Genres Books

Medium to hard-core music fans will love it. Casual fans will enjoy it. If you are into the music of the FREE, BAD COMPANY, and/or Paul Rodgers - you owe it to yourself to get this book. This is a great read, real life story, with loads of interesting details behind this moderately popular (but outstanding) rock band. This book is NOT a "kiss-up-hero-worshiping-everything-they-did-was-wonderful-critical-review" thing. Just the facts. Some ugly stuff. Some sad. Always interesting. I was amazed to discover how serious & determined these "kids" where to produce the music THEY wanted play. Find out what happened to Andy Fraser (bass). Who/What was SHARK? TOBY? Dates, Names, Places. It even includes a complete sessionography listing obscure unreleased sessions by Paul Rodgers band named PEACE (who?!). Even as a hard-core fan, I was completely unaware of 90% of the information I discovered in this book. Be forewarned that that this book will probably cost you more money down the road - as you scramble to complete your collection of FREE related music. Read the book. Listen to the music. You will not regret it.

this great book at second edition try the reader in a dimension as end '60 never forget and reach light on the hard times of the group.very fine photos but only black and white ,i think perhaps not could be a difficult thing to buyer for this splendid book.
i hope in a third edition with more accurate pages,photos colours and in a book only dedicated to my great guitar player and always inspiration source PAUL KOSSOFF.
peter from italy.

what a great and in depth biography. if you like Free or any of its members, this is a must for your book shelf or coffee table. can't say enough good things about it

David Clayton has done a great job in assembling the stories of the individual players in the early days, how they came together, early struggles, eventual success etc. The reminicences of those who knew them and extracts from music magazines of the time make for interesting reading.

It is a sobering and sometimes depressing read about a band who should have been much larger, but instead were corrupted by eventual success after years of struggle and poverty.

Young up and coming bands would do well to read about, and try to avoid, the mistakes this band made regarding management, drugs, egos, song selection, and group parasites which all got in the way of the music.

Way back in the early eighties, intrigued by the components that made "All Right Now" such a great song, I went on a quest to find any and every recording of the late, great, lamented band, Free. I thought I was the only person on the planet who still listened to them. Thank God I was not. If you dig their music then you will want the book, and you'll love it. If you don't know about the music so well, then this book will definitely wet your appetite for it. They created their own oevre and instantly recognizable sound. The minimalism is addictive. Listen carefully. You will be moved.

Richard Barone's Frontman is a great inside look at what is takes to be a surviver - as a musician in the music industry. And a well respected on at that.
It is mostly the industry 'from within' as well as Richard's personal experiences and a few tips on how it works and how to work it.
Nice! And did I say well written?

Frontman: Surviving the Rock Star Myth

"Frontman" is a uniquely honest and refreshing story that works on several levels at the same time. What makes a frontman? Why do they do it? Few books, if any, have explored the phenomenon from the point of view of the subject so brilliantly. B-52's Frontman Fred Schneider says it best on the back cover: "BUY THIS BOOK"!!!

What a surprise to find that the frontman, Richard Barone, is a poet, a musician and singer, a philosopher and mystic. I was skeptical when a friend gave me the book exclaiming, "you'll love it." I love music, but wasn't interested in knowing the ins and outs of the music business (which is accomplished with humor, intelligence and punches). So, I read the first page and was convinced he could write, and then read the last two pages, which reeled me into the reality that this book was much more than black and white words. I've thanked my friend for turning me on to The Frontman. I've given copies to several of my friends, who have thanked me. And, so it goes, there are numerous ways to be inspired, appreciate creativity, notice serendipity, and be compelled to consider the grand unanswerable questions of life. Thank you Richard Barone!

Richard's book is an extremely enjoyable, involving look at a business that eats its own without blinking, but he's come out of everything he's encountered with an amazingly uncynical, positive view. I can't recommend Frontman highly enough... a wonderful way to spend your weekend!

