Genres Books

This book is what I will call from now on: MY ELVIS BIBLE

Definitely the world's best Elvis "reader book".
Well written, easy to read, easily enjoyed whenever.

I am patiently waiting for the other Volumes of this series.
If they are anywhere near as good as this volume, Jim Curtin will the world's best Elvis books on the market! (well he kind of does already).

I am so happy I found his books online.
My first exposure to Curtin was through his Unseen Elvis book (definitely the best photo book on ELvis to date).
I did not know he authored more books, till one of my friends bought me his Christmas With Elvis book, and from there on, I became a Jim Curtin / Renata Ginter fan!

With as much enthusiasm as I had reading this book, I can honestly attest that anyone who buys it, will love it just as much. I can guarantee it (if my word even means anything to anyone).

I am just a fan who enjoys reading quality material on Elvis and who LOVES to see rare photos on him as well.

So if you want my recommendation as to what kind of books to buy or get on Elvis .... stick with Jim Curtin (the true Elvis expert and friend)

I have never written a review before on anything, so please don't mind if I rattle here and there. I will try to my best ability explain what I liked about this book.

#1- This book dispells the Elvis myths that have for some reason been printed all wrong! ... Jim makes true sense of many of these myths and explains in detail the real truth behind certain things: .... [EX: That the Dorsey Brothers who hosted "The Stage Show" did not like nor want ELvis on their show and only allowed him a few appearances when Colonel Parker paid them $5,000 under the table!!]

#2- Has touching stories about the sad times in his life: his mother's death - breakups with his girlfriends - breakup with his wife - etc.

#3- Has funny stories about how Elvis too had his moments of embarrassment, accidents and just plain ole funny situations .... [EX: In the 1970s, Linda Thompson talked Elvis into going to the local Memphis McDonald's and there he was approached by a man who thought Elvis was an impersonator and told him how sad he was to be someone else! Linda simply went along with the man and said to Elvis, "Cut the crap Bob!" ]

#4- Has wonderful behind the scenes stories during Elvis' movie filming ...... [EX: How on the set of Roustabout, Elvis was accidentally kicked in the head by costar and as a result had to have stitches to sew up the wound. The director incorporated a scene in the movie, where in a fight Elvis' character suffers an injury to his head! ]

#5 - Has great stories about the women he dated and what happened during some of the dates! hehe ....... {EX: How Elvis dated Yvonne Craig and he invited her to his CA rented home, while trying to leave, she activated his alarm which in turn called the local police and swat team. She was almost arrested for breaking and entering by them, if Elvis hadn't been woken up to explain why she was there!]

#6- Also has fantastic business stories of some of the deals he and Colonel Parker were offered and turned down. .... [EX: They were offered $1 million to perform one show in England]

#7- Heartwarming family stories about his parents, Priscilla and Lisa Marie ....... [EX: How Lisa Marie, at age five, would play Elvis' records on her own personal record player and memorize the words - and then go to Elvis and "perform" the songs for him - complete with all of Elvis' stage moves!]

These are just 7 reasons why this book is so great. It is so heart touching it should be retitled to: CHICKEN SOUP FOR THE ELVIS SOUL

So fellow readers, if you want a book that you can laugh, smile, cry and be amazed with, this is it! You do not need to be an Elvis fan to read it ... all you need is an open mind, a hot cup of tea of chocolate, a comfortable chair with blanket and this book!

I have never written a review before on anything, so please don't mind if I rattle here and there. I will try to my best ability explain what I liked about this book.

#1- This book dispells the Elvis myths that have for some reason been printed all wrong! ... Jim makes true sense of many of these myths and explains in detail the real truth behind certain things: .... [EX: That the Dorsey Brothers who hosted "The Stage Show" did not like nor want ELvis on their show and only allowed him a few appearances when Colonel Parker paid them $5,000 under the table!!]

#2- Has touching stories about the sad times in his life: his mother's death - breakups with his girlfriends - breakup with his wife - etc.

#3- Has funny stories about how Elvis too had his moments of embarrassment, accidents and just plain ole funny situations .... [EX: In the 1970s, Linda Thompson talked Elvis into going to the local Memphis McDonald's and there he was approached by a man who thought Elvis was an impersonator and told him how sad he was to be someone else! Linda simply went along with the man and said to Elvis, "Cut the crap Bob!" ]

#4- Has wonderful behind the scenes stories during Elvis' movie filming ...... [EX: How on the set of Roustabout, Elvis was accidentally kicked in the head by costar and as a result had to have stitches to sew up the wound. The director incorporated a scene in the movie, where in a fight Elvis' character suffers an injury to his head! ]

#5 - Has great stories about the women he dated and what happened during some of the dates! hehe ....... {EX: How Elvis dated Yvonne Craig and he invited her to his CA rented home, while trying to leave, she activated his alarm which in turn called the local police and swat team. She was almost arrested for breaking and entering by them, if Elvis hadn't been woken up to explain why she was there!]

