Multimedia Books

I have actually used this reference for years as needed for ActionScript. I still had a good use for this text in ensuring compatibility with Flash MX until the lack of features became too overwhelming. This is in the face of newer versions of Flash such as CS3 (9.0) that use ActionScript 2.0/3.0. All in all, this book was wonderful until the release of Flash 8.

Because of the new Filters that have come out with Flash 8.0 and the features of ActionScript 2.0 to support these and other enhancements, I would instead recommend Flash 8 ActionScript Bible if one is concerned with cross-compatibility in their ActionScript code and wishes to still be able to use AS with newer features such as Filters (but not as new as Transitions or other CS3 exclusive features - for that, I'd recommend ActionScript 3.0 Bible or something similar).

As far as who I could possibly recommend this book for: It's good for somebody who is still working with Flash MX 2004 and below to Flash 5 (much of the text is compatible with Flash 5), however, I don't know that there are many of those sorts of individuals.

This book is a great resource for when you're looking for that specific line of code. Its terrible to read from front to back, but its an excellent way to find exactly what you're looking for. Its so much code, it'll make your eyes bleed.

One of the few comprehensive actionsctipt titles on the market. The first half of the book boasts a large variety of tutorials and examples that skillfully lead the reader through both the syntax and use of actionscript. Personally I found the text clear and practical. The chapters on OOP were of particular value as they went beyond actionscript basics into application, bordering on philosophical.

The second half is an invaluable reference of the entire actionscript dictionary with a comprehensive CD full of .fla example files and bonus chapters on the XML Object. As a qualified teacher I found it hard to fault the methodology employed by the various authors.

Well worth the purchase.

I am a former programming teacher and I have a style to teach my students the most UNDERSTANDABLE way to do something not just how to do it. This text/reference achieves that purpose. If you have an understanding of Flash (which you should have before getting into scripting see Weinman books) then this book will serve you well. There are other books on scripting - great books - such as Moock's books but they are more so for the programmer. This book is for the novelist programmer that desires to learn about action scripting.

5 stars if you know Flash well.
1 star if you haven't had any experience with it at all.

I was a beginner once, who couldn't figure out Flash at all. I'd like to help you build a bridge between where you may be now, as a beginner, to where you may find yourself aspiring to go.

If your only experience with Flash is to have seen the many wonderful and breathtaking Flash movies on the Internet and just had a look at the authoring tool, I strongly recommend that you leave this book until much later. It has its place in the learning curve but it isn't, in my opinion, the first book to see.

There are understandings to possess that this book doesn't cover sufficiently well enough for those whose minds work in particular ways. This is a programming book, for using the phenomenon of programming to create great design and animations. Whilst the focus is on design, you aren't using the design tools on the interface. With this book, you are using the Actionscript language and you have to have a logical mind for this activity (as well as keeping your strong creative one).

I began my steep learning curve with Flash by watching others and watching video tutorials, especially those by George Pierson. In this way, I can ask questions that are tailored for me and I get tailored responses. Books aren't always able to do so well here.

What is great about this book is the MX Actionscript reference in it and the seemingly well designed theory tutorials. I can't find a fault with the reference. The theory is quite good. In the reference, all Flash MX commands are covered. There are examples of how to use them, but the coverage may not be enough for some. Brill. Just BRILL. I can be excited but because I can follow Actionscript.

Approach this book when you are successfully making Flash movies on your own. Yes, on your own. For me, this book is an aid for when I am going to where I haven't gone to before. It helps me make judgements on ideas I get.

"Right Ho Jeeves" was first published in 1934 in the UK, though was first published in the US under the name "Brinkley Court". The book is set in England and features Wodehouse's best known creations : Bertie Wooster and his valet, Jeeves. Bertie is the book's wealthy, good-natured and rather dim narrator. He's a member of the "idle rich" and, rather than having to work for a living, lives off an allowance provided by his uncle. He spends much of his time in the bar-room of the Drones Club, is fond of the occasional wager and has an appalling dress sense. Luckily, Bertie has Jeeves, to look after him. Without Jeeves, Bertie's life would be a mess : he makes an excellent hangover cure, his bets usually win and is intelligent enough to rescue Bertie from nearly any situation. He disapproves of Bertie's more garish items of clothing, and will - occasionally - take it upon himself to deal with the offending item.

The book opens with Bertie's return from Cannes, having spent two months on holiday with his Aunt Dahlia, his cousin Angela and Madeline Basset - Angela's best friend. Arriving back at his flat, Bertie is surprised to learn that Gussie Fink-Nottle has been a frequent caller in his absence. Gussie, an old school-friend of Bertie's, is something of a reclusive character : he doesn't drink, looks rather like a fish, prefers country life to the city and is a noted newt-fancier. Gussie has apparently fallen in love, and has - wisely - taken to visiting Jeeves for his advice on how to win the young lady's heart. However, following a disagreement with Jeeves about a white mess jacket purchased in Cannes, Bertie decides to take over Gussie's case.

