Themes Books

A Living Lens is a wonderful collection of photographs that not only demonstrate everyday life of Jews throughout the United States but it is accompanied by a rich text authored by witnesses to this history. Of all the photography books about the Jews of the 19th and 20th centuries thids one ranks at the top. A must see and read.

This collection and commentary was great....and more than met our expectations. It sits now on our coffee table for all to review and reminisce.

Beautiful book, well written. A book for anyone to share with their children to teach them an important part of our US history.

As the grandchild of Polish / Ukraine immigrants who read the Forvitz, this book lovingly captures the memories of a time long gone.

Earlier this year, I had participated in a tour, including the old Forward Building in Lower Manhattan, with our guide being one of the photographers for this beuatiful book. I was so happy with the book which arrived in exellent condition.

Thank you.

Renate Stone

This is a magnificent, beautiful book. We left it open on the kitchen table, and everyone who passed by turned to a new, exquisite image. I've now snatched it back to my office and expect to browse repeatedly when I have a chance for a cup of coffee and a brief get-away moment. It is truly a gift.

Maine The Home Place by Murad Sayen is an especially appealing photography book. Not only is this book visually pleasing as you view beautiful scenes in Maine, but it also is very emotive as you also "feel" Maine. The quality of the photos is superior and most of them look as much like paintings as photos. If you are ever fortunate enough to look through this book, go directly to page 28 ( one of my favorites)and enjoy the compostion of hands. There have been numerous artists who have highlighted hands in their composition but never with the unique approach that this one does. I have only had this book on my coffee table for one month, and have already "sold" 5 copies. People's responses were so positive that 5 lucky people will be getting this book for Christmas. Maybe you could be lucky also. If Maine was ever your home, I think you will enjoy having this book around as much as I have, and Maine was never my home.

The thing that strikes you as you turn the lush pages--the land and seascapes, the faces--is the surface sense of calm. And yet, below those surfaces there is always a suggestion of great energy, of processes being carried out. In the cover photo, for instance: a country church, maple trees in their October regalia, a cemetery, the cornstubble foreground--lies the hint that things are in motion, even there below the ground. The world is moving toward a new incarnation.

This dualism--or energy and calm--kept me turning pages, forward and back, over a period of many days, looking closely at colors, faces, cloud formations, ice crystals on a pond, dawn sunlight on a lighthouse.

At first I quibbled that Sayen has confined his camera to so few regions of the state; and yet, in truth, this only reminds us that art, in order to be universal, must be local. To develop the kind of intimacy that Sayen (a confessed "outsider") obviously has with his subject, it is necessary to keep it focused.

With "Maine: The Home Place", Murad Sayen has created a masterful book, far more than another of the garishly colored "coffee table" books that publishers seem to crank out each year. This is a book that bears repeated readings, and which, for me, continues to offer fresh discoveries. In addition to the photographs, there is a series of elegantly written essays and photographer's notes. For anyone looking to be delighted and deeply moved by the complexity within simplicity, "Maine: The Home Place" is a volume that will do that.

When I opened Maine: The Home Place, I didn't know how much I was opening up. I looked through it, then I realized I needed to look into it: I did so at two pages a day until I went through the book. I especially love two of the pictures (although each page and picture looked more like a composition in a painting than a camera capturing a scene): The Androscoggin at Bethel, November and North Pond, Greenwood, October. There is a disarming directness in the simple presentation that drew me into the pictures, and into myself. The captions reminded me these places are here, in this world. What I found myself doing since I opened Maine: The Home Place is seeing myself and the world around me differently. Cezanne says that "Art is a harmony parallel to nature." I am wonderfully confused by Murad's presentation of nature and art that has gotten into my heart through my eyes. What more can you ask from a book than to make the world and yourself more alive? Maine: The Home Place is a book that will do that year after year, picture after picture. Great job, Murad Sayen.

Murad Sayen shows us in his amazing pictoral that Maine is more than a magnificent coastline dotted with harbors and lighthouses. His photographs and essays capture the essence and beauty of Maine that those of us who are fortunate to live here can now share with the rest of the world.

He is masterful in his use of lighting. The effect is mystical and invokes a strong emotional response to his work. For all those who want an unlimited opportunity to escape to Maine, whenever the spirit moves you, I highly recommend Maine: The Home Place.....the way life is!