#6- Also has fantastic business stories of some of the deals he and Colonel Parker were offered and turned down. .... [EX: They were offered $1 million to perform one show in England]

#7- Heartwarming family stories about his parents, Priscilla and Lisa Marie ....... [EX: How Lisa Marie, at age five, would play Elvis' records on her own personal record player and memorize the words - and then go to Elvis and "perform" the songs for him - complete with all of Elvis' stage moves!]

These are just 7 reasons why this book is so great. It is so heart touching it should be retitled to: CHICKEN SOUP FOR THE ELVIS SOUL

So fellow readers, if you want a book that you can laugh, smile, cry and be amazed with, this is it! You do not need to be an Elvis fan to read it ... all you need is an open mind, a hot cup of tea of chocolate, a comfortable chair with blanket and this book!

It make you see Elvis as a more well rounded person. He feels like a friend I never met.

I won't be too long in my review here, so here it is:

This is a very well informative book.
ok there may be some stories that didn't interest me much, but that is quite a small percentage (5% maybe); but I think there are fans out there, who want to know everything.

What I did enjoy (and even learned) were the stories that told the "behind the scenes story" of a particular event (ei: Dorsey Brothers payoff, Parker's business tactics, recording session goings-on, things that showed Elvis wasn't exactly the perfect date)

great reading and I would have to say: a must have reader!

My only problem with this book was some of the photos.
not exactly "unseen" *(because I have seen many before)* but I think they matched Curtin's "chapter themes" (if you want to call them that).

Ok so far Curtin is NOT A MEMBER OF THE FANTASTIC FOUR!
5 more Curtin books to go

This is the book you need for creating and maintaining a solid and authentic classroom literacy program. "The First Twenty Days" alone is extreemely helpful. You can start small and grow as you feel comfortable. A little overwhelming at times but worth it!

Excellent resource. Everything needed to start a reading/writing/word study workshop. My book is full of sticky notes of things to use!

Definitely one of the most useful and comprehensive reading and writing resources that I have ever purchased for my professional library. The price is very reasonable as well!

This book has helped me tremendously with my new job as a teacher. Going to school did not prepare me as much as this book has.

Every teacher who teaches grades 3-6 should own this book. It has practical mini-lessons, rationale for teaching comprehension strategies and additional resources. If you don't already own it, you should get your hands on a copy.

I have never heard a piece of music by composer Jan Swafford, but if he composes as well as he writes, his music should be stimulating indeed. Some reviewers have called this book hard to put down, a page-turner. I found it so. Part of its interest lies in Brahms himself; any book that purports to shed even a bit of light on so enigmatic a figure would cause one to turn pages in hopes of illumination. But I can imagine, too, a very dull book about Brahms. Well, there are few dull pages among the 600+ in Swafford's biography. As is now de rigueur in good modern historical writing, Swafford creates a judicious blend of primary-source material and commentary thereon, along with a rich store of anecdotes told in his own fine, writerly voice.

Musical analysis is treated in such a way that the amateur musician, and even the musically challenged, will not be put off. In all cases, Swafford demonstrates well one of his chief theses--that Brahms was the most Janus-like of the great nineteenth century composers. He looked back all the way to Renaissance masters, assimilating their contrapuntal styles in ways beyond anything that Beethoven, Mendelssohn, or Schumann had done before him. Yet he so thoroughly anticipated the ambiguity of tonality and rhythm in twentieth-century music that Schoenberg could, long after Brahms's death, speak of "Brahms the Progressive."

But there is much more than musical analysis in this book. There is a thorough investigation of the many dualities in Brahms's nature: Brahms the generous, Brahms the curmudgeonly; Brahms the respecter of (intellectual and artistic) women, Brahms the misogynist; Brahms the romantic, Brahms the classicist; Brahms the sentimentalist, Brahms the cynic; Brahms the self-effacing, Brahms the monumentally egotistical. Swafford presents them all in their staggering incompatibility. And while Swafford himself admits that no one can ever quite hope to reconcile all these manifestations or indeed fill in the gaps in a life that the composer himself hoped to keep mostly a closed book, he comes close to making this great study in contrasts that was Brahms into a flesh-and-blood individual whose most mystifying acts seem almost comprehensible because we have seen him in action in similar contexts. By an exhaustive examination of the primary literature and shrewd speculation based thereon, Swafford builds a picture that convinces. He can't make us always like Brahms or even sympathize with him, but we come to understand him better through Swafford's portrait than we ever thought we could. That is some accomplishment.