By sheer coincidence, the object of Gussie's desires is none other than Madeline Basset - who, after the trip to Cannes, has returned to Brinkley Court (Aunt Dahlia's stately home). Bertie sends Gussie off to the stately home in question - though his motives aren't entirely noble. As well as spending time with Madeline, Gussie will also be delivering a speech at the local grammar school's prizegiving day - a job Aunt Dahlia had intended for Bertie. However, when word comes through that Angela has brokern off her engagement with Tuppy Glossop, Bertie and Jeeves race off to the countryside to offer their support. Naturally, Bertie's attempts to ease smooth things over land everyone in a great deal of bother.

A very easy and enjoyable read.

If there's one thing Bertie Wooster should never do, it's make elaborate plans to bring estranged lovebirds back together.

And he demonstrates just why in the second full-length Jeeves novel, a screwball disaster saga that sees Bertie confidently trying to fix people's lives. Of course, things go horribly wrong, and Wodehouse's arch, nutty look at what happens next is an absolute gem.

When Aunt Dahlia summons him to Brinkley Court for a prizegiving, Bertie sends his newt-fancying friend Gussie instead -- especially since Gussie is enamoured of a girl staying there, the soppy Madeleine Bassett. But when Bertie hears that his cousin Angela has broken off her engagement to Tuppy Glossop -- and his aunt is in need of money -- he rushes down to assist all his relatives and pals by advising them to feign such sorrow that they're unable to eat.

Unfortunately his plan falls through, and they manages to enrage the cook Anatole to the point where he storms out. Even worse, the prize-giving is a disaster and the wrong people end up engaged -- and pursued by homicidally angry exes. Only Jeeves' formidable brain can somehow save the day -- and Bertie's behind.

P.G. Wodehouse made a pretty good living off of spoofing the upper crust of England, and the subtlely intlligent servants who bail them out. "Right Ho Jeeves" is a prime example of his writing -- some small mistakes rapidly balloon out into a crazy tangled mess, which only an intelligent manservant can rescue Bertie from.

Much of the book's charm comes from its complex plot and series of disasters (such as Tuppy's homicidal rampage). And as usual, poor Bertie finds himself the object of young ladies' affections -- in this case, the appallingly goofy Madeleine thinks he's madly in love with her, when she's not rambling about fairies and bunnies. If there's a flaw, it's that Jeeves' final solution is a bit limp.

But Wodehouse's writing is what really makes the book timeless. It's arch and wry, whether he's describing basic actions ("He leaped like a lamb in springtime"), or goofy dialogue ("But if you were a male newt, Madeline Bassett wouldn't look at you. Not with the eye of love, I mean").

Jeeves and Bertie are the perfect comic team -- Bertie is proud, goofy, and not terribly bright, while the quiet Jeeves is a towering intellect with wry wit. And they're backed by a colourful, small cast of nutty aristocrats, schoolboys, sharp-tongued aunts and cousins, newt-fancying fish-faced men, and a girl who talks about how "every time a fairy sheds a tear, a wee bitty star is born." Yech.

"Right Ho Jeeves" is a hilarious, tangled farce of love, money, jealousy, dinner jackets and the mating rituals of newts. Absolutely priceless, from start to finish.

got the blues? melancholia got you in its grip? the prospect of death got you down? jeeves to the rescue! nothing like a good wodehouse read to cheer one up. problem is, the man wrote just short of a million books, and not all of them are good. so where to start? right here, with this book. of all the wodehouse books i've read, this is my favorite, the most consistently entertaining. just what the doctor ordered to smash you in the funny bone and get a smile going on the old face.

If you love Monty Python, Faulty Towers, and the like, you'll love RHJ. The glowing reviews on this page are spot on. This is timeless stuff. And Cecil's reading (if you incline towards the recorded version) is terrific. Laugh out loud funny. I adored every moment!

It is rare that I derive such pleasure from a book, but Right Ho, Jeeves, gave me a delightful surprise. Not only does Wodehouse make an art of the satirical novel, but in the process wraps the reader up in the witty speech of Bertram Wooster and his strange arrangement of friends, family, and butler. Bertram, or "Bertie," as he is commonly known, stumbles through the entire novel with the idea that he alone must bear the weight of being the sole aid to his friends' problems. Despite several attempts at a kind reprimand from Jeeves, his personal servant, ("I beg your pardon sir... What I intended to say, since you press me, was that the action which you propose does seem to be somewhat injudicious."); Bertie continues to give it his best. Among other things, Wooster implements the best intentions while attempting a match between old friends, but with little success: "All he had to do was propose." "Yes, sir." "Well, didn't he?" "No, sir." "Then what the dickens did he talk about?" "Newts, sir."