McDonagh assembles a fun collection of succinct, celluloid-savvy chapters covering an impressive range of cinematic subgenres, from silents made in the sound era ("Hush!") to killer Clauses ("Bad Santas"), along with insightful filmmaker sketches (e.g., John Frankenheimer, Abel Ferrara). With a style at once erudite and breezy, McDonagh's book supplies fun for hardcore cinephiles and useful recommendations for casual viewers.

If you love movies, or have friends who love movies- this is one of the most fun, informative, and entertaining books you could own or give as a gift. What a blast.

I love this book and use it as a point of reference all of the time. I read a page or two at random and it sparks an interest in a film that I have never seen or have not seen in a long time. Then I get the DVD and view it with a new set of glasses -- a fresh perspective. Some of the anecdotes have me laughing out loud. If you Love movies (like I do) then you'll love MOVIE LUST.

I have long been a fan of McDonagh's snappily written and imformative column "Flick Chick" and this newest addition to her published work doesn't disappoint.

Book Lust is divided into cleverly titled sections that reflect the intelligence and humor that I've enjoyed in her reviews on the [...] site. The groupings of films are unusual and thought-provoking. My particular favorites are: Back to the Beach, Bad Santas, Everything is Beautiful at the Ballet, On the Road (a wonderful list of road movies I can GUARANTEE you've never seen listed together before), Science Fiction Double Feature, Subway Series, that 70s Picture Show, and the Zombie Stomp. And the occasional personal comments truly spoke to me (like watching King Kong on Thanksgiving-what was up with that?-and I'm dying to know what was the reaction she mentioned to the spider creature in John Carpenter's The Thing when the author first saw the film).

All in all this is a smart, funny and interesting book for anyone who truly enjoys movies. I am looking forward to purchasing More Movie Lust, or perhaps it should be entitled Movie Lust: The Sequel.

Some people who feel they already know a lot about movies may automatically turn up their noses at a book of "Recommended Viewing for Every Mood, Moment, and Reason," but they should do a double take where MOVIE LUST is concerned. This is a very smart, very savvy book, written without pretension or a narrow focus -- and I say that as someone who knows a lot about movies. It covers everyone from Jean Vigo to Ron Jeremy, and always with the same intelligence. Maitland McDonagh's way with words serves to stimulate the appetite to finally track down long postponed classics, to blaze new trails of viewing, and to revisit old favorites. If your DVD collection is even half the size of mine, you probably have trouble deciding what to pull off the shelf for an evening's viewing. If that sounds like a problem you've had before, I recommend spending ten minutes or so browsing through MOVIE LUST before tackling your monolithic wall of viewing options. It's so much fun to peruse, in fact, you might find yourself spending the night reading instead. I give this book 5 stars because I feel it fulfills its purpose admirably.

Book was as expected and arrived on schedule. I buy many books from Amazon and will continue to do so.

Hanks is an astonishing artist, and if not THE best realistic watercolorist working in the country today, then certainly ONE of the very best. He's an incomparable realist and figurative artist. His portraits of children are phenomenal. If you're considering this book (and I simply can't get enough of it, it was worth every penny), do keep in mind that many of the paintings are nudes of beautiful young women. However, the painting I like best is a self-portrait of Hanks, looking like a hippie, with one of his young children. The book itself is gorgeously produced in a large format, with beautiful reproductions and interesting text.

"Moving On" is a beautiful book of Steve Hanks paintings. What makes it realy special is the artists explanation of his works. His insight helps you understand his motives and his intentions when he created each piece and shows you things that you may have missed on first glance. I love it!

I just recently purchased the book Moving On: The Art of Steve Hanks. by Steve Hanks. This book is filled with beautiful watercolor painting of family, children and his specialty Women. He captures the beauty of the woman, how the light reflects off the skin. It is beyond beautiful. A must for anyone who appreciates realistic painting.

I have admired the work of Steve Hanks for a long time. I bought Poised Between Heartbeats years ago and was very pleased to see the new book, Moving On. I recommend both of these books. Spend an afternoon with Steve Hanks.

Mrs. Ballard's Parrots

The most amazing book and story. I love it

Not only lots of photos..but the history of how they came about. Being a fellow parrot owner, it was delightful.

