Themes Books

i orignially purchased this book as a resource for a paper i was doing on tuscany, but when i received it and began to browse through it, i sat down and read the entire thing from cover to cover. the photography was magnificent; the information was just the right amount without going on and on; the entire product was stunning. i wanted to run to the internet and book the next flight to tuscany!

This is the best for someone wanting to visit interesting places in Italy. It is not only well arranged and written, but it helped so much in trip planning. I highly recommend this to anyone traveling on their own to Italy.

Since I love Italy as a place to visit, this book is great to own.

Yes, the photos are nice, but how many coffee table books with pretty Tuscan villages, cypress trees, and silvery olive leaves shimmering in the wind do we need?

Someone who reviewed this book suggested bringing it along on a Tuscan trip; if you put this large and heavy book in your luggage, you will have to leave the toothpaste, underwear, and a number of other things at home, particularly now that some airlines are apparently toying with the notion of lowering weight allowances and charging for the excess.

The text in most instances is not particularly helpful. There are quite a few books on Tuscany that do a much better job. And I was truly surprised to see the town of San Quirico d'Orcia included in the list of "most beautiful villages". I happen to know San Quirico and because it is off the usual beaten tourist path, it retains an "Italianness" that has been lost by, for example, Greve in Chianti, where one would be hard-pressed to find an Italian in that town's lovely main square on a Saturday afternoon. But San Quirico could never be called "beautiful", by any stretch of the imagination.

Despite my reservations about this book, it would probably be a welcome present for a friend who has recently returned from the grand tour of Tuscany and it will, at least for a while, have a prominent place on this friend's coffee table.

Great service and beautiful pictures of Tuscany but somewhat dissapointed at the lack of an organized route map for efficient traveling to the various villages.

Don't look at this with the eye of a photo critic or you may miss the magic. This is an intimate glimpse into the life of Sammy, his family, friends, and acquaintances as only someone "on the inside" can capture.

A wonderful book!

an amazing collection of photos that serve as a historical and entertaining view of the times he lived through.

This book is so fun. It has so many candid great photo's, really intresting history on Sammy Davis Jr. and his relationship's. I really enjoyed this book. Great coffee table book.

I originally picked up this book as a curiosity and found its links to a bygone era utterly fascinating. The subject matter, i.e., rat pack photos were wonderful but the photographic mastery of Davis Jr. is, I think, equally as stunning. A look into Davis Jr.'s remarkable life is given by him in the way, like other great photographers, he insightfully choses to document and communicate with his subjects through the lens. Again, like many great photographers, the images are powerful and soft, crisp and dazzling. More talent revealed from a man who had more in his baby finger than most of us have coursing through our entire bodies.
Bravo. Well done.

Few have personified the phrase "self-made man" as did legendary entertainer Sammy Davis, Jr. (1925-1990). The world remembers Davis for his varied and extraordinary accomplishments as an actor, singer, musician, dancer, and comedian.

But hardly anyone outside his circle of friends and family has been familiar with his photography--until now. With this hefty book, interspersed with reminisces by longtime friend Burt Boyar (who co-wrote Davis's autobiographies Yes I Can and Why Me?), his old fans and a new generation can revel in hundreds of images that reveal yet another significant facet of Davis's far-reaching talents.

Though Photo lacks the singular thematic focus of books published by such photographer-celebrities as Dennis Hopper and Gerry Spence, that's no drawback for this posthumously published volume. Rather, it pulls the reader into the exciting world of nightclubs, casinos, and Beverly Hills homes in which Davis moved, mostly from the late 1940s through early '70s. A voracious shutterbug, he took his photography seriously: his compositions are strikingly iconic, employing sophisticated use of line and form. Yet, his pictures are mostly snapshots--in the best sense of the word: they capture their subjects spontaneously, and his joie de vivre suffuses his work. Think of it as a highly stylized family album packed with candid portraits of "Rat Pack" pals Frank Sinatra, Dean Martin, Joey Bishop, Peter Lawford, and Shirley MacLaine, as well as other famous friends like Nat "King" Cole, Tony Curtis, Janet Leigh, Sidney Poitier, James Dean, Marilyn Monroe, Jerry Lewis, and Bill Cosby.

Among the more touching aspects of this book are the portraits of his actual family: his parents, his second wife May Britt and their children, and his third wife (and widow) Altovise Gore Davis. The most poignant are the many shots of actress Kim Novak, the first great love of Davis's life, who was forced by Columbia Pictures studio chief Harry Cohn to break off their relationship (interracial relationships were strictly taboo in 1950s Hollywood, not to mention in society generally).