Despite the playful banter, colorful characters (such as a sensitive French cook), an inept yet lovable narrative voice found in Wooster, and of course, Jeeves, behind all is an incredibly clever satire on the "upper crust," so to speak. Although, admittedly, many readers cannot associate directly with the early-middle twentieth century, one cannot help but feel the idle, privileged and somewhat clueless lives of the English aristocracy seep from the pages of Jeeves. Wodehouse does a wonderful job of capturing the lives of people who have nothing better to do then dabble about ridiculously in the lives of one another.

Indeed, Wodehouse does much to reflect the over-privileged lives to which Bertie and company cling to so humorously. However, what might have become a novel filled to overflowing with hilarity and drama is brought back down to a more substantial level with the constant subtle humor and patronization brought in by Jeeves. "Jeeves, don't keep saying `Indeed, sir?' No doubt nothing is further from your mind than to convey such a suggestion, but you have a way of stressing the `in' and then coming down with a thud on the `deed' which makes it virtually tantamount to `Oh, yeah?' Correct this, Jeeves." The nature in which Bertie and the rest are virtually ignorant to Jeeves' little jibes such as this shows clearly the statement of Wodehouse, how the aristocracy is too self absorbed to notice even the slightest. In short, this is a wonderfully clever novel, which keeps the pages turning with quick wit and snappy humor. I highly suggest it.

Look no further. This is the Reason book to own. I'm looking forward to a Reason 3.0 version!

This book is the most well written, documented, and friendly instruction manual I have ever read.

Firstly, its entirely clear that the author is a professional user of Reason, knows heaps about the program and how to maximize its potential, as well as suggests ways for taking it out of the norm.

Secondly, the tone of the author is friendly and fun. You get the feeling this book was written by your big brother or best friend giving you the details. The text is clear, simple, and accurate. The author conveys information without loosing your interest or overwhelming you with dry tech speak.

I have used Reason for 2 years and am a Reason 3.0 user, but still refer to this book often. It covers so much about the core of the program that you will quickly be able to learn the new devices in 3.0 as you will have a fantastic foundation and understanding of the application. The book explains all the devices in 2.0 (including the functions of knobs, sliders, buttons, synthesis models, loops, envelopes, etc), CV/Gating, Sequencing, ReWire, use with other major audio applications, useful tips/tricks, and plenty of links to helpful user websites. It also has numerous quick and easy "how to" tutorials, that are clearly documented step by step and with pictures.

Very well done. I am grateful for how quickly I was able to ramp up on Reason due 90% to this book. Honestly, this should be the standard for instructional texts.

No, you can't RECORD with Reason. But there are countless ways to use files that you have recorded with other, very simple or even free applications (how about your Sony Minidisk recorder hooked up to a decent mike? talk about light years ahead of what we had available way back when); files that you have downloaded, files that you have gotten off of records or CD's or even TV, in Reason (shame!). It can be as simple as having the drum machine play a sound file from anywhere on your computer, with a surprising amount of control of, for example, sample start-and then you move on to the more powerful samplers... And then this will provide you with many different ways to control and distort, filter, and manipulate those files that are so easy to trigger or otherwise get inside Reason. Because that is what Reason does, it gives you a studio full of tools-synths, samplers, mixers, and the many sound sculpting modifiers to create, twist, and control your sounds.

And this book does a fantastic job of showing you these tools, in a very carefully thought out order and depth. Like another reviewer said, you would have to be a serious power user indeed not to get many good ideas from this book; and like yet another reviewer said, people that write textbooks should look at this one and see just how well it can be done. It will take you from a novice to synthesizers to an expert on Reason and computer synthesis music creation, giving history and background to help you learn about the many music synthesis tools. It is filled with tutorials, how-to's, and tips and tricks that even go beyond Reason sometimes. You could take a tutorial and change it as you follow along and create it and have a complete Reason song of your own easily. I also thought it gave a summarily good introduction into the powerful usage of the Control Voltage interface from ages past (one of Reason's most powerful tools in it's bag of tricks-one that ties everything together like you have never been able to do with so many different devices), with tips and tricks there, too. There are a lot of toys available in Reason, but once you get past a certain not-too-difficult level, it is actually a very intuitive and very fun to use interface; and this book is definitely filled with this same infectious enthusiasm for that rack o' modules and wires. It is an extraordinarily good book for beginner to expert.

You should see my copy of this book, it is nearly destroyed from so much usage, carrying it about wherever I go and constantly going back to it for reference.

