Genres Books

Anthony's book shows us, the reader, how interviews can be handled in a professional, smart way to engage the subject, triggering that person to open up and reveal the business of music and the creativity of his/her soul. My favorite interview is where Keith Richards talks about his daughters sneaking into bed with him while he is asleep and waking up to find them next to him.

Octaroons (people over 100 and baboons with eight legs) will find this book absolutely wonderful. I found out about this fine book from my good friends, Andy Breckman and Friedman, International Comedic Envoy for the UN. However, this show is pathetic, but just as hilarious as the Wikipedia one. Everyone should buy this book. Seven Second Delay Rocks.

Written by one of the most esoteric giants of rock n' roll writers, "In other words" is simply funny and fascinating. Anthony DeCurtis sure got around the music scene and it's all here. 7SD rocks!

I had the distinct pleasure of listening to Mr. DeCurtis speak to my History of Rock and Roll (taught by the best teacher ever) class at Indiana University in the Spring of 2004. This was definitely one of the highlights of my collegiate acamdemic career. Anthony's knowledge and experience in the music world is astonishing and his way with words in the recollection of his stories give his listeners a feeling that he not just a writer, but a true music fanatic. In fact, I was so enthralled by Mr. DeCurtis' stories, I attended every section of the classes he was scheduled to address that day. Although I have not read this particular book, I have read his others and would highly suggest them. Based on my readings of his other books, and seeing Anthony speak, I plan to buy this book as soon as I can, and I would bet that I will love it, and most other music lovers will as well.

Anthony DeCurtis is one of the best rock critics writing today and this book is full of fascinating interviews that show you a side of many stars you've never seen before. The dueling interviews with Paul McCartney and George Harrison and Keith Richards on Mick Jagger are worth the price of the book alone. The book also includes an interview with Martin Scorsese and a rare interview with Don Delillo that show that DeCurtis is just as knowledgable about film and literature.

I LOVE this CD! I play it when I do yoga. The combo of drums and voice are intoxicating! Very grounding and sexy!

This CD is everything the previous two reviewers said it is so I will just underscore what they said with this review. The music is soothing and still uplifting, great for meditative movement, not typical new age, this has substance. I will definitely check out more CD's by Lane Redmond and the other musicians on this disk.

I purchased this CD after reading a review on Witchvox and I have never regretted my choice. Every song is inspirational and unlike other musicians whose compositions seem to bleed into the next, all the songs are unique, just like the muses!
You can put this CD on in the car and not worry about falling asleep as this is not that kind of music and equally important none of the compositions are annoyingly intense or laced with unnecessary vocals. Enjoy!

I'm not really into new age music, but this is an amazing CD if you really love great percussion. If you like Dead Can Dance or Vas you might want to check out this CD, the drum work and the vocals that go along with them are fantastic.

Drummer and drum historian Layne Redmond offers nine hypnotically meditative compositions, each featuring a unique and often esoteric beat sounded by at least two different kinds of drums, and layered with dreamy flutes, violin and wordless vocalise descants. Each piece is an invocation to one of the nine Greek Muses, goddesses of creativity: Kalliopeia (epic poetry), Euterpe (music), Melpomene (song and tragedy), Erato (music of mystical and erotic love), Terpsikhore (dance), Urania (astronomy, mathematics and prophesy), Kleio (history and heroic poetry), Thaleia (comedy and idyllic poetry), and Polyhymnia (sacred hymns and meditation). This album is relaxing to unwind to, and should be particularly fascinating for drummers or dancers to listen to and try to perform along with. Some drumming albums can be boring and repetitive to the verge of pointlessness, but the gentle rhythmic interplay of the dual drummers in here is so well and intelligently crafted that, to me, it never ceases to intrigue. "Invoking the Muses" is truly a delight to the senses! All the tempos are slow to moderate, and the beat structures for each track are as follows: #1 - in seven; #2 - a slow three or six; #3 - actually in phrases of sixteen, but can be thought of in a slow four or a medium eight if sixteen is too hard to count along with; #4 - a moderate "African" six; #5 - a faster six; #6 - this one's a real brain twister, with measures decreasing in size from eight to seven to six and so on in increments all the way down to one, at which point the eight-beat-measure begins over again (a fun challenge to drum along with and aptly dedicated to the Muse of mathematics!); #7 - a funky, upbeat eight; #8 - another one in seven, composed by Glen Velez; #9 - a spacey, beatless melange of crooning, bells and Tibetan bowls. The performers are Layne Redmond on Remo frame drums, vocals, tambourines and other assorted percussion, Tommy Brunjes on additional drums and percussion, Steve Gorn on bansuri flute, Vicki Richards on violin, and Ruth Cunningham and Laurel Masse on vocals. Layne Redmond's previous album, "Chanting the Chakras," combines the chanting of sacred syllables of nada yoga with meaty, interesting drum rhythms. (It's repetitive in a purposeful, meditiational way, but a unique listening experience nonetheless.)