One photograph, despite its matter-of-fact framing, is particularly chilling. Through the window of a passenger train en route to Miami, Davis snapped a picture of an elderly white gentleman on a station platform holding a cigarette, standing before a pair of double doors over which the foreboding phrase "WHITE WAITING ROOM" is painted. Davis's photographic abilities and inclinations were such that we see a mostly glamorous world through his eye. Thus, when we arrive at this jarring image, it's impossible not to apprehend it from his point-of-view--and also not to feel the sense of injustice that he must have experienced in the Jim Crow South as he clicked the shutter.

As Davis's show business career took off, many venues--even north of the Mason-Dixon Line--were happy to let blacks perform onstage; but the same headliner artists weren't even permitted to drink at the bar, use a dressing room, or occupy one of their hotel rooms. Photographs from Rev. Martin Luther King, Jr.'s 1963 "I Have a Dream" speech at the Lincoln Memorial, and portraits of politician friends Senator Robert Kennedy and President Richard Nixon, give silent witness to Davis's largely forgotten achievements as an outspoken civil rights advocate.

Photo is a coffee-table book that won't spend much time on the coffee table if your houseguests are anything like mine. Because of a car crash in 1954, Sammy Davis, Jr., was left with only one eye. But what an eye this cat had!

I bought this book as a bargain and in the description it said the condition would be knew and the only difference would be that it may be marked as a bargain. However, the condition of the book was really bad and it was so damaged that many pages were lose and the binding was completely broken. I will never buy a bargain book from amazon again, even though the book itself (if it was in good condition) is awesome.

First saw these photos on a trip to Stockholm. Huge photo posters were on display in a park and this book along with the photographer's other books, posters and postcards were for sale. We've all seen photos of animals before but these are quite "up close and personal." There is a "Wow" factor with what he has captured -- whether it be an action shot of wildebeest and zebra hurriedly crossing a river or a panda up in the tree to get a better look. This is not a book you'll look at once but time and time again.

Steve Bloom is by far one of the best animal photographers! The pictures he captures are incredible. Untamed is a great/huge collection of awesome pictures. The pictures and pages in the book are all high quality. Well worth the money.

This is an absolutely gorgeous book, oversized and chock full of awesome photographs of all sorts of creatures. Bloom works in the wild, from a distance and close up enough to devote a full page to an elephant's eyelid. He works in Antartica, in the Amazon, in Africa, Asia, all across the world, with herds of animals and with singles, young, old, and in between. Some of the photos are panoramas, with 2 pages opening towards the middle to full effect.

I first saw the book displayed on a table in an interiors store, and fell in love with it, came home and ordered from Amazon to save $$$. Now it's on the table in *my* living room. Eventually I will give it to my son to go through and share with my now-4-year-old grandson.

Steve Bloom has taken pictoral essays to new heights. In September 2007, a stroke of Irish luck led me to his exhibition in Dublin, Ireland. I spent a mesmerizing hour wandering St. Stephen's Green Park admiring his outstanding mini-billboard sized photographs and felt cheated when I ran out of time. So I bought the book, it sits on my coffee table, and I enjoy it day after day. Untamed is not a collection of animal photos. Instead, Steve gives us a greater understanding of the beast through a series of incredible exposures. Anyone who enjoys wildlife and excellent photography must own this book. It would make an excellent gift for those who share a passion for the wildlife that is vanishing before our eyes.

The pictures are great. I love how the author captured the society and different personalities of the cats. However, I was disappointed that the writer didn't get around to explaining whether the cats were neutered/spayed until the end of the book. There were references to the old tom cat, beat up. Why didn't they get him neutered? Or the momma who had more than one litter. I don't know when this was written, but it is standard practice now with feral colonies to trap/neuter/release on a regular basis to manage the colony and keep everyone healthy.

I'm so glad I ordered this calendar, I couldn't beleave it was on my dorrstep the next day, it was like they new I was going to order it and sent it in advance, amazing. The calendar is so preciouse with all the pictures of street living cats, but the real jewl in this is the stoy the photographer shares on who these felines are, where they live, how he came to know them and take tell their stories. It makes one want to go out and take pictures of forgotten community of homeless and stray animals. It's a work of Heart.

A stark account of the lives of urban feral cats. The book may leave you sad and angry, but the black and white photos are precious, and you will run to give your own sweet, safe, healthy kitty an extra hug. I bought it for a fellow cat friend.