As a side note, I think the Acrobat Reader Operation Manual supplied with Reason is also excellent. It's just what it should be-precise and to the point-it's an Operation Manual, after all. If you take the time to practise and apply what you read, it will give you the background to know what you are doing (as much as is possible-sometimes when you have so much going on in a patch it would be hard for anyone to say how you got there-and that can be fun, too) and what every control does. This book will do the same and take you farther with much more help.

Before I read this book I had Reason installed on my computer and I didn't use it very often because the interface wasn't straightforward for a beginning user like myself to understand how to operate it beyond basic operations. This book is an excellent source to learn how to use Reason 2 or 2.5. It contains practical, hands-on tutorials, explanations of the knobs and interfaces, and helpful tips. This is a must have if you want to become proficient in Reason!

This book contained a great amount of information. To use as reference or to learn from over all a great buy.

It helped me along in using C.V. Gates ect. and offers lots of other great information.

A must for any user of reason

P.S. Any one that made comments to recording audio in to Reason ha ha ha

Get Cubase or some other Program that will run rewire.
Think before the mouth opens. . . . know what I mean Mate

Thank you to Derek Johnson & Debbie Poyser

It's too bad that versions of software change so fast because this is a great book! I still find myself referring to it even though I've used Acrobat since the dawn of time. Of all the books you can get, this is the one to spend your money on!

I have to concur with the NY reviewer who said this is a manual that all others should aspire to. How to's and examples are often presented in multiple forms to aid in understanding. The illustrations are clean, clear, and exremely helpful. The writing is concise, clear, and actually fun to read! The included CD presents wonderful examples of state-of-the art pdfs. While hardly a geek, I found myself reading the book before bed at night simply because it was so interesting! Kudos to the authors! I highly recommend this book not only to anyone wishing to learn everything worth knowing about Acrobat but also to anyone who aspires to write a similar text. It's a master class in information presentation as well as how to produce pdf's.

I create PDF multimedia presentations and I own every book available on Acrobat 5.0+. Master Class is by far the best reference I own in terms of practical information.

If you're creating complex forms or trying to master Javascript, you'll need Padova and Deubert, too. But if you're looking for ideas on how to create presentations that blow people away, this is the book to buy.

I bought four books on Acrobat 5, and this one is by far the best. It is written conceptually. It appeals to the senses as well as providing an education. Taking vast amounts of information and refining it so that it is presented simply yet thoroughly. I enjoy reading it.
I also bought Classroom in a book by the Adobe Creative Team and it is work. I am sure over time I will derive a lot from it, but Master Class is fun. You would never know that your working because you are too busy seeing all the cool stuff you can do with Adobe 5 and how to do it.
I also bought Real World PDF with Adobe Acrobat 5 by Anita Dennis, Industrial Strength Production Techniques, and that is a book for advanced students. It explains everything clearly, and is a big benefit for explaining the details on how to fit Adobe PDF into your print production overflow.
Adobe PDF is so much more than simply converting your files. It appears simple on the outside, but when you read Adobe 5 Master Class, you will be enthralled with how much more it does. Highly recommended for beginners and advanced students.

It was tough to decide if this is a four-star or a five-star book. Four and a half stars would be my preference.

At any rate, if you can afford only one Adobe Acrobat 5 book, you might be better off buying Acrobat 5 Hands On Training (HOT). I recommend, though, saving up enough money to get every book on Acrobat you can, for it is the wave of the future and a must for anybody wanting to put information-interactively on the web - my term is info-tivity - and the best thing this Hypercard pioneered the process at Apple's MacIntosh.

There probably is not single more valuable software tool for making money than Acrobat and I will be upgrading to version 6 as soon as I return stateside. That's the good news - the bad is that I will likely have to upgrade my library to keep in tune with the changes in this great software.

Back now to the review - if you intend to post any video, animation or audio on the internet you simply are going to have to purchase this book.

Further, if you are going to self-publish any sort of periodical on the web, you will definitely want to download HOW NOT TO START A MAGAZINE. by B. Ann Bell. Then, go read HOW TO START A MAGAZINE, STARTING & RUNNING A SUCCESSFUL NEWSLETTER OR MAGAZINE, PUBLISH YOUR OWN MAGAZINE, GUIDEBOOK, OR WEEKLY NEWSPAPER, and PAPERLESS PUBLISHING and do a google search for the soon-to-be LJs BREAKING FREE$.

Yes, that list is long but each of these is a valuable source of information for anyone trying to make money by publishing on the internet - Bill Anderson (LJ).

This book, which highlights a fairly outdated version of Adobe Premiere Elements, is nevertheless extremely useful. After reading the reviews of newer versions of the Premiere Elements software, I decided to stick with 2.0 until I become much more adept at video editing. For a relatively small purchase price, this book will definitely be a huge help for me. Because it is: a) task oriented, b) easy to understand, c) contains intuitive links to other tasks, d) is well organized by section number, this book is highly consumable. I can't recommend it highly enough. Actually, as painful as this sounds, it may be worth toughing it out for a few weeks with the Adobe documentation that comes with the product, and then turbo-boosting your success with this book. Incidentally, the fact that the editors have bona fide video production chops versus tech writing skills was not lost on me!

