Themes Books

Augustus F. Sherman worked as a clerk with the Immigration Bureau of Ellis Island, photographing over two hundred families, groups and individuals as they passed through customs. Augustus F. Sherman: Ellis Island Portraits 1905-20 represents the first published collection of his work, featuring a hundred of his best photos of peoples from cultures around the world. A historical essay by Peter Mesenholler places the period of time and photos in perspective, providing both a critical analysis of Sherman's work and this collection, and lending important background to the portraits. An outstanding presentation of historical portrait photography.

Augustus F. Sherman's book of many portraits is a glimpse into 15 years of daily life at Ellis Island. Due to his office position at Ellis Island, Sherman had both time(remember these shots took a long time to set up and take) and opportunity to capture the many interesting clients Ellis Island served.

If you are looking for a portrait of your grandmother/father who came through Elllis Island, this is probably not the book you will find them in.

Rather, these portraits focus on immigrants wearing unusual native clothing/costumes; religious or military outfits; large family groups; ethnic groups; and even those suffering from congenital birth defects. Included also is a group of deportees whose crimes range from anarchy to being a stowaway.

Sherman sort to take as many photographs as possible in natural light, so the reader sees children playing in the Ellis Island "playground" - located on the roof; or a group of ladies from the Caribbean standing on the front "lawn"; a family from Africa; and much more.

A delightful glimpse at Ellis Island's early history - one wishes there were many more photographs the reader could view.

into what it must have been like to go through the process on Ellis Island. I had visited Ellis Island earlier this year,on a trip to New York and was struck by the atmosphere and history. The photographs in this book catch the essence of this landmark and the diversity of the people. There is also an explanation of the process that the individuals had to go through before being allowed to enter the US.

Augustus F. Sherman was simply doing his job when from 1904 to 1920 he photographed the individual arrivals of multiple nationalities at Ellis Island. It was his duty to document those new immigrants who were detained for further investigation before they were allowed to step onto the Great Hope that was America. But what resulted from this duty is a portfolio of portraits of world peoples that is as tender and as touching as any ever captured by professional famous photographers!

According to essayist Peter Mesenholler, Sherman was interested in anthropological documentation of the different physical characteristics of these Eastern, Western and Southern European proud folk. He captured the inherent pride of origin of these people who often donned their finest native folk costumes as they entered New York harbor. Sherman was sensitive to the psyches of his 'sitters', knowing that in addition to the overwhelming urge to enter America, the Land of Dreams, each of these people brought with them the memories both sad and happy of their native lands, 'heroes' if you will who were brave enough to leave their roots and aspire to higher dreams and goals.

These one hundred portraits are some of the more wrenchingly beautiful from this important time of mass immigration into America, images of the folk who would comprise the melting pot that we so cherish as our national treasure. All of this art is gained by the honest eye of a non-professional photographer who took the interest and care to pass along that rarefied moment of our country's history. And there is much to be learned from slowly perusing the faces and honest captions of these important photographs.

The quality of the reproductions in sepia-toned presentation is superb as is the accompanying wise essay by Peter Mesenholler. There are few books of photography that can be more widely acclaimed than this. Very highly recommended. Grady Harp, July 05

This book offers a fantastic opportunity to view some of Peter Lik's best known work - panoramic images of Uluru (Ayers Rock), Twelve Apostles, the Great Barrier Reef, and other Australian icons. To view the full range of Peter's books and posters visit PortraitAustralia.com.au

If you want to go or have ever been to Australia this is a must have book. It will intise you to visit or will remind you of all the natural beauty this amazing country has to offer. Peter Lik is a truley amazing photographer I have been to his galleries in Cairnes and Port Douglas in Australia and his work is breath taking. www.peterlik.com Also you can see what an amazing deal this is here at Amazon.com, this book usually retails for $70 US. Wonderful Masterpiece Peter!!

i just got this book as a present, and we're getting ready to go. very reminiscent of galen rowell's work (high praise) with lots of dawn/evening atmospherics. but this one is full of double page panoramics - nothing is lost in the crease - of the incredible australian landscape. get another book if you want people, animals or cities.