The concept of this book fascinated me because all of my life I have been surrounded by stray cats. Ever since I was a child, my family have always left food out for our neighborhood strays. Eventually, some of those strays made our backyard their home, regardless of where we have lived. Many, many cats - all with their own names and distinct personalities - have shared our yards and our lives. Some for fleeting moments, some for many years. We even have photos of some of these cats in our family photo albums, because they were like a family. Even now at their present home, my family has a colony of about 15 cats living in their yard. The numbers vary as they come and go as they please. Some never return. Like the cats in this book, many have met with sad ends - not due to coyotes, but mostly to cars and human cruelty in the form of poisonings. But the cats that remain are loved and fed, their antics entertain us, and they are buried properly when they die.

My mom has been trapping and taking all the strays that she can to be spayed and neutered for years now. I didn't even know it had a name (trap-neuter-release). It is hard work, though, because of her extremely limited financial resources and uncooperative or unable animal welfare agencies. The Humane Society of Miami, where we used to take some of the strays for low-cost neutering years ago, no longer performs this service for stray cats (only for those that are adopted from them), which I find unbelievable, as what can be more humane to an animal than to neuter it and prevent the inevitable suffering of their unwanted (by humans) litters?

Instead, they refer us to the city Animal Control, who has recently put a limit on the number of cats a single person can take in to be neutered. They also used to have a mobile trailer that went to different points in the city throughout the month to have cats neutered at free or low cost, but due to budget cutbacks this service has also been discontinued. My mom has had to fight tooth and nail and written to everyone from the mayor to the directors of the Animal Control simply to get permission to neuter a few more cats. My mom cannot afford to do this at a private vet's office, and she knows of no private vets nearby that provide this service for free or at a cost as low as the Animal Control. It's too bad that these agencies are unwilling to help the very animals they are supposed to protect.

Back to the book. It's a great book! Like another reviewer mentioned, if you only love purebred cats and see them as a status symbol, then this isn't for you. This is for true cat lovers who see as much beauty in a scraggly little stray kitten as in an expensive purebred Angora. The photographs are striking, but what I enjoyed most was actually the text. At the end of the book, the poignant stories of some of these cat characters are offered. Some have happy endings, some do not. But they are nevertheless fascinating to read. I would have read a whole book worth of them.

I think it's especially important to have a person who hates cats or at the least thinks they don't have as much personality as dogs to read this book. It will show them just how much love, loyalty, and devotion cats can truly have towards each other, and how intelligent and resourceful they can be. Most importantly, it should tug at the heartstrings and inspire feelings of compassion in people so that they stop needlessly hurting and killing these little animals. They need to stop seeing them simply as nuisances or pests, and more as creatures like us: with real families and real feelings, who mourn the loss of their relatives and would fight to the death to defend them.

Photographer Knox and freelance writer Sara Neeley have teamed up to produce a stunning, poignant photo essay highlighting the beauty of the hidden world of alley cats. Knox, well known for his gritty urban photojournalism, was inspired to photograph the feral survivors he encountered in his work. He soon uncovered a complex underground family structure of cats surviving the clash between nature and modern civilization. The authors readily acknowledge that this book shows only a sunny glimpse at the brutal life of street cats (for "who would buy a book that accurately showed the suffering" they endure?), but their purpose is to document this world and inspire citizens to make small changes, including spaying and neutering both domestic and feral animals.

I've just granted my eyes and heart a second opportunity to experience Alaska through the verse and images of John Pezzenti Jr. The verse conveys both the spiritual and emotional connection the author obviously has with Alaska. The images transport this viewer to a place and time that feature nature displaying a magnificence worthy of savoring. Alaska, the book, inspires me to contemplate another adventure here in the northern Eden we call Alaska. A place where I am invited to quest for the spirit of the natural world that John Pezzenti knows so well. Alaska, the book and Alaska, the place transend the ordinary with grandure and excitement. I recommend both to anyone who lusts for beyond the ordinary. John Toppenberg

After 40 some years of living Alaska, I am well aware of the difficulty and seeming impossibility of capturing the great land on film and with words. The true essense and spitituality of this vast offering often eludes our cameras and pens. John has nailed it. His enduring patience and impecable eye for the finest of nature glows from image to image, mushroom ice stands, an otter enjoying a meal, volcanic clouds balloning over stands of towering spruce, an eaglets first moment broken from the shell, in your face bears, all these images and much more inspire me to look harder, go further, and wait longer for more of Alaska than I have ever experienced. The photos are sparkled by John's unique style of writing. After recieving the book as a gift I spent long nights, reading and re-reading his tales of adventure with delight. My work takes me far from home and John's book gives me opportunity to share the true flavors of Alaska with those I meet on the trail. Thank you John for sharing your God given talents, I so look forward to the next book.

There are a great many picture books on Alaska, some which contain exceptional photgraphic elements. There are a great many journalistic books on Alaska, some which are so well written the reader is taken with and to The Great Land. John Pezzenti's book epitomizes the best of both.