If you have Adobe Premiere Elements 2 or 3 or version 4 this book is the answer to your questions. Even though it was written long ago it covers all the basic stuff to get you going. The price at Amazon is great too compared to a bookstore. It has saved me untold hours of frustration already. It's well laid out and relatively easy to follow.

Deals with many complex concepts in a concise manner. I'm a beginner to video editing and have found it a invaluable source of knowledge. So far I have been able to accomplish my editing goals using the book and the help system in Premiere elements.

This book is very well organized and easy to understand. As a newby to Premiere it was very helpful. I still refer to this book often and I think it is one of the reasons I feel proficient in Premiere today. It's only shortcoming is limited info on how to use the audio effects in Premiere

Premiere Elements 3 users, this book is for you too! Being new to video editing, I was wary of a book that was not version specific. No need to worry, this book works well with version 3. Whether you are a beginner or advanced this book has it all. The format makes this book superior to others. The inside front cover has 'Contents at a Glance' index that directs you to the section for a specific task eliminating wasted time searching or reading unneeded info.

Just pick a task and go straight to that section. Each section has a guide on what to read before you begin and other related topics, key terms, tips, and best of all step-by-step instructions with illustrations.

After reading the dry manual, it was wonderful to have an easy to read, concise, and informative book. This book takes the frustration out of video editing and puts in the fun. The authors also have online tutorials that make a good companion to the book at [...].

This book teaches with extreme clarity everything you need to know to program for Director/Shockwave 3D. A rarity amongst programming books due to the didactics, organization, and clarity/accuracy of code. It is current with Director MX 2004 and I suspect it is current with Director 11 given the information Adobe just released. You cannot go wrong with this one. The only problem is that it is hard to find, I had to buy my copy from a reseller.

I have every book publish about developing interactive 3D using director. This is the best one of the bunch. After reading this book I wish I hadn't purchased any of the others. Although the book is for director 8.5 it still the best book for Director 3D +

As anyone knows reading this review knows Director is the only program that will allow you to create 3D games and programs for the web. Hopefully Adobe will update it rather than let a very powerful program fade away.

This is an excellent book for Director and Director 3D. It is very in depth and involved, although a bit hard to understand at times. This book is not for beginners and requires a lot of hard work to obtain its end results, but they are very much worth it.

Other reviews have captured the gist of this wonderful, accessible, and thorough treatment of Director's 3D functionality. What I would like to add is that Catanese's book is just as current with Director MX as it is with Director 8.5.

If you plan to do 3D in Director MX, either games or presentations, you owe it to yourself to read this book.

I'm an IT student and possessing VB & C/C++. I have never learn about 3D and Director before. So when I want to make a Director project (game), I need a book!
And this book is the great answer. Everything you need about Director 3D is in this book! (although this book doesn't cover about Havok Physics Engine).

This book tells you WHAT and HOW, I mean, this book not only tells you HOW to make something (ex: primitive object) but also explains about that thing. (ex: what is a primitive object). So, you're not only able to programm but also understand about WHAT are you doing.

This book explains from basic and the last page explains advance technique. So, if you start from first page and finish the book, you'll become an advance 3D Director programmer (even before you read this, you're nill in 3D Director).

OK, I'll tell you what I get from this book, here is my project: a Multiplayer First Person Shooting (FPS) game! (like Counter Strike, Quake, etc). Notice that this is my FIRST 3D Director project! And I got A!

NB: if you're NOT a programmer and don't WANT to possessing 3D Director programming SERIOUSLY, I don't recommend this book, for this book is code heavy, full of code programming, just try "Macromedia Director 8.5 Shockwave Studio for 3D: Training from the Source" (by Phil Gross).
Just a note: I learn about Multiuser form Director 8.5 Studio (you won't find about Multiuser in Director's Third Dimension).

Captivate is a very useful elearning, simulation/demo program that lets you do a multitude of things. This book touches on many of those topics. I work for an instructional team that works with Captivate students and we find this book to be very boring. The sample files are drab and while some of the files on the CD rom in the back of the book are useful, many of the files are bit silly - such as the sound bytes - not real world enough. It does have a decent section in the front that briefly discusses script writing with accompanied files.

I don't agree with some of the author's opinions and the choice of a sans-serif font throughout the book - makes it a difficult read.

The tech support from Iconlogic has been good. I would like to do plenty of business with this company, but would like to see a better organized book that I can easily use in class.

Overall, you won't lose by buying this book. The book and student files could be a bit more interesting.