I have purchased a number of Irish fiddle materials over the last four years. I have played guitar for over 30 years and thought that I would try Irish fiddle. Of all the books and materials I have purchased, this is simply the best. The tunes are challenging, yet playable, (if you put some time in} even for a beginner. Mr. Cranitch's playing on the accompanying cassette is excellent, and the cassette makes for good listening on it's own. I would assume that an intermediate to accomplished violinist who wants to play Irish fiddle would find this book less challenging, but I am confident that he or she would enjoy it. For someone with no knowledge of the violin, it will be very challenging, and maybe discouraging. But, once you have the ability to play in tune in first position, and are comfortable and relaxed with your bowing, this is the book to buy.

I've seen this book at music stores but was reluctent to purchase it because it seemed a little expensive and also didn't include the cds. Maybe it's good not to rely too much on the cds with books like these but I have to admit I feel they are essential. It's like having a teacher giving you a run-through of not only how it sounds but also the feeling of how to play it. I see the top seller on amazon is the Peter Cooper book which I bought but was a little disapointed at what I thought was a bit of an uninspired interpretation of the tunes. I suppose that the fact that its on mel bay and is called the complete irish fiddle player gets it alot of attention but I wasn't all that crazy about it. What I do like is the Kevin Burke 20 Irish fiddle tunes on Homespun and my favorite right now is Ireland's Best Fiddle Tunes by Paul McNevin (Waltons Publishing) which has 110 fiddle tunes and 2 cds. Evidentally you can get this with or without the cds but I got the cd edition of course and it was about 30 bucks. I probably should apologize for getting off track of the book in review but I really need to have the cd or I'm not really interested. Oh, the McNevin book also has the guitar chords. This is the one to get, in my opinion. It doesn't look like amazon has it but I see now that although it's Waltons, an Irish publisher, it's evidentally being distributed through Mel Bay. McNevin also has a guide to learning the Irish fiddle for about the same price but I haven't checked that out.

I understand there is a CD or audio cassette with this book. Is it available through you?

Martha Bishop waltmart@mindspring.com

So you want to learn the Irish fiddle, eh? First find yourself a great teacher and start learning these tunes by ear! Second, pick up a copy of this book and the two CDs that go along with it--if you want to learn a tune on your own this book is a wonderful resource. All of the tunes (from reels to hornpipes to airs and everything in between) are written out with little more than the melody, so that you can personalize each one with ornamentation and bowing. Therefore, this book has a more authentic feel to it than many of the other books out there that seem to leave nothing to the imagination. Aditionally, the CDs offer a great sense of appropriate ornamentation and rhythm for many of the tunes. They are essential to truly making the most out of this book.
This book does offer an overview of basic fiddle technique and starts off with chapters on each seperate style of tune. The back section simply contains a wealth of tunes written out in standard musical notation. Honestly, I would recommend this book as a companion to lessons with a teacher, rather than a subsitute for them, in order to master the technical aspects of fiddle playing. But for most people this book will make a wonderfully comprehensive resource for building up your knowledge of very authentic Irish fiddle tunes. It is truly the best of its kind that I have ever used.

