Themes Books

a beautifully detailed book with amazing reproductions of these important paintings. highly recommended to anyone one interested in tibetan buddhism, art, tantra, or history.

This book is a valuable asset to anyone desiring an illustrated view of tantic Buddhism. With gorgeous pictures of the walls of the Lukhang Palace, and plenty of supporting documentation, the reader can truly appreciate the spiritual value of this book.

In addition to being a meticulously executed illustrated art book, The Dalai Lama's Secret Temple: Tantric Wall Paintings from Tibet by Ian A. Baker, et al. guides the reader through some lesser known biographical details of Tibet's greatest Dalai Lamas and of the history of Tibetan Buddhist culture as a whole. The amazing drawings, many of which painted in an almost feverish surrealistic style, are accompanied by insights into the lore of the Dalai Lamas, with thoughtful excerpts from their writings. I am also much obliged as a book shopper to show my appreciation to the book's publisher, Thames & Hudson, for the excellent printing quality and overall layout and binding of this book, details which for me always work to enhance the message of a book and to demonstrate the seriousness and loving care with which the authors themselves have treated their creation.

A really beautiful book: pictures are magnificents, thanks to the anonymous ancient painter and to the modern photographer, with many pictures of the details of the paintings. But the book is worthy not only to see. The first chapter tells a short but interesting history of the temple and of the Dalai Lamas, and at the beginning of each of the three main sections (as there are three walls painted in the temple, corresponding to the three pillars of Dzogchen teaching: base, path and fruit) a short but careful explanation of the principles of Dzogchen, in connection with the painted teachings of the secret temple. I do loved this book, and reccomend it to anyone interested in Dzogchen and Tibetan culture and Buddhism.

The Dala Lama's Secret Temple is a wonderful and insightful look into one of the most spectacular temples in Lhasa. Having just visited the Lukhang, I had the pleasure to personally view the murals. Many of which are unique to Tibetan paintings. And still very preserved. Better than I could have photographed myself, this book presents each of the walls paintings in the highest quality plates. Descriptions of the historical significance of the temple mirror the detail works of the painting. A nice addition to a library of Tibetan Art and Buddhism.

DESERT by Jack Dykinga is published by Harry Abrams, Inc., a company that publishes high quality art books and not, for example, vacation tour guide books. DESERT is 143 pages long, and contains 83 full-sized color reproductions. Dykinga uses a 4X5 camera, resulting in a higher quality image.

Many of the images are merely of flowers or of pretty scenes. Here, there is no attempt to produce a photograph of artistic merit. However, this slight shortcoming is overwhelmed by a number of novel and creative photographs.

For example, JOSHUA TREE AT DAWN AFTER SPRING SNOW discloses a dark cloudy sky, tinged with purple, a shadowy snow-covered desert, and a grove of snow-covered Joshua trees--all cloaked with pre-dawn shadows. It is difficult to tear one's eyes away from this photograph.

DAWN ON THE PANAMINT MOUNTAINS and CRYSTALLIZED SALT FORMATIONS are two photographs that continue with the artist's experiments (successful experiments) with pre-dawn photography of the white desert. Here, the whiteness is not from snow, but from white salt.

Jack Dykinga has also focused his attention on cracked lakebeds (dried mud). CRACKED CLAY AND THE MESQUITE FLAT reveals a fascinating heart shape in a patio-like area of cracked sand. The cracked mud area abuts a region of desert that is soft sand.

Another fine shot, MESQUITE FLAT SAND DUNES AT SUNRISE, features a patio-like area of cracked sand, each pentangle of cracked mud is covered with warty clumps of earth. An open area in the middle of the cracked mud patio contains an open area in the shape of a diamond. At the center of the diamond-shaped open area is a small growing bush. The diamond-shaped area with the little round bush resembles an eye.

RACETRACK AT SUNRISE and RACETRACK AT SUNSET are fascinating images--the most unusual in this book. Each shows millions of tiny pentangles of cracked mud, stretching off into the distance. In the foreground are a couple of flattened areas resembling thick ruler-lines. The flattened areas were produced by small boulders, somehow propelled over the mud by the wind. At one end of each ruler-line one finds a boulder.

