Multimedia Books

I appreciate how Donald Rizzo explains the assortment of topics in his book. At first I considered I would be turned off to all the information to learn. I found how he explained cephalad, caudal, medial and lateral with much clearness. The examples of how to use each one was uncomplicated to learn from. The Integumentary System and Nervous System chapters were complex to a degree. This subject is not as easy as intro to biology. This book ranks high in my mind. Other recommendations.....

Anatomy and Physiology Study Guide:Key Review Questions and Answers by Patrick Leonardi

Anatomy and Physiology(Flash Cards) by Alcamo Edward, isbn 1878576151

Donald C. Rizzo has done an excellent job in making this book. If you never took A&P in college, and you want to learn the subject on your own for whatever reason, this is the book to start with, hands down. It does exactly what the title implies; it covers the fundamentals without a lot of wordiness, making the material easier to retain. My point: you definitely learn the subject, and fast! The book is so easy to read, its like a novel. I simply couldn't put it down. By following the mantra to independent study and learning (repetition, repetition, repetition), I believe I am as competent in the subject as anyone who took one year of A&P (as far as the fundamentals go), due to the fact that the text is straightforward, concise, and well written. I haven't found a recognizable mistake in the text yet. I also recommend buying the study guide, which helps retention.

However, I consider this book a primer, because other textbooks I've examined, such as Thibodeau and Patton's "Anatomy & Physiology (5th)," and John W. Hole Jr.'s "Essentials of Human Anatomy & Physiology (6th)," explain the material in somewhat greater detail, with more to learn. But so do the A&P books used in medical school courses. The bottom line is this: once you have gotten the fundamentals from Rizzo's book stabilized in your memory, you can step up to the larger, more detailed texts, not just the two mentioned above, but even the texts used in medical school. That is what makes Rizzo's book an excellent primer to the subject.

If you are trying to implement RTI, this book and his other one "Response to Intervention" are clear guides for professionals.

Both general and special education teachers and college-level collections catering to them will find essential the second edition of Differentiating Instruction for Students with Learning Disabilities. This offers standards-based teaching techniques that incorporate the latest brain research studies, and offer new information on universal design strategies for the classroom. From teaching tips to reflective teaching and exercises, DIFFERENTIATING INSTRUCTION holds plenty of tested, tried applications suitable for both specialty teaching and the general classroom alike.

Diane C. Donovan
California Bookwatch

I have attended several of Mr. Giorgianni's tutorials on color management in recent years and have found him to be an outstanding instructor. His book brings into focus the complex issues in color management and explains them all with unparalled insight. I'm sure that this was a very difficult book to write and produce. The authors and the publisher deserve the thanks of the digital imaging community.

I am the author of eight books, and my latest one is on digital imaging. In a word, I find Digital Color Management astounding - both in scope and in clarity. The writing is superb and the material is beautifully illustrated. I believe this book clearly reaffirms Kodak researchers as a prescient within the imaging industry. My only criticism is that this book was not available while I conducted my latest research. If you are involved in any aspect of contemporary imaging technology, not having this book places you at a distinct disadvantage. Thank goodness not too many books like this come along - it is enough to give any author pause, if not despair, as to what a technical book should be.

Unfortunatly I arrived at Virginia Commonwealth University's graphic design program after Phil Meggs had passed away. His legacy still lives on. Rob Carter on the other hand has been my professor. He is a great man who pushes his students into experimenting and becoming comfortable with their own styles of design. He is by no means a "stuffy" guy. I have some of their books and I don't have one problem with them at all.

By the way, this book is a good one!

The Digital Designer is a quality publication , plus it covers enough ground to be useful in all of the classes we teach, so students going through the program will probably keep it and use it in several classes.

Your text is written in a friendly, accessible tone, and is a relief from some of the stuffy "Design is the Center of the Universe" books out there. As an example stuffy books are anything by Stephen Heller, Phil Meggs, or Rob Carter.

Their books are really good, of course, but frankly too focused on defining design as an official profession. Their books to me always seem like they are stiffly trying to define design as a formal, codified, yet creative event.

You seem to have achieved that friendly informative tone with ease. Kudos to you on your well resolved text. Frankly, this book is more useful to our program than any Rob Carter book, because of its accessibility.

