Genres Books

I was immediatly pulled into the intense life of Brandi. Her character was someone that I think every women can relate to one way or another. She exemplifies life as a young African American female, and the struggles. The story carried through and took twists and turns that had be talkin back to it and sharing emotions with the characters. Wonderfully written, big ups Lisa, cant wait for the next one.

For an up and coming author, she has amazing talent! I read this book in less than 24 hours. I could not put it down. Two friends and myself, purchased the books, after meeting the author. Now we are on to the next book, Finding My Way. We can not wait for the release of her other books, because we know they will be page turners as well!!! Keep them COMING!!!! Lisa Dumas Harris is Great!!!

This book was outstanding. I've been so busy lately that I have had time to even think about a book, but when I brought it and began reading I could not put it down. I have read it twice. Lisa is a great writer and I am anxious to read any other upcoming projects that she may have. This book has left me wanting more from her and I can hardly contain it.

Great, great, great book. A MUST read.

I just wanted to let everyone know that I LOVED "Only Time Can Tell". The story was so personal and real. I could relate and I fell in love with the characters. Brandi was my favorite. I felt her pain and I rode the whole emotional rollercoaster with her. Lisa is an excellent writer. I was able to lose myself "inside" the book. I started reading it at 10pm that night and couldnt put it down until I finished at 3am the following morning. I passed it along to a friend of mine who also loved the book so prepare to have even more followers. Cant wait to read "Finding My Way" and I hope God blesses you with more words to put on paper so I can read them. So if you havent ordered the book yet, "what are you waiting for?". You are missing out on an excellent treat.

I met this author and received this book at a time in my life when I needed some real life inspiration. I wasn't one who lived my life according to what I interacted in society, but somehow, i had gotten to be living too "real" for me. Well, this book, Only Time Can Tell, brought it home for me. Living in this city, it was great to be able to relate to the environment, the attitudes of the people, and even the idea of this class of people living and doing well in a place that you dont really see that everyday. The book was very accurate, and the characters were well developed. Brandy was a trip, she made me glad to not have sisters. The other sister was a role model type and showed that even with things going right, if you don't stay in your lane, things can affect you closer than you think. As well, her transformation in God was believable and inspiring. The overall context of the book was great and the author did a great job in making this an easy read that you could get into, respond to, relate to, and learn from. It wasn't too preachy, but allowed us to relate to each of the characters on some level, and encouraged our thoughts and reactions to a variety of comments, situations, and character traits. Really, the book was comfortable, but not soo much because it had peak moments that kept me reading, until the end, because it was unpredictable. Totally enjoyable.

Equinox Zero is another excellent entry in the Outlanders series, this time featuring a lost race of Vikings under the polar ice cap.

Lots of action and adventure in this one!

Recommended!

I know bad Outlanders novels are possible but thankfully, they're not frequent.

Equinox Zero is about as good as the series gets, fast-moving, two locales which are about as different as they can be (a tropical Pacific island to Antarctica)with several surprises along the way.

The return of the mad Zakat was a big surprise, since he was one villian I never expected to show up again. What was even more surprising was who he showed up with--not just Vikings, but a lost race of Norse warriors. They are very portrayed very dramatically and colorfully and I wanted to see more of their culture.

The heroes are in fine form, and even Philboyd (one the immigrants from the Moon colony) gets a chance to shine both as an ally of Kane's and possibly a rival for Brigid's affections.

Equinox Zero is winner on all counts.

This latest OL novel features the return of a character that has not been seen for almost five years and was presumed dead. I enjoyed this novel for a number of reasons. First and foremost is that the characters right now are in the midsts of an avalanche of emotional and phsyical changes, that are not going to be easily solved or solved in the near future, which is great. This particular novel in typical OL fashion took of like a cannon shot, on the fourth or fifth page, and didn't seem to slow down at all, until the last three or four pages when the story was wrapping itself up. With a trip to the South pole and a dino hunt that is one of the best written scenes in the entire OL series in my opinion, Equinox Zero has something for everyone. Starting off with Dino hunt that was like something out of Jurassic park only better, and ending in a climatic battle in the middle of the South Pole, this novel couldn't have been better. More of the secrets surrounding Thunder Island are revealed, as well and we learn a bit more about the Cube (the redoubt on Thunder Island.) Secondly this novel returns us to one of my favorite settings, the Artic redoubt on the South Pole which was first introduced in Hell Rising. With the discovery of an old enemy lurking in the shadows, sightings of Vikings raiding all up and down the west coast, and information that the artic ice sheet that makes up most of the south pole threatening to break away and slip into the ocean as cause a new ice age, this novel accelerates to a break neck pace that leaves the reader breathless and somehow feeling satisfied but with the nagging doubt that they missed something in all the excitement. There is bit of rehashed material in this book, but it is information that is essential to the plot, and a bit of a refresher about past novels that have an impact on this latest plot. All in all this book was a great read, which is what most of us have come to associate with Mark Ellis. This one gets a 10 out of 10 from me.