These are photographs of aspects of this vast country that many Australians never see. Contrast the reds of the desert with the greens of the rainforest. The magnificence of Uluru with the tranquillity of Dove Lake. The ageless beauty of the rain forest with the beauty of our beaches.

Australia is a beautiful place. This collection of photographs by Peter Lik makes that beauty more accessible to all of us.

Highly recommended to those interested in images of Australia.

Jennifer Cameron-Smith

I've been traveling through Australia on expedition (mostly in the Simpson Desert) and this book features awesome panoramic photography throughout the continent. Unfortunately, the references to "God" once again muddy its pages. You know what to do, though: get out that permanent marker, careful to keep the real beauty unscathed.

In this age of immense suburban sprawl and the drive by many to pollute this world as much as possible, we can be reminded of some of the beautiful places that still exist. This book is an example and what a terrific book it is. It's absolutely appalling one would take a permanent marker to this book to black out God's glorious name. He did, afterall, create this place that we all share as our home. God created it for us to enjoy and we ought to praise Him for that everyday... not black out His name.

Ken Duncan has managed to capture Australia beautifully. This is an an excellent buy for those who appreciate landscape photography.

This is a beautiful book of a gifted photographer. Just like the "America Wide" this book offers much joy and peace in browsing through its pages. Thanks God for giving Ken such talent and skills.

I have made numerous trips to Paris, armed with several guidebooks, including a Frommers, a Lonely Planet and an Eyewitness, and this is by far my favorite. It's fun to browse through and it makes it easy to find something you want to run out and see. It's a relief to find a guide that's not trying to be an exhaustive list of every possible restaurant, museum or hotel. It has just the right amount of practical info to get you where you want to be and ready for the reality of it when you get there.
Until I used this guidebook I didn't realize that guidebooks are often jammed with too much (boring) information.

The graphics and photos are terrific -none of those grainy 80's pictures of people eating croissants under the Eiffel tower.

Without a doubt, the best travel guide I've ever used. I've been to Paris many, many times, and this guide led me to places I'd never even heard of. Particular strengths are in the areas of Clubs/Bars & Nightlife, Live Music & offbeat museums (who knew there was a Musee de l'Erotisme?) This book is a great choice for the fun-loving urban traveler. I'd highly recommend purchasing this in conjunction with "Time Out Paris", which is exceptionally good for restaurant recommendations.

Bon voyage!

I have an absolute infatuation with Paris. I travel there about once a year and now own over 40 travel guides on Paradise, err, I mean Paris. This book is my absolute favorite. Sure, the images and layout on the pages are totally hip, but more important so is the information. Anyone who's read a few travel books on Paris knows about FNAC music shop and Virgin Megastore, but through this book, I also learned about Boulinier, Crocodisc, Chez Sanchez, Monster Melodies, La Silence de la Rue, and Parallèles, which all specialize in a focused area of music. I discovered some incredible boutiques that I've never seen listed elsewhere. A few sights are mainstream (how can one visit Paris without seeing the Eiffel Tower or Arc de Triomphe?) but what makes this book unique is the listing of sights, restaurants, and shops that are totally cool that I haven't seen elsewhere. And if you want up-to-the-minute changes to the text, one simply travels no farther than their website. The book also has a "bite" -- raw, honest opinions. One problem with my book, however. I have read it and carried it around so often that my copy is getting quite tattered. For anyone with a true sense of adventure or who wants to explore some unique French spots where you won't encounter dozens of other tourists, this is your book.

I've read every kind of guidebook, from Let's Go in the 1980's to Lonely Planet in the 90's and this refreshing addition to the multitude is just the answer for the young (and not so young) adventurous traveller. The graphic design is fun and reveals a smart editor - hire a good graphic designer. The writing is witty and irreverant at times - perfect for those who seek a good experience without the hype. The maps are inadequate - but who travels with one guidebook these days anyway? That's what tourist maps are for.