This book covers some new and interesting topics in interactive digital multimedia industry, such as Digital TV, Metadata, Digital Broadcast, Digital Rights Management, Ambient Multimedia, and so on. This book provides you a broad and comprehensive view about the current multimedia application and service industry. It's the first book I have ever seen to cover so many key words and state-of-art technologies in this field. It's really a useful book for both beginners and advanced readers.

Besides the key words above, the book also covers many critical standards, from MPEG-2/4/7/21 to DVB/MHP. However, the author efficiently combined the standards, theories and practical examples, explains these profound things in a extremely simple way, which prevents you from tedious and difficult studying of these standards.

The authors focused on both the technologies and the applications. The vivid examples, and the coherent technology clue, make the reader easily get involved into the scenarios in this book. In addition, so many useful links and references make you easier to go deeper into specific topics. Furthermore, a web site has been create for this book. You can find more interesting information there.

One way to determine the level of growth of a research field is to assess the availability of relevant conferences, journals and books. In particular, the latter is a good measure of the maturity of the field, since they provide an overview of a critical mass of published work. In the interactive TV field, there been more than a few conferences and special issues in journals, but books are still scarce. So, it was a pleasant surprise to discover the book "Digital Interactive TV and Metadata", which was written by a very active team of researchers from the Digital Media Institute at the Tampere University of Technology, in Finland.

The first part of the book (Theory) begins with a short overview of DTV standards and the respective applications types that are enabled by this basic set of industry standards. Next, the book surveys the fields of Web, multimedia, DTV, in order to provide an extensive overview of metadata standards, which is the core focus of this work. Having laid the background theory, the authors present the "Digital Broadcast Item Model", which they have helped define, in the context of the MPEG21 standard. The first part of the book closes with a discussion of the implementation requirements for metadata in DTV systems.

The second part of the book (Application) begins with an interdisciplinary analysis of DTV in the fields of business strategy, consumer behaviour and narrative, all of which are put in a metadata context at the end of the chapter. Next, the authors describe the application of metadata in several DTV fields, such as digital rights management, production, interactive TV content, and personalization. The book closes with a discussion of a few innovative applications and future scenarios for DTV.

Overall, it is a rather accessible technical book for DTV and metadata. It is suitable for researchers and developers of DTV systems. In a field that is in constant growth it would have run the risk of missing recent developments, but the book is coupled with a web site that offers additional and up-to-date information (http://www.digitalbroadcastitem.tv/). Moreover, the website offers complementary slides, handouts and exercises that can be used for teaching a DTV and metadata module in university programs.

Ms. Carlson's book, Digital Media in the Classroom is a breath of fresh air in this world of techno-babble and deliberately dense teaching materials. Taking the students (and their instructor!) on a step by step journey through the world of digital tools and applications, Ms. Carlson has provided the classroom teacher with a clear, concise, and easy to follow map through the maze that has come to be known as Technology Education. Without making the reader feel like a complete techno-idiot, concepts are clarified, techniques demonstrated, and student efforts are validated in a relaxed yet efficent manner. Brava Ms. Carlson! Many Thanks!

Digital Media in the Classroom should be in the hands of every teacher in every subject K-12. We are in the 21st century and to connect with students today it is critical we engage students with digital tools. Technology should not exist in isolation from the core courses and Gigi Carlson clearly outlines how we can bring content "alive" in every subject. The book provides a wealth of examples which can be easily implemented in any classroom. Digital Media in the Classroom will bring a bit of magic into any class by taking any static national or state standard and making it "interactive" for you and your students.

This is simply the best book on digital retouching that I've seen! Some of the other books look slick, but when you get down to it, all they provide are a series of quick tips on how to fix particular problems. This book has those tips, too, but the author goes much deeper into explaining why these techniques are necessary, and exactly how they work. Instead of handing me a fish, Busch has taught me how to fish! When faced with a particular problem not covered in this or the other books, I now know enough to be able to handle it myself. Great approach!

The book looks at all kinds of digital retouching and compositing techniques, written especially from the photographer's viewpoint. Everything works with Photoshop, and all illustrations are in full color so it's easy to see exactly how the steps work as well as the final results.

This is the second book I've purchased from this author, and I find all his books to be both informative and fun (the lesson on how to convert superhero NoCopyright Man's uniform from color to an accurate black and white version is hilarious and worth the price of the book alone!) I learned a lot about photography, Photoshop, retouching, and compositing from this book. I recommend it highly.

