Galleries Books

This book was purchased for a college research project and it was just perfect. It talks of Kandinsky's color theory and how music and color co-exist. The seller was professional and I got the book when it was promised. I would order from this seller again...definately!

Wassilly Kadinsky was a 20th century painter and his CONCERNING THE SPIRITUAL IN ART provides a blend of philosophical, spiritual and artistic reflection as it examines the premises and presence of spirituality in art. This new edition is a recommended pick not just for art students of modernism, but for readers of spiritual works: it includes letters between Kadinsky and Sadler, unpublished prose poems, and a fine attention to artistic reflection and analysis.

Diane C. Donovan
California Bookwatch

I enjoyed reading the book. At times it was over my head,but still it was worth the effort!!!!

Kandinsky had risen to positions of influence in other disciplines (political science/economics and law) before directing his considerable intellect to painting. His insights extended into the historic 'meta' trends of the arts and sciences, including the physical sciences, and had his interests been directed more to the history and philosophy of science instead of the history and philosophy of art, he might have written Kuhn's observations regarding paradigm change a half century before Kuhn did: "Here and there are people with eyes which can see, minds which can correlate. They say to themselves: 'If the science of the day before yesterday is rejected by the people of yesterday, and that of yesterday by us of today, is it not possible that what we call science now will be rejected by the men of tomorrow?' And the bravest of them answer, 'It is possible.'"

Instead, Kandinsky extended the frontiers of painting and authored philosophic writings on the future of art that are among the most important of such works. M.T.H. Sadler, who translated this work into English, was a friend of Kandinsky's and was among his early admirers. The notes he has written in the front of the book (Translator's Introduction) are therefore more helpful than could be the opinions of many other critics, including myself:

"Anyone who has studied Gauguin will be aware of the intense spiritual value of his work. The man is a preacher and a psychologist, universal by his very unorthodoxy, fundamental because he goes deeper than civilization. In his disciples this great element is wanting.

"Kandinsky has supplied the need. He is not only on the track of an art more purely spiritual than was conceived even by Gauguin, but he has achieved the final abandonment of all representative intention. In this way he combines in himself the spiritual and technical tendencies of one great branch of Post-Impressionism.

"The question most generally asked about Kandinsky's art is: 'What is he trying to do?' It is to be hoped that this book will do something towards answering the question. But it will not do everything. This--partly because it is impossible to put into words the whole of Kandinsky's ideal, partly because in his anxiety to state his case, to court criticism, the author has been tempted to formulate more than is wise. His analysis of colours and their effects on the spectator is not the real basis of his art, because, if it were, one could, with the help of a scientific manual, describe one's emotions before his pictures with perfect accuracy. And this is impossible.

"Kandinsky is painting music. That is to say, he has broken down the barrier between music and painting, and has isolated the pure emotion which, for want of a better name, we call the artistic emotion. Anyone who has listened to good music with any enjoyment will admit to an unmistakable but quite indefinable thrill. He will not be able, with sincerity, to say that such a passage gave him such visual impressions, or such a harmony roused in him such emotions. The effect of music is too subtle for words. And the same with this painting of Kandinsky's. Speaking for myself, to stand in front of some of his drawings or pictures gives a keener and more spiritual pleasure than any other kind of painting. But I could not express in the least what gives the pleasure. Presumably the lines and colours have the same effect as harmony and rhythm in music have on the truly musical. That psychology comes in no one can deny."

Some aspects of Kandinsky's color theory are dubious, at best they cannot be universalized, and Kandinsky sees this. But other of his ideas and arguments are widely accepted among artists, even as being self-evident. Stating that "there is no 'must' in art, because art is free," that is, free to address external representations OR "the inner need," to merely chase after material 'objects' OR to wrestle with the mysteriously spiritual, to somehow meld the two visions OR to stay purely to exploration of the spiritual high ground, Kandinsky absolutely rejects the materialistic expectation of an art "explanation" that has been articulated by EO Wilson in his unfortunate daydream 'Consilience' (Wilson knows ants better than he knows humans, and is given to understanding humans to be essentially ant equivalents).

Anyone interested in art history, painting of the past century, or the relationships/correlations/divergences of the various arts (visual, musical, literary), as well as anyone interested in the meaning and purpose of art, or in the philosophy of aesthetics, should read this important book, perhaps more than once.