I particularily liked the photographs, certainly not your average "Gee, here we are in front of the Eifel Tower" standard fare. They capture everything you dream Paris would be: classy, cutting edge and just plain gorgeous. The writing gets to the point quickly with all the necessary facts, yet does allow for some subjectivity that I found refreshing both before our trip and during our stay.

Buy this book if you're a repeat visitor to Paris and looking for another experience beyond the three day quickie when you have barely enough time to see the big league sites. The nightlife and eating sections are worth the price alone. Sure, we carried our Michelin Green Guide because we're architects and enjoy knowing the details, but for a cover to cover guidebook, this is the best yet.

I used to keep these huge books on the table for my guests but they all got replaced by this tiny but very lovely book filled with baby photographs.
Every baby (photo) has a wise saying beside - based on their body and face expressions when the photo was taken and I guess that's what makes this book so adorable.

I bought it for five dollars but I would not sell it for a thousand because it is a sunrise to my eyes, a delight to my soul and weightless as the air to my bookshelf.

I don't know how the photographer managed to get all of the pictures in this book - the variety of expressions and personalities is truly amazing. The famous quotes perfectly match the humorous pictures. This book is a great for a new parent or a parent-to-be.

This book is adorable and very clever. It would make a great baby shower gift. It's the uncanny way the that the photos seem to illustrate the quotes that make it so charming.

Ms. Michele has captured a goodly number of expressive baby portraits and matched them with appropriate quotations from ancient and modern sources. The babies seem to crawl off the page with spontaneity. No digital manipulation was used here - just honest old light and timing. For the baby lovers out there - W.C. Fields can stay home!

This book was very interesting. Not only did it have plenty of photos, the text was actually useful and have a great message. Reading Galen's work is just as great as looking at it. I had never even heard of or seen most of the places in the book until I got the book. Now, I'm walking some of the same trails I discovered in the book.

An incredible photographic argument that nature is ever-present, fecund, and indomitable! Rowell and Sewell capture the majesty of one the world's most beautiful urban areas to describe nature's ability to adapt and thrive next to mankind. A surprising array of wild animals are photographed within the ex-urban landscape and combine with dramatic Bay Area landscapes to make a compelling story of the beauty that surrounds us--if only we can take time out from our busy lives to see it! This is a great gift to bring back East for the holidays.

Galen Rowell is showing here surely the nicest landscape shots I have ever seen. The Bay Area, that I didn't know, is here in spades, and if you know a little bit of tech, you see several uses of Galen special shooting way (flash, A2 Nikon filtering, s.o.)

Galen Rowell and Michael Sewell have compiled their photography of the San Franisco Bay Area's remaining natural areas into an excellent book. The photography in Bay Area Wild illustrates the Bay Area's vast greenbelts and natural areas. For someone who has only been involved in still photography for eleven years, Sewell is an amazing wildlife photographer. The text is extremely interesting and informative--Rowell reminds those of us who live in the Bay Area how lucky we are to have such a wonderful backyard abundant with a great diversity of flora and fauna. However, conservation of our wild places didn't come easy. Rowell discusses the many struggles involved in preserving these places. This is a book I've been waiting for!!!

Christopher Felver's stunning coffee-table book BEAT is the definitive Beat Generation Photo Book, and thankfully even more than that. What makes Felver's photography in this book so special is the fact that he was driven to bring Beat Generation images to life from the vibe and spirit and resonance of the writers and artists themselves, captured so dramatically through his camera lens. BEAT is Felver's life-journey tribute to the entire realm of spirit/vibe he started relating to and embracing as showcased in his book The Poet Exposed. BEAT didn't come to be on account of a photographer on assignment...this book exists because Felver happens to be a true cohort in the creative craft with the fine-artist talent to put together a masterpiece. If you're into the Beat Generation and you have a coffee table, this book must be on it.