Again, if one is able to tolerate the abundance of conventional "pretty" scenes of flowers and sunsets, one should purchase this book, if only to view the seven great photographs discussed in this review.

Mr.Dykinga's skill as an artist is further demonstrated by his book, STONE CANYONS OF THE COLORADO PLATEAU, also published by Harry Abrams, Inc. STONE CANYONS is especially distinguished by its focus on a park called, Vermilion Cliffs (Paria Canyon, The Wave, Coyote Buttes), a park that is rarely the subject of published photographs. STONE CANYONS also uses the style of depicting scenes just before sunset (or just after sunrise), when all but a thin line of the horizon is steeped in shadow. Stand aside, David Muench, here comes Jack Dykinga.

There is a knock at my door and here is the UPS man delivering my order from Amazon.com. Among the books: Desert, The Mojave and Death Valley Photographs by Jack Dykinga, text by Janice Emily Bowers. I barely had time to read more than a page or two of the text before it made me want to go straight to the photos to see the place she was clearly, and intelligently writing about. And I was not disappointed: It was overwhelmed with joy of at being able to share the keeness of Mr. Dykinga's fine and perceptive photographic vision of that place. This is a more subtle body of work than the previous books based around his photographs.

The Sonoran Desert had a similar effect on me years ago and expanded my sense of what ilandscape photography could be. Stone Canyons did not have as great of affect on me as the first book

More than anything else, the images in this book remind me why the large format camera is such a tremendous aid to seeing something more clearly and perceptively than you can with the naked eye. even more so than a 35mm or medium format or easily portable digital gear can. Some of the photos even have a sense of humor to them and when did you last see that in a photograph of a natural landscape? The reproduction of the images appears to be first rate and the design and typography of the book match its contents in quality.

In short there are wonderful things to be found in this book.

This book just shows how spectacular a desert can look with the magnificent photos around the Mojave desert and Death valley of emptiness, stark flowers and blooms and just superb landscapes. It'll give you some inspiration to find something to look for even in a desert.

I know I will as I will be going to Ayer's Rock (Uluru) in Australia in a few months and it's also a big desert!

This book is a beauty, some of the most beautiful photographs I have ever seen.

I spent the first week of September in southern California this year, and on Sunday before Labor Day I drove from Los Angeles up to Death Valley. I hadn't been there since I was a child and I have to say although it is a desolate and lonely place (and 114 degrees at Furnace Creek the day I was there) it is also one of the most beautiful places I have ever seen. The sand dunes at Mesquite Flat alone are worth the trip.

Everyone should see it, but if you can't buy the book. My copy came shrinkwrapped in plastic which I really like, the last thing you want is to buy a nice book like this in a bookstore where someone has spilled coffee on the pages.

As I went through this book, I kept asking myself, am I looking at the dessert or am I looking at the landscape photographs of Jack Dykinga? I've been to the Mojave and to Death Valley and I don't remember them looking so beautiful.

Dykinga's style reminded me of the work of Eliot Porter, with modern film stock. Most of his pictures have the same subtle quality, created by the use of analogous colors, that is, colors near each other on the color wheel, and varying only by tint or small changes in hue. A Dykinga picture almost always has one dominant hue like brown or tan or blue, and the hue rarely feels intense, even if it's a field of California Poppies.

It's obvious that Dykinga's work utilizes a large format camera. Everything is in sharp focus from foreground to distant mountains, thanks to small apertures and the ability to twist the light through his camera. This means that the picture is not going to immediately draw your attention to one aspect of the scene by controlled focus. More likely, the viewer will have to work his way through the picture, discovering things along the way.

The layout of the book seems to be well considered. Quite often two plates with similar subject matter will face each other and there is a synergistic effect from the comparison. For example, I delighted in examining two facing pictures of desert sunflowers. In both cases the yellow orange flowers have a hilly background, but one group of flowers is pushing up through dried-out, cracked clay, while in the other picture the flowers are growing from a small body of water collected for a brief time from rainfall. The mud and the water are both magenta in color but the textures are completely different. The thoughts that arose from the juxtaposition were not only about the variety of the desert but also about the nature of color and vision.