Equinox Zero is a nice filler novel, one where there really isn't anything as drastic as we had with The Dragon Kings and previous novels.

Sure the novel revolves around another world-threatening event, but it's resolved quickly and quite memorably at the end.

We need the occasional -breather- novel as we have had with this one. There is plenty of action, to be sure, but at the same time, there is even more character development, which compliments the action quite beautifully.

The novel begins with Kane and Domi hunting for a prehistoric monster on Thunder Isle, to make the violent and primordial island just a little bit safer for the Cerberus exiles, while they explore the ruins of the Operation Chronos facility.

The author gives even more depth to the outlander girl, Domi, and adds a little tension between her and Kane, as she makes it quite clear that she is interested in him, despite the relationship that has blossomed between her and Lakesh, after Grant rejected her.

Speaking of the ebony giant, he has decided to leave Cerberus, as he is tired of all the fighting and the near endless stress that he's been subjected to. He really doesn't believe that it's his fight, and he just wants to retire, to settle down with Shizuka and the Tigers of Heaven on new Edo.

Another old enemy has apparently arisen from the grave, a man we haven't seen since Iceblood. He managed to find his way to Utlima Thule, a haven of Vikings that has remained essentially untouched for thousands of years. Using his influence, he is trying to take over the isolated civilization, and to bring about another great Deluge, not quite of biblical proportions, but one that would destroy the emerging civilization, plunging the already fragile planet back into another dark age, of which it might not ever recover.

Zakat and a ship of the people from Ultima Thule raid a ship belonging to the Tigers of Heaven, all the while being witnessed by Grant and his new love. That prompts him to return to Cerberus to ask for Kane's help in tracking down the criminal and putting an end to him and his plans once and for all.

Bringing Philboyd with them, they jump to the gateway that was first discovered in Hell Rising. They find the entrance to Ultima Thule and make their way to the underground city. It is very much a lost civilization, even though the Nazi's tried to take it over nearly 250 years previously. Tried, but failed miserably, and paid for their efforts with their lives.

Here, Kane is forced to fight Zakat's lover, a Valkyrie named Sif. It is truly a memorable battle, one which Kane nearly loses his life, but as is the case, the hero triumphs, and not only defeats the woman, but spares her life. Zakat meets his end in a very appropriate manner, and the threat to the world is neatly dealt with.

Keep them coming!

I always wondered by Grigori Zakat never returned after his first appearance in Iceblood, considering the obvious effort involved in creating him.. Now the twisted Russian priest is back to bedevil the Cerberus warriors as they learn Zakat's ultimate goal is to trigger a another ice age and unite the survivors under his rule, his edicts enforced by Norse warriors from the lost land of Ultima Thule!

The set-up for Equinox Zero is terrific, featuring a Kane and Domi team-up on another "Lost World", Thunder Isle which is populated by all sorts of creatures pulled from different epochs of time. I think this element of the Outlanders saga is wonderful, offering many story springboards.

The scenes of Zakat's piracy with the Thulians are exciting. A standout sequence is a sea battle between Zakat's forces and a trading ship from New Edo, which tips off the Cerberus warriors that their old foe is back. Grant's anger directed toward Kane when he learns this is very realistic .

The exotic scenes in the timeless world of Ultima Thule are extremely well- wrought. Mark Ellis portrays the city from the days of ancient Norse mythology with colorful splendor,

There are a lot of high points in this novel: a great villain, excellent characterizations, a fast-paced plot, and incredibly exciting action sequences. Add them together and you have a superior Outlanders novel on every level. A must-read!.

It's hard to enjoy a book much when you spend much of the readng time editing it in your head. Unfortunately, that's pretty much what reading "The Phoenix Egg" was like for me -- not a bad idea, but I couldn't help but find better ways to explore the premise of the book as I read. Word by word, sentence by sentence, paragraph by paragraph, I found myself fixing spelling, puncuation, and phrasing to improve on the story overall. Too bad they didn't do this work before publishing it, to save me the trouble and let me enjoy the novel.

It's not just misspellings, either -- though there are many of those throughout the book (you don't put airplanes in a "hanger," for example), that's at least somewhat expected for a small publisher like this. The bad puncuation, while distracting, could also be forgiven somewhat. What really got to me, though, was the poor sentence structure and paragraph construction. On nearly every page, I found ways to rephrase a sentence or two to make it stronger, or to convey the idea better. Somehow, Bamberg finds ways to make even the most high-octane action seem bland and flavorless, and the love scenes, which are supposed to be revelatory, come off as trite and predictable. It's a problem of how he phrases things -- using too many adjectives when simplicity is called for, then hedging his words when more depth is needed. It almost seemed like he was working against the ideas he was trying to express, limiting his palette to only a few word constructions.

