Themes Books

I bought it as a gift for my husband who is into photography. He's really enjoying it. It arrived before Christmas too even though I got an email that said it would be late. I've had good experience w/ amazon on book orders.

This is a beautiful book of photography done by one of the most outstanding nature photographers America has ever known. The photos from all over N. America are outstanding. A wonderful coffee table book. Also an inspirational book for photographers or anyone desiring to be amongst the glories of nature. Galan Rowell knew what to look for in a great photograph.

I love this book! I'm in to landscape photography and this book is some of the best examples out there.

This book is packed full of breath-taking scenery with every page, from front cover to back, presenting exquisite photos of North American treasures. It is a picture book filled with eye candy for the nature lover, world traveler, and science enthusiast. I highly recommend this book to inspire your soul, renew your mind, and lift your spirits.

I have been a fan of Galen Rowell's work for years, and I had been anticipating getting a compendium of his North American work for a while. If you want to see some of Rowell's best from a technical standpoint, then by all means grab a copy, but be warned that this is some of the worse image quality I've seen in a photography book published in the last 10 years. Most pictures are overly grainy, there are some major pixel problems where colors blend (particularly in colorful sky shots), and color casts often don't match his originals. With the technology as good as it presently is, this is inexcusable for such an expensive book. Rowell deserved better.

Fast shipping and great item, well packed, no problems, would buy again.

Book was in perfect condition. Price was great. Photography fantastic. Would like to purchase more by this author/photographer.

'Above Chicago' by aerial photographer Robert Cameron is an example of my very favorite type of souvenir to buy when I was visiting a new city, generally on business. There is simply nothing quite as evocative as this truly amazing selection of photographs of an eminantly photogenic city. I have seen similar efforts done, for example, by David King Gleason on Boston. And, while Boston is easily as interesting a subject as Chicago, Mr. Gleason doesn't seem to carry it off quite as well. I do miss the bit of local color added to volumes on London (Alistair Cook) and San Francisco (Herb Caen), but the star of the show is the quality and expert selection of photographs.

This book is just wonderful. If you love Chicago, it shows everything. I love how they have old photos next to the modern ones to see the comparisons. This is truly the best book for any Chicago collection.

This was the first Robert Cameron book I purchased and has always been one of my favorites. I think the photos in this book are just amazing and they are so vivid and captivating. Chicago is such a beautiful city and from the air you understand what great civic planning can do for a city. Cameron hits all the most important areas and does not miss anything; from Oak Park to Lake Forest, for Aurora to the Miracle Mile, it's all here. This is one of his best books and he does Chicago proud. I recommend this book as I do all of his wonderful books, if you love great photography you will have to have them all, but this is a great place to start.

Over 20,000 people a year go to Antarctica and only 5400 people went to South Georgia last year. I am going in November and feel this is probably the one book for people to read if they are going there. Everyone I have talked to that has gone to the Antarctic Circle says that South Georgia is a must. Read this book before you book your cruise and if it is in your budget add South Georgia. It is one of the great ecosystems of the world so if you have done Africa and the Galapagos or other A list eco-tours this book will probably convince you to add South Georgia.

It is a wonderful collection of pictures taken by Tim and Pauline Carr, during their long stay in the South Georgia Island. Such remote and unreachable place for normal people as I am, but to dream with.... a land where the human touch almost changed the landscape, but where the nature took over, after the last whalers left the island, with the rebirth of a new natural chain.

Having been to South Georgia and met the Carr's three years ago, I was very excited to see their marvelous habitat so poignantly displayed. It is a world of the crossroads of many ecologic niches, man's tenuous and not always synergistic intersection with it, and and an adventuresome couple's love for the land, sea, and animals. A bit more could have been said about Shackleton and his place in its history, but over-all highly recommended. It only enforced my desire to return.

RB Schoene Seattle, WA

Smitten by South Georgia after 20+ years of sailing the world in a 28' cutter, the Carrs have generously chosen to share the object of their affection through breathtaking photographs and charming text. The reader accompanies them as they explore the coastal bays, ski across glaciers, and wonder at being preened by an albatross. Holding this book in your hands is a reminder of the truth of the definition of work as "love made visible."