I suppose one reason that I never saw the dessert the photographer portrays is because most of the pictures were taken at the golden hours of sunrise and sunset. To have been that many places in the desert at just those times would have taken me months and months. At the very least, I can be a philistine and thank Dykinga for saving me a lot of time.

As to the text in the book, my feeling is that it probably has to be included for marketing purposes. Janice Bowers' essays seemed poetic and show that she loves the desert, but like most such commentaries, they do little to illuminate the photographer's work. I suppose the essays are worth reading once. The pictures on the other hand can bear many, many viewings and add something to the sense of the place each time.

I finally concluded that I was looking at the desert through Jack Dykinga's eyes when I viewed this book. I resolved to return to the actual desert again and see if I could continue to see it through his eyes.

I am a crazy dog lady. I admit it. I can't pass a dachshound without stooping to say hi. My husband and I have even been known to park our car down the block so that we can casually stroll down the street and "accidentally" make the acquaintance of a sprightly-looking corgi or retreiver. Pathetic, we are, completely pathetic, but we absolutely don't care.

Anyway-- this is The Pathetic Portland Pooch Lady's favorite dog book ever. You won't believe the illustrations until you see them. It's done like a sketchbook-- dozens of different images all crowding together with occasional splash pages or portraits. On a single page, you might see: a dachshund skeleton next to a wolf skeleton; a dachshund in a snowy landscape bravely facing down a boar; the same dachshund being carried off by the boar; and a light pencil sketch of the dachshund staring at a hedgehog-- "the only game I ever saw him corner," according to Poortvliet.

The book's other great strength is its honesty. It's screamingly funny at times, and of course, some of the pictures are real heart-melters, but there's nothing posed or plastic about it. Poortvliet gets all his laughs, and all his tears, from dedicated and truthful observation, and from mastery the arts of storytelling and illustration.

In other words, buy this book. It's a treasure.

The art is astohishing (as always with Poortvliet) but the book itself is a warm and sincere approach to the meaning of dogs in our lives. It is not technical or scientific but is a powerful read to dog lovers around the world.

I'm an animation artist whose medium is pen and pencil, and for me, Rien Poortvliet is hands down the greatest artist of his kind of the last 50 years, easily. Famous(almost too much so-eclipsing these other, superior and more personal books)for the "Gnomes" series of books of the 1970s, he was a man of amazing talent, terrific humor and also great humanity and sensitivity. Any of his books are worth having; this title, "Dogs" was the first I discovered, and it's also one of the very few easily available at this writing(9/05). Here are studies of many, many breeds of canines rendered in luscious oils, stunningly--but even better is the rest of the book: Poortvliet's own, intimate life experiences with dogs, a kind of illustrated diary done in pen, pencil and watercolor washes--absolutely brilliant. You'll meet and love Rien's dogs as he did, and if you've any interest or care for dogs at all this will likely become your favorite. I'd recommend this over any other coffee table or "art" book for dog lovers(I can't conceive of anyone not savoring this)...and for artists--! Wow. An absolute treasure trove of quick gesture drawings, studies and attitudes of both dogs AND people--as well as any other animal Rien feels like writing about and sketching--and there are plenty of them. This will teach the interested artist more than dozens of "how to" books of painting and drawing techniques could hope to do. Don't hesitiate--order it now.

This is a wonderful, heart warming story for all dog and animal lovers. The art work is beautiful, worthy of framing. The authors connection with dogs comes through loud and clear as you read the story of losing a fur covered child to finding another companion, not to replace but to continue lifes journey with. Great book for all the right reasons.

The drawings tells you that the author has many wonderful feelings for his models persons, animals and simple living in the countryside. Just great, it even sometimes makes you feel like crying.

Between the beautiful pictures and the wonderful stories, this is a great book for anyone who loves dogs!!