I give him credit for a good idea, though. Even if it takes a while (almost half the book) to get there, the concept behind "The Phoenix Egg" is an interesting one, and could have been really enjoyable in the hands of a different writer. The plot, too, was fairly well structured, if imperfectly so. The book starts out at a running gallop and never really lets up much, with a great deal of action and suspense strung out before we even have an idea of what's going on. It works for the most part, though it did seem a bit far-fetched and frustrating to me how little there was to learn about the impetus behind all the action until much later. And by then, it was a little bit anti-climactic.

It starts out fairly simply...Caitlin Maxwell's husband is killed and her life is also in danger, because of something he was working on that she doesn't know about. She enlists the aid of an old flame, John Blalock, to help her survive and find out just what her husband's secret was before the folks chasing her, organizations from all over the world, find it. Blalock, in the years he and Maxwell were separated, has become something of an expert in black ops and investigation...all very convenient for Caitlin, who has need of all of his talents before their adventures are over.

The characters in "The Phoenix Egg" are on the thin side -- not as transparent as those from "The Da Vinci Code," but pretty cardboard nonetheless. The plot runs fast and hard but doesn't really establish a good steady pace. And someone really needed to go through the book with a fine tooth comb and pick out all the mistakes and things that could have been done better. This is a book with a great deal of potential. It was frustrating, and more than a little disappointing, to see much of that potential squandered. I usually think that saying a book needed a better editor is something of a cop-out when rating a book's quality, but in this case, it really fits the bill.

This could have been such a better book. As it stands, it reads more like a term paper, and I felt like the unfortunate grad student grading it.

The action in this "government coverup" thriller starts off at over 100MPH and accelerates much like a launch from a Cape Caniveral pad. In this page-turner, the author expertly and deftly fleshes out and develops the two protaganists, John and Caitlin, who are in possession of what just may be the most startling and important invention ever created. As they learn more about the Phoenix Egg, in the layered manner that an onion is peeled, and struggle to stay one step ahead of corporate espionage thieves, international assassins and agents of secret governmental agencies, we are drawn into the desperate world of John and Caitlin. I am a fan of Clive Cussler's Dirk Pitt novels and heard this one would be like Dirk Pitt being in a Dean Koontz novel. Richard Bamberg's John Blalock is more interesting than Cussler's Dirk Pitt and the action is better described and faster pace. Blalock would kick Pitt's rear!

I haven't seen much by this author in the past, but I did a little research and found a few other items of note. This novel did surprise me in its technical details, action sequences, and a love interest that made me think. There are a few flaws the copyeditor missed, but by page 20 I was so involved that I stopped noticing them.

Enjoyable read with truly memorable characters. The author has created a book that forces you to keep turning those pages. The Phoenix Egg is set in the immediate future and is as exciting as a Bond movie with characters that touch the human spirit with depth and devotion. The ending leaves you feeling satisfied with all the loose ends tied up and the plot twist unraveled. Definitely worth reading.

THE PHOENIX EGG is great fun -- an action adventure novel that I read very quickly and did not want to put down. The page turning quality and the touch of the paranormal invite a comparison to Dean Koontz or perhaps John Case, though the book does not at all seem to be an imitation of Koontz or anyone else. THE PHOENIX EGG is a great find. I picked it up because I met the author and was curious. I bought it and stayed up late to finish it because it was a great read!

The action starts immediately. We get thrown into a scenario in which we do not know what is going on or why the bad guys are out for blood. Bamberg weaves an enjoyably tangled plot, with plenty of adventure and a touch of romance, before he finally unravels it all for us. I found myself at the end of chapter after chapter saying,"And then what," and putting off bedtime for a while longer. I highly recommend THE PHOENIX EGG if you want a good action adventure fix!

This is one of the most honest portraits of a human being you will ever find.. I would recommend this along with Charles Mingus' 'Beneath the underdog' for a taste of the 'jazz life'. It is amazing what these guys lived through - and still created such beautiful music!

This was the first jazz biography I have read. Hawes does a great job of portraying the terrible effects of heroin addiction. I knew some jazz musicians were busted for heroin use in his time. But I didn't understand how rampant heroin use was in the industry. This book gives great insight into the life of a wonderfully talented jazz pianist. But more importantly, it gives insight into the tumultuous life of a drug addict. Initially, the piano seems to be Hawes' only love. But then there is the realization that heroin is his real love. It is his only motivation to even play the piano.

This book is all of these things and more. This is the story of an essentially decent person fighting his own demons. A beautifully crafted book written in the subjects own idiom. A must have for anybody wanting to get inside jazz during the be bop era.

I love this book. Remember, back then when you played this music, it wasn't exactly a sweet world for the musicians (Black ones). I'm glad he let everyone know how hard it was out there. Drugs took this Bad Boy out the game and the world passed him by. Musicians like Brother Hawes, will never be acknowledged for their great playing in the U.S.A.

If there was a dumb remark in this book, I didn't see it. Again, think back to the times he was living in. He talked about Jimmy Rushing and the way he thought about things. Jimmy Rushing came out of a different era, yet Some of his thoughts were not far behind. When he described Black people, some were light skninned, some were black... The book is not dated, it's just good.