I have this fiddle book and it is very thorough. Matt is an excellent fiddle teacher. There is a CD and a cassette that goes with it, sold separately, usually at music stores. The CD is recommend so you can just hit the track button and replay a tune you're practicing rather than rewinding the tape cassette. Highly recommended for learning Irish fiddle.

This is a great book. I couldn't put it down. It's a good combination of seriousness and humor. Andrew is a phenominal writer. A must for Project 86 fans.

I bought this for my son(17 years old). He is an Andrew Schwab fan, and he requested it for his birthday. He sat down and read the book so quickly. He was laughing and sighing at the same time.

The book is filled with a humorous but realistic look at the life of a band on the road.

My teenager HIGHLY recommends this for everyone!

i read it in 3days. amazing book couldnt stop reading it, for all die hard project86 fans or anyone who wants to laugh

Since Project 86 will probably never enjoy mainstream success, this is the closest any fan will ever come to anything resembling a VH1 Behind the Music special on Project 86.

From satirical (and often amusing) commentary, to hilarious tour stories, to heart-breaking situations, lead singer Andrew Schwab must be admired for his honesty, bluntness, and sincerity.

Uncovering his humanity for all to see, Schwab bears it all...even when it makes him look like less than the perfect Christian. Even while reading the book, I found my attitude toward Schwab wavering from excitement to disappointment to compassion. (Causing a reader to go through such an experience is an ability that only a talented writer possesses.) But in the end, I always came back to the realization that we all have growing to do in regards to our character and our relationships with the LORD.

I would recommend this book to anybody who is an avid fan of Project 86. My only major criticism of the book is that it wasn't edited very carefully...there is a plethora of omitted words that occasionally limits smooth reading.

CONSIDER THIS FAIR WARNING: If you have P86 (and especially Schwab) on a pedestal, you may be slightly shocked by what you read.

I found this to honestly be one of the best books that I have ever read. This is a must-have for any Project 86 fafn, or even any Tooth and Nail Record supporter. Andrew shares some of his deepest feelings as well as some of his most inspiring and touching stories he has to offer. You will find yourself unable to put the book down and find yourself wanting to share with Andrew how you feel for him and how much you appriciate what he does. Being a Project 86 fan, reading this made me love the band even that much more. You will most definitely not be disappointed with this one.

I read this book in one go. Once I started, I just could not put it down. Besides giving the reader a great inside look behind the scene of the 1972 tour madness of the Rolling Stones, the author also provieds us with an excellent snapshot of the political and social situation in the USA during the early seventies. Of course, you get all the juicy details of groupies, drugs and playboy bunnies - but you also get a feel for how depressing at times the isolation of a major tour can be. You should definitely buy this book, if you love Rock'n'Roll, no matter if you are a Rolling Stones fan or not !

I think I know this book by heart. I can still recite the tour cities and dates. And... ahem, ahem, I really believe the reason they got Keith out of jail in Warwick, RI was not because of "the show must go on" (please!), but because Keith would've started heroin withdrawl. Get it?

This could easily be subtitled "Fear and Loathing on the Concert Trail." A fantastic book that features intelligent writing and an unsentimental look at the cast of characters that accompanied the Rolling Stones on their tour of America in '72. I just finished re-reading it and I still think its the best look at life on the road. Highly recommended even if you're not a stones fan.

I purchased and read this book when it was first published in the 1970s. It is a no-holds barred account of a rock band at its creative and decadent zenith during the legendary 1972 tour of America. Greenfield intersperses his blow-by-blow description of life on the road with vignettes of the interesting and off-beat fans and groupies that swirl around the vortex of the world's greatest rock and roll band. Particularly interesting is the drama surrounding the arrest of Keith Richards at a Boston airport prior to a concert, the scramble to get him out of jail thanks to the intervention of the mayor of Boston, and Keith's triumphant return to the stage. This is a Stones legend and this book tells it like you are there. Well-written and informative, I think I may just re-read this classic for the Nth time. A must for any Stones fan's bookshelf.