Fitting tribute to the sometimes threatened wildlife on this island - South Georgia. Apart from the stunning bird photographs with those amazing snow-capped peaks, there is the effusive commentary, emphasizing the natural moods of the place, with journeys by boat, hiking, on skis, explorations made more meaningful with some of the scientists from their bases. In fact the Carr's are the only permanent residents here, so taken with the wildness of the place, and actually run the Whaling museum. Not the least of characters is the famed one hundred year old Falmouth (England, UK) built cutter with whom we can share it's history in the final chapter of the book. This is no ordinary boat, not for all that the Carr's have taken her through these last 25 years. First hearing of the Carr's exploits in John Ridgeway's 'Then we sailed away', somehow the dangers of their journeys, although not exactly glossed over, are not depicted as felt experience as in the Ridgeway work, feeling more like the safe narrative encountered in a childrens' version of a day at sea. The reader is not aware of the friction and general mayhem that is so well recounted by John. Also there is no sense of the 'burden of the possession of mind', lonely outposts bringing on philosophical musings than is done here, unless of course they were were always an idyllically matched and happy couple. It is not that sort of book, rather allowing the displacement of humanity as much as possible in order to bring out into greatest relief, the exorbitant wildlife.

This book is amazing!!! The photos are spectacular, and the author is very descriptive -- he makes you feel like you are actually there. Recommend highly.

This is a clearly written, funny, moving and fascinating account of what it was like for the author to work in Antarctica over a number of years. While he has told it like a one-year trip, in fact it is a distillation of 14 years experience.

The book is distinguished in several respects. First, the photography is wonderful - just it is worth the price of admission. Second, there is the story of working there as a scientist, in particular the work underwater. It is really fascinating and full of quirky tidbits, like mummified seals thousands of years old or the faulty insulation of some fish. Third, there are the personal tales of what it is like for the residents, and they are harrowing not in any adventuresome sense, but in the psychological demands placed on them. Women beware of living there with so many hungry males!

Warmly recomended. It is also beautifully written from a stylistic standpoint. Truly a mini-masterpiece of the genre.

The author, Jim Mastro, got to spend one year at the bottom of the world and he wrote first person text and included beautiful photographs in his presentation. Some of the photographs capture the incredible beauty of Antartica and of the beauty of the wildlife.

I expected a tome from someone who worked in Antarctica, heavy on the narrative, light on coffee-table book quality photographs. I was pleasantly surprised to find a fine quality book with excellent photographs. Well-written and nicely laid out, this makes a good introduction to modern-day Antarctic history.

I've read the account of the doctor who had breast cancer and her rescue "Ice Bound" as well as a scientist's account of working in the Antarctic area, "Crystal Desert". Neither of them were as good as this book.

I've travelled to the Antarctic peninsula (as well as the fantastic South Georgia Island, a sub-antarctic island), and it's a wonderfully beautiful place. Some of the photographs capture the southernmost continent's incredible beauty and equally fantastic wildlife.

Recommended.

If you are in the least bit interested in Antarctica, as I have been for about 20 years, READ THIS BOOK. Mastro is a brilliant travel writer whose simple, witty, easily enjoyable style keeps you feeling as though you were there experiencing the whole thing yourself. An amazing narrative insight into several different areas of the frozen continent, in weather conditions beyond belief, as well a trip below the ice on a diving expedition, and a trip to Bird Island on the Antarctic Peninsua. I learned so much form this book! It would be well worth the price even if it were only in text form. The amazing pictures throughout it really add to the sense of what it is really like there.

The focus of Greek civilization, the Parthenon captures viewers imaginations even as it conceals its true meaning. In his ground breaking work, Robert Bowie Johnson, Jr. author of ATHENA AND EDEN: THE HIDDEN MEANING OF THE PARTHENON'S EAST FACADE demonstrates that when Athena is seen to be Eve, then Greek mythology becomes narrative art. Consequently, the marble sculptures on the east pediment of the Parthenon relate the story of the origin of mankind, matching the Genesis account in detail.

Johnson asserts that scholars have previously been unsuccessful in identifying most of the figures in the east pediment because they have failed to connect Athena with Even and the story of Eden in the Book of Genesis. Through careful research, Johnson demonstrates that we do have the literature and art to serve as a source of reconstruction. Painstaking comparison demonstrates shows that the sculptures of the eastern pediment depict the Garden of Eden, the birth of Eve, the Great Flood. Furthermore, the goddess Athena, whom the Greeks worshipped as the one who brought the serpent's wisdom, is the same person the Book of Genesis calls Eve.