Like Alaska, this book is greater than it's physical boundaries. It evokes the senses and the emotions. This is one photo book that is a must read!

Great Book! I would recommend to anybody interested in the beauty of our 49th state. This book captures the wild beauty and grandeur of the last frontier. Buy this book, if you can!

Once you have met John Pezzenti, you will understand that this artist and his incredible photographs are one entity. John's "ALASKA..." will take you on an incredible journey through the heart of the Alaskan wilderness, into the soul of an unforgettable man.

Five years ago, I walked into a conference room at the World Trade Center in Manhattan. A man stood beside a display of exquisitely breathtaking photographs, protecting them like an anxious parent; listening to every word, every comment, as if there might be some question about the magnificence of his work. That enigma was John Pezzenti, Jr. Those privileged to know him, have experienced the complexities of the man: Passionate, sensitive, wild as Alaska, free as the wind and sometimes, as immovable as the mountains. His life and his photographs have made an indelible impression.

Language seems a truly inadequate means of conveying the experience of John's "ALASKA" book. The photographs seem to have a life of their own. Speaking directly to the heart and soul, they give a glimpse into the spirit of the man who created them. This is a soul that seems to dance somewhere between heaven and earth. A soul that has borne burdens that few of us could shoulder, but one that has known transcendent heights that few will ever reach.

With each page, John's photographs and stories allow us to share his incredible gift, and to see places on this earth that seem closer to heaven. John's spirit is as wild and free as the Alaskan wilderness. Nature seems to recognize a kindred spirit. You will feel certain that he has been granted special permission to view the sacred, and that at times, nature must say "wait, keep that until John gets here." But such honors are not bestowed without tremendous tests of courage and endurance, endless patience, and unquestioning faith. No work of this magnitude is brought to fruition without great sacrifices, and John has made more than his share.

John has the unique talent of capturing the essence of the moment - then combining it with a fragment of his own soul - the result is this spectacular gift he has given to the world. No one can experience "ALASKA: A Photographic Journey..." and not be deeply moved. The superb imagery and heart warming words speak to everyone in a unique way. It will draw you in, touching your heart and soul each time you open its pages to relive the journey. Again and again it will surprise you, revealing something new with each reading.

Thank you, John for sharing your vision. Your book is dearly treasured, and keeps Alaska close to my heart until I return. God Bless, John. We await your next creation.

We often do praise trips to places of special beauty, where we sing songs of praise and worship to the Creator, the God of Abraham, Isaac and Jacob!
We go to the Grand Canyon, one example, but also to the lakes and other canyons in Arizona. I have often been to Oregon and experienced the beauty of the water falls and to Colorado to enjoy the Rocky Mountains.
This book is a praise trip for the reader, each page is an experience of worship. How great is our God, who created such magnificent beauty for us to enjoy. How blessed I was to receive this book as a gift and I immediately bought copies for my family. May many enjoy the beauty of God's creation. We are to fill our hearts and minds with praise and this is a wonderful way to start!

The most visually beautiful book I know of, THE ART OF GOD is in appearance a nature photography book of the most glorious sort, but upon closer look it is so much more. Ergenbright pairs brilliant awe-inspiring photography with artfully presented text and scripture verses that precisely match each photo and combine to make the heart leap, the soul rejoice. Though written in the spirit of worship, whether intended or not, the beauty, range, selection, and presentation of the book end up also being an apologetic making a visual case for a Creator that's both an intelligent and artistic designer. The photos are arranged purposefully, with the story flowing seamlessly thru the categories Elements, Design, Environments, and Ebb & Flow. The adjective "stunning" often's used to mean just really beautiful, but with this book it's beauty really does stun or take a bit of breath away. THE ART OF GOD is wonderful for a gift or to put on one's own coffee table for visitors to enjoy. Truly an aesthetic and spiritual masterpiece (and a bargain too).

Former agnostic and nature photographer Ric Ergenbright spreads before us a stunning visual feast of God's glory, as reflected in creation. Travel through gorgeous views of air, water, fire, forests, stones, and more. Not just a coffee table book, The Art of God provides a theology of creation as part of a two-fold design (the second part being the story of Christ played out through history). We can even learn about the complexity of creation, as in Ergenbright's discussion of how freshwater rain needs undrinkable seawater to send it on its journey.

The Art of God by ric Ergenbgight is my most favorite book after the Bible. Even people who do not know Jesus can appreciate the beauty found in this book through the outstanding nature scenes that were photographed all over the world. Mr. Ergenbright is truly gifted by God to bring to life in paper form all of these magnificent places.