I love what critic and art historian, David Shapiro, said about this book:

"No one can underestimate the clear lens of Christopher Felver. He's the master of an entire generation of poets, artists and thinkers. Like Darwin he believes in the universality of the face and documents the Beatific City of Allen Ginsberg, Jack Kerouac, Gary Snyder, Diane DiPrima and all the branches of this new freedom and criticism that a generation extolled. He experiences it like a dharma bum on a mountain plateau surrounded by friends with a smile for the whole adventure. This series is like Robert Frank on joy or David Amram playing six musical instruments at once. Moreover, Felver is a late member of this resistance which is a permanent revolution. He is a man with many arms and eyes."

Christopher Felver is a photographer of great accomplishment and I've long dug his work capturing the souls of hipsters on film. His new photo and ephemera collection is called BEAT and is published by Last Gasp. Here's 200 pages of Beat Generation poet/writer/artist heroes like Burroughs, Allen Ginsberg, Gregory Corso, Lawrence Ferlinghetti and many others. It includes those who didn't strictly belong to that generation but who made art of some kind with first allegiance to the art, not commerce. Ed Sanders, John Sinclair, Hunter S. Thompson, and Ken Kesey are four younger-than-Beat heroes in Felver's book who did not pimp out their muse.

For all the drugs, alcohol, suicide, and profuse misery justifiably associated with sensitive artists, Felver captures his subjects at the moment they are getting a joke. Many are already laughing. The ability to capture this precious instant proves that Felver is at the same high watermark as his subjects. One cannot purchase the ability to get the joke, but if you're searching for smiles, you'll find them a-plenty in BEAT.

It's near-impossible to be a proper art-for-arts'-sake artist in 21st Century America. Cheap rents in major cities have disappeared. One apparently needs an arsenal of technology to create in the cyber age. Mechanized transportation is becoming prohibitive with the price of fuel and reality of global warming. Constant awareness is no longer merely an artistic state, but mandatory for the survival of the planet. Recognition of the absurd and the laughter that accompanies it will help beat off the squares and their Apocalypse. We can, in part, thank Kerouac, Ginsberg, Burroughs, Chris Felver, and Anton Rosenberg.

Chris Felver's creative look at the writers who make up the Beat Generation offers a visual perspective that is new and exciting but with the timeless skill of a Robert Frank. The authors are captured for their individualism. Additionally, Felver has interwoven text and original manuscript material throughout the book. Lawrence Ferlinghetti, the great poet, is editor of Felver's boyish enthusiasm. Felver is able to transfer the passion that he felt to his story and the photography. He makes an emotional connection to the reader and to the photographs with his own transformative story.

Felver uses an old Leica and the sliver gelatin print to capture the texture and character of the artists and writers. As Amiri Baraka states in the intro, he gets the shots because he is a "photo terrorist" willing to take risks and be with people in places to where other photographers would not venture.The book ends with a powerful photograph of Corso laid out in his coffin. Implying the circle is of life is finite but never ending. The book works on a number of different levels and is high sophisticated experience.

If you are a follower of the Beat movement or just a fan of a writer or two of the period, do not hesitate to buy this book. I could not put it down and found myself mesmerized by the photography and Felver's story. Unlike other books that portray the Beats, Felver invites you in to be a part of his journey. You get to know the writers and photographers, artists, and musicians and him. Beat is an important achievment by this talented and innovative photographer.

As a frequent tourist to the Green Mountain State, I found this book to be a fantastic collection of all the reasons I continue to come back year after year. Gorgeous, stunning photography of the four best reasons to visit Vermont - summer, winter, spring and fall. Not to be overlooked, though, is the captivating and conversational prose by Vermont Life Editor, Tom Slayton. He effortlessly puts into words the many feelings the state's beauty evokes. A fantastic book to add to any collection of New England or photography books.

