Galleries Books

This is a great book to have. Wonderful pictures. Great detail. A must have for anyone interested in miniatures.

If you've ever visited the Art Institute and wished that you could spend more time enjoying the Thorne Rooms, this book is a way for you to visit them as often as you would like.

"Miniature Rooms" begins with a brief history of Mrs. Thorne and how the rooms came to be. The rest of the book is a complete catalog of the Rooms, divided into two sections - the European rooms and the American rooms. Every room is beautifully photographed from at least two angles, using the existing lighting in the rooms so that each has the same realistic quality enjoyed in the Institute. Along with each photograph is a description of the room and its furnishings. I would recommend "Miniature Rooms" to anyone who enjoys the Art of Miniatures.

I had not heard anything about the Thorne rooms before, so when I received this book as a gift, I became completely enthralled with the images that were captured. As an avid lover of historic preservation and the decorative arts, I really appreciate how Mrs. Thorne captured the different historical eras in the fashion and furnishings of each room. It is truly amazing how detailed each room is. If you love historic preservation and/or miniatures, then this book is a must see and read!

This is certainly the definitive book on the sixty-eight miniature rooms in the Chicago Art Institute. Each room is given two photographs along with a description of the room pictured. The book also contains information on Mrs. Thorne and how the rooms came into being. Her artistry in creating miniature rooms which seem more like full sized interiors was amazing and her sense of taste and style impeccable.
I have visited The Thorne Rooms many times over the years and they never fail to enchant me. This book allows me to call them to mind easily and aids me in my own building of miniature rooms. The one thing that the book cannot show is the great attention to detail Mrs. Thorne gave to the rooms off the main rooms and the outside scenery created for each room. However, the book does give an excellent idea of the nature of the rooms and the reason why they are so famous and loved.

I found the address book to be very nice, better than any other I have seen recently. In this day of computer technology and printing, I would have liked to be able to type names and addresses in. The line spacing did not allow for this. Too bad, because the book is looseleaf.

This was the only fault I could find.

The beautiful paintings in this address book add to its charm. A functional little book that is as mobile as it is decorative.

A bit too crowded with address pages which causes the binder to pop open, but once you pull about 20 "backup" pages, it stays together fine. GORGEOUS pictures. Has space for addys, phone and email info. Nice "purse size".

Got this book for my Mother to update her "bible". Spaces for everything and lovely pictures to look at - she likes it because she's actually seen most of these pictures in their homes.

My sister bought me one of these planners 3 years ago. I liked it so much that I asked for one the next year too. This year, however, we couldn't find any stores in our area that carried them. I even search on the publisher's website, but that was just a dead end (it was for distributers only). So I decided to try Amazon and sure enough it came up in the first search. I was so excited to find it and even to get it cheaper than I would have payed in the stores! Thank you Amazon! I'm lost without a planner, you saved my scheduling!

This is a very beautiful appointment book. Plenty of space to write in. And the pages are sturdy enough, when the year is through, some of the reproductions could be framed. If you like art, get this one.

This is, in my opinion, the cream of the crop among art calendars. Each week features a cropped portion of a painting. I'm no art connoisseur, but I really enjoy the beauty that this calendar can bring to my eyes.

Beautiful soft cover engagement calendar printed on thick, good quality paper with a work of art for every week of the year, not every other page like some engagement calendars. Spiral bound so it lays flat on your desk. Something here for everyone from the Middle Ages to modern day - paintings, sketches & photography from Europe & America. An eclectic selection of art sure to please.

The guide is in excellent condition. And if you can't go to the Smithsonian, this certainly is the second best way to visit.

Really can't say but they were thrilled getting the book.
Was a Christmas gift so haven't gotten feed back on if it has been read yet. They did love the idea as they are going to spend the summer there and wanted to spend time at the Smithsonian.

This guide was purchased for a 12 year old who will be visiting the Smithsonian for the first time. I have visited the Smithsonian several times and feel this guide will be very helpful.

This book is just what you would expect from the Smithsonian, 224 pages of glossy pictures that leave you wanting more. The _Guide_ starts with about 35 pages of useful information such as how to get around DC and some of the history of the Smithsonian Institution. Then comes a quick survey of the different museums starting with that favorite, the Air and Space Museum, which is the home of the Wright Brothers first flying aircraft. And don't forget the Steven F Udvar-Hazy Center at Dulles Airport or you will miss a proto-type space shuttle. After surveying the rest of the Smithsonian museums near the National Mall, the _Guide_ includes a few other attractions in DC such as the National Zoological Park. A few noteworthy mentions in NYC round out the _Guide_.