With 'Frontman' Richard Barone adds another remarkable achievement to his already impressive portfolio. Most books I've read by or about musicians have disappointed and/or caused me to like a performer less. 'Frontman' only helps me further appreciate one of my favorite artists! Richard offers a fascinating "travelogue" of his career and music. As in his songs, his writing is eloquent but never pretentious or cloying, and honest but never self-indulgent or gossipy. And as intended, his stories of the music biz are enlightening, engaging and educational for any aspiring frontmen. Richard has truly experienced the wild rollercoaster ride of the entertainment industry and still remains modest, upbeat, and astonishingly un-jaded. Whether or not you're already a fan of Richard's work, this is a great read... and if you're not, you will be by the time you finish this book!

I got the item on time and in perfect conditions. The book aria selection is much more interesting than the first volume of the collection. Well done!

My order arrived within the 2 to 14 business days, probably around 6 or 7 days, and was in perfect condition, no marks or folds and it was safely packaged.

This book has a wonderful selection of soprano arias from common to somewhat lesser known pieces.

A little something for everyone in here. All the arias you've been looking for in one album. YAY.

I've had this book since I was 17 when I first started studying voice. It's a great resource, especially for beginners who have not yet mastered Italian, French or German. It provides literal translations of every aria which is so important. It is also lightweight but sturdy. My copy is still in great shape. The only bone I have to pick is that the fach varies quite a bit from repertore suited to light lyric sopranos all the way to the dramatic. One singer obviously would not sing all of these arias. However, if your voice grows and matures I guess it's possible to start with a Handel aria in this book and progress to the heavier Puccini, depending on how your career goes. In any event, it's a nice collection of arias and you'll probably find 2 or 3 at least that you'll need at some point which is much better than shelling out cash for the complete scores.

Goblin Market, a verse fairy tale that was first published in 1862, is a rather fascinating piece of masterful poetry. It tells a wonderfully sensuous tale that has inspired a myriad of interpretations. I've spent more time reading about Goblin Market than I did actually reading it - savoring it, rather, for it really calls for a much more personal treatment than a mere reading. This pre-Raphaelite work harbors latent eroticism that echoes with both renunciation and desire. Thus, some term it a work of repressed Victorian eroticism and grin knowingly (and leeringly) as they recount the fact that Goblin Market was quite a popular children's fairy tale in its day. Christine Rossetti was herself a recluse along the lines of Emily Dickinson, allowing her heart to sing freely even as she kept herself separated from any possible objects of her latent desires.

In the poem, one sister gives in to the temptation of the forbidden fruit offered by the dark goblins forever lurking in the twilight to seduce their victims to a first taste of their exotic wares. The desire to obtain more of the passion fruit overtakes her young life, yet the goblins appear to her no more; as a result, she begins to waste away near to death. At this point, her sister, who sensibly avoided temptation, willingly seeks to bargain with the goblins, only to have them force their juicy wares upon her. The fruity residue is enough, however, to revive her sister. The act of salvation is obviously the juiciest part of the story on a number of levels - such a sensual act between sisters, with lines such as "Hug me, kiss me, suck my juices" and "Eat me, drink me, love me," cries out for interpretation of all kinds - and those quick to criticize the hypocritical prudishness of Victorian society have a veritable field day with it.

Some say this is not a poem for children's ears? Balderdash. Like any masterful work of poetry, Goblin Market can be read and interpreted on many levels. Children will delight in its lyrical rhyming patterns, its allusions to wee goblins hawking the most delicious of fruits, and interpret the salvation of the tempted sister in comparatively innocent terms. I say leave the interpretations to the adults. And what interpretations there are of this lengthy poem. Some see in it a recreation of the genesis story, a story of sacrifice and redemption, a tale of lesbian yearning, a declaration of the power of sisterhood, a commentary on women as commodities in market society, evidence of sexual molestation by Rossetti's father, etc. There's no limit to the interpretations put forth about what is, on the surface, an engaging fairy tale set to verse.