Here in a single volume is one of the best collections of beautiful photographs of Vermont I have as yet examined. They were taken by Vermont Life magazine's contributing photographers, with a crisp and eloquent text provided by Tom Slayton. Technically, I guess, this would be called a "coffee table book" and indeed that is where it resides in my home, except when I pore through it again (which I do each day) or when a family member or guest does so. The reproduced art (which such great photography truly is) is organized logically and appropriately according to the four seasons. Many persons who have never visited Vermont perhaps think of it in association with the poetry of Robert Frost. There are many other locales elsewhere in New England (notably in northwest Connecticut and throughout New Hampshire and Maine) could just as easily provide images which Frost's poetry evokes. For me, however, there is a texture and there are certain nuances to Vermont ("A State of Nature") which are unique. They are captured vividly in the stunning photographs provided in this volume.

Pretend that you have arrived in the state and have retained Slayton as your tour guide. "Take us to your favorite places. Help us to understand why you are so fond of each place. In other words, introduce us to Vermont at its best." In essence, that is what this volume does. The initial impact is so great, so enjoyable, that you will wish to return again and again. A magnificent volume such as this enables you to do so. Those who share my passion for Vermont are urged to subscribe to Vermont Life magazine. Also, to purchase Richard W. Brown's The Soul of Vermont.

Vermont Life magazine has been featuring striking photographs of the natural beauty of this New England state for more than fifty years. The best of those images have been assembled in The Beauty Of Vermont and enhanced with an informative, reader friendly text by Tom Slayton as the reader is treated to Vermont's Spring, Summer, Autumn, and Winter landscapes and charm. The Beauty Of Vermont is a lovely book for browsing and will provide both inspiration and motivation for family trips and personal sojourns to see and explore more of Vermont's natural beauty and folksy charm.

Vermont Life has chosen such a stunning series of photographs to showcase the state's best asset- nature through its four glorious seasons- that you'll feel as though you're on a mini vacation every time you open the book. The photographs rival any found in National Geographic or Sierra Club publications, and the accompanying text- written by Vermont Life's long time editor-in-chief- richly but succinctly describes the state's geography and people, as well as the ongoing push and pull between man and nature. For people (like myself) who have already fallen in love with the state, the book is a coffee table treasure.. but for those who aren't quite sure what the hype is about, it may be a bit too "rah, rah Vermont."

Just wanted to say I've had this book for 8 years now and it is still one of the greatest treasures in my library. Thanks to the author for writing it. I just recommended it yesterday to another great writer of things Indian - pass it on. This book's a keeper.

Richard Lannoy's "Benaras Seen from Within" is a passionately insightful spiritual/aesthetic inquiry on the holy city of Kashi (Benaras). It is more a work of ardent love than a work of curiosity. It is more a work of the seeking spirit than a work of art. Teeming with the elusive cosmic energy that has pervaded the city of Kashi since times immemorial, his photographs and his insightful writings in this book are testament to his seeking soul, his acute eye and his brilliant mind that have fueled the creation of this monumental body of work.

Inspite of several scholarly and scientific studies undertaken of this holy city, Mr. Lannoy's work stands out as a unique and exhaustive seeking of its kind. For one, it is the result of a passionate dedication of a lifetime of love, energy and effort by this acclaimed Indologist. (It has taken him about five decades to accomplish this work). Being a trained artist, a scholar and a deeply insightful writer, his love for the country of India and his sincere reverence for the city of Kashi have all contributed effectively to create this spiritually rich and inwardly seeking work. His lengthy span of over five decades to research and document this book has been a boon to reflect on the ever-changing yet never-changing cosmic landscape of Kashi. (This is paramount to the unique quality of this work). Besides, it takes a deeply dedicated and spiritually aware soul to see through the distracting and distorted layers of the teeming microcosmic city of Benaras and to reveal the transcendental cosmic city of Kashi. It is amply clear through this book that Mr. Lannoy seems to be all that in addition to being a master photographer.