There are photos of parrots dressed as famous actors and actresses. Great little coffee table book. I gave one to my neice who loves dressup as I thought she would really appreciate the costumes on the parrots.

Mrs. Ballard is truly gifted! As an artist, I am impressed with her obsessive devotion to her wacky vision and to producing her costumes and sets. As the owner of two parrots, I am amazed at her ability to enlist their cooperation in her endeavour. We have owned Zeppo, a Mexican Red Head, for almost thirty years, and I can't even get him to wear a hat.

A book filled with parrots dressed up in costumes and photographed in appropriate settings. I would have loved to be in the room when this was proposed to the publisher.

The result is page after page of hilariously enchanting, fun, and meticulously created scenes. So meticulous that once you stop laughing, you kind of HAVE to sit back and wonder about the person who clearly dedicated many months of long, long days to get these just right. It's very existance is a reason to smile through your day.

If you have any sense of humor at all, get this book today. You will never regret it.

We bought this book because the lucky dog bears an uncanny resemblance to our own aged hound. I've now purchased three more copies as gifts for the dog lovers in my life, and will no doubt continue to give it as a gift in the future! The photographs are beautiful and funny and moving by turn. Most important, they capture the spirit of the love that we feel for our dogs, and the joy they bring to our lives. This book is a MUST for any dog lover. As it happens, our dog who so resembles Hunter, is terminally ill. This book has been a comfort for our family. I've especially appreciated being able to read it with my children.

My Lucky Dog is a great book. The photography is fenamenal and the story almost made me cry. It is written really well and I think dog lovers like myself will really enjoy this book.

Alix Pamphilon
9 yr. old
Brooklyn resident

This is a beautifully composed story. I love the way Mellon puts nature and Hunter together as one. I see my dog in a way I never thought of before. I highly recommend to all and you don't have to be a dog lover to enjoy!!!

Reviewed by Nikki Pringle for Reader Views (6/08)

With "My Lucky Dog," photographer turned author Mellon Tytell, uses stunning imagery and brief captions as a poignant goodbye to her beloved dog. Hunter, a mixed-breed stray that Tytell found through an ad at a pet store in Vermont, became her constant companion and the "love of her life" for the thirteen years he was hers. Tytell's background as a photographer in breathtaking locations like Paris, the Andes, Haiti, and the Himalayas served her well as she took roll after roll of film capturing Hunter's adventures at her homes in New York and Vermont.

While the words enhance Hunter's story, it is really the pictures that tell the tale. Tytell has captured her dog's every mood, from sadness to playfulness to pure joy, with absolute clarity. She finds the perfect words to augment the array of snapshots she has chosen to share. In one portion of the book, a variety of photos of the Vermont landscape are laid out next to close-ups of Hunter's fur from different angles, and it is amazing to see how closely these two very different things seem to synch up in color and texture.

Tytell also incorporates images that are not of her dog but serve well in telling his story, like the haunting photo of a bird flying through the trees over a foggy dirt road, accompanied by the caption "He could no longer sit. His spinal cord wasn't sending messages to his paws." The combination of these words with the photo lends visual perspective to the fact that Hunter is preparing to "fly away" from his beloved owner.

Mellon Tytell has accomplished her goal of giving a more than fitting tribute to the animal that was more than just a pet; he was a part of the family. While the book is not marketed for children, I do think it is suited to those that are a little older and dealing with the impending or recent loss of a family pet. All animal lovers, especially those with a canine companion that they could not imagine their lives without, will be moved by Hunter's story in "My Lucky Dog," by Mellon Tytell.

Clearly this book is appreciated by adults but as a school librarian, I can see several applications for using this beautiful book with children. Firstly, of course, it will have huge appeal to children who love dogs, of which there is a sizable number. Secondly, it is a wonderful celebration of life, from birth to death and could be used by an adult to guide a child through an understanding of the life cycle or as a comforting tool for a bereaved child. Lastly, I can see it being a terrific template for a student photography project, giving them ideas for how they can move beyond standard snaps of their pets to show something essential or worth honoring about their animal.

An amazing collection of New York City's most stylish inhabitants by a photographer with a keen eye for the extraordinary. Highly recommended.

The Book is a wonderful document of what the city is all about:
Be yourself and express it with creative confidence!