Of course, you could spend your entire two week vacation at the Smithsonian and never see it all. (Do an online search to see how big it is.) If you use the _Guide_ to plan a trip to DC, one thing I might suggest is that you learn to use the Metro (subway) system. The _Guide_ mentions it, but it is too bad that a map of the Metro system was not included. (Get one online.) If you buy the _Guide_ in order to remember a trip to DC, one thing that will quickly catch your attention is that the National Museum for the American Indian mentioned is the one in NYC. Either way, the _Guide_ is well worth it.

Outstanding photography

I sent this book as a gift to my brother, who is a printer. He thought that pains had been taken with the photography to produce such fine prints. He compared it to another book of Restoration painters that he had once bought at the Guggenheim, having been thrilled with the original exhibition, but said that the Restoration photography had been careless and therefore did not print well, whereas the Hermitage collection exhibited outstanding photography. I didn't buy books that were available in St. Petersburg at the Hermitage because they didn't look good, but these were both beautiful and plentiful. I can't comment on the accompanying text, as I didn't read it.

I had very high expectations from "Paintings" when I ordered it, and they were all met! The volume contains beautiful fine quality, mainly full-page reproductions from the famous collection. "Paintings" is a beautifully designed, very substantial size volume which also offers Colin Eisler's very informative yet not imposing style of writing with which she guides us through the many periods of western art and the history behind Catherine the Great's collection. I, a Russian, can only appreciate the thoroughness with which the Hermitage collection is compiled in the "Paintings." I bought it along with "Paintings in the Louvre," both volumes are of the same format as if in the same series and will always be our priceless source for admiring some of the world's most treasured canvases.

Context: I'm not an academic or a scholar; I'm a regular guy who likes visiting museums when I travel and I wanted to do a little researach before I left. This book worked well for my daughter and I to determine which parts of the museum deserved the most time (on a short trip) and to get a better understanding of the works. I'm not qualified to evaluate it from an academic perspective, but as a layman it was exactly what we needed.

I sent this book to my mother after we toured the Hermitage this summer. She loved it. Lots of narrative, which she may not take time to read, but the pictures are great.

Without question, a must-have for any serious art lover. The quality of the text and illustrations are first-rate as is expected from the arguably finest art book publisher of our time. As essential to any library as "Paintings in the Vatican" and "Paintings in the Uffizi and Pitti." Keep them coming, Bulfinch!

Context: I'm not an academic or a scholar; I'm a regular guy who likes visiting museums when I travel and I wanted to do a little researach before I left. This book worked well for my daughter and I to determine which parts of the museum deserved the most time (on a short trip) and to get a better understanding of the works. I'm not qualified to evaluate it from an academic perspective, but as a layman it was exactly what we needed.

Excellent quality book. The pictures are very well presented and the texts are very precise.

I have numerous large books of this ("Paintings of the")type and this one has delighted me most. The many reproductions in this book are stunning - large, sharp and vivid is the rule rather than the exception. If you own the books on the Louvre, Musee d'Orsay, and Hermitage you'll love this because it outshines them.

Many thanks to the reviewer who mentioned that Bulfinch published this. I just noticed that Bulfinch also publishes Eisler's Masterworks in Berlin which also outshines the books above and is another favorite of mine. It's time to check my wishlist for Bulfinch publications and up their priority.

As one who had never been to Paris I found/find Ms. Anderson's book extremely helpful, as well as entertaining. The discovery of Paris is a very personal journey, and I give Ms. Anderson credit for NOT including photographs, because pictures limit ones' own experiences of Paris. If photographs had been included in this book, they would have limited my own imagination of African-American Paris, and my personal journey of discovery. Ms. Anderson is an accomplished writer and artist, who is very readable. Her artwork is intriguing. I highly recommend this book, as somebody who doesn't travel very much, however I also feel the seasoned traveler will also benefit from her research. It also makes a lovely gift.

Congratulations on work well done. While there are thousands of writings on Paris, add this to your list of Paris reading. While this work is uniquely geared towards a personal experience of Paris through the eyes of African Americans, it is a must have for anybody planning a cultural tour of the city of Paris. I congratulate Ms. Anderson for her enlightening and beautiful book!