I enjoyed reading this book very much.

It is first of all Hampton Hawes biography of his life as a jazz musician. It tellls us of his way from being a little boy attending his father's church on Sundays to a highly acclaimed jazz pianist, his downfall because of his heroin addiction, his 10-year jail sentence (which was reduced to six after Hawes had written to John Kennedy!), his way back up on the European market, his love relationship with Jackie, and his new found love after separating from Jackie after almost two decades. The very last sentence of the book speaks about his ex-wife Jackie - and it is very touching and shows that Hawes indeed must have been a nice man.

There is only one really dumb remark in the book that I felt was disgusting. (Find it for yourself... ;-))

Hawes repeatedly talks about Black issues. I personally feel that those statements are very intelligent, and can therefore recommend this book not only to those of you interested in jazz, but also to anyone into Black issues.

I knew what I was getting before I purchased this online. Easy and fun book to read. Item was shipped quickly, too.

It's big, it's heavy, full-colored, with a good quality paper, great pictures and complete informaton. It couldn't be better.

I just got this book and let me just say that the words inside are some of the finest ever put between two covers. It's all so informative. So much so that one may think that it is perhaps, too informative, but I doubt it. It's perfect. You'll find some of the most obscure and some of the most well-known facts, on the same page. Incredible.

The main thing I like about this book, is that it's much different from these types of timeline books. Rather than saying "this happened, then this happened", it does that and provides much more information by giving background stories of many of the artists, and also providing a lot about the impact the person or band had. Also, it's great how the devotes entire pages to show the significance of some important events in rock history. This does a lot to show why some of the greatest bands of all time are considered some of the greatest band of all time. So after reading this, you'll never wonder why again. The bold type really helps out too, if you're looking for someone imparticular. Also if you're a Beatles fan, the only thing you're not likely to find out is how many times they went to the bathroom each week. So, in short this is the rock n' roll book I've seen and I highly recommend it. Anything not in here probably isn't worth knowing.

This is probably the best book of its type to date. But it is not without it's problems. The first is that both of its authors are British. Hence it skews to the right of the Atlantic. Not that I don't feel myself, that British Rock has produced some of the best acts of all time, but for instance there are more entries on and photos of Gary Glitter than Alice Cooper. Gary Glitter? This is just one example. Some one in a review here mentioned the happy inclusion of Yes. If you look through the entries for that band you'll find at least Two mistakes saying that Fragile was their third album, (it was the fourth) and that Owner of a Lonely Heart is from Big Generator (it wasn't). This may seem like nitpicking but these are just the equivalent of what might be found on one page. It makes one wonder how many more of the presented "facts" are not trustworthy? You expect more from music critics on the voting board of the Rock & roll Hall of Fame. In the end though it's a valiant effort they undertook, and I'm glad I bought the book. It could/should have been a five star book though.

I fell in love with this book from the very first time that i put my eyes on this page of amazon, but, on that time it had a limited edition and it was sould out. I`ve waited more than 3 months for him to arrive but then it was impossible... One day, by hazard i found it on Fnac in Portugal, it was the only one of it`s kind so i bought it imediately and must tell you that it is really music to your ears to read this amazing book. It is the best book i`ve ever seen about music and i have more than five encyclopedias about the subject so believe it when i say that this book really entertains you with the good and consistent information, the beautiful pictures about the artists, the design, the uk and us charts and much more... From Elvis to Abba, from Eminen to Norah Jones, from Sinead O`Connor to Alanis, from Celine to Mariah, from The Who to Nirvana, from Notorious BIG to Massive Attack, from The Ronnettes to Take That, from Brenda Lee and Janis Joplin to Britney Spears and Christina it really has it all !!!

This unique book follows the Stones from their earliest years as a struggling band through their early fame, as recorded by photojournalist and Stones friend Bent Rej. Many of the photos are more intimate than the typical stuff shot of the band, because Rej knew the members. The book is chronologically arranged, with sections on each individual original member as well. The text is informative and serves as a good backdrop for the photos.

What amazes me is that this fifty dollar book is available on Amazon for under five bucks. What is everyone waiting for!? Jump all over this one.

fantastic book. Awesome pix of the Greatest Rock band ever!!! not enough WOW words to describe this book. Especially love the photos of my favortie musician ever Brian Jones!!

Thanks author and Bill Wyman for their work. Happy to see people from 1960-s. Think, that new volume about Brian Jones' Rolling Stones is great addition to the histiry of the Great Rock'n'roll band and to the history of the our papas and grandfathers' generation. Photos are fine. We can see them only in magazines and fanzines from early 1960s. But quality of prints is better here, in the "RS in the Beginning"

Great pictures, many never seen anywhere else. Essential for a Stones fan.

Bent certainly captured the uniqueness of Brian Jones and his Stones in this collection. Much humor was filmed that many can say is absolutely priceless! Especially Mr. Jones camping in his undergarments. Those were the days!