This is a fascinating work of lyrical poetry that can be read fairly quickly yet will sustain your interest through multiple readings, all sorts of fascinating research into analysis and interpretation, and just plain wonderment. As sensual as it is beautiful, Goblin Market is probably one of the most fascinating and insightful products of Victorian literature.

I wonder if the good folk at the end of the 19th century when this poem was originally published were just too obtuse to understand the gist of Rossetti's work; if so, we have an innocent artifact that has evolved into something erotic because of our twentieth century sensibilities (we have dirtier minds than our compatriots from the past).

Don't let the word "erotica" scare you away. This is not a blatantly sexual work in its language; it is not a "dirty" book. Just understand that despite what anyone else says or writes, this is about as unambiguously EROTIC as you can get. With phrasing like "Eat me, drink me, love me; Laura, make much of me; For your sake I have braved the glen; And had to do with goblin merchant men."

Since the original work is now in the public domain, if you want to read the full text online just do a search using most standard search engines with the terms "Christina Rossetti Goblin Market" and you should turn up a number of links to the actual poems, go read it, and decide for yourself about it.

This makes a wonderful gift for people you are very close too. However, it is also a very personal poem, and if given inappropriately could actually scare someone away!

Noted Italian/English poetess of the 1800's Christina Rossetti's imagination catching poetry has stood the test of time, being still loved and studied today. Because of its title, Goblin Market sometimes gets put into a juvenile category, but this is a poem for mature readers. This moral tale depicts the epic struggle between bad and good. The goblin's onslaught on virtue immediately engages the reader's inner ear and heart. This poem is really gripping reading. Goblin Market is often considered Christina Rossetti's best poem. This re-issue, replete with noted illustrator Arthor Rackham's beautifully eerie drawings, is a book worth owning.

A children tale for adults. It's a light and thoughtful reading. The story of two sisters and lewd goblin men. Innocence, temptation and emotions all together. This inspiring story has wonderful work of Dante Gabriel Rossetti.

This tale is not about sexuality but about redemption and the need to help others. Read deep into the story to find the meaning that Rossetti intended.

The story behind the music... Marshall Chapman can write, sing, play guitar, and keep a person thoroughly entertained.

Not sure how I've lived in the same region all these years and been a fan of underground country, but hadn't heard of Marshall Chapman! Now I'll be on the look-out! I definitely enjoyed the book and think it's great that she has been able to share all these stories with us. She's lived a very colorful life and it's interesting enough to be enjoyable to others. She gets a little side-tracked at times, but I don't think we expect her to be an award-winning author. Great read!

Marhall Chapman's account of her song by song journey to becoming one of the most innovative and thrilling country rock songwriter-singers is as funny and poignant a book as I've read in some time. From the trouble she got into in grade school for channeling Elvis in the hall to her defiance of Nashville songwriting formulae she kept raising the question, "Why Can't I Be Like Other Girls?" Thank the lord that was the only thing she couldn't do because she sure did everything else. Each chapter of this memoir tells the story of the experience underlying one of her songs so the songs record her life in more ways than one. And some life it is, sometimes on the edge, sometimes ecstatic (when these were not one and the same), never boring. A reader who does not live through it with Marshall is missing something about the South, something about country rock music and something about life.

Marshall Chapman's book is like her music: funny, tough, poignant, real, alive and searingly honest. For those of us who grew up in the south in the 50's and 60's, it's a fond reminder of all that we experienced; for everyone else it's just a darn good read.

Marshall has written a fantastic account of how songs come to be, framing the incredible cast of characters which has surrounded her for all her years in Nashville. The photos of Andy Warhol, Arnold Schwarznegger et al really bring everything to life even more. on the must-have list for anyone interested in the triupmph of rock and roll over good breeding!