Johnson, a West Point graduate, author, teacher and public speaker based his research on surviving sculptures, the ancient writings of Homer, Hesiod, Pindar and others, plus myths, vase art and the work of numerous experts. His controversial approach will certainly garner attention from all who are interested in the classics, religion, art, and mythology. Indeed, Johnson's unique perspective will provoke avid discussion among academics for years to come, yet is easily approachable by any who hold an interest in our origins.

I don't profess to know enough about Greek history or archaeology to say that the author is right on target; HOWEVER, his theory does fit the facts of Greek mythology and Biblical revelation.

The author's premise is that Greek mythology is really the story of Creation, the Fall of Man, and the Great Deluge, except told from the side of Evil. There are a lot of photos of various aspects of Greek art to back up his theory, and he does a good job of explaining it in terms a novice can grasp. This work has piqued my interest and I'm going to have to do a lot of further reading.

One thing the author didn't point out, but which I've theorized for years, is that the portions of Greek myth typically referred to as "The Clash of the Titans," was a perversion of the true story of Lucifer/Satan being cast out of heaven. I'd like to see Mr. Johnson chase that rabbit in the future.

I have accidently seen this book in Tampa Museum of Art downtown, and intrigued by its title, I bought it. Little did I know how revealing this book is.....

I always pondered about the ancient fascination of womanhood, and modern condemnation of womanhood -- where and why it all changed?

Well, the author nicely connects the ancient female divinity emphasis and the one the Bible gives in the garden of Eden.

Indeed, because of Eve's choice to be seduced by the Serpent, humankind serenity of life ended. Later generation, perhaps out of deperation and mystic of new life birth, elevated woman again, and Athena (a-thanassos -- immortal) carries the symbols of woman 's fall from the garden, yet, in sense that through the Serpent she gave humanity freedom from God, and then presented a new connection through her outstretched hand.

So strange why females were so elevated back then----Cybele and Kaabala connection (Muslim worship of black stone just like in Ephesus Artemis and black stone)...

I am often shocked to see how ancient beliefs carry over to nowadays...

D.Barbara Zapal

Athena And Eden: The Hidden Meaning Of The Parthenon's East Facade by author and educator Robert Bowie Johnson, Jr. offers the non-specialist general reader a unique, accessible, and provocative look at classical artwork and human spirituality. Athena And Eden focuses on the majesty of the Parthenon and its mystical connection to the Book of Genesis. Illustrated with numerous black-and-white photographs of Greek artistic treasures, sculptures, and pottery, Athena And Eden is an original, seminal, ground breaking, unforgettable, and highly recommended perspective that will be of particular interest to students of Hellenic art, architecture, mythology, and religion.

If you know who "the prince of the power of the air" is then you will probably find this book very interesting. I came across the book almost by accident on an Amazon list and found it to be very well reasoned and argued.

The author's main idea is that greek myth and religion consists of a retelling of the story of mankinds origins (familiar to us through the first 12 chapters of the Bible) from a greek or humanist point of view. Wow, he got me right there!

The book shows how many of the seminal events of human history such as the original sin, the murder of Abel, the flood etc. were depicted on the sculptures decorating the Parthenon. However, they have almost the opposite meaning and sentiment as the biblical depiction.

If you are interested in ancient history and how it intersects with the bible you will love this book. I bought the author's second book Athena and Kain. It supposes to make the same basic points looking at a wider selction of Greek myth than found solely on the Parthenon. However, as many follow up books do it spends a lot ot time covering material from the previous book. That's ok if you have not read the previous volume but tedious if you already have.

The book is also well illustrated.

David Morgan's new book is a celebration of the very muscular, male nude body. The theme is a day at the beach on a warm summer's day, where all the guys seem to be enjoying each other's friendship. All these photos are in black and white, some nude, lots in bathing suits, lots of nude butt shots, but no frontal nudes. There are lots of couples in erotic poses, and lots of group shots around the beach and water.