Full of casual sex and violence, this is a salacious account of life on the road with the Rolling Stones. Greenfield excels at nailing personalities and describing the fishbowl the band lived in. The Stones begin the tour in a vulnerable state of mind, scared that their glory days are behind them. Their braggadocio picks up considerably as the tour progresses. Near the end we have 16 year old girls doing "favors", beatings are given to anyone who steps out of line, groupies being filmed "in action" (despite Bill Wyman's 10 yr old kid hanging around!) for that infamous tour movie who's title I can't even mention here. Plenty of cruel nihilism. Oh well, I didn't read this expecting a nursery rhyme! This book delivers, warts and all.

If you are discovering or reliving the music of the master composer, the epitome of tango, Astor Piazzolla , than you have to have this book. I cannot over emphasize the clarity it lends to the music La Camorra as you listen Tango: Zero Hour and read simultaneously about one of the great 20th century musical figures. This book is fantastic. It is a journey that begins in Mar del Plata, south of Buenos Aries and traverses the globe, highlighting the life of Astor Piazzolla as he spread and expanded his musical vision of the tango worldwide. The authors present a book that begins somewhat dense and challenging at first but than draws you into the magical world of Astor's humble beginnings, continues as he he spreads his tango vigor with evangelical zeal and an untiring work ethic that resulted in over 3,000 compositions; all the while as he rubs elbows with all the major dignitaries and artists of his time and goes through several mariages and many bands with different musicians from different genres.. The authors who colloborated on this great book, about an even greater man, Maria Susana Azzi and Simon Collier, give us a glimpse into Astor Piazzolla that is both intimate and scholary at once; the balance lends itself to the character of the subject. They both have extensive credentials when it comes to tango and Latin America. The portrait of the man revealed is not sugar coated, as the various first hand accounts of dealing with the sometimes troublesome and difficult genius indicates. This is a complete book and a great compliment to Natalio Gorin's Astor Piazzolla: A Memoir that is even more detailed. The book is divided neatly into three parts, Part I Struggle, Part II Man and musician and Part III Fame. the first part deals with his early life up to the mid-seventies and fame takes it from the mid-seventies until his death in 1992. As you can see, from the years indicated, that most of his life was a struggle. As there are many different versions of his compositions recorded, the book serves as a good reference point to distinguish the players or different groups that made the recordings. This is one of the interesting , strong points of the book that helps you understand the music of Astor Piazzolla. The classical-jazz-avant garde-traditional sound of maestro Piazzolla's tango is brought to the forefront with explanations as to the goings on in his life that resulted in such wonderful compositions and the varied interpretations. The book also has several "extras" like a foreward by Yo-Yo Ma Soul of the Tango: The Music of Astor Piazzolla, a family tree, a glossary of South American terms, sources and notes and some great photographs that include some from the family archives. Essentially, this is about as a complete a book as you can find on Maestro Piazzolla and not to be be missed. If you are fan of the tango and the man who furthered the evolution of the soul of the music of Argentina than you need this book. Recommennded for people who want to know more about the controversies and music associated with Maestro Astor Piazzolla's tango.

Piazzola means tango for many people. The first tango music I ever purchased was Piazzola's music. His music dominated Sally Porter's movie, "Tango Lesson." This is a man that you must know about if you like tango, the dance and the music. Even if your interest is 20th century music, you will be fascinated. The story of Piazzola's life is a story of how cultures, music, and people are interrelated. As a person who was born in Argentina, his music was tango; as a kid named "Lefty" who grew up in Manhattan, he felt the influence of jazz. As a musician known as "El Gato," he built on the tango traditions of Troilo, Sarli, and Pugliese.

He began his musical career as a musician who could not read music. Anibal Troilo hired Piazzola because he had memorized the band's repertoire. He studied music and composition while playing in tango groups, and went on for more formal training in Paris. Piazzola loved everything from the classical music of Rubenstein to the jazz of Gershwin. Although we think of Piazzola in terms of tango, many of his contemporary tango aficionados hated his music because it was nontraditional, evolutionary, and avant gard.