It's a long title, to be sure, it is so terribly important that more people know who the great Hecky Krasnow is, and what he has made possible, that even those who read the title can get the idea.

He should be a household name, considering that, if not for him, we would never have heard the songs "Rudolph, the Red-Nosed Reindeer," "I Saw Mommy Kissing Santa Claus," Frosty the Snowman," "Here Comes Peter Cottontail" or one of my favorites, "Suzy Snowflake." He believed in these songs when others did not. He bucked the Columbia brass when they and every other label had no use for Johnny Marks' "Rudolph" song. Even Gene Autry was reluctant. The song made added millions to Autry's bank account, as well as those at Columbia who first rejected it. The only one who did not become rich was Krasnow, who was, like many of us, a corporate worker bee with a wife and children to support.

But as this book makes abundantly clear, Hecky Krasnow was rich in the ways that really count. In an exhaustively detailed account of growing up in a suburban household where Dad often took the kids to work, where the likes of Gene Kelly, Rosemary Clooney, Art Carney, Bob Keeshan, Paul Tripp or Jackie Robinson was doing a children's recording, Judy Gail Krasnow deftly shares her storytelling gifts by providing as many sensory details as possible. You really feel like you're having dinner at the Krasnow's, right down to the tasty roast beef with pan drippings.

The anecdotes run the gamut to the absurdly funny (a party at "Tubby the Tuba" composer George Kleinsinger's Manhattan penthouse, which is a living jungle of wild animals, bugs and shrubberies) to the frightening (personal accounts of racism and a kid's-eye-view of McCarthyism). Either Judy has one astonishing memory or she kept a very copious diary.

When rock & roll and the youth market began to change the face of mass entertainment, the "golden age" of children's records as Krasnow experienced it (with kid discs like "Little Red Monkey" hitting the charts and crossing over into mainstream pop) were fading. (And yes, the success of Disney's venture into recording also crowded out most of the competition -- what can I say?)

Fortunately, Judy Gail Krasnow has created this loving tribute to her father so we can all appreciate his contributions to our lives. It's also reassuring to learn that this man was such a kind and decent human being. It would have been so disillusioning to find out that the person behind these records really cared about what he was doing and who was listening.

His work may not have made him rich, but we are all the richer for it.

This book was a wonderfully written biography of a father, extremely talented, and a period of time - the 40's and 50's - and its music - how it came to be acknowledged and published. Hecky Krasnow, father, husband and friend was a remarkably talented man. I am so glad to have been able to share in his life and the music business at that time, through the excellent storytelling of his daughter Judy. It was a joy to read!!!

I have just finished reading "Rudolph, Frosty, and Captain Kangaroo", Judy Krasnow's loving memoir of her father, Hecky Krasnow. His career in the children's music recording industry of the 1940s and 50s as a writer, producer, and all-around cheer-leader is described in such colorful and interesting detail, that I came away from the book wishing that I could have been Judy's best friend, or even better, a brother or cousin, growing up with her and sharing all of the wonderful adventures that she had being involved with her Dad as a pre-teen in the recording sessions, parties, etc. This book brought to life the very large collection of vintage kiddie records which I own, including just about all of the records produced by Hecky. Prior to reading this superb book, the records on my shelves had an inanimate quality to them. That reality has been radically altered as a result of Judy's sharing of her personal account of the stories behind the records that Hecky produced for Columbia records. But the book goes way beyond just the discussions of the records themselves. It is a great look into an era of "innocence" in our nation's history as seen through the eyes of a kid growing up after World War II in the New York City area. It has been my distinct pleasure to know you, Judy. Thanks!

I met Judy Gail Krasnow as a fellow author in the South Florida Writer's Association. When she began to describe the book she was planning to write about her father, I knew the story would speak to me and I couldn't wait for her to complete the project. This book was worth waiting for. As others have noted, it brings back an era in vivid detail. I found that I was enjoying the book so much that I forestalled finishing it as long as I could because I didn't want it to end. The book gives us an inside peak at a very important time in children's music and it also permits us to appreciate the stories behind the stories of Hecky Krasnow's personal and public worlds and Judy's experiences being a part of it all. Judy is, of course, a master storyteller and she brings us into her story most magnificently. I told my seven year old grandson that I knew the daughter of the man who discovered Rudolph the Red-Nosed Reindeer. His eyes widened in awe and the two of us strode up Broadway singing the song. You will sing when you read this book. At times you will laugh out loud; at others you will cry. It is a terrific read. I bought it for everyone on my holiday list.

Here is a unique contribution to the bookshelf of behind-the-scenes memoirs
about the recording industry. Though millions of children grew up listening
to "kidisks" in the decade following World War II, Judy Krasnow is one of
the few kids who actually witnessed them being recorded, and the only one to
write about it. Her narrative is told with childlike enthusiasm, and her
memories are enhanced by several scrapbooks-worth of primary documents.