This is a great book for anyone. Visually the images capture the the personality of New York, and each subjects bio is as diverse as their fashion style. Once you pick it up you can't put it down. Makes for a great gift!

A very New York look at fashion and people and style. Great interviews. Gee I miss NYC

If you love New York and New Yorkers, this is your book. The essence of New York Street Style beautifully photographed by Jake Chessum and ready to uplift any homesick New Yorker abroad. A collection of one of my favorite New York Magazine columns now available to embellish the display on any expat coffee table. If you're in New York, get up, walk the streets and enjoy the real thing, you won't need the book.

Painting The Word is a truly outstanding guide to Christian paintings and their meanings brings art and spirituality together in an inspiring coverage. More than a history of painting, Painting The Word discusses how Christian images reflected and influenced Christian civilization as a whole, with a universal quality delivering balanced messages. Color reproductions of significant classic Christian art works appear throughout.

As an ordained Anglican priest and the dean of Christ Church in Oxford, John Drury is by no means an accredited art historian but he is a trained artist and has a knowledgeable background in theology and New Testament exegesis. Depicted as "a book about how Christian paintings convey their messages" (p.ix), Painting the Word uniquely "extends" the "historically iconographical, or picture-describing, approach" to art by incorporating spiritual "meditation," in order to bring the reader through a "contemplative waiting process" of viewing Christian artwork (p. xi-xiii).

John Drury specifies that the purpose of the book is for the reader to take ownership of the paintings and receive `spiritual nourishment' from them. What originally began as `postcard sermons' describing artwork exhibited in the London National Gallery, has developed over time into the authoring of this wonderful book, which is full of photographic illustrations of European Christian paintings from the 14th to 18th century.

The author successfully brings the reader along on a spiritual journey through the life, death and resurrection of Jesus. Drury groups paintings under each key moment of the salvation story, starting with the Annunciation, to the Nativity, to Christ's baptism and ministry, and culminating with his death and resurrection. In this way, Painting the Word is entirely Christocentric, as it focuses on the sacrificial narrative of Jesus "from conception to resurrection" (p. xiv).

I question whether Drury successfully builds a connection between the artwork itself and the spirituality being conveyed by the artist, because Drury presents some very odd theological concepts throughout his book. I disagree with Drury's constant insinuation that the original painters understood the biblical scenes that they were depicting as "myths." For example, as Drury begins his discussion of paintings depicting the Annunciation, he states, "A dialogue between Mary and the angel follows. It can only be imaginary, but... it is held together over a respectful distance by their mutual regard" (p.41). Drury claims on the very next page that the "moment" of the Annunciation is thanks to the "imagination" of St Luke and St John. Is Drury actually insinuating that the dialogue between Mary and the angel was only a fantasy? Would the artists of the Annunciation paintings really see their portraits as depicting a mythical scene? If so, then a plethora of Christian artists from the 14th to 17th centuries must have believed that Christianity was nothing more than a "myth", as Drury repeatedly refers to sacred Tradition as "myth" throughout the book (cf. p.48, 89, 114). It is more likely that Drury is imposing his own view upon the reader rather than objectively bringing out the artist's intended spirituality.

A more detailed review is available on my website:
http://members.shaw.ca/angelamccormick

This book is without doubt one of the more beautifully prepared and printed books in my collection. Done by the Yale University Press in association with the National Gallery of London, virtually every page is a treasure. There are nearly two hundred full-colour-process reproductions of artworks throughout the text, and every page (not just the colour plates) are heavy bond, high-gloss stock that shows the ink and colour with vibrancy and depth.

John Drury spent a career at both Cambridge and Oxford dealing in matters of theology, ecclesiology, liturgy, and art. I discovered Drury's book while attending a course at my own seminary on the church and the arts, and kept finding myself frustrated at the rapid pace we would go through topics (a frustration I know the professor teaching the course shared - how does one do justice to 2000 years of music, architecture, and art in a mere 15 sessions?). I sought out supplemental materials to help fill out the outline, and Drury's text serves the purpose in many ways.

Drury states his purpose early in the text. `This is a book about how Christian paintings convey their messages. It takes on whole paintings. It is not content with just picking symbols out of them for identification. Composition, colour, contents (including architecture and landscape as well as figures) and the ways in which the paint itself is handled - all are treated as part and parcel of their religious meanings.' This is a holy and holistic approach.