Beyond this are the passages in which Swafford speaks of musical and indeed cultural history after Brahms. The epilogue to this book, in which the author traces Brahms's paradoxical legacy through the great century of change since his death, should be mandatory reading for all students of culture in the West.

Are there flaws? Yes. Some parts of the book show haste while others show careful crafting. In a work this large, that is to be expected. And Swafford overuses the word "magisterial." This may describe Brahms to a tee, but so, I hope, do a few other adjectives. Small gripes? Small indeed, given the wealth of insight and reading pleasure that Swafford provides here. I'm ready for his biography of Ives!

Mr.Swafford did excellent jobs in dissecting and analyzing major symphonic works without sounding pedantic and dry. However, I wish he had invested more ink on the other major orchestral works such as Piano Concerto no.2 and the Violin Concerto, two of my favorites, like he did Piano Concerto no.1 and the symphonies and variations, etc. On the late concertos he merely described the circumstances surrounding their creation and barely touched on structural analysis.

Other than that, the book is very detailed and enjoyable to read. It sheds a lot of light on the human side of the composer and his friends, and thus makes these historical figures come back to life. At several instances I was so touched by Swafford's writing that I almost shed tears. Reading this book has been an emotional journey for me, and I rank it as my favorite book on music and musicians. Very touching! I love it!

I wonder how Brahms would have compensated for the defeat to his friend's wife - Clara Schumann. Although lively attention to details was a notable characteristic of the German woman lover, pianist and composer, her indifference to the sentiments of her husband - the German composer Robert Schumann - was so shallow as to miscalculate Robert's perturbation with her lover's apathy.
How could Brahms, having degenerated to low stage, get over the perfidy of such relationship with the woman who was fourteen years his senior (and who also raised seven children)? Such polyandrous practice was not customary in Germany and both lovers must have become impetuous when they, again, met with indecision of purpose.
Was it bigamy? Or sheer adultery? Did it really matter to Brahms who, at least, cared for Clara's husband and his friend's illness? Was Clara prematurely getting old marking her life by irrational thoughts? Or was it the agnostic Brahms believing in nothing?
Brahms gave us medley of music; conscious of the shadow of the dead Robert, Ein Deutsches Requiem {1867/8} is one that represented heavenly masterpiece as if to seek pardon in humble supplications like the sinner who renounces lifelong bad habits when in extremity of pain.

What a wonderful biography. Brahms' dealings with Clara Schumann, Joachim, and other friends is studied in fascinating detail through meetings and letters -- an intimate portrait of personal relations, desires and fears, quiet joys and resentments, etc., all as absorbing as a Henry James novel.

Meanwhile, Brahms' incomparable music is a life of its own, and we are treated to the master's views of it, as well as those of contemporaries and the author. The author's assessments seem to me almost unerringly valid. (Take, for example, his lofty praise of Gesang der Parzen, an underheard choral masterwork, or his concession that the Double Concerto, a concert standard, is on a less than inspired level.)

Add to this the author's occasional shift of focus to the Austro-German culture in which Brahms lived, in retrospect an even more remarkable time and place, where music was valued to a rare degree, and where ideas and events -- artistic, philosophical, political -- were poised to take momentous turns. Fascinating, even haunting, stuff, and all the more appropriate for discussion as these were issues about which Brahms had much concern in his later years.

This is a great story about a great composer. The book tells his life story, and highlights many of his great works. Within this biography, the book also mentions the interactions, disagreements and perspectives of the different composers of the late 19th century - Liszt, Wagner, Schumann, Bruckner, Mahler and of course Brahms. From that perspective, it is not only a biographry of Brahms but in some ways a history of classical music in that period. In my opinion, Brahms was the best composer of the group, and this book highlights why he was. It focuses on many of his great compositions, even providing the major musical notes for key parts of a composition. For example, in what is arguably his best work, the 4th symphony, this book spends four pages on the last movement of this symphony, a very powerful cantata and chaconne that Brahms brought to the symphony. This form, according to the book, derives from the Baroque period and Bach has a great similar work with the violin. Brahms took it a step further and using the whole capabilities of the symphony orchestra, weaves this concept into a very powerful piece of music. Since reading these four pages, I've developed a greater interest in this movement and in the 4th symphony in total. It is a beautiful powerful work and this book provides a beautiful perspective of this work. The same is true for all of the book. It has given me a better perspective of Brahms and classical music. For this reason, I highly recommend this book.