Judy relates many anecdotes of growing up in the recording studio alongside
her father Hecky Krasnow, a Juilliard-trained musician who headed the
children's record division of Columbia Records from 1949 to 1956, and whose
biggest claim to fame is having produced Gene Autry's megahit recording of
"Rudolph the Red-Nosed Reindeer." He was also the music man behind Captain
Kangaroo, and dozens of popular children's records in between.

There is something in these pages to satisfy almost anyone with an interest
in American popular culture. In addition to the great singing cowboy, we get
a few famous crooners, a very important baseball player, the haunting
specter of McCarthyism, a psychologist and his healing machine, a gig on a
really really big TV variety show, bookburning, payola, Chef Ed Norton, a
totally bizarre party at a composer's penthouse atop the Chelsea Hotel, a
guitar lesson from a Frosty folksinger, and quite a lot more.

We come away with a loving portrait of a very decent, talented man, who,
unlike many of his peers in the record biz, didn't get filthy rich. He did
better than that.

I had the Runnin' Down A Dream DVD so when I purchased the book I was concerned that they would both have the same information. The book has different information and is not the same as the DVD at all. For all of you Tom Petty fans out there this is a must buy!

Book is great(I knew it would be), What amazed me was how quickly I got it!!!

Runnin' down a dream, 30 career years of one of the rock stars that have changed the american rock business compiled in a complete book full of photographs, history and many many personal tales. A must-have for any rock fan.

i really enjoyed this book. it's a great companion to the dvd set. i think it's a must have for any Tom Petty and the Heartbreakers fan. well worth it.

If you want to know more about Tom Petty and the Heartbreakers, buy this book. Great pictures and JUST GREAT STUFF ABOUT HIM.

Biographies of entertainers are usually pretty shallow, just part of the marketing effort. This one is a little unusual because it was written by a scholar who put a lot of effort into making it both as complete and interesting as possible. The author, Dr. Charles Townsend, also became, to a small extent, part of the story. On Bob Wills final recording with his Texas Playboys, For the Last Time, Dr. Townsend kicks off the music as the announcer, saying "The Texas Playboys Are on the Air!"

My Dad loved this book! It was a great gift for him

I was a little dubious at first because the book seemed kind of thick and was written by a professor. However, the more I got into it the more I loved it. Thick with detail, yes, but the story constantly moves along and we get a rich, complete picture of the man and his music, his triuimphs and his foibles. I could just picture being in a ballroom back in the day listening to Bob Wills and his Playboys as I read through. Truly a labor of love, this book. I picked it up because I'd just recently purchased a four-CD boxed set of Wills' music -- far more than I thought I wanted to hear, but I was wrong, and after reading this book I just want to hear more and more. Truly an American musical hero, and this is one of the best musical biogs I've ever read.

Charles Townsend has captured the real Bob Wills. A fine job, a detailed account on the life and music of the one of the greatest Texas stars to have evolved on the American western scene. Well written and exhaustively researched. Worth buying and reading.

OK. I'm a little biased. My grandfather J.W. Shafer, otherwise known as "Bub Shafer" (don't ask me why...nobody knows why), was a second cousin to Bob Wills. In this book, there's a photo of Bob standing in a cotton field near Turkey, Texas and he's got his arm around a young boy that looks about 13-years-old at the oldest. The young boy was my grandfather, and the caption beneath the photo states that Bob is posing with a relative in the cotton fields near Turkey, TX.

I didn't read this book until a few years ago, and I read it cover-to-cover. It details EVERYTHING, including a consistent barrage of extensive notes and details about the writing and progression of almost every song from concept-to-recording, and all the events surrounding anything that Bob Wills and his Texas Playboys must have done. In fact, you almost feel as though you are reading a virtual daily journal as if the author walked side-by-side and recorded the details as time progressed over many decades of Bob Wills' life. It's all documented perfectly, as most of the documentation came from bandmembers or friends or relatives...and 99% of each person's accounts were cross-checked against other sources for authenticity. Mr. Townsend definitely wanted to get the real Bob Wills rather than a comic book version pieced together by wild tales and drifting imaginations.

My favorite parts of the book deal with the intertwined perfection and imperfection of Bob and his life. Here's a guy who was born into poverty, ran away from home as a young teenager to escape poverty, almost became a preacher when he was found by a Godly family after running away, went back home to help out the family on the farm, almost got thrown into prison had it not been that for the local policeman recognizing who he was and letting him go after a failed robbery of a tire at a closed gas station, and then you've got repeated failures in almost every line of work you can imagine. And all along the way, through all of the misery and the rejection, he always had his fiddle (known as a "violin" for people north of the Mason-Dixon line) that bailed him out of trouble.