Paris Reflections, Walks Through African-American Paris is a comprehensive walking guide through the streets of Paris. Written by Christiann Anderson and Monique Wells, two African-American women who have adopted the city as their home, the book is a well documented history of African-Americans and others of African descent who have lived, worked and played in the famed City of Lights.

As one reads through the book, the authors' love and appreciation of the city is evident. In Paris Reflections, readers follow six fascinating walking tours of the city and are treated to a treasure cove of information, the obscure as well as the familiar, from important dates in Africa-American history in Paris to profiles of colorful personalities who have lived and worked in the city. Well written and easy to read, Paris Reflections, Walks Through African-American Paris is a valuable resource for both travelers and non-travelers as well.

One recent Saturday afternoon, I set out, copy of Paris Reflections in hand, to do an actual walking tour of the Latin Quarter in Paris. My aim was to familiarize myself with some of the Black American history meticulously detailed in the book. I wasn't entirely convinced that this journey would be that enjoyable.

What followed was an afternoon of sheer delight, as I rediscovered some of the incredible beauty of this area, with the added bonus of a perspective of celebrated Black Americans from a different era. While their very haunts may have changed or even be totally nonexistent, the monuments and neighborhoods themselves are still intact, to be seen just as these personalities saw them.

I applaud the authors for what must surely have been a labor of love. One pet-peeve, however, is the lack of photos of the basic points of interest encountered during the walks. But, otherwise, the discovery process as presented in this book in this most beautiful of cities is worth the price of admission alone. I enthusiastically recommend this offering!

... A special feature of this book is that many of the drawings and engravings are on facing pages, or else on the same page so that they may be compared. As the engravings were done by others, the chance to make comparisons is delightful. The drawings have a warm light brownish tint from both the ink and paper and the engravings are black and white. There are days and hours of visual interest here.
... The text is informative; both scholarly and readable. The main catalogue has a huge 16 page bibliography (3 columns per page) and an index. The first 84 pages contain 5 chapters, by different authors on aspects of his work. Detailed information on provenances, literature and sizes are also provided. there are 274 illustrations.
... Also quality paper has been used in the book; highly recommended for the 'Pieter Bruegel the elder' lover.

Arguably the greatest Netherlands painter and draftsman of the 16th century, Pieter Bruegel was a well traveled artist. Documentation shows that between 1515 and 1553 he made an enviable journey through France and then to Italy. While in Rome he worked with a miniaturist, and was inspired by the Alps that he saw during his return to Antwerp.

A quiet man he was, nonetheless, given to pranks of a slightly frightening nature, very often surprising his students. What comes as a surprise to many today is the recent scholarship which sheds light on not only his life but his work as a draftsman and printmaker, extending to the social and political ramifications of his creations.

This magnificent volume is the catalogue for an important exhibit of more than 140 Bruegel prints and drawings. Included are scholarly essays as well as comparative illustrations. It is a valuable contribution to the annals of art history. For laymen it is a work to be savored and treasured.