This is a very user friendly book. The ony thing that would make it better is if it were geared for Captivate 2. After going through this book, I feel that I don't need any organized teaching sessions for the skills.

"Essentials of Macromedia (now Adobe) Captivate" is the
title of the book. The promise is maintained when you buy it,
read it and follow its step by step exercises.
If I'm right, "essentials" are the things that come first and
foremost. When you are new to a jungle, a subject or an
application you want to get the essentials as fast as you can.
If the application you want to learn is Captivate, then Kevin's
book is the buddy on your side, the one with more
experience, the one that helps you with clear instructions and
useful tips.
The exercises on the CD are well written and work. They take
you step by step through the major features of Captivate.
The language is simple. Even for those, like me, that have
English as a second language.
In a matter of days you are up and running, creating your own
multimedia instructional materials.
Then you'll probably need other books, because Kevin's
Essentials has brought you, fast and safe, to the point you
can take another leap forward, to reach Station "Advanced".
Last but not least, Kevin Siegel is a "real person" that stands
behind his product. Like other reviewers before me, I wrote
him an Email and he answered promptly.

I really think this is the best software tutorial I have ever used, and I have used quite a few in my trillion-year career as a technical writer. It has just the right level of detail. So many tutorial writers leave major concepts and steps out because they assume that you know what they know. And you don't, that's why you bought their stupid book. But this one guides you gently through all you need to know to get firmly established in using Captivate. It was a great help to me when I suddently found a Captivate project on my desk and didn't know exactly where to start. Essentials of Macromedia Captivate helped me start at the appropriate beginning point. It also provided lots of handy tips that I'm sure helped save me a ton of time that I would have spent if I had tried to figure out the software by myself. I would reiterate, as others have here, that you need to follow all the steps in the book to get the most out of it. But doing so is well worth your while.

This book is the cheapest class you may ever have, and it is a good class. As you may have noticed there are not many books written on Captivate. It's a shame because Adobe's Captivate really is great program.

I am a freelance web designer and Flash animator in the Seattle market. Last year I wanted to learn Captivate and realized there are no classes in the Puget Sound area and only 3 books on the market.

I purchased this one and it taught me the program just working on the exercises at night. The book has not typos, a nice flow and they cover most of the program. It is a productive book and you see results quickly. Since then I have added E-learning to my list of skills I offer thanks to this book and the Adobe's Captivate.

I do admit I also purchase the Visual Quick Start book. But when I need to reference something I go to Essentials first. I will look at the example in the exercise I did and it will click right away, "Oh that's how I did it".

This is a short book, so I only anticipated a rudimentary overview and basic instructions on creating podcasts for a novice. I was pleased to find a good range of information, mostly for people who have had some experience with digital audio and content syndication.

The book is essentially a catalogue of all things related to podcasting. It compares everything from podcatcher software, microphones and headphones, audio editing programs, distribution methods, and all things in between. It also provides a basic guide on creating audio and video podcasts using the iLife products on the Mac or Audacity and Movie Maker on a PC. I felt the best feature of this book was that almost every page included an image of each interface or piece of hardware being discussed. Again, it gives the reader a great side-by-side comparison of the most popular and up-and-coming technologies related to podcasting.

Unfortunately, because the book is so focused on current technology, it will become obsolete very quickly. In fact, the book is barely a year old and is already dated. The author realizes this and attempts to be as forward thinking as possible. This is the second edition of the book, and no doubt subsequent editions will follow.

This book provides everything a person needs to know if he or she is seriously considering creating an episodic podcast right now. It even features some interesting interviews with veteran podcasters. If you do buy this book though, don't expect that it will have a long shelf-life.

You have to admire anyone who tries to write a beginners' guide to a technology this new and that is growing this explosively. Farkas really does an excellent job. His second edition got me up and running on my own podcast within 48 hours of my buying the book.

Most valuable: the author's evaluations and recommendations of products and software. Yes, this material will quickly become dated, but Farkas gives us a good starting point to research gear in online forums and discussion groups.

Least valuable: same as above, as you have to accept that this technology is growing so quickly that any book will quickly become dated. But don't shoot the messenger. Farkas does a great job, and he cannot be blamed because he has written a solid guidebook and cannot control changes within the world of podcasting. Do your own research as needed. Many podcasters are thrilled to discuss their own history with this emerging form. At least Farkas can help you sound like you have some idea of what you are talking about when you ask for help!

Also helpful: descriptions of RSS and script for your own RSS feed, descriptions of hardware available and discussions of each, along with interviews with successful podcasters who maje their own recommendations.

It does help to know a little HTML going into the RSS section, though.

This book is only good if you have absolutely zero experience or knowledge of podcasting. If you have already recorded a few shows, this book isn't for you.