I have been thinking the dogs give us wonderful delights such as visual, audio, tactile, thermal, and even spiritual delights. I love this book with the abundant and attractive scenes I could appreciate the deep emotional affections created by human and the lovely dogs. I think the book price is so reasonable compare with the contents of the book.
I am treasuring this book as the one of coffee table books in my study.

We purchased this book as a Christmas present for a dog-owner niece. We are pleased with the content and feel it will make a great coffee table book in a dog-lover's home.

Truly a wonderful book; especially when ordered with your own book cover. It makes a very memorable and most surprising gift. Anyone with a dog will love this book.

Anyone whe believes that DOG spelled backwards is not just a happy coincidence will love these photo's.Like many, I have the feeling that dogs are spiritual beings,much like ourselves.The only unaswerable question is this;were dogs put on this planet for our companionship and benefit of is it the other way around.
Either way these photo's show what dog worshippers everywhere already know.That dogs are sentient being with their own individual personalities.

It's difficult to describe why Bruno Bisang's images are so exciting when many similar books are dull and repetitious. I suspect that the photographer has a really deep sensual appreciation of beautiful women, and the results show on every page.

I like this book because you can see really nice shots, technically and artistically marvellous, but you can see others in wich you just see a really pretty girl.

I think is a book of nude and glamour photography, and I prefer just the nude. If someone likes glamour pictures, this is his book

...haven't seen a good book like this for long long time..!! As a freelance photographer, I'm truly impressed by Bruno's artworks, whatever from light setting to posing or from color to techniques, I am so impressed. However, I have fewer opportunities to take pics of nude models. Personally, I really like those B&W pics on this book and you won't be disappointed with it at book..!! Well, sorry I want to know when the second book comes out coz' I am looking forward to it..!!

This is my first Bisang Book, and I must say that I'm definitely impressed. I would recommend for anyone's collection who is looking for tasteful nude photography that can be left on your coffee table and not be ashamed for anyone to look through...

I've got an entire shelf of books on nude photography, but this is certainly one of the best. No "average people are beautiful too" here -- all the models are gorgeous and well developed. The pics are in both color and black & white, and usually take up the full page. Heavy paper, large size, tasteful clear photos, and gorgeous women. Fantastic.

"Extra extraordinary chickens" is the sequel to a similarly titled book by the same author, "Extraordinary chickens". Sorry, did I say author? I meant PHOTOGRAPHER.

As Stephen Green-Armytage himself admits, this is not a reference work on rare chicken breeds. And it's definitely not a scholarly study. It's a PHOTO BOOK. In many ways, the book is a work of art. And so are the chicken!

Stephen Green-Armytage has travelled across both the United States, Germany and the Netherlands, visited poultry shows, and photographed about 200 chickens of 61 different breeds. In fact, he didn't simply "photograph" them. He took their portraits! Many of these chicken have PERSONALITY. Especially the chicken couples. Green-Armytage seem to have a special fondness for bizarre breeds and specimens. Indeed, some of the chickens in this book look as if they just stepped out of Twin Peaks, or live next to the Creature from the Black Lagoon. Grand Daddy Punk Rocker at the book's cover is just the beginning of it! My anti-favorites are the Silkies, which look like furry mammals rather than birds. The book also includes photos of Jungle Fowl, the ancestors of domesticated chicken.

So who is this book intended for? Chicken enthusiasts, first and foremost. But the photos are so artful, colorful and (sometimes) plain weird, that the book is perfect as a birthday or Christmas gift as well. It's a perfect "coffee table book". Show it to to your friends, scare your neighbours with it, and enjoy it for yourself.

CHECK OUT THE CHICKEN!

PS. Two other excellent coffee table books are "Parrots of the World: An Identification Guide" (2006) by Joseph M. Foreshaw, and "A Dazzle of Dragonflies" by Mitchell and Laswell. And, of course, the other photo books by Stephen Green-Armytage!

I give this a 5 star just for the pictures. If you want to know about chickens. I highly recommend these 2 books. Living with Chickens and Choosing and keeping Chickens.