- Gail Cooke

Proof of art is in strong impact on later generations and timeless appeal: both describe this first major exhibition of PIETER BRUEGEL THE ELDER: PRINTS AND DRAWINGS. His art had been the source of many copies, of which the most often copied was "Winter landscape with skaters," and late 16th- and early 17th-century imitative works, such as dotted atmosphere and forms around grainy ground and trees by Master of the Mountain Landscapes and Jacob Savery, thick forest wildernesses by Gillis van Coninxloo, and winter skating by Hans Bol. We mainly know him through his art and that of sons Jan and Pieter the Younger: most of his 40+ surviving paintings are from his last seven years, such as "Fall of the rebel angels," "Sermon of St John the Baptist," and "Wedding dance"; and terror against heretics, Protestants, and subversives by the Duke of Alba in Brussels wore away his final two years, finding expression in "Blind leading the blind" and "Magpie on the gallows" bitterness and sorrow and in many, ominous "Summer" knives. We think of him immortalizing peasants with "Kermis at Hoboken" and "Kermis of St George," proverbs with "Big fish eat little fish," and winter scenes with "Ice skating before the gate of St George" and "Winter landscape with bird trap": he has been admired for applying an Apelles-type imagination to Hieronymus Bosch-type allegories, with the reptile lying down in "Luxuria" and upside-down frog in "Superbia," and to Eupompas-type nature. He was one of the first Northerners to take on post-Leonardo da Vinci Italian landscape style, coming up with distinctly Flemish scenes, stocky peasants and wide open naturalism, with Sistine Chapel sacrifice of Noah-type hugely solid countryfolk in "Beekeepers," Federico Barocci-type line-flowing tree trunks and white stippled foliage in "Wooded landscape with a distant view," and Cornelis Massys-type commonplace woodland scene and Titan-type balanced composition, broad-reaching lines and cotton-wool foliage in "Wooded landscape with mills." He kept manuscript illumination and miniature painting traditions going in "Tower of Babel" with Giulio Clovio-type teeming, tiny figures. He touched on religion, but by uncommon subject with the Christ-told "Parable of the good shepherd" and "Parable of the wise and foolish virgins" from the New Testament and with "Suicide of Saul" from the Old Testament; and by unusual presentation with the contemporary, stagelike "Death of the virgin." He dipped into comic genre without ending up second-rate with the carefully cross-hatched and solidly outlined "Ass at school." The lasting, widespread popularity of his art was partly due to his designs for prints, whose final look he controlled with Maarten van Heemskerck-type highly specific detail and with printmaker-friendly shading and textures: "Landscape with bears" was the first of 32 drawings directly modeled for prints; and "Rabbit hunt was the only print that he created, with distinctly outlined, light-filled foliage and imposing mountains broadly hatched and finely speckled and with its dark theme of soldiers distressing peasants the same as his "Massacre of the innocents" painting and "Milites requiescentes" print. So Nadine M Orenstein has edited a clearly organized, compellingly written, and wonderfully illustrated book which pools excellent examples of art, along with PIETER BRUEGEL THE ELDER books by Walter S Gibson, Rose-Marie Hagen et al, and Wolfgang Stechow and PIETER BRUEGEL THE ELDER AT THE KUNSTHISTORISCHES MUSEUM IN VIENNA by Pieter Bruegel.

L'artiste est un grand maitre lorsque ses oeuvres sont impactants, d'un gout eternel. En fait, le Paysage d'hiver de Pieter Bruegel pere se trouve entre les oeuvres d'art les plus copies et imites du monde. La plupart des quarantaines de ses peintures survivantes datent de la derniere decade de sa vie. Il est le peintre incomparable de la comedie humaine, dans l'Ane a l'ecole; des paysages flamands au style italien, dans Paysage emboise avec une vue lointaine; des paysans, dans Kermis du St George; et des proverbes, dans Des grands poissons mangent des petits poissons. Il honore les manuscrits enlumines et les miniatures, dans la Tour de Babel. Ses dessins destines aux gravures sont des chefs-d'oeuvres de details, grains, nuances et textures.

The USS PUEBLO, which was captured by the North Koreans on January 23, 1968 was attacked by North Korean naval vessels and MiG jets. One man was killed and several were wounded. The Eighty-two surviving crew members were captured and held prisoner for 11 months -- was the first U.S. Navy ship to be hi-jacked on the high seas by a foreign military force in over 150 years. To date, the capture has resulted in no reprisals against the North Koreans; no military action was taken at the time, or at any later date. This lack of military response guarantees the Pueblo's place in history as a watershed event in our national conscience.

JANUARY 23, 1968 - A SHAMEFUL MILESTONE IN THE DECLINE ANO FALL OF THE UNITED STATES" -- Rear Admiral Daniel V. Gallery, USN (Ret.)

In this hard-hitting, controversial book, Dan Gallery says what he thinks about the incident in which the U.S.S. Pueblo was boarded, captured and surrendered--the only incident of its kind in the United States Navy since the early days of sail. He examines the whole sorry affair beginning with the ship's mission and ending with the Navy's Court of Inquiry and the public's reaction to it. His targets include Commander Bucher, the Naval high command and the Pentagon.

"His critics will accuse him of being pure Hawk," says the Boston Globe, "but his theme is much larger and deeper."

The USS PUEBLO, which was captured by the North Koreans on January 23, 1968 was attacked by North Korean naval vessels and MiG jets. One man was killed and several were wounded. The Eighty-two surviving crew members were captured and held prisoner for 11 months -- was the first U.S. Navy ship to be hi-jacked on the high seas by a foreign military force in over 150 years. To date, the capture has resulted in no reprisals against the North Koreans; no military action was taken at the time, or at any later date. This lack of military response guarantees the Pueblo's place in history as a watershed event in our national conscience.