Charles L. Granata is a Sinatra Historian and Archivist, and he has distilled a wealth of information into his book: Sessions With Sinatra. It covers Frank Sinatra's career, from his first recording in 1939, until his last in 1993. It focuses on the music, and only mentions his private life if it pertains to the music. The book is about Frank Sinatra, the singer, but it is also about the Art of Recording, and the development of recording technology, which parallels the career of Frank Sinatra, or that is the central thesis of the book. "Chuck" Granata puts up a very good case, and documents his case with extensive detail. But with evidence like the illustrious career of Francis Albert Sinatra, it is an easy case to make.

Frank Sinatra is quite a paradox, someone with a dark side, but also a sensitive artist, the greatest singer of the 20th Century--but sometimes he could be a real jerk. The book doesn't pull any punches, but since we mostly see him in the recording studio, he is on his best behaviour. There is mutual respect between him and the musicians, the producers, and arrangers, with him occasionally pushing them to do their best. Yes, there are tantrums at times, and it is all in this book.

As well as information about Sinatra, his singing, the arrangements, and the music, there is also a tremendous amount of technical information. The various microphones used, the recording equipment, the echo chambers used to enhance it, the various studios and their construction and acoustics. Sometimes this can be a little dry to the non-engineers who might be reading it, but what is fascinating about it is that Frank was there making records when they were recorded on laquer covered disks, and he was along for the ride for all of the technical innovations that followed. To study the recordings of Frank Sinatra is to study the history of recording. He was not only there when it happened, but often the force making it happen, or at the very least the catalyst.

It is all there in Mr. Granata's book: From his early days with Harry James and Tommy Dorsey, through his solo career at Columbia and Capitol. He left Capitol to form his own company, Reprise, and then finally at the end, for the Duets I and II he was back at Capitol. The great arrangers and producers that worked with Sinatra are all covered: Axel Stordahl, Nelson Riddle, Billy May, Gordon Jenkins, Don Costa, Johnny Mandel, Jimmy Bowen, Mitch Miller, Claus Ogerman, Ernie Freeman, and many others.

If you have ever wondered what is was like at the creation, this book is for you. If you are skeptical about Frank Sinatra's talent, if you doubt that he was the greatest singer of the 20th Century, and if there is a greater one in the 21st, he or she has yet to reveal him or herself, then listen to the songs listed in the book, then read the book. Songwriter Sammy Cahn knew Frank when he was just starting out, and as his career was just starting to gather momentum, he told him of a dream, a vision, that he could be, was going to be, the greatest singer the world has ever known. And he was.

Essential Sinatra:

Songs for Young Lovers (Nelson Riddle, August 1954) My Funny Valentine, The Girl Next Door
In the Wee Small Hours (Nelson Riddle, April 1955) In the Wee Small Hours
Songs for Swingin' Lovers! (Nelson Riddle, March 1956) I've Got You Under My Skin
Close to You and More (Nelson Riddle, January 1957) Featuring The Hollywood String Quartet
Frank Sinatra Sings for Only the Lonely (Nelson Riddle, September 1958) One For My Baby (and one more for the road)
Come Fly with Me (Billy May, January 1958) Come Fly With Me
Ring-a-Ding Ding! (Johnny Mandel, March 1961) Let's Fall in Love, I've Got My Love To Keep Me Warm
It Might as Well Be Swing (with Count Basie) (Quincy Jones, August 1964) The Best is Yet to Come
September of My Years (Gordon Jenkins, August 1965) It was a very good year
Strangers in the Night(Nelson Riddle and Ernie Freeman, May 1966) scoobey doobey doo!

Sessions With Sinatra sets a unique standard of excellence in balancing historical research with respectful recognition of Sinatra's importance to Twentieth Century music.

"I adore making records. I'd rather do that than almost anything else." ~ Frank Sinatra, 1961 ~

"Frank had the color and the fire and the brains and the imagination. Intellectual background strangely enough. Artistic sensitivity." ~ Nelson Riddle, 1983 ~

"Most Sinatraphiles would argue that his finest work, and the style he will ultimately be remembered for, was forged with Nelson Riddle. Sinatra-Riddle partnership was musically ideal and illustrates how a symbiotic musical relationship between orchestrator and singer can make a world of difference in what we hear and how we hear it." ~ Chuck Granata, 2004 ~

"Sessions with Sinatra and the Art of Recording" is indeed a wealth of information on everything you should know about Frank Sinatra's recordings. It is divided into five parts: The Big Band Years (1937-1942), The Columbia Years (1943-1952), The Capitol Years (1953-1962), The Reprise Years and Capitol Revisited. Mr. Granata did an excellent job in outlining Frank Sinatra recordings during his entire musical career, and his vast knowledge on all aspects of recording, technical in particular, is so amazing.