My friend Marjorie is a person who is very fond of chickens. She decorated her little rental cottage with a chicken/rooster motif. I sent her this book for her birthday, because I knew she would be the right person to appreciate it. She called and raved about the pictures in the book. She said she did not know there were so many different kinds of chickens. Marjorie was delighted, and I was pleased to have made her so happy. The is not a book for everyone. but in the right hands it is a joy.

As a breeder of rare breeds in the Illawara region of Australia, I enjoyed adding to my poultry library a book as unique as this one. If you enjoy chicken breeds & photos of them I would recommend this book. The author has used a photgraphic studio to capture & highlight features of chickens that would never have been appreciated in previous books. I had purchased his original 'Extraordinary Chickens' & was delighted to add this extra book. The text is succinct & correlates well with other chicken information in other books. I recommend this book to all poultry enthusiasts.

This book is full of photographs of chickens. Not your typical chicken pictures mind you. You will see various breeds of chickens (many you have never seen before that are very interesting to look at), and you will also get a brief chicken history in the back of the book. What I especially enjoyed was the fact that the author wrote a small paragraph on each breed (again in the back of the book) featured in the book. I enjoyed the pictures of the various types of jungle fowl (the chickens early ancestor), and I thoroughly enjoyed this book. This is not a must have, but it sure is an enjoyable one.

Tony Sweet is an incredible photographer coming from a musical background. The images are all focused on H2O-related subjects. He tells how he did he and why, so it is helpful to get insight on composition and technical aspects.

Excellent photography by Tony Sweet. Comments with each image are very imformative. Book arrived in good condition.

Brilliant! Tony Sweet takes beautiful images and is generous in sharing his techniques as well.

This and his accompaying books in the series are superb. He not only provides an explanation of the technique he employed to create the image, but often also explains the composition or artistic "merit" of the photo. This particular book helps you transcend from mere "photo realism" or "documentary" photography, to the "abstract" where you can look even at the mundane with a new perspective, a new vision and a new appreciation. The world becomes more "fun" and perhaps more emotionally evoking. While most of the photos were created with film (vs. digital) the instruction is such that translation to the digital world is straightforward, and effective. As you read the text and study the photos, Mr Sweet encourages you to think of why, when and how you would apply the techniques to your own photography. I know that my own skills "jumped" a level after even the first
reading of this book.

This is another fine book put together by Tony Sweet and an excellent compliment to "Fine Art Nature Photography".Tony does a nice job explaining what , why and how he made the photos . With many of the photos I understood what he did and found myself asking "Great idea ,But what if I try this or tweak that"

What more can one ask for then to be shown the possibilities and have their imagination expanded at the same time.

This is another fine addition to his credit and my collection.

My second grader and I love looking at, and reading this book. I keep it out on the coffee table, and every so often we flip through it or leave a page open to look at as we walk by during the day. We own a Frenchie, very similar to the ones in the book, and it reminds us so much of our puppy.
Definitely recommend it to any Frenchie lover!

... than Frenchie Kisses. I work in the IT industry, and I'm now working from home. My little "Bat Dog" is always with me! It's wonderful to see images of other Frenchie faces reflecting the same adoration that I see in mine. Heartwarming!

Beautiful photos marred by intrusive gratuitous captions.I gave my copy to my 18 month-old neighbour who loves our dogs and will enjoy both the pictures and the drippy text.Could still be a museum gift shop book, but in the toddler section.

A great book for "easy reading" and enjoyable times. Brings a smile to your face without even trying. To know the BRENCHIE BREED is to know this book.

I saw this book at PetSmart and fell in love with the photographs and captions, and was thrilled to find it on Amazon. Amanda Jones captured the essence of the dogs she photographed very well, and managed to match appropriate celebrity quotes about dogs as well as provide random humorous captions for the featured shots. I have this book on our coffee table, because we enjoy paging through it often. We have a Frenchie and have found these dogs have particularly hilarious personalities - Amanda Jones has done a great job in capturing the heart of French Bulldogs in this book. It's a 'must have' for owners and lovers of this breed.