Eden may be lost, but Ergenbright's insightful eye for beauty proves that much of paradise is still to be found. Amazingly beautiful nature photographs of every element can be found in this book: skies, bodies of water, cliffs, and even lava flows present the viewer with beauty that only a Supreme God could create. Ergenbright's modest introduction in the beginning of the book and his Biblical passages leave no doubt in regards to his devotion to God as the true artist here, but Ergenbright's own artistic talents certainly cannot be overlooked! I'm a huge lover of beautiful art and Ergenbright's uplifting Christian messages greatly added to the peacefulness of his breathtaking images, luring me into a state of blissful lethargy. This book is truly a wonderful testament of nature's beauty and I recommend it even if you are not a Christian; everyone can appreciate the beauty here, no matter what faith they are.

When I saw this book and seen the reviews, I figured that it was just going to be "cool". Then when I finally got this in the mail I was completely overwhelmed by the imaginative visions that Barlowe puts into each of the paintings. Each picture is filled with detail and rich color. The captions get really in depth with what the picture stands for and which Demon is shown and when you think about it, it can be fairly creepy if this is what Hell was really like. Barlowe talks about making his way into the lowest reaches of Hell and bringing back the images to share with the world. The artwork in this book will completely blow you away.

Wayne Barlowe has long been one of my favorite artists, up there with Bekinski and Giger. He has a real talent for pulling the viewer into his world, so that we can almost smell the sulfur. This and its companion piece Brushfire are my (current) favorite art volumes, as I seem to be in a very hellish phase right now. But even when I'm not feeling hellish, I'm in awe of Mr. Barlowe's talent. I love the texture of the worlds and characters, the deep, roaring, ash-filled atmosphere of the environs of hell he portrays. I am always inspired by his work.

Normally I am reserved in my reviews but this one stands out as an entity that deserves high praise. I had been researching visions of Hell for some years when this book came out. It was an exquisite find as the author's vision was finely detailed and provided a wealth of information. His Hell is different yet similar to Dore's vision which appealed to me. It is as if he took Dore's vision and placed his own ideas and concepts on top of Gustave's.

This is highly recommended. The pictures are stunning and the text adds some nice thought as well. One reviewer wrote that he thought the souls looked to much like statuary and while I do agree with that criticism it is a minor quibble and is not always the case.

The book was not as good as I thought it was going to be. When I read certain passages of it at the bookstore I thought it was going to be a fictional narrative of a doomed person's experience in Hell. Instead it was more of an artists explanation about his paintings. The book still drew me in and made me think and feel about what Hell might be like. For this reason, the books ability to make me seriously think about Hell in a literal sense, I will give it four stars.

This collection is basically Barlowe's visual interpretation of Dante's Inferno from The Divine Comedy. Each painting has a page of description pointing out the purpose and reason for every detail in the image. From a tortorous picture of Lillith, to the haunting painting of a minor demon riding on the backs of several tortoured souls held together with muck, they are each fascinating to examine. Like Dali and other fantastical artists, one can look at these paintings and see something new every time. The color work is fantastic, and in some paintings actually appears to be digital photography until one looks closer. A ver well-thought-out project, it is pleasing to see another side of Barlowe's intelligent work.

I had never heard of Cash Peters before. I was browsing Amazon looking for books that I can't get in the UK and one of them was Gullible's Travels. It sounded like my type of thing so I thought why not? I'm so glad I did. Its one of those books that is so enjoyable I don't want to get to the end.

Bill Bryson is my favourite author and the only one who can make me laugh out loud and I would rate Cash Peters to be as funny and readable as Bill. So, I have a few pages to go but I know this will be a book I will keep re-reading - it is highly entertaining.

This is a genius of book. Picture his TV Show on Travel Channel with some bite. He goes over many things as he travel the byways of not just travel, But lifes quirks. In all his travel semgments he goes over the eleations, and the pitfalls. Like the hearfelt moment about his guide in Memphis, or the rude treatment he got in a B&B in Boston. The book will help, or hinder your appreciation of tourist traps. For a nice laugh at, or with Cash Peters --- buy the book!

I discovered Cash Peters' Travel Channel show over the summer (where he's dropped off in some strange land--he has no idea where--with no money whatsoever and has to convince locals to feed and shelter him for a day) and was given this book over the weekend as an early birthday present. I am glad to report that Gullible's Travels is even wittier and more fun than his TV show! Peters visits and writes about a number of cities and tourist traps, as well as some of the oddest, most tasteless and inane destinations imaginable. Not only are the locations themselves simply brilliant, but Cash Peters' running commentary on these places would crack up a 1692 Salem Puritan. Sure you can learn a thing or two and maybe get an idea about where to go when you make your own vacation plans, but the real attraction here is Peters' himself and his goofy way of perceving everything. I suppose one could ask for a more serious guide thru these "bad taste" sites but it'd be hard to come up with one who was more bizarre. Peters is a likable bloke and while I'm not sure I'd let him crash in my house should his Travel Channel producers ever drop him off to film an episode in Mason, Ohio, I'd love to hear his comments about my home town. I can only imagine the things he'd say...