The Foreword was written by Phil Ramone, who himself is very well-versed when it comes to recording session engineering, and once said that he "was in heaven on the day that he realized his dream of engineering a Sinatra session."

Nancy Sinatra, who herself is a star in her own right, has written a very loving tribute to her famous Dad and "her hero" on the Afterword. I would single out a quote from her that I found so moving, here goes. . .

"My father always had a genius for picking the right songs, and when you consider the relationship between the tunes he selected, and the remarkably different themes that comes with each passing decade, you can see that his music tells a story that parallels his life and ours. Those songs, and their changing themes, represent Dad's most passionate dream - the one he talked about on dates with my mother - and the realization of that dream, which brought him almost insurmountable pain along with irrepressible joy as he experienced it, and as he lived it."

This wonderful and well-written book also features over a hundred black and white photos of the star himself with his fellow artists, musicians, conductors and arrangers such as Nelson Riddle, Quincy Jones, Billy May, Count Basie, Duke Ellington, Mitch Miller, Rosemary Clooney, Bing Crosby, his daughter Nancy, among others; Nelson Riddle's original score for "Close To You" in 1956; a vocal lead sheet of "April In Paris," (from Come Fly With Me sessions in 1957), which Mr. Granata cited as an example of how great Frank Sinatra was in legato-style phrasing, breath control and vocal maturity.

Mr. Granata wrote about the collaboration between Sinatra and Riddle (Part 3, Pg 92) and called it "A Musical Marriage." Frank Sinatra believed that Nelson Riddle was "the greatest arranger in the world, a very clever musician who was like a tranquilizer - calm, slightly aloof. And he's got a sort of a stenographer's brain." If Sinatra tells him, "Make the eighth bar sound like Brahms," or "make it like Puccini" - Riddle will make little notes, and will obey the Chairman. Their partnership was so fruitful and creative as well, and had produced the finest recordings of all-time, there's no doubt about it. They were truly musically made for each other. They both had good work ethic and the same musical goal. They knew what "each other was doing with a song and what they wanted the song to say." They had a very good rapport in all their collaborations, which is the most important factor to the success of a recording.

This is a very detailed source of information to any new Sinatra fan looking to start a collection of albums for the appendices show lists of Companion Recordings, Basic Collection, Concept Albums under Columbia, Capitol, Reprise, QWest Records. It also enumerates "Fifty Songs That Define the Essence of Sinatra" and most of them are meaningful, special songs that are my all-time favorites.

Congratulations, Mr. Granata for an excellent and well-crafted book you've written. And thank you very kindly for inscribing my copy. :)

Very highly recommended to any Sinatra buff.

This book comes from a different perspective and reminds the reader that really , it should be about the music .

I had read some silly books about Mr Sinatra and was glad to come across a serious one - I've always been fascinated by recording studios , having done some recordings myself . I wish I could have been at some of Sinatra's sessions .

This book is the next best thing for me .
I loved it .
Buy if you are even a small fan - this will make you into a bigger one .

Read this one cover to cover. Incredible detail, both technical and artistic. The only thing that would have made this book better is a complete sessionography or a description of the recording process of each album rather than just select dates. That said, it is an incredible resource. This book, along with Will Friedwalds excellent "The Song Is You" are the definitive works on Sinatra's recording career.

To praise from other reviewers I would like to add a heartfelt "WOW!".

I just wonder how come Hollywood hasnt already made some Grand Epic based on this historical heroic episode.

On the PC angle one must say that though the story is told from the Christian view of events, the author makes it clear Turks and muslims were just as much heroic fighting and dying for their beliefs. If St Elmo's defenders were made from true hero stuff, the Janissars and others that led charges against its walls stepping over thousands of their own dead friends surely must be fairly said to be heroes too.

A true, historic and total battle of heroes from all sides that puts to shame even the Trojan War (mostly a legend, btw)

This is my kind of book! Some 300 pages devoted almost exclusively to among the most vividly depicted battle scenes I've ever read. Loved it, though the novel might have benefited from being a tad less battle-heavy and a bit more integrated, if you will. The novels of V.A. Stuart are good examples of what I mean. Still, "Angels in Iron" is the most unputdownable novel I've read since Peter Forbath's "The Last Hero".