Mr. David Busch has written a clear and concise referenceguide and tutorial. Equipped with a photographic background, the author effectively points out the differences between the darkroom and the computer. This is very helpful in understanding the why's as well as the how's in using Photoshop.

This text was written as a companion to an earlier book, Photoshop 7: The Photographers Guide. The author decided to take three chapters from that book and expand on them. This book is the result. You do not need to read his first book in order to follow this one. That is a tribute to the clarity in this book.

As a matter of fact I didn't even use the CD included. I was able to apply all of the chapter tutorials on my own source material! if you already have an over-all guide to Photoshop and you are looking for texts that address specific capabilities than you should consider buying David Busch's Digital Retouching and Compositing. I guarantee your skills will improve.

I read the first edition of Digital Storytelling cover-to-cover and continue to use it as a reference book. When I picked up the second edition of this valuable resource, I knew I was in both heaven and in trouble. Here would be brand new jewels of information I could use in all my storytelling (that's the heaven part) and I would be compelled by my own curiousity and desire to stay abreast of the developing multi-media industry to read this new edition cover-to-cover (the trouble part is that once I picked it up I'd be ignoring other projects in order to absorb all the great insight and information Carolyn offers).

Sure enough.

Digital Storytelling has far surpassed the typical pattern of a second edition, which offers 20% new material. Miller's second edition offers 80% new material! If you want to keep up, or even have a glimmer of what's up on the frontiers of storytelling, you've got to read Digital Storytelling.

For those who pooh-pooh new media as shallow and unintelligent, read what Miller has to say about the history and provenance of the art form - including James Joyce.

For those who're only interested in the action and the creation of same, entire sections of the book are devoted to how-to's, with "Idea-Generating Exercises" in each.

For those whose interest lies in the business aspects of new technologies, Carolyn explores that as well.

To practice what she preaches about interconnectivity and multiple media sources, the book also offers additional materials and links on a couple of different websites.

All-in-all, Digital Storytelling is a comprehensive analysis of and approach to the creative and commercial aspects of new media that reflects the rich storytelling tendencies that make us human - and that makes stories so compelling.

Buy it, read it, and refer to it whenever you're working on anything digital.

Carolyn Miller is extremely bright and highly accomplished in her field; what she had to say about digital storytelling is worth listening to. The editorial reviews accurately reflect the great usefulness of this singular resource. I think you'll agree that it's "worth the price of admission."

I had noted this book at a friend of mine and ordered one from Amazon.

Excellent book covers all areas and explained with plain language. I would recommend the book for those beginners who wish to understand more about the subject and would like to move on to more complex stuff.

I read the German translation of this book, also published by Dorling Kindersley. I am relatively new to professional video production and this book has given me all the basic knowledge required. It gave me more confidence in the difficult time when I decided to start out professionally.
This book helped me choose which computer, which video editing programmes, which camera and which audio equipment to buy. Apart from offering an introduction to video techniques and giving ideas for projects, it provides an overview of the latest equipment that amateurs, semi-professionals (this category includes indie filmmakers/ documentary makers) and top professionals use.

Digital Video Handbook is split into 7 chapters:
Introduction to Digital Video
Handling Camera

I feel really lucky to have stumbled across this book. It is not Lingo heavy, but tells you all the little tricks to making Director work for you, including what is the best movie format for your target audience, how to mask movies, how to control sound with simple commands, and much more. The author has a genuine enthusiasm for his subject matter, and he plainly has a lot of experience in designing multimedia interfaces with Director. His advice is straight from the field, and that's invaluable. His generous sharing of experience steers you away from frustrating mistakes that would otherwise drive you crazy. This book tells you all the cool, juicy stuff you need to know to make presentations with Director. You will not become a Lingo God, but if you are a beginner, you will advance to intermeadiate and borderline advanced levels with the knowledge gained from this book. And the author makes it all seem so easy - which it is!

This is a great book for web and multimedia developers. I have been using Flash and Dreamweaver, but saw a demo on what Director can do for the web. Although this book cover more than developing for the web, there's a ton of information to build the coolest interactive Shockwave sites. This book was extremely easy to follow. The section about the games and how to build them quickly was amazing. This book is worth getting.