Through the lens, he has succeeded in capturing the elusively spiritual; the hauntingly mythic. (This, I think, is the most difficult and worthy achievement of a photographer.) His works in entirety are wrapped around this theme and are reflected all over in secret cues. His visual vocabulary effuses the language of the mysterious and taunts the viewer to search his pictures. Like Henri Cartier Bresson, he is the master of the moment, but very unlike Bresson, he is concerned with the spiritual exuberance of the picture than the merely aesthetic. His pictures are more felt than seen. Some of his successes enjoy a brilliant quality of aesthetic, insightful and the inwardly. Mr. Lannoy is also kind and reverent to the subject of his study. In his pictures, he seeks for deeper moments with the grace and expectancy of an earnest and seeking student. Pictures of the people and the abundant petite bourgeoisie are not pictures of the materially poor, but the spiritually rich. Some of his captured moments are events of everyday life : ceremonies, ablutions, prayers, journeys....yet moments that celebrate metaphysical insight and inquiry.

Through his pen, he offers a penetrative and insightful documentation on the holy city of Benaras. Steeped in myth, religion and spirituality; Benaras is one of the last remaining living ancient cities where visitors, pilgrims and scholars throng; attracted by the enigmatic energy that radiates in this place. As a peculiar convergence between the present and the past, the sacred and the profane, this pervading dichotomy of sorts presents a very unique challenge to the inquirer and Mr. Lannoy acknowledges this very nature by interspersing his works between words and pictures. In a sense, what cannot be conveyed with words is reflected within his pictures and what fails to be seen is written with acuity and ardor. With this hard earned creation of a lifetime, he seems to have collected the ripest and the most mystically beautiful fruit from the sacred tree of Kashi.

Mr. Lannoy's book is a seminal and masterly work of an artist and intellect in search of the soul of a cosmic city. In many ways, his works are reminiscent of the scholarly undertakings of the pioneer Indian art historian and original thinker Mr. Ananda Coomaraswamy. Like him, Mr. Lannoy is intuitively gifted in his ability to grasp the metaphysical leanings of his subject and writes with a passion and an inwardly conviction that years of patient seeking and searching have granted him.

I highly recommend this book for any student of artistic and philosophical seeking. For those in proximity to New York City, there is an exhibition of his works on display till the 8th of April 2000 at Sepia International Inc. Galley, 148, W 24 Street, 11 Floor, NY.

-Lokesh Muthuramalingam, February 25 2000, lmuthura@att.com

This huge book about India's most holy city has two parts, either of which would be worth the journey through its beautifully produced pages. In the first, hundreds of photographs are cunningly arranged to lead us into the ancient, wonderful city where the Buddha first began his mission. The images take us along lanes and ways, up to rooftops, among pressing crowds, and down to the sacred ghats by the River Ganges; where Hindus have gone for millennia to cleanse their sins and burn their dead. In the second part, we get a lively description of the inner life of Benares--and by extension, all of India. This book should be read by anyone interested in Hindu art and religion, but also by city planners and would-be travelers.

Remarkably, the book spans over 40 years of thought and effort by Lannoy-- with a great caesura between the early 60's and the present. How this happened is that Lannoy began his project in the early 50's and worked at it for over 10 years during extended residences in the city. Then he struggled to find a publisher who would take the risk of printing so many rich photographs. Struggled and failed, and the photos crossed the oceans several times in steamer trunks, before finally coming sadly to rest. Until 1998, when the old sage, painter, and author of other books that are scholarly classics at last turns his eye again to this troublesome love of his youth. Now he takes up his camera for the first time in years and, armed with new possibilities for small press runs, returns to Benares for fresh photography, contracts a Hong Kong printer, works furiously, takes a huge financial risk, and at long last publishes this unique masterpiece, on his own, exactly as he wants it.