OK, the book isn't perfect. There are some grammatical errors. On page 88, for example, Nicholas Prata writes that "less men reached St. Elmo". And there are occasional narrative problems. On page 279, Prata writes that "He [La Valette] was not content to allow the Turks to slip away unmolested, but planned to give Mustapha yet another wound to nurse upon the long journey home". Really? Well, maybe so, but we don't hear of this plan again, let alone of its implementation. To be sure, Mustapha is bloodied one last time, but that event has nothing to do with La Valette. Also, speaking of La Valette, was he always strategically correct? Prata accepts that he was, with little or no reflection. Well, while La Valette is exceptionally admirable (how badly we need him and his Knights today!), I thought that aspects of his St. Elmo strategy left much to be desired. In costing the Turks far more blood than they should have shed for that piece of rock, La Valette won the battle. His men could and should have been removed to fight another day -- and without the slightest tarnishing of honor.

All that being said, this is a terrific read.

This is just an exceptionally good read! It's chocked full of action that while graphic at times still has class about it. There's intrigue and side storylines to add to the overall interest. And, militarily speaking, it's realistic in that the reader is informed about how logistics and morale played as important a role in the final outcome of the siege as did weapons and tactics. I found it almost impossible to put down!

What a wonderful book! It should be recommended reading for young men. It provides illustrations on what it meant to be a knight and the importance of onoring your family's name.

In today's myopic age of "it's all about me." Young people give little or no thought on how their actions or deeds reflect on their family. They are taught that humans are nothing more than animals and then society is shocked when our youth make heinous headlines.

This book is a good start at an antidote.

Look, here's what I got to say about Prata's book: magnificent.

Period.
End of story.
There is no debating this- you can'y deny its greatness. It's almost like someone witnessed a retard beating an obnoxious genius in a game of chess- and managed to put it into a book. If you're into Crusader history, you will flip out over the unimaginable, mind-blowing magnitutde that is this book. If you don't like history- too bad, you're going to be swept up in its masculinity anyway. Oh yeah, that's right- I said masculinity. This book is so manly that even the most lesbian of lesbians and feminine of feminists will be forced to read slack-jawed for hours at the events of this book. At the end of it all, you'll feel your heart pound as its literally breaks in mid-motion, resulting in a keeling motion that ends with you sprawled out on the floor, gasping for air as you try to comprehend the splendor and literary majesty of this book. Seriously, folks- this book is so good it will leave you in need of a new change of trousers- every time you look/think/read/talk/fantasize about "Angels in Iron". In short, I would recommend this book be cumpolsory read in public/private schools for grades K-12, then, for every college student again; finally, I would make it mandatory reading for anyone that
A)Gets married
B)Is alive/dead
C)Eats
D)Breathes

And there you have the sum of it. Basically, this is the Keanu Reeves of books. ANY books. Period. End of story. Exclamation point.

THERE ARE MANY BLUES SINGERS FROM ROBERT JOHNSON TO THE PRESENT, BUT THERE IS ONLY ONE THEY CALLED "THE KING OF THE BLUES" THIS MAN IS A LEGEND HE IS CALLED B.B.KING. THIS POWERFUL BOOK GOES INTO THE HUMBLE BEGINNING OF RILEY B. KING AS A SHARECROPPER,THROUGH THE CIVIL RIGHTS MOVEMENT,RACISM TO PERFECTING THE MUSIC THAT IS HIS FIRST LOVE "THE BLUES" .HERE IS A MAN WHO CAME FROM A SIMPLE HUMBLE BEGINNING TO PERFORMING BEFORE KINGS AND QUEENS AND PRESIDENTS AND EVEN THE POPE. IF YOU HAVE SEEN B.B.KING YOU KNOW WHY HE IS CALLED THE KING OF THE BLUES, IF YOU HAVE NOT SEEN HIM YOU ARE MISSING OUT ON "THE MAN" HIMSELF ALL YOU CAN DO IS READ THIS POWERFUL BOOK

I've read BB's book several times, maybe 5 or 6. Every time I read it I still love it. I learn something new about him every time. If you even consider yourself a fan of BB or the blues, you have to read this book. David Ritz is an awesome co-writer, keeping BB's voice in the forefront, and he just gently guides BB. He did a hell of a job with Etta James' autobiography also.
An excellent book!!