In a nutshell: I don't have to buy books because I live in Salt Lake City, which has, arguably, the greatest public library in the country if not the world. So I got "Gullible's Travels" (I think I saw an ad in The New Yorker) and, it's a good thing I have a great library because I can't afford to buy books anyway, but guess what, I'm going to buy this one. Several copies of this one, for gifts. Not even Xmas gifts, just gifts for people who need a good laugh and appreciate real wit. It's that good. I hope a lot of people buy "Gullible's" and I hope Cash Peters laughs all the way to the bank.

In usual Cash Peters style, this book is just what the title of this review says it is: Manic, Zany and TONS of Fun! Cash documents and comments on his journeys and experiences as a travel writer. Hilarious comments and insights by Cash. If you like him on the Travel Channel, you'll LOVE this book. A great laugh and a must read!

This marvelous coffee table book has been sitting on my shelf far too long. Visually witty, engaging and just plain fun to look at Jesse Kalisher's pictures from around the world finds Buddha in various shapes. It's colorful and the only complaint I have is that I would have liked to have a bit more text discussing the circumstances of the photos, where they were, when, what inspired Kalisher to take and pick the particulary pictures he uses in this book.

The sixteen page introduction is witty,intelligent and I could have used more of it throughout the book. While I'm visually driven I also am text driven--words are important to me, their meaning and how we use language since it shapes as much about how we see the world as what we see. Jeff Greenwald's text would have been perfect to illuminate these things in brief chapters discussing each section of plates.

Regardless this is a terrific book and those that enjoy coffee table books that actually LOOK at the pictures and become lost in the details will enjoy the variety of photos included in this book from throughout the world. My apologies to Chronicle Books for taking so long to review this.

There is a sense in which the book 'If You Find the Buddha' is a sort of 'where's Waldo?' hunt. Sometimes the images of the Buddha are very prominent; sometimes they are almost imperceptible. Sometimes there are several Buddhas; sometimes there is only one, and even then, just in shadow. Some Buddhas are large; some are small. Some are in intentionally religious or holy settings; some are in everyday positions, such as above a diner's cash register. Even more ironically, the image of the Buddha can be found on the tag of a rifle-toting soldier, or in rows of figurines, each bearing their own price tag.

As the writer comments, the figure of the Buddha is ubiquitous in many parts of the world, and not uncommon in other parts of the world. East and West alike have a share in the presence of the Buddha in this collection, and peoples of all races and conditions of life are shown in relationship here. Perhaps the most surprising element is the touch of the common and the ordinary - in much the same way that pictures or figurines of Jesus or the Last Supper or various saints might adorn the homes, the Buddha similarly is incorporated almost unconsciously into the everyday life and work of people. It becomes part of license plates, nametags, lawn ornaments, golf equipment, and more.

There is a foreword provided by Jeff Greenwald, an author of several books perhaps best known for his travel writing. There is also a brief essay by Jesse Kalisher, who writes of his transformation from a person who lived inside of set boxes (offices, car, apartment, television) to someone enlightened enough to seek the whole world. He recounts his encounter with a Buddhist monk, Pat Panom, with whom he shared his interest in this project, and how his life had come to this point.

This is not a religious text - well, not a religious text per se. It is not a manual of Buddhism, with exegesis, systematic interpretation, description and such. In some ways, however, it is a great expression of Buddhism - I am reminded of a sermon of the Buddha which consisted simply of him holding up a flower. If a picture can speak a thousand words, and open up a thousand worlds, then this book is indeed a religious text, albeit not in traditional Western sense.

The photographs are stunning in quality and composition, all the more remarkable for being 'typical' and 'mundane' subject matter in many cases. The collection as a whole places the pictures in an interesting context that makes for enlightening and enjoyable reading.

I'm not really qualified to evaluate the quality of photography in this or any other book. When I sit down and try to review a book of photography such as this, I basically ask two questions: can I see what the photographs are supposed to be showing me, and is there a concept that ties all of them together? If You Find the Buddha makes it rather easy for me in this regard: obviously, there is some representation of Buddha to be found in each photograph, and the whole point of the book seems to be an inspirational one, as it's a veritable signpost helping point readers in the direction of their own individual paths toward enlightenment and a sense of purpose in life.