Bob didn't WANT to use his fiddle for gain, but it always saved his rear when he was in a real pickle. He finally travels to the Dallas-Fort Worth area during the depression, which wasn't a good place to be, to tell you the truth. He gathered up a couple of guys to audition for a spot on the Light Crust Flour radio spot--Back in those days, companies hired musicians and various entertainers to perform on the radio and at live concerts. Usually, the name of the band was surprisingly enough the name of the product being pitched. In this case, whomever played for the Light Crust Flour company was named "The Light Crust Doughboys." Funny-sounding, yes, but back in the day it was a sure-fire way to make a connection with the blue-collar families that listened to the music on the radio while also being spoon-fed a healthy dose of advertising.

To make along story short, Bob and his boys were a hit. Contract disputes; however, with the head honcho of the Light Crust organization led Bob to lure his bandmates away to Tulsa, OK, where they set up shop and were known as "The Texas Playboys." Huge fame came to Bob and his band. He had the largest band in the world, and had many people laughing at the sight of anywhere from 20-30 bandmembers lining up on stage at one time on any given night. His band rivaled, and probably even surpassed, Benny Goodman and any other mainstream Big Band-style band. Almost like our nation's standing army, if you were approved by Bob Wills to be good enough to be in his band, you were "on call" and could travel and make good money whenever the opportunities presented themselves. Bob was driven, and was a definite Type-A personality who had everything done his way. I can't remember the real number, but he made sure his entire band knew BY MEMORY hundreds of songs, if not thousands. He wanted to be able to play a dance anywhere in Texas, or any other state for that matter, and he wanted to strike up his band in an instant if a spectator from the crowd hollared at Bob to play a certain song.

This brand of customer service made Bob Wills a legend. Every band member knew his role. Every band member knew he'd be cut from the team like a washed up NFL player if he didn't measure up. They practiced all day long, almost every day of the week. They would sometimes travel way out of the way on the way back home from a tour to go and play a funeral for someone, and then REFUSE to be paid for the performance and even for expenses of traveling out of the way. Bob would slip a down-and-out person a few bucks so they could buy their child some food or some shoes...and he'd make sure it stayed a secret as long as it could. In the book, there are countless witnesses who say they knew Bob was so generous because he knew what it was like to go days without a meal and have nothing but what he had on his body at the time. Bob was never consistently financially wealthy because he gave most of it away over the years.

Sadly, Bob had severe faults that often outweighed his good deeds. He was a drunk, sometimes missing performances and thus placing a huge burden upon his band to let the crowd know that "Bob has the flu and can't come out of the tour bus to play." People must have prayed for Bob a lot, wondering how one man could contract the flu as often as Bob did. He had a knack for anger and foul language, and he could "let you have it" (as we say in Texas) at a moment's notice. He couldn't stay married for longer than a day or two, though a couple of marriages were longer than the other three dozen that had failed miserably, and it was mostly due to his overly possessive handling of his wives. His wives were made to stay in the home all the time, especially when Bob was away on a tour. He feared his wife going out and potentially striking up a relationship with another man while Bob was away. The same thing happened every time: The wife couldn't stand Bob's suspicious nature and lack of trust, and who could blame them? If a bandmember stepped out of line on the tour...he'd find himself with a one-way ticket home and he might not ever be asked to go on future tours ever again.

Lastly, the attack at Pearl Harbor paralyzed his career. Almost all of his bandmembers signed up to join the military in the days after the attack. The good 'ole days were over for good. He drifted away. And then as time went on, several country-western artists (Merle Haggard) paid tribute to Bob and recorded a reunion CD with some of Bob's surviving bandmates. At this time, Bob was crippled from a severe stroke and sat in a wheelchair in the recording studio. "Bob Wills and The Texas Playboys, For The Last Time" has Merle Haggard at the helm for many songs, and he does a great job. During one song, "When You Leave Amarillo, Turn Out The Lights..." Bob breaks his paralytical silence and moans audibly on the CD at different points throughout the song. It's a sad sound, and I think it's due to the fact that Bob's memory was not as plagued as the body was at the time...Amarillo held a special place in his heart because his one "true love" lived there when he was a young man. He had lost track of her, but found her in Amarillo and went to her house with flowers for what he knew would be a great reunion of two kindred spirits. The father greeted Bob and told him she was just engaged and the soon-to-be-groom was on his way at that very moment to see her! It crushed Bob something fierce, and he stayed until the young man got to her house. Bob stood right up in the man's face and let him know that he better treat her well. He assured Bob he would, and then Bob wallked out of the door and back into the cold Amarillo winter...crushed, heart-broken, and without anything to really live for. To me, this incident was the beginning of a dark and terrible time for Bob. He went a long time before clawing his way back to the top, and I seriously doubt he ever forgot that cold Amarillo evening. Listen to the song, and hear Bob's groaning when the lyrics say, "...when you leave Amarillo, turn out the lights..." There's something there that says Bob might as well have died in Amarillo than continue on with the thought that he missed marrying his true love by only a few days or months. I am married six years now, and thank the Lord I will never know what that feels like. It must be awful.