I happen to have had the chance to visit with John int he studio where most of this was shot - and I must tell you that the sense of reality you see in his art is present in John's daily life.

The book is an amazing addition to your collection.

before my friend pratically made me buy this book, i had never really understood or appreciated visual art. it didn't do anything for me. but after i discovered this book, that changed. his pieces made me feel something, offering me a glimpse into what must be an infinitely complex and talented individual. they made me think about a lot of things, like what constutites beauty and sensuality and power. some of his pieces still make me catch my breath and i feel a sense of awe.

When I first saw John's work displayed on a website I was overwhelmed by the visuals. The design of his sets, to the models he used, it looked aged to me, antique and quite beautiful in a rough way I have no words for. I immediatly wanted to write something about the scene I was viewing, and that is the highest compliment I can give to another artist. Soon after I had the pleasure of getting to know him as a friend as well as an artist, and there are so many wonderful things to be said about him and his work. His work never ceases to move me in some way and I will always recommend it to others I think will appreciate his unique vision.

John expertly shows his ability to turn the most mundane of objects into an absolute feast for the senses. With anything from baby dolls to birdcages, fruit to frogs, coffee tables to coffins; he paints a picture that is at times both unsettling and comforting. It brings to the forefront of our minds the dark thoughts and fears that lay within each person upon this planet. However, it also shows in tasteful elegance that such is the way we are all made and there is always a desire for what is considered "forbidden". Victoria's poetry adds to the ambiance and effect by providing a written "map" in this journey of the soul. It was my honor and pleasure to read this book and I hope for and expect many more visits to this magical place, compliments of this duo.

As an erotic photographer myself, I dont see too many of my peers whose work Id cross the street to see. Or whose work I would say even "moves me". But for Santineross Id run across the street. His haunting images that showcase femalians wrapped in gauze or naked and clothed merely with angels names written upon them, are really some of the the most original images Ive seen of late. You cant really put his art in a "slot" which is what makes people shy away from some artists and I think this is one of the things that will hurt Santineross in the long run as they will try and slot him in with Witkin. His stuff is really more erotic and more glamourously beautiful than Witkins imagery. Give this book a chance. Youll be happier for it.

The Great Lakes Cottage Book is a specialty title recommended for those who love cottages and Minnesota. The authors present fine photos and recollections of Great Lakes cottages and scenes, focussing on subjects which reveal the cottage experience. The result is a coffee table book celebrating a special place and structure.

A great book for reminiscing about times at a cottage. The pictures are beautiful and the captions are so reminiscent of our times at our cottage--the rainy days and playing games, the fires on the beach, watching the sunsets(and they are so unique!!), family reunions and old family stories. Thanks, Ed and Kathy-Jo, for producing this book. We will cherish it forever-something we can share with our friends and family.

I gave this book to 25 family members and friends for Christmas and I have received most wonderful comments from everyone. They praise the photography and the text. One person wrote that she could "see" the grandparents walking down the path to the beach with their grandchildren. If you know someone who has ever summered in the Great Lakes in their own summer home or in a rented cottage this book is a must. It does capture the essence of cottage living in this area.

Ed Wargin's photographs capture the emotions of these much loved cottages with a sesitivity and beauty that few others could accomplish. His use of natural light is extraordinary and gives a warmth that reflects the feelings that abound in these cottages.

When you add Kathy-jo's unique ability to convey loving sentiments in short essays, this becomes an heirloom book. I will never again hear the screen door slam, or sit in on a rainy day or do any of the other normal activities in a cottage without remembering Kathy-jo's essay about that activity and how she captured emotions that I have had but never before seen expressed so beautifully. Thank you Ed and Kathy-jo for seeing into our hearts.

Ed and Kathy-Jo Wargin came to the Thousand Islands and photographed our cottages in ways we had never seen them.The sun setting on the cottages, stairways bathed in sunrise light, artfull arrangements and compositons of familiar vacation objects. This book is memories and makes them too. It is interesting to see the similarities of cottage architecture from Minnesota to the eastern most Great Lake,Ontario which flows to the Atlantic via the St. Lawrence River. You won't regret buying this.