I enjoyed this new collection very much, although it seemed like an ad for 2(x)ist underwear at times, but that's fine, because that's my favorite brand. There is a companion story by Ernesto Mestre-Reed which is suppose to capture the physical joy in Morgan's photographs. I didn't see the connection that much myself. Maybe I am not in the same mind-frame as the author or didn't get the connection that was intended. I don't know. It was a cute little story, though. All in all a beautiful book, by a photographer who knows how to capture the beauty in the male nude body. If you enjoy viewing mature muscular male nudes, you should enjoy this book.

They're not really boys anymore, yet, while they are physicaly mature, they still play like boys. THE BEACH is a thrilling mix: playful pixie, Peter Pan, meets the Olympian Gods on a vast beach. I wonder if the energy and creativity of boys is why they are so widely preferred to girls around the world (especially by women).

I have to be honest--I've never understood the appeal of beaches at all. Strangely, though, I love deserts [which some friends refer to as 'a beach with no ocean']. At any rate, this book may change my mind -- regarding some beaches at least.

While I've seen David Morgan's work for years, it wasn't until the "Global Groove" CD series that I actually paid attention to the photo credits. To say that this book is a real treat for the eyes is an understatement. The photography--all black and white here-- is just magnificent. The images are sensuous, and erotic, but never 'pronographic'; sexy without ever looking 'dirty'; great studies in natural & enhanced lighting, along with the human body in top form.

The pictures are appropriately playful and despite the beefiness of the bodies, never mean, threatening or hard looking (it's that boyish thing again). Like the mythical "peter Pan", the guys in these photos seem to be forever young, and in what is such an odd example of life imitating art, it seems that every year boys get younger while observers like me, go on, inexorably aging. There is a bit of the modern here (the sexy briefs many of the guys are sporting), but really, these pictures evoke the imagery suggested in ancient Greek, Roman and other Classical art, that celebrated, rather than exploited, the beauty of a well maintained body. But unlike Tom Bianchi who recreated the Classical formalism along with the god-like male imagery, BEACH suggests that when no one is looking, even the gods are still boys inside.

While there was no doubt a lot of effort that went into posing and composing for each phot, they somehow all manage to look spontaneouos and candid. And, unlike some of the modeling photography that David Morgan has done, these pictures exude a casual friendliness that is in many ways more effective than some of the more rigidly posed and arranged ad copy [check out the 2X-ist shots].

As stunning as the photography is here, this book does have a minor flaw: the prose. It is as noteworthy for its vapidity and insipidness and thephotography is for its aesthetic beauty and strength. Perhaps that is deliberate: Morgan is a photographer, and prefers that people buy books to see the pictures, rather than to read them. But, whatever the reasons for the bad writing, it can easily be ignored, since th phtots are what this book is really all about.

Taken over a 10 day period in the waning days of summer, BEACH makes for the kind of September one will always remember. Even when all those 'boys of summer' have left, you can always relive memories through delightful books such as this..

David Morgan has secured his reputation as one of America's finest photographers---certainly our finest photographer of the male body. His photographs for the earlier book Basic Training help explain why that bestseller flew out of the stores, and although an impressionistic tale by Ernesto Mestre-Reed weaves through these pictures, they exist for themselves. These young men's sleek muscled bodies are bountiful, but it is Morgan's art that makes them beautiful. The restraint of the black-and-white plus Morgan's concern for pure form and outline is classical, and teach how beefcake can be exalted into art.

David Morgan is a talent that you must behold. Working withhim on BASIC TRAINING (available here at Amazon.com) gave me aninsider's perspective of his artistic eye and natural talent as aphotographer. David's passion is performance and in his images, andwhat images these are, is a performance. Beach is his way of showingthe world his experience of Fire Island. These men are his friendsand this unique beach environment IS paradise. BEACH is a malecandyland, a summer fling, a celebration of being out and proud and ofcommunity. I am so proud of the work David and I created together andcelebrate this new collection of his. I know that people who admiregreat black and white photography, sensual imagery and a poetic textto bind these images together, will be fully satified with this book.