Jeff Greenwald's Foreword and photographer Jesse Kalisher's introduction are no less enlightening than the photographs themselves. In comparatively few words, they give the reader a good feel for who Buddha is and what he represents, while also tearing down some of the veil of misunderstanding that separates many Western minds from this traditionally Asian way of life. I feel rather stupid to even admit it, but I had always assumed that Buddhists worship Buddha - they do not, for Buddha was a supremely enlightened soul but never a god. He even forbade his followers from making any images of his likeness - a fact which is somewhat ironic, giving the ubiquity of Buddhist statues and icons all over the world today (Greenwald explains how this came to be). Another little insight I picked up here has to do with individual reactions to different religious icons. Seeing an image of Jesus turn up unexpectedly doesn't exactly put you at your ease; for a Christian, such a sighting is the equivalent of a "straighten up and fly right" moment. In contrast to this, the Buddha normally engenders a calming influence on just about everyone. Even as a Christian, I feel a sense of reverence (which is not the same as worship) and otherworldliness when I see a Buddha statue. I believe that is the very thing that rests in the heart of this book.

The gorgeous photographs that make up the bulk of this book are impressively diverse, capturing images of the Buddha in all shapes and forms. If you're like me, you tend to think of Buddha only in terms of the large golden statues typically found at holy sites, but this book shows us that Buddha is basically everywhere. Many of Kalisher's photographs do come from Buddhist shrines in several Asian countries, but the most arresting inclusions capture images of normal life in America as well as Asia. For example, you'll find the Buddha in an impressive sand castle, in yard ornaments, in small statues sure to draw tourists' eyes, on dashboards, in clothing patterns, and even in a Thai sex market. Having spent the best years of my life in Chapel Hill, I was especially interested in a significant number of photographs from that city (now the photographer's home) and some of its neighbors. A few of the photographs did prove to be a challenge of sorts to me (Where's Buddha?), but that actually just encouraged me to pay more studious attention to them than I probably would have otherwise.

Certainly, If You Find the Buddha gave me a better appreciation for Buddha and the type of thinking he represents. I suppose many a reader will see the title of this book and ask: what does happen if you find the Buddha? That is something you have to answer for yourself (and this book only starts you on such a spiritual path), but I think most individuals will definitely take away something of value from Kalisher's photographs.

This small, oblong book hides a lot of treasure. Jesse Kalisher, who grew up on the Upper East Side of New York City, traveled to Viet Nam and photographed street scenes that show the image of the Buddha from the sacred setting to the profane. From a tattoo artist engraving an arm to a glitteringly gold temple, the Buddha image, familiar as Uncle Sam or a crucifix, is shown in startling settings.

The photography is good "journalistic" style, and it's a great look at life in Viet Nam. I've spent quite a bit of time in Southeast Asia and I was very nostalgic paging through the book. But if you dwell on each photo for its own content and not its postcard quality, a message seeps out.

Kalisher's work has been on exhibit at the Field Museum as wel as residing in permanent collections of other museums across the US. I think he has a lot to say in his photos.

Perfect gift book for a yoga devotee or a person influenced by Asian philosophy and culture. Highly recommended.

A delightful collection of images from the lands where Buddha's philosophy is part of daily life. Kalisher has a good eye for content. His images range from the intimate close-up to a distant perspective where the viewer must pause to probe the surroundings to perceive the item of interest. The item may be a tiny statue or graphic representation. Sometimes it seems wholly out of place. That, however, only demonstrates how important the Buddha is to the society. While it may not dominate, it is always present. The reality of the Buddha in these societies and the photographs are intimately matched. Kalisher has the ability to capture them with charm and grace. That he shares them with us is almost a personal favour.

We are given more than a hundred images of the Buddha. They may be giant close-ups in a temple, or centred in a wide-angle view in a restaurant. One watches over some elderly men at a game, while another is a medallion set in stark contrast to a soldier's bayonet-bearing rifle. Sitting on a high shelf, the Buddha keeps guard in an apothecary's shop. Still another helps a guitarist find his muse as he practices. What is significant about this wide variety of settings is that in none is the Buddha disjointed or disconnected .

Even the format of this collection is proper for the subject. While in the West we've become suffused with "coffee-table" books that present us outsized images, this collection is set in an appropriate framework. Kalisher's images and Greenwald's text may be slipped into a purse or briefcase for easy retrieval. The large books are designed to overwhelm our attention. This book follows the theme of that what the Buddha teaches must be sought. It cannot be forced or implanted in our minds. Only one flaw can be attributed to this collection. Designed for a Western market, the identification list at the back of the book might have included more descriptive material. The locations are gratifying, but the circumstances would be informative. [stephen a. haines - Ottawa, Canada]

First reason: exceptional images.