David Wild tells one compelling story after another in this biography about Neal Diamond. Wild, an editor for Rolling Stone, says Diamond was cool in New Jersey before Bruce Springsteen.

This is a great book to buy for all of your friends for the holidays! I learned a lot about Neil, but I also laughed a lot. It's not often that you find a treasure like this one!

Many times I have pondered the relevance of Neil Diamond in my own life and with the release of this book, it's like my head was cracked open and my own feelings emerged. Fans of Diamond will rejoice, as will fans of one of the most respected writers of our time, David Wild. A great read for all.

This book was great except for the slam on President Bush. Beleive it or not, a conservative can love Neil Diamond too. The author could have stuck to reviewing the greatest muscian and performer of our time without resorting to political jabs.

This book hits a truly sweet spot where the biography of Neil Diamond, the autobiography of David Wild and a critical appreciation of pop music's most enduring singer/songwriter overlap. The author is the rarest of beasts - a fully-anointed Rolling Stone-certified rock critic who isn't too much a rock-snob to appreciate the full scope of Neil Diamond's unique talent and legacy. And I'm not just talking about the early recordings that even the most staunch rock snobs seem to have finally embraced, but every stage of Diamond's career--Wild does casual fans the service of picking the great songs out of Neil's overlooked albums.

More importantly, though, Wild defends the career of the man himself in a measured but passionate book that incorporates his own feelings about Neil's music with his many encounters with the man himself. He doesn't dig for dirt in Diamond's personal biographical details, nor does he go for cheap shots at some of the man's admittedly less-than-stellar work. Instead he makes the case for a truly unique artist who, into his late 60s, is coming full-circle to his beginnings as a songwriter and, yes, even critical success.

If you're a true (sparkly) blue Diamond-head, you might not find the deeply detailed biography you've been waiting for, but you'll certainly find a loving appreciation for an artist who seldom gets his due. It's a book that could only have been written by someone with Wild's background, access and credibility.

It's time to let your Neil flag fly and admit that there's nothing wrong with shedding a tear to "September Morn" or "Love On The Rocks."

if it's Jews you be a wantin..In Punk nonetheless..This stuff's for you.First of all,Marky Ramone rocks.He met me or rather vice versa.Steve does research into the sacred and shows that Punk music in It's New York Beginnings incorporated a lot of the Jewish Upstarters who could be credited for being Punk Pioneers. You like the Paranormal? Well Jews die too..and so:Labyrinth13: True Tales of the Occult, Crime & ConspiracyBut:Other good books about Music and the Jewish experieNce:Spiritual Bathing: Healing Rituals and Traditions from Around the World,Stars of David: Prominent Jews Talk About Being Jewish,Jews Who Rock,Stars of David: Rock 'n' Roll's Jewish Storiesand one more Paranormal plug:Questions from Earth, Answers from Heaven.

Punk was an assault on traditional western culture and society. No surprise here, that jews would be at the core of the punk movement. It chipped at the moral fabric of nations, embraced communism, and made them a boatload of money from gentile dupes. What's a jew not to like? And in the end, was as hypocritical as the people themselves. Nothing astounding here.

In this brilliant exploration of outsider identity, Beeber uncovers the links between Jewishness and punk rock rebellion. The book includes in-depth interviews with such punk rock luminaries as Tommy Ramone, Chris Stein of Blondie, and former Sex Pistols' manager Malcolm McLaren. Beeber also explores the inherent contradictions within the punk movement, including the use of Nazi imagery by bands whose family members may have barely escaped the Holocaust. The book includes fascinating anecdotes about punk rock legends, including a chapter that describes Lou Reed's attempts to bring his dog to a seder, and Richard Hell's defensive responses to Beeber's simple question: Are you a Jew? Beeber is an insightful writer and cultural historian who makes heretofore unseen connections between origins of punk in the aggressive outsider comedy of Lenny Bruce and the work of graphic novel pioneer Will Eisner.