Drury adopts a kind of picture-describing approach (one that he terms `historically iconographical'). This involves absorbing details while understanding context and material. This is the same kind of attention that worship requires (and indeed, the Eastern church has always had this kind of physical artistic interplay with the tradition of use of icons for prayer, meditation and worship purposes) - it requires an openness to experience and feeling while also benefitting from understanding and guidance.

Major artists and works studied in detail in this text include the work of Tiepolo (c. 1750s), the Wilton Diptych (anonymous, c. 1390s), Titian (c. 1510-40s), Duccio (c. 1310s), Filippo Lippi (c. 1450s), Poussin (c. 1630-50s), Rembrandt (c. 1640s), Piero della Francesca (c. 1450-70s), Caravaggio (c. 1600s), Rubens (c. 1630s), Velazquez (c. 1610s), Cezanne (c. 1900s), and others. Most presentations begin by showing the whole work, then proceeding to look at individual characteristics or highlights often pulled aside in side images or isolated for greater emphasis. The text and artwork is arranged in good pattern throughout the text.

Throughout his text, Drury makes a repeated call for care, meditation and attention to be given to the artwork as well as the response to the artwork. He makes that statement that we should stay in front of the images `longer than people usually do' - noticing in museums, art shops, churches and other places that people tend to shuffle past rather than give attention to the most stunning and sublime works of art. Drury draws in history, theology, philosophy, literature, biblical references and images, and other cultural and contextual references to make the experience of these works a full and profound one. This is not a book to be read quickly or glanced over lightly.

Drury includes a narrative annotated bibliography rather than a simple list; he provides both a general bibliography for the entire text as well as a selected bibliography for each chapter/topic.

This is a wonderful book, a great gift for oneself or for others. It is particularly good for those who want a deeper experience and understanding of the way in which art has and can interact and enhance one's relationship with Christianity and its message.

Reasoned analysis involves dissection of statements and dissection of images. The dissection is needed to detect evidence or to expose the lack thereof. The reason analysis of images is needed is that all of the images are not natural. They are iconic based on conventions (like language) and therefore Christian images are signs. The discipline to investigate them is not the neuropsychology of perception but semiotics, the science of signs. Here we have an excellent semiotic rhetoric of Christian images informing us of the meaning of the signs and the meaning behind the images given to us by an expert in both religion (John Drury is a priest) and in the history of art. The cross, the scourging pillar, the spear and the sponge on a cane -all these have meaning. Particularly interesting was Chapter three with the dissection of the different presentations of the annunciation by Duccio as compared to Lippi and Poussin and the biblical quotes that supported each artist's view of what happened and how it happened.

John Drury is an art historian who uses his vocation as a priest to explain the subtlety of meaning that lies hidden in the symbolism of religious paintings in London's National Gallery.

Anyone how has looked at such a painting but not "seen" it, would do well to read this wonderful book and share the insights that the author offers. Paintings that I would have passed by with scarcely a second glance, are revealed within a context of their time, with reference to their history, the world view of the artist, the common and uncommon symbolism employed and much else besides.

It gives the possibility of sharing a visual language that we have lost and enables us to understand what it is about a picture that we sense is great, without comprehending why that might be.

It is hard to think that anyone who has ever visited an art gallery could not profit from reading this book and has certainly given me the enthusiasm to go and look at the pictures for myself.

The book was exactly what I was looking for. Help with the how to on the technical side,but was helpful on setting up shots. Looking around my house and seeing how the book would "shoot it" then applying it with my DSLR. Composition and Lighting was extremly helpful to me. This book was well worth my investment.

I've read this book from cover to cover. I love it. As a beginning photographer, this book was very helpful. Not a lot of technical info. Just enough guidance to get me going on my own.

In addition to Ginny's inspirational photography I found this wonderful book to be informative beyond taking portraits of children. I am new to photography and found lots of ideas and tips for taking better photos of any subject. An additional bonus is the assignments at the end of each chapter to put the techniques into practice. This is a book that I will refer to often. I highly recommend this and look forward to more books by this photographer.

