter ends with an very useful set of questions and exercises, which furthers the reader's comprehension.

Lesson 6 was a highlight for me because I often incorporate photographs into my videos. This sometimes results in a badly distorted photo, forcing me to omit some great photos because of that distortion. Other times, I've been lucky and able to successfully place a photo without any distortion. Until I read this book, the causes were unclear; the author demonstrates the correct way to prepare a photograph for digital video in a way that I could understand and will remember. Though math and computations are a turn-off to many, she successfully covers the meaning of pixel values without confusion. The DVD included with the book contains tutorials which do an excellent job of taking the viewer step-by-step through cropping a photograph vertically and horizontally, so it is properly proportioned for video. The reader therefore has a visual and a written source for future reference at any time.

As a bonus, the author interviews Fred Meyers and Ben Snow, the makers of the Star Wars movies from George Lucas' Industrial Light & Magic (ILM). Meyers and Snow re pioneers in the DV field. She interviews several other DV professionals as well, adding their vast experience to the subject.

The DVD also includes discounts from major retailers, saving readers money on computer and electronics products.

This book is a keeper-excellent for the both the beginner and the experienced hobbyist.

The book is great. All you have to do is open it up and glance through it to see that it will be helpful.

The Companion DVD is even better with step by step tutorials. The DVD also offers discounts with retailers on equipment, stock video and a great DVD duplication offer from Action Duplication in West Conshohocken, PA (800-847-3827).