Beeber's book is an interesting recount of the formation of the punk rock scene in New York City. However, his attempt to correalate punk rock to the experience of being jewish stretches thin pretty quickly.

First off, Beeber utilizes Lou Reed and especially the Velvet Underground as forebearers of punk. While certainly influential, the Velvets were more of an avante garde pop band than punks. They were as much a result of the overall New York art scene and streets, as well as John Cale's british ideology and muscianship as Reed being jewish.

Next Beeber cites Jonathan Richman and the Modern Lovers. The Modern Lovers, despite the Sex Pistols covering Road Runner, were sort of pre-new wave folk band, they never really released an album when they were together and Richman was from Boston. How this qualifies them as a proto punk band representing the New York Jewish voice is too much for me to comprehend.

Beeber does make a good case that Tommy Ramone was the architect of Ramones. However, he only lasted a couple of albums, Dee Dee was the main songwriter and Johnny's buzzsaw guitar and militaristic leadership (he seemed like a real tool)were as essential as anything. Further, Joey might have been obviously jewish to the New York punk scene, but to most he was just the senstive outcast. Tommy's influence is obvious, but it seemed to me he was as influenced by being an immigrant and growing up in the wrong neighborhood as solely by virtue of being jewish.

While New York obviously was a huge influence on the punk scene, the industrial and menancing Detroit rockers like the MC5, Iggy and Alice Cooper had just as much influence as the New York bands. This is especially true prior to all the great New York bands getting started. Also, the true New York punk influence, The NY Dolls, who really blended the street, with artistic ambitions and the phoniness of Manhatten dont have the jewish connection and therefor dont really lend to the author's theory.

The somewhat later day punkers like Richard Hell, Lenny Kaye and Chris Stein make a good points of converstation, but all seem as influenced by academics as ethnithcity. Hell in fact wouldnt be interviewed and dismissed the premise completely. It also somewhat dismisses how much influence this groups partners in punk, Debbie Harry, Tom Verlaine and Patti Smith, had.

Some of the more interesting jewish punks, including the ladies, Genya Raven and Helen Wheels, and less well known acts like the Dictators (hilarious name) and Suicide just werent well known enough outside of the city to be all that influential.

I dont want to take anything away from the city or culture that reinvented music, but punk was about all that were alienated, suspected and unwanted. It was about anger, pointing out hypocrisy, doing it yourself and the desire to succeed. Didnt Bowie once say all the Brit punks "wanted to be stars."

So, Beeber's point is again lost when punk became so much the property of the anglo british (other than Malcom McClaren managing the Pistols)who apparantly lacking jewish guilt and the somewhat limiting factor of being the property of New Yawk, increased its exposure tremendously. (Hey lets face it Johnny Rotten cussing and spitting in a British accent is gonna play in Cleveland, whereas Joey Ramones obvious jewishness... well... its a joke, one I think Lenny Bruce might have gotten). Fact is, punk was never gonna play to the mainstream, the populus cant all be disnefranchised.

Overall and interesting read, with a thought provoking premise that is well explored, but ultimatly a bit overwritten to prove its point. Still worthwhile if you have any interest in those magical formative musical days in the Big Apple and some of its reaching influences.

Like most music freaks, if you ask me where punk rock originated, I wouldn't hesitate to tell you that it happened in England. After all, the Brits lay claim to pogo dancing, safety pins as a fashion statement, and the Sex Pistols. The whole concept of punk rock is, essentially, very Clockwork Orange.

Steven Lee Beeber's The Heebie Jeebies at CBGB's: A Secret History of Jewish Punk challenges that notion by showing us that punk began in New York -- and was heavily influenced and shaped by a variety of Jews from a variety of backgrounds. Beginning with the cutting-edge comedy of Lenny Bruce and the musical innovations that were Lou Reed and the Velvet Underground, Beeber shows us how the music evolved. It is clear that without the involvement of Jews, there would have been no punk movement.