The fifties, for Americans anyway, are remembered as a time of great cultural certainty. We recall images--often in black and white--of an uncluttered land, at once carefree and supremely purposeful. India, we learn through these photographs, had a golden age of its own in this same era. But while America's purpose was transcendent materialism, Indians, newly independent, could at last strive for spiritual fulfillment in their own land. We sense this confidence, somehow, in the pictures and Lannoy is at pains to point out their psychological portent. It is as if he were an art critic analyzing the imagery Indians create by assembling, unselfconsciously, for their rituals and pageants--imagery which he is skillful enough to capture. For example, I might not have perceived the spiritual melding in crowds assembled for ritual bathing without the convincing captions Lannoy provides. Nor would I have seen the change wrought between the 50's and the present, when crowds have lost their unity of belief and become mere collections of individuals.

"Benares Seen From Within" works as a coffee table book. Many of the pictures are conventionally gorgeous and certainly exotic. But the collection is much, much more. Photographs are grouped, according to subject, in a more or less straightforward way. But within the groupings are subtle structures and by-plays with the captioning. For example, in one section shows a series of contact prints (miniature photographs are used to effect in several places). They show a mural painter drawing a devotional subject while a sahdu (holy man) regales a group of followers with a parable. At the climax of the story, the caption informs us, the muralist draws the pupil of the eye-the moment the image gains a soul. "Oh" one thinks and turns the page. There is a charming picture of the river side and a veranda. Turn another page and pow! A sahdu leans forward with burning eyes and points right into the lens. This moment, one realizes after paging back, was the climax of the story. Elsewhere, Lannoy describes the excitement and difficulty of photographing the Naga Baba, but without saying exactly what the Naga Baba are exactly. For this, and much more, we have to delve into the pages ourselves.

Earlier books by the Lannoy (Speaking Tree, The Eye of Love) have established his credentials as a scholar of Indian art and culture. Here, we get a more personal statement, informed by the passage of time, and insightful of the disturbing changes underway. The text is rich and lively-and illustrated with additional photographs. Where the detail is overmuch for a first reading, the layout allows one to skip ahead; and meticulous indexing refers one to the photographs for fresh examination. It is rare to get a book of photographs that contains such easy scholarship and it is even more unusual to get art and religious history enlivened with photographs that are art in their own right.

For all the pleasure, we are never far from a grim sense that Benares is under threat. Due to pollution, the Ganges is now extremely unsafe for even the most stalwart bathers. Urban blight and traffic has savaged the ancient city plan. Lannoy looks at this unflinchingly. Indeed the photography often acts as a time-series showing decay and loss.

At this point, I should confess that I have known Richard Lannoy for many years-since he was my tutor at college in England over 20 years ago. I can recall him showing us students some of the photographs now published. Tarot-like, he would deal pictures out onto a cloth laid on the floor, intone on their meaning, then whisk them away for a fresh set. They created a spell then that still enchants. In the truest way, this book is a gift from Richard-a giving back and a sharing about a place at once loved and mourned. Lucky us that he was able finally to not only show the beauty of Benares, but sound an alarm for the future.

This landmark book is a life's work and sings a soul song of one of the most deeply beloved spiritual places, a place where religious life is still the center.

Lannoy's photographs have all too rarely been published, and this book would be a visual feast if only for the chance to see a master photographer at work, composing foreground and background moments simultaneously so that they breathe life and a story in a complete message.

The text is also the best piece of writing about Benares that I've read. So many books describe only the obvious and most prurient sites of Benares (the burning ghats, the naga babas) and miss the true depth and richness of the city. From this text and photographs, the reader looks at the numerous facets of this multilayered city.

I, too, must confess to having met and now knowing Richard Lannoy, as a fellow traveler in Benares, where I had the extreme good fortune to meet him and to accompany him on photographic jaunts throughout the city and its outskirts.

His running dialog about things Benarsi is a gift of the gods...For anyone who is interested in India, I would say this is the first and best book you should buy. You can learn more about the country, and a great city, from this book. An incomparable experience and hours of absorbing reading and looking...