This book was of value to me because it increased my understanding not just of Piazzola, but also of the major twentieth century tango musicians and composers. It may not make me a better dancer, but the increase of knowledge added to my appreciation of the music not just of Piazzola, but also of Pablo Ziegler, Romulo Larrea, and Felix Leclerc. It was a fitting complement to "Tango!" a collaborative book by Simon Collier, Artemis Cooper, Maria Susana Azzi, and Richard Martin. You don't have to be a serious student of music to enjoy either book. It will add to your appreciation of tango.

This is the best and most complete document about the life and work of Astor Piazzolla. The authors inter-link Piazzolla's work with the major events of his life and the artistic and political context of the time. If you are really interested in learning about Piazzolla, you should go ahead and buy this book.

Piazzola means tango for many people. The first tango music I ever purchased was Piazzola's music. His music dominated Sally Porter's movie, "Tango Lesson." This is a man that you must know about if you like tango, the dance and the music. Even if your interest is 20th century music, you will be fascinated. The story of Piazzola's life is a story of how cultures, music, and people are interrelated. As a person who was born in Argentina, his music was tango; as a kid named "Lefty" who grew up in Manhattan, he felt the influence of jazz. As a musician known as "El Gato," he built on the tango traditions of Troilo, Sarli, and Pugliese.

He began his musical career as a musician who could not read music. Anibal Troilo hired Piazzola because he had memorized the band's repertoire. He studied music and composition while playing in tango groups, and went on for more formal training in Paris. Piazzola loved everything from the classical music of Rubenstein to the jazz of Gershwin. Although we think of Piazzola in terms of tango, many of his contemporary tango aficionados hated his music because it was nontraditional, evolutionary, and avant gard.

This book was of value to me because it increased my understanding not just of Piazzola, but also of the major twentieth century tango musicians and composers. It may not make me a better dancer, but the increase of knowledge added to my appreciation of the music not just of Piazzola, but also of Pablo Ziegler, Romulo Larrea, and Felix Leclerc. It was a fitting complement to "Tango!" a collaborative book by Simon Collier, Artemis Cooper, Maria Susana Azzi, and Richard Martin. You don't have to be a serious student of music to enjoy either book. It will add to your appreciation of tango.

Nearly ten years after Astor Piazzolla's death, the debate still rages about whether or not his music is "tango". Well, some of it is, and some of it isn't. But the roots of all his music lie deep in the tango tradition and whether or not a particular piece is or isn't tango is of no real importance. The fact is that Astor Piazzolla composed some of the finest music in any genre and all Argentines can take pride in that. I have been a fan of Astor Piazzolla for nearly 30 years but only knew the music. After having read Le Grand Tango, I now feel as though I know the man. Having "met" him, my understanding and admiration of both the music and the man has increased exponentially. Azzi and Collier have authored an easy to follow, entertaining and informative book about El Maestro. One learns not only about his music but about his forceful personality and the forces which shaped Piazzolla and drove him to be the most dazzling musician of the 20th century. His life, his loves, his triumphs and his failures all spring to life here. Though most readers will likely be hardcore fans of Piazzolla, its flowing style makes it an engaging hagiographical read for anyone who has even a mild interest in music history or in the forces and personalities which have shaped and regenerated tango throughout second half of the 20th century.

I found this book to be one of the most clear, informative and honest books in jazz literature that I have ever read.
Lee comes across as a candid, humble man, a servant to his art.
Through the conversational and well researched style that the writer Andy Hamilton adopts, Lee Konitz offers many realistic, straightforward insights into his life and study: and the lives of those around him.
As a jazz musician myself, this book opens many doors of perception.
It cuts through the myth and hyperbole that often surround the lives of the truly great ones in this wonderful artform.
Highly recommended!

In this book of lively conversations on the improviser's art, Lee Konitz talks about all aspects of his music, from his beginnings (as a student of the clarinet, during the late 1930s) to the early years of the new century, and he does so with great candour. There's lots about the Cool School of playing and Konitz's musical mentor, the blind pianist Lennie Tristano. Tristano's music ran on a parallel track to bebop, but because it wasn't such a hot, sweaty affair it's been dismissed as a pallid version of the real thing, cerebral and abstract, disconnected from feelings, a music to be analysed by beard-strokers rather than enjoyed by foot-tappers. Konitz dismisses these false distinctions and emphasises both the vitality and originality of Tristano's music - points supported by several musician-contributors to the book.