Kandinsky throws his ideas out in a slightly esoteric manner. It make take a few rereads to really grasp the quality of discourse he presents. But, in the end, his commentary shines brightly through his comparisons of music to painting. The spiritual triangle is comparable to Maslow's Hierarchy of Needs. It is important to remember that Kandinsky is not using the term "spiritual" in a religious sense.
This book is a very good read for anyone feeling slumped in their art making. And for anyone who wants to expose themselves to ways of thinking about art. By the third time I had read the material I had underlined and highlighted almost every line and filled all the margins with notes. The book is fantastic. It is especially good when paired with Hans Hofmann's essay "In Search for the Real." Although the ideas in the two books do not parallel. In fact the lines aren't even on the same page. Kandinksky's critiques of other familiar artists are very interesting too. Names like picasso and Cezanne pop up quite a bit.
I'll stop rambling now. Read the book, it is very good.

The first half of the twentieth century was filled with constant change and development; it was an exciting time to be alive. "A Journey into Dorothy Parker's New York" is a focus on the woman herself, but a bigger focus on the city she lived in and its constant change through two world wars, a great depression, and so much more events. Filled with countless photos, both color and black and white, "A Journey into Dorothy Parker's New York" is a seminal look at the woman and the city, sure to please fans of her work and New Yorkers alike. "A Journey into Dorothy Parker's New York" is highly recommended for community library biography collections and students of the history and culture of New York City.

Detailed enough for Parker enthusiasts, yet accessible to the new Parker fan, this beautifully illustrated book has something for everyone. Even after reading the book, I find myself dipping back into it to reread various sections and look at the gorgeous photographs. If you or someone you know is a Parker fan, buy this book!!

This book is a fun and informative read. Any fan of Dorothy Parker needs a copy of this book (hell, I have two!) Kevin is able to provide the reader with a tour of an era. Great!

This book provides an armchair walking tour of the meaningful places for the writer Dorothy Parker in NYC. It is also an excellent accompaniment to the Portable Dorothy Parker.

I love Dorothy Parker, New York, and the 20's, 30's and 40's to include the clothes, music, theatre, books, personalities - the whole culture of that era. This book touches so much of that. It's the portal for stepping back 70-90 years - and for becoming addicted to celebrating all things DP. You can take your own tour with this book (either actual or virtual) and feel the energy and excitement of New York, see buildings that no longer exist or now have different facades or purposes. You can even pop into a pub along the way and fully develop that hint of whisky or gin that you think you smell in the alleyways - or on the pages.

I have purchased copies of this book as gifts to friends and loaned my copy out several times because it never fails to prompt further interest in Dorothy Parker, the Vicious Circle, and New York in general. I've found that A Journey Into Dorothy Parker's New York is equally enjoyed by friends you might say are more academically inclined as well as those who are more experientially motivated.

Rick Steves is a total nut job wacko (I met him once in one of his recommended hotels in Paris!), but this is hands down the greatest travel advise I can possibly imagine. The Rick Steves style of travel is not for everyone (my mother-in-law for example) but by using the advise in this book, most people should have a fabulous European vacation.

This book is filled with great advise to successfully plan and enjoy a trip to Europe without the fuss of an organized bus tour. Meet locals, enjoy great food, and stay at charming little hotels on a suprisingly inexpensive budget.

This is a must read for anyone who is even thinking about traveling overseas independently. Going to Europe independently (either solo, as a couple, or small group) is by far the best way to see Europe in all its pretentious, snobbish, dirty, crowded, smokey, rude, elitist, and hyprocritical, yet beautiful, fun, friendly, historic, great-tasting, exciting, and romantic charm.

**NOTE** This not a travel guide with suggested hotels, restaurants, etc. but rather a travel skills handbooks; how to find a hotel room, make your way around a European train station, or order a meal at a "No English spoken" restaurant. His series of guide books dedicated to individual countries are also worth checking out has yet to steer us wrong on three trips around Europe.

I love this book. What else it there to say. I refer to this book ALL THE TIME. I was living in the UK and planned a few trips to the continent, and this book was invaluable. From desitnation suggestions, to places to stay, as well as advice, and little secret tidbits. I love it. Anyone traveling to Europe needs to buy a copy of this book!