JANUARY 23, 1968 - A SHAMEFUL MILESTONE IN THE DECLINE ANO FALL OF THE UNITED STATES" -- Rear Admiral Daniel V. Gallery, USN (Ret.)

In this hard-hitting, controversial book, Dan Gallery says what he thinks about the incident in which the U.S.S. Pueblo was boarded, captured and surrendered--the only incident of its kind in the United States Navy since the early days of sail. He examines the whole sorry affair beginning with the ship's mission and ending with the Navy's Court of Inquiry and the public's reaction to it. His targets include Commander Bucher, the Naval high command and the Pentagon.

"His critics will accuse him of being pure Hawk," says the Boston Globe, "but his theme is much larger and deeper."

The USS PUEBLO, which was captured by the North Koreans on January 23, 1968 was attacked by North Korean naval vessels and MiG jets. One man was killed and several were wounded. The Eighty-two surviving crew members were captured and held prisoner for 11 months -- was the first U.S. Navy ship to be hi-jacked on the high seas by a foreign military force in over 150 years. To date, the capture has resulted in no reprisals against the North Koreans; no military action was taken at the time, or at any later date. This lack of military response guarantees the Pueblo's place in history as a watershed event in our national conscience.

JANUARY 23, 1968 - A SHAMEFUL MILESTONE IN THE DECLINE ANO FALL OF THE UNITED STATES" -- Rear Admiral Daniel V. Gallery, USN (Ret.)

In this hard-hitting, controversial book, Dan Gallery says what he thinks about the incident in which the U.S.S. Pueblo was boarded, captured and surrendered--the only incident of its kind in the United States Navy since the early days of sail. He examines the whole sorry affair beginning with the ship's mission and ending with the Navy's Court of Inquiry and the public's reaction to it. His targets include Commander Bucher, the Naval high command and the Pentagon.

"His critics will accuse him of being pure Hawk," says the Boston Globe, "but his theme is much larger and deeper."

The USS PUEBLO, which was captured by the North Koreans on January 23, 1968 was attacked by North Korean naval vessels and MiG jets. One man was killed and several were wounded. The Eighty-two surviving crew members were captured and held prisoner for 11 months -- was the first U.S. Navy ship to be hi-jacked on the high seas by a foreign military force in over 150 years. To date, the capture has resulted in no reprisals against the North Koreans; no military action was taken at the time, or at any later date. This lack of military response guarantees the Pueblo's place in history as a watershed event in our national conscience.

JANUARY 23, 1968 - A SHAMEFUL MILESTONE IN THE DECLINE ANO FALL OF THE UNITED STATES" -- Rear Admiral Daniel V. Gallery, USN (Ret.)

In this hard-hitting, controversial book, Dan Gallery says what he thinks about the incident in which the U.S.S. Pueblo was boarded, captured and surrendered--the only incident of its kind in the United States Navy since the early days of sail. He examines the whole sorry affair beginning with the ship's mission and ending with the Navy's Court of Inquiry and the public's reaction to it. His targets include Commander Bucher, the Naval high command and the Pentagon.

"His critics will accuse him of being pure Hawk," says the Boston Globe, "but his theme is much larger and deeper."

... Today my grandmother gave him the Puzzle Gallery: Food book, and he loves it! The only drawback is that the puzzles can be hard to fit together if you try to do them inside the book. I'd recommend doing them out of the book, on a table or the floor.

This book was a big hit with 2 boys (ages 7 & 8) They enjoyed answering the questions of what to look for in the painting. And the puzzle of the paintings kept them interested in the art by trying to put it back together. Very nice book great' value And a keepsake for other children to use

We got this book for our toddler daughter, who loved looking at the pictures, representing charming examples of children in fine art. At age 2 we introduced her to the actual working of the puzzles, and at 3, having mastered them, it is still one of her favorite books and activities. Highly recommended.

I just got this book for my 2.75 year old son who loves puzzles. I was very pleased to find that, not only did he love to work the puzzles, he was also fascinated with the paintings themselves. He's too young to address the questions that the text poses about each painting, but has spent a good deal of time simply studying each on his own. I highly recommend this book!