The criticisms and comments that Konitz offers are frank, thoughtful and well-argued. Several of the chapters cover specific decades in his career. Others include: Formative Influences; Working with Tristano; Early Collaborators; The Art of Improvisation; The Instrument; The Material. Embedded within each of the chapters is a series of brief interviews with musicians, most of whom have worked on the bandstand with Konitz or recorded with him, including John Zorn, Phil Woods, Mike Zwerin, George Russell, Clare Fischer, Sal Mosca, Alan Broadbent, Sonny Rollins, Rufus Reid, Ornette Coleman, Harold Danko, Wayne Shorter, Paul Bley, John Tchicai, Greg Osby, Martial Solal and Evan Parker. Although this is fundamentally a book of interviews, Andy Hamilton provides scene-setting introductions to each of the chapters, explanatory links between subsections, and brief comments that help the reader better to contextualise the interview material. His contributions are considerable, but they're done with such a light touch the attention remains firmly on Konitz throughout.

Although Konitz broke with the Tristano school, Tristano's foremost `disciple', tenor saxophonist Warne Marsh, remained in a strong creative partnership with him until the late 1970s. Marsh is undoubtedly the saxophonist whom Konitz admires most, and Konitz's aesthetic, sound and approach to improvisation owe perhaps more to Marsh than any other player. He contrasts Marsh's approach with that of several other major players, including Charlie Parker and John Coltrane, whose solos relied to some degree on pre-prepared material. Throughout the book, there's much useful discussion about the philosophy of music-making.

Konitz is a great talker, with lots of interesting things to say about his own music and the music of Marsh, Tristano, Ornette Coleman, Miles Davis, Gil Evans, Parker, Coltrane, Charles Mingus and a host of others, and the book is peppered with valuable comments about `the jazz life'.

This is clearly one of the best books about jazz I ever red. I'd put it next to P.Pettinger's "How My Heart Sings", J Szwed's "Space Is The Place" or E.Jost's "Free Jazz".
Pretty differently, here author chooses an original, extensive interview format, augmented by short essays written with the complete approval -and corrections, is said- of Mr.Konitz himself. Many great insight and analisys of this great, epocal musician are offered for a good work of comprehension of the complexity of Lee Konitz music and his belonging to jazz tendencies such Cool Jazz and Tristano's and others, his relations to many major jazz figures.

Despite Lee Konitz's illustrious career, there had not been a book-length treatment of his music and life until Andy Hamilton's book appeared. There have been numerous published interviews with him, but none is as informative, thorough, or enlightening as this book. Considering that Mr. Konitz is much better known in other countries than in the U.S., it is no wonder that an Englishman decided to write a book on him. One of the things that I liked about the book is that the artist got involved in the process, for example, proofreading the text himself. This lends a high degree of authenticity to the book. In addition to the interviews with Mr. Konitz, there are a number of shorter interviews with other musicians, which are also intriguing. This is an exciting and enjoyable book and I highly recommend it.

Your Konitz book is really fabulous!!! Your last comment was
correct, it is a major addition to the literature. The way you
organized it makes it easy to read, and there's so much historical
information, as well as, a real look into Lee's thinking and approach to
life and music. I was truly hooked after the first chapter and just couldn't put it down. Andy, you really earned five stars for this one.

Linkin Park is my favorite , I just adore them. I ordered there book and I'm waiting for it to arrive , but I have to tell you , if LP rules so much there book MUST be cool , I mean it features my favorite 6 guys. LP fans , based on previous reviews this is the book for you AND me. :)

With more than fifty pages of in-depth text,this book tells you the history of Linki Park.Many pictures I have never seen before are also in this book.Highly recommend this to all LP fans.

if you want to know it, this book has it. This book tells the history of the band, even a little about Chester's old band! It's got awesome information and great pictures. Every LP fan should own this

All in all, this book was 5/5, but the problem was, when I was starting the hang of it, i thought it had more pages to be read, but its only less information, oh well.. this explains the forming of the band, where they met, how they started, the Hybrid Theory days..... Chester's band called _xero_ was also mentioned on the book, i really recommend this!!!