I have used Rick Steves' books for over 6 years in varying capacities, and if you read them with the idea in mind that he is first and foremost a teacher, you can get more out of these books. They are definitely helpful to those who find travel abroad intimidating at first, and after giving it a go, will follow his travel pedagogy and break out on their own path, looking for their own back doors. While he does 'reveal' some well-known (to Europeans) 'back doors', they are places that do offer a different aspect of Europe than the popular destinations.

I bought this book in preparation for my first trip to Europe last summer. Two of us were going to be traveling around Europe for approximately three weeks.

We're students so we were clearly on a budget but not incredibly limited.

This book was a God send! I used it to structure my budget, itinerary, everything. While I can't discount the help of online resources (particularly http://www.guideforeurope.com) I couldn't have planned the trip without this book.

I recommend this book to people planning a first trip to Europe or a first independent trip to Europe. Now as a caveat I think you should use parts of this book but not treat it like a Bible. It's a starting point and then the rest of up to you - but as a starting point it is fantastic!

In addition to this book I highly recommend Rick Steves Best of Europe book. His entire series is just fantastic -- if you use these books your trip will turn out incredible and you'll be a pro at planning!

I must admit, Rick Steves knows what he's talking about when it comes to travelling through Europe. I backpacked through four countries in Western Europe this summer and I followed much of the advice contained within this book in my preparation and travels. I encountered no problems in my travels, but it still felt good to be better prepared than not. As far as the back door adventures . . . well I didn't get to any of them. I stayed in the large cities and the "touristy" spots of Europe, but the information and advice within this book is beneficial to anyone, regardless of where they're going. The only thing I didn't do that Steves recommended is to leave the book in the hostel for the next traveler. I'm going to keep this book and use it the next time I prepare to fly off to Europe for awhile.

A beautiful book in it's own right but with a use. The alters can go anywhere with you and brighten your life and bring support when meditating.Each alter can relfect your wishes for that day. I love it.

Awsome artwork and creative folding and cutting make beautiful pictures on each and every page of this imaginative creation.

This is "just fine" for taking on the road. A lovely 3D series of altars that can be very easily packed and opened wherever and whenever.

Tibetan Buddhism is intimidating in its complexity. Despite the Dalai Lama's accessible,user-friendly books about happiness and compassion, it remains exotic with its visualizations, mantras, and imagery.

"Tibetan Buddhist Altars:A Pop-Up Gallery of Traditional Art and Wisdom" is a colorful and surprisingly reverent introduction to Tibetan Buddhism. The "portable altars" are to Shakyamuni Buddha (the historical Buddha),Padmapani Avalokiteshvara,Green Tara,Manjushri,and Medicine Buddha. The chants are written in Tibetan with English translations.The symbolism is explained. For western Buddhists who have passing familiarity with Tara, Avalokiteshvara (the Dalai Lama is considered an embodiment of him), and the various forms of the Buddha, this is helpful.

This is a wonderful introduction to Tibetan Buddhism for the beginner. It's high-quality and colorful. It's a SPIRITUAL pop-up book! (and there aren't many of those)

This was a gift for my adult granddaughter who spent a year in India studying Tibetan and Nepali religion, culture and languages. She was delighted with it. The format of having individual altars, with accompanying explanations, was perfect for this subject matter.

If you have read William's Dunham's " Journey through Genius ", "Euler,The Master of Us All", there is no need to add anymore praise to this book,just buy it and enjoy it!!!

Well worth the effort! The beginning is easy (but very informative) if you've had college level differential and integral calculus. Then there's Cantor and Lebesgue!! Tough going, but very satisfying!

Pete

wonderful book, adds mathematical context to the ideas developed. good to read along a textbook on analysis.

If you are up on your math it almost reads like a novel. I can't say anything about it that hasn't already been said, but just affirm all the positive comments. If you like math you will love this book.