His real name is Riley B. King, the B.B. stands for Blues Boy, and he is known as "America's ambassador of the blues". A recommended enjoyable, good read about growing up and into music, self-taught guitar, remarkable attitudes of a man who faced prejudice and hate with an even keel. A performer who went on stage even when he was suffering from a bad case of flu. B.B. King took his music to Israel, England, and Russia, and held up in stature through the lows and highs. And he loves his 'Lucille' (guitar)! David Ritz has co-authored with the King a wonderful synopsis of love, fortitude, belonging, and enthusiasm. Recommended for blues lovers or otherwise... please don't miss this splendid read. (Review based on hardcover 1996)
Reviewer also recommends: 'Between Each Line of Pain and Glory My Life Story' by Gladys Knight

Wow, I just finished reading this biography and am truly satisfied with my reading. It's been a long time since I read a book this refreshing. Talk about honesty, passion and heart.
The last 3 chapters were especially entertaining, talking from the heart about issues generally left untouched. From page one, I couldn't put the book down.
This book really helps you understand B.B's live performances. For anyone who as seen B.B. King live sometimes gets the feeling that his performance is a routine that dates back 25 years (well, I now know it is!), but this fact doesn't bother my anymore, understanding where the man comes from, better understanding his way of doing things.
Recommended for blues fans and anyone interested in a very entertaining read.

A blues story
B.B. King's life is presented here in a breezy, happy go lucky style. Ostensibly an autobiography, (although if you heard any of B.B.'s interviews about the book and his amazement at some of the details that were revealed, you know David Ritz did much more than help out.) this book deals with B.B.'s childhood of amazing poverty and his eventual rise to be the "King of the Blues." Conversational in style, but revealing in detail, BLUES ALL AROUND ME works as both a personal reminiscence and as a look at the life of a black man living in America during the 20th century. Tales of racism (in the military and elsewhere), the difficulties of dealing with a less than honest music industry, and the struggle for success against these odds are all expressed in a manner that shows no true anger, rather an acceptance that these were challenges to overcome. B.B.'s personal relationships with the many women in his life is not avoided, nor his opinions of many of his contemporaries. While the selected discography is extremely disappointing, this book should be required reading for any fan of the blues, and while any autobiography has to be taken with a grain of salt, this one definitely rings true.

A very good experience. I received the product in a timely manner and did not incur any problems.

I'm a huge Elvis fan and have read a lot of books on him. This book is one of my faves. It shows a sweet, funny, and sexy side of him before he hit it big. June did a great job on this book and really shows Elvis in a wonderful light. Not only is it a great story about him, but it's a great love story in general. Highly recommended!

Wow, this book actually blows away most other tell alls by former Elvis lovers.

June Juanico retells her precious memories of time spent with The King in utter beauty & vidid detail.

You can tell these two had a very special relationship.

Great read & highly recommended.

The title says it all. The time captures Elvis before and while he was capturing more and more fame. As with the DVD, it has humor and sadness. Beautifully written. I love the book and the DVD.

I could not put this book down, I was just taken back in time to those carefree days of being a teenager. You get to know about Elvis' mother and what kind of normal life they tried to lead. I feel that Elvis would have been more stable if June married him. She seemed to stand up to him. But it takes a lot to share a man with so many other women. She made a choice, and stuck with it.

Good Book, I wish it were updated & re-released!

Finally after all these years we have a book that tells us everything we ever wanted to know about the queen i love my copy since i got it a few weeks ago i've read it fron to back and found out some truly interesting things that i never even knew...hell i always thought i was an expert on Madonna but after reading just a few chapters i realised how little i knew about one of the most contoversial, and diverse women in the business today all the info in this book just go to show there will never be another that could come close to filling her shoes or have the global impact shes had
there never has been, never will or could be another MADONNA!!

There are literally thousands of books that have been published over the years about everyone's favorite Material Girl. Regrettably, the vast majority of these books are incredibly sloppy and aren't even worth lining my birdcage with. But the "Encyclopedia Madonnica" is very unique. This is the most accurate book ever written about Madonna which is also the most informative and detailed. The author, Matthew Rettenmund who wrote this for fans from a fan's prospective speaks to the reader in both an entertaining and enlightening way. You will learn so much about a woman who everyone already thought they knew. If you're a fan who wants to read about Madonna there are really only 3 books you need to get. Besides the "Encyclopedia Madonnica," I also highly recommend I Dream of Madonna & The Madonna Scrapbook. ...Madonna does it best.

Okay. So I bought this back when it came out in 1995. I remember reading it and thinking, "SO, there IS a fan out there that knows almost as much as I do about Madonna!" Although there is a lot of opinion expressed throughout the book and some missing detail, it is a book worthy of your shelf or coffee table. It may be outdated since Madonna has morph like fifty million times since this book was published. It still is a great book to ahve around, even if for camp purposes.