Second reason: advice on obtaining these kind of images.

How many books get 5 stars for 16 out of 17 reviews? This is one. The images are excellent and the advice is sage. Fitzharris used both film and digital for these images, and his advice challenged my prosumer level. He really is an accomplished professional, and he has shared many of his ideas and techniques. Other professional landscape photographers would be interested in this book. But much of the information is accessible to amateur photographers as well. His description of depth of field, hyperfocus, wide angle, rule of thirds, exposure, composition, etc. are clear and straightforward.

Even if this book had just the clear, large, interesting images, it would be worth it. Other books of his did not get such great reviews. I can't say how much I liked this book.

For $16, just click the "Buy it now," button.

Outstanding pictures, informative, a must for any landscape photographer at any level. I highly recommend this Tim Fitzharris book.

I'm an advanced amateur photographer, i've found this book quite useful, it gives strongs helps to improve photograph.
By the way, in most of its parts its based on 6X4 system, that is really different in performance and "thinking" from the digitalreflex we use. The "big" concepts for composition and "theming" our works are obviusly the same, but in application it's different, also the example works ( beautiful ) are quite all in 6X4.
In any case a really good book!

I have been an amateur photographer for about 35 years, and I have enjoyed the instruction of several masters in the days I used to lug around a large view camera (mostly B/W imaging). Tim Fitzharris's book about (color)landscape photography is my most valued book on the subject in my entire library. He is an excellent writer and communicator of key thoughts. His writing is dense; he doesn't prattle. As he states in his introduction, "The emphasis of the book ... is on the photographer's actual interaction with the subject" {being photographed}. This book is for the intermediate to heavily experienced photographer (amateur or professional alike). As much as possible, he doesn't dabble in the usual tech stuff. He includes myriad photographs to illustrate all of his concepts and principles.

The part of the book most rewarding to me is Part 3, "Creating an Image." In these 28 pages, he articulates the key elements of visualization and image control. He thoroughly analyzes each element of good composition and the rationale for each. After reading the book, I went back to the pictures in this book and others in my library to validate these elements. As I did, I related more and more to the principles. They were clearly authenticated. They are clearly valid for all landscape-photo venues; color landscape photography is clearly the emphasis of the book, however. His photography alone is worth the price of the book.

Yeah, you need to get this book. This is the photography book I've been looking for. Tim Fitzharris doesn't just take stunning photographs, he disects photos and goes through the thought process so that the reader can understand what it was about the scene that caused him to frame it the way he did. He doesn't just say "follow your heart" or "discover what the scene is trying to tell you" or other artsy-fartsy stuff like that. He's a technician. He tells you how to assemble the photo piece by piece. No other book I've read goes into so much detail on how to actually frame a shot. Since digital cameras take away much of the worry about exposure, composition is the main worry, at least for me. Mr. Fitzharris does an excellent job of explaining vantage points, focal planes, proper camera placement and everything else associated with getting it all right in the camera.

Two tiny nits to pick, but certainly nothing worth deducting points for: 1) Fitzharris explains everything assuming you'll be using a 35mm or digital SLR camera, which is fine. But he uses a medium-format film or digital camera, and the pictures reflect this. Unless you're willing to spend the price of a new car on camera equipment, you shouldn't expect to be able to replicate the pictoral quality of his work. 2) Fitzharris points out that the best places to photograph water are actually from in the water, and he says that you should be "prepared to get wet". He also points out that this might cost you a camera or two, as any digital equipment dumped in the drink will be "a complete right-off". Whoa, there! Maybe a pro can right-off a few thousand dollars worth of equipment, but I saved for a year to buy my digital SLR. Taking it into the soup is just not an option.

One good thing that Fitzharris also covers is the amount of work necessary to get breathtaking shots. Up before dawn, hiking in the dark, coming back day after day if the light isn't right. He conveys the proper message that getting great shots on a consistent basis is real work. If you were under the impression that you could obtain shots like this while on vacation with your family, reading this book will quickly put that fantasy to rest. Fitzharris points out that it takes patience, dedication and time to get the good stuff.

This is by far the most informative book you can get on landscape photography. Fitzharris takes jaw-dropping, OMG-I-can't-believe-it photographs, yet it never seems that he's just showing off his work. I've read so many books where the author writes "this picture succeeds because..." and then goes on to explain why the shot he took is so great. In my view, if you have to explain to your readers why the picture succeeds, maybe it doesn't. Fitzharris never does this. He lets the shots speak for themselves, and simply describes the elements he looked for in composing the picture. And, wow. His pictures sure have a vocabulary!