If you enjoyed "Journey through Genius" by the same author, you will also enjoy the present volume. It requires more math knowledge (at least a working knowledge of calculus), but the level is aimed at a bright high school AP student, or a college undergraduate I would recommend it for even serious mathematicians who would like to know more about how the present state of knowledge of analysis came about. I would especially recommend it for teachers and students of calculus. Too often, ideas which took literally centuries to mature are presented in finished form, as if some mathematician sat down one day and wrote out finished, rigorous theorems. Seeing how even venerable mathematicians like Newton and Cauchy got results without the rigour which we see as necessary today is an eye-opener, and should be an encouragement to experiment and "learn by doing", and not to be afraid to go boldly forth, even if you haven't dotted all the "i" and crossed all the "t".

The large format publication is awesome. The artwork is of excellent quality and serves as inspiration for joyful meditation sessions.

What a beautiful, sacred and incredible collection of artwork. The book is absolutely stunning!

I've owned this book for 7 years. I admit that I love the art --the mandalas are beautiful. Romio Shrestha is a good MANAGER of good artists (I've never seen him actually PAINT a mandala HIMSELF, and even he admits that the mandalas are painted by monks he has "commissioned.")

And Ian Baker's text to this book is extraordinary.

BUT -- and these are some BIG concerns:

INACCURACY: The mandalas contain numerous inaccuracies in them, and do not reflect deity or yogic practices as accurately, precisely or in as much detail as do the works of many others who actually PRACTICE the Dharma (which Romio does not) -- day in and day out -- see, for example, thangkas painted by His Holiness the Dalai Lama's personal thangka artist in Dharamsala, or even more Western-accessible Andy Weber.

AS IMPORTANTLY: I've met Romio Shrestha. He is a player, a wanna-be playboy, and a charlatan -- a cheap imitation of what non-discerning and gullible Westerners will believe a tantric master to be, or a self-appointed swamiji or yogi. When I met Romio the first time, he was at an international WOMEN's peace conference, lurking about, pretending to be a yogi or swami, chanting mantras and "casting spells" on sacred pendants -- all a pretext for the fact that he was stoned out of his gourd.

All he was doing (I saw this, first-hand) was smoking pot in a hotel room designated for the media production team -- trying to pick up women!!!

Romio tried to come on to me by chanting the Ganesha mantra while holding and offering to me a cheap fake silver Ganesh pendant. I recognized the pendant instantly as identical to the handfuls of pendants I had picked up on my many trips to India, dozens of years previously. The main problem for Romio was twofold: (1) I am intimately familiar with the Ganesh mantra -- Ganesh is one of my protector deities!; and (2) as a longtime practitioner of a Kriya Pranayam meditation practice, a longtime Tibetan Tantric practitioner (I keep my samaya), and with live-wire activated Kundalini, I am INTIMATELY familiar with energy player PRETENDERS.

As soon as I chanted the Ganesha mantra back to him, Heart wide-open, staring him directly in the eyes the whole time -- he scurried away, like a cockroach does when the light is turned on.

I bear Romio no ill will. Romio is, ultimately, pretty harmless to most people (except pretty young things, whom he will try to pick up by his pretense of being a "tantric master.") He's got trickster energy -- which can actually be quite fun, when it's recognized and acknowledged as such by the person who is the container for it (rather than some kind of "high teacher" egoic pretense). The bottom line is that he has NO genuine spiritual juice, NO genuine foundation in Tibetan tantric practices, and he is FAR from being a genuine spiritual master, of any kind.

The art he helps bring into the world is beautiful. But his schtick? Kindly stated, it's mundane at best.

Things are never as they seem . . . especially where spiritual materialism is concerned.

Thanks for listening -- to my humble opinion, of course! :)

I have a modest collection of new, good-quality Thangka ($150 to $400, up to 25"), but the quality of the Thangka displayed in this collection are beyond my price and size range. If you are considering buying a Thangka, get this book first to see how high the bar can go. No faded antiques here. For the most part the book's format is one page text, one page painting, but some intricate Thangka such as the "Wheel of Life" are broken down and explained in more detail.

The near poster sized book of mandalas is truly perfect for the subject. Traditionally done in sand to mirror the transcient nature of life and beauty, this book is wonderful to behold. One can easily frame the individual plates but it's not merely a bound poster book. The text is nicely written and informative. The mandalas are really first rate, so intricate and detailed, that they transcend even beauty. It's surprisingly heavy (nice glossy paper) for a book that is the thickness of a children's book. Best displayed open to your favorite page.