Bruno Bernard - "Bernard of Hollywood", as his sobriquet ran - was one of classic Hollywood's greatest glamour and pin-up photographers. His specialty was "cheesecake" photography, of which he was the grand master, but he photographed untold legions of the loveliest of vintage Hollywood's actresses. Marilyn Monroe? Jayne Mansfield? Joan Collins? Lili St. Cyr? Anita Ekberg? Mamie Van Doren? Eartha Kitt? Candy Barr? Monique Van Vooren? They're all here, along with many, many others.

Susan Bernard, his daughter, has assembled hundreds of his best images into a truly dazzling work. Only Taschen, the German publisher renowned for its ultra-high-quality books on all sorts of unusual subjects, could truly have done justice to the project, and so they have, in a gorgeous oversize format crammed with full-page photography on high-quality paper, accompanied by extensive texts in English, French and German.

One of the most idiotic things I've done in the last five years is to sell off my first copy of this book. I needed to raise money, but that was no excuse. Works of art like this should never, ever be disposed of once you bring them into your collection, come hell or high water. Thankfully, I was able to get ahold of another copy this summer - and even more thankfully, for pretty close to the original list price. That's a minor prodigy in itself; because this book is in such high demand, sellers are naturally going to ask a corresponding premium. As well they should. This book is worth every single cent you may pay for it.

No one...and I mean NO ONE...who claims to be a fan of classic glamour photography or old-time Hollywood can be taken seriously as such without this book in their library. I'm serious. If you're reading this review, you're interested enough to buy this book - so do it today.

The photographs of Bruno Bernard are historic treasures documenting a period of Americana when purity and innocence masked the prurient. As teenagers when my friends and I joined the military after Pearl Harbor, we considered ourselves to be tough men; our images of naughtiness were induced by the pin-up.

The Ultimate Pin-Up is a coffee table collection of beautiful photographs--the colors are brilliant, the hair styles and clothing which drape the subjects who found their way to Hollywood or Las Vegas in the forties and fifties are significant representations of the American spirit post WWII; this being an era of US military might and rapid technological changes. Decades ago I felt these photographs were of loose women yet as I peruse the book I am amused by the sweetness and demurenss of the models and their poses.

The book is printed with high quality paper, the collection is heavy so it needs to rest on a table. It is fun to peruse; each page delights and tickles my memories of the days before the younger generation elected JFK to the White House.

This book makes me happy. Bernard of Hollywood will be remembered for his documenting history. Although the book is filed with the topic "Sex" I feel it should be referenced as "History". The images are certainly "Art". Smithsonian.

This is truly the ultimate pin-up book. I have seen some of these photos over the years and it's satisfying to put a name to them. But what's really surprising is the vast quantity of output this man had. He was certainly prolific and there's no question as to why he was sought after by the rich and glamorous. He was a genius. These are amazing pictures and portraits of some of the most stunning women on the planet from the 40's and 50's. We'll never know another era like that. Beautiful clothes, costumes and jewelry adorn these women from a time when glamour was GLAMOUR. From starlets to cheesecake models to showgirls to stars---they're all here and captured in all their splendor. Even the stunning 50's stripper Lili St.Cyr is here in rare and incredible photos. Thanks to Susan Bernard (from "Faster Pussycat! Kill! Kill!") her fathers' work is receiving another round of applause and admiration. This book is embedded with legend. A MUST for auteurs of glamour photography and a MUST for nostalgia lovers. Recommended HIGHLY.

Bernard of Hollywood Pin-Ups is a fun and fast way to get started recapturing the look and feel of the '40's and '50's styled Pin-Up Photography. Of course, this book's instruction applies to anytime, but the examples shown are all Classic Pin-up. Each page comes with a short summary of the thought behind each full page Black & White photo and a small diagram showing lighting and camera position. A bio of Bernard of Hollywood and the philosophy behind his photographs completes the book. It's straight forward and to the point, a worth while addition to a Pin-Up book collection, and a simple instructive guide for beginning photographers.