Until recently i didn't think much of reincarnation, but having purchased this book, I now know for certain that I wish to come back as a few strategically placed grains of sand! Morgan is the driving force behind Basic Training, an awesome pictorial/ men's fitness book that is the perfect companion to Beaches. His work is spectacular and this offers an inside view behind the passions which drive his work. I am not a huge fan of the Speedo but man who can complain about the subject matter that fills these black stretches of nylon! Granted, full frontal nudity isn't present, but I've always been one who appreciates those "larger" details left to the imagination. Isn't it true that size is in the mind of the beholder? The accompanying story is as vivid and breathtaking as the photography. A touching tribute to the coming of age/coming out story that we have all experienced during our lives, takes on a new aquatic approach in the tale of a young man who over a summer discovers the pleasures of male love. I've seen a lot of photo books that try too hard. This one is just..... well, hard to resist for so many reasons.

This book is for the Art lover, and fans of Betty Page. Each page has something to offer. I recommend this book for any collector of the arts. Well done!

One of the best books by Olivia with nice pics from his works focused on Bettie. A must for pinup lovers.

This book appears small and thin but contains a very large amount of amazing Bettie inspired works by Olivia. Included are a few pages of the progression of sketches to reach a completed work. The opening comments from Hugh Hefner are excellent. If you love Bettie, Olivia and especially both, you will love this book.

Olivia strikes again with another beautiful publication. Olivia's books are always printed on high quality, glossy paper which emphasize her stunning work. I am proud to say that Olivia and I have shared thoughts on Ms. Page. Olivia is a very generous and gracious lady and her paintings will always amaze me. I now own all of her books and trading cards.

Nice book, no nudity, which is fine, because I was looking for nose art for my airplane.

Terrific book that is a keeper. If you can't get to see a portion of these works of art exhibited, at least you can enjoy what is being created out there by this wonderfully photographed and informative book. An added bonus was that it arrived sealed in plastic in mint condition!

This book is a wonderful review of the art of books as contemporary sculpture. As a fiber artist-bookmaker-handmade paper maker, I bought a copy for my own library, then gave another copy as a gift to a fellow artist who was interested in using books and book images in art. Inspirational as well as informative. I look forward to seeing the actual exhibition.

This is one of those products which is true to its theme from the moment you unwrap it.Being a book about the beauty and creativity of books it has itself to be worthy, which it certainly is. It is a pleasure to hold and to explore, as the design and concept have been carefuly considered.
The examples chosen are rich and varied and are divided thematically.The problem is that so many of the books are enormously intriguing that one wants to handle them to discover their mysteries. However the descriptions are usually very good and do allow one to at least understand the concept of the creator.If you love books as art, this is a truly wonderful possession.

Turning the book making into an art can make a book more attractive and collectible. This book demonstrates a lot of outstanding examples. Readers are completely satisfied by the books in this book.

One of the best! This book should be on your bookshelf if you are interested in the books as an art form. I would suggest it for any school or college media center. I would not include it on a list for coffee table books but if you have a serious home library which leans toward the book arts,artist journals and sketchbooks; by all means, put this out on the reading table.
The next best thing:Visiting the Museum in person!

This is a wonderful photo representation of the desecration and destruction of a beautiful train station. It provided me with images and emotions I have not otherwise experienced in reviews of the original Penn Station. I highly recommend this to anyone interested in the subject and photography!

This is an extraordinary, heartbreaking, must have book for anyone who loves New York and/or McKim, Mead & White's work.

Photographer Peter Moore and his wife Barbara moved into the Penn Station neighborhood in the early sixties. They used the building every day, whether they were passing through to the subway or catching a bite in the cavernous coffee shop.

With the railroad's permission, they documented its slow dismantling over the four years from 1963-1967. This book is the first appearance of that work. The black and white pictures are arranged chronologically, showing the faded but still magnificent station from its last days of active use through to its ghostly presence as a metal shell. The photography is beautiful and lyrical and sad beyond words, like a mournful love song to a love lost. The picures of the rubble-filled waiting room, its shape still intact but its side walls gone, are especially hard to take.

One note: this is not an exhaustive review of the building and its various spaces. It is a chrono picture of the concourse and waiting room through through their destruction. For more pics of the station in use, try "The Late, Great, Pennsylvania Station."

I remember as a kid in the mid-70s taking the train to NYC and having to endure the commuter's nightmare known as "modern" Penn Station.