I have always been a great fan of Chris's music. He has a way to tell you stories about rodeos and cowboys that goes straight to my heart. He has that silk, and passionate voice that grip your attention. If you listen to his songs you'll think I'd like he write a book about that song. If you buy the book, you'll think you would him to read it for you with that special Wyoming cowboy melodious voice. Better save your money for both! Domi

This book is great if your a Chris fan. It tells great stories and is a must have for collectors.

A must have for all Chris fans- and rodeo addicts everywhere! Very well writen and thought out. After reading this book, it is obvious that Chris LeDoux writes from the heart. He is in a class of his own.

I think Gold Buckle Dreams is fantastic. Chris LeDoux represents what is great about our country about rodeo, and about country music. Gold Buckle Dreams lets us see some of the stories of the life of an American rodeo legend. It is great to find someone with such talent, also being someone of such dignity, and heart. Chris LeDoux's music brings to life these stories from his life. Buy the music, then read the book! Chris' songs had pieced together a story of his life in my mind , and Gold Buckle Dreams opened the door to see even more of the life of a champion.

This has to be the first book that really caught my attention. I've never been one for reading much, but this book kept me awake till early hours of the morning because I couldn't wait to see what would happen next. It has also given me a few ideas on how to play pranks on rodeo buddies. I highly recommend this book to anyone who is curious about rodeo both as a living and as a sport. I thought that I wouldn't be interested in this book because Chris was a bareback rider and I ride bulls, but that is only a minor detail in the main plot of the story. It's grrrrrrrreat!!(Tony the Tiger impression)

Great Book. It's a wonderful comparison of the manga and the Anime as well as a great reference for how each character is developed. Also makes a great picture book for my 2 year old. She sits with daddy and looks at the picturers.

This book has lots of interesting info on all the characters and enemies throughout the first part of this great anime/manga series Inuyasha. It has many full colored pages and director, voice actor,etc, commentary. It also features sketches of important characters and enemies in the series from Kagome, Inuyasha, Sango, Miroku to Kaede, Seshomaru, Jaken, Yura, Mistress Centipede, and many others. I found the sketches useful for learning how to draw. Anyways, this is definetly a must have for all Inuyasha fans.

First of all, let me say my daughter is a complete InuYahsa addict. :) She loves the serial tale. That said, this book is marvelous! It has drawing examples, story snippets, voice character interviews.... very informative.

Beautifully colored drawings and detailed black and white work.

My only complaint refers to the hardbound version..... The spine of the book broke down the back very quickly and had to be taped. Otherwise the book is very well constructed.

Be aware the book is made to read from back to front in the typical Japanese manga manner. A little difficult for me, but my 9 year old daughter grasped the concept immediately....

Well worth the money for reference value alone.

Other reviewers have given accurate particulars about this volume, and I agree with their high ratings. This book is really a delight and a perfect way to spend a couple hours in Inuyasha bliss. I was incredibly impressed with the color panels from the manga, taken from Shonen Sunday Jump. The beautiful printing job brings out the quality of Takahashi's art, and I find myself going back and studying these pages again and again. There is also a nice section at the beginning (short but sweet) about the difference between manga and animation when it comes to storytelling techniques. As it's been said elsewhere in these reviews, if you're a fan of Inuyasha, this is a must-have. Keep in mind this isn't a voluminous book with tons of text ... you can read the whole thing in just two or three hours. But the art in it, and its A-plus presentation here, offers many more hours of enjoyment and you may, like me, find yourself returning to this book repeatedly and feeling like you've picked it up for the very first time. The art in it is that good.

I am actually over 13 years old , however I didnt want to give my email address out so I said I was younger. This is a great book. I bought it for my 16 year old son and he absolutely LOVES it. He is into drawing japanese animation and this book was a great inspiration. All of his friends who are mostly the same age want to get the book to. I did see it at Borders also , for the same price , and you dont have to pay shipping and handling charges, also you dont have to wait for it to show up. Borders also had a huge selection of other Inuyasha books and other Japanese animation characters.

Absolutely too funny! A must have for even those who may not consider the late Gary Larson their favorite cartoonist.