Secrets of Podcasting--Audio Blogging for the Masses
By Bart G. Farkas
Published by Peachpit Press
ISBN 0321369297

Reviewed by Jim Lauria-HuNTUG member

Real world guidance on creating podcasts

A well written and well illustrated guide for beginners looking to create or locate podcasts on Windows or Mac machines.

Farkas includes plenty of screenshots and illustrations to simplify the informative text on how to download podcasts on MP3 players, create scripts and set the flow of your podcast, picking software for editing and recording, and legally playing music on your podcast.

He also offers advice on choosing the right equipment and distributing your podcast and RSS/XML feeds.

An interesting book for beginners which gets a 5 star rating.

Although I haven't (yet?) created one, I am becoming more interested in the podcasting phenomenon. A very good "get your feet wet" book to get someone started in that area is Secrets of Podcasting - Audio Blogging for the Masses by Bart G. Farkas.

Contents: Podcasting Basics; Jumping In; Creating a Podcast; Podcasting Distribution; Appendix; Glossary; Index

Yes, there's only four chapters... but they're *long* chapters... :)

I don't know that I would have titled this book "Secrets of". That almost implies that the book covers the nitty-gritty of podcasting and goes into great detail on specialized topics. That's not the case. Instead you get a broad coverage of the subject matter, from what it is to how to create your own. I've reviewed a number of other podcast books that go into great detail on mics, setting up your own studio, etc. Not here... This is really targeted at someone who either wants to know more about this strange new thing called podcasting, or someone who wants to create a podcast and wonders how to go about it. The information is highly practical, and you get all the "must know" information in order to make sure you are successful your first time out. If you then want to continue on and carry it to the next level, you can look for the books that get into the esoterica of sound theory and such...

I liked how Farkas listed a large number of software packages and hardware recommendations to get started. There's no emphasis on "buying the best of everything", but rather making solid purchases (or downloading solid open source software) that will serve you well going forward and make sure you don't sound like a rank amateur out of the gate. With coverage of Mac, Linux, and Windows platforms, you're pretty sure to find something that will fit your configuration. Also, if you're just into listening, chapter 2 (Jumping In) will give you everything you need to know on how to find, download, and manage the podcasts you find. All this is done with some off-beat humor and a number of interview sidebars with actual podcasters. Getting the perspective of where things are going from more than just the author adds quite a lot to the mix.

So long as you're not looking for expert level tips when you buy the book, you should enjoy the material and get real value from it. I certainly enjoyed reading it, and learned a bit in the process...

As a fellow adoptee who searched for and found my birthfamily in my teens over 15 years ago, and experienced wonderful relationships, I found this book an accurate reflection in many ways of an adoptee experience. Thought provoking, moving and compassionate the author gives a wonderful voice to the story of adoption. It is a must read for all those touched by adoption and I highly recommend this book.

At age eleven, Thomas Brooks learned he was adopted and at first it shook his secure world. At age 25, while pursing his MBA, he decided to find his birth parents to complete the circle of his life. In A Wealth of Family, readers are treated to an international travel log and multicultural experience as we travel with Brooks in discovering his true roots.

Although Brooks was acclimated and culturally African American, he always suspected he might be of mixed heritage. When he received a document from the adoption agency, he was surprised to find that his mother was of Lithuanian Jewish background and his father was from Kenya. His parents had a brief affair while his mother was an undergraduate and his father was a graduate student at Penn State. After assuring his beloved adopted mother, Joan, that, no one would usurp her place in his life, he began to earnestly search for his birth parents.

Brooks grew up in a large extended family in the Pittsburg, Pennsylvania area surrounded by his mother's large family, the Lowrys. His parents divorced when he was four and he had little contact with his father. Brooks spent most of his growing years struggling with poverty because his mother was unable to work to support them. After a series of moves, they settled in Brighton, a white working/middle class suburb of Pittsburgh. After a rough start, Brooks began to excel in school, making excellent grades and was active in sports. He found himself fighting racism and stereotypes at time but preserved and was valedictorian of his high school class and going on to the University of Pittsburgh. Again, he applied himself to his studies and became immersed in a full college experience to include joining the Alpha Phi Alpha fraternity, a Greek Black organization and other clubs. He pursued engineering and then an MBA at the University of Maryland.

Because his birth mother, Dorothy, left contact information in his file at the adoption agency, he was able to quickly establish contact with her. Dorothy, who was living in England, flew to Houston, where Brooks was then working. They established a rapport and thereafter, Brooks flew to England and met his sister and three brothers. He was received with open arms and they slowly built a relationship, along with his grandmother, Maryan, Dorothy's mother, who was living in Pittsburgh. Dorothy wanted to meet Joan, but he realized it was a delicate situation and it would need more time for the two women, his birth mother and his adoptive mother to meet.