Chapter by chapter, Beeber traces the bands and the people, focusing on the Jewish players who coalesced around the Jewish-owned punk mecca, CBGB. This is dense reading, best taken slowly so that all of the facts and details -- not to mention the personalities -- can sink in.

One theme that Beeber refers to often is the link between the Holocaust and punk. His claims make perfect sense: the emotions invested in the children of survivors provided the fuel for punk's trademark anger. Yes, there is anger that so many people were eradicated, but one of the more surprising revelations is that some of the anger comes from and is fueled by the fact that the Jews allowed themselves to be victims. At the same time, though, there is an awareness that the word allowed is inaccurate. That anyone, faced with such a circumstance, would have done exactly the same thing. Ultimately, this isn't an emotion of victimization, but of helplessness and futility -- two strong emotions that run through the undercurrent of punk, both in its lyrics and its attitudes.

Beeber takes us across the ocean for a visit with the start of British punk -- the Sex Pistols -- but focuses on the Jews involved in creating that scene. From Sex Pistols creator Malcolm MacLaren to the ill-fated Nancy Spungeon, lover of Pistols frontman Sid Vicious, it is obvious that here, too, punk music and the Jewish tradition are linked so closely that removal of the Jew removes the music.

Many would argue that punk died out with the Sex Pistols, to be replaced by music from cities like LA and San Francisco, peopled with musicians and fans who shocked New York ex-pats with virulent anti-Semitic themes, attitudes, and lyrics.

Beeber returns to New York to show us what punk evolved into: John Zorn's dissonant art and even, perhaps unbelievably, the Beastie Boys, perhaps the most punk of all the bands in the book.

Even more than the Ramones, those poster boys for American punk?

You be the judge. For any music fan, this is essential reading. It's not just that this is a clear evolution of the music scene over the span of forty-some years, from the late 1960s to the present. This book traces the shifts in our culture during this time period, and the shifts in attitude that allowed punk to be as vibrant as it was.

Beeber's prose is smooth and charming, always focused on the topic at hand and never getting sidetracked like so many Jewish storytellers of old. He's also a master craftsman, showing his writer's roots in the construction of each chapter, bringing back points made in opening paragraphs, tying it all together with a neat black leather jacket and peppy beat.

For the music lover, the historian interested in Jewish history, or for anyone intrigued by how someone as tall, skinny, and scary as Joey Ramone could become a pop icon, The Heebie-Jeebies at CBGB's: A Secret History of Jewish Punk is one of those books you won't want to miss. Certainly, my copy now occupies a space between Deena Weinstein's seminal Heavy Metal and Joe Berlinger's Metallica: This Monster Lives.

To bring up one last point Beeber makes: Jews are people of the book. Heebie Jeebies is just one in a long line that proves this.

I heard this book read (acutally sung)out loud to a group of adults at a conference to promote reading for school-aged children. What you heard at the end were the "sniffs" of the teary-eyed audience members. Maybe, I'm just soft-hearted, but this book is a keeper! I purchased it to read at my 3rd grade daughter's "Mystery Reader" day. I'm sure that they will enjoy it as well.

My daughter loved this book as a toddler when I got it from the library and she still loves at 7 yrs old. So much so that she put it on her Christmas list because she doesn't want to borrow it from the library anymore. Cute illustrations and great easy to sing additional versus to a classic song.

I love this book and my daughter does too. We have a lot of Iza Trapani books and I'm on Amazon to buy another. This is the hardest one for me to sing in places but the story is so sweet and it teaches kids about doing nice things for others. The first few times I read it, it really did bring tears to my eyes. I get tired of reading a few of the Trapani books after enough days in a row but I may never get tired of this one.

iza trapani is the best. she's got wonderful imagination. every page is beautifully painted to take little minds and hearts out of this world. my son loves and remembers all her rhyme books since he was 3.