Matthew Rettenmund certainly has done his research. Encyclopedia Madonnica is the most informative book about the Material Girl that has ever been published. After reading this book, you will truly know everything there is to know about the most famous woman in the world. Well-written and organized, it's also chock full of often hilarious tid bits and witty rejoinders. Mr. Rettenmund should do an updated version of this book, to cover the years 1995 to the present. If you love Madonna, then you simply must own this book, along with Michael D. Craig's "Who's That Girl? The Ultimate Madonna Trivia Book!

I would recommend this book for any musician, especially a member of an ensemble. This book gives a good insight of the personal dynamics between the members and why they have been successful and together for so many years.

excellent study of the dynamics of a string quartet, or any group of individuals working for a single goal.

Fantastic read for any instrumentalist, especially if youve played in any type of small ensemble.Highly recommended.

This wonderfully humorous and true-to-the-art book is sweet music to anyone who loves chamber music. Steinhardt gets it so right throughout this delightful book, I, like many of the other reviewers was disappointed when I reached the last page - I wanted it to keep on going...

Steinhardt hits a universal chord that will resonate particularly well with those "insiders" who have performed chamber music at any level. While reading it, I found myself digging into my CDs and listening to the piece the author was describing. The unique commentary accompanied by the performance brought me a new appreciation for the string quartet genre.

I wish this book would have had twice as many pages, at the least. I found it utterly impossible to put down, raced through it in barely two days, and now feel bereft for having reached the end. Fortunately, the Guarneri's themselves are still going strong, though cellist David Soyer made way a few years ago for his pupil Peter Wiley. This book deals with the (many) years before that change took place. Arnold Steinhardt is as engrossing a storyteller as he is a violinist, and addresses the multitude of issues, both musical and personal, connected with string quartet playing without ever being boring, pompous, or academic. On the contrary, his lively, often humorous style of writing and the uncompromisingly personal tone he adopts prove perfect vehicles for an in-depth look at the daunting challenges involved in playing the quartet repertoire, but are also highly endearing. By the end you feel you truly got to know these players; an additional reason why the extensive description concluding the book, of a 90's performance of Schubert's Death & The Maiden, interspersed with Steinhardt's musings on the eventual finiteness even of the long-lived Guarneri Quartet, is extremely moving. The focus on such well-known repertoire, by the way, (Beethoven's op. 59/3 and the Cavatina from op. 130 are other Steinhardt favourites) are typical of the accessibility of the book and its laudable lack of snobbery.
Before these final pages, the author offers anything from concert-tour anecdotes, string quartet gags and quartet psychology to insights into the rehearsal process, repertoire choice, musical history, the peculiarities of amateurs, as well as thoughts on the relative merits of recorded and "live" performances. Deftly drafted portraits of musical giants like, say, Georg Szell or Arthur Rubinstein add further interest; the brief appearance of Jacqueline Du Pré as a "pale milkmaid in a flowerprint dress" who then incongruously attacks her cello with animal-like abandon I found quite unforgettable.
In all, I would strongly recommend this book to anyone interested in chamber music; but it will be a special treat for those with some experience in quartet-playing (if only by pointing out that string quartet repertoire is hard even for players of Guarneri-stature...).

I love the whole Nephilim concept, and when I read it, from the first few pages I was hooked. I hope she will continue this series, because Renee has a way of bringing her mind to life.

Such a well written book with a captivating storyline.
I can never sit for more than a few minutes but I sat for hours at a time reading this book.
She does an excellent job creating and illustrating the characters. I could easily visualize every scene and was quickly absorbed by her story.
Thanks for giving the world such an entertaining book.

I work with Renee and initially read the book simply because I was curious. Having read the cover, I wasn't expecting it to be the sort of book I usually read. However, I was amazed at the immediate visual image she was able to create, at least for me. I was instantly driven to complete the book quickly and to ask her when the sequel would be written. The subject matter was presented well, the characters came alive and it left me wanting to read more. For me, that is the essence of a good book. I eagerly await the next episode! Note: Those that review without reading, show their lack of intelligence and integrity to smear others.

Renee Pawlish has written a great book. It's suspenseful, exciting and creepy all at once. Her attention to detail and her ability to put those details into words brings this novel to life. You only THINK you know what will happen next! I hope to read more of Ms. Pawlish's work.

I do not usually read this type of book, but I found that I could not put it down! The author has done a great job of keeping the story moving as well as mounting the suspense. Her characters are described in such a way that I could easily visualize them, and in some cases - even smell them! I loved her picturesque descriptions of the Colorado mountains and the sunset. The "what if" premise of the story is quite intriguing and well presented. I eagerly await a sequel. I think Hollywood could do a great job with this novel. I hope this lady keeps writing.