Brooks then took the steps to make contact with his father, Mboga Mageka Omwenga, which was much more difficult. In 1995, he and Dorothy made the trek to Kenya to make his paternal connection. First, they went on a safari to take in the beautiful country and then went on to Nairobi. All he had was a name and the fact that his father was of the Kisii tribe, according to a Kenyan friend in Houston. After a series of word-of-mouth connections, placing an announcement in the newspaper, and a few hits and misses, Brooks connected with his father's daughter, Margaret. She explained the father was out of the area but the two of them became acquainted. Brooks went back to Houston but thereafter started corresponding with his father. He went back to Kenya several months later finally met his father and was warmly received by the entire village and all his relatives, including his 100 year-old grandmother. He slowly established a relationship with his Kenyan family overcoming a few cultural challenges and miscommunications.

After his mother, Joan met Dorothy, the families seemed to blend and accept each other. Brooks came to love and appreciate having three families who all loved and supported him. His world travels served to broaden his understanding of different cultures and heightened his appreciation of his multiracial heritage. While he considers himself African American, he calls himself a world citizen. He learned to value the traits both his birth mother and father passed on to him, such as their intellectual ability.

Part memoir, part family history and genealogy, Brooks has written a memorable account of how race, culture, and family intersect while also recounting his own life lessons. He is a successful businessman living in Atlanta with his wife and family, mentoring inner-city youth and active in several social and civic organizations. There are many stories about bi-racial children but Brooks' story was unique in that it spanned three continents and melded three families to include a wealth of love, forgiveness and acceptance. This book is recommended for those interested in the topics of multiculturalism and adoptees seeking their roots.

Reviewed by Dera R. Williams
APOOO BookClub

A Wealth of Family is a gripping chronicle of Thomas Brooks quest to discover the true wealth of family as he reunites with his birth family and in turn discovers his true self. It is inspiring story that will encourage members of the adoption triad and "traditional" families as well. As an adoptive mother, I highly recommend this book. It will help give you a healthy view of open adoption and the reunion experience.

Brooks' captivating writing style coupled with his amazing life story and steadfast approach to life make this book both an entertainment and thought-triggering masterpiece that had me hooked right to the last page.

I thought this book was inspiring, especially for those seeking their roots. I felt as though I knew the author personally by the end of the story as I went along for the journey with him. It is a must read!

I don`t speak a lot english and i was so scare to buy it because this guy is brithis but i saw some reviews and took the risk. when i got the book we can resume in one ward i was just surprised, it is completly amazing, i dont know for one else but for me this guy that`s really knows how to explain the difficult world of 3D, Thanks Peter Draper I've already found the key to my goal "this Book"

Most books out there are rehashes of the help documentation or popular tutorials already out there. For this book, however, almost every single tutorial covered tricks and techniques that I've never been exposed to before in my years of working with 3D Studio. Definitely an eye-opener for anyone who wants to learn how to create any sort of realistic environmental effect.

This is one book that is a must-have.

Most 3D books are unimpressive to me-- the sorts of things that could be readily learned by reading the manual or help files (particularly in the case of 3D Studio, which has excellent help and tutorials.)

Pete Draper's book is one of the happy exceptions-- it extends one's knowledge and capabilities, and moreover, his work is excellent; these are images and animations that would get you a job, if you could make them.

Would that there were more books of this calibre!

I have had this book for about 2 months now and all I can say is wow. This book has really been helpful...extremley helpful I must say. Easy to follow, the tutorials ALL work....Pete draper expresses all aspects of each tutorial and explains the WHY factor in each step in his tutorials. I cannot praise this book high enough. It has solved a lot of underlying problems that most would use plugins to work around. I give this book a 100% feedback....and I really hope he launches another...I will definatley buy the next one.

There is a reason why the used books are priced the same as the new for this item. This is an essential buy. Beginners should try get their hands on something a little easier first, but everyone with even a little bit of experience needs to get this book. Whereas many books leave you with a feeling of being "rushed" or of not being properly thought out, this one leaves you with an impression of having every single tiny detail meticulously planned. The DVD even includes video tutorials that didn't fit in the pages of the book! And the author has a website for the book and users that have problems with the tutorials. And guess what? He actually visits the website and offers help! wow! what a concept!

The tutorials themselves are brilliantly planned. First, we get reference footage, that is analyzed in order to get the best effect. Then, Draper goes through each step, and EXPLAINS EXACTLY WHAT WAS DONE AND WHY IN EACH STEP. This is vital and is sadly overlooked in many tutorials from other sources.

What will he teach you? Exactly what the book promises: extremely realistic water, earth, air, and fire. This is done mostly through the powerful new particle flow system and multi-layer materials (I mean MULTI-MULTI-MULTI-layer materials here). After only a few tutorials, I my skills with procedural materials and particle flow increased exponentially.

An essential buy.