In the late 80s, I learned what once was on the site of the current MSG/Penn Station monstrosity and became appalled that people could let a beautiful work of art be dismantled and replaced with a horrible building. In the early 1990s, I learned about the 1950s and 1960s and how Americans were obsessed with all things modern and new, rejecting anything with a hint of age or ornament.

Moore & Moore take a pictorial look on how the McKim, Mead and White's neoclassical masterpiece was dismantled over a multi-year period in the mid-1960s. While they really don't go into detail on why the old Penn Station was demolished, the spooky, B & W photos tell more than how an architectural gem was demolished. On a deeper level, the photos tell the tale of how an entire city was becoming irrelevant to suburban America and was sinking into massive decline (the years of municipal bankrupcy and burning neighborhoods in the South Bronx are only a few years away).

It was a very sad book that gets more depressing with each turn of the page, as more and more of the beauty of the old Penn Station gets stripped away. I guess that was the power of the photographs working on me.

Pair this book up with Robert Caro's _The Power Broker_ to get a good picture of New York in the early Baby Boom era.

This book just takes your breathe away, the images are so vivid and shocking. How on earth could anyone sign off on destroying this colossel beauty, it's something I just can't get my mind around. I am so grateful that this was documented, as hard as it is too look at, people need witness these pictures to make sure it does not happen again. Many people credit the outrage over the razing of this McKim, Mead, and White masterpiece with helping save Carnige Hall and Grand Central, which though appreciated, does not lessen the sadness over the loss of this New York City treasure, it really is such a tragic loss. I highly recommend this book for its text, great visuals, and the power is thought it provoks: great book.

I am one of the generation of New Yorkers that have grown up with the ghost of the old Penn station - and its unfortunate replacement. We have been forever robbed of this stately thing, which was so much more than a building. Watching it's slow death in these haunting pictures makes me hope this is the last time we have used our imagination to destroy rather than build. (This is an especially painful irony in light of our recent tragedy.) Get this book, and look at it with your children. And may we never treat the human-made beauty around us with such contempt again.

This is the first time I have been inspired to post a review. Deborah's photographs are some the most beautiful black and white photos I have ever seen. My first thought when I started looking at her book was that I would love to have her take portraits of my dogs. Her work is inspiring and will break your heart. And, as a dog lover, I loved her subjects and the delightful way she choose to portray them. This -- and her book "Pup" -- is an absolute must for any artist, photographer or dog lover.

Deborah and I were neighbors when this book was released. I remember looking at the gallery proofs and falling in love with it then. The book is so well produced that it is like looking at her originals.

I return to this book often. The photos are extraordinary, and the commentary utterly charming. Deborah knows and understands dogs.

Happily, I had her photograph my golden. Her portrait, stunningly gorgeous, hangs on my wall.

Deborah Samuel has used her camera to capture the beauty and unique attitudes of various purebred dogs. Her black and white photography is sweetly insightful. These dogs aren't dressed up funny--these dogs are just themselves. Her photographs capture the soulful, humorous, sweet personalities of our four legged friends. Right from the first time I laid eyes on this book I was bedazzled with it.

See the grace of a Greyhound, the playful mentality of a Jack Russell, the sleek elegance of a Doberman, and more, as well as Deborah Samuel's own studio notes. I can't wait to get her next book, "Pup." Don't miss this one--if you love dogs, you'll be enchanted with this.

Deborah Samuel has used her camera to capture the beauty and unique attitudes of various purebred dogs. Her black and white photography is sweetly insightful. These dogs aren't dressed up funny--these dogs are just themselves. Her photographs capture the soulful, humorous, sweet personalities of our four legged friends. Right from the first time I laid eyes on this book I was bedazzled with it.

See the grace of a Greyhound, the playful mentality of a Jack Russell, the sleek elegance of a Doberman, and more, as well as Deborah Samuel's own studio notes. I can't wait to get her next book, "Pup." Don't miss this one--if you love dogs, you'll be enchanted with this.

what a pleasant gift i recieved when i recieved dog .dog is such a thoughtful examination of man's "best friend".dog is filled with intimate and lushous photos.i loved the studio notes,i felt i really spent time with the dogs.ms. samuel is clearly barking up the right tree.very talented and creative.loved it.spread the word.