Gary Larson is a twisted, demented personality and we are all better for it. His cartoons are some of the most absurd, yet hilarious concentrations of humor that have ever existed and this collection is no exception. Nothing is too sacred or too bizarre to escape the drawing and writing tools of this master. If you have a macabre sense of humor or can tolerate one, then you will love this book.

Far Side really doesn't need a review. It's hilarious and anyone who has ever read it will agree with me. It's a classic! My favorite one from this book is the fear that no matter where you are, a duck a watching you. Too funny!

Gary Larson has created the funniest cartoons in the history of mankind. Unlike other comics you do not need to read them in a series as each individual cartoon tells its own hilarious story in a stand alone fashion. Therefore you do not need to have read the previous volumes to enjoy this edition to its fullest.

Fourth in the series of Far Side collections, the 1994 originally released Gallery 4's cartoons come from the smaller books Wildlife Preserves, Wiener Dog Art and Unnatural Selections. This volume is forwarded by Robin Williams who gives a four paragraph opinion on Larson and his work. Far Side Gallery 4 also have a unique cover where the lenses of the woman's glasses have been cut out, meaning when you open the cover, still viewing the exact same drawing, the glasses are on their own on the next page. This however does mean Gallery 4 has the most fragile cover of all the galleries.

A mixture of four comics to a page and full page comics make up this volume, most are black and white but with the occasional coloured pages every now and then. Classic Far Sides in this volume include aliens with the moon landing astronauts in a jar about to shake the jar to see if they'll fight, the hospital for mothers whose children stepped on sidewalk cracks, the famous Mr Ed verse Francis the talking mule debates, punk accountants and many more hilarious cartoons such a chicken reading a sign on the other side of the road saying Why Do You Need a Reason?

This like all Larson's work is a must own!

This book is a real HOOT!

I guess the thing that makes Larson's cartoons so different is that his mind is just a little further off in space than where most of ours dwell.
Reading a whole book of these cartoons is a very different thing from looking at individual cartoons over an extended period.After 10-15 pages your mind tends to get climatized to this thought process and his cartoons almost start to feel like the normal ,rather than perverse, way to look at things.
We all need this exercise in mind-stretching and it is great to do it with humor.
I strongly recommend it to anyone who is not already a fan of Larso;myself for instance,at least until now.
If there are a few cartoons in the book that you did not "get";it simply means your mind is not totally warped yet.Just keep at it,you'll make it!
Enjoy !

This collection, as the other 4, are one of the best comics you can read! Great! Yuo must have it!

Here's another omnibus edition of Gary Larson's weird, wacky and utterly hilarious cartoons. To enter Larson's world is to enter a world where animals have meaningful conversations, bugs make their homes in nice suburban houses, flies fly planes etc, etc. Certainly not the mainstream kind of cartoon but for anyone who likes 'off the wall' type humour this is a 'must buy'. Absolutely hilarious.

gary larson is one he best cartoonists ever! you have to travel to the far side! all of his comics will have you thinking! its great! buy it, you'll love it!

As a satirical cartoonist, Gary Larson has no peer. His biting and hilarious insights often require a great deal of thought before you get the point. If you are not familiar with the reference used to create the cartoon, it is unlikely that you will get the point.
For example, on page 42 there is a cartoon showing deer engaged in an excavation project with a mounted cowboy observing them while perched on a hill. The caption is "Where the deer and the antelope work." If you do not know about the song, "Home on the range", then you will not understand the joke. Another example on the same page shows three frogs lying among cattails holding wine bottles. The caption here is "Yeah, I remember Jerry. Good friend of mine ... You know, I never understood a single word he said, but he always had some mighty fine wine." Once again, if you are not familiar with the song "Joy to the World" by Creedence Clearwater Revival, the joke will most likely pass you by.
Gary Larson is a genius, where that quality is manifested in ways that are twisted, yet profound. This book is hilarious.

Larsen is the world's greatest cartoonist. Too bad he retired. I have envelopes filled with his cartoons clipped out of the newspaper (10+ years ago!) that I still can't bear to throw away. So I suppose this book was a good idea. It will take up less space than several bulging envelopes.

For younger people who can't remember his cartoons in the paper every day, you need to hurry up and start collecting his books so you can always be within arm's length of a smile or a laugh.

Also, I love the story about the "Jane Goodall Cartoon"

--George Stancliffe