Having three daughters, documenting their childhood with photographs is a real priority for me. But I really lacked knowledge on how to take good photographs - I always relied on the auto settings on my camera and the pictures seemed so ordinary. In the attempt to learn more about photography, I purchased this book along with a couple of others. This book, by far, was the most helpful for me. I had been having a hard time wrapping my mind around the concepts of aperture and ISO, but this book really helped me understand! Each picture listed the shutter speed, aperture, and ISO, which helped me see what those things were doing to affect how the picture looked. Also, the pictures were so inspiring and gave me tons of ideas on composition. The assignments at the end of each chapter were helpful in developing my skills. The book was very pleasent to read and it's definitely a book for parents aspiring to become better photographers! My only wish was that the pictures also listed what type of lens was used (so that I could buy it and have the lenses that the professionals used!).

Put this wonderful book in your shopping cart and hit "buy now" as soon as you can. I wish that I had had this wonderful tool twenty years ago when I was starting my children's portrait business. Each chapter really guides you through the tools that you will need to succeed in taking impressive images of children. If you take it seriously, and do the assignments, you just might start seeing things in a different light, so to speak. Whether you just want to capture whimsical images of your own child as he passes through the phases of childhood, or if you truly intend to make photography more than a passion, but a business, then this book will take you to your desired level.Every page will delight you with amazing images of children. The various contributing photographers offer individual treatments to their subjects showing you a variety of what is plesaing. Read it, work it, absorb it and find your place in this fascinating field. I can't get enough of the timeless beach portraits found in Chapter 7.

I recently joined the National Caricaturist Network ([...]) and among the many many talented individuals who make up the membership, Joe Blum stands out as one of the absolute best. Joe combines awesome artistic ability with a twisted knack for nailing the individuals who sit for him.

A good caricature is well drawn combining a likeness with humor and sometimes warmth. A great caricature includes a spark that leaves a little bit of that individual and their life in the caricature.

The caricatures in Rejects are unmistakably art, not just "funny drawings". The monologue shares a lot of insight and advice about retail caricaturing as well as human nature and life.

A great coffee table book to enjoy over and over again.

I recommend this book to anyone who has ever laughed out loud and would like to do so again!

Joe Bluhm's new book entitled "Rejects - the extreme art of retail caricature" is a must have for anyone who loves caricature...every page a gem!!

Although a majority of these drawings were rejected by their subjects (sitters had absolutely no clue what they were walking away from) they are the finest examples of the best retail caricaturist working in the world today.

Give yourself a gift and make sure you pick up a copy, you certainly will not be disappointed!!!

I recently got in to caricature and had heard whispers of Joe Bluhm on a couple of forums. They were saying he was the guy who could push the envelope to the utmost extreme while staying within salable reason. And, as you will see in the book, he does just that... most of the time.

Joe pushes his drawings right to the tipping point. Think of it like a bucket of water. Most professional caricaturists are able to draw to about a quarter inch below the brim. Maybe even to the brim, but rarely ever do. Joe fills it to the point of no return -- so much so there's a slight arc of the water as it hangs in equilibrium, about to spill. If you were to add a drop more, it would collapse. No other artist that I've seen can get it to that point.

The expressions and likenesses are pushed just ever-so-slightly more than even the most extreme caricaturists would dare. The coloring bold and magnificent. Some of the pictures border on offensive, a couple too damn cute, yet pushed right to the edge of exaggeration, you don't know if you should laugh or wish the kid was your own.

Definitely buy this book. It's absolute hilarity and a bargain at it's price.

Rejects is all it is promised to be. These caricatures really capture the subjects personality and outstanding features whether they like it or not. Most people really don't like their bad features pointed out especially for the world to see, which is why they probably rejected the artist's rendition in the first place. If you are an artist you can appreciate these interpretations.

I worked with Joe for many years drawing caricatures at a theme park in Orlando, and have had the privilege of witnessing him draw first hand. I can honestly say that he has no fear when it comes to his craft. While many of us would back down from drawing that strange looking woman in our chair the way we truly wanted to (for fear of rejection, bodily harm, or perhaps both), Joe would create a grotesque masterpeice with every sketch and display it proudly.

His boldness has paid off. This collection of under-appreciated park sketches is almost as fun and inspiring as watching Joe draw in person.

Great for artists or anyone with a sense of humor!