This book is awesome. I was up all night readin this. Linkin park die hards this is the book for u. Keep it, tresure it, do whatever u have to. I know i will.

Lyrical Life is a classy, clever gift idea for any music fan and it would make a great stocking stufffer. The artwork is wonderful and the concept is a lot of fun - my friends and I have been quizzing each other on the songs that make up the storyline.

Every page has a wealth of tunes, puns and fun! I especially liked the sight gags. The author and the illustrator obviously collaborated well. What I can't understand is how they stopped laughing and got the tears cleared long enough to get this book written!

Music is always with you, when you drive, when you think, when you dream and when watch tv. Songs remind you of summers, lovers, moments and moods. This books will capture all of that. It will talk deep into your soul, showing you that the lyrics you know form a nice story, well narrated and illustrated. But this book is way more then that. This book is different for every reader, because each page will resonate in a different way for each reader. There are a thousand stories in this book, hidden among the lines.
You need to find yours!!

You've got the music in you!!! (new radicals)

What a wonderfully inventive idea....the illustrations are SO clever and they MAKE this book, without a doubt. Bold, great colors and textures, creative, very witty and artfully intelligent drawings...we should see more of Mark Malloy!! This book has great appeal to music lovers, and especially to those who grew up during the 70s and 80s. You will find yourself singing along! I bought a bunch to share with friends, and recommend you all do the same.

This is a must have for any music fan! Great stocking stuffer!!

Mr Fordin's a great writer with great taste in subject matter. I owned this one first in hardback as "The World of Entertainment". It's so fabulous I bought it again in paperback. One of the best researched and documented film books I know.

ABSOLUTELY FABULOUS!!!!!!

I love to know the behind-the-scenes of the days Gene Kelly made his magic at MGM, so Gene drew me to buying this book. Well, Mr Arthur Freed, if there could be more "bosses" like you today, the workplace would be a much happier place to be. Arthur and his "UNIT" or as I like to call them, "THE CREW" will have you laughing, maybe even crying and definitely astounded, amazed and so very happy that this man was the back bone and the money maker of this fabulous studio of the real movie days. His mind is one that could never be found again in any producer of today. They definitely cracked the mould when they made this man. So, I recommend that you buy this book, and even purchase the movie under the same title. Mr Hugh Fordin has done the most fantastic job on this book. You will feel like you are standing there in every scene that is described..

Hugh Fordin is an expert in his field. His detailed research is clearly evident throughout this work. His love of theater, film and particularly the Hollywood (make that MGM) Musical is revealed in the many interviews he conducted with people involved in every aspect of the productions he writes about.He shares small insights and many heretofore unknown facts about this disappeared genre of movie making. If this isn't a textbook at film schools, it should be. A superb work whose value increases over the years.

I was expecting this to be a straight biography of Arthur Freed with discussions on his films but instead I was pleasantly surprised to see that the entire book is a blow-by-blow account of how the films were made (which to a movie buff is pure heaven) and, as the author says, Freed's movies were his life anyway.

I think it says something that the title of this book is "M.G.M.'s Greatest Musicals", since the truly amazing thing is that one man was more or less responsible for all of them. Great behind-the-scenes stories.

The text of this book is very interesting. It's more of a nuts and bolts of how the movies were put together than a critque of the movies themselves.

However, beware if you are replacing an older edition of this book. This edition is inferior to one that I had years ago. The pictures in this version look like they were photocopied from an earlier version of the book. Many are grainy and washed out. Also, a number of the pictures at the tops of pages are cropped so that tops of some of the heads are cut off. I know this wasn't how earlier versions of this book looked. Although a minor point, in the back of previous editions there was a list of much money each film cost, as well as the domestic and foreign grosses of each film. I found this interesting, and I was sorry to see it missing.