We (my husband, my sons and myself) love this book a lot, the story is great (see the other review) and our sons love it when we sing it out. It has became our standard gift for babyshower and small kids' birthday parties, whenever we can.

We felt that this book deserve more "promotions" -- too few people heard of it. Too few bookstores have it in stock -- I could not buy as a gift if I forgot to order it ahead of time. This book deserve to be in every kid's bookshelves. This is the first time I ever write a review because 3 reviews are just too few. I am sure more would give it 5 stars if only they get access to this book.

EnThe Story of Johnny Cash Eaton...: Moments Remembered...His Story As Told to Me...j

Very interesting

Greetings. May I congratulate you for finding your way to this book and to these few words.

This title, I STILL MISS SOMEONE, if from one of my favorite Cash-penned songs and the book was/is published by a very small mom/pop outfit in Nashville. They (the publisher) have no promotion or marketing or publicity savy, to speak of when promoting a book like this, so it has just layed here in obscurity.

This book, although it contains the input of over forty close Cash associates and a foreword by the Grahams (Ruth and Rev. Billy), has NEVER been reviewed by any press. In fact, the Nashville media didn't even give it one line. Small publishers suffer this snub, and in the end, so did this tribute book. Lost in the larger shuffle of all things Johnny Cash.

The only folks that know about this book are folks like you, that have searched, surfed and stumbled across it or maybe found it after hearing about it word-of-mouth.

To the point, if you get this book, I STILL MISS SOMEONE, and are not moved by it, touched by it, or feel it is more than worth the price, I will personally refund your purchase price. (hughwaddell@comcast.net)

Yes, I believe in this book with all my heart and soul!!!! In the few interviews about the book that happened last year (2005), I stated the same challenge, and have not been asked to refund one dime, yet. In spite of all the review snubs, the book stands on its own simple merit.

So screw the tiny publisher, the snubby-dub media and the self-serving Nashville "pompasses". This book does not need to be hyped or pumped by critics, anyway. I swear to you that you will enjoy this look at Johnny the Cash through the eyes and hearts of people who knew him best... his friends and family.

Thank you and God Bless!

All of us who followed the music and life of Johnny Cash;knew from the beginning of his musical career in the laste 50's that there was something special about this man. He came to most of us by his music and shows but we always knew he was a man who first of all knew and loved his God. The name Pilgrim was often associated with him;but the name Disciple would be just as fitting. I have followed ,listened to and read about him for about 50 years,but I can honestly say that the real truth about what Johnny Cash was really like is not any better shown than in this book. How he was seen and loved by those who really knew him,loved him,worked with him,family members,and people who considered him a friend and at the same time he considered a friend. Over 40 people got the honor to say what Johnny meant to them and what kind of a man and friend he was. One thing that is obvious from reading this book of over 300 pages and over 40 people,is that there must be thousands of others that knew him as well and if they had the same opportunity would have similar things to say.
It is so obvious Johnny loved life ,how much his family meant to him,and how much he respected those around the music business. If anyone in the public arena ever gave the impression that as he journeyed throuh life;his friend and Savior Jesus Christ was always by his side;it had to be him.
Millions of us admired Cash;but what a privilege it must have been to have been close to him. No wonder a great personal loss is seen in the stories each participant has to tell.
As we continue to listen to his music;this book will remind us what a Legend "The Man in Black" really was.
I am sure that when he finally met his God,he probably said something like;"Thanks Lord, for the privilege to have served you and my fellow man.I did the best I could ,and it's good to be home with you"
After you read this book,why not sit down and think or write about what Johnny Cash meant to you.