Bob represents all of us: We want to do good for other people, even when we have nothing to give or everything to lose. But we also do bad when we know we shouldn't. And through the good and the bad, what's really important is that we never give up trying to do what's right in the face of wanting to do what's easy and convenient for that part of us that desires to do bad. Bob was so eerily conflicted inside: "Do I use my fiddle like some bargaining chip, as a cheap trick to dodge the bullet? Or am I really playing the fiddle because I love it and I want to spread joy to people who love this music?" I think he loved his fiddle, and he loved the music he made--it shows in the quality and in the passion of his music. It was that hint of suspicion that he had of himself, the part of him that said, "Bob, you're using the fiddle as some sort of tool to get what you want, and it's wrong for you to betray the true nature of music to do so" that tore Bob apart all his life. I don't think he ever found peace with himself. He was his harshest critic, and that's a sad thing. When you see older folks from his era get all misty-eyed when they hear his music or when you ask them about Bob Wills and what he meant to them when they were younger in Bob's era...you know he was way too hard on himself. But he couldn't enjoy it to its fullest potential. Born a victim, died a victim. Born to physical poverty, died with emotional poverty. And it was Bob who robbed himself and made himself poor in the end.

The music? It lives on. In dance halls across Texas. On classic country radio stations. In the books. On the CDs. In the hearts of people who know a good fiddle lick when they hear it. As Waylon Jennings sang one time to the enormous cheering of some dance hall's patrons who were listening and dancing to Jennings' live performance, "...In Texas, Bob Wills is still the King." For that, Bob should be proud had he lived a little longer. He would have been a richer man for it.

You would do well to get this book, and read it. It'll teach you a lot of life lessons. Some day, when I have the money...I'm going to make a movie out of it. And what a masterpiece it will be. "The Texas Playboys are on the air!"

-- Pecos Shafer of Amarillo, TX.

While this slight volume can't hold a candle to something like Will Friedwald's comprehensive analysis of Sinatra's recorded career, it's quick and handy. Moreover, while the authors' selections will inevitably produce disagreements, their choices are unlikely to provoke incredulity (no "My Way," or recommendations from the "Duets" albums). And when there are multiple versions of the same tune, which is more often than not the case, the authors give helpful rankings of the best choices. But just to give you an idea of how necessarily inadequate a collection limited to 101 recordings is, Sinatra's absolutely sublime, definitive Reprise recording of "I Hadn't Anyone Til You" is not mentioned. Still, I find myself making more use of this book than any other about Old Blue.

The music of Frank Sinatra is timeless and though the title contains the words "the 101 Best Recordings", you may find that it is just a starting point and find your own 101 favorites. You have over 1000 songs to choose from so your picks are bound to be different than the authors. The book lays out 101 excellent songs, gives information to listeners (date recorded, album it can be found on, arranger, etc.) and tells the background of the song and sometimes an anecdote about when it was recorded. The book is not only for longtime fans of Sinatra's work (though they will be more familiar with all the names, etc.). If your Sinatra cd collection extends to one cd of his greatest hits, then this book can help you figure out where to go next. The stories and anecdotes may not mean much but you can figure out if you want to explore Frank's Columbia, Capitol, or Reprise years. For the experienced Sinatra listener, the book is excellent for starting debate with fellow Sinatra fans or perhaps rediscovering a gem you've forgotten or never really listened to before. Obviously, it is not a biography so don't expect stories about Frank the man, just Frank the singer. My only complaint is that I wish they gave more detail to the songs. I realize they had 101 songs to review, but I wanted more background about the recording session and Frank's opinions and views of the songs. However, there are other books for that.

Sinatra's approach to lyrical interpretation and his unique sense of tempo is what set him appart from the rest. Sinatra 101 is an excellent compliment to any Sinatra record collection. Too bad there is not a CD Box set of all the songs listed in the book so that readers could read along as they listen to the master at work. As a vocalist and student of Sinatra's sound, I have greatly benefited from Sinatra 101. Sinatra 101 has expanded my knowledge of the music and provides an excellent reference source which I have used to educate audiences during live performances. STRONGLY RECOMMENDED READING FOR ANY SINATRA FAN.

How do you pick the 101 greatest Sinatra recordings? The authors certainly came up with arguably the definitive list,and presented it in a most enjoyable read.Another reviewer wished there was a CD boxed set to accompany the book. I did the next best thing. I have an extensive Sinatra collection and I happen to have all the 101 songs(the correct versions). I bought some high quality cassettes and simply went through my CDs and tapes and put together the audio to the book..three 90 minute and one 60 minute tape covered the 101 songs.Needless to say, it was a labor of love putting these songs in order and is fascinating to read the descriptions and history of the songs as they are playing.

While the popularity of the Sinatra persona will rise and fall as fashions change, the music is timeless. "Sinatra 101'' spotlights the songs and the stories behind them. In concise, to-the-point language, the authors, Ed O'Brien and Robert Wilson, offer the sort of critical insights that will send you rushing back to the songs themselves, giving you the chance to fall in love with the music all over again. What more can you ask?