How do you come up with a way to tell the Johnny Cash Story that hasn't yet been done? There are countless biographies out there (disclosure: I have consulted, resourced and been interviewed on many), and the mythic history of this great man has been told many ways. But Hugh Waddell, JRC's friend and confidant of longstanding, has produced THE definitive portrait. He did it not by another retelling of the great Redemption story of our times (although that never gets old), or by a mere chronicle of John's achievements. Instead, he spectacularly tells the story through the eyes of John's family, friends, colleagues and fans. He wisely, and accurately, realized that it was John's effect on others which made him Mt. Rushmore-worthy. His life and music spoke to us, for us and with us, and the impact he made on people great and small continues to take the breath away. Johnny Cash walked with presidents (they fawned over him) and he sat with the people (who worshipped him). Hugh Waddell captures the qualities which allowed this by pointing the camera not at John, but at those he touched. The lens is reversed, and we see The Great Cash as a father, a farmer, a friend. His importance is told through the countless small interactions, the kindnesses and generosity, the human fraility and the soaring triumphs. He gave voice to our dreams and aspirations, taught us what it was like to run the mortal race, to fall greatly and rise back up greater. In these touching stories we see the real man, but more, we see ourselves. I did not want this book to end. The real people and their real stories about a real man are gripping. Johnny Cash was a giant, obviously. In this superb book we get to see how giants get that way. If I want someone to know what Johnny Cash was like, I give them this book.

Mark Stielper
Shoe size 11W

OK, with all the hype about the movie, Walk the Line, and living in Nashville as I do...and hearing Johnny Cash's name everywhere you turn...I hesitated going to see the movie "just because". Well. I somehow ended up seeing it, (long story for another day.) And let me just say that much to my chagrin, I LOVED the movie. So now I've been on a Johnny Cash rampage, listening, watching, and reading everything I can get my hands on. Yes, I succumbed. Call me weak.

This title looked interesting to me because it's written by people who knew him on a day to day basis. There's a chapter written by the guy who kept his farm, for gosh sakes! You just feel the love seeping from the pages. I wept, I laughed, I've read it again, and again.

For readers who might be wondering what all the shoe size business is about here in the reviews (I know I wondered before receiving the book)...Hugh says in the book that Johnny always said he had "itchy feet". He always needed to be doing something and going somewhere different. Johnny said "Everyone has itchy feet, some just itch more than others." So at the beginning of everyone's chapter is that person's shoe size. Just one more quirky little reason why this book has earned a place on my 'favorites' shelf.

As a Nashvillian, I would like to say: We are proud of our 'Cash heritage' and this book lays it all on the line.

Thank you, Hugh Waddell for such a wonderful gift that I'm sure even JRC's family will treasure for years and years.

May
Nashville, TN
Shoe size: 7.5

It's severly dated by today's standards, but what an excellent read, all the same. I look at it as the music industry version of Julia Phillips "You'll Never Eat Lunch In This Town Again". Biting with sardonic wit, lots of muck-raking (most of it spot-on), and just a wee bit 'o' honesty.

How much of it is true, we'll never know. But the essential bits (the inception of the Boomtown Rats, their immersion into the music scene, other bands, Live Aid, etc.) are required reading for anybody who gives a damn about the music industry. There's loads of comedy as well as pathos, as well as some of the greatest quotes I've ever read in an autobiography.

If you can still find a copy, it's well worth owning.

A wonderfully crafted autobiography. Honest and personal, Geldof puts the first half of his life under the microscope and you grow to love him for his warts and scars.
A riveting book especially for those who recall the music of his era. You will laugh and you may cry even if it is only because the book ends years short of the present day.

This book is one of those books that will renew your faith in the ability of normal people to change the world for the better. It is also hilarious and a great read!

I don't usually read biographies books but this one is a very good one

Bob Geldof's book is a stunning odyssey into the mind of a rock star. he also happens to be a philanthropist who can teach a thing or two to the best of them. the man behind `live aid' not only collected hundreds of millions out of a telethon for africa's famine victims, but made sure they reached the right hands. his forthright language and no-holds-barred style are refreshing. if you must read an autobiography of a rock star, read this one.